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I can play every instrument there is, every horn, I've played all the saxes and trumpets and everything and keyboards.

quote by Dick Dale
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The Santa-Fe Trail (A Humoresque)

I asked the old Negro, "What is that bird that sings so well?" He answered: "That is the Rachel-Jane." "Hasn't it another name, lark, or thrush, or the like?" "No. Jus' Rachel-Jane."

I. IN WHICH A RACING AUTO COMES FROM THE EAST

This is the order of the music of the morning: —
First, from the far East comes but a crooning.
The crooning turns to a sunrise singing.
Hark to the calm -horn, balm -horn, psalm -horn.
Hark to the faint -horn, quaint -horn, saint -horn. . . .

Hark to the pace -horn, chase -horn, race -horn.
And the holy veil of the dawn has gone.
Swiftly the brazen ear comes on.
It burns in the East as the sunrise burns.
I see great flashes where the far trail turns.

Its eyes are lamps like the eyes of dragons.
It drinks gasoline from big red flagons.
Butting through the delicate mists of the morning,
It comes like lightning, goes past roaring.
It will hail all the wind-mills, taunting, ringing,
Dodge the cyclones,
Count the milestones,
On through the ranges the prairie-dog tills—
Scooting past the cattle on the thousand hills. . . .
Ho for the tear-horn, scare-horn, dare-horn,
Ho for the gay -horn, bark -horn, bay -horn.
Ho for Kansas, land that restores us
When houses choke us, and great books bore us!
Sunrise Kansas, harvester's Kansas,
A million men have found you before us.

II. IN WHICH MANY AUTOS PASS WESTWARD

I want live things in their pride to remain.
I will not kill one grasshopper vain
Though he eats a hole in my shirt like a door.
I let him out, give him one chance more.
Perhaps, while he gnaws my hat in his whim,
Grasshopper lyrics occur to him.

I am a tramp by the long trail's border,
Given to squalor, rags and disorder.
I nap and amble and yawn and look,
Write fool-thoughts in my grubby book,
Recite to the children, explore at my ease,
Work when I work, beg when I please,
Give crank-drawings, that make folks stare

[...] Read more

poem by Vachel Lindsay
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Great Conductors

Hans Richter Parsifal did not conduct,
and to the National Gallery he never paid
a visit, but he showed Franz Strauss who never sucked
just how the horn in Meistersinger should be played.

Franz Strauss refused to play a second time
for Hans von Bülow Meistersinger’s second act;
Hans begged his pardon when Franz told him: “I’m
retiring, since you for the hornist show no tact.”

There is an incident reported about the premiere of Die Meistersinger von Nuremberg. The first version: during a rehearsal Strauss complained about the terrible demanding horn part, but Hans Richter, Wagner's secretary & former first horn at the Viennese Kaerntnerthor Theatre (Beethoven's Sonata op.17 had been premiered there; forerunner theatre of the Imperial Opera House) , was present & asked Strauss to lend him his horn & played the passage from the endings of the second act flawless, but giving the horn back with the comment With your B-flat-horn you will have difficulties always; the F-horn sounds much better.
I do not believe this anecdote to be true. Even an already warmed up horn player of excellent qualities might have difficulties with the Pruegelszene How can a conducter to be (Richter became the first world famous conductor; he led the first Ring in Bayreuth 1876) , who had not played his horn for a while, play this passage flawless without any warm-up. A myth only! Richter used this complain about B-flat horn also, when he conducted in Bayreuth. He recommended the use of the single F horn always. No wonder. He came from Vienna.
The second incident happened after the end of the dress rehearsal of Mastersingers. Hans von Bülow wanted to repeat the ending of the 2nd Act again, but Strauss refused to do so, telling von Bülow that he could not do it again, as being exhausted already. If you cant do it again, so you must better ask for retirement! , replied von Buelow to Strauss. But Strauss left the pit and asked the opera's administration for immediate retirement. So Hans von Bülow had to come to Strauss house at the Pschorr Estate, ask for pardon, which was granted, - so the premiere of Mastersingers was saved.
There is an incident reported about the premiere of Die Meistersinger von Nuremberg. The first version: during a rehearsal Strauss complained about the terrible demanding horn part, but Hans Richter, Wagner's secretary & former first horn at the Viennese Kaerntnerthor Theatre (Beethoven's Sonata op.17 had been premiered there; forerunner theatre of the Imperial Opera House) , was present & asked Strauss to lend him his horn & played the passage from the endings of the second act flawless, but giving the horn back with the comment With your B-flat-horn you will have difficulties always; the F-horn sounds much better.
I do not believe this anecdote to be true. Even an already warmed up horn player of excellent qualities might have difficulties with the Pruegelszene. How can a conductor to be (Richter became the first world famous conductor; he led the first Ring in Bayreuth 1876) , who had not played his horn for a while, play this passage flawless without any warm-up. A myth only! Richter used this complain about B-flat horn also, when he conducted in Bayreuth. He recommended the use of the single F horn always. No wonder. He came from Vienna.
The second incident happened after the end of the dress rehearsal of Mastersinger. Hans von Bülow wanted to repeat the ending of the 2nd Act again, but Strauss refused to do so, telling von Bülow that he could not do it again, as being exhausted already. If you can’t do it again you had better ask for retiremen! replied von Bülow to Strauss. But Strauss left the pit and asked the opera's administration for immediate retirement. So Hans von Bülow had to come to Strauss house at the Pschorr Estate, ask for pardon, which was granted, - so the premiere of Mastersingers was saved.

8/25/08

poem by Gershon Hepner
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I Can Play (Lyrics) :

He didn't give himself up to fear.
And his voice had a life of its own.
He didn't give himself up for broke.
Just a man who played his guitar.

He said 'I can play the guitar', 'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.

'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.

He didn't give himself up to drinking beer.
His voice still had a life of its own.
And he didn't give himself up for smoke.
Just a man who played his guitar.

He said 'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.

'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.

He didn't give himself up to curcumstance.
Always tried to make it alone.
He didn't give himself up to telling lies.
His honesty was already shown.
Always kept himself up to par.
Just a man who played his guitar.

He said 'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.

'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'...

Rock Lyric By Kim Robin Edwards
Copyright 1987,2009..
ALL rights reserved..

poem by Kim Robin Edwards
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You're Not From Brighton

Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used, funk as we used to
You're not from Brighton
You're not from Brighton
You're not from Brighton
You're, you're, you're, you're
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Said check baby, check baby
Check baby, check said
Check baby, check baby
Check one two
Check baby, check baby
Check baby, check said
Check check baby
Check check one two
Check baby, check baby
Check baby, check said
Check baby, check baby
Check one two, ha
Check baby, check baby
Check baby, check said
Check baby, check baby
Check one two, ha
Check baby, check baby
Check baby, check said
Check baby, check baby
Check one two, ha
Check baby, check baby
Check baby, check said
Check baby, check baby
Check one two
Said check one two, check one two
Check one two, check one two

[...] Read more

song performed by Fatboy Slim
Added by Lucian Velea
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The Old Issue

October 9, 1899 -- Outbreak of Boer War

Here is nothing new nor aught unproven," say the Trumpets,
"Many feet have worn it and the road is old indeed.
"It is the King--the King we schooled aforetime! "
(Trumpets in the marshes-in the eyot at Runnymede!)

"Here is neither haste, nor hate, nor anger," peal the Trumpets,
"Pardon for his penitence or pity for his fall.
"It is the King!"--inexorable Trumpets--
(Trumpets round the scaffold af the dawning by Whitehall!)

. . . . . . .

"He hath veiled the Crown And hid the Scepter," warn (he Trum pets,
"He hath changed the fashion of the lies that cloak his will.
"Hard die the Kings--ah hard--dooms hard!" declare the Trumpets,
Trumpets at the gang-plank where the brawling troop-decks fill!

Ancient and Unteachable, abide--abide the Trumpets!
Once again the Trumpets, for the shuddering ground-swell brings
Clamour over ocean of the harsh, pursuing Trumpets--
Trumpets of the Vanguard that have sworn no truce with Kings!

All we have of freedom, all we use or know--
This our fathers bought for us long and long ago.

Ancient Right unnoticed as the breath we draw--
Leave to live by no man's leave, underneath the Law.

Lance and torch and tumult, steel and grey-goose wing
Wrenched it, inch and ell and all, slowly from the king.

Till our fathers 'stablished,, after bloody years,
How our King is one with us, first among his peers.

So they bought us freedom-not at little cost--
Wherefore must we watch the King, lest our gain be lost.

Over all things certain, this is sure indeed,
Suffer not the old King: for we know the breed.

Give no ear to bondsmen bidding us endure.
Whining "He is weak and far"; crying "Time will cure."

(Time himself is witness, till the battle joins,
Deeper strikes the rottenness in the people's loins.)

[...] Read more

poem by Rudyard Kipling
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The Hunter’s Song

RISE! Sleep no more! ’T is a noble morn:
The dews hang thick on the fringed thorn,
And the frost shrinks back, like a beaten hound,
Under the steaming, steaming ground.
Behold, where the billowy clouds flow by,
And leave us alone in the clear gray sky!
Our horses are ready and steady.—So, ho!
I ’m gone, like a dart from the Tartar’s bow.
Hark, hark!—Who calleth the maiden Morn
From her sleep in the woods and the stubble corn?
The horn,—the horn!
The merry, sweet ring of the hunter’s horn.

Now, thorough the copse, where the fox is found,
And over the stream, at a mighty bound,
And over the high lands, and over the low,
O’er furrows, o’er meadows, the hunters go!
Away!—as a hawk flies full at its prey,
So flieth the hunter, away,—away!
From the burst at the cover till set of sun,
When the red fox dies, and—the day is done!
Hark, hark!—What sound on the wind is borne?
’T is the conquering voice of the hunter’s horn.
The horn,—the horn!
The merry, bold voice of the hunter’s horn.

Sound! Sound the horn! To the hunter good
What ’s the gulley deep or the roaring flood?
Right over he bounds, as the wild stag bounds,
At the heels of his swift, sure, silent hounds.
O, what delight can a mortal lack,
When he once is firm on his horse’s back,
With his stirrups short, and his snaffle strong,
And the blast of the horn for his morning song?
Hark, hark!—Now, home! and dream till morn
Of the bold, sweet sound of the hunter’s horn!
The horn,—the horn!
O, the sound of all sounds is the hunter’s horn!

poem by Barry Cornwall
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The Wild Huntsman

The Wildgrave winds his bugle-horn,
To horse, to horse! halloo, halloo!
His fiery courser snuffs the morn,
And thronging serfs their lord pursue.

The eager pack, from couples freed,
Dash through the bush, the brier, the brake;
While answering hound, and horn, and steed,
The mountain echoes startling wake.

The beams of God's own hallow'd day
Had painted yonder spire with gold,
And, called sinful man to pray,
Loud, long, and deep the bell had toll'd:

But still the Wildgrave onward rides;
Halloo, halloo! and, hark again!
When, spurring from opposing sides,
Two Stranger Horsemen join the train.

Who was each Stranger, left and right,
Well may I guess, but dare not tell;
The right-hand steed was silver white,
The left, the swarthy hue of hell.

The right-hand Horseman, young and fair,
His smile was like the morn of May;
The left, from eye of tawny glare,
Shot midnight lightning's lurid ray.

He waved his huntsman's cap on high,
Cried, 'Welcome, welcome, noble lord!
What sport can earth, or sea, or sky,
To match the princely chase, afford?'-

'Cease thy loud bugle's changing knell,'
Cried the fair youth, with silver voice;
'And for devotion's choral swell,
Exchange the rude unhallow'd noise.

'To-day, the ill-omen'd chase forbear,
Yon bell yet summons to the fane;
To-day the Warning Spirit hear,
To-morrow thou mayst mourn in vain.'-

'Away, and sweep the glades along!'
The Sable Hunter hoarse replies;
'To muttering monks leave matin-song
And bells, and books, and mysteries.'

[...] Read more

poem by Sir Walter Scott
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The Man With The Horn

(released as b-side of sussudio single, 1985)
They come from miles around just to hear him play
Hes on the same street corner almost every day
And theres always a crowd wherever he goes
And when he blows his horn, well everybody knows
I only wanna see him play
All the girls n boys they wanna see him play
Nobody else they wanna see him play
And he brings a tear to the eye
Hell make you smile of make you cry
And nobody asks him why
Cos they just wanna see him play
They come from every way, every night
Hes got a band so out there, its outta sight
And the boys in the dancehall are rocking in the aisle
The girls up front - they wanna see him smile
I only wanna see him play
All the girls n boys they wanna see him play
Nobody else they wanna see him play
And he brings a tear to the eye
Hell make you smile of make you cry
Ooh, nobody asks him why
Cos they just wanna see him play
Yeah, hes the man with the horn
Ooh they wanna see him play
Yeah, hes the man with the horn
Ooh they wanna see him play
Yeah, hes the man with the horn
You know they wanna see him, they wanna see him
They wanna, they wanna, they wanna see him play
(play it, don!)
Ah, station to station, coast to coast
Well you can hear all his records on the radio
He makes every evening feel like saturday night
And if youre happy or sad hell make the feeling right
I only wanna see him play
All the girls n boys they wanna see him play
Nobody else they wanna see him play
And he brings a tear to the eye
Hell make you smile of make you cry
Ooh, nobody asks him why
Cos they just wanna see him play
Yes, you know they wanna see him, they wanna see him
Chow, they know they wanna see him, they wanna see him
They wanna, they wanna, they wanna see him play
They wanna see him play, play, play, play
Oh, all the girls and boys wanna see him play
All the girls and boys wanna see him play
All the girls and boys...

song performed by Phil Collins
Added by Lucian Velea
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Theatre Of The Absurd

(ian hunter)
My tea turned seven shades darker
As I sit n write these words
And londons gettin paler
In my theatre of the absurd.
You figured for an evening
And you made it all worthwile.
Its seldom people have a job
And even rarer that I smile.
Play me some, play me some,
Play me brixton power.
Teach your children to be them
And never ever ours.
Play me some, play me some,
Play me brixton power.
Someone took the park away
But they left a lonely flower.
And if your songs be classics,
Throw them to the hurd.
Truth is where they came from
And not this theatre of the absurd.
Some say you wanted to play for me
But its only what youve heard
That made you want to capture me
In your theatre of the absurd.
It was not me, I said myself
And you must do so, too.
I hope you have the strength to stay
When Ill be watchin you.
So baby,
Play me some, play me some,
Play me brixton power.
Teach your children to be them
And never ever ours.
Play me some, play me some,
Play me brixton power.
Someone took the park away
But they left a lonely flower.
Oh when I got here back home tonight
Something within me stirred.
Oh it must have been a different kind of play
That touched my theatre of the absurd.
Now Ill be on my way alone
But an interesting thing occurred
See nobody ever shared too much
In my theatre of the absurd.
And there I was back in london,
Thought about history.
It was just like being in school again
But I felt something movin in me.

[...] Read more

song performed by Ian Hunter
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Book VII: Ethandune, the Last Charge

Away in the waste of White Horse Down
An idle child alone
Played some small game through hours that pass,
And patiently would pluck the grass,
Patiently push the stone.

On the lean, green edge for ever,
Where the blank chalk touched the turf,
The child played on, alone, divine,
As a child plays on the last line
That sunders sand and surf.

For he dwelleth in high divisions
Too simple to understand,
Seeing on what morn of mystery
The Uncreated rent the sea
With roarings, from the land.

Through the long infant hours like days
He built one tower in vain--
Piled up small stones to make a town,
And evermore the stones fell down,
And he piled them up again.

And crimson kings on battle-towers,
And saints on Gothic spires,
And hermits on their peaks of snow,
And heroes on their pyres,

And patriots riding royally,
That rush the rocking town,
Stretch hands, and hunger and aspire,
Seeking to mount where high and higher,
The child whom Time can never tire,
Sings over White Horse Down.

And this was the might of Alfred,
At the ending of the way;
That of such smiters, wise or wild,
He was least distant from the child,
Piling the stones all day.

For Eldred fought like a frank hunter
That killeth and goeth home;
And Mark had fought because all arms
Rang like the name of Rome.

And Colan fought with a double mind,
Moody and madly gay;
But Alfred fought as gravely

[...] Read more

poem by G.K. Chesterton from The Ballad of the White Horse (1911)
Added by Veronica Serbanoiu
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Play

I could wait all night and day,
To go to a party sit down and wait,
Give my request to the DJ,
Cuz my song hes gotta play.
And when i hear that beat,
I get my body up out my seat
I grab a guy and move my feet,
He's playin my song!
Play,
Come on play that song,
Play it all night long,
Just turn it up and turn it on!
Play,
Come on Dj play that song.
You know it turns me on.
(DJ just play that song)
Just turn it up and turn it on!
Dj just play that song,
Cuz i wanna be dancin all night long
Just play my, play my, play my,
Play my, play my favorite song!
I dont care if everybody's gone.
Turn it up cuz it turns me on.
Keep dancin all night long,
Feels so right that it cant be wrong.
I get chills up and down my spine,
Whenever I hear that song of mine.
When it stops better press rewind.
Let me hear it one more time!
Play,
Come on play that song,
Play it all night long,
Cuz I wanna be dancin' all night long!
Play,
Come on Dj play that song.
You know it turns me on.
(DJ just play that song)
Cuz I wanna be dancin' all night long!
I just wanna dance.
Is that a crime?
Alright then.
Play..Play..Play..Play..Play
Now Mr. DJ,
I've asked you three times..
Play My Mother f*ckin song!!
Play,
Come on play that song,
Play it all night long,
Just turn it up and turn it on!
Play,

[...] Read more

song performed by Prince
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Ghosts Of Cape Horn

All around old cape horn
Ships of the line, ships of the morn
Some who wish theyd never been born
They are the ghosts of cape horn
Fal deral da riddle de rum
With a rim dim diddy
And a rum dum dum
Sailing away at the break of morn
They are the ghosts of cape horn
See them all in sad repair
Demons dance everywhere
Southern gales, tattered sails
And none to tell the tales
Come all of you rustic old sea dogs
Who follow the great southern cross
You were rounding the horn
In the eye of a storm
When ya lost er one day
And you read all yer letters
From oceans away
Then you took them to the bottom of the sea
All around old cape horn
Ships of the line, ships of the morn
Those who wish theyd never been born
They are the ghosts of cape horn
Fal deral da riddle de rum
With a rim dim diddy
And a rum dum dum
Sailing away at the break of morn
They are the ghosts of cape horn
Come all you old sea dogs from devon
Southampton, penzance, and kinsale
You were caught by the chance
Of a sailors last dance
It was not meant to be
And ya read all yer letters
Cried anchor aweigh
Then ya took them to the bottom of the sea
All around old cape horn
Ships of the line, ships of the morn
Those who wish theyd never been born
They are the ghosts of cape horn
Fal deral da riddle de rum
With a rim dim diddy
And a rum dum dum
Sailing away at the break of morn
They are the ghosts of cape horn

song performed by Gordon Lightfoot
Added by Lucian Velea
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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A Prophecy

The Guardian Prince of Albion burns in his nightly tent,
Sullen fires across the Atlantic glow to America's shore:
Piercing the souls of warlike men, who rise in silent night,
Washington, Franklin, Paine & Warren, Gates, Hancock & Green;
Meet on the coast glowing with blood from Albions fiery Prince.

Washington spoke; Friends of America look over the Atlantic sea;
A bended bow is lifted in heaven, & a heavy iron chain t158
Descends link by link from Albions cliffs across the sea to bind
Brothers & sons of America, till our faces pale and yellow;
Heads deprest, voices weak, eyes downcast, hands work-bruis'd,
Feet bleeding on the sultry sands, and the furrows of the whip
Descend to generations that in future times forget.––

The strong voice ceas'd; for a terrible blast swept over the heaving sea;
The eastern cloud rent; on his cliffs stood Albions wrathful Prince
A dragon form clashing his scales at midnight he arose,
And flam'd red meteors round the land of Albion beneath[.]
His voice, his locks, his awful shoulders, and his glowing eyes,

Appear to the Americans upon the cloudy night.

Solemn heave the Atlantic waves between the gloomy nations,
Swelling, belching from its deeps red clouds & raging Fires!
Albion is sick. America faints! enrag'd the Zenith grew.
As human blood shooting its veins all round the orbed heaven
Red rose the clouds from the Atlantic in vast wheels of blood
And in the red clouds rose a Wonder o'er the Atlantic sea;
Intense! naked! a Human fire fierce glowing, as the wedge
Of iron heated in the furnace; his terrible limbs were fire
With myriads of cloudy terrors banners dark & towers
Surrounded; heat but not light went thro' the murky atmosphere

The King of England looking westward trembles at the vision

Albions Angel stood beside the Stone of night, and saw
The terror like a comet, or more like the planet red
That once inclos'd the terrible wandering comets in its sphere.
Then Mars thou wast our center, & the planets three flew round
Thy crimson disk; so e'er the Sun was rent from thy red sphere;
The Spectre glowd his horrid length staining the temple long
With beams of blood; & thus a voice came forth, and shook the temple

The morning comes, the night decays, the watchmen leave their stations;
The grave is burst, the spices shed, the linen wrapped up;
The bones of death, the cov'ring clay, the sinews shrunk & dry'd.
Reviving shake, inspiring move, breathing! awakening!
Spring like redeemed captives when their bonds & bars are burst;

Let the slave grinding at the mill, run out into the field:

[...] Read more

poem by William Blake from America a Prophecy (1793)
Added by Veronica Serbanoiu
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The Horn Of Egremont Castle

ERE the Brothers through the gateway
Issued forth with old and young,
To the Horn Sir Eustace pointed
Which for ages there had hung.
Horn it was which none could sound,
No one upon living ground,
Save He who came as rightful Heir
To Egremont's Domains and Castle fair.

Heirs from times of earliest record
Had the House of Lucie born,
Who of right had held the Lordship
Claimed by proof upon the Horn:
Each at the appointed hour
Tried the Horn,--it owned his power;
He was acknowledged: and the blast,
Which good Sir Eustace sounded, was the last.

With his lance Sir Eustace pointed,
And to Hubert thus said he,
'What I speak this Horn shall witness
For thy better memory.
Hear, then, and neglect me not!
At this time, and on this spot,
The words are uttered from my heart,
As my last earnest prayer ere we depart.

'On good service we are going
Life to risk by sea and land,
In which course if Christ our Saviour
Do my sinful soul demand,
Hither come thou back straightway,
Hubert, if alive that day;
Return, and sound the Horn, that we
May have a living House still left in thee!'

'Fear not,' quickly answered Hubert;
'As I am thy Father's son,
What thou askest, noble Brother,
With God's favour shall be done.'
So were both right well content:
Forth they from the Castle went,
And at the head of their Array
To Palestine the Brothers took their way.

Side by side they fought (the Lucies
Were a line for valour famed),
And where'er their strokes alighted,
There the Saracens were tamed.
Whence, then, could it come--the thought--

[...] Read more

poem by William Wordsworth
Added by Poetry Lover
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Play That Funky Music

(vanilla ice, earthquake)
Play that funky music
Play that funky music, white boy
Play that funky music
Play that funky music, white boy
Im back and Im ringin the bell
A rockin on the mike while the fly girls yell
In ecstasy in the back of me
Well thats my dj deshay cuttin all them zs
Hittin hard and the girlies goin crazy
Vanillas on the mike, man Im not lazy.
Im lettin my drug kick in
It controls my mouth and I begin
To just let it flow, let my concepts go
My posses to the side yellin, go vanilla go!
Smooth cause thats the way I will be
And if you dont give a damn, then
Why you starin at me
So get off cause I control the stage
Theres no dissin allowed
Im in my own phase
The girlies sa y they love me and that is ok
And I can dance better than any kid n play
Play that funky music come on come on
Play that funky music, white boy I cant hear you, say it,
Play that funky music say it, say it, say
Play that funky music, white boy it, come on
Yea, a little bit louder
Now come on, come on
Stage 2 -- yea the one ya wanna listen to
Its off my head so let the beat play through
So I can funk it up and make it sound good
1-2-3 yo -- knock on some wood
For good luck, I like my rhymes atrocious
Supercalafragilisticexpialidocious
Im an effect and that you can bet
I can take a fly girl and make her wet.
Im like samson -- samson to delilah
Theres no denyin, you can try to hang
But youll keep tryin to get my style
Over and over, practice makes perfect
But not if youre a loafer.
Youll get nowhere, no place, no time, no girls
Soon -- oh my god, homebody, you probably eat
Spaghetti with a spoon! come on and say it!
Play that funky music
Play that funky music, white boy
Play that funky music come on come on
Play that funky music white boy lets do it
Vip. vanilla ice yep, yep, Im comin hard like a rhino

[...] Read more

song performed by Vanilla Ice
Added by Lucian Velea
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Play That Funky Music

(vanilla ice, earthquake)
Play that funky music
Play that funky music, white boy
Play that funky music
Play that funky music, white boy
Im back and Im ringin the bell
A rockin on the mike while the fly girls yell
In ecstasy in the back of me
Well thats my dj deshay cuttin all them zs
Hittin hard and the girlies goin crazy
Vanillas on the mike, man Im not lazy.
Im lettin my drug kick in
It controls my mouth and I begin
To just let it flow, let my concepts go
My posses to the side yellin, go vanilla go!
Smooth cause thats the way I will be
And if you dont give a damn, then
Why you starin at me
So get off cause I control the stage
Theres no dissin allowed
Im in my own phase
The girlies sa y they love me and that is ok
And I can dance better than any kid n play
Play that funky music come on come on
Play that funky music, white boy I cant hear you, say it,
Play that funky music say it, say it, say
Play that funky music, white boy it, come on
Yea, a little bit louder
Now come on, come on
Stage 2 -- yea the one ya wanna listen to
Its off my head so let the beat play through
So I can funk it up and make it sound good
1-2-3 yo -- knock on some wood
For good luck, I like my rhymes atrocious
Supercalafragilisticexpialidocious
Im an effect and that you can bet
I can take a fly girl and make her wet.
Im like samson -- samson to delilah
Theres no denyin, you can try to hang
But youll keep tryin to get my style
Over and over, practice makes perfect
But not if youre a loafer.
Youll get nowhere, no place, no time, no girls
Soon -- oh my god, homebody, you probably eat
Spaghetti with a spoon! come on and say it!
Play that funky music
Play that funky music, white boy
Play that funky music come on come on
Play that funky music white boy lets do it
Vip. vanilla ice yep, yep, Im comin hard like a rhino

[...] Read more

song performed by Vanilla Ice
Added by Lucian Velea
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Old Upright Piano

For as long as I remember, when friday night came round
The family would gather out at grandpas house.
With supper over and the dishes done
It was then the best time came
At an old upright piano that only grandma played.
She played beautiful dreamer, my wild irish rose;
She never played em perfect, but there was love in every note.
Grandpa sat beside her, in harmony they sang,
At the old upright piano that only grandma played.
Grandpa was a stubborn man, they said it was his style.
Grandma called him ornery, but she said it with a smile.
Even he could not disguise the love he felt so strong;
We all could see it in his eyes when she played his favorite song.
She played beautiful dreamer, my wild irish rose;
She never played em perfect, but there was love in every note.
Grandpa sat beside her, in harmony they sang,
At the old upright piano that only grandma played.
I was almost 17 when my grandma died;
I stayed all night with grandpa; the old man never cried.
He sat at her piano, there was nothing we could say
It was the first time in my life I ever heard my grandpa play.
It wasnt beautiful dreamer or my wild irish rose
It was a song he played from memory & he never missed a note
I sat right there beside him until the morning came
What a friend we have in jesus was the only song he played.
She played beautiful dreamer, my wild irish rose;
She never played em perfect, but there was love in every note.
Grandpa sat beside her, in harmony they sang,
At the old upright piano that only grandma played.

song performed by Nitty Gritty Dirt Band
Added by Lucian Velea
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Play In The Sunshine

Oooh doggies!
We wanna play in the sunshine
We wanna be free
Without the help of a margarita or exstacy
We wanna kick like we used 2
Sign up on the dotted line
We gonna dance every dance
Like its gonna be the last time
We got 2 play in the sunshine
Turn all the lights up 2 10
I want 2 meet u (meet u), kiss u (kiss u),
Love u (love u), and miss u (miss u)
Do it all over again, do it all over again
We gonna play in the sunshine
Were gonna get over
Im feelin kind of lucky 2 night
Im gonna find my 4-leaf clover
Before my life is done
Some way, some how, Im gonna have fun
Play in the sunshine
We gonna love all our enemies
Till the gorilla falls off the wall
Were gonna rock him
Were gonna roll him
Were gonna teach him that love will make him tall (somehow)
Aah, pop goes the music
When the big white rabbit begin 2 talk
And the color green will make your best friends leave ya
It will make them do the walk
But thats cool
Cuz one day, everyday will be a yellow day
And lets play
We gonna play in the sunshine
Were gonna get over
Im feelin kind of lucky 2 night
Im gonna find my 4-leaf clover
Before my life is done
Some way, some how, Im gonna have fun
Play, play, play, play, play, play, play
We gonna play in the sunshine
Were gonna get over
Im feelin kind of lucky 2 night
Im gonna find my 4-leaf clover
Before my life is done
Some way, some how, Im gonna have fun
(play), (play),
(play) no, (play) no, (play) no
(come on, play) no!, (play) no!, (playplayplay) yes!
Drummer, do your thang
Drummer, drummer, do your thang

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song performed by Prince
Added by Lucian Velea
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Play On Love

Now when you open your mouth, what comes out
Whats the first word, whats the first line?
When you open your mouth and love comes out
Then you know, you just sang the clear line
Ive heard people say it a thousand times
In a thousand different ways
Ive heard people play it a thousand times
And they know, they know thats the only way
To play.
You got to
Play on love
Play on love
Play on love
Play on love.
Now are you talking about what it is you know
Or just repeating what it was you heard
Someone told you just exactly what to say
And you know, you know thats only one set
Of words
You got to play on love.
Ive heard people say it a thousand times
In a thousand different ways
Ive heard people play it a thousand times
And they know thats the only way to play
You been a reading it without living it
Now thats the golden prison we can always find
Living in stories and living in books or
We can live and leave all the stories behind.
Its up to you and its up to me
Come down yelling timber through the
Burning trees
Whos been telling you about perfection
And how did he get in here, thats the question.
He mustve
Played on love
Played on love
Played on love
Played on love.
Ive heard people say it a thousand times....
You got to
Play on love
Play on love
Play on love
Play on love.
Reading it without living it...
You got to
Play on love
Play on love
Play on love
Play on love.

song performed by Jefferson Starship
Added by Lucian Velea
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