Open the door to me, as I have opened myself for you.
quote by Jesus Christ
Added by Lucian Velea
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Related quotes
The Only Way To Control Things
The only way to control things is with an open hand.
Water on rock
a fist can't do anything to stop the rain
that keeps washing its bloody knuckles
by kissing the raw red buds
of the pain-killing poppies clean.
Anger grows ashamed of itself
in the presence of unopposable compassion
just as planets are humbled by their atmospheres.
The soft supple things of life insist
and the hard brittle ones comply.
Bullies are the broken toys of wimps.
Power limps.
But space is an open hand.
Mass may shape it
but it teaches matter how to move
just as the sky converts its openness
into a cloud and a bird
or the silence nurtures
the embryo of a blue word
in the empty womb of the dark mother
like the echo of something that can't be said.
The only way to control things is with an open hand.
Not a posture of giving.
Not a posture of receiving.
Not a posture of greeting or farewell.
Not hanging on or letting go
but the single bridge they both make
when they're both at peace with the flow.
It's not the branch it's not the trunk
it's not the root it's not the fruit
but the open handedness of its leaves
that is a tree's consummate passion.
Isis tattoos her star on their palms
like sailors and sails
to keep them from drowning
and into the valleys of their open hands
that lie at the foot of their crook-backed mountains
the aloof stars risk the intimacy of fireflies
and fate flows down like tributaries into the mindstream
as life roots its wildflowers on both shores
as if there were no sides to the flowing
of our binary lifelines.
The only way to control things is with an open hand.
You cannot bind the knower to the knowing
as if time had to know where eternity was going
before anything could change.
X marks the spot where all maps are born
[...] Read more
poem by Patrick White
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Open Your Box
Open your box,
Open your box,
Open your trousers,
Open your thighs,
Open your legs,
Open, open, open, open, oooh.
Open, open, open, open,
Open your legs,
Open your flies,
Open your ears,
Open your nose,
Open your mouth,
Open, open, open, open, oooh.
Open.
Open your cold feet,
Open, open,
Open, open, open, let's open, let's open the cities.
Open the cities,
Open, open, open the world,
Open, let's open the world.
Open, open, oooh -
Open, open, ooh!
song performed by Yoko Ono
Added by Lucian Velea
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Open Your Box
Open your box,
Open your box,
Open your trousers,
Open your thighs,
Open your legs,
Open, open, open, open, oooh.
Open, open, open, open,
Open your legs,
Open your flies,
Open your ears,
Open your nose,
Open your mouth,
Open, open, open, open, oooh.
Open.
Open your cold feet,
Open, open,
Open, open, open, let's open, let's open the cities.
Open the cities,
Open, open, open the world,
Open, let's open the world.
Open, open, oooh -
Open, open, ooh!
song performed by Yoko Ono
Added by Lucian Velea
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A glimpse
a glimpse
the half opened door
some would say
a half closed door
it all depends on the
state of mind you are in
well half closed for pessismist
and half opened for optimist
half opened or half closed door
so long as it is open
and not close
a good exercise for the mind
of a story teller, novelist, a film maker
a glimpse at the half closed door
the mind is thrown open
like the kick you would give
a half opened door
so that you and pet cat could
glide through easily
the stories that start coming out
from a glimpse at the half opened door
agatha's murdered corpse lying behind
a stalker, a ghost in the corridor of the mind
from the glimpse of the half closed door
a million possibilities, ideas pouring forth
half closed door, half opened door
whichever way you may say
it is an opened door
a million stories, ideas, possibilities
knock at the door of my mind
a glimpse of the half closed, half opened door
my half closed half opened eyes
open themselves to my ever curious mind
boundless as the universe
inspired by
A Glimpse
A GLIMPSE, through an interstice caught,
Of a crowd of workmen and drivers in a bar-room, around the stove,
late of a winter night-And I unremark'd seated in a corner;
Of a youth who loves me, and whom I love, silently approaching, and
seating himself near, that he may hold me by the hand;
A long while, amid the noises of coming and going-of drinking and
oath and smutty jest,
There we two, content, happy in being together, speaking little,
perhaps not a word.
Walt Whitman
poem by John Tiong Chunghoo
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How Wide The Sky
Stop peeking, open that door.
Stop peeking, open that door.
Stop peeking, open that door.
Stop peeking, open that door.
Come out and from behind,
Those fears locked up...
In your mind.
Stop peeking, open that door.
Stop peeking, open that door.
Come out and from behind,
Those fears locked up...
In your mind.
Stop peeking, open that door.
Stop peeking, open that door.
How wide the sky,
When your eyes see it!
Stop peeking, open that door.
Stop peeking, open that door.
How wide the sky,
When your eyes see it!
Stop peeking, open that door.
Stop peeking, open that door.
Come out and from behind,
Those fears locked up...
In your mind.
Stop peeking, open that door.
Stop peeking, open that door.
Stop peeking, open that door.
Stop peeking, open that door.
How wide the sky,
When your eyes see it!
poem by Lawrence S. Pertillar
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Pandoras Box
If I had known of what would come
I might have walked outta here a lot less harmed
But Im no lady of the glass
And I cant foretell what will pass
And I went with my defenses down
As your love sent me spinning spinning round
Oh you took me to the very top
And then I took a bad (and) long long drop
Oh promises are made to be broken
Thats all I ever learned from loving you
And oh when you opened up your love to me
You opened up pandoras box
Oh promises are made to bend and stretch oh
And end up being really worthless
And oh when I opened up the door to you
I opened up pandoras box
Just one look and I knew you knew
I was all hung up hung up on loving you
I just put all my trust in love
And I placed a big old bet on lady love
I was sentenced to loving you
And Im serving time in solitude
Yeah I gave ya everything that I got
And you took it all and walked right off
Oh promises are made to be broken
Thats all I ever learned from loving you
And oh when you opened up your love to me
You opened up pandoras box
Oh promises are made to bend and stretch oh
And end up being really worthless
And oh when I opened up the door to you
I opened up pandoras box
Just one look and I knew you knew
I was all hung up hung up on loving you
I just put all my trust in love
And I placed a big old bet on lady love
Oh promises are made to be broken
Thats all I ever learned from loving you
And oh when you opened up your love to me
You opened up pandoras box
Oh promises are made to bend and stretch oh
And end up being really worthless
And oh when I opened up the door to you
I opened up pandoras box
Oh promises are made to be broken
Thats all I ever learned from loving you
And oh when you opened up your love to me
You opened up pandoras box
Oh promises are made to bend and stretch oh
And en up being really worthless
song performed by Donna Summer
Added by Lucian Velea
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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Thurso’s Landing
I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.
II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,
[...] Read more
poem by Robinson Jeffers
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Knockin On Heavens Door
Mama take this badge off of me
I cant wear it anymore
Its getting too dark, too dark to see
And I feel like im
Feel Im knockin on heavens door
Knock, knock, knockin on heavens door
I feel like, I feel like im
Knock, knock, knockin on heavens door
I said i, I feel im
Knock, knock, knockin on heavens door
Mama mama mama
Knock, knock, knockin on heavens door
Oh
Take these guns and put em to the ground
I cant, I cant, I cant
I just cant shoot them anymore
Theres a long black cloud
Theres a long black cloud
You know its a, its a comin down
I feel i, I feel i, I feel im
I feel Im knockin on heavens door
Knock, knock, knockin on heavens door
Now I said mama mama
Knock, knock, knockin on heavens door
Oh now
Knock, knock, knockin on heavens door
Oh
Knock, knock, knockin on heavens door
Wipe this blood from my face
I cant see through the walls
Six white horses coming to carry me away
I feel Im knockin on heavens door
Im
Knock, knock, knockin on heavens door
Gonna take me, gonna take me, gonna take me now
Knock, knock, knockin on heavens door
Wipe this, wipe this, wipe this, wipe this
Knock, knock, knockin on heavens door
Oh mama im
Knock, knock, knockin on heavens door
Mama take these chains off of me
Cause I dont, I dont want them anymore
Theyre getting too damn heavy
And Im crawling across the floor
I feel like, I feel like Im knockin on heavens door
Oh mama
Knock, knock, knockin on heavens door
Ah mama mama mama
Knock, knock, knockin on heavens door
Gonna take me, gonna take me, gonna take me
[...] Read more
song performed by Indigo Girls
Added by Lucian Velea
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Open The Gate
I see you from the distance
From beyond the fence you made
Hiding all your feelings
Behind your barricade
Oh have you been invaded
Is this the reason why you hide
I know just how you're feeling
I know - let me inside
Open the gate up
Open the gate up - hurry
Open the gate up - hurry
I want to get near you
But you just won't let me in
'Cause you're so scared of losing
Everything you've got within
Come on now you can trust me
Come on and open the door
'Cause I know just how you're feeling
I know - I've been there before
Open the gate up
Open the gate up - hurry
Open the gate up
Hurry hurry hurry hurry
And do it right now
Do it right now
Do it right now
Do it right now - hurry
Do it right now - do it right now
Do it right now - do it right now
And do it right now - do it right now
Do it right now - do it right now
Hurry
Open the gate up
Open the gate up - hurry
Open the gate up
Hurry hurry hurry hurry
Open the gate up - open the gate up
Or I'm gonna knock the damn door down
Open the gate up - open the gate up
Or I'm gonna knock the damn door down
Open the gate up - open the gate up
Or I'm gonna knock the damn door down
Open the gate up - open the gate up
Or I'm gonna knock the damn door down
[...] Read more
song performed by No Doubt from Beacon Street Collection
Added by Lucian Velea
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Knockin On Heavens Door
Mama take this badge off of me
I cant use it any more
Its gettin dark, too dark to see
I feel like Im knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Mama, wipe the blood from my face
Im sick and tired of the war
[...]
I feel like Im knockin on heaves door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
song performed by George Harrison
Added by Lucian Velea
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Evangeline: A Tale of Acadie
This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.
This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.
Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.
PART THE FIRST
I
In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors
[...] Read more
poem by Henry Wadsworth Longfellow
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The Tower Beyond Tragedy
I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.
[...] Read more
poem by Robinson Jeffers
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Roan Stallion
The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.
[...] Read more
poem by Robinson Jeffers
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Music Of My Heart (feat. Gloria Estefan)
You'll never know
What you've done for me
What your faith in me
Has done for my soul (echo)
And you'll never know the gift you've given me
I'll carry it with me
yeah ee yeah
Through the days ahead I'll think of days before (mm hmm)
You made me hope for something better (yes you did)
And made me reach for something more
Chorus 1
You taught me to run
You taught me to fly
Helped me to free the me inside
Helped me hear the music of my heart
Helped me hear the music of my heart
Chorus 2
You opened my eyes
You opened the door
To something I'd never known before
And your love (love)
Is the music of my heart (music of my heart)
You were the one
Always on my side (always on my side)
Always standing by (always standing by)
Seeing me through
You were the song that always made me sing
I'm singing this for you (singing this for you baby)
Everywhere I go I'll think of where I've been (think of where I've been)
And you're the one who knew me better than anyone ever will again (?)
Chorus 1
You taught me to run
You taught me to fly
Helped me to free the me inside (siiidee)
Helped me hear the music of my heart
Helped me hear the music of my heart (yeah, yeah, yeah, yeah)
Chorus 2
You opened my eyes
You opened the door (you opened the door)
To something I'd never known before (ohh ohhhhh)
And your love (your love)
Is the music of my heart (music of my heart)
What you taught me
Only your love could ever teach me
You got through when no one else could reach me (baby ohhh ohhh ohhh)
'Cuz you always saw in me
All the best that I could be
It was you who set me free
Chorus 1
You taught me to run
[...] Read more
song performed by N Sync
Added by Lucian Velea
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Open Arms
If love is what you want
Baby here I am
If tenderness is what you need
Ive got that to give
If you need some affection
Baby these are open arms
Open arms open arms open arms open arms
You come hem youve had a hard day
Every door you tried to open
Was closing in your face
Im right here Ill be right here
Ill embrace you
Ill be open with my heart
Ill let you in
Ill be open with my thoughts
Ill be your best friend
If you need some attention
Baby these are open arms
Open arms open arms open arms open arms
Every corner you turn
Trouble come your way
But when you get home
Ill try to be there
And Ill embrace you
These are
These are
These are
Open arms
If time is what you need
Baby Ill stop the clocks
If youre looking for something
Maybe Ive got what you want
If theres one thing to remember
Dont forget that these are open arms
Open arms open arms open arms open arms
These are
These are
These are
Open arms
song performed by Tracy Chapman
Added by Lucian Velea
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Let My Love Open The Door
Pete Townshend) (various dates)
The people keep repeatin'
The children follow along
Everybody keeps from changin'
And you could say you did enough...
Let my love open your door... (3x)
To your heart...
Let my love open the door (2x)
When everything feels all over
Everybody seems unkind
I'll give you a four-leaf clover
Take all worries out of your mind
Let my love open your door... (3x)
To your heart...
Let my love open the door...
To your heart...
Let my love open the door...
Have the only key to your heart...
I can stop you from fallin' apart
Tried to say in my own way...
Somebody give me the chance to say...
Let my love open your door...
It's all I'm lookin' for
And erase yourself from misery
There's only one thing that's gonna set you free...
When trouble really falls you...
Don't let it tie you down
Love can cure your problems
You're so lucky I'm around
Let my love open your door... (3x)
To your heart...
Let my love open the door...
To your heart...
Let my love open the door... (5x)
Oh...to your heart...
Oh...baby, I know I said, I said, I said, I said, I said, I said...
...I said, I said, I said, I said, I said, I said...
Oh...na na na...let my love open the door...
Let my love... (2x
song performed by Pearl Jam
Added by Lucian Velea
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The Odyssey: Book 22
Then Ulysses tore off his rags, and sprang on to the broad
pavement with his bow and his quiver full of arrows. He shed the
arrows on to the ground at his feet and said, "The mighty contest is
at an end. I will now see whether Apollo will vouchsafe it to me to
hit another mark which no man has yet hit."
On this he aimed a deadly arrow at Antinous, who was about to take
up a two-handled gold cup to drink his wine and already had it in
his hands. He had no thought of death- who amongst all the revellers
would think that one man, however brave, would stand alone among so
many and kill him? The arrow struck Antinous in the throat, and the
point went clean through his neck, so that he fell over and the cup
dropped from his hand, while a thick stream of blood gushed from his
nostrils. He kicked the table from him and upset the things on it,
so that the bread and roasted meats were all soiled as they fell
over on to the ground. The suitors were in an uproar when they saw
that a man had been hit; they sprang in dismay one and all of them
from their seats and looked everywhere towards the walls, but there
was neither shield nor spear, and they rebuked Ulysses very angrily.
"Stranger," said they, "you shall pay for shooting people in this way:
om yi you shall see no other contest; you are a doomed man; he whom
you have slain was the foremost youth in Ithaca, and the vultures
shall devour you for having killed him."
Thus they spoke, for they thought that he had killed Antinous by
mistake, and did not perceive that death was hanging over the head
of every one of them. But Ulysses glared at them and said:
"Dogs, did you think that I should not come back from Troy? You have
wasted my substance, have forced my women servants to lie with you,
and have wooed my wife while I was still living. You have feared
neither Cod nor man, and now you shall die."
They turned pale with fear as he spoke, and every man looked round
about to see whither he might fly for safety, but Eurymachus alone
spoke.
"If you are Ulysses," said he, "then what you have said is just.
We have done much wrong on your lands and in your house. But
Antinous who was the head and front of the offending lies low already.
It was all his doing. It was not that he wanted to marry Penelope;
he did not so much care about that; what he wanted was something quite
different, and Jove has not vouchsafed it to him; he wanted to kill
your son and to be chief man in Ithaca. Now, therefore, that he has
met the death which was his due, spare the lives of your people. We
will make everything good among ourselves, and pay you in full for all
that we have eaten and drunk. Each one of us shall pay you a fine
worth twenty oxen, and we will keep on giving you gold and bronze till
your heart is softened. Until we have done this no one can complain of
your being enraged against us."
Ulysses again glared at him and said, "Though you should give me all
that you have in the world both now and all that you ever shall
have, I will not stay my hand till I have paid all of you in full. You
must fight, or fly for your lives; and fly, not a man of you shall."
Their hearts sank as they heard him, but Eurymachus again spoke
[...] Read more
poem by Homer, translated by Samuel Butler
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The Tower of the Dream
Part I
HOW wonderful are dreams! If they but be
As some have said, the thin disjoining shades
Of thoughts or feelings, long foregone or late,
All interweaving, set in ghostly act
And strange procession, fair, grotesque, or grim,
By mimic fancy; wonderful no less
Are they though this be true and wondrous more
Is she, who in the dark, and stript of sense,
Can wield such sovereignty—the Queen of Art!
For what a cunning painter is she then,
Who hurriedly embodying, from the waste
Of things memorial littering life’s dim floor,
The forms and features, manifold and quaint,
That crowd the timeless vistas of a dream,
Fails in no stroke, but breathes Pygmalion-like
A soul of motion into all her work;
And doth full oft in magic mood inspire
Her phantom creatures with more eloquent tones
Than ever broke upon a waking ear.
But are they more? True glimpses oft, though vague,
Over that far unnavigable sea
Of mystic being, where the impatient soul
Is sometimes wont to stray and roam at large?
No answer comes. Yet are they wonderful
However we may rank them in our lore,
And worthy some fond record are these dreams
That with so capable a wand can bring
Back to the faded heart the rosy flush
And sweetness of a long-fled love, or touch
The eyes of an old enmity with tears
Of a yet older friendship; or restore
A world-lost mate, or reunite in joy
The living and the dead!—can, when so wills
Their wand’s weird wielder, whatsoe’er it be,
Lift up the fallen—fallen however low!
Give youth unto the worn, enrich the poor;
Build in the future higher than the hope
Of power, when boldest, ever dared to soar;
Annul the bars of space, the dens of time,
Giving the rigid and cold-clanking chain
Which force, that grey iniquity, hath clenched
About its captive, to relent,—yea, stretch
Forth into fairy-land, or melt like wax
In that fierce life whose spirit lightens wide
Round freedom, seated on her mountain throne.
But not thus always are our dreams benign;
Oft are they miscreations—gloomier worlds,
[...] Read more
poem by Charles Harpur
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