Psychoanalysts are father confessors who like to listen to the sins of the father as well.
quote by Karl Kraus
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Related quotes
Listen To The Rain
(Rain)
Listen listen
Listen listen
Listen listen
Listen listen
Listen (listen) listen (listen)
Listen (listen) listen (listen)
Listen (listen) listen (listen)
Listen listen
Listen to each drop of rain (listen listen)
Aaah
Whispering secrets in rain (listen listen)
Aaah
Frantically searching for someone to hear
That story be more than it hides
Please don't let go
Can't we stay for a while?
It's just to hard to say goodbye
Listen to the rain
Aa...ah
Listen listen listen listen listen listen to the rain
Weeping
Oo...ooh oooh ooh oo...ooh
Oo...ooh oooh oh oh
Listen (listen) listen (listen)
Listen (listen) listen
I stand alone in the storm (listen listen)
Suddenly sweet words take hold
(Listen listen)
Hurry they stay for you haven't much time
Open your eyes to the love around you
You can feel youre alone
But I'm here still with you
You can do what you dream
Just remember to listen to the rain
oo...ooh oh oh oh oh
ooh ooh oh oh oooh
Listen
song performed by Evanescence
Added by Lucian Velea
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7 Deadly Sins
7 seven deadly sins
Thats how the world begins
Watch out when you step in
For seven deadly sins
Seven deadly sins
Thats when the fun begins
(seven deadly sins)
(sin number one) was when you left me
(sin number two) you said goodbye
(sin number three) was when you told me a little white lie
Seven deadly sins
Once it starts, it never ends (seven deadly sins)
Watch out aroung the bend (seven deadly sins)
A seven deadly sins (seven deadly sins)
(sin number four) was when you looked my way
(sin number five) was when you smiled
(sin number six) was when you let me stay
Sin number seven was when you touched me and told me why
Seven deadly sins
So many rules to bend
Time and time again
Seven deadly sins
Seven deadly sins
(seven deadly sins)
(seven deadly sins)
(seven deadly sins)
Seven deadly sins
Thats how the world begins (seven deadly sins)
Watch out when you step in (seven deadly sins)
For seven deadly sins
Seven (seven) seven (seven) seven (seven) seven (deadly sins)
song performed by George Harrison
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Talk Soup
I dated siamese twins
I slept with bigfoot, too
Get me on sally jesse
Put me on donahue
cause I wanna tell the world about it
Right now
My dogs a narcoleptic
My moms a circus freak
I gotta get a spot on
Geraldos show this week
cause I wanna tell the world about it
Right now
Im just an anorexic codependant bingo addict
Stripper born without a chin
And Im only comfortable talking about it
When the whole wide world is listening in
Talk soup... talk soup
Listen to me, (listen to me) listen to me, (listen to me) listen to me
My wife ran off with elvis
My boss shaved off my hair
Ive got a thing for poodles
And rubber underwear
And I wanna tell the world about it
Right now
I had a close encounter
I never chew my food
I got eleven nose jobs
I yodel in the nude
And I wanna tell the world about it
Right now
Im just a cross-dressin alcoholic neo-nazi
Porno star, as you may have guessed
And Im really gonna feel a whole lot better
If you let me get this thing off my chest
Talk soup... talk soup
Listen to me, (listen to me) listen to me, (listen to me) listen to me
Im just your average schizophrenic nymphomaniac
Albino go-go dancer, you see
Nothin so bad that I cant share it
With a billion friends on national tv, whoa...
I have no genitalia
I sold my kids for cheese
I love my blow up doll, so
Bring out those cameras, please
cause I wanna tell the world about it
Right now
Talk soup... talk soup
Listen to me, (listen to me) listen to me, (listen to me) listen to me
Talk soup... talk soup
Listen to me, (listen to me) listen to me, (listen to me) listen to me
[...] Read more
song performed by Weird Al Yankovic
Added by Lucian Velea
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My Redemption Poem
When satan fell,
for one wrong mistake.
He was thrown in hell,
it was all he could take.
For there was still light in him,
but with it was now doubt.
Upon his face grew a grin,
all he did was rage and shout.
He yelled to God 'Why did it have to be me? ',
but he didnt answer,
and satan did see.
That hell was his to rule,
with unimaginable pain,
he would truly be cruel.
To all the lost souls,
he was their Dark King.
With their blood in his bowl,
in their pain,
for him they would sing.
Over the eons he became insane,
but there was still light in him.
Hidden in a deep part of his soul,
a place he forgot to know.
And one day their blood spilled out of the bowl,
he felt something stir.
A sadness so deep,
with a pain so true.
He could never sleep,
so the pain was all he could know.
As he sat there,
with tears in his eyes,
he thought noone was there,
noone to hear his cries.
He heard a voice,
and this is what it said 'Son why do you cry? '
He couldnt believe what he heard,
and was voiceless.
God said 'Son your here by your own choice'.
And with that he felt,
in numerous times,
all the pain he had delt.
And now he seen,
that little light,
he could find that little gleam.
He fell to his knees,
for all to see.
He prayed to God,
saying 'Father can i be saved? '.
'Am i doomed to live a life in this darkness? '.
And God said to satan 'My son all you had to do was accept your choice',
[...] Read more
poem by Nick Wingler
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Stop Look & Listen
I was walking down the street
Just the other day
I caught a glimpse
Of life vivid reality
I saw a man on the street
Had no clothes or shoes
These are signs of the times
Thats what they say
Everybody better
Stop look and listen
Stop look and listen
Stop look and listen
To your heart
The prophets of the times
Are written on street car walls
Cant you see them crying
Cant you hear them call
Mother mother children still
Got to grow
Father father where do we go
Stop look and listen
Stop look and listen
Stop look and listen
To your heart
Space age assures us life will
Go on
And everybody trying to believe
Forget the future
Think about right now
Somehow seem to be growing
Theme
Prophets of the times
Are written on street car walls
Cant you see them crying
Cant you hear them calling
Mother mother children still have
To grow
Father father where do we go
Stop look and listen
Stop look and listen
Stop look and listen
To your heart
Space age assures us life will
Go on
Everybody trying to believe
Forget the future
Think about right now
Everybody better
Stop look and listen
Stop look and listen
[...] Read more
song performed by Donna Summer
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The Cenci : A Tragedy In Five Acts
DRAMATIS PERSONÆ
Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.
The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.
ACT I
Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.
Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.
Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!
[...] Read more
poem by Percy Bysshe Shelley
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Tamar
I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
[...] Read more
poem by Robinson Jeffers
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Heroin
Well I wish, I was born
A thousand years ago
And I wish that I sailed
The darkened sea
On a great big clipper ship
Goin from this land into that
In a sailors suit and cap
Away from the big city -
Away from the big city
Where a man cannot be free
Of all the evils in this town
And of himself and those around
And Im closin in on death
And I guess that I just dont know
And I guess that I just dont know
Ah - jesus died for somebodys sins
But not mine
Jesus died for somebodys sins
But not mine
I dont know just where Im goin - ahh
But Im gonna try for the kingdom
If I can - yeah
cause it makes me feel like Im a man
When I put a spike into my vein
And I tell you things arent quite
The same
Its a mainline to my pain
Jesus died for somebodys sins
But not mine - heroin
Jesus died for somebodys sins
(I can feel it)
But not mine - heroin
I said, jesus died for somebodys sins
But not mine - heroin
I have made a very big decision
I gonna try to nullify my life -
You know
I get so low and then the smack flows
I dont care Im gonna make it my wife
Because when the blood begins to flow
And shoots up the droppers neck
And Im closin in on death
You can all go take a walk
And I guess that I just dont know
And I guess that I just dont know
Jesus died for somebodys sins
But not mine - heroin
Jesus died for somebodys sins
(I can feel it)
But not mine - heroin
[...] Read more
song performed by Billy Idol
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First Book
OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.
I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.
I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Who To Listen To
Dont take a ride from a stranger,
No way to know where they go.
You may be left on a long dark road,
Lost and alone.
Dont you recall what your mama told?
Youve got to learn hot from cold.
When youre afraid that you might get burned,
Where do you turn?
Youve got to know who to, (who to)
Who not to listen to.
Youve gotta know who to, (ooooh....)
Who not to listen to.
Well, you know, theyre gonna hit you from all sides,
Better make up your mind
Who to, who not to listen to.
(who to listen to.)
How can you learn what is true and just?
How to know who to trust?
Here comes a man with a scam to sell.
How can you tell?
Youve gotta know theres a bigger plan,
Room to fall, room to stand.
Pray for the plan to begin in you;
Keep your heart true.
Youve got to know who to, (who to)
Who not to listen to.
Youve gotta know who to,
Who not to listen to. (who to listen to.)
Well, you know, theyre gonna hit you from all sides,
Better make up your mind
Who to, who not to listen to.
Its gonna hit you from all sides,
Better make up your mind
Who to, (who to), who not to listen to.
Everyone will have their words to say....
Find the word to help you find your way....
(yeah, yeah, yeah, yeah...yeah...ah....)
Youve got to know who to, (who to)
Who not to listen to.
Youve gotta know who to,
Who not to listen to. (who to listen to.)
Well, you know, theyre gonna hit you from all sides,
Better make up your mind
Who to, who not to listen to.
Theyre gonna hit you from all sides,
Better make up your mind
Who to, who not to listen to. (who to listen to.)
Theyre gonna hit you from all sides.
Hit you from all sides,
Better make up your mind
[...] Read more
song performed by Amy Grant
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The Scapegoat
We have all of us read how the Israelites fled
From Egypt with Pharaoh in eager pursuit of 'em,
And Pharaoh's fierce troop were all put "in the soup"
When the waters rolled softly o'er every galoot of 'em.
The Jews were so glad when old Pharaoh was "had"
That they sounded their timbrels and capered like mad.
You see he was hated from Jordan to Cairo --
Whence comes the expression "to buck against faro".
For forty long years, 'midst perils and fears
In deserts with never a famine to follow by,
The Israelite horde went roaming abroad
Like so many sundowners "out on the wallaby".
When Moses, who led 'em, and taught 'em, and fed 'em,
Was dying, he murmured, "A rorty old hoss you are:
I give you command of the whole of the band" --
And handed the Government over to Joshua.
But Moses told 'em before he died,
"Wherever you are, whatever betide,
Every year as the time draws near
By lot or by rote choose you a goat,
And let the high priest confess on the beast
The sins of the people the worst and the least,
Lay your sins on the goat! Sure the plan ought to suit yer.
Because all your sins are 'his troubles' in future.
Then lead him away to the wilderness black
To die with the weight of your sins on his back:
Of thirst let him perish alone and unshriven,
For thus shall your sins be absolved and forgiven!"
'Tis needless to say, though it reeked of barbarity
This scapegoat arrangement gained great popularity.
By this means a Jew, whate'er he might do,
Though he burgled, or murdered, or cheated at loo,
Or meat on Good Friday (a sin most terrific) ate,
Could get his discharge, like a bankrupt's certificate;
Just here let us note -- Did they choose their best goat?
It's food for conjecture, to judge from the picture
By Hunt in the Gallery close to our door, a
Man well might suppose that the scapegoat they chose
Was a long way from being their choicest Angora.
In fact I should think he was one of their weediest:
'Tis a rule that obtains, no matter who reigns,
When making a sacrifice, offer the seediest;
Which accounts for a theory known to my hearers
Who live in the wild by the wattle beguiled,
That a "stag" makes quite good enough mutton for shearers.
Be that as it may, as each year passed away,
a scapegoat was led to the desert and freighted
[...] Read more
poem by Andrew Barton Paterson
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Our Sins
Our sins are leading us away from the truth!
Our sins are causing all the troubles in this world,
Our sins are bringing about all these wars around us,
Our sins have torn us apart from love! !
And, we now hate each other in this world.
Glabal warming! !
And, it is all because of our sins;
Our sins have really destroyed everything around us.
Just watch the news!
Just listen to your neihbour!
Just look around you!
Just see how much hatred is being expressed among us!
Our sins have torn us apart from love.
Scenes, sins!
Of the scenes of life full of many troubles;
All in the name of our sins.
The Creator, whose Original Name is Yahweh,
Created us all with true love in many colours;
But, our sins have led us to hate each other on this earth.
Famine, disaster, sickness, accident, drought!
And all the global warming seen around us;
Are all caused by our sins because,
We failed to follow the Laws of Yahweh.
poem by Edward Kofi Louis
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Tiriel
1
And Aged Tiriel. stood before the Gates of his beautiful palace
With Myratana. once the Queen of all the western plains
But now his eyes were darkned. & his wife fading in death
They stood before their once delightful palace. & thus the Voice
Of aged Tiriel. arose. that his sons might hear in their gates
Accursed race of Tiriel. behold your father
Come forth & look on her that bore you. come you accursed sons.
In my weak arms. I here have borne your dying mother
Come forth sons of the Curse come forth. see the death of Myratana
His sons ran from their gates. & saw their aged parents stand
And thus the eldest son of Tiriel raisd his mighty voice
Old man unworthy to be calld. the father of Tiriels race
For evry one of those thy wrinkles. each of those grey hairs
Are cruel as death. & as obdurate as the devouring pit
Why should thy sons care for thy curses thou accursed man
Were we not slaves till we rebeld. Who cares for Tiriels curse
His blessing was a cruel curse. His curse may be a blessing
He ceast the aged man raisd up his right hand to the heavens
His left supported Myratana shrinking in pangs of death
The orbs of his large eyes he opend. & thus his voice went forth
Serpents not sons. wreathing around the bones of Tiriel
Ye worms of death feasting upon your aged parents flesh
Listen & hear your mothers groans. No more accursed Sons
She bears. she groans not at the birth of Heuxos or Yuva
These are the groans of death ye serpents These are the groans of death
Nourishd with milk ye serpents. nourishd with mothers tears & cares
Look at my eyes blind as the orbless scull among the stones
Look at my bald head. Hark listen ye serpents listen
What Myratana. What my wife. O Soul O Spirit O fire
What Myratana. art thou dead. Look here ye serpents look
The serpents sprung from her own bowels have draind her dry as this[.]
Curse on your ruthless heads. for I will bury her even here
So saying he began to dig a grave with his aged hands
But Heuxos calld a son of Zazel. to dig their mother a grave
Old cruelty desist & let us dig a grave for thee
Thou hast refusd our charity thou hast refusd our food
Thou hast refusd our clothes our beds our houses for thy dwelling
Chusing to wander like a Son of Zazel in the rocks
Why dost thou curse. is not the curse now come upon your head
Was it not you enslavd the sons of Zazel. & they have cursd
And now you feel it. Dig a grave & let us bury our mother
There take the body. cursed sons. & may the heavens rain wrath
As thick as northern fogs. around your gates. to choke you up
That you may lie as now your mother lies. like dogs. cast out
The stink. of your dead carcases. annoying man & beast
Till your white bones are bleachd with age for a memorial.
No your remembrance shall perish. for when your carcases
Lie stinking on the earth. the buriers shall arise from the east
[...] Read more
poem by William Blake (1789)
Added by Veronica Serbanoiu
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Lancelot And Elaine
Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.
How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.
For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares
[...] Read more
poem by Alfred Lord Tennyson
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Listen To Love
Baby close your eyes, listen to love
See what dreams are made of
Oh, and if one kiss
Speaks to us like this
Why resist it, baby, listen to love
The voices of reason
Say not to leap in
They tell me be careful, friend
Dont get burned again
But when I feel your heartbeat
I know something beautiful is starting
We need to believe in
Baby close your eyes, listen to love
See what dreams are made of
Oh, and if one kiss
Speaks to us like this
Why resist it, baby, listen to love
Venus rose out of the sea
Looking for you and me
She showed us the stars above
Said all we need is love
Its no time to be modest
Give it up, surrender to the goddess
You know in your heart its true
Baby, shes calling you
Come on now, come on now, come on now
Tell me you can hear it
Come on now, come on now
Open up your heart, listen to love
The stuff that dreams are made of
Oh and if one touch
Can reveal so much
Dont you know weve got to listen to love
Baby close your eyes, listen to love
See what dreams are made of
Oh, and if one kiss
Speaks to us like this
Why resist it, baby, listen to love
Why resist it, baby, listen
Listen to love
Come on now, come on now, come on now
Tell me you can hear it
Come on now, come on now
Open up your heart, listen to love
The stuff that dreams are made of
Oh and if one touch
Can reveal so much
Dont you know weve got to listen to love
Baby close your eyes, listen to love
See what dreams are made of
[...] Read more
song performed by Belinda Carlisle
Added by Lucian Velea
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Baby
I wanna thank y'all for coming to see the preacher's son tonight (thank you)
Fellas, hold on to your girl right now
Yeah right now we're gonna slow the whole dancefloor down
Oh yeah, take it back to the old school, let's go
Baby, let me holla at you
You know there's no greater love
Than a woman who loves a man
And a man who loves a woman, ah yeah
I wanna love ya
And I ain't talking trash neither, ey
This is something that I can feel deep in my soul, oh, oh
We gonna listen to some Marvin
We gonna listen to some Isley
We gonna listen to some Teddy Pendergrass (Pendergrass)
Ooh, once I got you in the mood
I wanna introduce myself to you
We gonna listen to Smokey
We gonna listen to Stevie
We gonna listen to Donny Hathaway
Ooh, would you please lay your body next to mine, ah yeah
Doggy, and I ain't talking bout my pitbull neither
I'm talking about the first lady
That was there in the beginning when your daughter wasn't with it, oh yeah
I wanna love ya
And I ain't talking trash neither, ey
This is something that I can feel deep in my soul, oh, oh
We gonna listen to some Marvin (Marvin)
We gonna listen to some Isley (Isley)
We gonna listen to some Teddy Pendergrass (Pendergrass)
Ooh, once I got you in the mood
I wanna introduce myself to you
We gonna listen to Smokey
We gonna listen to Stevie
We gonna listen to Donny Hathaway
Ooh, would you please lay your body next to mine, ah yeah
Yeah, I'm a young man with an old school, girl
But then you told me a good woman
Is worth more than diamonds and precious pearls
Yeah, yeah, yeah
So lay back, and let me massage you, everywhere now
I can feel them move with your body
Harder, harder, harder, harder, harder
You make me so hot
We gonna listen to some Marvin
We gonna listen to some Isley
We gonna listen to some Teddy Pendergrass (Pendergrass)
Ooh, once I got you in the mood
I wanna introduce myself to you
We gonna listen to Smokey
We gonna listen to Stevie
[...] Read more
song performed by Wyclef Jean
Added by Lucian Velea
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Baby
I wanna thank y'all for coming to see the preacher's son tonight (thank you)
Fellas, hold on to your girl right now
Yeah right now we're gonna slow the whole dancefloor down
Oh yeah, take it back to the old school, let's go
Baby, let me holla at you
You know there's no greater love
Than a woman who loves a man
And a man who loves a woman, ah yeah
I wanna love ya
And I ain't talking trash neither, ey
This is something that I can feel deep in my soul, oh, oh
We gonna listen to some Marvin
We gonna listen to some Isley
We gonna listen to some Teddy Pendergrass (Pendergrass)
Ooh, once I got you in the mood
I wanna introduce myself to you
We gonna listen to Smokey
We gonna listen to Stevie
We gonna listen to Donny Hathaway
Ooh, would you please lay your body next to mine, ah yeah
Doggy, and I ain't talking bout my pitbull neither
I'm talking about the first lady
That was there in the beginning when your daughter wasn't with it, oh yeah
I wanna love ya
And I ain't talking trash neither, ey
This is something that I can feel deep in my soul, oh, oh
We gonna listen to some Marvin (Marvin)
We gonna listen to some Isley (Isley)
We gonna listen to some Teddy Pendergrass (Pendergrass)
Ooh, once I got you in the mood
I wanna introduce myself to you
We gonna listen to Smokey
We gonna listen to Stevie
We gonna listen to Donny Hathaway
Ooh, would you please lay your body next to mine, ah yeah
Yeah, I'm a young man with an old school, girl
But then you told me a good woman
Is worth more than diamonds and precious pearls
Yeah, yeah, yeah
So lay back, and let me massage you, everywhere now
I can feel them move with your body
Harder, harder, harder, harder, harder
You make me so hot
We gonna listen to some Marvin
We gonna listen to some Isley
We gonna listen to some Teddy Pendergrass (Pendergrass)
Ooh, once I got you in the mood
I wanna introduce myself to you
We gonna listen to Smokey
We gonna listen to Stevie
[...] Read more
song performed by Wyclef Jean
Added by Lucian Velea
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The Odyssey: Book 1
Tell me, o muse, of that ingenious hero who travelled far and wide
after he had sacked the famous town of Troy. Many cities did he visit,
and many were the nations with whose manners and customs he was
acquainted; moreover he suffered much by sea while trying to save
his own life and bring his men safely home; but do what he might he
could not save his men, for they perished through their own sheer
folly in eating the cattle of the Sun-god Hyperion; so the god
prevented them from ever reaching home. Tell me, too, about all
these things, O daughter of Jove, from whatsoever source you may
know them.
So now all who escaped death in battle or by shipwreck had got
safely home except Ulysses, and he, though he was longing to return to
his wife and country, was detained by the goddess Calypso, who had got
him into a large cave and wanted to marry him. But as years went by,
there came a time when the gods settled that he should go back to
Ithaca; even then, however, when he was among his own people, his
troubles were not yet over; nevertheless all the gods had now begun to
pity him except Neptune, who still persecuted him without ceasing
and would not let him get home.
Now Neptune had gone off to the Ethiopians, who are at the world's
end, and lie in two halves, the one looking West and the other East.
He had gone there to accept a hecatomb of sheep and oxen, and was
enjoying himself at his festival; but the other gods met in the
house of Olympian Jove, and the sire of gods and men spoke first. At
that moment he was thinking of Aegisthus, who had been killed by
Agamemnon's son Orestes; so he said to the other gods:
"See now, how men lay blame upon us gods for what is after all
nothing but their own folly. Look at Aegisthus; he must needs make
love to Agamemnon's wife unrighteously and then kill Agamemnon, though
he knew it would be the death of him; for I sent Mercury to warn him
not to do either of these things, inasmuch as Orestes would be sure to
take his revenge when he grew up and wanted to return home. Mercury
told him this in all good will but he would not listen, and now he has
paid for everything in full."
Then Minerva said, "Father, son of Saturn, King of kings, it
served Aegisthus right, and so it would any one else who does as he
did; but Aegisthus is neither here nor there; it is for Ulysses that
my heart bleeds, when I think of his sufferings in that lonely
sea-girt island, far away, poor man, from all his friends. It is an
island covered with forest, in the very middle of the sea, and a
goddess lives there, daughter of the magician Atlas, who looks after
the bottom of the ocean, and carries the great columns that keep
heaven and earth asunder. This daughter of Atlas has got hold of
poor unhappy Ulysses, and keeps trying by every kind of blandishment
to make him forget his home, so that he is tired of life, and thinks
of nothing but how he may once more see the smoke of his own chimneys.
You, sir, take no heed of this, and yet when Ulysses was before Troy
did he not propitiate you with many a burnt sacrifice? Why then should
you keep on being so angry with him?"
And Jove said, "My child, what are you talking about? How can I
[...] Read more
poem by Homer, translated by Samuel Butler
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Hudibras: Part 3 - Canto II
THE ARGUMENT
The Saints engage in fierce Contests
About their Carnal interests;
To share their sacrilegious Preys,
According to their Rates of Grace;
Their various Frenzies to reform,
When Cromwel left them in a Storm
Till, in th' Effigy of Rumps, the Rabble
Burns all their Grandees of the Cabal.
THE learned write, an insect breeze
Is but a mungrel prince of bees,
That falls before a storm on cows,
And stings the founders of his house;
From whose corrupted flesh that breed
Of vermin did at first proceed.
So e're the storm of war broke out,
Religion spawn'd a various rout
Of petulant Capricious sects,
The maggots of corrupted texts,
That first run all religion down,
And after ev'ry swarm its own.
For as the Persian Magi once
Upon their mothers got their sons,
That were incapable t' enjoy
That empire any other way;
So PRESBYTER begot the other
Upon the good old Cause, his mother,
Then bore then like the Devil's dam,
Whose son and husband are the same.
And yet no nat'ral tie of blood
Nor int'rest for the common good
Cou'd, when their profits interfer'd,
Get quarter for each other's beard.
For when they thriv'd, they never fadg'd,
But only by the ears engag'd:
Like dogs that snarl about a bone,
And play together when they've none,
As by their truest characters,
Their constant actions, plainly appears.
Rebellion now began, for lack
Of zeal and plunders to grow slack;
The Cause and covenant to lessen,
And Providence to b' out of season:
For now there was no more to purchase
O' th' King's Revenue, and the Churches,
But all divided, shar'd, and gone,
That us'd to urge the Brethren on;
Which forc'd the stubborn'st for the Cause,
[...] Read more
poem by Samuel Butler
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Sohrab and Rustum
And the first grey of morning fill'd the east,
And the fog rose out of the Oxus stream.
But all the Tartar camp along the stream
Was hush'd, and still the men were plunged in sleep;
Sohrab alone, he slept not; all night long
He had lain wakeful, tossing on his bed;
But when the grey dawn stole into his tent,
He rose, and clad himself, and girt his sword,
And took his horseman's cloak, and left his tent,
And went abroad into the cold wet fog,
Through the dim camp to Peran-Wisa's tent.
Through the black Tartar tents he pass'd, which stood
Clustering like bee-hives on the low flat strand
Of Oxus, where the summer-floods o'erflow
When the sun melts the snows in high Pamere
Through the black tents he pass'd, o'er that low strand,
And to a hillock came, a little back
From the stream's brink--the spot where first a boat,
Crossing the stream in summer, scrapes the land.
The men of former times had crown'd the top
With a clay fort; but that was fall'n, and now
The Tartars built there Peran-Wisa's tent,
A dome of laths, and o'er it felts were spread.
And Sohrab came there, and went in, and stood
Upon the thick piled carpets in the tent,
And found the old man sleeping on his bed
Of rugs and felts, and near him lay his arms.
And Peran-Wisa heard him, though the step
Was dull'd; for he slept light, an old man's sleep;
And he rose quickly on one arm, and said:--
"Who art thou? for it is not yet clear dawn.
Speak! is there news, or any night alarm?"
But Sohrab came to the bedside, and said:--
"Thou know'st me, Peran-Wisa! it is I.
The sun is not yet risen, and the foe
Sleep; but I sleep not; all night long I lie
Tossing and wakeful, and I come to thee.
For so did King Afrasiab bid me seek
Thy counsel, and to heed thee as thy son,
In Samarcand, before the army march'd;
And I will tell thee what my heart desires.
Thou know'st if, since from Ader-baijan first
I came among the Tartars and bore arms,
I have still served Afrasiab well, and shown,
At my boy's years, the courage of a man.
This too thou know'st, that while I still bear on
The conquering Tartar ensigns through the world,
[...] Read more
poem by Matthew Arnold (1853)
Added by Veronica Serbanoiu
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