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Arthur Koestler

True creativity often starts where language ends.

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A Map Of Culture

Culture


Contents

What is Culture?

The Importance of Culture

Culture Varies

Culture is Critical

The Sociobiology Debate

Values, Norms, and Social Control

Signs and Symbols

Language

Terms and Definitions

Approaches to the Study of Culture

Are We Prisoners of Our Culture?



What is Culture?


I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .

Back to Contents

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Body Language

Words and music by freddie mercury
Give me body give me body body
Give me your body
Dont talk dont talk dont talk dont talk
Baby dont talk
Body language body language body language
Give me your body
Just give me yeah your body
Give me yeah your body
Dont talk
Body language huh huh
Body language body language
You got red lips snakes in your eyes
Long legs great thighs
You got the cutest ass Ive ever seen
Knock me down for a six any time
Look at me I gotta case of body language
Look at me I gotta case of body language
Look at me I gotta case of body language
Look at me I gotta case of body language
Of body language of body language
Yeah sexy body sexy sexy body
I want your body
Baby youre hot
Body language body language body language
Body language body language body language
Body language body language body language

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Portugal Manoel Da Assumpcam Missionary.

'Portugal Manoel Da Assumpcam
Amar Sonar Moyna Pakki Amigo,
I never seen you in my live ever before
Which Country are you from?
My dear amigo Manoel Da Assumpcam.

Your colour of heritage in unknown Land l fear to bear your name in word.
I can't bear to missed you my amigo, Oh yes it can't be forgot either
You have contributed your nameless name in the nation without name
To influence other and to form the crowd in unknown Land,
Where are you from Sir?

And to shape not my nationalities in Language in Culture but yours!
The present Language in Bangla o' my dear amigo never was counted by.
You may be nothing To Government of Portugal than but today.
Priceless name in the heart of people's in the unknown Land.

I have nothing to say in Language Portuguese other than to say thank you.
For teaching and advocating me in Language in Bangla
That nation today celebrates every year.
With their tears on their eyes and face.

Bear to say words other than few minute in silent,
As orphanage children's looking at each other face.
Remembering those who gave their words in Bangla and live for.
And today I believe in visual hallucination it's not too late
to say how much I love you in Language in Bangla ‘Nil Dariar Prem'

The Birth of new Generation in Culture in Bangla.
Almost was given birth after more than three century in Bangla
'Inna-Lilla-He-O-Inna-He-La-He-Ra-Je-Ow n'
When will I met you?

Day of Kiamot is to far from Bay of Bengal to Portugal.
The mother of all living things on Earth,
Singing in the name of Almighty Lord ‘Allah' too
In the soil of unknown Land in British India my not his or her love.

How lucky you was never assassinated by knowing you was pigeons,
As Bongo Bandhu,
First Prime Ministers of Bangladesh.
I miss you ‘Manoel Da Assumpcam'
Your name prescribed in Language Bangla by name
'Shaheed Minar'
Capital City o Bangladesh.
By name once was known Dac-ca' now became ‘DHA-KA'

Your name in my Language Mother tongues days and nights,
‘Joy Bangla'
To Miss you my dear amigo you left us under your own broken umbrella.

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The New Life

Ive burned my bridges
And Im free at last
All my chains are
In the past
The new life starts here
(I was trying to get happy
I thought it was hard
Until I found that
In my own back yard
The new life starts here)
The day is wide open
The sky is blue
The world is a miracle
And so are you
The new life starts here
My papers arrived
Stamped and complete
All previous dispatches
Are obsolete
The new life starts here
I can see my way so clear
Rejoice for...
The new life starts here
Theres a war in the gulf
But it aint in my head
I just declared a state of
Peace instead
The new life starts here
(tempters and tricksters
Banging at my door
Im not fighting with them
Anymore
The new life starts here
/
Users, abusers,
Banging at my door
Im not fighting with them
Anymore
The new life starts here
Tempsters and tricksters
Wondering how
To seize my attention
They cannot touch me now
The new life starts here)
Generals, presidents
How do you do?
I can make it with or
Without you
The new life starts here
I can see my way so clear

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Double Helix Abecedarian - Xylophonic Resonance He Licks Enigmatic

XYLOPHONIC RESONANCE HE LICKS ENIGMATIC
Kindly refer to notes. and see Temptations and Poetic Pizza Extravaganza below :)

Xylophonic Resonance
double helix abecedarian

The first line begins with A and ends with Z
the next line begins with Z and ends with A
The next line begins with B and ends with Y
The next line begins with Y and ends with B
The next line begins with C and ends with X
The next line begins with X and ends with C

A to Z top down A to Z bottom up



All fizzle, finish frazzled, launched with fizZ.
Zero dreams teem when spirit seems at seA
Because most adepts of philosophY
Yearn for zenith seldom dwell on ebB,
Carpe diem value, seeking sea, sun, seX.
Xylem tree of life’s cannibalistiC
Desires corrupt deeds most men seW,
With survival’s urge soon lost indeeD.
Events churn causal patterns, AsimoV
Viewed clearly, took as starship journey cuE
Finding worlds which may appeal to yoU,
Unknown reader from beyond Time’s gulF -
Great divide between those past, those lefT -
Time travellers peruse these lines to sinG
High praise of poets who’ll know no more springS.
Spontaneousl prose poem picks pensive patH
In patter pattern, feet dance to empoweR.
Rhythm harmonious, need no alibI,
Joins sense, style versatile, from mind's H.Q.,
Questions seeks, finds answers. Soujourn’s hadJ
Knowledge acquires to share more than to keeP,
Pipes clear to others drifting through the darK.
Lark sings dawn’s welcome song, and each man’s taO
Opens connections, on life’s sea a-saiL
Ma d, sad, glad, bad, for threescore years and teN
Never certain of his mortal aiM,
Nor sure to gain posthumous fame, acclaiM,
Making ends meet in hope to rise agaiN
On judgement day should trust and faith prevaiL.
Life-spans increase but trite hullabaloO
Prepares too few for winding sheet, corpse starK,

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Magpie, My Keeper, Is Flying - Upon Freeing the Gift of Creativity Turned Inward

.
for Elaine Bellezza, Beloved Anima-as-Fate


'There is only one real deprivation, I decided this morning, and that is not to be able to give one's gift to those one loves most...The gift turned inward, unable to be given, becomes a heavy burden, even sometimes a kind of poison. It is as though the flow of life were backed up.' - May Sarton, Journal of a Solitude


This afternoon while still somewhat hungover from last night's rich meal and several glasses of strong red wine, I stumbled as one does when hungover, only today without feet but with eyes, upon the above quote by May Sarton. I had awakened this morning with fragments of a dream, repetitive of other dreams the past few months, where I am carrying something precious and just cannot put it down in any old place or upon just any available surface. I cannot put it down until I find the right surface and location.

These dreams are full of torrential flood waters, or backed up, stagnant water, toilets full of filth and pungent bright orange dark urine days old and fermenting. I cannot unhand the burden even though the urge to pee or flee or drive a car away or into flood waters is strong. I must not put down the burden odd as it is; it is my laptop carrying case made of canvas. It is large enough to carry not only my laptop but also many books with which I cannot, will not be parted from as they are the must-have-with-me-always 'bread', my staple and stability in a given to me world out of balance.

I have understood the dreams only a little - something within the psyche is flooding up, over-spilling or has already, has not been adequately canalized, channeled, streamed and guided, shaped and formed. Or flushed. I knew that eventually, as dreams do when one sits consciously, patiently, persistently with them, they would yield their messages to me, and upon revelation these must be obeyed, brought out into the world, Carl Jung having said that one has a moral responsibility to dreams once they are kenned and must be conscientiously acted upon in the outer world. Just dreaming is not enough. Everyone dreams but not very many know to dream them out into the world, to let their messages unfurl, flood and flow to bring forth new consciousness, to reshape old forms no longer adequate to self, place and time into symbol and their sense, usually not literal.

And thus, only just now, upon opening up haphazardly in a book about Dostoevsky and his struggle with addictions which mirror the profound compulsion to create at any cost perhaps beyond one's capacities to renew oneself, I find May Sarton's quote and suddenly the dreams clarify and sharpen into focus; I understand them as the burden of creativity too long turned inward, the burden of writing, the burden of poetry which I have carried heavily for most of my life since middle school when I was 11 or 12 years old when books became my lifeline, my link to existence that I could live on in spite of not wanting to do so. Written words, books, kept me from disappearing though I was and remain a mostly invisible word.

And thus the floods. One cannot ignore them. Alphabets tumble and roil. One dare not ignore them. One must see them without a choice to not see them. In them I am suddenly made visible, bright orange p*ss pots and all. I am both appalled and pleased. My burden is upon my knees.

The backed up water, the urine, is creativity. A somewhat odd symbol of creativity, there is more than enough evidence that urination is symbolic of self expression which is creativity. In ancient Rome the highly valued dirt from the urinals of boys' schools was collected to be used as a cosmetic in order to restore youthful energy and looks. A young boy, or puer in Latin, is an archetypal symbol of ongoing creativity and inspiration, the puer aeternas, the eternal youth, well springs of ongoing creativity still imaged in solid fountains of the world where eternal waters flow from the peni of cherubic youth.

I have struggled my entire life with a strong urge to create, to write, to express in words that creative daemon within which torments no matter the completion of a poem or essay, a lecture, a psalm. And now my dreams have had me consciously, urgently seeking a place to put the burden down, to perhaps come to it anew. I imagine that landing the burden means bringing it down to earth, manifesting creativity all the more by bringing my efforts to others for the strongest part of the compulsive urge in my creativity has been to contribute one good thing, one good poem or piece of writing which in some way might further the culture even if only by a flea's leg length.

The dreams urge me to let the urine flow, to let the flood waters indeed flood over, to be less self conscious of what I write and say but to have at it all and to say my say. And to let whatever waves there are crest and break upon ever receptive banks and shores whose duty it is to allow what may come from motion without complaint, the more compliant toward as yet to be fully formed purposes as yet to be scored.

Synchronistically, a few days ago I listened to a lecture by poet Allen Ginsberg about Walt Whitman and his imitators, those who were goodly influenced by his effulgent, self indulgent style, his garrulous poems which presumed to express the very expansiveness of the North American continent over-flooded by a plague of itinerant, persistent poachers and prophets from Europe to Eastern disembarkation and then inland and Westward, compelled to overtake land and native peoples in their possessed, pushed wake. Ginsberg imagined himself to be a timely extension of this unruly school, as savage as the projected upon land and justly-resistant, resident humanity stretched beyond known bounds and sounds. Blood drowned and pounded the god-hounded land even now is flooded by unleashed mighty rivers seeking, if rivers seek at all, to undo and renew in horse shoe and other shapes the crimes of consciousness compelled to overtake while leaving it up to human souls to repent and repair, to prepare for more powerful insurgencies of land and Self ever seeking new and nower expressions of dirt and deity. There's enough history beneath layers to support the scarp and scrape of momentary yet monumental motions finally given mouths to utter what lies both beneath and within the heaping huzzahs of here here here full and deep. As in my dream, it is hard to steer in such surpassing tides and currents. Still, I am searching for holy campground that I may lay my burden down.

I have no wish to imitate Whitman nor Ginsberg - though both are easily imitated since they did so themselves, an occupational hazard for writers - but only to be obedient to the daemon, that urgent, emergent, creative force within. It rushes within and against me. No matter whether derived of the grandiose American continent and the even more grandiose sky or not, I have all too successfully braced against it in fear of failure, reprisal or, worse, complete indifference from others. My dreams now urge floods and resultant coagulations, they bring creative splurges to ground from hand to the hard world. And Nature, too, is indifferent but begs none the less and all the more to be given utterance and response.

Respondeo ergo sum. I respond, therefore I am. I respond, therefore the other, earth, all her ants, is as long as there are eyes, ears, and scanning minds to acknowledge and touch, wrestle, caress, shape - some in scansions - outer from inner, inner from outer, landscapes to be all too quickly discarded in time for what is sung just ahead. And seen. Or hoped, all praise to telescopes. We would be they, so addicted to horizons, to bring them close.

Something there is needs completion via coagulation, forming, shaping, and sharing with whomever may be open to clods delivered. If not, rivers will, as they will without reason, continue to overrun their banks and insist upon covering designated previous cultivations. Let then excess of creativity have its say, play out, and leave the critical post-considerations to others. I will surely sit and ponder spent what spills forth, to shape, to edit, to discard. And watch my little yard sink beneath needed and needy floods.

I will have done with deprivation and bring myself, what I have shaped and misshapen, to the world. These things, this burden, have I most loved and felt responsible for, have born the shame of. I have fought and have failed utterly again and again though my attempts have been, and still are, sincere though not blameless. Fear has been my encampment, a longing beneath knowing feet in secret cellars just beyond reach of contracted hands forever spelling hunger. I know open bastion doors and windows to now fling beyond embankments what has been wrung out of my floes and woes though hands wither from too much turning against and inward. What a relief to burst beyond boundaries too long successfully restraining.

I recently wrote a poem about much too too solid bastions of self, of forceful puer energy ramming through and over and into long buried storms and petrified forms, of passion mangling the delusion of 'norms' ignoring too sensitive alarms. Given May Sarton's May revelation this morning I now understand that the poem is about more than eros, it is about that powerful creative/destructive force, the daemon/tyro that ever urges outward intent on making and staking Self in new land and at least one aging man wrenched and rendered from dried and calcified encrustations. I am, to borrow from the insistent dream image, beginning to leak. And to break open.


Archeology - What The Stele Says 'Upon Taking A Much Younger Lover'


That this old ground yields to plow stuns.
What begins to be, earth swell, breaks
root-room open to blood means.

Old skeins tear upon what is new terrain,
hunger worn, long appended. There is
no blame for pain is the blessing.

All hurt now stings twilight quaked into being.
Your breath falls upon me now, taut, sinew,
bruising hand, purple inside flares warrior nerves

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The language with largest vocabulary

It has only seven letters
And has the largest vocabulary
There is no dearth
Of expression
For any situation or emotion
One same thing
Can mean a million things

King Solomon deciphered
Ants’ impression using this language
Indian mythology has it that
A much revered teacher
Taught all his disciples
Using this language
Clearing their all doubts
On any subject

It is not written
It is not spoken
It is not heard
But has in-depth meaning
And a lot application

It is not formally taught
As it has no syllabus
People pick up this
In their life paths
Some do not just pick this up
But, make excellent use of it
And successfully overcome
Difficult and challenging maneuvers

This language came into being
Long before the creation of this universe
Yes, it is not a just a global language
It is a universal language

This is in use world over
This is a common language
But often not used
This language has no grammar
No problem of spelling words wrong
There are no present, future or past tenses
There is no subject, predicate or object
As there are no sentences framed with this language

When used the person can still keep smiling
Often understood as a consent granted

Even the just new born is

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What is a Friend?

True friends will never let each other down
True friends will tell each other when they are right or wrong
True friends listen to their problems without casting judgment
True friends are never afraid to tell you like it is

A true friend knows when to say no
A true friend will never flop you
A true friend will be supportive of all you do
A true friend will be there to dry your weeping eyes

A true friend will lend a shoulder for you to cry on
A true friend cares how you are doing
A true friend cares about your day-to-day life
A true friend always calls and checks up on you

A true friend gives of himself/herself without asking for anything in return
A true friend would not lend you money but give you whatever they can
A true friend may argue, fuss, and fight with you but will always be there for you
A true friend forgives you for your shortcomings

A true friend will come to your aid no matter what time of day it is
A true friend doesn’t wait to hear from you to make the first call
A true friend just calls to chitchat with you
A true friend is like a Godsend in times of perils

A true friend is always welcoming
A true would give you the coat off their backs
A true friend knows enough is enough
A true friend will be by your side when you need them the most

A true friend will run an intercept or blockage for you
True friends will CYA for each other
True friends knows that this world wasn’t promised to us
True friends make the best of a bad situation

True friends keeps each others secretes
True friends keeps no secretes from one another
True friends share each other’s lives
A true friend is forever

Are you a true friend?
Ask yourself that question
Can you be a true friend?
Do you deserve a good friend?

There are no goodbyes in life, just hellos

Hello friend

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Your Racist Friend

This is where the party ends
I cant stand here listening to you
And your racist friend
I know politics bore you
But I feel like a hypocrite talking to you
And your racist friend
It was the loveliest party that Ive ever attended
If anything was broken Im sure it could be mended
My head cant tolerate this bobbing and pretending
Listen to some bullet-head and the madness that hes saying
This is where the party ends
Ill just sit here wondering how you
Can stand by your racist friend
I know politics bore you
But I feel like a hypocrite talking to you
You and your racist friend
This is where the party ends
I cant stand here listening to you
And your racist friend
I know politics bore you
But I feel like a hypocrite talking to you
And your racist friend
Out from the kitchen to the bedroom to the hallway
Your friend apologizes, he could see it my way
He let the contents of the bottle do the thinking
Cant shake the devils hand and say youre only kidding
This is where the party ends
I cant stand here listening to you
And your racist friend
I know politics bore you
But I feel like a hypocrite talking to you
And your racist friend
Notes
Most alternate versions are very similar. the farthest removed is the extended mix dial-a-song version:
This is where the party ends
I cant stand here wondering how you
Can stand by your racist friend
This is where the party ends
I cant stand here wondering how you
Can stand by your racist friend
It was the loveliest party
That Ive ever attended
If anything got broken
Im sure it could be mended
But my head cant stand this bobbin and pretendin
Tolerate some bullethead and the bullshit that hes sayin
This is where the party ends
I cant stand here listening to your
Your racist friend
This is where the party ends

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Hablemos El Mismo Idioma

En la vida hay tantos senderos por caminar
Qu ironia que al fin nos llevan al mismo lugar
Pesar de las diferencias que solemos buscar
Respiramos el mismo aire, despertamos al mismo sol
Nos alumbra la misma luna, necesitamos sentir amor
Nos alumbra la misma luna, necesitamos sentir amor
Hay tanto tiempo que hemos perdido por discutir
Por diferencias que entre nosotros no deben existir
Las costumbres, raices y herencias que me hacen quien soy
Son coloros de un arcoiris, acordes de un mismo son
Las palabras se hacen fronteras, cuando no nacen del corazn
Hablemos el mismo idioma y as las cosas irn mejor
(coro)
Hablemos el mismo idioma, que hay tantas
Cosas porque luchar
Hablemos el mismo idioma, que solo unidos se lograrn
Hablemos el mismo idioma, que nunca es tarde para empezar
Hablemos el mismo idioma, bajo la bandera de libertad
Si lo pensamos nosotros tenemos tanto en comn
Y no conviene que el mundo nos oiga
Con una sla voz
Es importante seguir adelante con fuerza
Y con f
Forgemos nuevos caminos, en la unin hay
Un gran poder
Orgullosos de ser latinos no importa
De donde, todo podemos vencer
(coro)
Hablemos el mismo idioma, que hay tantas
Cosas porque luchar
Hablemos el mismo idioma, que solo unido se lograr
Hablemos el mismo idioma, que nunca es tarde para empezar
Hablemos el mismo idioma, bajo la bandera de libertad
Hablemos el mismo idioma dame la mano
Mi hermano
(ad lib) no importa de donde seas todos
Somos hermanos t ves
Que no existan las diferencias entre nosotros hispanos
En esta vida hay que trabajar para lograr lo que queremos, latinos
Las palabras se hacen fronteras cuando no se
Hablan del corazn si t ves
No importa raza ni religion, somos hermanos
En el corazn pero que fuerza tenemos
Los latinos si nos mantenemos unidos
(translation:
In life there are so many paths that we can choose to walk
How ironic that they all lead to the same place
In spite of all the differences that we tend
To look for in each other
We all breathe the same air and wake up to the same sun

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Toni Morrison

Tongue-suicide is not only the choice of children. It is common among the infantile heads of state and power merchants whose evacuated language leaves them with no access to what is left of their human instincts for they speak only to those who obey, or in order to force obedience. The systematic looting of language can be recognized by the tendency of its users to forgo its nuanced, complex, mid-wifery properties for menace and subjugation. Oppressive language does more than represent violence; it is violence; does more than represent the limits of knowledge; it limits knowledge. Whether it is obscuring state language or the faux-language of mindless media; whether it is the proud but calcified language of the academy or the commodity driven language of science; whether it is the malign language of law-without-ethics, or language designed for the estrangement of minorities, hiding its racist plunder in its literary cheek — it must be rejected, altered and exposed. It is the language that drinks blood, laps vulnerabilities, tucks its fascist boots under crinolines of respectability and patriotism as it moves relentlessly toward the bottom line and the bottomed-out mind. Sexist language, racist language, theistic language — all are typical of the policing languages of mastery, and cannot, do not permit new knowledge or encourage the mutual exchange of ideas.

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Alexander Pope

An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.


'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

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Keep looking for loose ends; Keep alive and kicking

Keep looking for loose ends, Keep alive and kicking

The very essence of survival among
All living systems lies in the
Locating of loose ends and fixing them adequately

Making of another million
May be one’s loose end while
Winning the next meal
May be that of some one else
Growth of his industrial empire
May be the loose end of an entrepreneur, while
Moving on to the next stage in the spiritual path
May be that of someone different
Getting a loan for building own accommodation
May be some other’s loose end while
Paying back the availed loan
May be the loose end of a third other person
Keeping in tact his political position and
Getting a suitable placemen
May be other loose ends, which are common
Building a new nest may be a bird’s loose end while
Snatching the next prey may be a tiger’s loose end

Thus all are after loose ends

The fact is that locating a loose end is not really the end
As loose ends by themselves are no issues
Loose ends get entangled and invite
New and unknown complications

Some know their loose ends
They seemingly do not think or act on these
May be they are confident of meeting the resultant
Complications effectively and adequately

Some are lost in worrying over the complications
And they find no time to fix loose ends
Loose ends remain loose anytime to blow up
With unexpected implications

It is indeed, the desire that fix loose ends
This desire leads these people as how to fix them
They act on the knowledge and secure loose ends

Loose ends are really fixed by
Emotion-free and knowledge-based actions

So,

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Language Of Love

I want your flesh and blood
And to feel your heart pumping hard
I want to tell my story to your eyes
I want to watch you react
To me baby
Maybe Im dreaming
I got to do something
We may be on the same planet
Living in different worlds
Do you speak the language of love
Living in the touch of your fingers
Are you the passionate type
Is this a natural thing
Do you speak the language of love
Second hand emotional trigger
In the devils playground
Hear the church bells ring
I speak the language of love
I speak the language of love
Shes my great obsession
And the girl likes me too
I think she has the wrong impression
She thinks I want to be friends
Maybe Im dreaming
I better do something
We might be on the same planet
But talk different tongues
Do you speak the language of love
Living in the touch of your fingers
Are you the passionate type
Is this a natural thing
Do you speak the language of love
Second hand emotional trigger
In the devils playground
Hear the church bells ring
I speak the language of love
I speak the language of love
She thinks I want to be friends
Maybe Im dreaming
I better do something
We may be on the same planet
Living in different worlds
I speak the language of love
I speak the language of love
Do you speak the language of love
Living in the touch of your fingers
Are you the passionate type
Is this a natural thing
Do you speak the language of love
Second hand emotional trigger

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The Language Of Love

I want your flesh and blood
And to feel your heart pumping hard
I want to tell my story to your eyes
I want to watch you react
To me baby
Maybe I'm dreaming
I got to do something
We may be on the same planet
Living in different worlds
Do you speak the language of love
Living in the touch of your fingers
Are you the passionate type
Is this a natural thing
Do you speak the language of love
Second hand emotional trigger
In the devil's playground
Hear the church bells ring
I speak the language of love
I speak the language of love
She's my great obsession
And the girl likes me too
I think she has the wrong impression
She thinks I want to be friends
Maybe I'm dreaming
I better do something
We might be on the same planet
But talk different tongues
Do you speak the language of love
Living in the touch of your fingers
Are you the passionate type
Is this a natural thing
Do you speak the language of love
Second hand emotional trigger
In the devil's playground
Hear the church bells ring
I speak the language of love
I speak the language of love
She thinks I want to be friends
Maybe I'm dreaming
I better do something
We may be on the same planet
Living in different worlds
I speak the language of love
I speak the language of love
Do you speak the language of love
Living in the touch of your fingers
Are you the passionate type
Is this a natural thing
Do you speak the language of love
Second hand emotional trigger

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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

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Stream Line Consciousness

Big brother voyeur blimps unidentified spies
uncle sam peeping toms patrolling skies
bird brain police intelligence
remote viewing homeland pest control
pentagon private eye monitoring the public's every move
mass produced micro chips intercepting prayers patrolling citizens from heaven
Bentham's Panopticon NSA
super computer surveillance cameras
world police spying Manhattan streets

'Athens plummets Euro death spiral
suicide rates soar deepening into despair'

haaretz..the post.. the times
blogs tribunes dailies all in a mad gab
headlong headline attention grabbing scramble

'Yugoslavia - Iraq - Egypt - Yemen - Iran - Syria - United States'
bilderberg building blocks New American Century post apocalyptic prophecy

'foreign mercenaries …national guard...DOD
homeland security to amass covert munitions stockpile
Americans on guard anxieties mounting surrounding
the stripping of amendments 1st if you swing to your left
2nd if you stand on the right
whispers of martial law circulate Anarchical reverberations
emanate from internet Alt culture epicenters
bottle necking global tensions'

'common feeling of deepening disappointment...
heightened expectations...
people expecting an explosive situation over the
next few weeks'

...riot police respond 'to preserve public order'
public roads barricaded to 'protect security of citizens'

'blatant act of censorship
western mainstream media staying away
from Myanmar massacres of Mohammedan Angels
further showing strong anti Muslim bias'

'Media blackout Burmese army
seeking coverage under propaganda blankets'

from the middle east throughout the western world
planet consciousness blurring lines between conspiracy/reality
conflicting global network narratives multiply violent scenarios daily
Victims in a world wide scramble
Government Banking Military

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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