There is no way to ease the burden. The voyage leads on from harm to harm, A land of others and of silence.
quote by Donald Justice
Added by Lucian Velea
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Related quotes
Ease On Down The Road #1
(charlie smalls)
Ease on down
Ease on down the road
Ease on down
Ease on down the road
Ease on down
Ease on down the road
Come on dorothy,
Dont you carry nothing that might be a load
Come on
There it is!
Come on and ease on down, ease on down the road
Come on and ease on down, ease on down the road
Dont you carry nothing that might be a load
Come on, ease on down, ease on down the road
Come on, ease on down, ease on down the road
Come on, ease on down, ease on down the road
Dont you carry nothing that might be a load
Come on, ease on down, ease on down, down the road
Pick your left foot up
When your right foots down
Come on legs keep movin
Dont you lose no ground
You just keep on keepin
On the road that you choose
Dont you give up walkin
cause you gave up shoes, no
Ease on down, ease on down the road
Come on, ease on down, ease on down the road
Dont you carry nothing that might be a load
Come on, ease on down, ease on down the road
cause there maybe times
When you think you lost your mind
And the steps youre takin
Leave you three, four steps behind
But the road youre walking
Might be long sometimes
You just keep on steppin
And youll be just fine, yeah
Ease on down, ease on down the road
Come on, ease on down, ease on down the road
Dont you carry nothing that might be a load
Come on, ease on down, ease on down the
Oh, there maybe times
When you wish you wasnt born
And you wake one morning
Just to find that your courages gone
But just know that feeling
Only last a little while
You just stick with us
[...] Read more
song performed by Diana Ross
Added by Lucian Velea
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Ease On Down The Road
Come on and
Ease on down, ease on down the road
Come on, ease on down
Ease on down the road
Dont you carry nothing
That might be a load
Come on, ease on down
Ease on down the road
Come on, ease on down, ease on down the road
Come on, ease on down, ease on down the road
Dont you carry nothing
That might be a load
Come on, ease on down, ease on down, down the road
Pick your left foot up
When your right foots down
Come on legs keep movin
Dont you lose no ground
You just keep on keepin
On the road that you choose
Dont you give up walkin
cause you gave up shoes, no
Ease on down, ease on down the road
Come on, ease on down
Ease on down the road
Dont you carry nothing
That might be a load
Come on, ease on down
Ease on down the road
cause there maybe times
When you think you lost your mind
And the steps youre takin
Leave you three, four steps behind
But the road youre walking
Might be long sometimes
You just keep on steppin
And youll just be fine, yeah
Ease on down, ease on down the road
Come on, ease on down
Ease on down the road
Dont you carry nothing
That might be a load
Come on, ease on down
Ease on down the road
Well there maybe times
When you wish you wasnt born
And you wake one morning
Just to find your courages gone
But just know that feeling
Only last a little while
You stick with us
[...] Read more
song performed by Michael Jackson
Added by Lucian Velea
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Whose Country Is This?
Whose country is this?
It is a land full of snakes;
Whose country is this?
It is a land full of many waters;
Whose country is this?
It is a land full of thieves! !
Whose country is this?
It is a land full of people;
Whose country is this?
It is a land full of oil;
Whose country is this?
It is a land full of earthquakes!
Whose country is this?
it is a land full of lovers;
Whose country is this?
It is a land full of volcanoes!
Whose country is this?
It is a land full of beautiful flowers;
Whose country is this?
It is a land full of hansome men;
Whose country is this?
It is a land full of beautiful women;
Whose country is this?
It is a land full of roses;
Whose country is this?
it is a land ruled only by men;
Whose country is this?
It is a land without rainfall;
Whose country is this?
It is a land ruled by a woman;
Whose country is this?
It is a land full of corruption!
Whose country is this?
It is a land full of pirates! !
Whose country is this?
It is a land ruled by law;
Whose country is this?
It is a land controlled by rebels!
Whose country is this?
It is a land full of ice;
Whose country is this?
It is a land full of pregnant women;
Whose country is this?
It is a land full of the sins of Sodom and Gomorrah!
Whose country is this?
It is a land full of singers;
Whose country is this?
It is a land full of troubles;
Whose country is this?
It is a land full of war! !
[...] Read more
poem by Edward Kofi Louis
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Leave It Open
With my ego in my gut,
My babbling mouth would wash it up.
(but now Ive started learning how,)
I keep it shut.
My door was never locked,
Until one day a trigger come cocking.
(but now Ive started learning how,)
I keep it shut.
Wide eyes would clean and dust
Things that decay, things that rust.
(but now Ive started learning how,)
I keep em shut.
I keep em shut.
Harm is in us.
Harm is in us, but power to arm.
Harm is in us.
Harm in us, but power to arm.
Harm is in us.
(leave it open!)
Harm is in us, but power to arm.
Narrow mind would persecute it,
Die a little to get to it.
(but now Ive started learning how.)
I leave it open.
I kept it in a cage,
Watched it weeping, but I made it stay.
(but now Ive started learning how.)
I leave it open.
I leave it open.
Harm is in us.
Harm in us, but power to arm.
Harm is in us.
Harm in us, but power to arm.
Harm is in us.
(leave it open!)
Harm in us, but power to arm.
Harm is in us.
Harm in us, but power to arm.
Harm is in us.
(leave it open!)
Harm in us, but power to arm.
Harm is in us.
Harm in us, but power to arm.
Harm is in us.
Har in us, but power to arm.
Harm is in us!
Harm is in us!
Harm is in us!
Harm is in us!
Harm is in us!
[...] Read more
song performed by Kate Bush
Added by Lucian Velea
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The Aeneid of Virgil: Book 7
AND thou, O matron of immortal fame,
Here dying, to the shore hast left thy name;
Cajeta still the place is call’d from thee,
The nurse of great Æneas’ infancy.
Here rest thy bones in rich Hesperia’s plains; 5
Thy name (’t is all a ghost can have) remains.
Now, when the prince her fun’ral rites had paid,
He plow’d the Tyrrhene seas with sails display’d.
From land a gentle breeze arose by night,
Serenely shone the stars, the moon was bright, 10
And the sea trembled with her silver light.
Now near the shelves of Circe’s shores they run,
(Circe the rich, the daughter of the Sun,)
A dang’rous coast: the goddess wastes her days
In joyous songs; the rocks resound her lays: 15
In spinning, or the loom, she spends the night,
And cedar brands supply her father’s light.
From hence were heard, rebellowing to the main,
The roars of lions that refuse the chain,
The grunts of bristled boars, and groans of bears, 20
And herds of howling wolves that stun the sailors’ ears.
These from their caverns, at the close of night,
Fill the sad isle with horror and affright.
Darkling they mourn their fate, whom Circe’s pow’r,
(That watch’d the moon and planetary hour,) 25
With words and wicked herbs from humankind
Had alter’d, and in brutal shapes confin’d.
Which monsters lest the Trojans’ pious host
Should bear, or touch upon th’ inchanted coast,
Propitious Neptune steer’d their course by night 30
With rising gales that sped their happy flight.
Supplied with these, they skim the sounding shore,
And hear the swelling surges vainly roar.
Now, when the rosy morn began to rise,
And wav’d her saffron streamer thro’ the skies; 35
When Thetis blush’d in purple not her own,
And from her face the breathing winds were blown,
A sudden silence sate upon the sea,
And sweeping oars, with struggling, urge their way.
The Trojan, from the main, beheld a wood, 40
Which thick with shades and a brown horror stood:
Betwixt the trees the Tiber took his course,
With whirlpools dimpled; and with downward force,
That drove the sand along, he took his way,
And roll’d his yellow billows to the sea. 45
About him, and above, and round the wood,
The birds that haunt the borders of his flood,
That bath’d within, or basked upon his side,
To tuneful songs their narrow throats applied.
The captain gives command; the joyful train 50
[...] Read more
poem by Publius Vergilius Maro
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Lay It All Down
Written by bob welch.
Let me retell
A story of old
About a man named moses
Who lived long ago
He prophicied good
He prophicied bad
And now that prophecys
Coming to pass
Let all your sons, and your daughters
Of the golden calf
Lay down your burden of sorrow
Lay down your burden of hurt
Lay it all down, for paradise here on earth
A whole lot of people, including myself
Thought the story of moses was just a tall tale
But all of the things that we see going on
Are just what moses set down
Let all your sons, and your daughters
Of the golden-yeah
Lay down your burden of sorrow
Lay down your burden of hurt
Lay it all down, for paradise here on earth
Let me retell
A story I know
About a man named moses
Who lived long ago
He prophicied good
He prophicied bad
And now that prophecys
Coming to pass
Let all your sons, and your daughters
Of the golden-yeah
Lay down your burden of sorrow
Lay down your burden of hurt
Lay down your burden of sorrow
Lay down your burden of hurt
Lay down your burden of sorrow
Lay down your burden of hurt
I just cant imagine a reason for sorrow
Just cant imagine the hurt
Youve got to lay it down
Youve got to lay it down
Youve got to lay it down
Youve got to lay it down
I said lay down your burden of sorrow
Lay down your burden of hurt
Lay down your burden of sorrow
Theres just no reason to hurt
Youve got to lay down your burden of sorrow
[...] Read more
song performed by Fleetwood Mac
Added by Lucian Velea
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Ease On Down The Road (feat. Diana Ross)
Written and Composed by Charlie Smalls.
Come on and-
Ease on down
Ease on down the road
Dont you carry nothin
That might be a load
Come on
Ease on down...ease on down the road
Pick your left foot up
When the right ones down
Come on legs, keep movin
Dont be lose no ground
Just you keep on keepin
On the road that you choose
Dont you give up walkin
Cause you gave up shoes
Ease on down, ease on down the road -- come on
Ease on down, ease on down the road
Dont you carry nothin
That might be a load
Come on
Ease on down, ease on down-
Ease... on... down, ease.. on down-
Ease on down, ease on down the road
Cause there may be times
When you think lost your mind--
And the steps you're walkin
Might be long sometime
But just keep on steppin
And you'll be just fine
Ease on down, ease on down the road-
Ease on down, ease on down the road-
Dont you carry nothin
That might be a load
Come on, ease on down
Ease on down the road
song performed by Michael Jackson
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Seasonable Retour-Knell
SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS
Author notes
A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000
In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.
For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.
Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.
One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.
Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER
Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.
Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.
AUTUMN WINTER
Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.
Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,
[...] Read more
poem by Jonathan Robin
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Hymns To The Silence
Oh my dear, oh my dear sweet love
Oh my dear, oh my dear sweet love
When Im away from you, when Im away from you
Well I feel, yeah, well I feel so sad and blue
Well I feel, well I feel so sad and blue
Oh my dear, oh my dear, oh my dear sweet love
When Im away from you, I just have to sing, my hymns
Hymns to the silence, hymns to the silence
Hymns to the silence, hymns to the silence
Oh my dear, oh my dear sweet love its a long, long journey
Long, long journey, journey back home
Back home to you, feel you by my side
Long journey, journey, journey
Yeah in the midnight, in the midnight, I burn the candle
Burn the candle at both ends, burn the candle at both ends
Burn the candle at both ends, burn the candle at both ends
And I keep on, 'cause I cant sleep at night
Until the daylight comes through
And I just, and I just, have to sing
Sing my hymns to the silence
Hymns to the silence, hymns to the silence
My hymns to the silence
I wanna go out in the countryside
Oh sit by the clear, cool, crystal water
Get my spirit, way back to the feeling
Deep in my soul, I wanna feel
Oh so close to the one, close to the one
Close to the one, close to the one
And thats why, I keep on singing baby
My hymns to the silence, hymns to the silence
Oh my hymns to the silence, hymns to the silence
Oh hymns to the silence, oh hymns to the silence
Oh hymns to the silence, hymns to the silence
Oh my dear, my dear sweet love
Can you feel the silence? can you feel the silence?
Can you feel the silence? can you feel the silence?
Hymns to the silence, hymns to the silence
Hymns to the silence, hymns to the silence
Hymns to the silence, hymns to the silence
Hymns to the silence, hymns to the silence
Hymns to the silence, hymns to the silence.
song performed by Van Morrison
Added by Lucian Velea
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Paradise Lost: Book 02
High on a throne of royal state, which far
Outshone the wealth or Ormus and of Ind,
Or where the gorgeous East with richest hand
Showers on her kings barbaric pearl and gold,
Satan exalted sat, by merit raised
To that bad eminence; and, from despair
Thus high uplifted beyond hope, aspires
Beyond thus high, insatiate to pursue
Vain war with Heaven; and, by success untaught,
His proud imaginations thus displayed:--
"Powers and Dominions, Deities of Heaven!--
For, since no deep within her gulf can hold
Immortal vigour, though oppressed and fallen,
I give not Heaven for lost: from this descent
Celestial Virtues rising will appear
More glorious and more dread than from no fall,
And trust themselves to fear no second fate!--
Me though just right, and the fixed laws of Heaven,
Did first create your leader--next, free choice
With what besides in council or in fight
Hath been achieved of merit--yet this loss,
Thus far at least recovered, hath much more
Established in a safe, unenvied throne,
Yielded with full consent. The happier state
In Heaven, which follows dignity, might draw
Envy from each inferior; but who here
Will envy whom the highest place exposes
Foremost to stand against the Thunderer's aim
Your bulwark, and condemns to greatest share
Of endless pain? Where there is, then, no good
For which to strive, no strife can grow up there
From faction: for none sure will claim in Hell
Precedence; none whose portion is so small
Of present pain that with ambitious mind
Will covet more! With this advantage, then,
To union, and firm faith, and firm accord,
More than can be in Heaven, we now return
To claim our just inheritance of old,
Surer to prosper than prosperity
Could have assured us; and by what best way,
Whether of open war or covert guile,
We now debate. Who can advise may speak."
He ceased; and next him Moloch, sceptred king,
Stood up--the strongest and the fiercest Spirit
That fought in Heaven, now fiercer by despair.
His trust was with th' Eternal to be deemed
Equal in strength, and rather than be less
Cared not to be at all; with that care lost
Went all his fear: of God, or Hell, or worse,
He recked not, and these words thereafter spake:--
[...] Read more
poem by John Milton
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To The Land
To the land of bribes,
To the land of telephones,
To the land of corruptions,
To the land of trains,
To the land of shops,
To the land of thieves,
To the land of connections,
To the land of drugs,
To the land of trucks,
To the land of cats,
To the land of Banks,
To the land of dogs, To the land of footballers,
To the land of dragons,
To the land of hope,
To the land of ice-cream,
To the land of potatoes,
To the land of chocolates,
To the land of tomatoes,
To the land of apples,
To the land of coffee,
To the land of lights,
To the land of ships,
To the land of birds,
To the land of tigers,
To the land of carpets,
To the land of pillows,
To the land of lions,
TO the land of toys,
To the land of horses,
To the land of beds,
To the land of roses,
To the land of love,
To the land of passion,
To the land of romance;
I never new women do snore until i married one.
poem by Edward Kofi Louis
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Annus Mirabilis, The Year Of Wonders, 1666
1
In thriving arts long time had Holland grown,
Crouching at home and cruel when abroad:
Scarce leaving us the means to claim our own;
Our King they courted, and our merchants awed.
2
Trade, which, like blood, should circularly flow,
Stopp'd in their channels, found its freedom lost:
Thither the wealth of all the world did go,
And seem'd but shipwreck'd on so base a coast.
3
For them alone the heavens had kindly heat;
In eastern quarries ripening precious dew:
For them the Idumaean balm did sweat,
And in hot Ceylon spicy forests grew.
4
The sun but seem'd the labourer of the year;
Each waxing moon supplied her watery store,
To swell those tides, which from the line did bear
Their brimful vessels to the Belgian shore.
5
Thus mighty in her ships, stood Carthage long,
And swept the riches of the world from far;
Yet stoop'd to Rome, less wealthy, but more strong:
And this may prove our second Punic war.
6
What peace can be, where both to one pretend?
(But they more diligent, and we more strong)
Or if a peace, it soon must have an end;
For they would grow too powerful, were it long.
7
Behold two nations, then, engaged so far
That each seven years the fit must shake each land:
Where France will side to weaken us by war,
Who only can his vast designs withstand.
8
See how he feeds the Iberian with delays,
To render us his timely friendship vain:
And while his secret soul on Flanders preys,
He rocks the cradle of the babe of Spain.
9
Such deep designs of empire does he lay
[...] Read more
poem by John Dryden
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Magpie, My Keeper, Is Flying - Upon Freeing the Gift of Creativity Turned Inward
.
for Elaine Bellezza, Beloved Anima-as-Fate
'There is only one real deprivation, I decided this morning, and that is not to be able to give one's gift to those one loves most...The gift turned inward, unable to be given, becomes a heavy burden, even sometimes a kind of poison. It is as though the flow of life were backed up.' - May Sarton, Journal of a Solitude
This afternoon while still somewhat hungover from last night's rich meal and several glasses of strong red wine, I stumbled as one does when hungover, only today without feet but with eyes, upon the above quote by May Sarton. I had awakened this morning with fragments of a dream, repetitive of other dreams the past few months, where I am carrying something precious and just cannot put it down in any old place or upon just any available surface. I cannot put it down until I find the right surface and location.
These dreams are full of torrential flood waters, or backed up, stagnant water, toilets full of filth and pungent bright orange dark urine days old and fermenting. I cannot unhand the burden even though the urge to pee or flee or drive a car away or into flood waters is strong. I must not put down the burden odd as it is; it is my laptop carrying case made of canvas. It is large enough to carry not only my laptop but also many books with which I cannot, will not be parted from as they are the must-have-with-me-always 'bread', my staple and stability in a given to me world out of balance.
I have understood the dreams only a little - something within the psyche is flooding up, over-spilling or has already, has not been adequately canalized, channeled, streamed and guided, shaped and formed. Or flushed. I knew that eventually, as dreams do when one sits consciously, patiently, persistently with them, they would yield their messages to me, and upon revelation these must be obeyed, brought out into the world, Carl Jung having said that one has a moral responsibility to dreams once they are kenned and must be conscientiously acted upon in the outer world. Just dreaming is not enough. Everyone dreams but not very many know to dream them out into the world, to let their messages unfurl, flood and flow to bring forth new consciousness, to reshape old forms no longer adequate to self, place and time into symbol and their sense, usually not literal.
And thus, only just now, upon opening up haphazardly in a book about Dostoevsky and his struggle with addictions which mirror the profound compulsion to create at any cost perhaps beyond one's capacities to renew oneself, I find May Sarton's quote and suddenly the dreams clarify and sharpen into focus; I understand them as the burden of creativity too long turned inward, the burden of writing, the burden of poetry which I have carried heavily for most of my life since middle school when I was 11 or 12 years old when books became my lifeline, my link to existence that I could live on in spite of not wanting to do so. Written words, books, kept me from disappearing though I was and remain a mostly invisible word.
And thus the floods. One cannot ignore them. Alphabets tumble and roil. One dare not ignore them. One must see them without a choice to not see them. In them I am suddenly made visible, bright orange p*ss pots and all. I am both appalled and pleased. My burden is upon my knees.
The backed up water, the urine, is creativity. A somewhat odd symbol of creativity, there is more than enough evidence that urination is symbolic of self expression which is creativity. In ancient Rome the highly valued dirt from the urinals of boys' schools was collected to be used as a cosmetic in order to restore youthful energy and looks. A young boy, or puer in Latin, is an archetypal symbol of ongoing creativity and inspiration, the puer aeternas, the eternal youth, well springs of ongoing creativity still imaged in solid fountains of the world where eternal waters flow from the peni of cherubic youth.
I have struggled my entire life with a strong urge to create, to write, to express in words that creative daemon within which torments no matter the completion of a poem or essay, a lecture, a psalm. And now my dreams have had me consciously, urgently seeking a place to put the burden down, to perhaps come to it anew. I imagine that landing the burden means bringing it down to earth, manifesting creativity all the more by bringing my efforts to others for the strongest part of the compulsive urge in my creativity has been to contribute one good thing, one good poem or piece of writing which in some way might further the culture even if only by a flea's leg length.
The dreams urge me to let the urine flow, to let the flood waters indeed flood over, to be less self conscious of what I write and say but to have at it all and to say my say. And to let whatever waves there are crest and break upon ever receptive banks and shores whose duty it is to allow what may come from motion without complaint, the more compliant toward as yet to be fully formed purposes as yet to be scored.
Synchronistically, a few days ago I listened to a lecture by poet Allen Ginsberg about Walt Whitman and his imitators, those who were goodly influenced by his effulgent, self indulgent style, his garrulous poems which presumed to express the very expansiveness of the North American continent over-flooded by a plague of itinerant, persistent poachers and prophets from Europe to Eastern disembarkation and then inland and Westward, compelled to overtake land and native peoples in their possessed, pushed wake. Ginsberg imagined himself to be a timely extension of this unruly school, as savage as the projected upon land and justly-resistant, resident humanity stretched beyond known bounds and sounds. Blood drowned and pounded the god-hounded land even now is flooded by unleashed mighty rivers seeking, if rivers seek at all, to undo and renew in horse shoe and other shapes the crimes of consciousness compelled to overtake while leaving it up to human souls to repent and repair, to prepare for more powerful insurgencies of land and Self ever seeking new and nower expressions of dirt and deity. There's enough history beneath layers to support the scarp and scrape of momentary yet monumental motions finally given mouths to utter what lies both beneath and within the heaping huzzahs of here here here full and deep. As in my dream, it is hard to steer in such surpassing tides and currents. Still, I am searching for holy campground that I may lay my burden down.
I have no wish to imitate Whitman nor Ginsberg - though both are easily imitated since they did so themselves, an occupational hazard for writers - but only to be obedient to the daemon, that urgent, emergent, creative force within. It rushes within and against me. No matter whether derived of the grandiose American continent and the even more grandiose sky or not, I have all too successfully braced against it in fear of failure, reprisal or, worse, complete indifference from others. My dreams now urge floods and resultant coagulations, they bring creative splurges to ground from hand to the hard world. And Nature, too, is indifferent but begs none the less and all the more to be given utterance and response.
Respondeo ergo sum. I respond, therefore I am. I respond, therefore the other, earth, all her ants, is as long as there are eyes, ears, and scanning minds to acknowledge and touch, wrestle, caress, shape - some in scansions - outer from inner, inner from outer, landscapes to be all too quickly discarded in time for what is sung just ahead. And seen. Or hoped, all praise to telescopes. We would be they, so addicted to horizons, to bring them close.
Something there is needs completion via coagulation, forming, shaping, and sharing with whomever may be open to clods delivered. If not, rivers will, as they will without reason, continue to overrun their banks and insist upon covering designated previous cultivations. Let then excess of creativity have its say, play out, and leave the critical post-considerations to others. I will surely sit and ponder spent what spills forth, to shape, to edit, to discard. And watch my little yard sink beneath needed and needy floods.
I will have done with deprivation and bring myself, what I have shaped and misshapen, to the world. These things, this burden, have I most loved and felt responsible for, have born the shame of. I have fought and have failed utterly again and again though my attempts have been, and still are, sincere though not blameless. Fear has been my encampment, a longing beneath knowing feet in secret cellars just beyond reach of contracted hands forever spelling hunger. I know open bastion doors and windows to now fling beyond embankments what has been wrung out of my floes and woes though hands wither from too much turning against and inward. What a relief to burst beyond boundaries too long successfully restraining.
I recently wrote a poem about much too too solid bastions of self, of forceful puer energy ramming through and over and into long buried storms and petrified forms, of passion mangling the delusion of 'norms' ignoring too sensitive alarms. Given May Sarton's May revelation this morning I now understand that the poem is about more than eros, it is about that powerful creative/destructive force, the daemon/tyro that ever urges outward intent on making and staking Self in new land and at least one aging man wrenched and rendered from dried and calcified encrustations. I am, to borrow from the insistent dream image, beginning to leak. And to break open.
Archeology - What The Stele Says 'Upon Taking A Much Younger Lover'
That this old ground yields to plow stuns.
What begins to be, earth swell, breaks
root-room open to blood means.
Old skeins tear upon what is new terrain,
hunger worn, long appended. There is
no blame for pain is the blessing.
All hurt now stings twilight quaked into being.
Your breath falls upon me now, taut, sinew,
bruising hand, purple inside flares warrior nerves
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poem by Warren Falcon
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The Castle Of Indolence
The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.
O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.
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poem by James Thomson
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Fireflies
My fancies are fireflies, —
Specks of living light
twinkling in the dark.
he voice of wayside pansies,
that do not attract the careless glance,
murmurs in these desultory lines.
In the drowsy dark caves of the mind
dreams build their nest with fragments
dropped from day's caravan.
Spring scatters the petals of flowers
that are not for the fruits of the future,
but for the moment's whim.
Joy freed from the bond of earth's slumber
rushes into numberless leaves,
and dances in the air for a day.
My words that are slight
my lightly dance upon time's waves
when my works havy with import have gone down.
Mind's underground moths
grow filmy wings
and take a farewell flight
in the sunset sky.
The butterfly counts not months but moments,
and has time enough.
My thoughts, like spark, ride on winged surprises,
carrying a single laughter.
The tree gazes in love at its own beautiful shadow
which yet it never can grasp.
Let my love, like sunlight, surround you
and yet give you illumined freedom.
Days are coloured vbubbles
that float upon the surface of fathomless night.
My offerings are too timid to claim your remembrance,
and therefore you may remember them.
Leave out my name from the gift
if it be a burden,
but keep my song.
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poem by Rabindranath Tagore
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Mother India
O Mother Land! O Mother Land!
You are very dear and rare land.
You are the paradise on earth
Where things are not in any dearth.
O Mother Land! O Mother Land!
You are very dear and rare land.
In Your Lap live men and women
Of every caste and religion.
You rain your love and affection
On them all without distinction.
O Mother Land! O Mother Land!
You are very dear and rare land.
You have got a peculiar trait
Due to which you are very great.
You adopt the foreigners too,
Who like to live and die for you.
O Mother Land! O Mother Land!
You are very dear and rare land.
You are beautiful, all perfect;
You are rich in every aspect.
In the ancient times, we have heard,
Aliens called you ‘a golden bird’
O Mother Land! O Mother Land!
You are very dear and rare land.
The mountains guard your honour here;
The ocean washes your feet there.
The rivers contain sweet water
Which for us is just like nectar.
O Mother Land! O Mother Land!
You are very dear and rare land.
Our culture is ancient and high,
We are respected that is why.
Culture has bound us by and by,
With a chain of pure love and tie.
O Mother Land! O Mother Land!
You are very dear and rare land.
We are sorry here live some men
Who are not loyal, but still then,
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poem by Aziz Ahmad
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Mother India
O Mother Land! O Mother Land!
You are very dear and rare land.
You are the paradise on earth
Where things are not in any dearth.
O Mother Land! O Mother Land!
You are very dear and rare land.
In Your Lap live men and women
Of every caste and religion.
You rain your love and affection
On them all without distinction.
O Mother Land! O Mother Land!
You are very dear and rare land.
You have got a peculiar trait
Due to which you are very great.
You adopt the foreigners too,
Who like to live and die for you.
O Mother Land! O Mother Land!
You are very dear and rare land.
You are beautiful, all perfect;
You are rich in every aspect.
In the ancient times, we have heard,
Aliens called you ‘a golden bird’
O Mother Land! O Mother Land!
You are very dear and rare land.
The mountains guard your honour here;
The ocean washes your feet there.
The rivers contain sweet water
Which for us is just like nectar.
O Mother Land! O Mother Land!
You are very dear and rare land.
Our culture is ancient and high,
We are respected that is why.
Culture has bound us by and by,
With a chain of pure love and tie.
O Mother Land! O Mother Land!
You are very dear and rare land.
We are sorry here live some men
Who are not loyal, but still then,
[...] Read more
poem by Aziz Ahmad 'Aziz Moradabadi'
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Silence...
Often i stand and stare
into the diminishing light of the day
horizon gradually fading into nothingness
willow and pine piercing the night
the earth ruptures into a song;
accompanied with shrill whistles in the dark
the howling of the wolves and brisk blaring of the wind
Silence enters into the serene beauty of the dusk.
Silence that invites me to come and see
Silence that asks me to reveal
Silence that wants me to make unwanted promises
Silence that does nothing but ruptures a wound deep within
Silence that drags along unwanted pain
Silence that emulsifies unspoken words of love and gain
Silence that was till then pressed within my lips
Silence that now has emerged as a giant affliction.
Silence that comes as a sorrow
Silence that makes me loathe my tommorows
Silence that demads i submit all my emotions
Silence that is eager to make me weak and fragile
Silence that commands i dropp a tear
Silence that dictates me to get lost in the dark
Silence that brings love as a foe
silence that wants to bind hatered deep within my soul
Silence that hurts me for no rhyme and reason
Silence that makes me feel so forlon
Silence that has so much bitterness
Silence that washes away all my hopes and pray
Silence that makes me go week
Silence that unearths agonizing memories
Silence that came so unnvited
Silence that fails to unbreak any Silence.............
poem by Pooja Nepal
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The Hind And The Panther, A Poem In Three Parts : Part III.
Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,
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poem by John Dryden
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