I made more decisions in a half-day as governor than you can make in a whole week in the Senate... it's too slow for me.
quote by Chuck Robb
Added by Lucian Velea
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Related quotes
Pharsalia - Book VII: The Battle
Ne'er to the summons of the Eternal laws
More slowly Titan rose, nor drave his steeds,
Forced by the sky revolving, up the heaven,
With gloomier presage; wishing to endure
The pangs of ravished light, and dark eclipse;
And drew the mists up, not to feed his flames,
But lest his light upon Thessalian earth
Might fall undimmed.
Pompeius on that morn,
To him the latest day of happy life,
In troubled sleep an empty dream conceived.
For in the watches of the night he heard
Innumerable Romans shout his name
Within his theatre; the benches vied
To raise his fame and place him with the gods;
As once in youth, when victory was won
O'er conquered tribes where swift Iberus flows,
And where Sertorius' armies fought and fled,
The west subdued, with no less majesty
Than if the purple toga graced the car,
He sat triumphant in his pure white gown
A Roman knight, and heard the Senate's cheer.
Perhaps, as ills drew near, his anxious soul,
Shunning the future wooed the happy past;
Or, as is wont, prophetic slumber showed
That which was not to be, by doubtful forms
Misleading; or as envious Fate forbade
Return to Italy, this glimpse of Rome
Kind Fortune gave. Break not his latest sleep,
Ye sentinels; let not the trumpet call
Strike on his ear: for on the morrow's night
Shapes of the battle lost, of death and war
Shall crowd his rest with terrors. Whence shalt thou
The poor man's happiness of sleep regain?
Happy if even in dreams thy Rome could see
Once more her captain! Would the gods had given
To thee and to thy country one day yet
To reap the latest fruit of such a love:
Though sure of fate to come! Thou marchest on
As though by heaven ordained in Rome to die;
She, conscious ever of her prayers for thee
Heard by the gods, deemed not the fates decreed
Such evil destiny, that she should lose
The last sad solace of her Magnus' tomb.
Then young and old had blent their tears for thee,
And child unbidden; women torn their hair
And struck their bosoms as for Brutus dead.
But now no public woe shall greet thy death
As erst thy praise was heard: but men shall grieve
[...] Read more
poem by Marcus Annaeus Lucanus
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Tales Of A Wayside Inn : Part 2. The Poet's Tale; Lady Wentworth
One hundred years ago, and something more,
In Queen Street, Portsmouth, at her tavern door,
Neat as a pin, and blooming as a rose,
Stood Mistress Stavers in her furbelows,
Just as her cuckoo-clock was striking nine.
Above her head, resplendent on the sign,
The portrait of the Earl of Halifax,
In scarlet coat and periwig of flax,
Surveyed at leisure all her varied charms,
Her cap, her bodice, her white folded arms,
And half resolved, though he was past his prime,
And rather damaged by the lapse of time,
To fall down at her feet and to declare
The passion that had driven him to despair.
For from his lofty station he had seen
Stavers, her husband, dressed in bottle-green,
Drive his new Flying Stage-coach, four in hand,
Down the long lane, and out into the land,
And knew that he was far upon the way
To Ipswich and to Boston on the Bay!
Just then the meditations of the Earl
Were interrupted by a little girl,
Barefooted, ragged, with neglected hair,
Eyes full of laughter, neck and shoulders bare,
A thin slip of a girl, like a new moon,
Sure to be rounded into beauty soon,
A creature men would worship and adore,
Though now in mean habiliments she bore
A pail of water, dripping, through the street
And bathing, as she went, her naked feet.
It was a pretty picture, full of grace,--
The slender form, the delicate, thin face;
The swaying motion, as she hurried by;
The shining feet, the laughter in her eye,
That o'er her face in ripples gleamed and glanced,
As in her pail the shifting sunbeam danced:
And with uncommon feelings of delight
The Earl of Halifax beheld the sight.
Not so Dame Stavers, for he heard her say
These words, or thought he did, as plain as day:
'O Martha Hilton! Fie! how dare you go
About the town half dressed, and looking so!'
At which the gypsy laughed, and straight replied:
'No matter how I look; I yet shall ride
In my own chariot, ma'am.' And on the child
The Earl of Halifax benignly smiled,
As with her heavy burden she passed on,
Looked back, then turned the corner, and was gone.
[...] Read more
poem by Henry Wadsworth Longfellow
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End Of The Week
I get out of work
And then I throw away all of my cares
I get out of work
And then I wash the week out my hair
Monday, tuesday, wednesday, thursday
Its hard as could be
But by old friday evening
Were free, were free, were free
End of the week
The weekend started
Been working so hard to play
End of the week
Its time to party
End of the week
End of the week
End of the week
Youre tasting freedom
No one to push you around
End of the week
And life has a reason
End of the week
End of the week
End of the week
Street are alive
You know everybodys going somewhere
You put on the slide
You gotta beat the crowd just everywhere
And all the music all the dancing
Get you so high
And all that sweet romancing
Oh my, oh my, oh my
End of the week
The weekend started
Working so hard to play
End of the week
Its time to party
End of the week
End of the week
End of the week
Feels good now
Feels good now
End of the week
End of the week
Its real good now
Real good now
End of the week
End of the week
End of the week
song performed by Donna Summer
Added by Lucian Velea
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator
Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!
It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!
Well,
Let others climb the heights o' the court, the camp!
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Cant Slow Down
I know whats on your mind.
You feel youre wasting time.
Wanna talk about it?
You feel theres something wrong.
Dont feel like holding on.
You better think about it.
You say you jest cant see.
Dont lay that hurt on me.
What Im trying baby.
Got something on my mind.
Something Ive got to find.
Im on the move baby.
(chorus)
You see I (cant slow down)
Got to keep movin baby (cant slow down)
No I (cant slow down)
Oh (cant slow down)
Got to keep movin on, oh baby.
Im out here on the run.
Trying to get things done.
Can you hear me baby?
You think my loves nowhere.
You think I just dont care.
Are you kidding baby?
Dont make me play no games.
Too hard to just stay sane.
You know that time wont wait
Why should I hesitate.
Got to do it baby.
(chorus)
You see I (cant slow down)
I got to keep movin baby (cant slow down)
No I (cant slow down)
Cant stop baby, no (cant slow down)
Got to keep pushin
Got to keep movin on.
Oh, oh baby, ah, oh, oh baby.
(bridge)
Im working hard tryin to pull it together.
You know Ive got to right now.
cause girl I cant quit once I get started,
Ive got to make it somhow...
Ah, (I got to keep movin, I cant stop movin)
(I got to keep movin, I cant stop)
(I got to keep movin, I cant stop movin)
(I got to keep movin, I cant stop)
Oh,(I got to keep movin, I cant stop movin)
(I got to keep movin, I cant stop)
Thats right (I got to keep movin, I cant stop movin)
Thats right (I got to keep movin, I cant stop)
[...] Read more
song performed by Lionel Richie
Added by Lucian Velea
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IV. Tertium Quid
True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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A Flow of Love
Yeah!
Slow and Slow
ye stare
with eyes-
eyes innocent
as doe
Slow and Slow
you emptied
my cup
A cup
of woe
Slow and Slow
ye vanquished
my foes
hidden
inner foes
Slow and Slow
Ye pour
A wine of joy
in a goblet
with glow
Slow and Slow
Ye stamp
my cells
from
head to toe
Slow and slow
Ye weed out
ignorance
with your
divine hoe
Slow and slow
Ye open
petals
of my mind
for glorious show
Slow and slow
you rescued
me from claws
A dangerous
Maya's claws
Slow and slow
[...] Read more
poem by Hitesh Sheth
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Parson Turell’s Legacy
OR, THE PRESIDENT'S OLD ARM-CHAIR
A MATHEMATICAL STORY
FACTS respecting an old arm-chair.
At Cambridge. Is kept in the College there.
Seems but little the worse for wear.
That 's remarkable when I say
It was old in President Holyoke's day.
(One of his boys, perhaps you know,
Died, _at one hundred_, years ago.)
He took lodgings for rain or shine
Under green bed-clothes in '69.
Know old Cambridge? Hope you do.--
Born there? Don't say so! I was, too.
(Born in a house with a gambrel-roof,--
Standing still, if you must have proof.--
'Gambrel?--Gambrel?'--Let me beg
You'll look at a horse's hinder leg,--
First great angle above the hoof,--
That 's the gambrel; hence gambrel-roof.)
Nicest place that ever was seen,--
Colleges red and Common green,
Sidewalks brownish with trees between.
Sweetest spot beneath the skies
When the canker-worms don't rise,--
When the dust, that sometimes flies
Into your mouth and ears and eyes,
In a quiet slumber lies,
_Not_ in the shape of umbaked pies
Such as barefoot children prize.
A kind of harbor it seems to be,
Facing the flow of a boundless sea.
Rows of gray old Tutors stand
Ranged like rocks above the sand;
Rolling beneath them, soft and green,
Breaks the tide of bright sixteen,--
One wave, two waves, three waves, four,--
Sliding up the sparkling floor.
Then it ebbs to flow no more,
Wandering off from shore to shore
With its freight of golden ore!
Pleasant place for boys to play;--
Better keep your girls away;
Hearts get rolled as pebbles do
Which countless fingering waves pursue,
And every classic beach is strown
[...] Read more
poem by Oliver Wendell Holmes
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A Man
Pennoyer, Governor of Oregon,
Casting to South his eye across the bourne
Of his dominion (where the Palmiped,
With leathers 'twixt his toes, paddles his marsh,
Amphibious) saw a rising cloud of hats,
And heard a faint, far sound of distant cheers
Below the swell of the horizon. 'Lo,'
Cried one, 'the President! the President!'
All footed webwise then took up the word-
The hill tribes and the tribes lacustrine and
The folk riparian and littoral,
Cried with one voice: 'The President! He comes!'
And some there were who flung their headgear up
In emulation of the Southern mob;
While some, more soberly disposed, stood still
And silently had fits; and others made
Such reverent genuflexions as they could,
Having that climate in their bones. Then spake
The Court Dunce, humbly, as became him: 'Sire,
If thou, as heretofore thou hast, wilt deign
To reap advantage of a fool's advice
By action ordered after nature's way,
As in thy people manifest (for still
Stupidity's the only wisdom) thou
Wilt get thee straight unto to the border land
To mark the President's approach with such
Due, decent courtesy as it shall seem
We have in custom the best warrant for.'
Pennoyer, Governor of Oregon,
Eyeing the storm of hats which darkened all
The Southern sky, and hearing far hurrahs
Of an exulting people, answered not.
Then some there were who fell upon their knees,
And some upon their Governor, and sought
Each in his way, by blandishment or force,
To gain his action to their end. 'Behold,'
They said, 'thy brother Governor to South
Met him even at the gateway of his realm,
Crook-kneed, magnetic-handed and agrin,
Backed like a rainbow-all things done in form
Of due observance and respect. Shall we
Alone of all his servitors refuse
Swift welcome to our master and our lord?'
Pennoyer, Governor of Oregon,
Answered them not, but turned his back to them
And as if speaking to himself, the while
He started to retire, said: 'He be damned!'
[...] Read more
poem by Ambrose Bierce
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Week In Week Out
IIs there something more?
Surely there must be
You can't lose everything
So you're quite happy
To live with nothing more
Than a life-long shopping list
You tick off on credit
Well you'll pay for it
Week in and week out
Your lucky charms will always let you down
Maybe next week, we'll see
Maybe
You stand in life completely still
Feel really truly unfulfilled
Week in week out
Where are you going to turn?
When all ambition fails?
Why try any more
If human nature's stale?
Invite the hand of God
To touch the lucky few
There's no such thing as God
Nor easy money too?
Week in and week out
These lucky charms will always let you down
Maybe next week, we'll see
Maybe
You stand in life completely still
Feel really truly unfulfilled
Week in week out
Week in and week out
Your lucky charms will always let you down
Maybe next week, we'll see
Maybe
You stand in life completely still
Feel really truly unfulfilled
Week in week out
song performed by Ordinary Boys
Added by Lucian Velea
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Slow Down
ooh baby
There's somethin I gotta tell ya
Pain that you should know
What's on my mind
ooh baby
I'm feeling our situation
It's getting stronger
and we on it
I gotta take my time
(Bridge)
See there's so much about you
that I want to explore
Phisical attraction,
we just can't ignore it
But before we go too far
across the line
gotta really make sure
that I'm sure
Umm
(chorus)
Slow down babe
let's take our time
Slow down babe
If you don't mind (baby slow down)
Slow down babe
before we make this move
Slow down babe (before we make this move)
Baby slow down
(I think it's really too soon)
(verse 2)
Ooh baby
It's like I known you forever
My medulla oblongata
Is electrified
Oo oo ooh baby
Whenever we're alone together
I'm bout to explode
and it feels so right
I gotta take my time
(Bridge)
See there's so much about you
that I want to explore
Phisical attraction, we just
can't ignore it
But before we go too far
across the line
gotta really make sure
that I'm sure
Oh
(chorus)
[...] Read more
song performed by Alicia Keys
Added by Lucian Velea
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Who
Every minute passes by
You're always talking
Makes me cry
Finding out the reasons why
I'm needing space get out my ride
Talking about what I do, where I go, who I'm with and why I don't bring you
Think about the times you pushed me
Saying "baby please don't go"
You make me sick
Yeah, yeah
I'll make you lost in
Times before you break my small
You claim you love me, tease me, leave me, hold me, please me
Get off I'm movin on
Cos I'm tryin to take control
Chorus:
But it's you talking dirty
When I'm trying to sleep
And it's you, said you love me
After just one week
Tell me who's always calling on my telephone
Now it's you tryin to tell me
We should take things slow
And you said: "don't go, don't go, please don't go
Please don't leave me, on my own
Don't go, don't go, please don't go
Please don't leave me, on my own"
You're creepin, sneaking, cheating, on me
Leavin, this round,
Gotta end the strike cos it ain't going down
Now you wanna come back, claim you give me a track
I forgive what you do then you want it back
I'm sick of playing this game
I ain't sticking with a claim fame
Stop this, right now
You crossed the line so baby get the hell out
Chorus:
But it's you talking dirty
When I'm trying to sleep
And it's you, said you love me
After just one week (just one week yeah)
Tell me who's always calling on my telephone
Now it's you tryin to tell me
We should take things slow (take things slow)
Chorus:
But it's you talking dirty
When I'm trying to sleep (yeah)
And it's you, said you love me
After just one week (just one week yeah yeah)
Tell me who's always calling on my telephone (telephone)
[...] Read more
song performed by Sugababes
Added by Lucian Velea
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First Week/last Week... Carefree
Can we run that again
Is that a womans voice I hear?
I said, lets wait and see. Ill see for myself
Thats a phrase I repeat
To myself
Made a reference to me and
Thats myself too
What progress I have made the first week
First week
First week
First week
Every sentence I use
Refer to women and their names
I heard the voice first last week
I heard it myself
Made a reference to me
Thats myself
This reports incomplete
I see for myself
Every appointment has been moved to last week
Last week
Last week
Last week
Oh...
Ah...
Oh...
I heard the voice first last week
I heard it myself
Made a reference to me
And thats myself
This reports incomplete
I see for myself
Every appointment has been been moved to last week
Last week
Last week
Last week
Oh...
Ah...
Oh...
song performed by Talking Heads
Added by Lucian Velea
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
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poem by Robert Browning from The Ring and the Book
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Third Book
'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.
For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!
Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.
Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise
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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Bible in Poetry: Gospel of St. Matthew (Chapter 27)
By morning, elders and chief priests
Decided to put Him to death;
They led Him bound and handed Him
Over to Governor Pilate.
On seeing Jesus condemned thus,
Judas regretted deeply for
What he did to Jesus then.
He gave the silver pieces back
To chief priests and elders and said:
‘I have betrayed innocent blood! ’
But they said, ‘What is that to us? ’
He flung the money in temple
And went and hanged himself, that day;
The chief priests gathered the money,
For it was unlawful to place
The ‘price of blood’ inside temple.
They bought the potter’s field with it,
As burial place for foreigners;
That field is still called ’Field of Blood.’
Thus came to be fulfilled prophet
Jeremiah’s prophetic words!
The governor queried Jesus:
‘Are you the king of Jews, tell me? ’
And Jesus answered, ‘You say so.’
And when accused by the chief priests
And elders, He made no answer;
Then Pilate said, ‘Do you not hear
The things they utter against you? ’
But He didn’t answer him a word;
The governor was so perplexed.
Now on the occasion of Feast,
The governor would release one
Prisoner, whom people had wished.
A notorious prisoner then,
Called Barabbas was ushered in;
Then Pilate asked of them, ‘Which one
Do you want me to release now-
Barabbas or the Messiah? ’
For, he knew that out of envy,
They had handed Jesus to him.
While being seated on his bench,
His wife sent him a caution note:
Do not trouble the righteous man,
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poem by John Celes
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XII. The Book and the Ring
Here were the end, had anything an end:
Thus, lit and launched, up and up roared and soared
A rocket, till the key o' the vault was reached,
And wide heaven held, a breathless minute-space,
In brilliant usurpature: thus caught spark,
Rushed to the height, and hung at full of fame
Over men's upturned faces, ghastly thence,
Our glaring Guido: now decline must be.
In its explosion, you have seen his act,
By my power—may-be, judged it by your own,—
Or composite as good orbs prove, or crammed
With worse ingredients than the Wormwood Star.
The act, over and ended, falls and fades:
What was once seen, grows what is now described,
Then talked of, told about, a tinge the less
In every fresh transmission; till it melts,
Trickles in silent orange or wan grey
Across our memory, dies and leaves all dark,
And presently we find the stars again.
Follow the main streaks, meditate the mode
Of brightness, how it hastes to blend with black!
After that February Twenty-Two,
Since our salvation, Sixteen-Ninety-Eight,
Of all reports that were, or may have been,
Concerning those the day killed or let live,
Four I count only. Take the first that comes.
A letter from a stranger, man of rank,
Venetian visitor at Rome,—who knows,
On what pretence of busy idleness?
Thus he begins on evening of that day.
"Here are we at our end of Carnival;
"Prodigious gaiety and monstrous mirth,
"And constant shift of entertaining show:
"With influx, from each quarter of the globe,
"Of strangers nowise wishful to be last
"I' the struggle for a good place presently
"When that befalls fate cannot long defer.
"The old Pope totters on the verge o' the grave:
"You see, Malpichi understood far more
"Than Tozzi how to treat the ailments: age,
"No question, renders these inveterate.
"Cardinal Spada, actual Minister,
"Is possible Pope; I wager on his head,
"Since those four entertainments of his niece
"Which set all Rome a-stare: Pope probably—
"Though Colloredo has his backers too,
"And San Cesario makes one doubt at times:
"Altieri will be Chamberlain at most.
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poem by Robert Browning from The Ring and the Book
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The Pillage Hangman - Parody LONGFELLOW - The Village Blacksmith
Under a spreading chestnut tree
The village smithy stands;
The Smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.
His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can
And looks the whole world in the face
For he owes not any man.
Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge,
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.
And children coming home from school
Look in at the open door;
They love to see the flaming furge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing floor.
He goes on Sunday to the church
and sits among his boys;
He hears the parson pray and preach.
He hears his daughter's voice
singing in the village choir,
And it makes his heart rejoice.
It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes
A tear out of his eyes.
Toiling, -rejoicing, -sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned a night's repose.
Thanks, thanks to thee, my worthy friend
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poem by Jonathan Robin
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