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Just because it's in print doesn't mean it's the gospel.

quote by Michael Jackson
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poem by Rwetewrt Erwtwer
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Ancient Banner

In boundless mercy, the Redeemer left,
The bosom of his Father, and assumed
A servant's form, though he had reigned a king,
In realms of glory, ere the worlds were made,
Or the creating words, 'Let there be light'
In heaven were uttered. But though veiled in flesh,
His Deity and his Omnipotence,
Were manifest in miracles. Disease
Fled at his bidding, and the buried dead
Rose from the sepulchre, reanimate,
At his command, or, on the passing bier
Sat upright, when he touched it. But he came,
Not for this only, but to introduce
A glorious dispensation, in the place
Of types and shadows of the Jewish code.
Upon the mount, and round Jerusalem,
He taught a purer, and a holier law,—
His everlasting Gospel, which is yet
To fill the earth with gladness; for all climes
Shall feel its influence, and shall own its power.
He came to suffer, as a sacrifice
Acceptable to God. The sins of all
Were laid upon Him, when in agony
He bowed upon the cross. The temple's veil
Was rent asunder, and the mighty rocks,
Trembled, as the incarnate Deity,
By his atoning blood, opened that door,
Through which the soul, can have communion with
Its great Creator; and when purified,
From all defilements, find acceptance too,
Where it can finally partake of all
The joys of His salvation.
But the pure Church he planted,—the pure Church
Which his apostles watered,—and for which,
The blood of countless martyrs freely flowed,
In Roman Amphitheatres,—on racks,—
And in the dungeon's gloom,—this blessed Church,
Which grew in suffering, when it overspread
Surrounding nations, lost its purity.
Its truth was hidden, and its light obscured
By gross corruption, and idolatry.
As things of worship, it had images,
And even painted canvas was adored.
It had a head and bishop, but this head
Was not the Saviour, but the Pope of Rome.
Religion was a traffic. Men defiled,
Professed to pardon sin, and even sell,
The joys of heaven for money,—and to raise
Souls out of darkness to eternal light,
For paltry silver lavished upon them.

[...] Read more

poem by Anonymous Americas
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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

[...] Read more

poem by Robert Browning from The Ring and the Book
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Hudibras: Part 3 - Canto II

THE ARGUMENT

The Saints engage in fierce Contests
About their Carnal interests;
To share their sacrilegious Preys,
According to their Rates of Grace;
Their various Frenzies to reform,
When Cromwel left them in a Storm
Till, in th' Effigy of Rumps, the Rabble
Burns all their Grandees of the Cabal.

THE learned write, an insect breeze
Is but a mungrel prince of bees,
That falls before a storm on cows,
And stings the founders of his house;
From whose corrupted flesh that breed
Of vermin did at first proceed.
So e're the storm of war broke out,
Religion spawn'd a various rout
Of petulant Capricious sects,
The maggots of corrupted texts,
That first run all religion down,
And after ev'ry swarm its own.
For as the Persian Magi once
Upon their mothers got their sons,
That were incapable t' enjoy
That empire any other way;
So PRESBYTER begot the other
Upon the good old Cause, his mother,
Then bore then like the Devil's dam,
Whose son and husband are the same.
And yet no nat'ral tie of blood
Nor int'rest for the common good
Cou'd, when their profits interfer'd,
Get quarter for each other's beard.
For when they thriv'd, they never fadg'd,
But only by the ears engag'd:
Like dogs that snarl about a bone,
And play together when they've none,
As by their truest characters,
Their constant actions, plainly appears.
Rebellion now began, for lack
Of zeal and plunders to grow slack;
The Cause and covenant to lessen,
And Providence to b' out of season:
For now there was no more to purchase
O' th' King's Revenue, and the Churches,
But all divided, shar'd, and gone,
That us'd to urge the Brethren on;
Which forc'd the stubborn'st for the Cause,

[...] Read more

poem by Samuel Butler
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Poetry And Reality

THE worldly minded, cast in common mould,
With all his might pursuing fame or gold,
And towards that goal too vehemently hurled
To waste a thought about another world,
Has one advantage which yon lofty host,
His intellectual betters, may not boast :
Neither deceiving nor deceived, he knows
He and religion are inveterate foes ;
He loves it not, and making no pretence,
He shows his honesty, if not his sense.

But we have seen a high-flown, mental thing,
As fine and fragile as libella's wing,
All soul and intellect, the ethereal mind
Scarcely within its earthly house confined,
On heaven oft casting an enraptured eye,
And paying compliments to the Most High ;
And yet, though harsh the judgment seem to be,
As far from Heaven, as far from God, as he :
Yes, might the bold assertion be forgiven,
A poet's soul may miss the road to Heaven !

--'Tis Sabbath morning, and at early hour,
The poet seeks his own sequestered bower :
The shining landscape stretches full in view ;
All heaven is glowing with unclouded blue ;
The hills lie basking in the sunny beams,
Enriched with sprinkled hamlets, woods, and streams :
And hark ! from tower and steeple, here and there,
The cheerful chime bespeaks the hour of prayer.
The poet's inmost soul responsive swells
To every change of those religious bells ;
His fine eye ranging o'er the spacious scene,
With ecstacy unutterably keen ;
His mind exalted, melted, soothed, and free
From earthly tumult, all tranquillity ;--
If this is not devotion, what can be ?

But, gentle poet, wherefore not repair
To yonder temple ? God is worshipped there.
Nay, wherefore should he ?--wherefore not address
The God of nature in that green recess,
Surrounded by His works, and not confined
To rites adapted to the vulgar mind ?
There he can sit, and thence his soul may rise,
Caught up in contemplation, to the skies,
And worship nature's God on reason's plan :
--It is delusion, self-applauding man !
The God of nature is the God of grace ;
The contrite spirit is his dwelling-place ;

[...] Read more

poem by Jane Taylor
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Gnostic Texts

Described as snobbish and elite
by Garry Wills,
what the Church wished to delete
provides me thrills.
I’m thinking of the Gnostic text
that, somewhat rude, is
opposed to those disciples vexed
by deeds of Judas,
proposing that he was opposed
to martyrdom,
which Christians have so long supposed
to be the bomb
that made so popular the myth
this text explodes.
Like Pagels, I am happy with
such Gnostic codes.

Inspired by “Reading Judas: The Gospel of Judas and the Shaping of Christianity, ” by Elaine Pagels and Karen L. King (New York: Penguin,2007) , and Gary Wills’s description of second century Gnostic texts such as “The Gospel of Juddas” as “elite and snobbish” in his book “What The Gospels Meant, ” reviewed by David Gibson (“What Jesus Really Did, ” NYT, March 2,2008) :
“What the Gospels Meant” starts straightforwardly with a helpful explanation of just what a Gospel is: “a meditation on the meaning of Jesus in the light of sacred history as recorded in the sacred writings.” Wills then parses the Gospel of Mark, the earliest account, as a “report from the suffering body of Jesus, ” written to comfort early Christians facing persecution. Matthew’s is the teaching Gospel, recounting many of Christianity’s most familiar sermons. The erudite Luke presents “the reconciling body of Jesus, ” a Gospel of poignant stories like the Prodigal Son and the Good Samaritan that display the humanity of Jesus and the universality of his message. John is, as ever, the theologian, a prophetic voice from “the mystical body of Jesus.” Yet the paradox of modern Christianity is that the growth of biblical scholarship, and the fervor of believers in sola Scriptura (Scripture alone) , has done so little to affect the mass of biblical illiterates who proclaim their convictions about what Jesus would do while knowing precious little about what he actually did or, more important, what he meant. Neo-atheists aren’t much better, sneering at Christians but displaying ignorance about Christianity. And neo-Gnostics — academics and acolytes who claim to channel the rebel spirit of various early Christian offshoots — routinely confer on “elite and snobbish” (Wills’s phrase) second-century texts an authority they rarely grant to the canon. Such literalism sustains a fragile faith.
In this sense, Wills is a dangerous man. He does not create a foolish consistency out of differing Gospels, but underscores the attributes of each narrative to highlight truths more crucial than whether there were four discrete Evangelists, or whether three wise men actually followed a star in the East. The credulous will be shocked by his rationality, while skeptics will be scandalized by his respect for the faith. To be sure, Wills includes asides that will win few points with Rome, like his claim that the virgin birth “is not a gynecological or obstetric teaching, but a theological one.” And he throws in facts that can be mischievously tossed out at family gatherings or, worse, to the pastor after Sunday services — for example, that the crown of thorns was probably a wreath of acanthus leaves. (Wills also provides his own translations of the original “marketplace” Greek, though I’m not sure that killing the “pampered” calf or hearing that the Word became flesh and “bivouacked with us” will catch on.)

12/28/09

poem by Gershon Hepner
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Not Wanting To Forget

The Modigliani print was on the wall
By the front door. Who’s she? Bridshaw’s
Dame asked, pointing at the print.
It’s a painting by Modigliani, Bridshaw said.
Is he a friend of yours? The dame asked.
Bridshaw pulled a face and said, No, he’s
Dead now. Shame, she replied, stroking
The print, her finger tracing the woman’s
Outline, her tongue hanging out of the side
Of her mouth in concentration. She’s a bit
On the thin side, the dame said, and I don’t
Like the black coat she’s wearing, like some
Darn widow. Bridshaw wanted to get the dame
In bed for sex; the Modigliani print was no
Big deal, he’d bought it in some art shop on
The high street from the guy with the Boston
Tones. Shame he’s dead, the dame said, he
Could have painted me; I would have made
A good model, more meat on me than that
Woman in black, thin as a pole. Bridshaw
Nodded his head, Sure, sure, but you’re too
Late, the guy’s dead, now can we move on,
Get a drink, hit the bed, have sex, and then
A cigarette. Sure, the dame said, moving away
From the Modigliani print, taking the image
Of the woman with her, not wanting to forget.

poem by Terry Collett
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poem by Rwetewrt Erwtwer
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poem by Rwetewrt Erwtwer
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Author's Apology For His Book

WHEN at the first I took my pen in hand
Thus for to write, I did not understand

That I at all should make a little book
In such a mode: nay, I had undertook

To make another; which, when almost done,
Before I was aware I this begun.

And thus it was: I, writing of the way
And race of saints in this our gospel-day,

Fell suddenly into an allegory
About their journey, and the way to glory,

In more than twenty things which I set down
This done, I twenty more had in my crown,

And they again began to multiply,
Like sparks that from the coals of fire do fly.

Nay, then, thought I, if that you breed so fast,
I'll put you by yourselves, lest you at last

Should prove ad infinitum, I and eat out
The book that I already am about.

Well, so I did; but yet I did not think
To show to all the world my pen and ink

In such a mode; I only thought to make
I knew not what: nor did I undertake

Thereby to please my neighbor; no, not I;
I did it my own self to gratify.

Neither did I but vacant seasons spend
In this my scribble; nor did I intend

But to divert myself, in doing this,
From worser thoughts, which make me do amiss.

Thus I set pen to paper with delight,
And quickly had my thoughts in black and white;

For having now my method by the end,
Still as I pull'd, it came; and so I penned

It down; until it came at last to be,
For length and breadth, the bigness which you see.

[...] Read more

poem by John Bunyan
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Ghetto Gospel

Uh..
Hit 'em with a little ghetto gospel
[Chorus: Elton John]
Those who wish to follow me (My ghetto gospel)
I welcome with my hands
and the red sun sinks at last
into the hills of gold
And peace to this young warrior
Without the sounds of guns
[Verse 1]
If I could recollect before my hood days
I'd sit and reminisce thinkin of bliss of the good days
I stop and stare at the younger my heart goes to em
AIDS tested, it was stress that they under
And nowadays things change
Everyone's ashamed of the youth, cuz the truth look strange
And for me it's reversed, we left them a world that's cursed and it hurts
Cuz any day they'll push the button
And all good men like Malcolm X and Bobby Hutton died for nothin
Told em they could get teary, the world looks dreary
When you wipe your eyes see it clearly
There's no need for you to fear me
If you take your time to hear me, maybe you can learn to cheer me
It aint about black or white, cuz we're human
I hope we see the light before it's ruined
My Ghetto Gopsel
[Chorus]
Those who wish to follow me (Ghetto gospel)
I welcome with my hands
and the red sun sinks at last
into the hills of gold
And peace to this young warrior
Without the sounds of guns
[Verse 2]
Tell me do you see that old lady, aint it sad?
Livin outta bags, but she's glad for the little things she has
And over there there's a lady
Crack got her crazy, yet she's givin birth to a baby
I don't trip and let it fade me
From outta the frying pan we jump into another form of slavery
Even now I get discouraged
Wonder if they take it all back, will I still keep the courage?
I refuse to be a role model
I set goals, stay in control, drink out my own bottles
I made mistakes but learned from every one
And when it's said and done
I bet this brother be a better one
If I upset you don't stress
Never forget, that God isn't finished with me yet
I feel his hand on my brain

[...] Read more

song performed by 2 Pac
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Gospel Changes

The Prodigal Son, he'd been away a while
he was working his way back home now
over many a ragged mile
When he finally crossed the river
and his father saw him near
there was a joyful sound, for all the world to hear
I listened to what the Good Book said
and it made good sense to me
talkin' about reapin' what you're sowin'
people trying to be free.
Now we've got new names and faces, this time around
Gospel changes, Lord, Still goin' down.
Jesus, He did not doubt His gifts
though He knew that He had not long to live
He took care of the bus'ness
of teaching us how to fly
then He bowed His head and laid down to die
I listened to what the Good Book said
and it made good sense to me
talkin' about reapin' what you're sowin'
people trying to be free.
Now we've got new names and faces, this time around
Gospel changes, Lord, Still goin' down.
Jerusalem I see you standing high
but if you lose your salvation
there'll be no tears left to cry
Now some men worship a Golden Calf
while others are bought and sold
and if we live like that brother we pay the toll
I listened to what the Good Book said
and it made good sense to me
talkin' about reapin' what you're sowin'
people trying to be free.
Now we've got new names and faces, this time around
Gospel changes, Lord, Still goin' down.
Gospel changes, Lord, Still goin' down,
Still Goin' Down
Gospel changes, Lord, Still goin' down.

song performed by John Denver
Added by Lucian Velea
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The Gospel Accordin To John

(kinky friedman, roger friedman)
He was just an old-time preacher on the ol time radio
But they never learn to listen till they lived enough to know.
I used to walk out on that porch when mamad turn the durn thing on
To the gospel accordin to john.
Her mail-order prayer shawl fell across her silver hair,
Her sad eyes saw a better world when john came on the air.
Mama had someone to turn to she was rockin all night long
To the gospel accordin to john.
You see, she was a blind believer in johns Bible beatin game.
Hed heal em, wheel em, deal em, bless em in heavens name.
Onward christian soldiers, just a dollar and a half
Buys a photo of jesus with an autograph.
And jesus was a-watching from the table by the door
When that rockin chair grew silent and that shawl fell to the floor.
I walked out on that porch because I couldnt find a prayer
When a kindly voice come a-cracklin cross the air.
Said, folks, them righteous times are comin, I say, theyre comin right on back.
You can hop that gospel train, he said, from both sides of the track.
Some people prayin, keep a-listenin, keep a-helpin out the show,
cause ol johns with you anywhere you go.
Now some folks claim the scriptures are the only living truth,
Others swear by peter, paul or matthew, mark or luke,
Ah but there aint a nicer passage just to sail a dream upon
Than the gospel accordin to john.
He was just an old-time preacher but he answered mamas call,
His words may never save a soul, but his faith could heal us all.
cause lifes a sacred pilgrimage whatever trip youre on
And thats the gospel accordin to john.
Recitation:
God bless you, john you ol devil ...

song performed by Kinky Friedman
Added by Lucian Velea
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Abandoning God’s Gospel

Today many gospels may go around, but, many are just not sound,
Many men preach a gospelly goop, with little Truth in religious soup,
As there’s no meat in their broth, for men who feed from that trough,
Those pulpits of the broader way, as they lead men spiritually astray.

They say in God, that they believe, but, His Truth, they don’t receive,
While they recognize philosophy, and man’s watered down theology,
As they don’t teach from God’s Word, although, His Truth is inferred,
But, only for the appearance of good, as His Truth is misunderstood.

Their gospel is for a social cause, as they put God’s Word on pause,
As they reach to man’s social need, Eternal Truths, they do not heed,
And the real Gospel is ultimately lost, as they avoid the bloody cross,
While avoiding the very reason why, upon that cross Christ had to die.

In their gospel there is no trace, of every man’s need for God’s Grace,
As their gospel ignores sin and Hell, omitting God’s Truth they will tell,
All their listeners, they go to Heaven, which is purely, religious leaven,
And their pews may be very full, but, what’s missing is God’s Gospel.

Many of these men may even muse, about Truth, we call Good News,
But, they need the bad news first, if they’re to have any spiritual thirst,
That being all men deserve to perish, apart from The Lord, we cherish,
And that all only find Eternal Life, in our Lord and Savior, Jesus Christ.

(Copyright ©08/2010)

poem by Bob Gotti
Added by Poetry Lover
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University Of Central Florida Volleyball

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poem by Caasder Fronds
Added by Poetry Lover
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Bible in Poetry: 1 Corinthians 9

The Rights of an Apostle:

1Am I not free, an apostle?
Have I not seen Jesus, our Lord?
Aren’t you the fruit of my labor,
For Jesus Christ, my savior, Lord?
2 Although to others not, may be
I am an apostle to you!
You’re seal of my apostleship.
3 This is my one defense to those
Who sit in judgment upon me.
4Don’t we have right to food and drink?
5Do not we have the right to take
A wife believing, that’s with us,
As do the other apostles,
The Lord's brothers and Cephas too?
6 Or only I and Barnabas
Must have to work for a living?
7Who serves as soldier without pay?
Who plants a vineyard on his own
And not ingest its luscious grapes?
Who tends a flock, drink not the milk?
8Do I say this merely from just
A human point of view, tell me?
Does not the Law say just the same?
9For, it is writ in Mosaic Law:
'Do not muzzle an ox while ’tis
Still treading out the grain for you.'
Is it of oxen only that
Then, God is so concerned about?
10 He says this for us, does not He?
Yes, this was written just for us,
Because when plough-man ploughs the field,
And thresher threshes, they do so
With hope, of share in harvest too.
11If we’ve sown seed in you spiritual,
Is it too much if we then reap
A material harvest from you?
12 If others have this right from you,
Shouldn’t we have it, then all the more?
But we didn’t use this right at all.
And on the contrary, we put
Up with all things rather than to
Hinder gospel of Jesus Christ.
13Do you not know that those who work
In temples get their food from them,
And those who serve at altars share
Whatev’r is offered upon them?
14 Similarly, the Lord commands
That those who preach the gospel should

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poem by John Celes
Added by Poetry Lover
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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