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It was an interesting experience being metropolitan editor of the Times, in precisely the same way as being simmered in a saucepan for a few years is terribly interesting.

quote by A.M. Rosenthal
Added by Lucian Velea
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A Metropolitan City

This is a metropolitan city
where
cluster of trees here and there
poles vertically standing in a row
unlimited vehicles plying bumper to bumper
on a cemented road.

This is a metropolitan city
where
shivering bodies numbed and starved
with sagging breasts and quivering lips
watching
intoxicated half naked
guffawing insensitive rich
swaying and rocking
shamelessly
and five star culture mocking
those despairing eyes
searching for a morsel in the rubbish.

This is a metropolitan city
where
skyscrapers seem touching the sky
with unimaginable heights
dusty slums braving everything under the sky*
with open nights
but two can never meet
difference is so vast and complete
between capitalists and proletariat.

This is a metropolitan city
where
everything can be sold and bought
animals to mammals from the black kity.
Clubs, theatres, Cafe Coffee Days
youngsters enchanted by American ways
busy but distressed/distraught public
fed up and always feeling sick
of
unemployment, strikes, and riots
extremism, terrorism and separatism
death lurking every nook and corner
politics being major donor
scamsters and crafty not paying price.

This is a metropolitan city
where
some are uncivilized
some are thieves
yet no one bothers to see

[...] Read more

poem by Tribhawan Kaul
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by Byron from Don Juan (1824)
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The Eternal Circle

Now, a visitor from somewhere right outside this Mundane Ball
Do not ask me where he came from, for that point's not clear at all;
For he might have been an angel, or he might have come from Mars,
Or from any of the other of the fixed or unfixed stars.
As regards his mental make-up he was much like you or me;
And he toured about the country, just to see what he could see.

Well, this superhuman person was of most inquiring mind,
And 'twas noted, from his questions, he was very far from blind,
And the striking thing about him was his stern, compelling eye,
That demanded Truth ungarbled when he paused for a reply.
And, despite the mental wriggles of the folk he interviewed,
When they placed the Truth before him she was ab-so-lutely nude.

At our Civilised Society he stared in some amaze,
As he muttered his equivalent for 'Gosh!' or 'Spare me days!'
For our cherished modes and customs knocked him sideways, so to speak.
'To solve,' said he, 'this mystery, now whither shall I seek?
For a sane and sound solution I must question those on high,'
Said this extra-mundane being with the stern, compelling eye.

Now, his methods were intelligent - I confess,
For he started with our Politics, religion and the Press.
Thus, he read a morning paper through, intently, ev'ry leaf,
Then hied him out to interview the editor-in-chief:
'They say that Truth lives in a well,' he muttered as he went;
'But her well is not an inkwell, I will lay my last lone cent.'

It chanced he found the editor unguarded and alone
At the office of the paper - 'twas the MORNING MEGAPHONE.
'Now, I take it,' said the visitor, 'you represent the Press,
That great Public Educator?' And the pressman murmured, 'Yes.'
'Yet in yesterday's edition I perceived a glaring lie!
How's this?' He fixed the pressman with his stern, compelling eye.

Then the editor he stammered, and the editor he 'hemmed'
And muttered things like 'Gracious me!' and likewise, 'Well, I'm demned!'
But the lady Truth came tripping, all undressed and unashamed;
'Oh, I own it!' cried the editor. 'But how can I be blamed?
There's our blighted advertisers and our readers - Spare my grief!
But we've got to please the public!' moaned the editor-in-chief.

'Now to interview a statesman and consider his reply,'
Said this strange Select Committee with the stern, compelling eye.
And the Honorable Member for Mud Flat he chanced to find
In a noble Spring-street building of a most palatial kind.
And the Honorable Member viewed his visitor with awe,
For he surely had the most compelling eye you ever saw.

'Now, then, tell me,' said the visitor; 'you are a man of State,

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
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Hard Times

(jimmy dean/lyrics by myles goodwyn)
Published by acuff rose music, inc. - bmi
Hard times, hard times, hard times, hard times
When the college professor has no class
And the quarterback would rather pass
And the pump jockey complains of gas
Its hard times, hard times
When the taxi driver he cant hack it
And the tennis player cant stand the racket
When allies refuse to pack it, its hard times
Hard times, hard times, real hard times
When the elevator cant find the floor
And the doorman he cant find the door
When they give to the rich what they take from the poor, its hard times
Seems your moneys gone before its spent
If youre not busted then youre badly bent
To give it away doesnt make any sense, its hard times
Hard times, hard times, real hard times, hard times
Now grandma forgets how to knit
And the wise man has lost his wit
And my tailor feels unfit, its hard times, hard times
When the fashion models lost her poise
And santa clause smashes all the toys
When boys could be girls, and girls could be boys, its hard times
Hard times, hard times, real hard times, hard times
When the clock on the walls got no time for jokes
And kreskin says its all a hoax
When the surgeon general chain smokes, its hard times
When the truck driver dont wanna truck
And the hockey player wont touch the puck
And the rock musician dont wanna fool around, its hard times
Hard times, hard times, real hard times
Harder times, hard times
I was talking to this lady the other day and she was telling me..........

song performed by April Wine
Added by Lucian Velea
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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.

FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.

I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.

I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!

IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.

RAGING FIRE

[...] Read more

poem by Praveen Kumar
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My Repetitious Future....[LONG; My Life/Personal; Math]

What do I have to look forward to the rest of my fine life?
It depends, to some degree at least, on my dear wife.
If she stays alive and somehow keeps on putting up with me,
I may live twenty more years (ten more than I 'should') . We'll see.

To make the math simple let's say my years left are ten.
So how many times might I repeat things between this day and then?
I mean some of the daily, weekly, monthly, or yearly things I do.
Some are necessary and some I enjoy, but some I don't look forward to.

Sleep: Let's say 10x365x10=36,500 hours, give or take.
That's about two-fifths as many hours as I'll be awake!
How many movie DVDs watched at night from our couch?
That's 5x52x10=2600 movies we'll see. Ouch.

At only two real meals a day, that's still 7300 sittings to dine,
but with an equal number of snacks I think that I'll be fine.
And while Aki slaves to prepare about 3400 dinners
I'll be reading to us aloud from 130 novels of murder, losers, and winners.

If my body cooperates I'll take 2600 walks, give or take.
Some will be near Bay, but most will be near home that I'll make.
And walking my town's streets I'll take down 300 outdated signs,
and trim 200 overhanging branches as long as no one whines.

I'll practice Happy Birthday on piano 3000 times, most times while standing,
and do perhaps 200 little home projects, which may include some sanding.
I'll fill bird feeders 120 times or more, depending on the birds,
and 2000 times add water to bird dishes, removing first their turds.

I'll romance my wife 520 times; that figure may be high.
I'll shave my face a thousand times unless I give beard, again, a try.
Trim toenails 60 times and fingernails about one-o-five.
3650 showers I'll take as long as wife's alive.

I'll have an untold number of bowel movements. Wait and see.
And ‘bout eighteen thousand times, usually without flushing, I'll pee.
I'll have 10 to 100 doctor appointments. Who really knows?
I'll go to dental office twice yearly, though their current business staff blows.

I'll brush my teeth six or seven thousand times, but with no flossing.
I'll punch a time clock no more times; except for from my wife, I'll have no bossing.

Ten or twenty shirts I'll wear out completely, while getting countless others dirty.
I'll call my siblings about 400 times, especially my sister Birdie.
I'll call friends about 2500 times, plus emails, but few letters.
I might wear an outdoor jacket 400 times, but I'll rarely wear a sweater.

I'll take 3600 doses of aspirin, and twice-that of flaxseed oil,
and 500 bottles of red wine to, hopefully, bad health foil.

[...] Read more

poem by Bri Edwards
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Loving You's A Dirty Job But Somebody's Gotta Do It

(jim steinman)
Producer for bonnie: jim steinman
Girl:
When the sky is falling and you're looking round for somewhere to hide
Did you ever call out to someone
Did you ever call out to me, i've never been gone-
I've been right here by your side
There ain't nothin' but clouds
There ain't nothin' but clouds in your eyes
Why don't you believe it when you finally found the truth
Youve been drinking poison water from the fountain of youth
Why don't you stop tearing up everyone you need the most
You're so busy trying to get even
You never even try to get close
I can't explain it away
It doesn't make any sense
To know what it's like
I guess you gotta go through it
It doesn't matter baby
Loving you's a dirty job
But somebody's gotta do it
Boy:
There were times when we'd never fake it
There were times when we'd always make it
There were times when we'd take it to the limit
And we'd never, never, ever leave each other alone
We were flesh and blood and bone
There were times we had it all
There were times we had it all
(alt/ same)
Both:
There were times when we took our chances
There were times we were damn good dancers
There were times when we heard all the answers
In the beating of the drummer and the riches of the rock and the roll
I can see right through your soul
There were times we had it all
There were times we had it all
Boy:
If your fears could only be forgotten
We could pull all of the barriers down
Would you follow your dreams' desire
Would you follow your secret dreams and forbidden fire
Let's just peel out of this town
Both:
It's been nothing but dreams
It's been nothing but dreams until now
Boy:
You're never gonna see it
Both:

[...] Read more

song performed by Bonnie Tyler
Added by Lucian Velea
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Sospan Fach

(The Little Saucepan)

Four collier lads from Ebbw Vale
Took shelter from a shower of hail,
And there beneath a spreading tree
Attuned their mouths to harmony.

With smiling joy on every face
Two warbled tenor, two sang bass,
And while the leaves above them hissed with
Rough hail, they started 'Aberystwyth.'

Old Parry's hymn, triumphant, rich,
They changed through with even pitch,
Till at the end of their grand noise
I called: 'Give us the 'Sospan' boys!'

Who knows a tune so soft, so strong,
So pitiful as that 'Saucepan' song
For exiled hope, despaired desire
Of lost souls for their cottage fire?

Then low at first with gathering sound
Rose their four voices, smooth and round,
Till back went Time: once more I stood
With Fusiliers in Mametz Wood.

Fierce burned the sun, yet cheeks were pale,
For ice hail they had leaden hail;
In that fine forest, green and big,
There stayed unbroken not one twig.

They sang, they swore, they plunged in haste,
Stumbling and shouting through the waste;
The little 'Saucepan' flamed on high,
Emblem of hope and ease gone by.

Rough pit-boys from the coaly South,
They sang, even in the cannon's mouth;
Like Sunday's chapel, Monday's inn,
The death-trap sounded with their din.

***

The storm blows over, Sun comes out,
The choir breaks up with jest and shout,
With what relief I watch them part--
Another note would break my heart!

poem by Robert Graves
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Good Times Roll

Let the good times roll
Let them knock you around
Let the good times roll
Let them make you a clown
Let them leave you up in the air
Let them brush your rock and roll hair
Let the good times roll
Let the good times roll
Let the good times roll
Let the stories be told
They can say what they want
Let the photos be old
Let them show what they want
Let them leave you up in the air
Let them brush your rock and roll hair
Let the good times roll
Let the good times roll-oll
Wont you let the good times roll
Good times roll
If the illusion is real
Let them give you a ride
If they got thunder appeal
Let them be on your side
Let them leave you up in the air
Let them brush your rock and roll hair
Let the good times roll
Wont you let the good times roll-oll
Let the good times roll
Let the good times roll
Wont you let the good times roll
Well let the good times roll
Let =91em roll (good times roll)
Let the good times roll
Oo let the good times roll
Oo let the good times roll
Let =91em roll (good times roll)
Well, let the good times roll
(let the good times roll)
Well let the good times roll
Good times roll
(let the good times roll)
Let the good times roll
Let =91em roll

song performed by Cars
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A Hundred Times Over

A hundred times over words have flowed through my fingers to the keys
A hundred times over I have released the freedom that is in my mind,
A hundred times over I have become one with my inter most longing,
A hundred times over I have taken a journey to show you my own world.
A hundred times over I have written of pain and life, of sorrow and joy,
A hundred times over I have used my art to show you what's in my mind
A hundred times over again I will show you.
A hundred times over I have cried for those, whose names are untold,
A hundred times over I have showed you their pain.
A hundred times over I have become their connection to you,
A hundred times over I have showed you the beauty of our world,
A hundred times over I have taken you somewhere you may never see,
A hundred times over my words have screamed the horror of darkness,
A hundred times over I have sung to you the beauty of light,
A hundred times over I have taken your hand to lead you to a new place
A hundred time over I have written for those who have no words to write
A hundred times over I have tried to show truth in a world of lies,
A hundred times over I have have tried to show the world's beauty,
A hundred times over again I will lead down these paths,
A hundred times over and over again I will show you reality,
A hundred times over and over again I shall show you my world,
A hundred times over and over again until you have memorised truth,
A hundred times over again until you can repeat what I have told,
A hundred times over again shall I create an art of words, time, of life.
A hundred times over again I shall do this,
A hundred times over again.
A hundred times over.

poem by Bethany Maxwell
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I Am Visited By An Editor And A Poet

I had just won $115 from the headshakers and
was naked upon my bed
listening to an opera by one of the Italians
and had just gotten rid of a very loose lady
when there was a knock upon the wood,
and since the cops had just raided a month or so ago,
I screamed out rather on edge—
who the hell is it? what you want, man?
I’m your publisher! somebody screamed back,
and I hollered, I don’t have a publisher,
try the place next door, and he screamed back,
you’re Charles Bukowski, aren’t you? and I got up and
peeked through the iron grill to make sure it wasn’t a cop,
and I placed a robe upon my nakedness,
kicked a beercan out of the way and bade them enter,
an editor and a poet.
only one would drink a beer (the editor)
so I drank two for the poet and one for myself
and they sat there sweating and watching me
and I sat there trying to explain
that I wasn’t really a poet in the ordinary sense,
I told them about the stockyards and the slaughterhouse
and the racetracks and the conditions of some of our jails,
and the editor suddenly pulled five magazines out of a portfolio
and tossed them in between the beercans
and we talked about Flowers of Evil, Rimbaud, Villon,
and what some of the modern poets looked like:
J.B. May and Wolf the Hedley are very immaculate, clean fingernails, etc.;
I apologized for the beercans, my beard, and everything on the floor
and pretty soon everybody was yawning
and the editor suddenly stood up and I said,
are you leaving?
and then the editor and the poet were walking out the door,
and then I thought well hell they might not have liked
what they saw
but I’m not selling beercans and Italian opera and
torn stockings under the bed and dirty fingernails,
I’m selling rhyme and life and line,
and I walked over and cracked a new can of beer
and I looked at the five magazines with my name on the cover
and wondered what it meant,
wondered if we are writing poetry or all huddling in
one big tent
clasping assholes.

poem by Charles Bukowski
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Experience

--A COSTLY good ; that none e'er bought or sold
For gem, or pearl, or miser's store, twice told :
Save certain watery pearls, possessed by all,
Which, one by one, may buy it as they fall.
Of these, though precious, few will not suffice,
So slow the traffic, and so large the price !

It is for wrinkled brows, grey locks, and sighs,
Not for bright blooming cheeks and sparkling eyes ;
When those have faded, these as dimly shine--
Then, in their stead, Experience may be thine.
Books will assert, and sires and pulpits teach,
And youth may listen to their sober speech,
And smiling lips pronounce a careless 'yes,'
While neither eye nor heart can acquiesce.
But grief extorts conviction ; brings to view
Those slightest words, and answers--'very true.'
Surprised, reluctant, yet at last compelled
To own, what long in doubtful scale was held,
That life, whate'er the course our own has led,
Is much the same as what our fathers said.

A tattered cottage, to the view of taste,
In beauty glows, at needful distance placed :
Its broken panes, its richly ruined thatch,
Its gable graced with many a mossy patch,
The sunset lighting up its varied dyes,
Form quite a picture to poetic eyes ;
And yield delight that modern brick and board,
Square, sound, and well arranged, would not afford.
But, cross the mead to take a nearer ken,--
Where all the magic of the vision then ?
The picturesque is vanished, and the eye,
Averted, turns from loathsome poverty ;
And while it lingers, e'en the sun's pure ray
Seems almost sullied by its transient stay.
The broken walls, with slight repairs embossed,
Are but cold comforts in a winter's frost :
No smiling, peaceful peasant, half refined,
There tunes his reed on rustic seat reclined ;
But there the bended form and haggard face,
Worn with the lines that vice and misery trace.
Thus fades the charm, by vernal hope supplied
To every object it has never tried ;
--To fairy visions, and elysian meads,
Thus vulgar, cold reality succeeds.

When sanguine youth the plain of life surveys,
It does not calculate on rainy days.
Some, as they enter on the unknown way,

[...] Read more

poem by Jane Taylor
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Experiencia Religiosa (remix)

Un poco de ti para sobrevivir
Esta noche ue viene fria y sola
Un aire de extasis en la ventana
Para vestirme de fiesta y ceremonia
Cada vez que estoy contigo
Yo descubro el infinito
Tiembla el suelo
La noche se ilumina
El silencio se vuelve melodia
Y es casi un
experiencia religiosa
Sentir que resucito si me tocas
Subir al firmamento prendido de tu
cuerpo
es un experiencia religiosa
Casi una experiencia religiosa
Contigo cada instante en cada cosa
Besar la boca tuya merece
un aleluya
Es una experiencia religiosa
Vuelve pronto mi amor
te necesito ya
Porque esta noche tan honda
me da miedo
Necesito la musica de tu alegria
Para callar los demonios que
llevo dentro
Cada vez que estoy contigo
Yo descubro el infinito
Tiembla el suelo
La noche se ilumina
El silencio se vuelve melodia
Y es casi un
experiencia religiosa
Sentir que resucito si me tocas
Subir al firmamento prendido de tu
cuerpo
es un experiencia religiosa
Casi una experiencia religiosa
Contigo cada instante
en cada cosa
Besar la boca tuya merece
un aleluya
Es una experiencia religiosa
Y es casi un
experiencia religiosa
Sentir que resucito si me tocas
Subir al firmamento
prendido de tu cuerpo
Es un experiencia religiosa

[...] Read more

song performed by Enrique Iglesias
Added by Lucian Velea
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I Don't Think So

I Don't Think So
We've been through this time together
AlI in my mind the love was so alive
Oh I never wanted for another
Then I saw the beginnings of a Iie
Good times and the bad times
Through the good times and the bad times with me
Good times and the bad times
Yeah I wonder why I never see
Good times and the bad times
Oh maybe there was always something wrong
Good times and the bad times
Did l wait too long
Chorus:
You said you'd love me for all of your life
I don't think so
Through the best of the best and the worst of the times
I don't think so
You said the world was a beautiful place
l don't think so
You swore the love was perfectly sale
I don't think so
People can only stay together
If in their hearts they know they can say what's on their minds
Would you say
Good times and the bad times
If it can't really be then I gotta move on
Good times and the bad times
Is it really time
Chorus: (repeat)
Said the check's in the mail and the maiI's on time
I don't think so
Said out of touch ain't out of mind
I don't think so
Couldn't live without me, and that's a fact
I don't think so
Love is real and it's not an act
I don't think so
Come on
Good times and the bad times
I don't think so
Good times and the bad times
Baby our love was a beautiful thing
I don't think so
Good times and the bad times
You said you'd love me for all of your life
I don't think so
Good times and the bad times
Through the best of the best and the worst of times
I don't think so

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song performed by Hall & Oates
Added by Lucian Velea
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The Parish Register - Part III: Burials

THERE was, 'tis said, and I believe, a time
When humble Christians died with views sublime;
When all were ready for their faith to bleed,
But few to write or wrangle for their creed;
When lively Faith upheld the sinking heart,
And friends, assured to meet, prepared to part;
When Love felt hope, when Sorrow grew serene,
And all was comfort in the death-bed scene.
Alas! when now the gloomy king they wait,
'Tis weakness yielding to resistless fate;
Like wretched men upon the ocean cast,
They labour hard and struggle to the last;
'Hope against hope,' and wildly gaze around
In search of help that never shall be found:
Nor, till the last strong billow stops the breath,
Will they believe them in the jaws of Death!
When these my Records I reflecting read,
And find what ills these numerous births succeed;
What powerful griefs these nuptial ties attend;
With what regret these painful journeys end;
When from the cradle to the grave I look,
Mine I conceive a melancholy book.
Where now is perfect resignation seen?
Alas! it is not on the village-green: -
I've seldom known, though I have often read,
Of happy peasants on their dying-bed;
Whose looks proclaimed that sunshine of the breast,
That more than hope, that Heaven itself express'd.
What I behold are feverish fits of strife,
'Twixt fears of dying and desire of life:
Those earthly hopes, that to the last endure;
Those fears, that hopes superior fail to cure;
At best a sad submission to the doom,
Which, turning from the danger, lets it come.
Sick lies the man, bewilder'd, lost, afraid,
His spirits vanquish'd, and his strength decay'd;
No hope the friend, the nurse, the doctor lend -
'Call then a priest, and fit him for his end.'
A priest is call'd; 'tis now, alas! too late,
Death enters with him at the cottage-gate;
Or time allow'd--he goes, assured to find
The self-commending, all-confiding mind;
And sighs to hear, what we may justly call
Death's common-place, the train of thought in all.
'True I'm a sinner,' feebly he begins,
'But trust in Mercy to forgive my sins:'
(Such cool confession no past crimes excite!
Such claim on Mercy seems the sinner's right!)
'I know mankind are frail, that God is just,
And pardons those who in his Mercy trust;

[...] Read more

poem by George Crabbe
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What Is Your Favorite Work Of Art?

WHAT IS YOUR FAVORITE WORK OF ART?

What is you favorite work of art?
The answer that I'd like to hear is "You! "
You've been my favorite still the start
of our relationship, and when I view
you even in a reproduction
made by a camera I want to touch
the source of this work's great seduction,
the work of art I love so very much.
Even if you don't say "You! "
and your answer doesn't correspond
to mine, please do not look askew
at me while you are looking far beyond.

Kate Murphy interviews the director of the Metropolitan Museum of Art in New York.in the NYT,4/29/12. He tells her:

I first heard Rufus Wainwright by accident about five years ago. I was doing research at Hampton Court in England and I came out one summer afternoon and he was doing a sound check. I heard him sing a song called "The Art Teacher, " which just happens to be about a girl falling in love with an art teacher at the Metropolitan Museum and looking back on this experience in her middle age. It's such an evocative and brilliant song, and I've loved his music ever since.
There are the song's lyrics:
THE ART TEACHER

There I was in uniform
Looking at the art teacher
I was just a girl then;
Never have I loved since then

He was not that much older than I was
He had taken our class to the Metropolitan Museum
He asked us what our favorite work of art was,
But never could I tell it was him
Oh, I wish I could tell him -
Oh, I wish I could have told him

I looked at the Rubens and Rembrandts
I liked the John Singer Sargents
He told me he liked Turner
Never have I turned since then
No, never have I turned to any other man

All this having been said,
I married an executive company head
All this having been done, a Turner - I own one
Here I am in this uniformish, pant-suit sort of thing,
Thinking of the art teacher
I was just a girl then;
Never have I loved since then
No, never have I loved any other man

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poem by Gershon Hepner
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The four Monarchyes, the Assyrian being the first, beginning under Nimrod, 131. Years after the Floo

When time was young, & World in Infancy,
Man did not proudly strive for Soveraignty:
But each one thought his petty Rule was high,
If of his house he held the Monarchy.
This was the golden Age, but after came
The boisterous son of Chus, Grand-Child to Ham,
That mighty Hunter, who in his strong toyles
Both Beasts and Men subjected to his spoyles:
The strong foundation of proud Babel laid,
Erech, Accad, and Culneh also made.
These were his first, all stood in Shinar land,
From thence he went Assyria to command,
And mighty Niniveh, he there begun,
Not finished till he his race had run.
Resen, Caleh, and Rehoboth likewise
By him to Cities eminent did rise.
Of Saturn, he was the Original,
Whom the succeeding times a God did call,
When thus with rule, he had been dignifi'd,
One hundred fourteen years he after dy'd.
Belus.
Great Nimrod dead, Belus the next his Son
Confirms the rule, his Father had begun;
Whose acts and power is not for certainty
Left to the world, by any History.
But yet this blot for ever on him lies,
He taught the people first to Idolize:
Titles Divine he to himself did take,
Alive and dead, a God they did him make.
This is that Bel the Chaldees worshiped,
Whose Priests in Stories oft are mentioned;
This is that Baal to whom the Israelites
So oft profanely offered sacred Rites:
This is Beelzebub God of Ekronites,
Likewise Baalpeor of the Mohabites,
His reign was short, for as I calculate,
At twenty five ended his Regal date.
Ninus.
His Father dead, Ninus begins his reign,
Transfers his seat to the Assyrian plain;
And mighty Nineveh more mighty made,
Whose Foundation was by his Grand-sire laid:
Four hundred forty Furlongs wall'd about,
On which stood fifteen hundred Towers stout.
The walls one hundred sixty foot upright,
So broad three Chariots run abrest there might.
Upon the pleasant banks of Tygris floud
This stately Seat of warlike Ninus stood:
This Ninus for a God his Father canonized,
To whom the sottish people sacrificed.

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poem by Anne Bradstreet
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Another Plan

Editor Owen, of San Jose,
Commonly known as 'our friend J.J.'
Weary of scribbling for daily bread,
Weary of writing what nobody read,
Slept one day at his desk and dreamed
That an angel before him stood and beamed
With compassionate eyes upon him there.

Editor Owen is not so fair
In feature, expression, form or limb
But glances like that are familiar to him;
And so, to arrive by the shortest route
At his visitor's will he said, simply: 'Toot.'
'Editor Owen,' the angel said,
'Scribble no more for your daily bread.
Your intellect staggers and falls and bleeds,
Weary of writing what nobody reads.
Eschew now the quill-in the coming years
Homilize man through his idle ears.
Go lecture!' 'Just what I intended to do,'
Said Owen. The angel looked pained and flew.

Editor Owen, of San Jose,
Commonly known as 'our friend J.J.'
Scribbling no more to supply his needs,
Weary of writing what nobody reads,
Passes of life each golden year
Speaking what nobody comes to hear.

poem by Ambrose Bierce
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