Speech is civilization itself.
quote by Thomas Mann
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Inarticulate Speech Of The Heart No. 2
Inarticulate speech, inarticulate speech of the heart
Inarticulate speech, inarticulate speech of the heart
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
Inarticulate speech, inarticulate speech of the heart
Inarticulate speech, inarticulate speech of the heart
I'm just wild about it i can't live without it
I'm just wild about it i can't live without it
Inarticulate speech, inarticulate speech of the heart
Inarticulate speech, inarticulate speech of the heart
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
Spoken
I'm a soul in wonder
I'm a soul in wonder
I'm a soul in wonder
A soul in wonder
A soul in wonder
song performed by Van Morrison
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator
Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!
It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!
Well,
Let others climb the heights o' the court, the camp!
[...] Read more
poem by Robert Browning from The Ring and the Book
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I. The Ring and the Book
Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.
Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.
[...] Read more
poem by Robert Browning from The Ring and the Book
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
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The Bride's Prelude
“Sister,” said busy Amelotte
To listless Aloÿse;
“Along your wedding-road the wheat
Bends as to hear your horse's feet,
And the noonday stands still for heat.”
Amelotte laughed into the air
With eyes that sought the sun:
But where the walls in long brocade
Were screened, as one who is afraid
Sat Aloÿse within the shade.
And even in shade was gleam enough
To shut out full repose
From the bride's 'tiring-chamber, which
Was like the inner altar-niche
Whose dimness worship has made rich.
Within the window's heaped recess
The light was counterchanged
In blent reflexes manifold
From perfume-caskets of wrought gold
And gems the bride's hair could not hold,
All thrust together: and with these
A slim-curved lute, which now,
At Amelotte's sudden passing there,
Was swept in somewise unaware,
And shook to music the close air.
Against the haloed lattice-panes
The bridesmaid sunned her breast;
Then to the glass turned tall and free,
And braced and shifted daintily
Her loin-belt through her côte-hardie.
The belt was silver, and the clasp
Of lozenged arm-bearings;
A world of mirrored tints minute
The rippling sunshine wrought into 't,
That flushed her hand and warmed her foot.
At least an hour had Aloÿse—
Her jewels in her hair—
Her white gown, as became a bride,
Quartered in silver at each side—
Sat thus aloof, as if to hide.
Over her bosom, that lay still,
The vest was rich in grain,
With close pearls wholly overset:
Around her throat the fastenings met
Of chevesayle and mantelet.
Her arms were laid along her lap
With the hands open: life
Itself did seem at fault in her:
Beneath the drooping brows, the stir
Of thought made noonday heavier.
[...] Read more
poem by Dante Gabriel Rossetti
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Its A Jungle Out There
(pilger, polen, moloney)
Producer for bonnie: jim steinman
I hear you call it civilization
Its a jungle out there
Its a jungle out there
Unending nights of temptation
Its a jungle out there
But you just dont care
Each night you dress up to kill them
Down at the watering hole
You stalk your prey with high fashion
With self control, you play the roll
The lonely and the lonely heart hunters
The neon love life, oh it cuts like a knife
I hear you call it civilization
Its a jungle out there
Its a jungle out there
The sounds and shadows surround you
Youre swinging vine to vine
Below the nightmare it gathers
Its like a jungle, at feeding time
Clawing through the crowd each night
Oh you set your trap so carefully, a trophy for your wall
Someone has you in their sights
You are both the hunters and the prey, no winners at all
I hear you call it civilization
Its ajungle out there
Its a jungle out there
Unending nights of temptation
Its ajungle out there
But you just dont care
Unending nights of temptation
Its a jungle out there
Its a jungle out there
Civilization! oh!
Its ajungle out there
You call it civilization
Its a jungle out there
Its a jungle out there
song performed by Bonnie Tyler
Added by Lucian Velea
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Political Assassination Publically Justified
“Friends, Romans, countrymen, lend me your ears”
such emotionally charged rhetoric written in iambic
pentameter; reminds of times without hearing aids
when microphone television did not aid cause politic.
Yes Antony here plays mocking Brutus, saying that
maybe his speech was too 'cerebral' for the crowd.
Let us not beat around the bush in politics agendaed
politic proclaim “So are they all, all honourable men”.
A portion of the speech 'But Brutus was an honourable
man' is referenced in an opening scene of the West Wing;
which reminds of honourable times without hearing aids
when microphone television did not edit amplify a plot.
“O judgment! thou art fled to brutish beasts,
And men have lost their reason. Bear with me; ”
recall words 'Enemies Foreign and Domestic'
remind in war on terror of threatening all abodes.
Brutus too had previously delivered politic speech,
in which Brutus proud claimed that the murder had;
been done in name of public freedom clever speech,
evil lives while good is oft interred with slain bones.
The opening quotation of this poem is the famous first line of the often-quoted speech by Mark Antony, in the play Julius Caesar, by William Shakespeare. The first three words fit into the rule of three technique.
The second quotation also alludes to the theme of a speaker and the power of a good speech to convince an audience of a specific political point of view. Note the turn of the word honourable to mean dishonourable in Mark Anthony’s speech and beware those who speak of us as Honourable Friends.
poem by Terence George Craddock
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Conversation
Though nature weigh our talents, and dispense
To every man his modicum of sense,
And Conversation in its better part
May be esteem'd a gift, and not an art,
Yet much depends, as in the tiller’s toil,
On culture, and the sowing of the soil.
Words learn'd by rote a parrot may rehearse,
But talking is not always to converse;
Not more distinct from harmony divine,
The constant creaking of a country sign.
As alphabets in ivory employ,
Hour after hour, the yet unletter’d boy,
Sorting and puzzling with a deal of glee
Those seeds of science call’d his a b c;
So language in the mouths of the adult,
Witness its insignificant result,
Too often proves an implement of play,
A toy to sport with, and pass time away.
Collect at evening what the day brought forth,
Compress the sum into its solid worth,
And if it weigh the importance of a fly,
The scales are false, or algebra a lie.
Sacred interpreter of human thought,
How few respect or use thee as they ought!
But all shall give account of every wrong,
Who dare dishonour or defile the tongue;
Who prostitute it in the cause of vice,
Or sell their glory at a market-price;
Who vote for hire, or point it with lampoon,
The dear-bought placeman, and the cheap buffoon.
There is a prurience in the speech of some,
Wrath stays him, or else God would strike them dumb;
His wise forbearance has their end in view,
They fill their measure and receive their due.
The heathen lawgivers of ancient days,
Names almost worthy of a Christian’s praise,
Would drive them forth from the resort of men,
And shut up every satyr in his den.
Oh, come not ye near innocence and truth,
Ye worms that eat into the bud of youth!
Infectious as impure, your blighting power
Taints in its rudiments the promised flower;
Its odour perish’d, and its charming hue,
Thenceforth ‘tis hateful, for it smells of you.
Not e’en the vigorous and headlong rage
Of adolescence, or a firmer age,
Affords a plea allowable or just
For making speech the pamperer of lust;
But when the breath of age commits the fault,
‘Tis nauseous as the vapour of a vault.
[...] Read more
poem by William Cowper
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The Song of Lamech
Hearken to me, ye mothers of my tent:
Ye wives of Lamech, hearken to my speech:
Adah, let Jubal hither lead his goats:
And Tubal Cain, O Zillah, hush the forge;
Naamah her wheel shall ply beside, and thou,
My Jubal, touch, before I speak, the string.
Yea, Jubal, touch, before I speak, the string.
Hear ye my voice, beloved of my tent,
Dear ones of Lamech, listen to my speech.
For Eve made answer, Cain, my son, my own,
O, if I cursed thee, O my child, I sinned,
And He that heard me, heard, and said me nay:
My first, my only, one, thou shalt not go;
And Adam answered also, Cain, my son,
He that is gone forgiveth, we forgive:
Rob not thy mother of two sons at once;
My child, abide with us and comfort us.
Hear ye my voice; Adah and Zillah, hear;
Ye wives of Lamech, listen to my speech.
For Cain replied not. But, an hour more, sat
Where the night through he sat; his knit brows seen,
Scarce seen, amid the foldings of his limbs.
But when the sun was bright upon the field,
To Adam still, and Eve still waiting by,
And weeping, lift he up his voice and spake.
Cain said, The sun is risen upon the earth;
The day demands my going, and I go.
As you from Paradise, so I from you:
As you to exile, into exile I:
My father and my mother, I depart.
As betwixt you and Paradise of old,
So betwixt me, my parents, now, and you,
Cherubim I discern, and in their hand
A flaming sword that turneth every way,
To keep the way of my one tree of life,
The way my spirit yearns to, of my love.
Yet not, O Adam and O Eve, fear not.
For He that asked me, Where is Abel? He
Who called me cursed from the earth, and said
A fugitive and vagabond thou art,
He also said, when fear had slain my soul,
There shall not touch thee man nor beast. Fear not.
Lo, I have spoke with God, and He hath said.
Fear not; and let me go as He hath said.
Cain also said (O Jubal, touch thy string),
Moreover, in the darkness of my mind,
When the night’s night of misery was most black,
A little star came twinkling up within,
[...] Read more
poem by Arthur Hugh Clough
Added by Veronica Serbanoiu
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Canto III
Another's a half-cracked fellow—John Heydon,
Worker of miracles, dealer in levitation,
In thoughts upon pure form, in alchemy,
Seer of pretty visions ('servant of God and secretary of nature');
Full of plaintive charm, like Botticelli's,
With half-transparent forms, lacking the vigor of gods.
Thus Heydon, in a trance, at Bulverton,
Had such a sight:
Decked all in green, with sleeves of yellow silk
Slit to the elbow, slashed with various purples.
Her eyes were green as glass, her foot was leaf-like.
She was adorned with choicest emeralds,
And promised him the way of holy wisdom.
'Pretty green bank,' began the half-lost poem.
Take the old way, say I met John Heydon,
Sought out the place,
Lay on the bank, was 'plungèd deep in swevyn;'
And saw the company—Layamon, Chaucer—
Pass each in his appropriate robes;
Conversed with each, observed the varying fashion.
And then comes Heydon.
'I have seen John Heydon.'
Let us hear John Heydon!
'Omniformis
Omnis intellectus est'—thus he begins, by spouting half of Psellus.
(Then comes a note, my assiduous commentator:
Not Psellus De Daemonibus, but Porphyry's Chances,
In the thirteenth chapter, that 'every intellect is omni-form.')
Magnifico Lorenzo used the dodge,
Says that he met Ficino
In some Wordsworthian, false-pastoral manner,
And that they walked along, stopped at a well-head,
And heard deep platitudes about contentment
From some old codger with an endless beard.
'A daemon is not a particular intellect,
But is a substance differed from intellect,'
Breaks in Ficino,
'Placed in the latitude or locus of souls'—
That's out of Proclus, take your pick of them.
Valla, more earth and sounder rhetoric—
Prefacing praise to his Pope Nicholas:
'A man of parts, skilled in the subtlest sciences;
A patron of the arts, of poetry; and of a fine discernment.'
Then comes a catalogue, his jewels of conversation.
No, you've not read your Elegantiae—
A dull book?—shook the church.
The prefaces, cut clear and hard:
'Know then the Roman speech, a sacrament,'
Spread for the nations, eucharist of wisdom,
Bread of the liberal arts.
[...] Read more
poem by Ezra Pound
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Grave Retrospective
Possessions' progression obsession
poor more, more than best less, must draw
conclusions mistaken, impression
that wealth over health sets the score
for worth on our earth where aggression's
too often condoned by the law,
where success seems a sterile succession
of trangressions that ravage rapports.
This seems tantamount to retrogression
where blunderbuss plunder makes war
where arrogant ego expression
is excuse for abuse all abhor.
Who lusts for a trophy procession
to celebrate, victory's roar,
finds vain remains reign, dispossession,
cyclic atrophy squanders life's store.
Where vice is held virtue, concession
signals weakness, destruction in store,
where thinly disguised indiscretion
pours rewards upon traitor or whore,
where equity's lacks intercession
from power base raw's bloody maw
it is hard to ignore the suppression
of freedom, true rue rotten core.
Where equity finds no reflection
in the eyes of corrupt judge explore
when and how most lost sense of direction,
surrendered control, and deplore
political moral defection,
dereliction of duty, closed door,
or puppet string rigging election,
democracy hard to restore.
Once life's flow more than permanence counted,
Nature guided intemporal tide,
no need for race, steed to be mounted,
no seed but would blossom beside
scheme stream of unconscious connections
as each was in all, all in each, -
no need for trace, gain, greed, projections,
for constrictive force frontiers of speech.
Once no part of the whole was discounted
as second-class link in life's chain,
each link was completely accounted
as interdependent to gain
from Time time to evolve, never static,
[...] Read more
poem by Jonathan Robin
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If aliens from outer space ever come and we show them our civilization and they make fun of it, we should say we were just kidding, that this isn't really our civilization, but a gag we hoped they would like. Then we tell them to come back in twenty years to see our REAL civilization. After that, we start a crash program of coming up with an impressive new civilization. Either that, or just shoot down the aliens as they're waving good-bye.
Jack Handey in Deep Thoughts
Added by Lucian Velea
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High Civilization
Cryin' in the streets
They run for their lives
How can you lead them to heaven
They don't realize
Children of the night
How far can we fall
That which we say is forever
Ain't no time at all
Father and the son
Not too young to be old
Reach out for each other when
The world goes cold
Feel so good to be home
Are you ready for
(CHORUS)
My high civilization
Are you ready for
My high civilization
Are you ready for
My high civilization
Civilization
Everything for us to see
The ultimate society
Keeper of the sword
You fight for your rights
How can you live for the hour
When there's no yesterday
Dyin' in the streets
Your number your name
All that which keeps us together
Is bringing us the pain
Thunder of the guns
Comes the criminal mind
Working for the power of
The evil eye
We are never alone
Uncivilized
(CHORUS)
New York
song performed by Bee Gees from High Civilization
Added by Lucian Velea
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What Shall I Bring To Offer You?
Civilization,
what shall i bring as an offering to you?
One that does not bore you
with the passage of time
One that makes your blood rush to the
veins of your youth
Civilization,
They must have offered you the white flowers
of purity
They purest blood of their revolution to cleanse
your land of the evil spirits of their minds
Their own minds
Their own pollution
Indifference to the feelings of desire
How did they kill the beats of the heart
the beat of heat of the pulse of love for one another?
Civilization
How many shall be killed more in the name of morality
And official religion?
Civilization
I humbly come before you and offer you love
Lots of love
Love and love and love
That one which the basket of morality can no longer hold
That one which the hands of religion can no longer touch
That one which the arms of their gods can no longer embrace
I shall take you to the place beyond common understanding
It is love and love and love
Beyond what you can take.
poem by Ric S. Bastasa
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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XII. The Book and the Ring
Here were the end, had anything an end:
Thus, lit and launched, up and up roared and soared
A rocket, till the key o' the vault was reached,
And wide heaven held, a breathless minute-space,
In brilliant usurpature: thus caught spark,
Rushed to the height, and hung at full of fame
Over men's upturned faces, ghastly thence,
Our glaring Guido: now decline must be.
In its explosion, you have seen his act,
By my power—may-be, judged it by your own,—
Or composite as good orbs prove, or crammed
With worse ingredients than the Wormwood Star.
The act, over and ended, falls and fades:
What was once seen, grows what is now described,
Then talked of, told about, a tinge the less
In every fresh transmission; till it melts,
Trickles in silent orange or wan grey
Across our memory, dies and leaves all dark,
And presently we find the stars again.
Follow the main streaks, meditate the mode
Of brightness, how it hastes to blend with black!
After that February Twenty-Two,
Since our salvation, Sixteen-Ninety-Eight,
Of all reports that were, or may have been,
Concerning those the day killed or let live,
Four I count only. Take the first that comes.
A letter from a stranger, man of rank,
Venetian visitor at Rome,—who knows,
On what pretence of busy idleness?
Thus he begins on evening of that day.
"Here are we at our end of Carnival;
"Prodigious gaiety and monstrous mirth,
"And constant shift of entertaining show:
"With influx, from each quarter of the globe,
"Of strangers nowise wishful to be last
"I' the struggle for a good place presently
"When that befalls fate cannot long defer.
"The old Pope totters on the verge o' the grave:
"You see, Malpichi understood far more
"Than Tozzi how to treat the ailments: age,
"No question, renders these inveterate.
"Cardinal Spada, actual Minister,
"Is possible Pope; I wager on his head,
"Since those four entertainments of his niece
"Which set all Rome a-stare: Pope probably—
"Though Colloredo has his backers too,
"And San Cesario makes one doubt at times:
"Altieri will be Chamberlain at most.
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Tale I
That all men would be cowards if they dare,
Some men we know have courage to declare;
And this the life of many a hero shows,
That, like the tide, man's courage ebbs and flows:
With friends and gay companions round them, then
Men boldly speak and have the hearts of men;
Who, with opponents seated miss the aid
Of kind applauding looks, and grow afraid;
Like timid travelers in the night, they fear
Th' assault of foes, when not a friend is near.
In contest mighty, and of conquest proud,
Was Justice Bolt, impetuous, warm, and loud;
His fame, his prowess all the country knew,
And disputants, with one so fierce, were few:
He was a younger son, for law design'd,
With dauntless look and persevering mind;
While yet a clerk, for disputation famed,
No efforts tired him, and no conflicts tamed.
Scarcely he bade his master's desk adieu,
When both his brothers from the world withdrew.
An ample fortune he from them possessed,
And was with saving care and prudence bless'd.
Now would he go and to the country give
Example how an English 'squire should live;
How bounteous, yet how frugal man may be,
By well-order'd hospitality;
He would the rights of all so well maintain.
That none should idle be, and none complain.
All this and more he purposed--and what man
Could do, he did to realise his plan;
But time convinced him that we cannot keep
A breed of reasoners like a flock of sheep;
For they, so far from following as we lead,
Make that a cause why they will not proceed.
Man will not follow where a rule is shown,
But loves to take a method of his own:
Explain the way with all your care and skill,
This will he quit, if but to prove he will. -
Yet had our Justice honour--and the crowd,
Awed by his presence, their respect avow'd.
In later years he found his heart incline,
More than in youth, to gen'rous food and wine;
But no indulgence check'd the powerful love
He felt to teach, to argue, and reprove.
Meetings, or public calls, he never miss'd -
To dictate often, always to assist.
Oft he the clergy join'd, and not a cause
Pertain'd to them but he could quote the laws;
He upon tithes and residence display'd
A fund of knowledge for the hearer's aid;
[...] Read more
poem by George Crabbe
Added by Poetry Lover
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No Speech
O.k. ready to take off
Do it slow
Im living on the bottom
I got to go
Five little fingers
Grabbing at the glass
Gone, those days
Now Im running
Up and down in my cage
Too late to defend, Im buried - insane
Dont you know theres more to life than to win
Are you that kind of stereotype?
Its no time, theres no time
Theres nothing I could answer
No speech
As long (as) I get nothing
No speech
As long (as) I get nothing
But I want to get home
Let me free, this is not my home
Put away your flashing stick
Dont try to get closer-through my head
Give me a little bit more of your own
A little more, dont wanna be
Anybodys clown
Too late to defend, Im buried - insane
Dont you know theres more to life than to win
Are you that kind of stereotype ?
Its no time, theres no time
Theres nothing I could answer
No speech
As long (as) I get nothing
No speech
As long (as) I get nothing
But I want to get home
Let me free, this is not my home
No speech
As long (as) I get nothing
No speech
As long (as) I get nothing
But I want to get home
Let me free, this is not my home
song performed by Fuel
Added by Lucian Velea
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The Last Oracle
eipate toi basilei, xamai pese daidalos aula.
ouketi PHoibos exei kaluban, ou mantida daphnen,
ou pagan laleousan . apesbeto kai lalon udor.
Years have risen and fallen in darkness or in twilight,
Ages waxed and waned that knew not thee nor thine,
While the world sought light by night and sought not thy light,
Since the sad last pilgrim left thy dark mid shrine.
Dark the shrine and dumb the fount of song thence welling,
Save for words more sad than tears of blood, that said:
Tell the king, on earth has fallen the glorious dwelling,
And the watersprings that spake are quenched and dead.
Not a cell is left the God, no roof, no cover
In his hand the prophet laurel flowers no more.
And the great king's high sad heart, thy true last lover,
Felt thine answer pierce and cleave it to the core.
And he bowed down his hopeless head
In the drift of the wild world's tide,
And dying, Thou hast conquered, he said,
Galilean; he said it, and died.
And the world that was thine and was ours
When the Graces took hands with the Hours
Grew cold as a winter wave
In the wind from a wide-mouthed grave,
As a gulf wide open to swallow
The light that the world held dear.
O father of all of us, Paian, Apollo,
Destroyer and healer, hear!
Age on age thy mouth was mute, thy face was hidden,
And the lips and eyes that loved thee blind and dumb;
Song forsook their tongues that held thy name forbidden,
Light their eyes that saw the strange God's kingdom come.
Fire for light and hell for heaven and psalms for pæans
Filled the clearest eyes and lips most sweet of song,
When for chant of Greeks the wail of Galileans
Made the whole world moan with hymns of wrath and wrong.
Yea, not yet we see thee, father, as they saw thee,
They that worshipped when the world was theirs and thine,
They whose words had power by thine own power to draw thee
Down from heaven till earth seemed more than heaven divine.
For the shades are about us that hover
When darkness is half withdrawn
And the skirts of the dead night cover
The face of the live new dawn.
For the past is not utterly past
Though the word on its lips be the last,
And the time be gone by with its creed
When men were as beasts that bleed,
As sheep or as swine that wallow,
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poem by Algernon Charles Swinburne
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus
Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—
Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse
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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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