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I remain loyal to Bach, Mozart, Beethoven and Schubert in music and to Shakespeare and Jane Austen in literature.

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Little Liza Jane

Traditional
Where is my tambourine wait a minute I'll get your tambourine
Got my tambourine get your thing baby
What's wrong with you what is it you want
Can't forget my tambourine boy want a minute
This is a folk tune nad it's called Little Liza Jane
We get some rhythm started here and see what happens
I got a beau you ain't got none Little Liza Jean
I got a beau you ain't got none Little Liza Jean
I got a beau you ain't got none Little Liza Jean
I got a beau you ain't got none Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Come my love and live with me
I will take good care of thee Little Liza Jean
Come my love and live with me
I will take good care of thee Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Hambone Hammer where you've been
Down by the river making gin
I know a man that's three feet tall
Drink his liquor and has a ball
Saw him just the other day
He had a horse and a ball of hay
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
He took me to his great big town
Lots of people standing around
They were listening to a great big band
the bestest music in the land
I tell you once and tell you twice
Enjoy yourself and live your life
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean

[...] Read more

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Little Liza Jean

Traditional
Where is my tambourine wait a minute Ill get your tambourine
Got my tambourine get your thing baby
Whats wrong with you what is it you want
Cant forget my tambourine boy want a minute
This is a folk tune nad its called little liza jane
We get some rhythm started here and see what happens
I got a beau you aint got none little liza jean
I got a beau you aint got none little liza jean
I got a beau you aint got none little liza jean
I got a beau you aint got none little liza jean
Oh little liza liza jane oh little liza liza jean
Oh little liza liza jane oh little liza liza jean
Come my love and live with me
I will take good care of thee little liza jean
Come my love and live with me
I will take good care of thee little liza jean
Oh little liza liza jane oh little liza liza jean
Oh little liza liza jane oh little liza liza jean
Hambone hammer where youve been
Down by the river making gin
I know a man thats three feet tall
Drink his liquor and has a ball
Saw him just the other day
He had a horse and a ball of hay
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Oh little liza liza jane oh little liza liza jean
Oh little liza liza jane oh little liza liza jean
He took me to his great big town
Lots of people standing around
They were listening to a great big band
The bestest music in the land
I tell you once and tell you twice
Enjoy yourself and live your life
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Oh little liza liza jane oh little liza liza jean

[...] Read more

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Better, Deeper, More Intelligent

Better, deeper, more intelligent,
and sensitive than us, Jane Austen
provides a literary environment
in which we all, by getting lost in
admiration for her heroines,
feel so diminished we conclude
whichever of the many heroes wins
their heart is an unlucky dude.

Riding with her, dressed by Abercombie
and Fitch is not the sort of way
I’d like to spend my time. I’m not a zombie.
Perhaps because I am not gay
I can’t relate to all the topics Jane
obsesses on, and in Northanger
Abbey heroines would all complain
I was a crashing bore and wanker.

“Why couldn’t all these heroines go out
and get a job? ” was asked by Emma––
not Jane’s, Ms. Thompson’s Emma, without doubt
a heroine who’s not a femi-
nist––oh horrid word––but understands
how prejudice which is their pride
lands nearly all of them in Jane’s badlands
composed of English countryside.

Who needs a woman who is deeper than
themselves, far better, surely, and
far more intelligent? I’m not that man.
Although I think I understand
what all her heroines are saying, I
don’t look for girls who're good or deep.
I’m merely looking for the sort who’ll lie
with me before I fall asleep.

Inspired by an article by Jennifer Schuessler on “Pride and Prejudice and Zombies, ” by Seth Grahame-Smith (“I Was a Regency Zombie, ” NYT, February 22,2009) :

The classic examples of that would be any speech by Judi Dench — her accent certainly helps — or Emma Thompson’s understated, wryly funny acceptance speech at the 1996 Oscars, when she won the award for best adapted screenplay for “Sense and Sensibility.”
“Before I came, I went to visit Jane Austen’s grave in Winchester Cathedral to pay my respects, you know, and tell her about the grosses, ” she said. She also thanked Sidney Pollack “for asking the right questions, like, ‘Why couldn’t these women go out and get a job? ’ ” Ms. Thompson — who accepted another award, at the Golden Globes, with a speech in the style of Jane Austen herself — then did what cool British award winners do: she put the Oscar in her guest bathroom.

These days, America is menaced by zombie banks and zombie computers. What’s next, a zombie Jane Austen? In fact, yes. Minor pandemonium ensued in the blogosphere this month after Quirk Books announced the publication of “Pride and Prejudice and Zombies, ” an edition of Austen’s classic juiced up with “all-new scenes of bone-crunching zombie mayhem” by a Los Angeles television writer named Seth Grahame-Smith. (First line: “It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains.”) … In fact, “Pride and Prejudice” may already be a zombie novel, contends Brad Pasanek, a specialist in 18th-century literature at the University of Virginia. “The characters other than the protagonist are so often surrounded by people who aren’t fully human, like machines that keep repeating the same things over and over again, ” Professor Pasanek said. “All those characters shuffling in and out of scenes, always frustrating the protagonists. It’s a crowded but eerie landscape. What’s wrong with those people? They don’t dance well but move in jerky fits. Oh, they are headed this way! ” While the vast industry of Austen sequels and pastiches runs heavily toward the romance-novel end of the literary spectrum - see “The Private Diary of Mr. Darcy” by Maya Slater, to be published in the United States in June - scholars have long emphasized the mean-girl side of Jane’s personality. Professor Pasanek, who has collaborated on a project that uses spam-detection software to analyze Austen fan fiction, cites the psychologist D. W. Harding’s 1940 essay “Regulated Hatred, ” which sounds more like a death-metal band than a piece of influential Austen scholarship.“Most people try to ignore the fact that Austen’s novels are sort of acid baths, ” Professor Pasanek said. “She’s so much better, deeper, more sensitive and intelligent than everyone around her that she has to regulate her own misanthropy. Her novels are hostile environments.”


2/22/09

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Sweet Jane

Standin' on the corner, suit case in my hand, Jack is in his coat, Jane is in her vest, and, me, I'm in a rock 'n' roll band. Riding in a Stutz-Bearcat, Jim. Ya know, those were different times. The poets, they studied rules of verse, and the ladies, they rolled their eyes.Sweet Jane! Sweet Jane! Sweet Jane!
Now, Jack, he is a banker, and Jane, she is a clerk. Both of them save their monies, when they come home from work. Sittin' down there by the fire, the radio does play. The classic music is, "The March of Wooden Soldiers", and you can heard Jack say, Sweet Jane, Sweet Jane, Sweet Jane.
Some people like to go out dancin'. Now other people they go to work. There's even some evil mothers, they'll tell you life's just made out of dirt.That women, they never really faint, and villains always blink their eyes.That childeren are the only ones who blush, and life is just to die. That every one who ever had a heart...that wouldn't turn round and break it, anyone that played a part, whooa, and wouldn't turn round and hate it.Sweet Jane, Sweet Jane, Sweet Jane.
Sweet Jane! (Sweet Jane) Sweet Jane! (Sweet Jane)...Sweet Jane! (Sweet Jane)...(Sweet Jane)...(Sweet Jane)...(Sweet Jane).

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Mary Jane

Now when I go to work, I work all day,
Always turns out the same.
When I bring home my hard-earned pay
I spend my money all on mary jane.
Mary jane, mary jane, lord, my mary jane.
Oh if a man should look tame now, mean and mature,
They all turn out the same.
cause they cant do nothing to make a man feel good
Like my old mary jane.
Mary jane, mary jane, lord, my mary jane.
Now I walk in the street now lookin for a friend
One that can lend me some change.
And he never questions my reason why,
cause he too loves mary jane.
Mary jane, mary jane, lord, my mary jane.
Well, I have known women that wanted no man,
Some that wanted to stay.
But I never knew what happened in this world
Till I met up with mary jane,
Mary jane, mary jane, lord my mary jane.
Oh, when Im feelin lonesome and Im feelin blue,
Theres only one way to change.
Now I walk down the street now lookin for a man,
One that knows my mary jane,
Mary jane, mary jane, lord my mary jane.

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Jane

Jane you say its all over for you and me girl
Theres a time for love and a time for letting it be baby
Jane youre playing a game called, called hard to get by its real name,
Making believe that you just dont feel the same. oh jane
Jane youre playing a game you never can win girl
Youre staying away so Ill ask you where you been baby
Like a cat and a mouse, (cat and a mouse) from door to door and house to house
Dont you pretend you dont know what Im talking about
Were all those nights we spent together, hey hey
Only because you didnt know better, I gotta know
Jane, youre playin a game, playin a game, playin a game
(jane, jane, jane)
Ah jane youre playing a game of hide and go seek
Jane youre playing for fun but I play for keeps, yes I do
(jane, jane, jane) thats a game on me
(jane, jane, jane) so plain to see
Janey jane why you foolin with me
(jane, jane, jane)

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Intro/sweet Jane

Standing on the corner
Suitcase in my hand
Jacks in his corset, jane is in her vest
Me, honey, Im in a rock n roll band
Ridin in a stutz bearcat, jim
Those were different times
They studied rules of verse
And those ladies they rolled their eyes
Sweet jane
Sweet jane
Sweet jane
Jack, he is a banker
Jane, she is a clerk
Both of them save their money
When they come home from work
Sittin by the fire
Radio does play, look classical music there, kids
The march of the wooden soldiers
You can hear jack say
Sweet jane
Sweet jane
Sweet jane
Some people like to go out dancing
And other people like us, we gotta work
And theres even some evil mothers
Theyll tell you that life is just made out of dirt
And women never really faint
All the villains always blink their eyes
That children are the only ones who blush
And life is just to die
Anyone who ever had a heart
And wouldnt turn around and break it
Anyone who ever played a part
And wouldnt turn around and hate it
Sweet jane
Sweet jane
Sweet jane
Sweet jane, sweet jane
Sweet jane, oh honey, sweet jane
Sweet jane, oh, sweet jane
Sweet jane, sweet jane

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What's The New Mary Jane

She looks as an african queen,
She eating twelve chapattis and cream,
She tastes as mongolian lamb,
She coming from out of bahran.
What a shame mary jane
Had a pain at the party.
What a shame mary jane.
What a shame mary jane
Had a pain at the party.
She like to be married with yeti,
He grooving such cooky spaghetti,
She jumping as mexican bean
To make that her body more thin.
What a shame mary jane
Had a pain at the party.
What a shame mary jane.
What a shame mary jane
Had a pain at the party.
She catch patagonian pancake
With that one a gin party makes.
She having all the ways good contacts,
She making with apple an contract.
What a shame mary jane
Had a pain at the party.
What a shame mary jane.
What a shame mary jane
Had a pain at the party.
All together now:
What a shame mary jane
Had a pain at the party.
What a shame mary jane.
What a shame mary jane
Had a pain at the party.
She looks as an african queen,
She tastes as mongolian lamb.
What a shame mary jane
Had a pain at the party.
What a shame mary jane.
What a shame mary jane
Had a pain at the party.
What a shame mary jane
Had a pain at the party.
What a shame mary jane.
What a shame mary jane
Had a pain at the party.

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Plain Jane

Ah, tell 'em about it Darlin'.
Here we go.
She's a waitress at her corner,
Always dancin' nine-to-five.
Well, she ain't no supermodel,
But I'm here to tell you, she's fine, (Ha, ha.)
She's so fine, Johnny.
She's like the classic girl next door,
There's somethin' 'bout her walk:
There's somethin' that goes off inside,
Each time she starts to talk.
Plain Jane,
Oh, I love her name.
She drives me insane.
She's my plain Jane.
She always gets my business,
I can't wait to ring her bell.
(Ah, I bet you can't Donnie.)
She puts a quarter in the jukebox:
Says she don't kiss an' tell.
Is that right, brother.
The way she wears that dress, (Yeah.)
It's time that I confess:
The music starts an' my heart stops,
An' I become a mess.
Plain Jane,
Oh, I love her name.
She drives me insane.
She's my plain Jane.
Nothin' fancy: she's just got everything.
She's so addicting; she's so amazing:
Can't think of anything.
Do, do, do do.
(Whoa, talk to me, plain Jane.)
Do, do, do do, do, do.
Whoa, yeah,
C'mon.
Plain Jane,
Oh, I love her name.
She drives me insane.
She's my plain Jane. (Jane, Jane.)
Plain Jane,
Oh, I love her name.
She drives me insane.
She said just call me plain Jane.
(That's right, buddy."
Plain Jane,
She's my plain Jane.
She's my plain Jane.
She's my plain, (Jane)

[...] Read more

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Rudyard Kipling

The Mare's Nest

Jane Austen Beecher Stowe de Rouse
Was good beyond all earthly need;
But, on the other hand, her spouse
Was very, very bad indeed.
He smoked cigars, called churches slow,
And raced -- but this she did not know.

For Belial Machiavelli kept
The little fact a secret, and,
Though o'er his minor sins she wept,
Jane Austen did not understand
That Lilly -- thirteen-two and bay
Absorbed one-half her husband's pay.

She was so good, she made hime worse;
(Some women are like this, I think;)
He taught her parrot how to curse,
Her Assam monkey how to drink.
He vexed her righteous soul until
She went up, and he went down hill.

Then came the crisis, strange to say,
Which turned a good wife to a better.
A telegraphic peon, one day,
Brought her -- now, had it been a letter
For Belial Machiavelli, I
Know Jane would just have let it lie.

But 'twas a telegram instead,
Marked "urgent," and her duty plain
To open it. Jane Austen read:
"Your Lilly's got a cough again.
Can't understand why she is kept
At your expense." Jane Austen wept.

It was a misdirected wire.
Her husband was at Shaitanpore.
She spread her anger, hot as fire,
Through six thin foreign sheets or more.
Sent off that letter, wrote another
To her solicitor -- and mother.

Then Belial Machiavelli saw
Her error and, I trust, his own,
Wired to the minion of the Law,
And traveled wifeward -- not alone.
For Lilly -- thirteen-two and bay --
Came in a horse-box all the way.

There was a scene -- a weep or two --

[...] Read more

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Sarah Jane

I got a wife and five little chillun
I'm gonna take a trip on the big McMillan
With Saro Jane
Saro Jane
Ain't nothin' to do
But to set down and sing
And rock about my Saro Jane
The boiler busted and the whistle squall
The Captain gone through the hole-in-the-wall
Oh Saro Jane
Saro Jane
Ain't nothin' to do
But to set down and sing
And rock about my Saro Jane
The engine give a crack and the whistle gave a squall
The engineer gone to the hole-in-the-wall
Saro Jane
Saro Jane
Ain't nothin' to do
But to set down and sing
And rock about my Saro Jane
Yankee built boats to shoot them Rebels
My gun's steady gonna hold it level
Saro Jane
Saro Jane
But to set down and sing
And rock about my Saro Jane
I got a wife and five little chillun
I'm gonna take a trip on the big McMillan
Saro Jane
Saro Jane
Ain't nothin' to do
But to set down and sing
And rock about my Saro Jane

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See Jane Run

(porter howell/tim nichols)
Dick and jane dont talk anymore, jane lays awake
Wishin it could be like it was before
Finally one night, she got tough
Dick came home, and she was packin her stuff
See jane run, see dick cry
Hes standin in the street with his hands in the air
Goin why jane, why
She dont look back, shes seen enough
Close the book, the storys done, see jane run
Dicks tore up, deep down inside
Jane feels good, there aint a tear in her pretty blue eyes
Red taillights, fade out of sight
Spots in the back, hes just along for the ride
See jane run, see dick cry
Hes standin in the street with his hands in the air
Goin why jane, why
She dont look back, shes seen enough
Close the book, the storys done, see jane run
See jane run, see dick cry
Hes standin in the street with his hands in the air
Goin why jane, why
She dont look back, shes seen enough
Close the book, the storys done, see jane run
Yeah, close the book, the storys done
See jane run, oh see jane run, see jane run

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See Jane Run

(porter howell/tim nichols)
Dick and jane dont talk anymore, jane lays awake
Wishin it could be like it was before
Finally one night, she got tough
Dick came home, and she was packin her stuff
See jane run, see dick cry
Hes standin in the street with his hands in the air
Goin why jane, why
She dont look back, shes seen enough
Close the book, the storys done, see jane run
Dicks tore up, deep down inside
Jane feels good, there aint a tear in her pretty blue eyes
Red taillights, fade out of sight
Spots in the back, hes just along for the ride
See jane run, see dick cry
Hes standin in the street with his hands in the air
Goin why jane, why
She dont look back, shes seen enough
Close the book, the storys done, see jane run
See jane run, see dick cry
Hes standin in the street with his hands in the air
Goin why jane, why
She dont look back, shes seen enough
Close the book, the storys done, see jane run
Yeah, close the book, the storys done
See jane run, oh see jane run, see jane run

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Not Communicating To Oneself

Listening to Beethoven we sense
the inspiration pouring from the master.
Johann Sebastian Bach sounds as intense,
but far more distant from disaster.
He seems to want to have a conversation
with anyone prepared to pay attention.
Although we lose him when his great elation
exceeds the limits of our comprehension,
we know that he is trying to communicate,
as if he’d just found, lying on a shelf,
the notes he’s trying to communicate
to us, and not, like Ludwig, to himself.
The proofs of Beethoven’s profundity
lay in the notes that for him had no sound,
while Bach, with effortless fecundity,
encouraged all of us to be profound.

J. M. Coetzee contrasts his relationship to the music of Beethoven and J. S. Bach. Whereas he imagines Beethoven as a genius from whom inspiration pours forth while oblivious to the people who may be listening to him he imagines J. S. Bach as a teacher who is attempting to instruct him while he sits next him while he is playing. As a rider, Coetzee added that there are moments when J. S. Bach’s inspiration exceeds the listener’s comprehension. These are the moments of his greatest inspiration. Listening to this report I was reminded of Richard Eder’s comment on Ceotzee when reviewing his book “Diary of a Bad Year” (“A Writer, A Muse, Their Laundry, ” NYT, January 1,2008) :
I think of the childlike simplicity of late Beethoven on a profound return trip from profundity.”

10/7/08

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Sweet Jane

(reed)
Standing on the corner,
Suitcase in my hand
Jack is in his corset, and jane is her vest,
And me Im in a rocknroll band hah!
Ridin in a stutz bear cat, jim
You know, those were different times!
Oh, all the poets they studied rules of verse
And those ladies, they rolled their eyes
Sweet jane! whoa! sweet jane, oh-oh-a! sweet jane!
Ill tell you something
Jack, he is a banker
And jane, she is a clerk
Both of them save their monies, ha
And when, when they come home from work
Oh, sittin down by the fire, oh!
The radio does play
The classical music there, jim
The march of the wooden soldiers
All you protest kids
You can hear jack say, get ready, ah
Sweet jane! come on baby! sweet jane! oh-oh-a! sweet jane!
Some people, they like to go out dancing
And other peoples, they have to work, just watch me now!
And theres even some evil mothers
Well theyre gonna tell you that everything is just dirt
Yknow that, women, never really faint
And that villains always blink their eyes, woo!
And that, yknow, children are the only ones who blush!
And that, life is just to die!
And, everyone who ever had a heart
They wouldnt turn around and break it
And anyone who ever played a part
Oh wouldnt turn around and hate it!
Sweet jane! whoa-oh-oh! sweet jane! sweet jane!
Heavenly wine and roses
Seems to whisper to her when he smiles
Heavenly wine and roses
Seems to whisper to her when she smiles
La lala lala la, la lala lala la
Sweet jane
Sweet jane
Sweet jane

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Roll Over Beethoven

Im gonna write a little letter,
Gonna mail it to my local dj.
Its a rockin rhythm record
I want my jockey to play.
Roll over beethoven, I gotta hear it again today.
You know, my temperatures risin
And the jukebox blows a fuse.
My hearts beatin rhythm
And my soul keeps on singin the blues.
Roll over beethoven and tell tschaikowsky the news.
I got the rockin pneumonia,
I need a shot of rhythm and blues.
I think Im rollin arthiritis
Sittin down by the rhythm review.
Roll over beethoven rockin in two by two.
well, if you feel you like it
go get your lover, then reel and rock it.
roll it over and move on up just
a trifle further and reel and rock it,
roll it over,
roll over beethoven rockin in two by two.
Well, early in the mornin Im a-givin you a warnin
Dont you step on my blue suede shoes.
Hey diddle diddle, I am playin my fiddle,
Aint got nothin to lose.
Roll over beethoven and tell tschaikowsky the news.
You know she wiggles like a glow worm,
Dance like a spinnin top.
She got a crazy partner,
Oughta see em reel and rock.
Long as she got a dime the music will never stop.
Roll over beethoven,
Roll over beethoven,
Roll over beethoven,
Roll over beethoven,
Roll over beethoven and dig these rhythm and blues.

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Roll Over Beethoven

Gonna write a little letter gonna mail it to me local d.j.
Its a jumpin little record I want my jockey to play
Roll over beethoven, gotta hear it again today
My temperatures risin, the juke boxs blowin a fuse
My hearts beatin a rhythm, singin out rhythm and blues
Roll over beethoven, theyre rockin in two by two
Well if you feel you like it, go get your lover and reel and rock it
Roll it over and move on up now, go for cover and reel and rock it
Roll it over, roll over beethoven, tell tchaikovsky the news
Early in the mornin Im a givin you the warnin,
Dont you step on my blue suede shoes
Hey diddle diddle gonna play my fiddle,
I aint got nothing to lose
Roll over beethoven, tell tchaikovsky the news
She wiggles like a glow-worm, dances like a spinning top
She got a crazy partner, you should have seen her reel and rock
Long as she got a dime, the music will never stop
Well if you feel you like it, go get your lover and reel and rock it
Roll it over and move on up now, go for cover and reel and rock it
Roll it over, roll over beethoven, dig these rhythm and blues
Roll over beethoven, roll over beethoven,
Roll over beethoven, roll over beethoven,
Roll over beethoven, dig these rhythm and blues?

song performed by Electric Light OrchestraReport problemRelated quotes
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Roll Over Beethoven

Gonna write a little letter, mail it to my local dj
Its a rockin little record I want my jockey to play
Roll over beethoven, I hear it again today
You know my temperatures rising and the juke-box blows a fuse
My hearts beatin rhythm and my soul is a-singing the blues
Roll over beethoven and tell tchaikowsky the news
I got a rockin pneumonia, I need a shot of rhythm and blues
I think I got it off the writer sittin down at the rhythm review
Roll over beethoven, were rockin by two by two
Well, if you feel you like it
Well get your lover and reel and rock it
Roll it over and move on up just
A little bit further and reel and rock it, roll it over
Roll over beethoven, and dig these rhythm and blues
Early in the morning Im a-givin you the warnin
Dont you step on my blue suede shoes
Hey little little gonna play my fiddle, aint got nothin to lose
Roll over beethoven and tell tchaikowsky the news
You know she winks like a glow worm and dance like a spinnin top
Shes got a crazy partner, oughta see em reel and rock
Long as shes got a dime, the music will never stop
Roll over beethoven, roll over beethoven
Roll over beethoven, roll over beethoven
Roll over beethoven, dig these rhythm and blues
(thany you, dmo arigat
Thank you, thank you for coming to see the show
And Id like to thank the band and eric for
Making me come here to japan, its been very
Nice and I love you. thank you)

song performed by George HarrisonReport problemRelated quotes
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Jane

Jane you say its all over for you and me
Theres a time for love and a time for letting it be baby
Jane youre playin a game
Called hard to get by its real name
Makin believe that you still dont feel the same
Jane youre playin a game you never can win girl
Youre stayin away just so Ill ask you where youve been baby
Like a cat and a mouse (cat and a mouse)
From door to door and house to house
Dont you pretend you dont know what Im talkin about
Were all those nights we spent together (hey hey)
Only because you didnt know better
Oh jane youre playin a game, youre playin a game, playin a game
Jane youre playin a game of hide and go seek
Jane youre playin for fun but I play for keeps (yes I do)
Oh jane thats a game on me
Oh jane thats so plain to see
Jane jane jane
(jane jane jane)...

song performed by Jefferson StarshipReport problemRelated quotes
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The Cross Roads; Or, The Haymaker's Story

Stopt by the storm, that long in sullen black
From the south-west stained its encroaching track,
Haymakers, hustling from the rain to hide,
Sought the grey willows by the pasture-side;
And there, while big drops bow the grassy stems,
And bleb the withering hay with pearly gems,
Dimple the brook, and patter in the leaves,
The song or tale an hour's restraint relieves.
And while the old dames gossip at their ease,
And pinch the snuff-box empty by degrees,
The young ones join in love's delightful themes,
Truths told by gipsies, and expounded dreams;
And mutter things kept secrets from the rest,
As sweethearts' names, and whom they love the best;
And dazzling ribbons they delight to show,
And last new favours of some veigling beau,
Who with such treachery tries their hearts to move,
And, like the highest, bribes the maidens' love.
The old dames, jealous of their whispered praise,
Throw in their hints of man's deluding ways;
And one, to give her counsels more effect,
And by example illustrate the fact
Of innocence oercome by flattering man,
Thrice tapped her box, and pinched, and thus began.

'Now wenches listen, and let lovers lie,
Ye'll hear a story ye may profit by;
I'm your age treble, with some oddments to't,
And right from wrong can tell, if ye'll but do't:
Ye need not giggle underneath your hat,
Mine's no joke-matter, let me tell you that;
So keep ye quiet till my story's told,
And don't despise your betters cause they're old.

'That grave ye've heard of, where the four roads meet,
Where walks the spirit in a winding-sheet,
Oft seen at night, by strangers passing late,
And tarrying neighbours that at market wait,
Stalking along as white as driven snow,
And long as one's shadow when the sun is low;
The girl that's buried there I knew her well,
And her whole history, if ye'll hark, can tell.
Her name was Jane, and neighbour's children we,
And old companions once, as ye may be;
And like to you, on Sundays often strolled
To gipsies' camps to have our fortunes told;
And oft, God rest her, in the fortune-book
Which we at hay-time in our pockets took,
Our pins at blindfold on the wheel we stuck,
When hers would always prick the worst of luck;

[...] Read more

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