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I grew up in Tom DeLay's district.

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The Life And Death Of Tom Thumb

In Arthur's court Tom Thumb did live,
A man of mickle might ;
The best of all the table round,
And eke a doughty knight.
His stature but an inch in height,
Or quarter of a span :
Then think you not this little knight
Was proved a valiant man ?

His father was a ploughman plain,
His mother milk'd the cow,
Yet how that they might have a son
They knew not what to do :
Until such time this good old man
To learned Merlin goes,
And there to him his deep desires
In secret manner shows.

How in his heart he wish'd to have
A child, in time to come,
To be his heir, though it might be
No bigger than his thumb.

Of which old Merlin thus foretold,
That he his wish should have,
And so this son of statue small
The charmer to him gave.

No blood nor bones in him should be,
In shape, and being such
That men should hear him speak, but not
His wandering shadow touch.

But so unseen to go or come,—
Whereas it pleas'd him still ;
Begot and born in half and hour,
To fit his father's will.

And in four minutes grew so fast
That he became so tall
As was the ploughman's thumb in height,
And so they did him call—
TOM THUMB, the which the fairy queen
There gave him to his name,
Who, with her train of goblins grim,
Unto his christening came.

Whereas she cloth'd him richly brave,
In garments fine and fair,
Which lasted him for many years

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George Meredith

Grandfather Bridgeman

I

'Heigh, boys!' cried Grandfather Bridgeman, 'it's time before dinner to-day.'
He lifted the crumpled letter, and thumped a surprising 'Hurrah!'
Up jumped all the echoing young ones, but John, with the starch in his throat,
Said, 'Father, before we make noises, let's see the contents of the note.'
The old man glared at him harshly, and twinkling made answer: 'Too bad!
John Bridgeman, I'm always the whisky, and you are the water, my lad!'

II

But soon it was known thro' the house, and the house ran over for joy,
That news, good news, great marvels, had come from the soldier boy;
Young Tom, the luckless scapegrace, offshoot of Methodist John;
His grandfather's evening tale, whom the old man hailed as his son.
And the old man's shout of pride was a shout of his victory, too;
For he called his affection a method: the neighbours' opinions he knew.

III

Meantime, from the morning table removing the stout breakfast cheer,
The drink of the three generations, the milk, the tea, and the beer
(Alone in its generous reading of pints stood the Grandfather's jug),
The women for sight of the missive came pressing to coax and to hug.
He scattered them quick, with a buss and a smack; thereupon he began
Diversions with John's little Sarah: on Sunday, the naughty old man!

IV

Then messengers sped to the maltster, the auctioneer, miller, and all
The seven sons of the farmer who housed in the range of his call.
Likewise the married daughters, three plentiful ladies, prime cooks,
Who bowed to him while they condemned, in meek hope to stand high in his books.
'John's wife is a fool at a pudding,' they said, and the light carts up hill
Went merrily, flouting the Sabbath: for puddings well made mend a will.

V

The day was a van-bird of summer: the robin still piped, but the blue,
As a warm and dreamy palace with voices of larks ringing thro',
Looked down as if wistfully eyeing the blossoms that fell from its lap:
A day to sweeten the juices: a day to quicken the sap.
All round the shadowy orchard sloped meadows in gold, and the dear
Shy violets breathed their hearts out: the maiden breath of the year!

VI

Full time there was before dinner to bring fifteen of his blood,
To sit at the old man's table: they found that the dinner was good.
But who was she by the lilacs and pouring laburnums concealed,

[...] Read more

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William Makepeace Thackeray

The King Of Brentford’s Testament

The noble King of Brentford
Was old and very sick,
He summon'd his physicians
To wait upon him quick;
They stepp'd into their coaches
And brought their best physick.

They cramm'd their gracious master
With potion and with pill;
They drench'd him and they bled him;
They could not cure his ill.
'Go fetch,' says he, 'my lawyer,
I'd better make my will.'

The monarch's royal mandate
The lawyer did obey;
The thought of six-and-eightpence
Did make his heart full gay.
'What is't,' says he, 'your Majesty
Would wish of me to-day?'

'The doctors have belabor'd me
With potion and with pill:
My hours of life are counted,
O man of tape and quill!
Sit down and mend a pen or two,
I want to make my will.

'O'er all the land of Brentford
I'm lord, and eke of Kew:
I've three-per-cents and five-per-cents;
My debts are but a few;
And to inherit after me
I have but children two.

Prince Thomas is my eldest son,
A sober Prince is he,
And from the day we breech'd him
Till now, he's twenty-three,
He never caused disquiet
To his poor Mamma or me.

'At school they never flogg'd him,
At college, though not fast,
Yet his little-go and great-go
He creditably pass'd,
And made his year's allowance
For eighteen months to last.

'He never owed a shilling.

[...] Read more

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D. S.

Written and composed by michael jackson.
Produced by michael jackson.
They wanna get my ass
Dead or alive
You know he really tried to take me
Down by surprise
I bet he missioned with the cia
He don't do half what he say
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
He out shock in every single way
He'll stop at nothing just to get his political say
He think he hot cause he's bsta
I bet he never had a social life anyway
You think he brother with the kkk?
I bet his mother never taught him
Right anyway
He want your vote just to remain ta.
He don't do half what he say
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Thomas sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Does he send letters to the fbi?
Did he say to either do it or die?
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Thomas sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Thomas sneddon is a cold man
(ad lib fade)

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I Walked Last Night In A District I Lived In For Almost Twenty Years

I WALKED LAST NIGHT IN A DISTRICT I LIVED IN FOR ALMOST TWENTY YEARS

I walked last night in a district I lived in for almost twenty years
I came back after being away for a time
To visit an old and ailing friend
The streets were empty and lonely as they often were then-
I thought for the first time I understood how lonely the district itself is-
‘A lonely district
I wondered how I managed to live there all those years
And how anyone still manages to live there-
I looked up at the sky and wrote in my mind a small poem of a kind I wrote many of in my years there
I remembered teachers and friends who had lived there
No longer of this district or any district on earth
I wondered how life goes and how from so many years so much life has been lived without having any place in my memory
I felt as empty inside as the district without
I did not have to wait long for the bus
And relieved inside it I put my heart to home
So many years had been lived there
I remembered taking my small children to the playground there
Now they thank G-d have children of their own
Oh the years go by and the life we have lived in them largely dies
Forever to be unknown again-
I put my heart and mind in a different direction
And began to do what I always do – not think of the district again
Life is this mystery and question we live through and never wholly possess even as we are experiencing it
How long before all will be gone for me
Including the district I live in now?

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Poor Tom

(page/plant)
Heres a tale of tom
Who worked the railroads long
His wife would cook his meal
As he would change the wheel
Poor tom, seventh son, always knew whats goin on
Aint a thing that you can hide from tom
There aint nothing that you can hide from tom
Worked for thirty years
Sharing hopes and fears
Dreamin of the day
He could turn and say
Poor tom, works done, been lazin out in the noonday sun
Aint a thing that you can hide from tom
His wife was annie mae
With any man a game shed play
When tom was out of town
She couldnt keep her dress down
Poor tom, seventh son, always knew whats goin on
Aint a thing that you can hide from tom
And so it was one day
People got to annie mae (? )
Tom stood, a gun in his hand
And stopped her runnin around
Poor tom, seventh son, gotta die for what youve done
All those years of work are thrown away
To ease your mind is that all you can say?
But what about that grandson on your knee?
Them railroad songs, tom would sing to me
Aint nothing that you can hide from tom
Keep-a truckin

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Tom Van Arden

Tom Van Arden, my old friend,
Our warm fellowship is one
Far too old to comprehend
Where its bond was first begun:
Mirage-like before my gaze
Gleams a land of other days,
Where two truant boys, astray,
Dream their lazy lives away.

There's a vision, in the guise
Of Midsummer, where the Past
Like a weary beggar lies
In the shadow Time has cast;
And as blends the bloom of trees
With the drowsy hum of bees,
Fragrant thoughts and murmurs blend,
Tom Van Arden, my old friend.

Tom Van Arden, my old friend,
All the pleasures we have known
Thrill me now as I extend
This old hand and grasp your own--
Feeling, in the rude caress,
All affection's tenderness;
Feeling, though the touch be rough,
Our old souls are soft enough.

So we'll make a mellow hour:
Fill your pipe, and taste the wine--
Warp your face, if it be sour,
I can spare a smile from mine;
If it sharpen up your wit,
Let me feel the edge of it--
I have eager ears to lend,
Tom Van Arden, my old friend.

Tom Van Arden, my old friend,
Are we 'lucky dogs,' indeed?
Are we all that we pretend
In the jolly life we lead?--
Bachelors, we must confess,
Boast of 'single blessedness'
To the world, but not alone--
Man's best sorrow is his own!

And the saddest truth is this,--
Life to us has never proved
What we tasted in the kiss
Of the women we have loved:
Vainly we congratulate

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Chabi of the Okavango

Chabi Maenga bought me a chicken. It took two, three hours to cook in the big black pot and was still tough as our leather boots. A goodbye gift to me, upon my leaving the district, leaving the passenger seat by his side.

Chabi had met me in Gaborone with a newly-issued 1978 model Toyota, a boxy thing that bounced crazily on the dirt tracks but was considered state of the art at the time. We drove north until the paved road ran out, then north east across the remote reaches of the Northern Kalahari to my new duty station in Maun. We slept half-way at Serowe, at the 'we are working together' cooperative hotel, under thatch. On the second day we skirted two of the four long walls enclosing the richest diamond mine in the world and tracked the elongated fence that separated buffalo, endemic with foot-and-mouth disease, from cattle. We swung north once more as we reached the side of the 'vanishing lake', Ngami, that in some years confirmed its presence on the standard maps, and in others was simply no-where to be found. All depended on the rains in distant Angola.

Chabi and I shared that front cabin, on and off, for nearly three years. 'Call me Chabi.. like Chubby Checker' was how he introduced himself. He was early 50s, salt and pepper in his tight thin curls, and I was 24... supposedly the boss, the one who signed the requisition slips and the log book for each and every trip. But Chabi was very much in charge.

The first thing he taught me was the Tswana language. After three months by his side I was almost fluent - a status I had not remotely reached in my two years to that point in the capital city. I spoke with his northern dialect: 'f's pronounced as 'h's, 'tl's with a silent 'l'. This marked me as a man of the Okavango, the Ngami, for the rest of my days among the Tswana people. Later my wife of the southern Tswana, and her family, would tease me constantly about this northern country-bumpkin accent. But what did I care? It sounded good to me and I was proud enough simply to be rattling away in SeTwana, however rustic it might sound, and to know more or less what others were rattling. In reciprocation, I helped Chabi with his English, when he was in the mood for it.

The second thing he taught was how to shoot guinea-fowl. He did this mainly by intimidation. Since he was putting in all the hours of driving - not only did I have no licence, but he was the designated official (although I did break the central transport rules more than once when his arthritis was playing up) - and it was me who had better take care of the supper. He would slow the truck to a crawl and I would open the window as we came across a gaggle of birds on the left hand side, gesture for me to pick up his shotgun and cue me... 'ema.... ema.... jaaanu! '. And if I aimed for the centre of the crowd, and kept the gun fairly straight, we would be sure to get a couple of birds for the pot. These we would take to the local primary school and have any available hungry teachers take care of the cooking and share in the meal. This required some concentration to avoid biting down on buckshot.

But the best times we had were on the road to Shakawe. He was delighted, first of all, when I nicknamed the village at the end of the Delta, at the remote northern border, as 'Shake-a-way'. He found this unnecessarily hilarious and I backed it up with a cassette recording of the South African multi-racial band Juluka's song, 'Shake My Way'. In fact we played very little but the first few Juluka albums on my portable cassette player during those trips.

We loaded up the back of the truck with the necessary items: my metal trunk, bought from the Mazezuru (the impoverished itinerant white-clothed Jehova's Witnesses expelled from Rhodesia-Zimbabwe - as it was at the time of my purchase, temporarily - who lived by tinsmithery, also beating out conical tin tops for rondavels) , and filled with a few changes of clothes, a couple of books and plenty of 'tinned stuff', cheap imported meals such as chicken biriyani. On top of the trunk went Chabi's battered suitcase. And then the two most essential items, side by side: a barrel of drinking water, a barrel of fuel. And a prayer that the last of these should not leak or spill over anything else, along those bumpy roads.

If it was winter, it was plain sailing. The dirt roads were dry and firm and we could make it to Shakawe in a day. We would circumnavigate most of the villages along the way:

.... Sehitwa, within sight of the vanishing lake if it had not vanished, Sehitwa where an Irishman started a little fishing industry singlehanded, selling frozen bream fillets all the way down to Johannesburg, supplying my monthly 'Fishko' party... until the Lake dried up...

... Nokaneng, meaning 'by the river', but it was a river that had long disappeared with the gradual drying of the swamps that fed it;

... Tsau, a camp for road building, which had created about 20 kilometres of Norwegian-funded tarmacadam in about five years, supposedly an experiment in desert blacktop that in fact linked nothing to nothing;

.... Gomare, the district's secondary centre, with its massive 'community' school, of which I was a board member, where the board had spent years painstakingly rounding up a few cattle and bags of sorghum to finance the first classroom. These efforts had been completely bypassed by the arrival of the World Bank with nearly a million dollars, more of which appeared to be spent on highly artistic walkways than on the new classrooms;

... Etsha, a new village settled by several thousand long-term refugees from the Angolan civil war who turned out to be impressive growers of grain, unique basket designers and weavers and secret brewers of palm beer (to search for which, Chabi would occasionally take us by alternative backroads) , by a handful of Danish medical students, and by one Welshman with scores of cats who marketed the baskets to tourists and the national museum;

... Sepopa... oh, what to say about Sepopa, a village like any small and remote African village;

... and then finally, Shakawe, a busy trading post hard up by the Angolan border, with a local culture, chiefdom and opposition political party all its own.

The trip was easy between dawn and dusk, in the cold dry season. In the summertime, however, a different question entirely. With the road camp at Tsau concentrating on its lonely piece of blacktop in the middle of nowhere, the rains and the traffic - such as they were, and they were always sufficient for this at least - churned up the rest of the district roads unmercifully. There were patches of known notoriety where we were almost sure to get stuck, and no way, due to thick bush linings along the track, to avoid them. Chabi, fortunately, was a past master at laying wooden planks under the wheels and using the 4-wheel drive to get us out...eventually. The journey took two days. The floors of classrooms in Gomare, Etsha or Sepopa became our beds.

The journey took us along the outer rim of the river channels that flanked the vast inland swamp called Okavango. And it was at Shakawe that the settled population enjoyed a true and vivid view of the river, there at the ingress, the inflow which fed the intricate waterways of the swamp, the high-banked and spectacular panhandle. Shakawe perched above those fast-flowing, pure, clear waters, which over the years had slowly diminished in flow for reasons no-one seemed to fully understand. It was often the place where we started our weeklong series of Kgotla meetings, village assemblies chaired by the Chief, and addressed by the young English district officer on the subject of the latest local government plans for the area, speaking a nervous mixture of Setswana and English (Chabi or a local agricultural officer providing translation) . This was normally followed by several hours of grandstand speeches by the assembled males, rising one by one from their wood-and-leather chairs to comment on what they thought I had proposed. The meeting - perfect for total-immersion SeTswana training for the young DO - were finished off, sometimes, by an invitation from the Chief to the women, sitting on the outer margins of the throng, often with babies, to speak their minds at last.

Through many such assemblies, the oddity of my presence was remarked upon only once, by a slightly intoxicated monnamogolo (respected old man) , who approached the table at which the Chief and I sat, and called out loudly, I never thought I would see the little lady (being Queen Elizabeth, or her representative) at this Kgotla once again!

Once at Shakawe, there were three options for continuing our journey. To work our way back down the side of the Okavango, holding meetings in two villages each day, taking about a week to return to the district office and our homes in Maun. Or to head off west to visit the few remote villages - Shai-Shai, Nau-Nau, Kangwa - founded by Herero cattleowners, their wives clad in massive layers of German-inspired skirts, and their San (Bushman) herders, near the Namibian border, across which lay a land still heavily occupied by the apartheid army. Or, the most magical and exciting option of all, to drive onto the little ferry ('pontoon') and cross to the remote eastern bank of the panhandle, and drive down to the three villages that lay there, on roads that barely deserved the name. Only one trading store with the most basic items could be found in that territory, and no supplies of fuel at all. Once a month, a Baptist dentist arrived in his light plane to preach to the people, distribute Bibles, and then, only then, extract teeth. If you were stranded, and spoke politely, he might stand you a lift back home.

Snakes became caught under our wheels sometimes. Ostriches would run alongside, trying to outpace us, then following the trail in front of us. And once an elephant suddenly stepped onto the trail from its hiding place behind a tree. Chabi brought us to a massive sudden halt, and we waited, waited silently.. until the creature went on its way.

In three years, he had only one accident, and that was on the tarmac on the way back from the trip to the capital. It was dark, approaching Francistown.. and a cow had gone to sleep on one side of the road. It was a minor collision, but the government censured him anyway, after much argumentation.

When we camped in the villages at night his radio took over from my cassette player. First the Botswana news. Then the solemn reading out of those who had passed away. Followed by church music. Just right to lull us both to sleep.

Perhaps the last thing Chabi tried to teach me concerned the wizards of the forest. When, during the long hours of travelling, he would start to talk as in an obsessive trance about the 'baloi', the spirits, he would gradually enter the world of 'deep Setswana', and his meanings became lost to me. The guttural sounds of the language would become a backdropp to the noise of the engine. My lack of ability to follow him into the tales of the wizards always seemed a disappointment to him, but he never gave up completely.

Mainly, while on the road together, he and I talked like father and son, cooked and ate together, and often slept alongside each other. When back in town, however, we did not socialize. We became formal in our work environment, 'district officer' and 'driver'. Chabi never came to hear me entertain the office crowd from the District Council with my guitar on Friday nights at Le Bistro cafe on the banks of the Thamalakane river. He never invited me to meet his family or to see his home. Which is what make it all the more surprising when he turned up at my place, during my last days in Maun, with that hardy three-year-old chicken. The first thing he did was invite me to wring its neck. And not for the first time with him, I ducked this challenge.

Zimbabwe was already free and its freedom would continue for a while. The wars of Angola raged on, fueled from distant lands, while the occupation of Namibia intensified. My place at Chabi's side was taken by a young Motswana graduate, and doubtless later by another. And then, as if by a miracle, generated by the pressure of resistance in the heart of South Africa, the dark clouds began to lift across the region, and the peace that lay at the heart of Botswana began to spread to all its troubled neighbours.

[...] Read more

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Uncle Tom's Cabin

Just for the record let's get the story straight
Me and Uncle Tom were fishin' it was gettin'
Pretty late
Out on a cypress limb above the wishin' well
Where they say it got no bottom say it take
You down to Hell
Over in the bushes and off to the right
Come two men talkin' in the pale moonlight
Sheriff John Brady and Deputy Hedge
Haulin' two limp bodies down to the water's edge
I know a secret down at Uncle Tom's Cabin oh yea
I know a secret that I just can't tell
They didn't see me and Tom in the tree
Neither one believin' what the other could see
Tossed in the bodies let 'em sink on down
To the bottom of the well
Where they'd never be found
I know a secret down at Uncle Tom's cabin oh yea
I know a secret that I just can't tell
I know a secret down at Uncle Tom's Cabin
Know a secret that I just can't tell
I know a secret down at Uncle Tom's Cabin
Know who put the bodies in the wishin' well
Soon as they were gone me & Tom got down
Prayin' real hard that we wouldn't make a sound
Runnin' through the woods back to Uncle Tom's shack
Where the full moon shines through the roof tile cracks
Oh my God Tom who are we gonna tell
The sheriff he belongs in a prison cell
Keep your mouth shut that's what we're gonna do
Unless you wanna wind up in the wishin' well too
I know a secret down at Uncle Tom's Cabin
Know a secret that I just can't tell
I know a secret down at Uncle Tom's Cabin
Know who put the bodies, know who put the bodies
in the wishin' well

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Uncle Tom's Cabin

Just for the record let's get the story straight
Me and Uncle Tom were fishin' it was gettin'
Pretty late
Out on a cypress limb above the wishin' well
Where they say it got no bottom say it take
You down to Hell
Over in the bushes and off to the right
Come two men talkin' in the pale moonlight
Sheriff John Brady and Deputy Hedge
Haulin' two limp bodies down to the water's edge
I know a secret down at Uncle Tom's Cabin oh yea
I know a secret that I just can't tell
They didn't see me and Tom in the tree
Neither one believin' what the other could see
Tossed in the bodies let 'em sink on down
To the bottom of the well
Where they'd never be found
I know a secret down at Uncle Tom's cabin oh yea
I know a secret that I just can't tell
I know a secret down at Uncle Tom's Cabin
Know a secret that I just can't tell
I know a secret down at Uncle Tom's Cabin
Know who put the bodies in the wishin' well
Soon as they were gone me & Tom got down
Prayin' real hard that we wouldn't make a sound
Runnin' through the woods back to Uncle Tom's shack
Where the full moon shines through the roof tile cracks
Oh my God Tom who are we gonna tell
The sheriff he belongs in a prison cell
Keep your mouth shut that's what we're gonna do
Unless you wanna wind up in the wishin' well too
I know a secret down at Uncle Tom's Cabin
Know a secret that I just can't tell
I know a secret down at Uncle Tom's Cabin
Know who put the bodies, know who put the bodies
in the wishin' well

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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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Loves In Need Of Love Today

Good morn or evening friends
Heres your friendly announcer
I have serious news to pass on to every-body
What Im about to say
Could mean the worlds disaster
Could change your joy and laughter to tears and pain
Its that
Loves in need of love today
Dont delay
Send yours in right away
Hates goin round
Breaking many hearts
Stop it please
Before its gone too far
The force of evil plans
To make you its possession
And it will if we let it
Destroy ev-er-y-body
We all must take
Precautionary measures
If love and please you treasure
Then youll hear me when I say
Oh that
Loves in need of love today
Loves in need of love today
Dont delay
Dont delay
Send yours in right away
Right a-way
Hates goin round
Hates goin round
Breaking many hearts
Break-ing hearts
Stop it please
Stop it please
Before its gone too far
Gone too far
People you know that
Loves in need of love today
Loves in need of love today
Dont delay
Dont de-lay
Send yours in right away
Right a-way
You know that hates
Hates
Hates goin round
Goin round
Breaking many hearts
Break-ing hearts

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The King of the Vasse

A LEGEND OF THE BUSH.


MY tale which I have brought is of a time
Ere that fair Southern land was stained with crime,
Brought thitherward in reeking ships and cast
Like blight upon the coast, or like a blast
From angry levin on a fair young tree,
That stands thenceforth a piteous sight to see.
So lives this land to-day beneath the sun,—
A weltering plague-spot, where the hot tears run,
And hearts to ashes turn, and souls are dried
Like empty kilns where hopes have parched and died.
Woe's cloak is round her,—she the fairest shore
In all the Southern Ocean o'er and o'er.
Poor Cinderella! she must bide her woe,
Because an elder sister wills it so.
Ah! could that sister see the future day
When her own wealth and strength are shorn away,
A.nd she, lone mother then, puts forth her hand
To rest on kindred blood in that far land;
Could she but see that kin deny her claim
Because of nothing owing her but shame,—
Then might she learn 'tis building but to fall,
If carted rubble be the basement-wall.

But this my tale, if tale it be, begins
Before the young land saw the old land's sins
Sail up the orient ocean, like a cloud
Far-blown, and widening as it neared,—a shroud
Fate-sent to wrap the bier of all things pure,
And mark the leper-land while stains endure.
In the far days, the few who sought the West
Were men all guileless, in adventurous quest
Of lands to feed their flocks and raise their grain,
And help them live their lives with less of pain
Than crowded Europe lets her children know.
From their old homesteads did they seaward go,
As if in Nature's order men must flee
As flow the streams,—from inlands to the sea.

In that far time, from out a Northern land,
With home-ties severed, went a numerous band
Of men and wives and children, white-haired folk:
Whose humble hope of rest at home had broke,
As year was piled on year, and still their toil
Had wrung poor fee from -Sweden's rugged soil.
One day there gathered from the neighboring steads,
In Jacob Eibsen's, five strong household heads,—
Five men large-limbed and sinewed, Jacob's sons,

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Space Oddiity

Ground Control to Major Tom
Ground Control to Major Tom
Take your protein pills and put your helmet on
Ground Control to Major Tom
Commencing countdown, engines on
Check ignition and may God's love be with you
Ten, Nine, Eight, Seven, Six, Five,
Four, Three, Two, One, Liftoff
This is Ground Control to Major Tom
You've really made the grade
And the papers want to know whose shirts you wear
Now it's time to leave the capsule if you dare
"This is Major Tom to Ground Control
I'm stepping through the door
And I'm floating in a most peculiar way
And the stars look very different today
For here
Am I sitting in a tin can
Far above the world
Planet Earth is blue
And there's nothing I can do
Though I'm past one hundred thousand miles
I'm feeling very still
And I think my spaceship knows which way to go
Tell me wife I love her very much she knows"
Ground Control to Major Tom
Your circuit's dead, there's something wrong
Can you hear me, Major Tom?
Can you hear me, Major Tom?
Can you hear me, Major Tom?
Can you....
"Here am I floating round my tin can
Far above the Moon
Planet Earth is blue
And there's nothing I can do.

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Space Oddity

[David Bowie]
Ground Control to Major Tom
Ground Control to Major Tom
Take your protein pills
And put your helmet on
Ground Control to Major Tom
Commencing countdown, engines on
Check ignition
And may God's love be with you
Ten, nine eight, seven, six, five
Four, three, two, one, liftoff
This is Ground Control to Major Tom
You've really made the grade
And the papers want to know
Whose shirts you wear
Now it's time to leave the capsule
If you dare
This is Major Tom to Ground Control
I'm stepping through the door
And I'm floating in a most peculair way
And the stars look very different
Today
For here
Am I sitting in a tin can
Far above the world
Planet Earth is blue
And there's nothing I can do
Though I'm past 100,000 miles
I'm feeling very still
And I think my spaceship knows
Which way to go
Tell my wife I love her very much,
She knows
Ground Control to Major Tom
Your circuit's dead,
There's something wrong
Can you hear me Major Tom
Can you hear me Major Tom
Can you hear me Major Tom
Can you....
Here am I floating round my tin can
Far above the Moon
Planet Earth is blue
And there's nothing I can do

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The Conversazzhony

What conversazzhyonies wuz I really did not know,
For that, you must remember, wuz a powerful spell ago;
The camp wuz new 'nd noisy, 'nd only modrit sized,
So fashionable sossiety wuz hardly crystallized.
There hadn't been no grand events to interest the men,
But a lynchin', or a inquest, or a jackpot now an' then.
The wimmin-folks wuz mighty scarce, for wimmin, ez a rool,
Don't go to Colorado much, excep' for teachin' school,
An' bein' scarce an' chipper and pretty (like as not),
The bachelors perpose, 'nd air accepted on the spot.

Now Sorry Tom wuz owner uv the Gosh-all-Hemlock mine,
The wich allowed his better haff to dress all-fired fine;
For Sorry Tom wuz mighty proud uv her, an' she uv him,
Though she wuz short an' tacky, an' he wuz tall an' slim,
An' she wuz edjicated, an' Sorry Tom wuz not,
Yet, for her sake, he'd whack up every cussid cent he'd got!
Waal, jest by way uv celebratin' matrimonial joys,
She thought she'd give a conversazzhyony to the boys,--
A peert an' likely lady, 'nd ez full uv 'cute idees
'Nd uv etiquettish notions ez a fyste is full uv fleas.

Three-fingered Hoover kind uv kicked, an' said they might be durned
So far ez any conversazzhyony was concerned;
He'd come to Red Hoss Mountain to tunnel for the ore,
An' not to go to parties,--quite another kind uv bore!
But, bein' he wuz candidate for marshal uv the camp,
I rayther had the upper holts in arguin' with the scamp;
Sez I, "Three-fingered Hoover, can't ye see it is yer game
To go for all the votes ye kin an' collar uv the same?"
The wich perceivin', Hoover sez, "Waal, ef I must, I must;
So I'll frequent that conversazzhyony, ef I bust!"

Three-fingered Hoover wuz a trump! Ez fine a man wuz he
Ez ever caused an inquest or blossomed on a tree!--
A big, broad man, whose face bespoke a honest heart within,--
With a bunch uv yaller whiskers appertainin' to his chin,
'Nd a fierce mustache turnt up so fur that both his ears wuz hid,
Like the picture that you always see in the "Life uv Cap'n Kidd."
His hair wuz long an' wavy an' fine as Southdown fleece,--
Oh, it shone an' smelt like Eden when he slicked it down with grease!
I'll bet there wuzn't anywhere a man, all round, ez fine
Ez wuz Three-fingered Hoover in the spring uv '69!

The conversazzhyony wuz a notable affair,
The bong tong deckolett 'nd en regaly bein' there;
The ranch where Sorry Tom hung out wuz fitted up immense,--
The Denver papers called it a "palashal residence."
There wuz mountain pines an' fern an' flowers a-hangin' on the walls,
An' cheers an' hoss-hair sofies wuz a-settin' in the halls;

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Byron

Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

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Byron

Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

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Chip Chip Chip Away

You want to come on the ranch,
And do a bit of hi-dee-hey.
You come expecting everyone to do,
What it is you say, yo!

You want to feel you're the boss,
At any cost without delay.
But you aint giving any bucks...
To anyone with an up in pay!

You need to chip chip chip away some of that cement you're in.
You need to chip chip chip away some of that cement you're in, yo!
You need to chip chip chip away some of that cement you're in.
You need to chip chip chip away some of that cement you're in!

You want to come on the ranch,
And do a bit of hi-dee-hey.
You come expecting everyone to do,
What it is you say, yo!

You want to feel you're the boss,
At any cost without delay.
But you aint giving any bucks...
To anyone with an up in pay!

Without delay...
Chip chip chip away some of that cement you're in,
Without delay...
Chip chip chip away some of that cement you're in, yo.
Today...
Chip chip chip away some of that cement you're in,
Without delay...
Chip chip chip away some of that cement you're in, yo.

You want to come on the ranch,
And do a bit of hi-dee-hey.
You come expecting everyone to do,
What it is you say, yo!

You want to feel you're the boss,
At any cost without delay.
But you aint giving any bucks...
To anyone with an up in pay!

You need to chip chip chip away some of that cement you're in.
You need to chip chip chip away some of that cement you're in, yo!
You need to chip chip chip away some of that cement you're in.
You need to chip chip chip away some of that cement you're in!

Without delay...

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The Barn at Willoughby's Farm - II

Jacinth's Tale

He was always there on the fringes
Of my world, when just a child,
There wasn't a time he wasn't there
To guide, protect, to chide,
He'd follow me safely home from school,
He'd take me for a ride,
A cousin, so many times removed
From those on my mother's side.

I wasn't the only sibling, but
It was me he called his pet,
The others would get quite jealous
And they'd not let me forget,
‘He carries a torch for you, Jacinth,
And never will let you be! '
But when I was just a teenager
He made me feel like a queen.

He was into his later twenties, then
But he didn't seem to care,
He'd let me dress for a party, then
He'd sit and he'd brush my hair,
There wasn't a friend as good as him
I told my party crowd,
The cuz that lived in the basement
Of our flat, my Tom O'Dowd.

But once I grew as a woman, then
His manner became intense,
He started to irritate me, and
Took issue with all my friends,
‘That fellow isn't the one for you,
He'll only drag you down! '
Or - ‘What in the world are you coming to?
That guy, he's simply a clown! '

He tried to snuggle up closer on
The couch, when I was home,
Started to stroke my hand and knee
When we were quite alone,
I told him I wasn't interested,
That he was merely a friend,
His eyes would follow me round the room,
‘You'll love me, in the end! '

I got upset, and told him straight:
I hate it when you cling!
Just leave me be, or Tom, you'll see

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