Only the winners decide what were war crimes.
Only the winners decide what were war crimes.
Only You Can Decide...
perhaps then we were lovers
in ancient Greece...
perhaps you were the one who danced
in the cave when i discovered fire!
were we born just outside the garden,
in a land long forgotten?
were we primitive wolves,
mating in the moonlight?
perhaps you were the dry land
that split from my ocean.
perhaps your cry of passion,
exploded stars into dust!
perhaps i was gravity lost,
and you were the moon....
perhaps you were the spoken word,
and i took the form.
perhaps you were war,
and i came running in madness.
perhaps i am death,
and you are the grave...
we come panting across lifetimes,
tongues hung down dripping blood.
we tear down the sky,
we become the wind.
the body of the howling,
and the aching voice of need...
searching for each other,
again, and again....
do you love me? if not slay me!
my destiny demands fulfillment.
i am the tongue and the nail,
you the wetness and the fire.
be our language forgotten,
then wear my stillness.
be it crown or cross,
only you can decide!
- quotes about Greece
- quotes about language
- quotes about Moon
- quotes about pain
- quotes about dance
- quotes about fire
- quotes about fate
- quotes about gardens
- quotes about tomb
The Winners Write The History
That the winners write the war histories should not be the case
For war is a tragedy a human disgrace
And the losers in war see their Country destoyed
And the war history never written by the losing side.
Look at Oliver Cromwell victorious in war
The deeds of his glory from England known far
But those who write on Cromwell they never do tell
Of one who for poor people made life Earthly hell.
To the Catholics of Ireland Cromwell was a brute
The poor rural peasants he did persecute
Yet streets in his honour distant from England today
The winners only write the history so true what they say.
Efrain Rios Montt became President of Guatemala even though he
Was guilty of serious crimes against humanity
An old man now but for his crimes yet to pay
The winners write the history it's always been that way.
Augusto Pinochet in Chile has blood on his hands
And that he may die a free man seems hard to understand
And though loathed by many in Chile for his crimes of shame
The winners write the history and their's is the fame.
I've just mentioned a few for there are many more
Who have committed crimes against humanity but like it has been said before
that the winners write the history and that's how 'twill remain
And the mistakes of the past are repeated again.
- quotes about Ireland
- quotes about victory
- quotes about tragedy
- quotes about poverty
- quotes about honor
- quotes about Earth
- quotes about paying
- quotes about countries
Only The Brave One
Only the brave one can smile though not winning only the brave are gracious in defeat
Only the brave one though seen as successful never does show any sign of conceit
If for some reason from the Queen you do not accept a knighthood that does not prove lack of grace on your part
That only proves that you are a good person that you are one who does follow your heart
You've proved yourself in the heat of the battle and you became a hero when the war was won
It has been said that your victims were many but everyone you killed was some mother's son
Many see you as a brave ageing hero a hero once and a hero today
But I am not one who agrees with the many I look at life in a different way
On what is brave I do have my opinions but that doesn't mean my opinions are right
I've never discharged a gun at another for God or Country I never would fight
Maybe I do seem off in my opinions but that's your opinion and that suits me fine
You belong to what's known as majority thinking but are your opinions much better than mine
Only the brave one will speak for the oppressed one that's my opinion though I'm far from brave
But fear is a thing that helps me to keep living I fear the coldness of the earthy grave.
Seeking The Shadows Of What You Are
Seeking the shadows of what you are
you miss who's standing in the light.
Eternity with its tail in its mouth
can't taste much else in life but itself.
Where did these words come from
just a moment ago out of nowhere,
and if it were to rain, would that be
shallow or deep? And maybe a labyrinth
is just a snake that's swallowed its own head
and is wandering aimlessly in despair
through its own digestive track
like a salmon leaping upstream
through a waterclock with self-similarity
on its mind, oviparous replication,
the material immortality of genetic time.
Nothing's irrelevant or inelegant
if there's nothing to choose from
so everything shines in every mystic detail
as if it had never come unglued in its solitude
and bifurcated its unity into the subject
and the object of its awareness just to have
someone to talk to, an intimate familiar
it could rave at or serenade in a manic love affair
it was having with its own creation
like an artist talking to his masterpiece
with the caress of every sable-haired brush stroke.
Insignificant for the long haul, or famous
for fifteen minutes, either way,
you wouldn't know it by looking
at the fossils we didn't bring back from the moon
or sifting the grain from the chaff
from the ashes of the wheat
the wind scorched like a dragon
on its way to bring rain. Why
drive a nail through your third eye
and delude yourself into believing
you've been crucified, the king
of the waxing year sacrificing
your body parts to ensure a good harvest?
You want the virtues of your noble enemy?
Slay yourself and eat your own heart.
This is your nagual, your tulpa, your mirage,
your nightmare, your doppelganger,
your reflective familiar, your shadow
holographically projected in 3D by the pineal gland
of your third eye tattooed on the skin of a black hole
that is neither an ignominious exit through the grave
or the celebrated entrance into a secret garden,
and it can't be any more empowered than you are,
and there are no walls to walk through
if it wasn't you that built them to keep the poor
from vaulting them to steal your apricots
like the hungry ghosts that haunt
the orchards of your abandoned thoughts.
Savage homeopathy, perhaps, a holy war
of starmaps torn out like pages of sacred text
against the leaves who think they're responsible
for keeping the whole tree they both spring from intact.
The autumn burns like an heretical apostate
that's fallen away like faith in itself.
What nonsense, when they'll both end up
doing a ghost dance on each other's graves
where neither the dead nor the living
can be reunited in peace at the same seance
because the flame of life is duelling with its own candle
like the branch of a spear with the flint-knapped blossom
of the point it's trying to drive home through its own heart.
A lethal waste of energies for echoes
to seek the destruction of their original voice.
When the waves of the light, the sea, the mind
bare their necks and swan
for the double-bladed axe of the moon
that separates things like conceptual consciousness
as if it were cleaving water, and heads come off
like the leading rose-buds of multi-cephalic hydras
that bloom the more they're pruned like zinnias,
even death considers the slaughter an abuse of time.
If you want to live in the house of life as a martyr,
a bodhisattva, a spiritual mujahedin who
blows himself up in the temple of the money-lenders
and discount dove merchants, or even a poet
who enlisted in the ghettos of the Chilean art brigades
like Victor Jara, or Archibald Lampman's
warrior minstrel of the forlorn hope
dying of a heart attack in Ottawa at thirty-six,
or Emily Dickinson listening to a fly buzz when she expired,
the only blood on the blade you fall upon
you should ever taste is your own if you
want to speak to a big-hearted bell of enlightenment
without the forked tongue of a perjured witching wand
or the self-defeating absurdity
of seeking clean water with dirty hands
or trying to reach out to touch the stars
when they're pouring through your fingers
like the sands of an hourglass remembering
all its past lives gathered around the village wells
like telescopes looking through the wrong end of themselves.
What were the good of stars if none looked on them
What were the good of stars if none looked on them
But mariners, astronomers and such!
The sun and moon and stars were made for lovers.
I know that much.
Only The Crippled
only the crippled go to war...
the bird afraid of the sky
tears flesh with his beak.
the moral ones wearing
clothes of black and white,
whose religion is their ego,
whose god made of stone.
hands made of me and mine,
feet whose eyes gone blind...
to the drumbeat of take and destroy,
terrified of what lies within.
but freedom never fired a gun,
and justice never waived a flag.
peace never won by blood and bodies,
and the spirit has no religion!
Only The Wind
Its only the wind blowing litter all around
Just a little wind and the trees are falling down
Theres nobody crying, that was yesterday
Inside were all smiling, everythings okay
Its only the wind blowing cans along the street
Someones dustbin lid playing havoc with the peace
Theres nobody hiding behind a locked door
And no ones been lying, cause we dont lie any more
Its only the wind, how it takes you by surprise
Suddenly begins, then before you know it dies
My hands are not shaking, I dont touch a drop
You must be mistaken, I know when to stop
When life is calmer, I have no doubt
No angry drama, a storm blows itself out
Its only the wind, they say its getting worse
The trouble that it brings haunts us like a curse
My nerves are all jangled, but Im pulling through
I hope I can handle what I have to do
When life is calmer, I have no doubt
No angry drama, a storm blows itself out
A storm blows itself out...
There is a sound of thunder afar,
Storm in the south that darkens the day,
Storm of battle and thunder of war,
Well, if it do not roll our way.
Form! form! Riflemen form!
Ready, be ready to meet the storm!
Riflemen, riflemen, riflemen form!
Be not deaf to the sound that warns!
Be not gull'd by a despot's plea!
Are figs of thistles or grapes of thorns?
How should a despot set men free?
Form! form! Riflemen form!
Ready, be ready to meet the storm!
Riflemen, riflemen, riflemen form!
Let your Reforms for a moment go,
Look to your butts and make good aims.
Better a rotten borough or so,
Than a rotten fleet or a city of flames!
Form! form! Riflemen form!
Ready, be ready to meet the storm!
Riflemen, riflemen, riflemen form!
Form, be ready to do or die!
Form in freedom's name and the Queen's!
True, that we have a faithful ally,
But only the devil knows what he means!
Form! form! Riflemen form!
Ready, be ready to meet the storm!
Riflemen, riflemen, riflemen form!
With Only The Ability To Waste
There was a time,
And this was not too long ago...
When those of skills and talents,
Only had a wish to share them.
To assist others in the fulfillment,
Of seeing 'their' dreams and wishes...
With a volunteering of their efforts denied.
Without a dime of payment mentioned.
But those making decisions,
Believed the ones who would want to do this...
Only sought the getting of attention.
And refusing them they did,
To ensure they were dismissed.
How things have changed.
Today there are those who are hired,
To solicit volunteers.
With the paying of expensive media advertisements,
To attract those with talents and skills to give.
And this is done with blatant attention given,
To the ones getting paid.
With only the ability to waste funding,
To achieve nothing getting done.
But say they do there is no one willing to work for free.
And these are the same people...
Publicly declaring there is no communal unity.
'We need you! '
~For what? ~
'To volunteer your skills,
As a community service.'
~And how will my doing this,
Be of benefit to you? ~
'A job that keeps me paid and something to do.'
At First There Was Only The Truth
at first there was only the truth
it was born
it did not know anything about lies
and being pure
and unrelated yet to anyone except to mother
the truth remains to be the truth
until many things happened
on its life,
father lies at him
at first he is confused
and brothers expect him to be this way and that way
like what his sisters is telling him
from time to time
truth wants to remain true
because there is joy to its nature
but nature too dislikes it
and then it inflicts pain
at first there was the pinch
it increased to slaps
and then the mauling began
there were series of intimidation
sometimes they use the carrot
sometimes the stick
truth was confused until it gets of age
and knows the mechanisms
of age it knows right and wrong
of course, it knows what is true and what is not
it is so easy to detect that
even on asymptomatic situations
but this world are made of rules
and liars who triumph hold the book, the law, the rules of their own games
and truth too just like you wants to survive
and so finally it knows how to wear different colors
shades, clothes, sneakers,
it knows about the fox
and the wiles of the snakes
and true to itself
it becomes a wise creature
joins the rat race
goes for a kill
even on acrobatics
knows when to change
to hide its voice
and the exact time
True Face of A War Hero
(dedicated to... well no one. I have seen the carnage of war and wrote this. I'm sorry to all my family that is fighting for america for me to post this but well yeah.)
A simple three letter word designed to make people go die,
A person who does a great deed and is reconized for that deed.
A War Hero
A person reconized for being a hero during a war (and they usually die doing that deed)
I had waited eagerly for that moment,
We had all wanted to see the great general.
We crowded the streets,
Our happy screams rising thorugh the day.
At last the car drifted down the street and the greatest of all hushes fell,
Out stepped a man,
he had no arm,
He walked only beacuse of two plain crutches.
Everyone fell silent,
Surely this couldn't be the great hero who won the war?
He smirked and glared at us sourly,
Such a great hero am I,
Your cheers echo for all to hear!
And then you fall silent,
Seeing this bitter man before you.
So is war such a good thing for you to cheer me?
All I did was cause another war.
And as all of us do,
I killed others- many others.
And I'm proud of it.
The man hobbled into the car and drove away,
The croud dwindled to meet and greet others.
They cared not for this bitter stranger,
They cared not that he killed many others,
They cared not that war was destruction.
So do we care that others are dying?
It's your choice,
Only you can decide what we do/
You Must If You Are To Evolve
As I look at the battlefields from my sanctuary above,
I must ask the question why,
Shouldn't life be all about peace and love,
Why do so many need die.
It's a fact it has happened for thousands of years,
It would seem that humans love war,
Yet we know it's a fact it will all end in tears,
Both sides will then ask, what for.
Was there ever a reason to murder and maim,
Can anyone give justification,
Why innocents need die while the victors will claim,
It was done for God and their nation.
In democracies it's claimed the people decide,
But in war that's strictly not true,
The electorate, politicians will override,
It is they who decide not you.
They have referendums for voting reform,
Inquiries for claims for expenses,
But never for war that would create a storm,
For the public would bring them to their senses.
Young women and men being sent to their death,
For reasons they don't understand,
For their country these heroes will give their last breath,
That's why their treatment is so underhand.
There are times a country needs to defend,
But only when it is attacked,
In this day and age we should try to befriend,
War is futile that is a fact.
There are no winners in a battle royal,
Apart from the ones who produce arms,
To the highest bidder these mercenaries stay loyal,
That should set off your alarms.
Fighting is the primitive use of strength,
Your problems it will never resolve,
To gain peace you must go to any length,
‘' You Must If You Are To Evolve ‘'
If Only The Blind Could See
Wars are murder but still they go on,
For the victims we don't really care,
You no longer grieve when that person has gone,
Of their feelings you become unaware.
Killing comes easy after the first,
It becomes just another death,
For murder and mayhem you develop a thirst,
To see someone take their last breath.
Did they have children, parents as well,
You don't give that a second thought,
Where do they go to Heaven or hell,
You leave loved ones totally fraught.
From barbaric deeds you become immune,
Your only aim is to kill,
Your mind becomes wrapped in a tight cocoon,
You would stop but you don't have the will.
What you're fighting for you don't really know,
You do it because you are told,
The advocates of war never ever go,
Their cowardice would leave you cold.
We must go to war on their behalf,
They claim we are under threat,
Will they go and fight; you're having a laugh,
Their decisions we'll all live to regret.
When it's all over we're cast to the side,
While our leaders live life to the full,
From harsh reality they've no need to hide,
We're used as a political tool.
The injured and dying just disappear,
It's as if they no longer exist,
The survivors are left to live in fear,
Truth is they will never be missed.
Our world leaders love to start a fight,
Yet they're cowards everyone,
Expecting others to die just isn't right,
Why won't they take up the gun?
All wars are futile we must face the facts,
Politicians don't want us to be free,
While others die their lives are intact,
‘' If Only The Blind Could See ‘'
Five minutes here, and they must steal two more!
shameful! Here have I been five mortal years
and not seen home nor one dear kindred face,
and these abominable slugs, this guard,
this driver, porters--what are they about?--
keep us here motionless, two minutes, three.--
Aha! at last!
Good! We shall check our minutes;
we're flying after them, like a mad wind
chasing the leaves it has tossed on in front.
Oh glorious wild speed, what giants' play!
and there are men who tell us poetry
is dead where railways come! Maybe 'tis true,
I'm a bad judge, I've had scant reading time
and little will to read ...... and certainly
I've not found railways in what verse I know:
but there's a whizz and whirr as trains go by,
a bullet-like indomitable rush
and then all's done, which makes me often think
one of those men who found out poetry,
and had to write the things just that they saw,
would have made some of their fine crashing lines
that stir one like the marches one knows best,
and the enemy knows best, with trains in them
as easily as chariots.
I've poetry and music too to-day
in the very clatter: it goes "Home, home, home."
And they'll think that sharp shriek a kinder sound
than sweetest singing, when it presently
pierces the quiet of the night and sends
its eager shrillness on for miles before
to say I'm no time distant. I can see
my mother's soft pink cheeks (like roses, pale
after a June week's blooming,) flush and wan,
and her lip quiver; I can see the girls,
restless between the hall door and the clock,
hear it and hush and lean expectant heads
to catch the rattle of the coming train;
my father, sitting pshawing by the fire
at all the fuss and waiting, half start up,
dropping his Times, forgetful just so long
that he is not impatient like the rest,
the tender foolish women, and, alert
to hide how he was tempted to fuss too,
reseat himself intent on politics;
and Hugh--I think Hugh must be there with them,
on leave out of his parish for a day,
a truant from the old women and the schools
to be at home with me for long enough
to say "God bless you" in--I can see Hugh,
narrow and straight in his skimp priestly coat,
pacing the room with slow and even steps,
and a most patient face, and in his eyes
that over patience we all know in them
when he is being extra good and calm.
So little change, they write me: all of them
with the same faces, scarce a day's mark there--
except our little Maude who was a child
and is a woman: little Maude grown tall:
the little Maude I left half prude half romp,
who, eager for her grown-up dignities,
tried to forego her mischiefs and would turn,
just in their midst, portentously demure
like a tired sleepy kitten, and to-day
wears all her womanhood inside her heart
and has none for her manners--some of it
for her sweet winsome face though; and a look
that's in her portrait brings my mother back,
though she's not like they tell me. I shall see;
yes I shall see! soon; almost now.
to think I am so near!
Ah, when I lay
in the hot thirst and fever of my wound,
and saw their faces pressing into mine,
changing and changing, never a one would stay
so long that I could see it like itself,
I scarcely hoped for this. And when I felt
that tiring weakness of my growing strong,
and was so helpless, and the babyish tears
would come without a thought to make them come,
I almost knew this day would never be:
but, oh my happy fortune, not to die,
not even to come home among them then,
with nothing done, a spoiled and worthless wreck
for them to weep at softly out of sight,
but to go stoutly to my post again,
and do my stroke of work as a man should,
and win them this.
You little dingy cross,
less precious than my sleeve-links, what a worth
lies in your worthlessness: there's not a man
but gladder lays you in his mother's hand,
or wife's, than he would bring her for his gift
the whole great jewels of an eastern king,
and not a woman but--
My mother, though--
sometimes she was not strong--have I been rash,
too thoughtless of her calm, not telling of it?
No, I'll not wear it on me, as I meant,
to take her first dear kisses in: we'll talk
before I show it--in a day or two--
I know she'll prize it more
that a life saved went to the winning it.
And tenderhearted Ellen will forgive
my part she shudders at in the red deaths
of battle fields a little more for that--
How sad her letters were; I know she thinks
we learn a heathenish passion after blood,
and, as she said, "to throw our lives like dross
back in our Maker's face:" but bye and bye
I'll teach her how it is, and that we fight
for duty, not like either fiends or fools.
They say they are longing for my history,
told by the fire of evenings; all my deeds,
all my escapes; and I must clear their minds
of fifty puzzles of the journalists,
decide what's true, and make them understand
the battles and the marchings: but my deeds
have been to just be one among them all,
doing what we were bidden as we could,
and my escapes must have been like the rest--
one has no time to know them; just that once,
when I was dragging off the fallen boy,
I knew what death was nearest as it missed,
but I've no memory of more escapes ......
except by being wounded, as they know;
and what can I explain of battle plans
made in the councils, whether kept or not
I cannot tell? I only know my part
and theirs with whom I waited at our post
or dashed on at the word, I could not mark
the swaying of the squadrons, the recoils
and shifting ground and sudden strategies,
and had no duty to be watching them.
No, I shall make them better out in print,
and learn in our snug study what I saw
among the rush and smoke.
No, I come back
no better talker than I was before,
no readier and no deeper, not like Hugh,
and I must use my unaspiring wits
to say things as I see them, going straight;
just as a plain man's life does, tramping on
the way that lies before one, with no whys.
No whys; ah how that chance word takes me back
to pinafore-time--my father's well-known phrase
"No whying, boy, but do what you are bid."
And once my mother, when first Hugh began
to be so clever, and had found it out
and, pleased at it, perhaps a little pert,
was apt to hit on puzzles, answered him
"our nursery rule was good for afterwards,
spared headaches and spared heartaches, and, well kept,
made the best heroes and best Christians too."
How I can see Hugh looking down to say,
in an odd slow tone, "I will remember that."
And well he has remembered; never a man
went straighter into action than our Hugh;
he knows what side he's on and stands to it:
if I'd a head like his, and wished to change
soldiering for anything, I'd try to learn
a parish parson's work to do it like Hugh.
Will he read prayers to-night? I'd like to hear
my father at it, as it used to be
before we any of us went away--
the old times back again. Oh, all of us
will say our prayers to-night out of glad hearts.
Oh, thank God for the meeting we shall have!
Such joy among us! and the country side
all to be glad for us. Ah well, I fear
there's one will shrink and sadden at my sight
among the welcomes and the happiness,
remembering that her husband was my friend,
and dropped beside me. But I'll go alone--
or maybe with my mother--to her house
and let her have the pain more quietly,
before she sees me in our Sunday pew,
with all the old friends smiling through the prayers
and all but nodding, and a buzzing round
spoiling the parson's reading "Look," and "Look,"
"There's Master Harry come back from the war."
Oh, how my mother's eyes will turn to me,
half unawares, then fix upon her book
that none may see them growing large and moist;
and how my father will look stern and frown,
hiding the treacherous twinkles with the shade
of knitted brows, lest any watching him
should think him moved to have his son by him,
and proud like foolish fathers; but the girls
will be all smiles and flutter, and look round
elate as if no other girls before
had had a soldier brother. And old Will,
out of his corner by the vestry door,
will peer and blink and suck his grins in tight,
trying to mind the sermon and not think
what sport he has for me in the preserves.
Plenty of birds this year, my father writes;
we'll see next week, and--There's the long shrill yell!
Home! all but home!
Oh! there, between the trees,
that light, our house--they're waiting for me there.
The Canon Of Aughrim
You ask me of English honour, whether your Nation is just?
Justice for us is a word divine, a name we revere,
Alas, no more than a name, a thing laid by in the dust.
The world shall know it again, but not in this month or year.
Honour? Oh no, you profane it. Justice? What words! What deeds!
Look at the suppliant Earth with its living burden of men.
Here and to Hindostan the nations and kings and creeds
Praise your name as a god's, the god of their children slain.
Which of us doubts your justice? It is not here in the West,
After six hundred years of pitiless legal war,
The sons of our soil are in doubt. They know, who have borne it, best:
The world is famished for justice. You give us a stone, your law.
These are its fruits. Yet, think you, the Ireland where men weep
Once was a jubilant land and dear to the Saints of God.
All you have made it to--day is a hell to conquer and keep,
Yours by the right of the strongest hand, the right of the rod.
History tells the story in signs deep writ on the soil,
Plain and clear in indelible type both for fools and wise.
Here is no need of books, of any expositor's coil.
He who runs may read, and he may weep who has eyes.
This is the plain of Aughrim, renowned in our Irish story
Because of the blood that was shed, the last in arms by our sons,
A fight in battle array, with more of grief than of glory,
Where as a Nation we died to dirge of your English guns.
So the Chroniclers tell us, and turn in silence their page,
Ending the fighting here. I tell you the Chroniclers lie.
Spite of the hush of the dead, the battle from age to age
Flames on still through the land, and still at men's hands men die.
Look! I will show you the footsteps of those who have died at your hand,
Done to death by your law, alas, and not by the sword,
Only their work remaining, a nations's track in the sand,
Ridge and furrow of ancient fields half hid in the sward.
Step by step they retreated. You fenced them out with your Pale,
Back from township and city and cornland fair by the Sea.
Waterford, Youghal and Wexford you took and the Golden Vale.
Tears were their portion assigned: for you their demesnes in fee.
Back to the forest and bog. They shouldered their spades like men,
Fought with the wolf and the rock and the hunger which holds the hill.
Still new homesteads arose where fever lurked in the fen,
Still your law was a sword that hunted and dogged them still.
Magistrate, landlord, bailiff, process--server and spy,
These were the dogs of your pack, which scented the land's increase.
Vainly, like hares, they lay in the forms they had fashioned to die.
Justice hunted them forth by the hand of the Justice of Peace.
Look at it closer, thus, and shading your eyes with your hand,
Far as a bird could reach, to the utmost edge of the plain,
What do you see but grass! And what do you understand?
Cattle that graze on the grass.--Alas, you have looked in vain.
See with my eyes. They are older than yours, but more keen in their love.
See what I saw as a boy in the fields, as a priest by the ways.
See what I saw in anger with angels watching above
Hiding their faces for shame in the day of the terrible days.
Horsemen and footmen and guns. They were here. I have seen them, though some
Say that two hundred years have passed since the battle was stilled.
Ay, and the cry of the wounded, drowned by the beat of the drum.
Did I not hear with my ears how it rose like the wail of a child?
I was a student then, a boy, in the days now forgotten,
When for our school--house the chapel must serve, for our master the priest.
Many a Latin theme have I scrawled on the altar rails rotten,
Thinking no more of the house of God than the house of the least.
Yet we were saints in Aughrim. An Eden the plain then stood,
Covered with gardens round, a happy and holy place,
Rich in the generations of those who had shed their blood,
Bound to their faith by the martyr's bond and the power of grace.
They do us wrong who affirm the Irish people are sad.
Sad we are in the lands afar, but not in our home.
Oh, if you knew the gladness with which our people are glad,
Well might you grieve for your own, the poor in your towns of doom.
Here, God knows it, we hunger. But hunger, a little, is well,
Man with full stomach is proud, his heart is shut to the poor.
Well, too, is persecution, since thus through its sting we rebel,
Clinging yet more to our love and our hate in the homes we adore.
Mine is a mission of peace, to save men's souls in the world,
Not to make converts to Hell, for Ireland's sake even, you say.
Why should I preach of rebellion, and hatred, words impotent hurled
Each like a spear from the lips to strike whom it lists in the fray?
Hark. You shall hear it. This parish was mine. I remember it all
Tilled in squares, like a chess--board, each house and holding apart.
Down where the nettles grow you may mark the line of the wall
Bounding the chapel field where our dead lie heart on heart.
It was not the famine killed them. God knows in that evil year
He pressed us a little hard, but he spared us our lives and joy.
Only the old and weak were taken. The rest stood clear,
Quit of their debt to Death. God struck, but not to destroy.
The wolves of the world were fiercer. The wolves of the world to--day
Go in sheep's clothing all, with names that the world applauds.
Nobody now draws sword or spear with intent to slay.
Death is done with a sigh, and mercy tightens the cords.
It was a woman did it. Her father, the lawyer Blake,
Purchased the land for a song,--some say, or less, for a debt
Owed by the former Lord, a broken spendthrift and rake--
And left it hers when he died with all he could grip or get.
Timothy Blake was not loved. He had too much in his heart
Of the law of tenures, for love. No word men spoke in his praise.
Yet, in his lawyer's way, and deeds and titles apart,
All were allowed to live who paid their rent in his days.
Little Miss Blake was his daughter. A pink--faced school--girl she came
First from Dublin city to live in her father's house,
She and her dogs and horses, unconscious of shame or blame.
Who would have guessed her cruel with manners meek as a mouse?
Nothing in truth was further, or further seemed, from her heart,
Set as it was on pleasure and undisturbed with pain,
So she might ride with the hounds when winter brought round its sport,
Or angle a trout from the river, than war with her fellow men.
She was fastidious, too, with her English education,
And pained at want and squalor, things hard she should understand.
The sight of poverty touched the sense of what was due to her station,
And still in her earlier years she gave with an open hand.
The village was poor to look at, a row of houses, no more,
With just four walls and the thatch in holes where the fowls passed through.
A shame to us all, she averred, and her, so near to her door,
She sent us for slates to the quarry and bade us build them anew.
The Chapel, too, was unsightly. A Protestant she, and yet
Decency needs must be in a house of prayer, she said.
Perched on a rising ground in sight of her windows set,
Its shapeless walls were her grief. She built it a new facade.
What was it changed her heart? God knows. I know not. Some say
She set her fancy on one above her in rank and pride.
Young Lord Clair at the Castle had danced with her. Then one day
Dancing and she were at odds. He had taken an English bride.
This, or it may be less, a foolish word from a friend,
A jest repeated to ears already wounded and sore,
A pang of jealousy roused for the sake of some private end,
Or only the greed of gain, of more begotten of more.
These were the days of plenty, of prices rising, men thought
Still to rise for ever, and all were eager to buy.
Landlord with landlord vied, and tenant with tenant bought.
Riches make selfish souls, and gain has an evil eye.
Oh! the economist fraud, with wealth of nations for text,
How has it robbed the poor of their one poor right to live!
Only the fields grow fat. The men that delve them are vexed,
Scourged with the horse--leech cry of the daughter of hunger, ``give.''
Why should I blame this woman? She practised what all men preach,
Duty to Man a little, but much to herself and land.
She made two blades of grass to grow in the place of each.
She took two guineas for one. What more would your laws demand?
If in her way men died, Economy's rules are stern,
Stern as the floods and droughts, the tempests and fires and seas.
Men but cumber the land whose labour is weak to earn
More than their board and bed; much cattle were worthy these.
So those argued who served her. What wonder if she too grew
Hard in her dealings around, and grudged their lands to the poor?
Cary, her agent, died. The day she engaged the new,
Grief stepped into the village, and Death sat down at the door.
Rent? Who speaks of the rent? We Irish who till the soil,
Are ever ready to pay the tribute your laws impose;
You, the conquering race, have portioned to each his toil;
We, the conquered, bring the ransom due to our woes.
Here is no case of justice, of just debts made or unjust.
Contracts 'twixt freemen are, not here, where but one is free.
No man argues of right, who pays the toll that he must;
Life is dear to all, and rent is the leave to be.
No. None argued of rent. Each paid, or he could not pay,
Much as the seasons willed, in fatness or hungry years.
Blake's old rental was high. She raised it, and none said nay;
Then she raised it again, and made a claim for arrears.
Joyce was her agent now. The rules of Charity bind
Somewhat my tongue in speech, for even truths wrongs endured;
All I will say is this, in Joyce you might see combined,
Three worst things, a lawyer, money--lender, and steward.
His was the triple method, to harass by legal plan,
Ruin by note of hand, and serve with the Crown's decree;
One by one in his snare he trapped the poor to a man,
Left them bare in the street, and turned in their doors the key.
How many Christian hearts have I seen thus flouted with scorn,
Turned adrift on the world in the prime of life and their pride!
How many lips have I heard curse out the day they were born,
Souls absolved in their anger to die on the bare hill--side!
All for Miss Blake and the law, and Joyce's profit on fees!
All for Imperial order, to see the Queen's writ run!
All for the honour of England, mistress of half the seas!
All in the name of justice, the purest under the sun!
Pitiful God of justice! You speak of order and law?
Order! the law of blood which sets the stoat on the track;
Law! the order of death which has glutted the soldier's maw,
When Hell lies drunk in a city the morning after a sack.
Order and law and justice! All noble things, but defiled,
Made to stink in men's nostrils, a carrion refuse of good,
Till God Himself is debased in the work of His hands beguiled,
And good and bad are as one in the mind of the multitude.
All in vain we argue who preach submission to Heaven.
Even to us who know it, such mercy is hard to find.
How then submission to Man by whom no quarter is given?
Vainly and thrice in vain. That nut has too hard a rind.
Then men rise in their anger. Another justice they seek.
Maxims of right prevail traced down from a pagan age;
These take the place of the gospel your laws have robbed from the weak.
Who shall convince them of wrong, or turn the worm from his rage?
Which are the first fruits of freedom? Truth, Courage, Compassion. A man,
Nursed from his childhood in right and guarded close by the law,
Why should he trifle with virtue or doubt to do what he can
Fearless in sight of the world, his life without failure or flaw?
All things come to the strong, power, riches, fair living, repute,
Conscience of worth and of virtue, plain speaking and dealing as plain.
Oh, fair words are easy to speak when the world spreads its pearls at your foot.
Free is humanity's fetter with pleasure gilding the chain.
The Englishman's word, who shall doubt it? The poor Celt, truly, he lies.
Fie on his houghing of cattle, his blunderbuss fired from the hedge!
Witness swears falsely to murder. You throw up your innocent eyes,
Rightly, for murder and lying set honest teeth upon edge.
Yet, mark how circumstance alters. You plant your Englishman down
Strange on the banks of the Nile or Niger to shift with new life.
All things are stronger than he. He fears men's fanatic frown,
Straightway fawns at their knees, his fingers clutching the knife.
He is kindly. Yet, think you he spares them, the servant, the cattle, the child,
The wife he has wedded in falsehood, the Prince who clothed him in gold?
Out on such womanly scruples! He boasts the friends he beguiled,
The poisoned wells on his track, the poor slaves starved on the wold.
This is necessity's law? Ay, truly. Necessity teaches
Sternly the Devil's truth, and he that hath ears may hear.
Only the grace of God interprets the wrong Hell preaches.
Only the patience of perfect love can cast out fear.
Joyce was found on his doorstep, stone dead, one Sunday morning,
Shot by an unknown hand, a charge of slugs in his chest,
The blow had fallen unheard, without either sign or warning,
Save for the notice--to--quit pinned to the dead man's breast.
Oh, that terrible morning of grief to angels and men!
I who knew, none better, the truth that until that day
Sin in its larger sense was hardly within the ken
Of these poor peasant souls, what dared I devise or say?
A deed of terror? Yes. A murder? Yes. A foul crime?
True, but a signal of battle, the first blood spilt in a war.
Who could foresee the sequence of wrong to the end of time?
Who would listen to peace with the red flag waving afar?
War, war, war, was the issue in all men's minds as they stood
Watching the constable force paraded that afternoon,
War of the ancient sort when men lay wait in a wood
Spying the Norman camps low crouched in a waning moon.
Group with group they whispered. Their eyes looked strangely and new,
Lit with the guilty knowledge as thoughts of the dead would pass.
It was a pitiful sight to mark how the anger grew
In souls that had prayed as children that very morning at Mass.
The answer to Joyce's murder was swift. Two strokes of the pen,
Set by Miss Blake's fair hand on parchment white as her face,
Gave what remained of the parish, lands, tenements, chapel, and mill,
All to a Scotch stock farmer to hold on a single lease.
Here stands the story written. The parchment itself could show
Hardly more of their death than this great desolate plain.
The poor potato trenches they dug, how greenly they grow!
Grass, all grass for ever, the graves of our women and men!
And did all die? You ask it. I ask you in turn, ``What is death?''
Death by disease or battle, with gaping wounds for a door:
Through it the prisoned soul runs forth with the prisoned breath,
And what is lost for the one the other gains it and more:
This is the death of the body. Some died thus, fortunate ones,
Here and there a woman taken in labour of birth,
Here and there a man struck down on his cold hearth stones,
Here and there a child, or grey beard bent to the earth.
Heaven in pity took them. Their innocent souls received
All that the Church can give of help on the onward way.
Here as they lived they died, believing all they believed.
Here their bodies rest, clay kneaded with kindred clay.
Every eviction in Ireland brings one such physical loss,
Weak ones left by the road, grief touching the feeble brain.
None of us mourn such dead who hold the creed of the Cross,
Counting as sure their certain hope of eternal gain.
Not for these is my anger. Love grieves, but the cicatrice closes,
Ending in peace of heart. The dead are doubly our own.
But what of that other death for which love strews no roses,
Death of the altered soul, lost, perished, forever gone?
Deep in the gulf of your cities they lie, the poor lorn creatures,
Made in God's image once, His folded innocent sheep,
Now misused and profaned, in speech and form and features
Living like devils and dying like dogs in incestuous sleep.
Seek them where I have found them, in New York, Liverpool, London,
Cursing and cursed of all, a pustulous human growth,
These same Irish children God made for His glory, undone,
Ay, and undoing your law, while black Hell gapes for you both.
There! You asked for the truth. You have it plain from my lips.
Scientists tell us the world has no direction or plan,
Only a struggle of Nature, each beast and nation at grips,
Still the fittest surviving and he the fittest who can.
You are that fittest, the lion to--day in your strength. To--morrow?
Well, who knows what other will come with a wider jaw?
Justly, you say, the nations give place and yield in their sorrow;
Vainly, you say, Christ died in face of the natural law.
Would you have me believe it? I tell you, if it were so,
If I were not what I am, a priest instructed in grace,
Knowing the truth of the Gospel and holding firm what I know,
Where should I be at this hour? Nay, surely not in this place.
Granted your creed of destruction, your right of the strong to devour,
Granted your law of Nature that he shall live who can kill,
Find me the law of submission shall stay the weak in his hour,
His single hour of vengeance, or set a rein on his will.
Where should I be, even I? Not surely here with my tears,
Weeping an old man's grief at wrongs which are past regret,
Healing here a little and helping there with my prayers,
All for the sake of Nature, to fill the teeth she has whet!
Not a priest at Aughrim. My place would be down with those
Poor lost souls of Ireland, who, loving her far away,
Not too wisely but well, deep down in your docks lie close,
Waiting the night of ruin which needs must follow your day.
England's lion is fat. Full--bellied with fortune he sleeps;
Why disturb his slumber with ominous news of ill?
Softly from under his paw the prey he has mangled creeps,
Deals his blow in the back, and all the carcase is still.
Logic and counter--logic. You talk of cowardice rarely!
Dynamite under your ships might make even your cheek white.
Treacherous? Oh, you are jesting. The natural law works fairly,
He that has cunning shall live, and he that has poison bite.
Only I dare not believe it. I hold the justice of Heaven
Larger than all the science, and welled from a purer fount;
God as greater than Nature, His law than the wonders seven,
Darwin's sermon on Man redeemed by that on the Mount.
Thus spoke the Canon of Aughrim, and raised in silence his hands,
Seeming to bless the battle his eyes had seen on the plain.
Order and law, he murmured, a Nation's track in the sands,
Ridge and furrow of grass, the graves of our women and men.
I. The Ring and the Book
Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.
Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.
This book,—precisely on that palace-step
Which, meant for lounging knaves o' the Medici,
Now serves re-venders to display their ware,—
Mongst odds and ends of ravage, picture-frames
White through the worn gilt, mirror-sconces chipped,
Bronze angel-heads once knobs attached to chests,
(Handled when ancient dames chose forth brocade)
Modern chalk drawings, studies from the nude,
Samples of stone, jet, breccia, porphyry
Polished and rough, sundry amazing busts
In baked earth, (broken, Providence be praised!)
A wreck of tapestry, proudly-purposed web
When reds and blues were indeed red and blue,
Now offered as a mat to save bare feet
(Since carpets constitute a cruel cost)
Treading the chill scagliola bedward: then
A pile of brown-etched prints, two crazie each,
Stopped by a conch a-top from fluttering forth
—Sowing the Square with works of one and the same
Master, the imaginative Sienese
Great in the scenic backgrounds—(name and fame
None of you know, nor does he fare the worse:)
From these … Oh, with a Lionard going cheap
If it should prove, as promised, that Joconde
Whereof a copy contents the Louvre!—these
I picked this book from. Five compeers in flank
Stood left and right of it as tempting more—
A dogseared Spicilegium, the fond tale
O' the Frail One of the Flower, by young Dumas,
Vulgarized Horace for the use of schools,
The Life, Death, Miracles of Saint Somebody,
Saint Somebody Else, his Miracles, Death and Life,—
With this, one glance at the lettered back of which,
And "Stall!" cried I: a lira made it mine.
Here it is, this I toss and take again;
Small-quarto size, part print part manuscript:
A book in shape but, really, pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since.
Give it me back! The thing's restorative
I'the touch and sight.
That memorable day,
(June was the month, Lorenzo named the Square)
I leaned a little and overlooked my prize
By the low railing round the fountain-source
Close to the statue, where a step descends:
While clinked the cans of copper, as stooped and rose
Thick-ankled girls who brimmed them, and made place
For marketmen glad to pitch basket down,
Dip a broad melon-leaf that holds the wet,
And whisk their faded fresh. And on I read
Presently, though my path grew perilous
Between the outspread straw-work, piles of plait
Soon to be flapping, each o'er two black eyes
And swathe of Tuscan hair, on festas fine:
Through fire-irons, tribes of tongs, shovels in sheaves,
Skeleton bedsteads, wardrobe-drawers agape,
Rows of tall slim brass lamps with dangling gear,—
And worse, cast clothes a-sweetening in the sun:
None of them took my eye from off my prize.
Still read I on, from written title-page
To written index, on, through street and street,
At the Strozzi, at the Pillar, at the Bridge;
Till, by the time I stood at home again
In Casa Guidi by Felice Church,
Under the doorway where the black begins
With the first stone-slab of the staircase cold,
I had mastered the contents, knew the whole truth
Gathered together, bound up in this book,
Print three-fifths, written supplement the rest.
Better translate—"A Roman murder-case:
"Position of the entire criminal cause
"Of Guido Franceschini, nobleman,
"With certain Four the cutthroats in his pay,
"Tried, all five, and found guilty and put to death
"By heading or hanging as befitted ranks,
"At Rome on February Twenty Two,
"Since our salvation Sixteen Ninety Eight:
"Wherein it is disputed if, and when,
"Husbands may kill adulterous wives, yet 'scape
"The customary forfeit."
Word for word,
So ran the title-page: murder, or else
Legitimate punishment of the other crime,
Accounted murder by mistake,—just that
And no more, in a Latin cramp enough
When the law had her eloquence to launch,
But interfilleted with Italian streaks
When testimony stooped to mother-tongue,—
That, was this old square yellow book about.
Now, as the ingot, ere the ring was forged,
Lay gold, (beseech you, hold that figure fast!)
So, in this book lay absolutely truth,
Fanciless fact, the documents indeed,
Primary lawyer-pleadings for, against,
The aforesaid Five; real summed-up circumstance
Adduced in proof of these on either side,
Put forth and printed, as the practice was,
At Rome, in the Apostolic Chamber's type,
And so submitted to the eye o' the Court
Presided over by His Reverence
Rome's Governor and Criminal Judge,—the trial
Itself, to all intents, being then as now
Here in the book and nowise out of it;
Seeing, there properly was no judgment-bar,
No bringing of accuser and accused,
And whoso judged both parties, face to face
Before some court, as we conceive of courts.
There was a Hall of Justice; that came last:
For Justice had a chamber by the hall
Where she took evidence first, summed up the same,
Then sent accuser and accused alike,
In person of the advocate of each,
To weigh its worth, thereby arrange, array
The battle. 'T was the so-styled Fisc began,
Pleaded (and since he only spoke in print
The printed voice of him lives now as then)
The public Prosecutor—"Murder's proved;
"With five … what we call qualities of bad,
"Worse, worst, and yet worse still, and still worse yet;
"Crest over crest crowning the cockatrice,
"That beggar hell's regalia to enrich
"Count Guido Franceschini: punish him!"
Thus was the paper put before the court
In the next stage, (no noisy work at all,)
To study at ease. In due time like reply
Came from the so-styled Patron of the Poor,
Official mouthpiece of the five accused
Too poor to fee a better,—Guido's luck
Or else his fellows',—which, I hardly know,—
An outbreak as of wonder at the world,
A fury-fit of outraged innocence,
A passion of betrayed simplicity:
"Punish Count Guido? For what crime, what hint
"O' the colour of a crime, inform us first!
"Reward him rather! Recognize, we say,
"In the deed done, a righteous judgment dealt!
"All conscience and all courage,—there's our Count
"Charactered in a word; and, what's more strange,
"He had companionship in privilege,
"Found four courageous conscientious friends:
"Absolve, applaud all five, as props of law,
"Sustainers of society!—perchance
"A trifle over-hasty with the hand
"To hold her tottering ark, had tumbled else;
"But that's a splendid fault whereat we wink,
"Wishing your cold correctness sparkled so!"
Thus paper second followed paper first,
Thus did the two join issue—nay, the four,
Each pleader having an adjunct. "True, he killed
"—So to speak—in a certain sort—his wife,
"But laudably, since thus it happed!" quoth one:
Whereat, more witness and the case postponed.
"Thus it happed not, since thus he did the deed,
"And proved himself thereby portentousest
"Of cutthroats and a prodigy of crime,
"As the woman that he slaughtered was a saint,
"Martyr and miracle!" quoth the other to match:
Again, more witness, and the case postponed.
"A miracle, ay—of lust and impudence;
"Hear my new reasons!" interposed the first:
"—Coupled with more of mine!" pursued his peer.
"Beside, the precedents, the authorities!"
From both at once a cry with an echo, that!
That was a firebrand at each fox's tail
Unleashed in a cornfield: soon spread flare enough,
As hurtled thither and there heaped themselves
From earth's four corners, all authority
And precedent for putting wives to death,
Or letting wives live, sinful as they seem.
How legislated, now, in this respect,
Solon and his Athenians? Quote the code
Of Romulus and Rome! Justinian speak!
Nor modern Baldo, Bartolo be dumb!
The Roman voice was potent, plentiful;
Cornelia de Sicariis hurried to help
Pompeia de Parricidiis; Julia de
Something-or-other jostled Lex this-and-that;
King Solomon confirmed Apostle Paul:
That nice decision of Dolabella, eh?
That pregnant instance of Theodoric, oh!
Down to that choice example Ælian gives
(An instance I find much insisted on)
Of the elephant who, brute-beast though he were,
Yet understood and punished on the spot
His master's naughty spouse and faithless friend;
A true tale which has edified each child,
Much more shall flourish favoured by our court!
Pages of proof this way, and that way proof,
And always—once again the case postponed.
Thus wrangled, brangled, jangled they a month,
—Only on paper, pleadings all in print,
Nor ever was, except i' the brains of men,
More noise by word of mouth than you hear now—
Till the court cut all short with "Judged, your cause.
"Receive our sentence! Praise God! We pronounce
"Count Guido devilish and damnable:
"His wife Pompilia in thought, word and deed,
"Was perfect pure, he murdered her for that:
"As for the Four who helped the One, all Five—
"Why, let employer and hirelings share alike
"In guilt and guilt's reward, the death their due!"
So was the trial at end, do you suppose?
"Guilty you find him, death you doom him to?
"Ay, were not Guido, more than needs, a priest,
"Priest and to spare!"—this was a shot reserved;
I learn this from epistles which begin
Here where the print ends,—see the pen and ink
Of the advocate, the ready at a pinch!—
"My client boasts the clerkly privilege,
"Has taken minor orders many enough,
"Shows still sufficient chrism upon his pate
"To neutralize a blood-stain: presbyter,
"Primæ tonsuræ, subdiaconus,
"Sacerdos, so he slips from underneath
"Your power, the temporal, slides inside the robe
"Of mother Church: to her we make appeal
"By the Pope, the Church's head!"
A parlous plea,
Put in with noticeable effect, it seems;
"Since straight,"—resumes the zealous orator,
Making a friend acquainted with the facts,—
"Once the word 'clericality' let fall,
"Procedure stopped and freer breath was drawn
"By all considerate and responsible Rome."
Quality took the decent part, of course;
Held by the husband, who was noble too:
Or, for the matter of that, a churl would side
With too-refined susceptibility,
And honour which, tender in the extreme,
Stung to the quick, must roughly right itself
At all risks, not sit still and whine for law
As a Jew would, if you squeezed him to the wall,
Brisk-trotting through the Ghetto. Nay, it seems,
Even the Emperor's Envoy had his say
To say on the subject; might not see, unmoved,
Civility menaced throughout Christendom
By too harsh measure dealt her champion here.
Lastly, what made all safe, the Pope was kind,
From his youth up, reluctant to take life,
If mercy might be just and yet show grace;
Much more unlikely then, in extreme age,
To take a life the general sense bade spare.
'T was plain that Guido would go scatheless yet.
But human promise, oh, how short of shine!
How topple down the piles of hope we rear!
How history proves … nay, read Herodotus!
Suddenly starting from a nap, as it were,
A dog-sleep with one shut, one open orb,
Cried the Pope's great self,—Innocent by name
And nature too, and eighty-six years old,
Antonio Pignatelli of Naples, Pope
Who had trod many lands, known many deeds,
Probed many hearts, beginning with his own,
And now was far in readiness for God,—
'T was he who first bade leave those souls in peace,
Those Jansenists, re-nicknamed Molinists,
('Gainst whom the cry went, like a frowsy tune,
Tickling men's ears—the sect for a quarter of an hour
I' the teeth of the world which, clown-like, loves to chew
Be it but a straw 'twixt work and whistling-while,
Taste some vituperation, bite away,
Whether at marjoram-sprig or garlic-clove,
Aught it may sport with, spoil, and then spit forth)
"Leave them alone," bade he, "those Molinists!
"Who may have other light than we perceive,
"Or why is it the whole world hates them thus?"
Also he peeled off that last scandal-rag
Of Nepotism; and so observed the poor
That men would merrily say, "Halt, deaf and blind,
"Who feed on fat things, leave the master's self
"To gather up the fragments of his feast,
'These be the nephews of Pope Innocent!—
"His own meal costs but five carlines a day,
"Poor-priest's allowance, for he claims no more."
—He cried of a sudden, this great good old Pope,
When they appealed in last resort to him,
"I have mastered the whole matter: I nothing doubt.
"Though Guido stood forth priest from head to heel,
"Instead of, as alleged, a piece of one,—
"And further, were he, from the tonsured scalp
"To the sandaled sole of him, my son and Christ's,
"Instead of touching us by finger-tip
"As you assert, and pressing up so close
"Only to set a blood-smutch on our robe,—
"I and Christ would renounce all right in him.
"Am I not Pope, and presently to die,
"And busied how to render my account,
"And shall I wait a day ere I decide
"On doing or not doing justice here?
"Cut off his head to-morrow by this time,
"Hang up his four mates, two on either hand,
"And end one business more!"
So said, so done—
Rather so writ, for the old Pope bade this,
I find, with his particular chirograph,
His own no such infirm hand, Friday night;
And next day, February Twenty Two,
Since our salvation Sixteen Ninety Eight,
—Not at the proper head-and-hanging-place
On bridge-foot close by Castle Angelo,
Where custom somewhat staled the spectacle,
('T was not so well i' the way of Rome, beside,
The noble Rome, the Rome of Guido's rank)
But at the city's newer gayer end,—
The cavalcading promenading place
Beside the gate and opposite the church
Under the Pincian gardens green with Spring,
'Neath the obelisk 'twixt the fountains in the Square,
Did Guido and his fellows find their fate,
All Rome for witness, and—my writer adds—
Remonstrant in its universal grief,
Since Guido had the suffrage of all Rome.
This is the bookful; thus far take the truth,
The untempered gold, the fact untampered with,
The mere ring-metal ere the ring be made!
And what has hitherto come of it? Who preserves
The memory of this Guido, and his wife
Pompilia, more than Ademollo's name,
The etcher of those prints, two crazie each,
Saved by a stone from snowing broad the Square
With scenic backgrounds? Was this truth of force?
Able to take its own part as truth should,
Sufficient, self-sustaining? Why, if so—
Yonder's a fire, into it goes my book,
As who shall say me nay, and what the loss?
You know the tale already: I may ask,
Rather than think to tell you, more thereof,—
Ask you not merely who were he and she,
Husband and wife, what manner of mankind,
But how you hold concerning this and that
Other yet-unnamed actor in the piece.
The young frank handsome courtly Canon, now,
The priest, declared the lover of the wife,
He who, no question, did elope with her,
For certain bring the tragedy about,
Giuseppe Caponsacchi;—his strange course
I' the matter, was it right or wrong or both?
Then the old couple, slaughtered with the wife
By the husband as accomplices in crime,
Those Comparini, Pietro and his spouse,—
What say you to the right or wrong of that,
When, at a known name whispered through the door
Of a lone villa on a Christmas night,
It opened that the joyous hearts inside
Might welcome as it were an angel-guest
Come in Christ's name to knock and enter, sup
And satisfy the loving ones he saved;
And so did welcome devils and their death?
I have been silent on that circumstance
Although the couple passed for close of kin
To wife and husband, were by some accounts
Pompilia's very parents: you know best.
Also that infant the great joy was for,
That Gaetano, the wife's two-weeks' babe,
The husband's first-born child, his son and heir,
Whose birth and being turned his night to day—
Why must the father kill the mother thus
Because she bore his son and saved himself?
Well, British Public, ye who like me not,
(God love you!) and will have your proper laugh
At the dark question, laugh it! I laugh first.
Truth must prevail, the proverb vows; and truth
—Here is it all i' the book at last, as first
There it was all i' the heads and hearts of Rome
Gentle and simple, never to fall nor fade
Nor be forgotten. Yet, a little while,
The passage of a century or so,
Decads thrice five, and here's time paid his tax,
Oblivion gone home with her harvesting,
And all left smooth again as scythe could shave.
Far from beginning with you London folk,
I took my book to Rome first, tried truth's power
On likely people. "Have you met such names?
"Is a tradition extant of such facts?
"Your law-courts stand, your records frown a-row:
"What if I rove and rummage?" "—Why, you'll waste
"Your pains and end as wise as you began!"
Everyone snickered: "names and facts thus old
"Are newer much than Europe news we find
"Down in to-day's Diario. Records, quotha?
"Why, the French burned them, what else do the French?
"The rap-and-rending nation! And it tells
"Against the Church, no doubt,—another gird
"At the Temporality, your Trial, of course?"
"—Quite otherwise this time," submitted I;
"Clean for the Church and dead against the world,
"The flesh and the devil, does it tell for once."
"—The rarer and the happier! All the same,
"Content you with your treasure of a book,
"And waive what's wanting! Take a friend's advice!
"It's not the custom of the country. Mend
"Your ways indeed and we may stretch a point:
"Go get you manned by Manning and new-manned
"By Newman and, mayhap, wise-manned to boot
"By Wiseman, and we'll see or else we won't!
"Thanks meantime for the story, long and strong,
"A pretty piece of narrative enough,
"Which scarce ought so to drop out, one would think,
"From the more curious annals of our kind.
"Do you tell the story, now, in off-hand style,
"Straight from the book? Or simply here and there,
"(The while you vault it through the loose and large)
"Hang to a hint? Or is there book at all,
"And don't you deal in poetry, make-believe,
"And the white lies it sounds like?"
Yes and no!
From the book, yes; thence bit by bit I dug
The lingot truth, that memorable day,
Assayed and knew my piecemeal gain was gold,—
Yes; but from something else surpassing that,
Something of mine which, mixed up with the mass,
Made it bear hammer and be firm to file.
Fancy with fact is just one fact the more;
To-wit, that fancy has informed, transpierced,
Thridded and so thrown fast the facts else free,
As right through ring and ring runs the djereed
And binds the loose, one bar without a break.
I fused my live soul and that inert stuff,
Before attempting smithcraft, on the night
After the day when,—truth thus grasped and gained,—
The book was shut and done with and laid by
On the cream-coloured massive agate, broad
'Neath the twin cherubs in the tarnished frame
O' the mirror, tall thence to the ceiling-top.
And from the reading, and that slab I leant
My elbow on, the while I read and read,
I turned, to free myself and find the world,
And stepped out on the narrow terrace, built
Over the street and opposite the church,
And paced its lozenge-brickwork sprinkled cool;
Because Felice-church-side stretched, a-glow
Through each square window fringed for festival,
Whence came the clear voice of the cloistered ones
Chanting a chant made for midsummer nights—
I know not what particular praise of God,
It always came and went with June. Beneath
I' the street, quick shown by openings of the sky
When flame fell silently from cloud to cloud,
Richer than that gold snow Jove rained on Rhodes,
The townsmen walked by twos and threes, and talked,
Drinking the blackness in default of air—
A busy human sense beneath my feet:
While in and out the terrace-plants, and round
One branch of tall datura, waxed and waned
The lamp-fly lured there, wanting the white flower.
Over the roof o' the lighted church I looked
A bowshot to the street's end, north away
Out of the Roman gate to the Roman road
By the river, till I felt the Apennine.
And there would lie Arezzo, the man's town,
The woman's trap and cage and torture-place,
Also the stage where the priest played his part,
A spectacle for angels,—ay, indeed,
There lay Arezzo! Farther then I fared,
Feeling my way on through the hot and dense,
Romeward, until I found the wayside inn
By Castelnuovo's few mean hut-like homes
Huddled together on the hill-foot bleak,
Bare, broken only by that tree or two
Against the sudden bloody splendour poured
Cursewise in day's departure by the sun
O'er the low house-roof of that squalid inn
Where they three, for the first time and the last,
Husband and wife and priest, met face to face.
Whence I went on again, the end was near,
Step by step, missing none and marking all,
Till Rome itself, the ghastly goal, I reached.
Why, all the while,—how could it otherwise?—
The life in me abolished the death of things,
Deep calling unto deep: as then and there
Acted itself over again once more
The tragic piece. I saw with my own eyes
In Florence as I trod the terrace, breathed
The beauty and the fearfulness of night,
How it had run, this round from Rome to Rome—
Because, you are to know, they lived at Rome,
Pompilia's parents, as they thought themselves,
Two poor ignoble hearts who did their best
Part God's way, part the other way than God's,
To somehow make a shift and scramble through
The world's mud, careless if it splashed and spoiled,
Provided they might so hold high, keep clean
Their child's soul, one soul white enough for three,
And lift it to whatever star should stoop,
What possible sphere of purer life than theirs
Should come in aid of whiteness hard to save.
I saw the star stoop, that they strained to touch,
And did touch and depose their treasure on,
As Guido Franceschini took away
Pompilia to be his for evermore,
While they sang "Now let us depart in peace,
"Having beheld thy glory, Guido's wife!"
I saw the star supposed, but fog o' the fen,
Gilded star-fashion by a glint from hell;
Having been heaved up, haled on its gross way,
By hands unguessed before, invisible help
From a dark brotherhood, and specially
Two obscure goblin creatures, fox-faced this,
Cat-clawed the other, called his next of kin
By Guido the main monster,—cloaked and caped,
Making as they were priests, to mock God more,—
Abate Paul, Canon Girolamo.
These who had rolled the starlike pest to Rome
And stationed it to suck up and absorb
The sweetness of Pompilia, rolled again
That bloated bubble, with her soul inside,
Back to Arezzo and a palace there—
Or say, a fissure in the honest earth
Whence long ago had curled the vapour first,
Blown big by nether firs to appal day:
It touched home, broke, and blasted far and wide.
I saw the cheated couple find the cheat
And guess what foul rite they were captured for,—
Too fain to follow over hill and dale
That child of theirs caught up thus in the cloud
And carried by the Prince o' the Power of the Air
Whither he would, to wilderness or sea.
I saw them, in the potency of fear,
Break somehow through the satyr-family
(For a grey mother with a monkey-mien,
Mopping and mowing, was apparent too,
As, confident of capture, all took hands
And danced about the captives in a ring)
—Saw them break through, breathe safe, at Rome again,
Saved by the selfish instinct, losing so
Their loved one left with haters. These I saw,
In recrudescency of baffled hate,
Prepare to wring the uttermost revenge
From body and soul thus left them: all was sure,
Fire laid and cauldron set, the obscene ring traced,
The victim stripped and prostrate: what of God?
The cleaving of a cloud, a cry, a crash,
Quenched lay their cauldron, cowered i' the dust the crew,
As, in a glory of armour like Saint George,
Out again sprang the young good beauteous priest
Bearing away the lady in his arms,
Saved for a splendid minute and no more.
For, whom i' the path did that priest come upon,
He and the poor lost lady borne so brave,
—Checking the song of praise in me, had else
Swelled to the full for God's will done on earth—
Whom but a dusk misfeatured messenger,
No other than the angel of this life,
Whose care is lest men see too much at once.
He made the sign, such God-glimpse must suffice,
Nor prejudice the Prince o' the Power of the Air,
Whose ministration piles us overhead
What we call, first, earth's roof and, last, heaven's floor,
Now grate o' the trap, then outlet of the cage:
So took the lady, left the priest alone,
And once more canopied the world with black.
But through the blackness I saw Rome again,
And where a solitary villa stood
In a lone garden-quarter: it was eve,
The second of the year, and oh so cold!
Ever and anon there flittered through the air
A snow-flake, and a scanty couch of snow
Crusted the grass-walk and the garden-mould.
All was grave, silent, sinister,—when, ha?
Glimmeringly did a pack of were-wolves pad
The snow, those flames were Guido's eyes in front,
And all five found and footed it, the track,
To where a threshold-streak of warmth and light
Betrayed the villa-door with life inside,
While an inch outside were those blood-bright eyes,
And black lips wrinkling o'er the flash of teeth,
And tongues that lolled—Oh God that madest man!
They parleyed in their language. Then one whined—
That was the policy and master-stroke—
Deep in his throat whispered what seemed a name—
"Open to Caponsacchi!" Guido cried:
"Gabriel!" cried Lucifer at Eden-gate.
Wide as a heart, opened the door at once,
Showing the joyous couple, and their child
The two-weeks' mother, to the wolves, the wolves
To them. Close eyes! And when the corpses lay
Stark-stretched, and those the wolves, their wolf-work done,
Were safe-embosomed by the night again,
I knew a necessary change in things;
As when the worst watch of the night gives way,
And there comes duly, to take cognizance,
The scrutinizing eye-point of some star—
And who despairs of a new daybreak now?
Lo, the first ray protruded on those five!
It reached them, and each felon writhed transfixed.
Awhile they palpitated on the spear
Motionless over Tophet: stand or fall?
"I say, the spear should fall—should stand, I say!"
Cried the world come to judgment, granting grace
Or dealing doom according to world's wont,
Those world's-bystanders grouped on Rome's crossroad
At prick and summons of the primal curse
Which bids man love as well as make a lie.
There prattled they, discoursed the right and wrong,
Turned wrong to right, proved wolves sheep and sheep wolves,
So that you scarce distinguished fell from fleece;
Till out spoke a great guardian of the fold,
Stood up, put forth his hand that held the crook,
And motioned that the arrested point decline:
Horribly off, the wriggling dead-weight reeled,
Rushed to the bottom and lay ruined there.
Though still at the pit's mouth, despite the smoke
O' the burning, tarriers turned again to talk
And trim the balance, and detect at least
A touch of wolf in what showed whitest sheep,
A cross of sheep redeeming the whole wolf,—
Vex truth a little longer:—less and less,
Because years came and went, and more and more
Brought new lies with them to be loved in turn.
Till all at once the memory of the thing,—
The fact that, wolves or sheep, such creatures were,—
Which hitherto, however men supposed,
Had somehow plain and pillar-like prevailed
I' the midst of them, indisputably fact,
Granite, time's tooth should grate against, not graze,—
Why, this proved sandstone, friable, fast to fly
And give its grain away at wish o' the wind.
Ever and ever more diminutive,
Base gone, shaft lost, only entablature,
Dwindled into no bigger than a book,
Lay of the column; and that little, left
By the roadside 'mid the ordure, shards and weeds.
Until I haply, wandering that lone way,
Kicked it up, turned it over, and recognized,
For all the crumblement, this abacus,
This square old yellow book,—could calculate
By this the lost proportions of the style.
This was it from, my fancy with those facts,
I used to tell the tale, turned gay to grave,
But lacked a listener seldom; such alloy,
Such substance of me interfused the gold
Which, wrought into a shapely ring therewith,
Hammered and filed, fingered and favoured, last
Lay ready for the renovating wash
O' the water. "How much of the tale was true?"
I disappeared; the book grew all in all;
The lawyers' pleadings swelled back to their size,—
Doubled in two, the crease upon them yet,
For more commodity of carriage, see!—
And these are letters, veritable sheets
That brought posthaste the news to Florence, writ
At Rome the day Count Guido died, we find,
To stay the craving of a client there,
Who bound the same and so produced my book.
Lovers of dead truth, did ye fare the worse?
Lovers of live truth, found ye false my tale?
Well, now; there's nothing in nor out o' the world
Good except truth: yet this, the something else,
What's this then, which proves good yet seems untrue?
This that I mixed with truth, motions of mine
That quickened, made the inertness malleolable
O'the gold was not mine,—what's your name for this?
Are means to the end, themselves in part the end?
Is fiction which makes fact alive, fact too?
The somehow may be thishow.
I find first
Writ down for very A B C of fact,
"In the beginning God made heaven and earth;"
From which, no matter with what lisp, I spell
And speak you out a consequence—that man,
Man,—as befits the made, the inferior thing,—
Purposed, since made, to grow, not make in turn,
Yet forced to try and make, else fail to grow,—
Formed to rise, reach at, if not grasp and gain
The good beyond him,—which attempt is growth,—
Repeats God's process in man's due degree,
Attaining man's proportionate result,—
Creates, no, but resuscitates, perhaps.
Inalienable, the arch-prerogative
Which turns thought, act—conceives, expresses too!
No less, man, bounded, yearning to be free,
May so proiect his surplusage of soul
In search of body, so add self to self
By owning what lay ownerless before,—
So find, so fill full, so appropriate forms—
That, although nothing which had never life
Shall get life from him, be, not having been,
Yet, something dead may get to live again,
Something with too much life or not enough,
Which, either way imperfect, ended once:
An end whereat man's impulse intervenes,
Makes new beginning, starts the dead alive,
Completes the incomplete and saves the thing.
Man's breath were vain to light a virgin wick,—
Half-burned-out, all but quite-quenched wicks o' the lamp
Stationed for temple-service on this earth,
These indeed let him breathe on and relume!
For such man's feat is, in the due degree,
—Mimic creation, galvanism for life,
But still a glory portioned in the scale.
Why did the mage say,—feeling as we are wont
For truth, and stopping midway short of truth,
And resting on a lie,—"I raise a ghost"?
"Because," he taught adepts, "man makes not man.
"Yet by a special gift, an art of arts,
"More insight and more outsight and much more
"Will to use both of these than boast my mates,
"I can detach from me, commission forth
"Half of my soul; which in its pilgrimage
"O'er old unwandered waste ways of the world,
"May chance upon some fragment of a whole,
"Rag of flesh, scrap of bone in dim disuse,
"Smoking flax that fed fire once: prompt therein
"I enter, spark-like, put old powers to play,
"Push lines out to the limit, lead forth last
"(By a moonrise through a ruin of a crypt)
"What shall be mistily seen, murmuringly heard,
"Mistakenly felt: then write my name with Faust's!"
Oh, Faust, why Faust? Was not Elisha once?—
Who bade them lay his staff on a corpse-face.
There was no voice, no hearing: he went in
Therefore, and shut the door upon them twain,
And prayed unto the Lord: and he went up
And lay upon the corpse, dead on the couch,
And put his mouth upon its mouth, his eyes
Upon its eyes, his hands upon its hands,
And stretched him on the flesh; the flesh waxed warm:
And he returned, walked to and fro the house,
And went up, stretched him on the flesh again,
And the eyes opened. 'T is a credible feat
With the right man and way.
Enough of me!
The Book! I turn its medicinable leaves
In London now till, as in Florence erst,
A spirit laughs and leaps through every limb,
And lights my eye, and lifts me by the hair,
Letting me have my will again with these
—How title I the dead alive once more?
Count Guido Franceschini the Aretine,
Descended of an ancient house, though poor,
A beak-nosed bushy-bearded black-haired lord,
Lean, pallid, low of stature yet robust,
Fifty years old,—having four years ago
Married Pompilia Comparini, young,
Good, beautiful, at Rome, where she was born,
And brought her to Arezzo, where they lived
Unhappy lives, whatever curse the cause,—
This husband, taking four accomplices,
Followed this wife to Rome, where she was fled
From their Arezzo to find peace again,
In convoy, eight months earlier, of a priest,
Aretine also, of still nobler birth,
Giuseppe Caponsacchi,—caught her there
Quiet in a villa on a Christmas night,
With only Pietro and Violante by,
Both her putative parents; killed the three,
Aged, they, seventy each, and she, seventeen,
And, two weeks since, the mother of his babe
First-born and heir to what the style was worth
O' the Guido who determined, dared and did
This deed just as he purposed point by point.
Then, bent upon escape, but hotly pressed,
And captured with his co-mates that same night,
He, brought to trial, stood on this defence—
Injury to his honour caused the act;
And since his wife was false, (as manifest
By flight from home in such companionship,)
Death, punishment deserved of the false wife
And faithless parents who abetted her
I' the flight aforesaid, wronged nor God nor man.
"Nor false she, nor yet faithless they," replied
The accuser; "cloaked and masked this murder glooms;
"True was Pompilia, loyal too the pair;
"Out of the man's own heart a monster curled
"Which crime coiled with connivancy at crime—
"His victim's breast, he tells you, hatched and reared;
"Uncoil we and stretch stark the worm of hell!"
A month the trial swayed this way and that
Ere judgment settled down on Guido's guilt;
Then was the Pope, that good Twelfth Innocent,
Appealed to: who well weighed what went before,
Affirmed the guilt and gave the guilty doom.
Let this old woe step on the stage again!
Act itself o'er anew for men to judge,
Not by the very sense and sight indeed—
(Which take at best imperfect cognizance,
Since, how heart moves brain, and how both move hand,
What mortal ever in entirety saw?)
—No dose of purer truth than man digests,
But truth with falsehood, milk that feeds him now,
Not strong meat he may get to bear some day—
To-wit, by voices we call evidence,
Uproar in the echo, live fact deadened down,
Talked over, bruited abroad, whispered away,
Yet helping us to all we seem to hear:
For how else know we save by worth of word?
Here are the voices presently shall sound
In due succession. First, the world's outcry
Around the rush and ripple of any fact
Fallen stonewise, plumb on the smooth face of things;
The world's guess, as it crowds the bank o' the pool,
At what were figure and substance, by their splash:
Then, by vibrations in the general mind,
At depth of deed already out of reach.
This threefold murder of the day before,—
Say, Half-Rome's feel after the vanished truth;
Honest enough, as the way is: all the same,
Harbouring in the centre of its sense
A hidden germ of failure, shy but sure,
To neutralize that honesty and leave
That feel for truth at fault, as the way is too.
Some prepossession such as starts amiss,
By but a hair's breadth at the shoulder-blade,
The arm o' the feeler, dip he ne'er so bold;
So leads arm waveringly, lets fall wide
O' the mark its finger, sent to find and fix
Truth at the bottom, that deceptive speck.
With this Half-Rome,—the source of swerving, call
Over-belief in Guido's right and wrong
Rather than in Pompilia's wrong and right:
Who shall say how, who shall say why? 'T is there—
The instinctive theorizing whence a fact
Looks to the eye as the eye likes the look.
Gossip in a public place, a sample-speech.
Some worthy, with his previous hint to find
A husband's side the safer, and no whit
Aware he is not Æacus the while,—
How such an one supposes and states fact
To whosoever of a multitude
Will listen, and perhaps prolong thereby
The not-unpleasant flutter at the breast,
Born of a certain spectacle shut in
By the church Lorenzo opposite. So, they lounge
Midway the mouth o'the street, on Corso side,
'Twixt palace Fiano and palace Ruspoli,
Linger and listen; keeping clear o' the crowd,
Yet wishful one could lend that crowd one's eyes,
(So universal is its plague of squint)
And make hearts beat our time that flutter false:
—All for the truth's sake, mere truth, nothing else!
How Half-Rome found for Guido much excuse.
Next, from Rome's other half, the opposite feel
For truth with a like swerve, like unsuccess,—
Or if success, by no skill but more luck
This time, through siding rather with the wife,
Because a fancy-fit inclined that way,
Than with the husband. One wears drab, one pink;
Who wears pink, ask him "Which shall win the race,
"Of coupled runners like as egg and egg?"
"—Why, if I must choose, he with the pink scarf."
Doubtless for some such reason choice fell here.
A piece of public talk to correspond
At the next stage of the story; just a day
Let pass and new day brings the proper change.
Another sample-speech i' the market-place
O' the Barberini by the Capucins;
Where the old Triton, at his fountain-sport,
Bernini's creature plated to the paps,
Puffs up steel sleet which breaks to diamond dust,
A spray of sparkles snorted from his conch,
High over the caritellas, out o' the way
O' the motley merchandizing multitude.
Our murder has been done three days ago,
The frost is over and gone, the south wind laughs,
And, to the very tiles of each red roof
A-smoke i' the sunshine, Rome lies gold and glad:
So, listen how, to the other half of Rome,
Pompilia seemed a saint and martyr both!
Then, yet another day let come and go,
With pause prelusive still of novelty,
Hear a fresh speaker!—neither this nor that
Half-Rome aforesaid; something bred of both:
One and one breed the inevitable three.
Such is the personage harangues you next;
The elaborated product, tertium quid:
Rome's first commotion in subsidence gives
The curd o'the cream, flower o' the wheat, as it were,
And finer sense o' the city. Is this plain?
You get a reasoned statement of the case,
Eventual verdict of the curious few
Who care to sift a business to the bran
Nor coarsely bolt it like the simpler sort.
Here, after ignorance, instruction speaks;
Here, clarity of candour, history's soul,
The critical mind, in short: no gossip-guess.
What the superior social section thinks,
In person of some man of quality
Who,—breathing musk from lace-work and brocade,
His solitaire amid the flow of frill,
Powdered peruke on nose, and bag at back,
And cane dependent from the ruffled wrist,—
Harangues in silvery and selectest phrase
'Neath waxlight in a glorified saloon
Where mirrors multiply the girandole:
Courting the approbation of no mob,
But Eminence This and All-Illustrious That
Who take snuff softly, range in well-bred ring,
Card-table-quitters for observance' sake,
Around the argument, the rational word—
Still, spite its weight and worth, a sample-speech.
How Quality dissertated on the case.
So much for Rome and rumour; smoke comes first:
Once let smoke rise untroubled, we descry
Clearlier what tongues of flame may spire and spit
To eye and ear, each with appropriate tinge
According to its food, or pure or foul.
The actors, no mere rumours of the act,
Intervene. First you hear Count Guido's voice,
In a small chamber that adjoins the court,
Where Governor and Judges, summoned thence,
Tommati, Venturini and the rest,
Find the accused ripe for declaring truth.
Soft-cushioned sits he; yet shifts seat, shirks touch,
As, with a twitchy brow and wincing lip
And cheek that changes to all kinds of white,
He proffers his defence, in tones subdued
Near to mock-mildness now, so mournful seems
The obtuser sense truth fails to satisfy;
Now, moved, from pathos at the wrong endured,
To passion; for the natural man is roused
At fools who first do wrong then pour the blame
Of their wrong-doing, Satan-like, on Job.
Also his tongue at times is hard to curb;
Incisive, nigh satiric bites the phrase,
Rough-raw, yet somehow claiming privilege
—It is so hard for shrewdness to admit
Folly means no harm when she calls black white!
—Eruption momentary at the most,
Modified forthwith by a fall o' the fire,
Sage acquiescence; for the world's the world,
And, what it errs in, Judges rectify:
He feels he has a fist, then folds his arms
Crosswise and makes his mind up to be meek.
And never once does he detach his eye
From those ranged there to slay him or to save,
But does his best man's-service for himself,
Despite,—what twitches brow and makes lip wince,—
His limbs' late taste of what was called the Cord,
Or Vigil-torture more facetiously.
Even so; they were wont to tease the truth
Out of loth witness (toying, trifling time)
By torture: 't was a trick, a vice of the age,
Here, there and everywhere, what would you have?
Religion used to tell Humanity
She gave him warrant or denied him course.
And since the course was much to his own mind,
Of pinching flesh and pulling bone from bone
To unhusk truth a-hiding in its hulls,
Nor whisper of a warning stopped the way,
He, in their joint behalf, the burly slave,
Bestirred him, mauled and maimed all recusants,
While, prim in place, Religion overlooked;
And so had done till doomsday, never a sign
Nor sound of interference from her mouth,
But that at last the burly slave wiped brow,
Let eye give notice as if soul were there,
Muttered "'T is a vile trick, foolish more than vile,
"Should have been counted sin; I make it so:
"At any rate no more of it for me—
"Nay, for I break the torture-engine thus!"
Then did Religion start up, stare amain,
Look round for help and see none, smile and say
"What, broken is the rack? Well done of thee!
"Did I forget to abrogate its use?
"Be the mistake in common with us both!
"—One more fault our blind age shall answer for,
"Down in my book denounced though it must be
"Somewhere. Henceforth find truth by milder means!"
Ah but, Religion, did we wait for thee
To ope the book, that serves to sit upon,
And pick such place out, we should wait indeed!
That is all history: and what is not now,
Was then, defendants found it to their cost.
How Guido, after being tortured, spoke.
Also hear Caponsacchi who comes next,
Man and priest—could you comprehend the coil!—
In days when that was rife which now is rare.
How, mingling each its multifarious wires,
Now heaven, now earth, now heaven and earth at once,
Had plucked at and perplexed their puppet here,
Played off the young frank personable priest;
Sworn fast and tonsured plain heaven's celibate,
And yet earth's clear-accepted servitor,
A courtly spiritual Cupid, squire of dames
By law of love and mandate of the mode.
The Church's own, or why parade her seal,
Wherefore that chrism and consecrative work?
Yet verily the world's, or why go badged
A prince of sonneteers and lutanists,
Show colour of each vanity in vogue
Borne with decorum due on blameless breast?
All that is changed now, as he tells the court
How he had played the part excepted at;
Tells it, moreover, now the second time:
Since, for his cause of scandal, his own share
I' the flight from home and husband of the wife,
He has been censured, punished in a sort
By relegation,—exile, we should say,
To a short distance for a little time,—
Whence he is summoned on a sudden now,
Informed that she, he thought to save, is lost,
And, in a breath, bidden re-tell his tale,
Since the first telling somehow missed effect,
And then advise in the matter. There stands he,
While the same grim black-panelled chamber blinks
As though rubbed shiny with the sins of Rome
Told the same oak for ages—wave-washed wall
Against which sets a sea of wickedness.
There, where you yesterday heard Guido speak,
Speaks Caponsacchi; and there face him too
Tommati, Venturini and the rest
Who, eight months earlier, scarce repressed the smile,
Forewent the wink; waived recognition so
Of peccadillos incident to youth,
Especially youth high-born; for youth means love,
Vows can't change nature, priests are only men,
And love likes stratagem and subterfuge
Which age, that once was youth, should recognize,
May blame, but needs not press too hard upon.
Here sit the old Judges then, but with no grace
Of reverend carriage, magisterial port:
For why? The accused of eight months since,—the same
Who cut the conscious figure of a fool,
Changed countenance, dropped bashful gaze to ground,
While hesitating for an answer then,—
Now is grown judge himself, terrifies now
This, now the other culprit called a judge,
Whose turn it is to stammer and look strange,
As he speaks rapidly, angrily, speech that smites:
And they keep silence, bear blow after blow,
Because the seeming-solitary man,
Speaking for God, may have an audience too,
Invisible, no discreet judge provokes.
How the priest Caponsacchi said his say.
Then a soul sighs its lowest and its last
After the loud ones,—so much breath remains
Unused by the four-days'-dying; for she lived
Thus long, miraculously long, 't was thought,
Just that Pompilia might defend herself.
How, while the hireling and the alien stoop,
Comfort, yet question,—since the time is brief,
And folk, allowably inquisitive,
Encircle the low pallet where she lies
In the good house that helps the poor to die,—
Pompilia tells the story of her life.
For friend and lover,—leech and man of law
Do service; busy helpful ministrants
As varied in their calling as their mind,
Temper and age: and yet from all of these,
About the white bed under the arched roof,
Is somehow, as it were, evolved a one,—
Small separate sympathies combined and large,
Nothings that were, grown something very much:
As if the bystanders gave each his straw,
All he had, though a trifle in itself,
Which, plaited all together, made a Cross
Fit to die looking on and praying with,
Just as well as if ivory or gold.
So, to the common kindliness she speaks,
There being scarce more privacy at the last
For mind than body: but she is used to bear,
And only unused to the brotherly look.
How she endeavoured to explain her life.
Then, since a Trial ensued, a touch o' the same
To sober us, flustered with frothy talk,
And teach our common sense its helplessness.
For why deal simply with divining-rod,
Scrape where we fancy secret sources flow,
And ignore law, the recognized machine,
Elaborate display of pipe and wheel
Framed to unchoke, pump up and pour apace
Truth till a flowery foam shall wash the world?
The patent truth-extracting process,—ha?
Let us make that grave mystery turn one wheel,
Give you a single grind of law at least!
One orator, of two on either side,
Shall teach us the puissance of the tongue
—That is, o' the pen which simulated tongue
On paper and saved all except the sound
Which never was. Law's speech beside law's thought?
That were too stunning, too immense an odds:
That point of vantage law lets nobly pass.
One lawyer shall admit us to behold
The manner of the making out a case,
First fashion of a speech; the chick in egg,
The masterpiece law's bosom incubates.
How Don Giacinto of the Arcangeli,
Called Procurator of the Poor at Rome,
Now advocate for Guido and his mates,—
The jolly learned man of middle age,
Cheek and jowl all in laps with fat and law,
Mirthful as mighty, yet, as great hearts use,
Despite the name and fame that tempt our flesh,
Constant to that devotion of the hearth,
Still captive in those dear domestic ties!—
How he,—having a cause to triumph with,
All kind of interests to keep intact,
More than one efficacious personage
To tranquillize, conciliate and secure,
And above all, public anxiety
To quiet, show its Guido in good hands,—
Also, as if such burdens were too light,
A certain family-feast to claim his care,
The birthday-banquet for the only son—
Paternity at smiling strife with law—
How he brings both to buckle in one bond;
And, thick at throat, with waterish under-eye,
Turns to his task and settles in his seat
And puts his utmost means in practice now:
Wheezes out law-phrase, whiffles Latin forth,
And, just as though roast lamb would never be,
Makes logic levigate the big crime small:
Rubs palm on palm, rakes foot with itchy foot,
Conceives and inchoates the argument,
Sprinkling each flower appropriate to the time,
—Ovidian quip or Ciceronian crank,
A-bubble in the larynx while he laughs,
As he had fritters deep down frying there.
How he turns, twists, and tries the oily thing
Shall be—first speech for Guido 'gainst the Fisc.
Then with a skip as it were from heel to head,
Leaving yourselves fill up the middle bulk
O' the Trial, reconstruct its shape august,
From such exordium clap we to the close;
Give you, if we dare wing to such a height,
The absolute glory in some full-grown speech
On the other side, some finished butterfly,
Some breathing diamond-flake with leaf-gold fans,
That takes the air, no trace of worm it was,
Or cabbage-bed it had production from.
Giovambattista o' the Bottini, Fisc,
Pompilia's patron by the chance of the hour,
To-morrow her persecutor,—composite, he,
As becomes who must meet such various calls—
Odds of age joined in him with ends of youth.
A man of ready smile and facile tear,
Improvised hopes, despairs at nod and beck,
And language—ah, the gift of eloquence!
Language that goes, goes, easy as a glove,
O'er good and evil, smoothens both to one.
Rashness helps caution with him, fires the straw,
In free enthusiastic careless fit,
On the first proper pinnacle of rock
Which offers, as reward for all that zeal,
To lure some bark to founder and bring gain:
While calm sits Caution, rapt with heavenward eye,
A true confessor's gaze, amid the glare
Beaconing to the breaker, death and hell.
"Well done, thou good and faithful" she approves:
"Hadst thou let slip a faggot to the beach,
"The crew might surely spy thy precipice
"And save their boat; the simple and the slow
"Might so, forsooth, forestall the wrecker's fee!
"Let the next crew be wise and hail in time!"
Just so compounded is the outside man,
Blue juvenile pure eye and pippin cheek,
And brow all prematurely soiled and seamed
With sudden age, bright devastated hair.
Ah, but you miss the very tones o' the voice,
The scrannel pipe that screams in heights of head,
As, in his modest studio, all alone,
The tall wight stands a-tiptoe, strives and strains,
Both eyes shut, like the cockerel that would crow,
Tries to his own self amorously o'er
What never will be uttered else than so—
Since to the four walls, Forum and Mars' Hill,
Speaks out the poesy which, penned, turns prose.
Clavecinist debarred his instrument,
He yet thrums—shirking neither turn nor trill,
With desperate finger on dumb table-edge—
The sovereign rondo, shall conclude his Suite,
Charm an imaginary audience there,
From old Corelli to young Haendel, both
I' the flesh at Rome, ere he perforce go print
The cold black score, mere music for the mind—
The last speech against Guido and his gang,
With special end to prove Pompilia pure.
How the Fisc vindicates Pompilia's fame.
Then comes the all but end, the ultimate
Judgment save yours. Pope Innocent the Twelfth,
Simple, sagacious, mild yet resolute,
With prudence, probity and—what beside
From the other world he feels impress at times,
Having attained to fourscore years and six,—
How, when the court found Guido and the rest
Guilty, but law supplied a subterfuge
And passed the final sentence to the Pope,
He, bringing his intelligence to bear
This last time on what ball behoves him drop
In the urn, or white or black, does drop a black,
Send five souls more to just precede his own,
Stand him in stead and witness, if need were,
How he is wont to do God's work on earth.
The manner of his sitting out the dim
Droop of a sombre February day
In the plain closet where he does such work,
With, from all Peter's treasury, one stool,
One table and one lathen crucifix.
There sits the Pope, his thoughts for company;
Grave but not sad,—nay, something like a cheer
Leaves the lips free to be benevolent,
Which, all day long, did duty firm and fast.
A cherishing there is of foot and knee,
A chafing loose-skinned large-veined hand with hand,—
What steward but knows when stewardship earns its wage,
May levy praise, anticipate the lord?
He reads, notes, lays the papers down at last,
Muses, then takes a turn about the room;
Unclasps a huge tome in an antique guise,
Primitive print and tongue half obsolete,
That stands him in diurnal stead; opes page,
Finds place where falls the passage to be conned
According to an order long in use:
And, as he comes upon the evening's chance,
Starts somewhat, solemnizes straight his smile,
Then reads aloud that portion first to last,
And at the end lets flow his own thoughts forth
Likewise aloud, for respite and relief,
Till by the dreary relics of the west
Wan through the half-moon window, all his light,
He bows the head while the lips move in prayer,
Writes some three brief lines, signs and seals the same,
Tinkles a hand-bell, bids the obsequious Sir
Who puts foot presently o' the closet-sill
He watched outside of, bear as superscribed
That mandate to the Governor forthwith:
Then heaves abroad his cares in one good sigh,
Traverses corridor with no arm's help,
And so to sup as a clear conscience should.
The manner of the judgment of the Pope.
Then must speak Guido yet a second time,
Satan's old saw being apt here—skin for skin,
All a man hath that will he give for life.
While life was graspable and gainable,
And bird-like buzzed her wings round Guido's brow,
Not much truth stiffened out the web of words
He wove to catch her: when away she flew
And death came, death's breath rivelled up the lies,
Left bare the metal thread, the fibre fine
Of truth, i' the spinning: the true words shone last.
How Guido, to another purpose quite,
Speaks and despairs, the last night of his life,
In that New Prison by Castle Angelo
At the bridge foot: the same man, another voice.
On a stone bench in a close fetid cell,
Where the hot vapour of an agony,
Struck into drops on the cold wall, runs down—
Horrible worms made out of sweat and tears—
There crouch, well nigh to the knees in dungeon-straw,
Lit by the sole lamp suffered for their sake,
Two awe-struck figures, this a Cardinal,
That an Abate, both of old styled friends
O' the thing part man part monster in the midst,
So changed is Franceschini's gentle blood.
The tiger-cat screams now, that whined before,
That pried and tried and trod so gingerly,
Till in its silkiness the trap-teeth joined;
Then you know how the bristling fury foams.
They listen, this wrapped in his folds of red,
While his feet fumble for the filth below;
The other, as beseems a stouter heart,
Working his best with beads and cross to ban
The enemy that comes in like a flood
Spite of the standard set up, verily
And in no trope at all, against him there
For at the prison-gate, just a few steps
Outside, already, in the doubtful dawn,
Thither, from this side and from that, slow sweep
And settle down in silence solidly,
Crow-wise, the frightful Brotherhood of Death.
Black-hatted and black-hooded huddle they,
Black rosaries a-dangling from each waist;
So take they their grim station at the door,
Torches lit, skull-and-cross-bones-banner spread,
And that gigantic Christ with open arms,
Grounded. Nor lacks there aught but that the group
Break forth, intone the lamentable psalm,
"Out of the deeps, Lord, have I cried to thee!"—
When inside, from the true profound, a sign
Shall bear intelligence that the foe is foiled,
Count Guido Franceschini has confessed,
And is absolved and reconciled with God.
Then they, intoning, may begin their march,
Make by the longest way for the People's Square,
Carry the criminal to his crime's award:
A mob to cleave, a scaffolding to reach,
Two gallows and Mannaia crowning all.
How Guido made defence a second time.
Finally, even as thus by step and step
I led you from the level of to-day
Up to the summit of so long ago,
Here, whence I point you the wide prospect round—
Let me, by like steps, slope you back to smooth,
Land you on mother-earth, no whit the worse,
To feed o' the fat o' the furrow: free to dwell,
Taste our time's better things profusely spread
For all who love the level, corn and wine,
Much cattle and the many-folded fleece.
Shall not my friends go feast again on sward,
Though cognizant of country in the clouds
Higher than wistful eagle's horny eye
Ever unclosed for, 'mid ancestral crags,
When morning broke and Spring was back once more,
And he died, heaven, save by his heart, unreached?
Yet heaven my fancy lifts to, ladder-like,—
As Jack reached, holpen of his beanstalk-rungs!
A novel country: I might make it mine
By choosing which one aspect of the year
Suited mood best, and putting solely that
On panel somewhere in the House of Fame,
Landscaping what I saved, not what I saw:
—Might fix you, whether frost in goblin-time
Startled the moon with his abrupt bright laugh,
Or, August's hair afloat in filmy fire,
She fell, arms wide, face foremost on the world,
Swooned there and so singed out the strength of things.
Thus were abolished Spring and Autumn both,
The land dwarfed to one likeness of the land,
Life cramped corpse-fashion. Rather learn and love
Each facet-flash of the revolving year!—
Red, green and blue that whirl into a white,
The variance now, the eventual unity,
Which make the miracle. See it for yourselves,
This man's act, changeable because alive!
Action now shrouds, nor shows the informing thought;
Man, like a glass ball with a spark a-top,
Out of the magic fire that lurks inside,
Shows one tint at a time to take the eye:
Which, let a finger touch the silent sleep,
Shifted a hair's-breadth shoots you dark for bright,
Suffuses bright with dark, and baffles so
Your sentence absolute for shine or shade.
Once set such orbs,—white styled, black stigmatized,—
A-rolling, see them once on the other side
Your good men and your bad men every one
From Guido Franceschini to Guy Faux,
Oft would you rub your eyes and change your names
Such, British Public, ye who like me not,
(God love you!)—whom I yet have laboured for,
Perchance more careful whoso runs may read
Than erst when all, it seemed, could read who ran,—
Perchance more careless whoso reads may praise
Than late when he who praised and read and wrote
Was apt to find himself the self-same me,—
Such labour had such issue, so I wrought
This arc, by furtherance of such alloy,
And so, by one spirt, take away its trace
Till, justifiably golden, rounds my ring.
A ring without a posy, and that ring mine?
O lyric Love, half angel and half bird
And all a wonder and a wild desire,—
Boldest of hearts that ever braved the sun,
Took sanctuary within the holier blue,
And sang a kindred soul out to his face,—
Yet human at the red-ripe of the heart—
When the first summons from the darkling earth
Reached thee amid thy chambers, blanched their blue,
And bared them of the glory—to drop down,
To toil for man, to suffer or to die,—
This is the same voice: can thy soul know change?
Hail then, and hearken from the realms of help!
Never may I commence my song, my due
To God who best taught song by gift of thee,
Except with bent head and beseeching hand—
That still, despite the distance and the dark,
What was, again may be; some interchange
Of grace, some splendour once thy very thought,
Some benediction anciently thy smile:
—Never conclude, but raising hand and head
Thither where eyes, that cannot reach, yet yearn
For all hope, all sustainment, all reward,
Their utmost up and on,—so blessing back
In those thy realms of help, that heaven thy home,
Some whiteness which, I judge, thy face makes proud,
Some wanness where, I think, thy foot may fall!
It Is Only The Poetry
IT IS ONLY THE POETRY
It is only the poetry
Through which the deepest inner feeling
Can say itself
Only it allows expression to
What mind and heart most painfully mean
It is only the poetry
Which is the soul in essence
Without the poetry-
I cannot breathe and be free.
What Is War
What is War
War is always
War is near
War is here
War is down the road
War is in the road
War is life
War is death
War is what drives some to
War is what drives some away
War is in the air
War is in my pear
War is fun to some
War is sorrow for others
War is always
War is all around us
War is the world in which we live in
I wonder does war last end in heaven
Only The Darkness (Can See)
kick down the door,
rattle the panes and the shutters.
break the glass urn,
blow the dust from the wings.
touch the untouchable.
feel the forbidden.
what you taste in your sleep,
is only you!
strike a match to the walls,
sweep your belongings to the fire.
what is burned cant own you,
the unbridled horse runs free!
bite the neck of the lover,
give way to the howl.
the moonlight writes verses
only the darkness can see!