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That was the crossover line for us, to be able to play that many shows, sell them out real quick and have that tribe queue up outside and still be a mystery to everybody else.

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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.


Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

[...] Read more

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Shes A Mystery To Me

Darkness falls and she
Will take me by the hand
Take me to some twilight land
Where all but love is gray
Where I can find my way
Without her as my guide
Night falls, Im cast beneath her spell
Daylight falls, our heaven turns to hell
Am I left to burn
And burn eternally
Shes a mystery to me
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
In the night of love
Words tangled in her hair
Words soon to disappear
A love so sharp it cut
Like a switchblade to my heart
Words tearing me apart
She tears again my bleeding heart
I want to run, shes pulling me apart
Fallen angel cries
Then I just melt away
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Haunted by her side
Its a darkness in her eyes
That so enslaves me
And if my love is blind
Then I dont want to see
Shes a mystery to me
Night falls, Im cast beneath her spell
Daylight comes, our heaven turns to hell
Am I left to burn
And burn eternally
Shes a mystery to me
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Shes...a mystery girl
Mystery girl
Shes a mystery girl
Shes...a mystery girl
Shes a mystery girl

[...] Read more

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Double Helix Abecedarian - Xylophonic Resonance He Licks Enigmatic

XYLOPHONIC RESONANCE HE LICKS ENIGMATIC
Kindly refer to notes. and see Temptations and Poetic Pizza Extravaganza below :)

Xylophonic Resonance
double helix abecedarian

The first line begins with A and ends with Z
the next line begins with Z and ends with A
The next line begins with B and ends with Y
The next line begins with Y and ends with B
The next line begins with C and ends with X
The next line begins with X and ends with C

A to Z top down A to Z bottom up



All fizzle, finish frazzled, launched with fizZ.
Zero dreams teem when spirit seems at seA
Because most adepts of philosophY
Yearn for zenith seldom dwell on ebB,
Carpe diem value, seeking sea, sun, seX.
Xylem tree of life’s cannibalistiC
Desires corrupt deeds most men seW,
With survival’s urge soon lost indeeD.
Events churn causal patterns, AsimoV
Viewed clearly, took as starship journey cuE
Finding worlds which may appeal to yoU,
Unknown reader from beyond Time’s gulF -
Great divide between those past, those lefT -
Time travellers peruse these lines to sinG
High praise of poets who’ll know no more springS.
Spontaneousl prose poem picks pensive patH
In patter pattern, feet dance to empoweR.
Rhythm harmonious, need no alibI,
Joins sense, style versatile, from mind's H.Q.,
Questions seeks, finds answers. Soujourn’s hadJ
Knowledge acquires to share more than to keeP,
Pipes clear to others drifting through the darK.
Lark sings dawn’s welcome song, and each man’s taO
Opens connections, on life’s sea a-saiL
Ma d, sad, glad, bad, for threescore years and teN
Never certain of his mortal aiM,
Nor sure to gain posthumous fame, acclaiM,
Making ends meet in hope to rise agaiN
On judgement day should trust and faith prevaiL.
Life-spans increase but trite hullabaloO
Prepares too few for winding sheet, corpse starK,

[...] Read more

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You're Not From Brighton

Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used, funk as we used to
You're not from Brighton
You're not from Brighton
You're not from Brighton
You're, you're, you're, you're
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Said check baby, check baby
Check baby, check said
Check baby, check baby
Check one two
Check baby, check baby
Check baby, check said
Check check baby
Check check one two
Check baby, check baby
Check baby, check said
Check baby, check baby
Check one two, ha
Check baby, check baby
Check baby, check said
Check baby, check baby
Check one two, ha
Check baby, check baby
Check baby, check said
Check baby, check baby
Check one two, ha
Check baby, check baby
Check baby, check said
Check baby, check baby
Check one two
Said check one two, check one two
Check one two, check one two

[...] Read more

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

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I Can Play (Lyrics) :

He didn't give himself up to fear.
And his voice had a life of its own.
He didn't give himself up for broke.
Just a man who played his guitar.

He said 'I can play the guitar', 'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.

'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.

He didn't give himself up to drinking beer.
His voice still had a life of its own.
And he didn't give himself up for smoke.
Just a man who played his guitar.

He said 'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.

'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.

He didn't give himself up to curcumstance.
Always tried to make it alone.
He didn't give himself up to telling lies.
His honesty was already shown.
Always kept himself up to par.
Just a man who played his guitar.

He said 'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.

'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'...

Rock Lyric By Kim Robin Edwards
Copyright 1987,2009..
ALL rights reserved..

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The Witch of Hebron

A Rabbinical Legend


Part I.
From morn until the setting of the sun
The rabbi Joseph on his knees had prayed,
And, as he rose with spirit meek and strong,
An Indian page his presence sought, and bowed
Before him, saying that a lady lay
Sick unto death, tormented grievously,
Who begged the comfort of his holy prayers.
The rabbi, ever to the call of grief
Open as day, arose; and girding straight
His robe about him, with the page went forth;
Who swiftly led him deep into the woods
That hung, heap over heap, like broken clouds
On Hebron’s southern terraces; when lo!
Across a glade a stately pile he saw,
With gleaming front, and many-pillared porch
Fretted with sculptured vinage, flowers and fruit,
And carven figures wrought with wondrous art
As by some Phidian hand.

But interposed
For a wide space in front, and belting all
The splendid structure with a finer grace,
A glowing garden smiled; its breezes bore
Airs as from paradise, so rich the scent
That breathed from shrubs and flowers; and fair the growths
Of higher verdure, gemm’d with silver blooms,
Which glassed themselves in fountains gleaming light
Each like a shield of pearl.

Within the halls
Strange splendour met the rabbi’s careless eyes,
Halls wonderful in their magnificance,
With pictured walls, and columns gleaming white
Like Carmel’s snow, or blue-veined as with life;
Through corridors he passed with tissues hung
Inwrought with threaded gold by Sidon’s art,
Or rich as sunset clouds with Tyrian dye;
Past lofty chambers, where the gorgeous gleam
Of jewels, and the stainèd radiance

Of golden lamps, showed many a treasure rare
Of Indian and Armenian workmanship
Which might have seemed a wonder of the world:
And trains of servitors of every clime,
Greeks, Persians, Indians, Ethiopians,
In richest raiment thronged the spacious halls.

[...] Read more

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Sell Me A Coat

La la la la la la la la la la la la la
A winters day, a bitter snowflake on my face
My summer girl takes little backward steps away
Jack frost took her hand and left me, jack frost aint so cool
Sell me a coat with buttons of silver
Sell me a coat thats red or gold
Sell me a coat with little patch pockets
Sell me a coat cause I feel cold
And when she smiles, the ice forgets to melt away
Not like before, her smile was warming yesterday
See the trees like silver candy, feel my icy hand
Sell me a coat with buttons of silver
Sell me a coat thats red or gold
Sell me a coat with little patch pockets
Sell me a coat cause I feel cold
See my eyes, my window pane
See my tears like gentle rain
Thats the memory of a summer day
Sell me a coat with buttons of silver
Sell me a coat thats red or gold
Sell me a coat with little patch pockets
Sell me a coat cause I feel cold
Sell me a coat with buttons of silver
Sell me a coat thats red or gold
Sell me a coat with little patch pockets
Sell me a coat cause I feel cold
La la la la la la

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Samuel Butler

Hudibras: Part 3 - Canto II

THE ARGUMENT

The Saints engage in fierce Contests
About their Carnal interests;
To share their sacrilegious Preys,
According to their Rates of Grace;
Their various Frenzies to reform,
When Cromwel left them in a Storm
Till, in th' Effigy of Rumps, the Rabble
Burns all their Grandees of the Cabal.

THE learned write, an insect breeze
Is but a mungrel prince of bees,
That falls before a storm on cows,
And stings the founders of his house;
From whose corrupted flesh that breed
Of vermin did at first proceed.
So e're the storm of war broke out,
Religion spawn'd a various rout
Of petulant Capricious sects,
The maggots of corrupted texts,
That first run all religion down,
And after ev'ry swarm its own.
For as the Persian Magi once
Upon their mothers got their sons,
That were incapable t' enjoy
That empire any other way;
So PRESBYTER begot the other
Upon the good old Cause, his mother,
Then bore then like the Devil's dam,
Whose son and husband are the same.
And yet no nat'ral tie of blood
Nor int'rest for the common good
Cou'd, when their profits interfer'd,
Get quarter for each other's beard.
For when they thriv'd, they never fadg'd,
But only by the ears engag'd:
Like dogs that snarl about a bone,
And play together when they've none,
As by their truest characters,
Their constant actions, plainly appears.
Rebellion now began, for lack
Of zeal and plunders to grow slack;
The Cause and covenant to lessen,
And Providence to b' out of season:
For now there was no more to purchase
O' th' King's Revenue, and the Churches,
But all divided, shar'd, and gone,
That us'd to urge the Brethren on;
Which forc'd the stubborn'st for the Cause,

[...] Read more

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Magical Mystery Tour

(LennonMcCartney)
[Roll up! Roll up for the magical mystery tour!
Step right this way!]
Roll up, roll up for the mystery tour
Roll up, roll up for the mystery tour
Roll up (And that's an invitation), roll up for the mystery tour
Roll up (To make a reservation), roll up for the mystery tour
The magical mystery tour is waiting to take you away
Waiting to take you away
Roll up, roll up for the mystery tour
Roll up, roll up for the mystery tour
Roll up (We've got everything you need), roll up for the mystery tour
Roll up (Satisfaction guaranteed), roll up for the mystery tour
The magical mystery tour is hoping to take you away
Hoping to take you away
Mystery trip
Aaaah... the magical mystery tour
Roll up, roll up for the mystery tour
Roll up (And that's an invitation), roll up for the mystery tour
Roll up (To make a reservation), roll up for the mystery tour
The magical mystery tour is coming to take you away
Coming to take you away
The magical mystery tour is dying to take you away
Dying to take you away, take you today

song performed by Paul McCartneyReport problemRelated quotes
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Lining Track

This song was first released on the all aboard! album. it is the only album it has been released on.
Mo boys, is you right
Done got it right
All I hate about linin track
These ol boys are gonna break my back
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Down in the holler below the fleld
Angels working on the chariot wheel
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Mary and the babe was a sittin in the shade
Thinking on the money that I aint made
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Moses stood on the red sea shore
Gotta batten down the waves with a 2 by 4
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Now if I could I surely would
Stand on the rock where moses stood
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Matthew, mark, luke and john
All them disciples dead and gone
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Mo boys, is you right
Done got it right
All I hate about lining track
These ol boys about to break my back
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Words and music by huddie ledbetter

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Nite Line

Calling on the nite line
Waking me up
Calling on the nite line
(calling on the nite line)
Cant get enough
Calling on the nite line
(calling on the nite line)
Whisper in my ear
Sending through the fire line
(calling on the nite line)
What Id like to hear
Every night about midnight
The call comes through
You turn it on the nite line
cause you know just what to do
And Ill be waiting
(Ill be waiting)
By the phone
(by the phone) alone.
Calling on the nite line
Waking me up
(call me, baby)
Calling on the nite line - hee!
Cant get enough
(call me, darling)
Calling on the nite line - hee!
Whisper in my ear - aow!
Sending through the fire line
What Id like to hear
Make it person-to-person
Make it heart-to-heart
Darling, your communication
Is sending up sparks
Ill be waiting
(Ill be waiting)
By the phone
(by the phone)
Why dont you give me a call?
(calling on the nite line
Getting me up)
I wanna call
(calling on the nite line
Cant get enough)
Why dont you call me, baby? hee!
Call me on the nite line!
(call me, darling!)
Whisper in my ear
(wont you call me, baby!) hee!
Sending through the fire line
What Id like to hear - oo!

[...] Read more

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Magical Mystery Tour

Roll up.
Roll up for the Mystery Tour.
Roll up.
Roll up for the Mystery Tour.

Roll up.
And that's an invitation.
Roll up for the Mystery Tour.
Roll up.
To make a reservation.
Roll up for the Mystery Tour.

The Magical Mystery Tour
Is waiting to take you away.
Waiting to take you away.

Roll up.
Roll up for the Mystery Tour.
Roll up.
Roll up for the Mystery Tour.

Roll up.
We got everything you need.
Roll up for the Mystery Tour.
Roll up.
Satisfaction guaranteed.
Roll up for the Mystery Tour.

The Magical Mystery Tour
Is hoping to take you away.
Hoping to take you away.

(Mystery Tour..)
Ah.. The Magical Mystery Tour.
Roll up.
Roll up for the Mystery Tour.

Roll up.
And that's an invitation.
Roll up for the Mystery Tour.
Roll up.
To make a reservation.
Roll up for the Mystery Tour.

The Magical Mystery Tour
Is coming to take you away.
Coming to take you away.

The Magical Mystery Tour
Is dying to take you away.

[...] Read more

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Magical Mystery Tour

Roll up, roll up, roll up, roll up
Roll up
Roll up, roll up, roll up, roll up
(Roll up) I've got an invitation
(Roll up for the mystery tour)
(Roll up) To make a reservation
(Roll up for the mystery tour)
(Roll up) They got everything you need
(Roll up for the mystery tour)
(Roll up) Satisfaction guaranteed
(Roll up for the mystery tour)
The magical mystery tour
Is waiting to take you away
Waiting to take you away
(Roll up) Iave got an invitation
(Roll up for the mystery tour)
(Roll up) To make a reservation
(Roll up for the mystery tour)
(Roll up) I got everything you need
(Roll up for the mystery tour)
(Roll up) Satisfaction guaranteed
(Roll up for the mystery tour)
The magical mystery tour
Is hoping to take you away
Hoping to take you away
We're taking a trip
A mystery tour
We're taking a trip
(Oh) The magical mystery tour
(Roll up)
(Roll up for the mystery tour)
(Roll up) I've got an invitation
(Roll up for the mystery tour)
(Roll up) To make a reservation
(Roll up for the mystery tour)
The magical mystery tour
Is coming to take you away
Coming to take you away
The magical mystery tour
Is dying to take you away
Dying to take you away
Take you today

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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Dead End Job

Words and music by The Police
I don't want no dead end job
I don't wanna be no number
I don't want no dead end job
I don't wanna be no number
The queue gets longer everyday
I just ain't no time to stay
I ain't gonna run away
All I want to do is play
Don't wanna be no teacher
I don't wanna be no slave
I don't wanna work no assembly line
A' like my uncle Dave
The queue gets longer everyday
I just ain't got time to stay
I ain't gonna run away
All I wanna do is play
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't wanna be no number
I don't want no dead end job
I don't wanna be no number
The queue gets longer everyday
All I wanna do is play
I just ain't got time to stay
But I ain't gonna run away
Don't wanna be no millionaire
Don't wanna own no mint
I don't wanna be no tax exile
And I don't mind being skint
The queue gets longer every day
I just ain't got time to stay
I ain't gonna run away
All I wanna do is play
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't wanna be no number
I don't want no dead end job
I don't wanna be no number
The queue gets longer everyday
I just ain't no time to stay
I ain't gonna run away
All I want to do is play
Don't wanna be no millionaire

[...] Read more

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by from The Ring and the BookReport problemRelated quotes
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Mystery Girl

Darkness falls and she will take me by the hand
Take me to some twilight land
Where all but love is grey
Where time just slips away
Without her as my guide
Night falls Im cast beneath here spell
Daylight comes our heavens torn to hell
Am I left to burn
And burn eternally
Shes a mystery to me
Shes a mystery girl
Shes a mystery girl
In the night of love words tangled in her hair
Words soon to disappear
A love so sharp it cuts like a switchblade to my heart
Words tearing me apart
She tears again my bleeding heart
I want to run shes pulling me apart
Fallen angel cries
Then I just melt away
Shes a mystery to me
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Haunted by her side the darkness in her eyes
But that so enslaves me
If my love is blind then I dont want to see
Shes a mystery to me
Night falls Im cast beneath her spell
Daylight comes our heavens torn to hell
Am I left to burn
And burn eternally
Shes a mystery to me
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl
Shes a mystery girl

song performed by Roy OrbisonReport problemRelated quotes
Added by Lucian Velea
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Theatre Of The Absurd

(ian hunter)
My tea turned seven shades darker
As I sit n write these words
And londons gettin paler
In my theatre of the absurd.
You figured for an evening
And you made it all worthwile.
Its seldom people have a job
And even rarer that I smile.
Play me some, play me some,
Play me brixton power.
Teach your children to be them
And never ever ours.
Play me some, play me some,
Play me brixton power.
Someone took the park away
But they left a lonely flower.
And if your songs be classics,
Throw them to the hurd.
Truth is where they came from
And not this theatre of the absurd.
Some say you wanted to play for me
But its only what youve heard
That made you want to capture me
In your theatre of the absurd.
It was not me, I said myself
And you must do so, too.
I hope you have the strength to stay
When Ill be watchin you.
So baby,
Play me some, play me some,
Play me brixton power.
Teach your children to be them
And never ever ours.
Play me some, play me some,
Play me brixton power.
Someone took the park away
But they left a lonely flower.
Oh when I got here back home tonight
Something within me stirred.
Oh it must have been a different kind of play
That touched my theatre of the absurd.
Now Ill be on my way alone
But an interesting thing occurred
See nobody ever shared too much
In my theatre of the absurd.
And there I was back in london,
Thought about history.
It was just like being in school again
But I felt something movin in me.

[...] Read more

song performed by Ian HunterReport problemRelated quotes
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The Line

Can U talk 2 me with your body, baby?
Can U tell me what I wanna hear?
Can U lay on me a good enough reason 2 cross the line?
Yeah, ho! {x2}
Can U be my lover and still be my friend? (Can U be my friend?)
Can U stick with me till the bitter end? (The bitter end)
Can U lay on me a good enough reason 2 cross the line?
Yeah, ho! (Cross the line)
CHORUS:
The line, line - it's a happy step 2 make
It takes time, time - all is what it takes
The line, line - and soon your life is so much better
The water's so much better on the other side (Cross the line)
Can U tolerate? Why am I not so free?
How I did the plan
Can U understand I'm a free man?
But will I stop the dam if I don't cross the line?
Yeah, ho! {x2}
Ow!
Hey
Cross the line sugar, cross the line {x2}
Cross the line
CHORUS
(Cross the line)
Cross the line sugar, cross the line {x3}
I want U 2 cross the line, hey! {sample used in "Acknowledge Me"}
Talk 2 me, say the things I wanna hear, oh!
Cross the line
Cross the line
Cross the line
Baby, baby, baby, can U make me cross the line?
Cross the line, sugar, cross the line
U know U got 2 cross the line!
(New dance) {repeat in BG}
People, people, I got a brand new dance {x2}
Ain't talkin' 'bout Housequake! No!
Ain't talkin' 'bout Shake 'N' Bake! No!
Ain't talkin' 'bout Rice-O-Roni! No!
I'm talkin' 'bout Macaroni? No!
Lord have mercy
Boni? (What?)
On the 2 (Yeah!)
What we gonna do? (Kangaroo!)
Say it! (Kangaroo!)
Come on
Boni? (What?)
On the 2 (Yeah!)
What U wanna do? (Kangaroo!)
Do the do (Do the do!)
Cross the line {repeat}

[...] Read more

song performed by PrinceReport problemRelated quotes
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