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Dorothy L. Sayers

The worst sin - perhaps the only sin - passion can commit, is to be joyless.

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The things I love with a passion

I rock and roll with passion
I talk out my soul with a passion

I eat good food with passion
I defeat bad mood with a passion

I sleep well with passion
I weep hell with a passion

I dream endlessly with passion
I gleam ceaselessly with a passion

I aim for money with passion
I do the same for honey with a passion

I listen carefully with passion
I glisten dutifully with a passion

I search for fame with passion
I research to blame with a passion

I walk everyday with passion
I talk and play with a passion

I embrace life with passion
I face nightlife with a passion

I laugh out with passion
I chaffe about with a passion

I cook with others with passion
I look at mothers with a passion

I touch gently with passion
I clutch tightly with a passion

I work hard with a passion
I rock mad with a passion

I gear up goals with passion
I stir up roles with a passion

I make friends with passion
I take weekends with a passion

I love kissing with passion
I love teasing with a passion

I make love with passion
I take from above with a passion

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Passion

(rod stewart / chen, savigar, cregan, grainger)
Somebody somewhere
In the heat of the night
Looking pretty dangerous
Running out of patience
Tonight in the city
You wont find any pity
Hearts are being twisted
Another lover cheated, cheated
In the bars and the cafes, passion
In the streets and the alleys, passion
A lot of pretending, passion
Everybody searching, passion
Once in love youre never out of danger
One hot night spent with a stranger
All you wanted was somebody to hold on to yeah
Passion, passion
Passion, passion
New york, moscow, passion
Hong kong, tokyo, passion
Paris and bangkok, passion
A lotta people aint got, passion
Hear it in the radio, passion
Read it in the papers, passion
Hear it in the churches, passion
See it in the school yards, passion
Once in love youre never out of danger
One hot night spent with a stranger
All you wanted was somebody to hold on to yeah
Once in love youre never out of danger
One hot night spent with a stranger
All you wanted was somebody to hold on to yeah
Alone in your bed at night, passion
Its half past midnight, passion
As you turn out your sidelight, passion
Something aint right, passion
Theres no passion, theres no passion
Theres no passion, I need passion
You need passion, we need passion
Cant live without passion
Wont live without passion
Even the president needs passion
Everybody I know needs some passion
Some people die and kill for passion
Nobody admits they need passion
Some people are scared of passion
Yeah passion

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The greatest sin

Having supremely spell binding eyes was simply not a sin at all; but
pretending that you were gruesomely blind; unable to see a step
further even after possessing them right since innocent childhood;
was the greatest sin,

Having robust complexioned feet was simply not a sin at all; but
pretending that you couldn't walk even an inch forward; had not the
slightest of capacity to run even after possessing them right since
innocent childhood; was the greatest sin,

Having tenaciously knotted fingers projecting from the palm was
simply not a sin at all; but pretending that you had grave difficulty
in hoisting objects; didn't posses the most minuscule of power to
defend yourself even after possessing them right since innocent
childhood; was the greatest sin,

Having dangling earlobes delectably cascading from the periphery of
your rubicund cheek was simply not a sin at all; but pretending that
you couldn't bear the tiniest of sound; floundered miserably to
decipher the intricacy of voice even after possessing them right
since innocent childhood; was the greatest sin,

Having a perfectly throbbing heart palpitating in marvellous
synchrony inside your chest was simply not a sin at all; but
pretending that you just didn't have the power to love; the virtue to
embrace other humans of your kind even after possessing it right
since innocent childhood; was the greatest sin,

Having dual pairs of luscious lips was simply not a sin at all; but
pretending that you couldn't speak a single word; abysmally stuttered
to convey the most infinitesimal of message to your compatriots even
after possessing them right since innocent childhood; was the
greatest sin,

Having ravishing clusters of hair on your scalp was simply not a sin
at all; but pretending that God had kept you disdainfully bald; that
your head shivered uncontrollably in cold even after possessing them
right since innocent childhood; was the greatest sin,

Having boundless lines on your glowing palm was simply not a sin at
all; but pretending that your entire life was ruined; your progress
had come to an abrupt standstill even after possessing them right
since innocent childhood; was the greatest sin,

Having pompously bulging muscle in your arms was simply not a sin at
all; but pretending that you were as feeble as a mosquito; couldn't
lift your very own body even after having them right since innocent
childhood; was the greatest sin,

Having thousands of voluptuously tantalizing eyelashes extruding from

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The Screams Of Passion

Performed by the family
{from the family (1985)}
Woah, no. woah, yeah.
Woah, no, woah no, yeah, yeah
Theres a gentle autumn breeze
That blows whenever we be lyin
Lyin in my bed
The moon appears and disappears
U look at me, my clothes I quickly
I quickly shed
The curtains dance a minuet
Autumn plays the music baby
Come on hold my hand
Leaves are fallin velvet splash
Only u and I can under
Only u can understand
The sunlight draws a picture
Through the silky lace that hangs above your
Hangs above your door
A picture that is waving
That is seems to be with every thrust
U make me beg for more
A robin sings a masterpiece
That lives and dies unheard
For screams of passion
A sound produced by two in love (oh, two in love)
Curtains dance and autumn plays on (and on and on)
The screams of passion
All I hear in my [head/hair]
Echoing like a volcano baby
The screams of passion
Back and forth the raging seas of lust
I want u madly
Cant u tell, cant u tell
Cant u tell, cant u tell, ow!
Take me in your arms, oh baby
The crime is done
Id rather die here in your
Screams of passion (woah, hold me now, baby)
Tell me that u [want/love] me (tell me that u [want/love] me)
Is it sunday or is it passion?
The screams of passion (the screams of passion, yeah)
The screams of... the screams of...
The screams of passion (passion)
Yeah! (shhh, not so loud, baby)
Yeah! (shhh, shhh)
The screams of passion
The screams of passion
The screams of passion
The screams of... the screams of...

[...] Read more

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Plastic Passion

Plastic passion is a hard to handle
Plastic passion is a sold out scandal
Oh it's a plastic passion
It's a plastic passion
Plastic passion is the ladies lover
Plastic passion is the marble mother
Oh it's a plastic passion
It's a plastic passion
Plastic passion is a diamond delight
Plastic passion is the nadir of night
Oh it's a plastic passion
It's a plastic passion
It's a plastic passion
Plastic passion is a hycoscine heart
Plastic passion is a transparent tart
Oh it's a plastic passion
It's a plastic passion
Plastic passion is a gold guarantee
The plastic passion is murdering me
Oh it's a plastic passion
It's a plastic passion
It's a plastic passion

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

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Suicide

Hey there killer, where you goin'?
I see you got a gun and your anger is showing
What you about to do? Gonna kill her man?
I know that you are, but you don't really understand
You wanna be scary, wanna freak her out
Knock on her door, and put the gun in your own mouth
Let her try to stop you, it doesn't work
Turn so she can see you, and make the back of your head squirt!
Before you go and commit, a homicide!
Do us all a favor, you should try suicide!
If your gonna commit, a homicide
Spare us all the drama, you should try suicide!
Hey there killer, where you been?
Plotting out the murder on the perfect ten
Wanna make scary on her, I assume
Break in her house and hang yourself in her bedroom
Hey there killer, your unstoppable
Out of control and yo, she's irresistible
Go to her job and drink some gasoline
Swallow a match, and show her just what she means to ya!
Before you go and commit, a homicide!
Do us all a favor, you should try suicide!
If your gonna commit, a homicide
Spare us all the drama, you should try suicide!
Suicide
Before you go and commit, a homicide! (killer)
Do us all a favor, you should try suicide! (come on and try it)
If your gonna commit, a homicide (try it)
Spare us all the drama, you should try suicide! (suicide)
Before you go and commit, a homicide! (killer)
Do us all a favor, you should try suicide! (come on and try it)
If your gonna commit, a homicide (try it)
Spare us all the drama, you should try suicide! (suicide)
Please don't commit, a homicide! (killer)
Do us all a favor, you should try suicide! (come on and try it)
If your gonna commit, a homicide (try it)
Spare us all the drama, you should try suicide!!!

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Passion Of Life

To achieve something great in the world you need Passion
To fulfill vision, a great leader’s courage comes from Passion
Whatever it may be, you must find your Passion
If passion drives you, let reason hold the reins
Follow your passion and success will follow you!

Never underestimate the power of passion
Without passion religion is spiritless
Without Passion history is meaningless
Without Passion art is useless
Follow your passion and success will follow you!

When you take up a mission with passion
There are no dreams too large
No innovation unimaginable
No frontiers beyond reach
Follow your passion and success will follow you!

Our passions are the winds that propel our vessel
Our reason is the pilot that steers her
Without winds the vessel would not move
Without a pilot she would be lost
Follow your passion and success will follow you!

There is no end and there is no beginning
There is only the passion of life
Passion is universal humanity
Passion is the genesis of genius
Follow your passion and success will follow you!
********************************************* ************************************

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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

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The Undying One - Canto II

'YEARS pass'd away in grief--and I,
For her dear sake whose heart could feel no more,
The sweetness and the witchery of love,
Which round my spirit such deep charm had wove:
And the dim twilight, and the noonday sky,
The fountain's music, the rich brilliancy
Of Nature in her summer--all became
To me a joyless world--an empty name--
And the heart's beating, and the flush'd fond thought
Of human sympathy, no longer brought
The glow of joy to this o'er-wearied breast,
Where hope like some tired pilgrim sank to rest.
The forms of beauty which my pathway cross'd
Seem'd but dim visions of my loved and lost,

Floating before me to arouse in vain
Deep yearnings, for what might not come again,
Tears without aim or end, and lonely sighs,
To which earth's echoes only gave replies.
* * * * * * * *
* * * * * * * *
And I departed--once again to be
Roaming the desert earth and trackless sea:
Amongst men; but not with them: still alone
Mid crowds, unnamed--unnoticed--and unknown.
I wander'd on--and the loud shout went forth
Of Liberty, from all the peopled world,
Like a dark watch-word breathing south and north
Where'er the green turf grew, or billow curl'd;
And when I heard it, something human stirr'd
Within my miserable breast, and lo!
With the wild struggling of a captive bird;
My strong soul burst its heavy chain of woe.
I rose and battled with the great and brave,
Dared the dark fight upon the stormy wave.--
From the swarth climes, where sunshine loves to rest,
To the green islands of the chilly west,
Where'er a voice was raised in Freedom's name,
There sure and swift my eager footstep came.
And bright dreams fired my soul--How sweet will be
To me the hour of burning victory!

When the oppressor ceaseth to oppress,
And this sad name the tortured nations bless:
When tyranny beneath my sword shall bend,
And the freed earth shall turn and own me for her friend!
* * * * * * * *
* * * * * * * *
Where Rome's proud eagle, which is now a name,
Spread forth its wings of glory to the sky;

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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John Milton

Paradise Lost: Book 10

Mean while the heinous and despiteful act
Of Satan, done in Paradise; and how
He, in the serpent, had perverted Eve,
Her husband she, to taste the fatal fruit,
Was known in Heaven; for what can 'scape the eye
Of God all-seeing, or deceive his heart
Omniscient? who, in all things wise and just,
Hindered not Satan to attempt the mind
Of Man, with strength entire and free will armed,
Complete to have discovered and repulsed
Whatever wiles of foe or seeming friend.
For still they knew, and ought to have still remembered,
The high injunction, not to taste that fruit,
Whoever tempted; which they not obeying,
(Incurred what could they less?) the penalty;
And, manifold in sin, deserved to fall.
Up into Heaven from Paradise in haste
The angelick guards ascended, mute, and sad,
For Man; for of his state by this they knew,
Much wondering how the subtle Fiend had stolen
Entrance unseen. Soon as the unwelcome news
From Earth arrived at Heaven-gate, displeased
All were who heard; dim sadness did not spare
That time celestial visages, yet, mixed
With pity, violated not their bliss.
About the new-arrived, in multitudes
The ethereal people ran, to hear and know
How all befel: They towards the throne supreme,
Accountable, made haste, to make appear,
With righteous plea, their utmost vigilance
And easily approved; when the Most High
Eternal Father, from his secret cloud,
Amidst in thunder uttered thus his voice.
Assembled Angels, and ye Powers returned
From unsuccessful charge; be not dismayed,
Nor troubled at these tidings from the earth,
Which your sincerest care could not prevent;
Foretold so lately what would come to pass,
When first this tempter crossed the gulf from Hell.
I told ye then he should prevail, and speed
On his bad errand; Man should be seduced,
And flattered out of all, believing lies
Against his Maker; no decree of mine
Concurring to necessitate his fall,
Or touch with lightest moment of impulse
His free will, to her own inclining left
In even scale. But fallen he is; and now
What rests, but that the mortal sentence pass
On his transgression,--death denounced that day?
Which he presumes already vain and void,

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Octavio Paz

Piedra de Sol

La treizième revient...c’est encor la première;
et c’est toujours la seule-ou c’est le seul moment;
car es-tu reine, ô toi, la première ou dernière?
es-tu roi, toi le seul ou le dernier amant?
Gérard de Nerval, Arthèmis
Un sauce de cristal, un chopo de agua,
un alto surtidor que el viento arquea,
un árbol bien plantado mas danzante,
un caminar de río que se curva,
avanza, retrocede, da un rodeo
y llega siempre:
un caminar tranquilo
de estrella o primavera sin premura,
agua que con los párpados cerrados
mana toda la noche profecías,
unánime presencia en oleaje,
ola tras ola hasta cubrirlo todo,
verde soberanía sin ocaso
como el deslumbramiento de las alas
cuando se abren en mitad del cielo,
un caminar entre las espesuras
de los días futuros y el aciago
fulgor de la desdicha como un ave
petrificando el bosque con su canto
y las felicidades inminentes
entre las ramas que se desvanecen,
horas de luz que pican ya los pájaros,
presagios que se escapan de la mano,

una presencia como un canto súbito,
como el viento cantando en el incendio,
una mirada que sostiene en vilo
al mundo con sus mares y sus montes,
cuerpo de luz filtrado por un ágata,
piernas de luz, vientre de luz, bahías,
roca solar, cuerpo color de nube,
color de día rápido que salta,
la hora centellea y tiene cuerpo,
el mundo ya es visible por tu cuerpo,
es transparente por tu transparencia,

voy entre galerías de sonidos,
fluyo entre las presencias resonantes,
voy por las transparencias como un ciego,
un reflejo me borra, nazco en otro,
oh bosque de pilares encantados,
bajo los arcos de la luz penetro
los corredores de un otoño diáfano,

voy por tu cuerpo como por el mundo,

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Some Sin For Nothing

(A. Young M. Young B. Johnson)
Heroes
Hard to find
Don't make the news till they're doing time
Schemers
Turn the screw
They get the word and they drop on you
Lay down the law
Black up the night
Run up a score
The vice is right
Dealers looking 'round
Wheel is turning round
Coming round on you
Some sin for gold, some sin for shame
Some sin for cash, some sin for gain
Some sin for wine, some sin for pain
But I ain't gonna be the fool who's gonna have to
Sin for nothin'
Nothing at all
Nero
Evil mind
He was born way before his time
Heat on
Down below
You get it right and away you go
You gotta
Lay down the rules
Push up the price
Turn on the heat
Put you on ice
Dealers looking 'round
Wheel is turning round
Coming round for you
Some sin for gold, some sin for shame
Some sin for cash, some sin for gain
Some sin for wine, some sin for pain
But I ain't gonna be the fool who's gonna have to
Sin for nothin'
Some sin for gold, some sin for shame
Some sin for cash, some sin for gain
Some sin for wine, some sin for pain
But I ain't gonna be the fool
Who's gonna have to sin for nothin'
Ain't gonna sin for nothin'
You get nothing for nothing
Ain't gonna sin for nothin'
It don't make no sense

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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Guinevere

Queen Guinevere had fled the court, and sat
There in the holy house at Almesbury
Weeping, none with her save a little maid,
A novice: one low light betwixt them burned
Blurred by the creeping mist, for all abroad,
Beneath a moon unseen albeit at full,
The white mist, like a face-cloth to the face,
Clung to the dead earth, and the land was still.

For hither had she fled, her cause of flight
Sir Modred; he that like a subtle beast
Lay couchant with his eyes upon the throne,
Ready to spring, waiting a chance: for this
He chilled the popular praises of the King
With silent smiles of slow disparagement;
And tampered with the Lords of the White Horse,
Heathen, the brood by Hengist left; and sought
To make disruption in the Table Round
Of Arthur, and to splinter it into feuds
Serving his traitorous end; and all his aims
Were sharpened by strong hate for Lancelot.

For thus it chanced one morn when all the court,
Green-suited, but with plumes that mocked the may,
Had been, their wont, a-maying and returned,
That Modred still in green, all ear and eye,
Climbed to the high top of the garden-wall
To spy some secret scandal if he might,
And saw the Queen who sat betwixt her best
Enid, and lissome Vivien, of her court
The wiliest and the worst; and more than this
He saw not, for Sir Lancelot passing by
Spied where he couched, and as the gardener's hand
Picks from the colewort a green caterpillar,
So from the high wall and the flowering grove
Of grasses Lancelot plucked him by the heel,
And cast him as a worm upon the way;
But when he knew the Prince though marred with dust,
He, reverencing king's blood in a bad man,
Made such excuses as he might, and these
Full knightly without scorn; for in those days
No knight of Arthur's noblest dealt in scorn;
But, if a man were halt or hunched, in him
By those whom God had made full-limbed and tall,
Scorn was allowed as part of his defect,
And he was answered softly by the King
And all his Table. So Sir Lancelot holp
To raise the Prince, who rising twice or thrice
Full sharply smote his knees, and smiled, and went:
But, ever after, the small violence done

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The Moat House

PART I

I

UNDER the shade of convent towers,
Where fast and vigil mark the hours,
From childhood into youth there grew
A maid as fresh as April dew,
And sweet as May's ideal flowers,

Brighter than dawn in wind-swept skies,
Like children's dreams most pure, unwise,
Yet with a slumbering soul-fire too,
That sometimes shone a moment through
Her wondrous unawakened eyes.


The nuns, who loved her coldly, meant
The twig should grow as it was bent;
That she, like them, should watch youth's bier,
Should watch her day-dreams disappear,
And go the loveless way they went.


The convent walls were high and grey;
How could Love hope to find a way
Into that citadel forlorn,
Where his dear name was put to scorn,
Or called a sinful thing to say?


Yet Love did come; what need to tell
Of flowers downcast, that sometimes fell
Across her feet when dreamily
She paced, with unused breviary,
Down paths made still with August's spell--


Of looks cast through the chapel grate,
Of letters helped by Love and Fate,
That to cold fingers did not come
But lay within a warmer home,
Upon her heart inviolate?


Somehow he loved her--she loved him:
Then filled her soul's cup to the brim,
And all her daily life grew bright
With such a flood of rosy light
As turned the altar candles dim.

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