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Tom Hanks

Movie-making is telling a story with the best technology at your disposal.

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His Story

Yo, this is a story of a male female threat to society
You know being misjudged and not respected for what we are
But I want to send this special shout out to my girl tawana brawley
Cause no matter what we say or what we do
Theyll always believe his story (ow)
Chorus:
His story (yeahee, yeahee, yeahee)
Hist story (ow)
Theyre gonna believe
His story
His story
Why does it have to be that we get labeled for what we do
Its hard enough for us to be ourselves without being used
Girls have an image too
But when they get mad at you
There is no telling what theyll say to hurt you
This is a story of a male female threat to society
Why you wanna go and tell a lie on me? (yeahee, yeah, oooh)
His story over mine his story will be his story
And my story is a waste of time (aaaah-aah-aah)
Theyre gonna believe
Chorus
Sometimes I feel like there is no reason for me to explain
No matter how much we complain
You know it all stays the same
They try to call us freaks
Why does it have to be
We cant get justified until we speak up (oooh)
This is a story of a male female threat to society
Why you wanna go and tell a lie on me? (yeahee, yeah, oooh)
His story over mine his story will be his story
And my story is a waste of time (aaaah-aah-aah)
(you know its just a waste of my time)
Theyre gonna believe
His story over mine
So what you gonna do
Dont let it take over you (hey)
My story is a waste of time
Its hard enough to be ourselves without being used
So yo take it from me
Dont be a victim of society
You cant put yourself in a position to be neglected
And disrespected
You have to do whats not expected
Alright
Or all be his story
His story over mine
His story will be his story
(this is a story of) how could you do this to us
Theyre gonna believe

[...] Read more

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Info Superhighway

Key:-
A - anita
R - ray
A: technology
R: virtual society
Info superhighway interaction
A: into the future, into the furture
Technology
A: see the world progressing all around us, its a virtual society
Info superhighway interaction, computer pal or enemy
So communicate with me
Wont you interact with me?
R: technicians, technique, technology
Its the most important thing in the industry
Its going further nowadays, cause they wanna get paid
Every day new discovery and plans to be made
Now get connected like an electric wire
Look out for the shock, look out for the fire
Just imagine how it would be
Without the thing they call technology.
A: interactive main
Interactive main
Info superhighway
A: see the world progressing all around us, its a virtual society
Info superhighway interaction, computer pal or enemy
So communicate with me
Wont you interact with me?
R: technicians, technique, technology
It runs the world and society
Digital revolution, technical solutions
For some it only brings more and more confusion
Do we still talk about civilization
cause we gotta look out for the computer invasion
Radio, telephone, or tv..
Would it be there without technology?
A: into the future
Into the future
R: energy from the inner mind
Technology
A: so communicate with me
Want you interact with me
A: see the world progressing all around us, its a virtual society
Info superhighway interaction, computer pal or enemy
So communicate with me
Wont you interact with me?
R: info superhighway interaction
A: technology
Technology
Technology

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Silent Movie

(corky laing/ian hunter)
Well the school bell rings
I carried your things
Getting on the yellow bus
With the whole world watching us
And our love was like a silent movie
Aint got nothing to say
Our love was like a silent movie
I wish we could have kept it that way
Now the door bell rings
Im gonna get my things
Take another bright (? )
At the lions side
Cause our love was like a silent movie
Aint got nothing to say
Our love was like a silent movie
Thats the all-american way
Silent movie
And our love was like a silent movie
Theres nothing to say
Our love was like a silent movie
And thats the all-american way
And our love was like a silent movie
Theres nothing to say
Our love was like a silent movie
I wish we could have kept it that way
Our love was like a silent movie
Silent movie
Our love was like a silent movie
I wish we could have kept it that way

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The Drug's Not Working

I was shooting in the back of the car
When the windows smashed on the police cars
I was swimming through the streets of New York
With my cocaine dagger and throats to cut
And it was making her cry
And it was making her cry
And it was making her cry
But it was making me high
She was a hooker at the age of 16
All she wanted was the money
She didn't need an I.D.
She was a junkie and I know its clich
But then so was her life
I mean, she lived in L.A.
And it was making her cry
And it was making her cry
And it was making her cry
But it was making her high
And it was making her cry
And it was making her cry
And it was making her cry
But it was making her high
And it was making her cry
And it was making her cry
(Riot in my skull, demons are coming)
And it was making her cry
(Los Angeles is dead, the drugs ain't working)
And it was making her cry
(Painted it all black, the chains are jerking)
And it was making her cry
(Los Angeles is dead, the drugs ain't working)
And it was making her cry
(Riot in my skull, demons are coming)
And it was making her cry
(Los Angeles is dead, the drugs ain't working)
And it was making her cry
(Los Angeles is dead, the drugs ain't working)
Riot in my skull, demons are coming
L.A. your dead, the drugs ain't working
Painted it all black, the chains are jerking
L.A. is dead, the drugs ain't working
L.A. your dead, the drugs ain't working
L.A. your dead, the drugs ain't working
The drugs ain't working
The drugs ain't working

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When You Really Love Someone

I'm a woman
lord knows it hard
i need a real man to give me what i need
sweet attention love and tenderness
when it real it's unconditional
i'm telling ya'll
cause a man just ain't a man if he aint man enough
to love you when you right
love you when you wrong
love you when you weak
love you when you strong
(take you higher) when the world got you feelin low
he's given you his last cause
he's thinkin of you first given comfort when
he's think that you hurt (that's done when you really love someone )
i'm telling ya'll i'm telling ya'll
cause your a real man
and lord knows it's hard
sometimes you just need a woman's touch
sweet effections love and supports
when it real it's unconditional i'm telling ya'll
cause a woman ain't a woman if she ain't woman
enough to love you when you right
love you when you wrong
love you when you weak love you when you strong
(take you higher)when the world got you feelin low
she's given you her best even when you at your worst
given comfort when she thinkin
that you hurt (that's what done when you really love
someone) i'm telling ya'll i'm telling ya'll
um...um..um...um
sometimes you want to argue
sometimes you want to fight
sometimes it's going to feel like it will never be right
but something so strong keeps
you holdin on it don't make sense
but it makes a good song
Cause a man just aint a man if he aint man enough
to love you when you right
love you when you wrong
love you when you weak
love you strong
(take you higher)when the world got you feelin low
he given his last
cause he's thinkin of you first
given comfort when he's thinkin that you hurt
(that's done when you really love someone)
i'm telling ya'll i'm telling ya'll
a woman aint a woman ain't woman enough to
love you when you right

[...] Read more

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Every Face Tells A Story

(m. allison/p. sills/d. black)
Theres no need for you to tell me
I can see the way you feel
I just know without you saying
What is a lie and whats real
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye
Somethings going on, and I know it
You cant keep it from me
Your smile cannot hide what you feel inside
And I dont like what I see
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye
Youre always telling stories
Youre always telling me lies
Youre always telling stories
If you want to leave me, leave me
No good living a lie
You can pretend that were not gonna end
But your eyes are saying goodbye
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye
Youre always telling stories
Youre always telling me lies
Youre always telling stories
Tell me, I got a right to know
Pour your little heart out to me, baby
You know, you know I dont want to let go
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye

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Sentimental Movie

You better change your attitude
Cause you know you want it to
You bring me all your pride
But I know you hold it too
I can feed your bounty, yeah
If you feed my head as well
And I wont give you empty promises, yeah
When the quarters in the wishing well
But this ain't no sentimental movie
Where dreams collect like dust
You talk to me with innocence in your eyes
So now, who can you trust?
You think you look so cool
Yes you do
You take me for your fool, yeah
Itching' for your... of the hug
Baby I want a new start, but dont you be true, yeah
I can see through your door
You put my head into these walls
You take my heart to the dockside, yeah
You put me in the car
And take me for another ride
But this ain't no sentimental movie
Where dreams collect like dust
You talk to me with innocence in your eyes
So now, who can you trust?
Trust
Trust
Put a path on to your veins
And antique and old whore's our new pain, yeah
The tears you cried
All the tears you cried tonight
Yeah
You put me down
But you can't get out of sight
And this aint no sentimental movie
You push it on
You grab it on
But I dont see the TV?
This ain't no sentimental movie
Yeah, see the screen
Youre startin to scream
Abusin confusin
Your programs over?
This aint no sentimental movie
Yeah, you look so cool
Dont take me for another one of your scenes?
This aint no sentimental movie
This aint no sentimental movie
The tears you cried

[...] Read more

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Playing With Technology

What happens when a child plays with a razor?
What happens when a child plays with fire?
What happens when a child drives a car?

Man in his pursuit of technology is in the same pose
In his hand is a tool of technology, powerful and dangerous
But he’s acting like a child and doesn’t know its purpose.

Man’s still a child, no sense of purpose, no vision of the future
For a child the razor, the fire and the car are just for pleasure
It is obvious, for this same reason man pursues technology.

Man’s still a child, so selfish, self-centered and irresponsible
Doesn’t care about the world, his possessions is all that matters
But his mind, his most precious one, is neglected and in tatters

We’re like a child mesmerized by technology, by its power
Creating for us so much stuff, we feel much richer
But we’ve forgotten our world is delicate, our life fragile.

We’re like a child mesmerized by technology, so tempting
So much pleasure, so much convenience to us it’s giving
But we’ve forgotten our goal in this hostile universe is survival.

We’re like a child mesmerized by technology, so exciting
Faster and faster now we are driving it, not hesitating
It’s just a matter of time, it will crash! It will crash!

Now, we can see the destruction on the horizon looming
It’s been scientifically determined our planet is warming
Because, technology, that’s meant to save us, we abused it!

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Soccer–Passion Song

Soccer–Passion Song

Soccer in the evening;
Soccer in the morning;
Soccer in spring and fall.

Soccer in the raining;
Soccer in the snowing;
Soccer in winter and summer.

Soccer in between my feet,
where I walk;
Soccer in my heart and mind,
how I live;
Soccer my love and life.

Soccer I wake up and play;
Soccer I hold it to sleep;
Soccer my work and rest.

Soccer I sing a new song;
Soccer I dance the magic steps;
Soccer my tears and joy.

Soccer my Mom buys it for me to play;
Soccer my Dad brings me to the game;
Soccer my dear Love watches me to score.

Soccer I dribble and shoot;
Soccer I pass and fall;
Soccer my glory and downfall.

Soccer I strike to attack;
Soccer I tackle to defend;
Soccer my struggle and survival.

Soccer I receive the flags and the whistles;
Soccer I get the yellow and red card;
Soccer my moves and stop.

Soccer I meet my friends;
Soccer I make my enemies;
Soccer my conflict and peace.

Soccer I play and watch;
Soccer I watch but cannot play;
Soccer my dream and reality.

Soccer I learn the rights;
Soccer I confess the fouls;

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Eureka Rings A Bell

“Eureka! ” moments sometimes may result
from outright theft, with Graham Bell the worst
example. For he traveled to consult
the patent of Elisha Gray, the first
to find a way to speak by telephone,
and aided by a drunken patent clerk,
got credit for the patent which alone
should have been Gray’s, who did the major work
before the son of the professor Bernard Shaw
would use as Henry Higgins’ model stole
his great invention and used patent law
to take not part of credit but the whole.
Could it be that Archimedes, too,
stole from a competitor the math
enabling him to figure out what you
and I’ve been told he found out in his bath?

Marjorie Kehe reviews The Telephone Gambit, by Seth Shulman, in The Christian Science Monitor, January 9,2008:

How often does a detective story upend history? Probably about as often as a science and technology journalist pens a page-turner. But with this month's release of 'The Telephone Gambit' by Seth Shulman both these unlikely events are coming to pass at the same moment. This slender volume (252 pages, with notes and credits) is a work of nonfiction - although the strangeness of truth definitely overtakes fiction here as Shulman explains how he unraveled Alexander Graham Bell's claim to have invented the telephone. We may never be absolutely certain, but 'The Telephone Gambit' presents compelling evidence that Bell snuck a look at rival inventor Elisha Gray's patent application, stole a crucial element from it, and then lived an uncomfortable lie for the rest of his days. This is not the work of a muckraker. No one wanted to reach such a conclusion less than did Shulman, a longtime admirer of Bell's. But that's exactly why this book is such a good read. Shulman carefully spells out not only the steps he took to piece together his story, but also the reluctance he battled en route. Why would Bell - a man whose good character was noted by all who knew him - behave so dishonorably? How could he have stolen from a rival he had never met? And is it even possible that such a high-profile crime could have gone undetected for so long? The answers to these questions unspool neatly throughout Shulman's narrative but they read more like the stuff of thrillers than of the history of science. Figures in this real-life drama include (it would seem) an alcoholic patent clerk, some unscrupulous attorneys, and a beautiful young woman whom Bell yearned to marry. Shulman's first glimpse of the story came in 2004. He was enjoying a yearlong research fellowship at the Dibner Institute for the History of Science and Technology at the Massachusetts Institute of Technology. There, he was studying recently digitized reproductions of the private papers of Bell. Shulman was thrilled to be able to follow so close on the heels of his hero - yet puzzled by something he saw. Shulman knew the story of the invention of the telephone as well as anyone - or at least he thought he did. Alexander Graham Bell and Elisha Gray filed patent applications on the very same day in 1876. (Gray's was actually a 'caveat' - but it would have served the purpose of staking Gray's exclusive righ”The Telephone Gambit, ” by Seth Shulman in The Christian Science Monitor, January 0,2008: t to continue research in this area.) According to the official story, Bell filed a few hours earlier than Gray and so was awarded the patent. Then, the next month, he had the breakthrough moment we've all read about in the history books. (After spilling acid in his lab, Bell shouted, 'Watson, come here, I need you.' Watson, in another room, heard him through the device they were experimenting with and thus was born the telephone.) Or so we've always believed. But what troubled Shulman was that Bell's 'eureka moment' depended on an element that had been completely missing from Bell's research until only two days earlier. Then, this crucial link suddenly appeared in Bell's journal in a sketch remarkably similar to a drawing found in Gray's patent application. In the days just before this sketch appeared, Bell had not been working in his lab. On the contrary, he'd been in Washington, filing his patent claim. I won't spoil the fun (and it is fun) by explaining exactly how Shulman proceeded and what he discovered as he worked backward from that point. Bell, he ended up concluding, was a great innovator who had made much progress toward the telephone, but he is not its creator. Instead, it seems, he was a talented, decent man, who lived with guilt ever after being pressured into an unseemly act of theft. Shulman does a neat job of painting, in rapid brush strokes, a portrait of the thrilling era of innovation in which Bell lived and also of the interesting circumstances of his life. (His speech professor father was the real-life model for the Henry Higgins of George Bernard Shaw's 'Pygmalion.') Shulman also manages to lace his work with just enough technology to tell his story without losing the interest of any low-tech readers. As a result, 'The Telephone Gambit' succeeds splendidly as an edge-of-your- seat historical tale. Yet it also manages to go somewhere deeper, leaving readers with intriguing questions about the ways in which truth may remain undiscovered, even when lying open in plain sight.

© 2008 Gershon Hepner 1/16/08

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Hey

And I said Hey
When I'm making my movie, baby
You keep saying all my...
You keep breaking all my...
Said hey
You like boots and perfume
Said hey
Your red pumps and your cadillac blues
Said hey
You want that fine
white wine
on my dime
What you want from me?
'Cause you're on my mind
Don't you get no more
'Cause you're losing yourself
Don't you want some truth?
'Cause I'll give you mine
Hey, when I'm making my movie, baby
You keep saying all my lines
And I said hey, after sunset drive cruising, baby
You're just yesterdays prize
Said hey, do do do do do
You want trips on a white yacht for two
Said hey,
Beverly heights
Bright lights
Late nights
What you want from me?
'Cause you're on my mind
Don't you get no more
'Cause you're losing yourself
Don't you want some truth?
'Cause I'll give you mine
Hey, when I'm making my movie, baby
You keep saying all my lines
And I said hey, after sunset drive cruising, baby
You're just yesterdays prize
You're just yesterdays prize
Hey, Hey
Your red pumps and your cadillac blues
You want trips on a white yacht for two
Your red pumps and your cadillac blues
You like boots and expensive perfume
Your red pumps and your cadillac blues
You want trips on a white yacht for two
Your red pumps and your cadillac blues
You like boots and expensive perfume
Your red pumps and your cadillac blues
You want trips on a white yacht for two

[...] Read more

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

[...] Read more

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A Map Of Culture

Culture


Contents

What is Culture?

The Importance of Culture

Culture Varies

Culture is Critical

The Sociobiology Debate

Values, Norms, and Social Control

Signs and Symbols

Language

Terms and Definitions

Approaches to the Study of Culture

Are We Prisoners of Our Culture?



What is Culture?


I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .

Back to Contents

[...] Read more

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You're A Movie

I fearlessly walk into battle
With a shine on my boots and my teeth
Never flinch, never blink, never rattle
My blood is like ice underneath
Oh, I'm the reincarnation of Patton
And I've got Hannibal's heart in my chest
God told me I would have rivalled
Alexander the Great at his best
(You're a movie)
Quite
(You're a movie)
Yes
(The exception)
That's right
(You're the final kind)
(You're a movie)
More of an epic
(Please include me, send us to the line)
Mm, that's right
Very good
Bullets repel off my medals
And my men are in awe when I speak
All chaos my strategy settles
My mere presence gives strength to the weak
For me it seems really alarming
I'm really just only a man
With five million sheep in this army
I seem to be the only one fit to command
(You're a movie)
I'm quite aware
(You're a movie)
Yeah
(The exception)
Oh, you've noticed
(You're the final kind)
(You're a movie)
Hey, very true
(Please include me, send us to the line)
Mm, if you're lucky
I must go now and save the world
Move aside mere drop of water, let the ocean pass
(You're a movie)
Quite right
(You're a movie)
(The exception)
(You're the final kind)
(You're a movie)
(Please include me)
Mm hmm
(Please include me)

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Notes On An Unadorned Night

after Rene Char

Let's agree that the night is a blank canvas, a station
break, a bridge of a song.

Let's agree further that activities at night—movies,
campfires, reading by a lamp—are all
basically an homage to the day.

I have come to regard these two statements as
contradictory. Let me explain.

First, set aside that one could see a movie, torch a fire,
and read with the sun blazing over us.

The in-between aspect of night need not spark a flurry of
activity, is all I'm saying.

You could do nothing at night! Just lay and sleep!

A Cézanne sketch I looked at last night bears
mentioning.

A big Gallic face, reclining upwards, looks up at three
boxcars on train tracks.

The man's eyes are wide open and unfulfilled.

The two disemboweled deer I saw the night before also
bear mentioning.

The torsos of both deer were connected to faces, both
looking up.

I assumed they were struck by trains near the house
where I was sleeping.

Anyway, it occurred to me that as I looked into these
two dead deer's eyes that so much has fallen at
me, rather than simply by me.

I want to be among people. I do.

But I just want the easy parts skipped, for bodies to rub
up against each other, to always feel as new flesh
touches new flesh.

Those deer weren't an emblem of anything. I'm not like that.

I don't need dead animals to mirror my own interior world.

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A Wonderful Beetle——Shi Xiaoqun

Beetles, beetles beautiful movie star,
Shi Xiaoqun is the emperor's lover of Ir star,
Beetles, beetles beautiful movie star,
How I wonder who you are.
Up above the world so high,
Like an empress in the star,
Beetles, beetles beautiful movie star,
How I wonder who you are.

Beetles, beetles beautiful movie star,
Shi Xiaoqun is the emperor's lover of Ir star,
Beetles, beetles beautiful movie star,
How I wonder who you are.
Up above the world so high,
Like an empress in the star,
Beetles, beetles beautiful movie star,
How I wonder who you are.

When the world loses love and tolerance,
When I no more love you,
When you no more love me,

Then you know what will happen!

Beetles, beetles beautiful movie star,
How I wonder who you are.
Beetles, beetles beautiful movie star,
Shi Xiaoqun is the emperor's lover of Ir star,
Beetles, beetles beautiful movie star,
How I wonder who you are.

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Allegany Camp

amazing grace circus camp
amazing grace day camp
amazing grace hallelujah jeremy camp
amazing grace jeremy camp
amazing love jeremy camp
amazing place chalet pigeon forge
amazing race church camp
amazing race games for camps
amazing race girl scout camp
amazon camp dutch lodge oven
amazon camp in sweetwater missouri
amazon cast iron dutch lodge camp
amazon dutch oven camp
amazon lodge dutch oven camp
ambassador camp at lake waccamaw nc
ambassador camp inc
ambassador chalet
ambassador chalet at doral
ambassador chalet wgc
amber bowers
amber camp lazlo
amber pow camp
amberg germany dp camp
ambition camp hockey pro
ambler baseball camp
ambleside scotland school camp
ambon pow camp
ambor island pow camp
ambor pow camp
ambulance bower
amc camp dodge
amc camp movie summer
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Faded

When I get you all alone
I'm gonna move in nice and close
Nobody gonna interrupt my game
Ever since you've been hanging around
I've been trying to figure
What I can say to you to get some play
Couldn't we do that thing we did last night again
Baby you and I'd be better than friends
Don't you think it's time we went a bit further
Every night when we say goodbye
How can I help looking in your eyes?
Wondering why you and I haven't hit it
Can we get it on?

I'm kinda faded but I feel alright
Thinkin' about making my move tonight
I can't pretend that you're only my friend
When you're holding my body tight
Cause I like the way you're making it move
I like the way you're making me wait
At the end of the night when I make up your mind
You'll be coming on home with me

Yeah you know you got it
And you know I want it
I can't wait to take you home
(You know you got it and I)
I don't wanna be rude at all
I just wanna be where you go
Think what we could do alone
Couldn't we do that thing we did last night again
Baby you and I'd be better than friends
Don't you think it's time we went a bit further
Every night when we say goodbye
How can I help looking in your eyes?
Wondering why you and I haven't hit it
Can we get it on?

I'm kinda faded but I feel alright
Thinkin' about making my move tonight
I can't pretend that you're only my friend
When you're holding my body tight
Cause I like the way you're making it move
I like the way you're making me wait
At the end of the night when I make up your mind
You'll be coming on home with me

When we first met
That deal was stated
You stepped like my steez

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song performed by Soul Decision from No One Does It BetterReport problemRelated quotes
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Making Love Out Of Nothing At All

(jim steinman)
I know just how to whisper,
And I know just how to cry;
I know just where to find the answers;
And I know just how to lie.
I know just how to fake it,
And I know just how to scheme;
I know just when to face the truth,
And then I know just when to dream.
And I know just where to touch you,
And I know just what to prove;
I know when to pull you closer,
And I know when to let you loose.
And I know the night is fading,
And I know that times gonna fly;
And Im never gonna tell you everything
Ive got to tell you,
But I know Ive got to give it a try.
And I know the roads to riches,
And I know the ways to fame;
I know all the rules
And then I know how to break em
And I always know the name of the game.
But I dont know how to leave you,
And Ill never let you fall;
And I dont know how you do it,
Making love out of nothing at all
(making love)
Out of nothing at all,
(making love)
Out of nothing at all,
(making love)
Out of nothing at all,
(making love)
Out of nothing at all,
(making love)
Out of nothing at all
(making love)
Out of nothing at all.
Every time I see you all the rays of the sun
Are streaming through the waves in your hair;
And every star in the sky is taking aim
At your eyes like a spotlight,
The beating of my heart is a drum, and its lost
And its looking for a rhythm like you.
You can take the darkness from the pit of the night
And turn into a beacon burning endlessly bright.
Ive got to follow it, cause everything I know, well its nothing till I give it to you.
I can make the run or stumble,
I can make the final block;

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song performed by Air SupplyReport problemRelated quotes
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No Way Out

No intentions
Whatsoever
I was gone for a night
Nothings forever
The cruel daylight
Brought me back to my senses (back to my senses)
Got caught in here
Under false pretenses
No way out
None whatever
I made up the story
Thought it was clever
She didnt ask
And I got no reply (got no reply)
But later that night
I heard her cry
Chorus:
No way out she doesnt buy my story
No way out she doesnt buy my story
No way out she doesnt buy my story
No way out she doesnt buy my story
No accusations
Whatsoever
But can she forget
Nothings forever
Since yesterday
Shes a little bit colder (little bit colder)
Wont happen again
What could Ive told her
No way out she doesnt buy my story
No way out she doesnt buy my story
No way out she doesnt buy my story
No way out she doesnt buy my story
Doesnt buy my story
How can she tell the truth from the lies
When does she know when to close her eyes
She doesnt want to lose me
So she only sees what she wants to see
No way out she doesnt buy my story
No way out she doesnt buy my story
No way out she doesnt buy my story
No way out, no way
No way out...

song performed by StarshipReport problemRelated quotes
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