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The English never smash in a face. They merely refrain from asking it to dinner.

quote by Margaret Halsey
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The White Cliffs

I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.

II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.

III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid

[...] Read more

poem by Alice Duer Miller
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Dinner Bell

Ive been leaving on my things
So in the morning when the morning bird sings
Theres still dinner on my dinner jacket
til the dinner bell rings
Experimental dog*
Salivating dog
Good dog
Waiting for the dinner bell to do the bell thing (waiting for the dinner bell)
Dinner bell dinner bell ring
Ive been leaving on my things
So in the morning when the morning bird sings
Theres still dinner on my dinner jacket
til the dinner bell rings
I dont want a pizza, I dont want a piece of (experimental dog)
Peanut brittle, I dont want a pear.
I dont want a bagel I dont want a bean I wouldnt like (salivating dog)
A bag of beef or a beer or a
Cup of chowder, corn, cake, or creamed cauliflower cause Im (good dog)
Waiting for the dinner bell to do the bell thing (waiting for the dinner bell)
Dinner bell dinner bell ring
Shoulder, bicep, elbow, arm
Forearm, thumb, wrist, knuckle, palm
Middle, pinky, index, ring
Dinner bell dinner bell ding
I dont know whether Id rather be having a bottle of vinegar (experimental dog)
I dont know whether Id rather be having an egg.
I dont know whether Id rather be having an order of bacon (salivating dog)
Or whether Id rather be having a basket of garlic bread.
I dont know whether Id rather be having some pie or (good dog)
Saving my appetite cause im
Waiting for the dinner bell to do the bell thing (waiting for the dinner bell)
Dinner bell dinner bell ring
Ive been leaving on my things (Ive been leaving on)
So in the morning when the morning bird sings (the morning)
Theres still dinner on my dinner jacket (on my)
til the dinner bell does the bell thing
Dinner bell dinner bell do the bell thing
Im waiting for the dinner bell to do the bell thing (waiting for the ding)
Dinner bell dinner bell ding ding ding
Waiting for the dinner bell to do the bell thing (waiting for the ding)
Dinner bell dinner bell ding ding ding
Waiting for the dinner bell to do the bell thing (waiting for the ding)
Dinner bell dinner bell ding

song performed by They Might Be Giants
Added by Lucian Velea
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Annus Mirabilis, The Year Of Wonders, 1666

1
In thriving arts long time had Holland grown,
Crouching at home and cruel when abroad:
Scarce leaving us the means to claim our own;
Our King they courted, and our merchants awed.

2
Trade, which, like blood, should circularly flow,
Stopp'd in their channels, found its freedom lost:
Thither the wealth of all the world did go,
And seem'd but shipwreck'd on so base a coast.

3
For them alone the heavens had kindly heat;
In eastern quarries ripening precious dew:
For them the Idumaean balm did sweat,
And in hot Ceylon spicy forests grew.

4
The sun but seem'd the labourer of the year;
Each waxing moon supplied her watery store,
To swell those tides, which from the line did bear
Their brimful vessels to the Belgian shore.

5
Thus mighty in her ships, stood Carthage long,
And swept the riches of the world from far;
Yet stoop'd to Rome, less wealthy, but more strong:
And this may prove our second Punic war.

6
What peace can be, where both to one pretend?
(But they more diligent, and we more strong)
Or if a peace, it soon must have an end;
For they would grow too powerful, were it long.

7
Behold two nations, then, engaged so far
That each seven years the fit must shake each land:
Where France will side to weaken us by war,
Who only can his vast designs withstand.

8
See how he feeds the Iberian with delays,
To render us his timely friendship vain:
And while his secret soul on Flanders preys,
He rocks the cradle of the babe of Spain.

9
Such deep designs of empire does he lay

[...] Read more

poem by John Dryden
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Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Smash You

Hangin' out on the avenue
Looking for something to do
Didn't know when we first met
That you would be such a pest
Didn't go callin' on the phone
I don't need your dial tone
You been treatin' me so bad
You're the best girl that I ever had, so
Oh, oh, oh, oh, baby
Go, go, go, go, honey
Oh don't you know
You make me wanna smash you
Fighting on the avenue
I knocked some sense into you
Oh I know it's not enough
You think you're so damn tough
All this talk about suicide
Too many pills
Too many lies
Oh baby
You're no good you see
One, one, one get away from me
Oh, oh, oh, oh, baby
Go, go, go, go, honey
Oh don't you know
You make me wanna smash you
Oh, oh, oh, oh, baby
Go, go, go, go, honey
Oh don't you know
You make me wanna smash you
Ah, go!
Fighting on the avenue
You make me wanna smash you
You make me wanna smash you
Oh!
Hanging out on the avenue
Lookin' for something to do
He didn't know when we first met
That you would be such a pest
I picked up the phone it rings
Baby make me wanna smash your head
You been treatin' me so bad
You're the best girl I ever had, so
Oh, oh, oh, oh, baby
Go, go, go, go, honey
Oh don't you know
You make me wanna smash you
Oh, oh, oh, oh, baby
Go, go, go, go, honey
Oh don't you know

[...] Read more

song performed by Ramones
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Katie

It may be through some foreign grace,
And unfamiliar charm of face;
It may be that across the foam
Which bore her from her childhood's home,
By some strange spell, my Katie brought,
Along with English creeds and thought --
Entangled in her golden hair --
Some English sunshine, warmth, and air!
I cannot tell -- but here to-day,
A thousand billowy leagues away
From that green isle whose twilight skies
No darker are than Katie's eyes,
She seems to me, go where she will,
An English girl in England still!

I meet her on the dusty street,
And daisies spring about her feet;
Or, touched to life beneath her tread,
An English cowslip lifts its head;
And, as to do her grace, rise up
The primrose and the buttercup!
I roam with her through fields of cane,
And seem to stroll an English lane,
Which, white with blossoms of the May,
Spreads its green carpet in her way!
As fancy wills, the path beneath
Is golden gorse, or purple heath:
And now we hear in woodlands dim
Their unarticulated hymn,
Now walk through rippling waves of wheat,
Now sink in mats of clover sweet,
Or see before us from the lawn
The lark go up to greet the dawn!
All birds that love the English sky
Throng round my path when she is by:
The blackbird from a neighboring thorn
With music brims the cup of morn,
And in a thick, melodious rain
The mavis pours her mellow strain!
But only when my Katie's voice
Makes all the listening woods rejoice
I hear -- with cheeks that flush and pale --
The passion of the nightingale!

Anon the pictures round her change,
And through an ancient town we range,
Whereto the shadowy memory clings
Of one of England's Saxon kings,
And which to shrine his fading fame
Still keeps his ashes and his name.

[...] Read more

poem by Henry Timrod
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So Well

20, 21, 22, 23, 24, 25, 26 still alive
Its dragging me under, dont think Ill recover
A stone in the water, a nail in my shoulder
Just put it together, you think youre so clever
Can we make it better, climb the mountain together
Its gonna break, gonna crack
Gonna fall down and smash
Paralyse, oxidise, feel us drifting apart
Its gonna break, gonna crack
Gonna fall down and smash
Paralyse, oxidise, feel us drifting apart
(dont take me down and watch me fall)
Twenty years older, the city gets colder
Still reaching for cover, we live and we suffer
Just put it together, if you think youre so clever
Can you make it better, pull the pieces together
Its gonna break, gonna crack
Gonna fall down and smash
Paralyse, oxidise, feel us drifting apart
Its gonna break, gonna crack
Gonna fall down and smash
Paralyse, oxidise, feel us drifting apart
40, 41, 42, 43, 44, 45, 46, still alive
Its dragging me under, dont think Ill recover
But well make it better, climb the mountain together
Its gonna break, gonna crack
Gonna fall down and smash
Paralyse, oxidise, feel us drifting apart
Its gonna break, gonna crack
Gonna fall down and smash
Paralyse, oxidise, feel us drifting apart
Its gonna break, gonna crack
Gonna fall down and smash
Paralyse, oxidise, feel us drifting apart
Its gonna break, gonna crack
Gonna fall down and smash
Paralyse, oxidise, feel us drifting apart
(dont take me down and watch me fall, dont break my bones and watch me crawl)
Paralyse, oxidise, feel us drifting apart
Paralyse, oxidise, feel us drifting apart

song performed by Feeder
Added by Lucian Velea
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Always Asking Questions

We all want peace we dont want misery
So many of us wont let us be these things
But we only are confused
We feel stronger as we grow older
But still we feel bemused
Always asking questions
Were always asking questions
And the temptation is to just step back
Well we give what we lack
We will always be asking questions
Why rich?
Why poor?
Always asking questions
Were always asking questions
Why this?
Why that?
Were always asking questions
Why this?
Why that?
Always asking
Dont stop asking
Dont stop asking questions
Always asking questions
In answer to this question is just shut up
You dont know
I dont know
Nobody knows
This is an answer to every question
This is a place to begin
Always asking questions
Always asking questions
Why this?
Why that?
Why this?
Why that?
Always asking questions
(why this why that? )
Always asking questions
(why this why that? )
Always asking questions
(why this why that? )
Words: william bryant
Music: howard jones

song performed by Howard Jones
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Face To Face

We never talk to one another
We just disagree
Im the one who runs for cover
And you turn your back on me
They say nothings gonna last forever
But some things are worth fighting for
Yeah, well love could bring us back together
But love dont come round here no more
The words unspoken in the night
Locked away in my heart
And Im feeling out of place
But if love is the key
Let it open the door
So well be standing -- face to face
You never want to see me face to face
Think it over
Face to face
If only it could be just face to face
Baby you and me
Face to face
I may be better off without it
I cant go on this way
Time has come to talk about it
This is our judgement day
You know we swore it would last forever
Always felt so sure it would
But its looking like now or never
Time to turn a bad thing into good
The words that echo in the night
Theyre fading away
And theyre gone without a trace
Now its up to you and me
Lets open the door
And meet each other -- face to face
Its time we saw each other face to face
To talk it over
Face to face
You know its gotta be just face to face
Baby you and me
Face to face
We gotta see each other -- face to face
And talk about it
Face to face
Hope it aint too late to meet face to face
Just you and me
(solo)
Face to face
Its time we saw each other face to face
To talk it over
Face to face

[...] Read more

song performed by Foreigner
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The Odyssey: Book 17

When the child of morning, rosy-fingered Dawn, appeared,
Telemachus bound on his sandals and took a strong spear that suited
his hands, for he wanted to go into the city. "Old friend," said he to
the swineherd, "I will now go to the town and show myself to my
mother, for she will never leave off grieving till she has seen me. As
for this unfortunate stranger, take him to the town and let him beg
there of any one who will give him a drink and a piece of bread. I
have trouble enough of my own, and cannot be burdened with other
people. If this makes him angry so much the worse for him, but I
like to say what I mean."
Then Ulysses said, "Sir, I do not want to stay here; a beggar can
always do better in town than country, for any one who likes can
give him something. I am too old to care about remaining here at the
beck and call of a master. Therefore let this man do as you have
just told him, and take me to the town as soon as I have had a warm by
the fire, and the day has got a little heat in it. My clothes are
wretchedly thin, and this frosty morning I shall be perished with
cold, for you say the city is some way off."
On this Telemachus strode off through the yards, brooding his
revenge upon the When he reached home he stood his spear against a
bearing-post of the cloister, crossed the stone floor of the
cloister itself, and went inside.
Nurse Euryclea saw him long before any one else did. She was putting
the fleeces on to the seats, and she burst out crying as she ran up to
him; all the other maids came up too, and covered his head and
shoulders with their kisses. Penelope came out of her room looking
like Diana or Venus, and wept as she flung her arms about her son. She
kissed his forehead and both his beautiful eyes, "Light of my eyes,"
she cried as she spoke fondly to him, "so you are come home again; I
made sure I was never going to see you any more. To think of your
having gone off to Pylos without saying anything about it or obtaining
my consent. But come, tell me what you saw."
"Do not scold me, mother,' answered Telemachus, "nor vex me,
seeing what a narrow escape I have had, but wash your face, change
your dress, go upstairs with your maids, and promise full and
sufficient hecatombs to all the gods if Jove will only grant us our
revenge upon the suitors. I must now go to the place of assembly to
invite a stranger who has come back with me from Pylos. I sent him
on with my crew, and told Piraeus to take him home and look after
him till I could come for him myself."
She heeded her son's words, washed her face, changed her dress,
and vowed full and sufficient hecatombs to all the gods if they
would only vouchsafe her revenge upon the suitors.
Telemachus went through, and out of, the cloisters spear in hand-
not alone, for his two fleet dogs went with him. Minerva endowed him
with a presence of such divine comeliness that all marvelled at him as
he went by, and the suitors gathered round him with fair words in
their mouths and malice in their hearts; but he avoided them, and went
to sit with Mentor, Antiphus, and Halitherses, old friends of his
father's house, and they made him tell them all that had happened to

[...] Read more

poem by Homer, translated by Samuel Butler
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Feel Alright

[refrain]
SUN IS SHINING
(THE SUN IS SHINING THERE'S NO NEED TO SLEEP NO MORE)
DAY IS BRIGHT, YEAH
(THE DAY IS BRIGHT AND YOUR HEART HAS ITS WINGS TO SOAR)
IT'S A NEW DAY
(TIME WILL BE FLYING, FREEDOM IS AT THE DOOR)
FEEL ALRIGHT, YEAH
(YOU FEEL ALRIGHT, YEAH, SO WHAT ARE YOU WAITING FOR?)
[refrain]
Celebrity and superstition
Whatever it takes to get some recognition
Selling antiques like they are new ideas
Making you pay to feed the thoughts they steal
Call me foolish, call me crazy
But all this drama doesn't faze me
Tell me not to run and i will run much faster
Tell me to be quiet and I'll shout it from a mountain
[refrain]
SUN IS SHINING
(THE SUN IS SHINING THERE'S NO NEED TO SLEEP NO MORE)
DAY IS BRIGHT, YEAH
(THE DAY IS BRIGHT AND YOUR HEART HAS ITS WINGS TO SOAR)
IT'S A NEW DAY
(TIME WILL BE FLYING, FREEDOM IS AT THE DOOR)
FEEL ALRIGHT, YEAH
(YOU FEEL ALRIGHT, YEAH, SO WHAT ARE YOU WAITING FOR?)
[refrain]
It doesn't take a mathematician
To calculate our rising addiction
To romance, youth and perfected beauty
Packaged. preserved for their mass appeal
[refrain]
SUN IS SHINING
(THE SUN IS SHINING THERE'S NO NEED TO SLEEP NO MORE)
DAY IS BRIGHT, YEAH
(THE DAY IS BRIGHT AND YOUR HEART HAS ITS WINGS TO SOAR)
IT'S A NEW DAY
(TIME WILL BE FLYING, FREEDOM IS AT THE DOOR)
FEEL ALRIGHT, YEAH
(YOU FEEL ALRIGHT, YEAH, SO WHAT ARE YOU WAITING FOR?)
[refrain]
You're not the first to buy their lines
They're not the first to waste your time
Tell me to give up and I will fight much harder
Tell me to be quiet and I'll shout it even louder
[refrain]
SUN IS SHINING
(THE SUN IS SHINING THERE'S NO NEED TO SLEEP NO MORE)
DAY IS BRIGHT, YEAH

[...] Read more

song performed by ZoeGirl
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Daily, Daily, Sing The Praises

Daily, daily, sing the praises
Of the city God hath made;
In the beauteous fields of Eden
Its foundation stones are laid.

Refrain

O that I had wings of angels,
Here to spread and heavenward fly!
I would seek the gates of Zion,
Far beyond the starry sky.

All the walls of that dear city
Are of bright and burnished gold;
It is matchless in its beauty,
And its treasures are untold.

Refrain

In the midst of that dear city
Christ is reigning on His seat,
And the angels swing their censers
In a ring about His feet.

Refrain

From the throne a river issues,
Clear as crystal, passing bright,
And it traverses the city
Like a sudden beam of light.

Refrain

There the forests ever blossom,
Like our orchards here in May;
There the gardens never wither,
But eternally are gay.

Refrain

There the meadows green and dewy
Shine with lilies wondrous fair;
Thousand, thousand, are the colors
Of the waving flowers there.

Refrain

There the forests ever blossom,
Like our orchards here in May;
There the gardens never wither,

[...] Read more

poem by Sabine Baring-Gould
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

[...] Read more

poem by Robinson Jeffers
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Why

(michael cretu)
.
I was childish and unfair
To you, my only friend
I regret, but now it's too late
.
I can't show you any more
The things i've learned from you
Cause life just took you away
.
I'm asking why
I'm asking why
Nobody gives an answer
I'm just asking why
.
But someday we'll meet again
And i'll ask you
.
I'll ask you why
Why it has to be like this
I'm asking you why
Please give me an answer
.
Many years and stupid fights
Till we accept to see
How it was and it'll always be
.
Why it has to be like this
Why we don't realize
Why we're too blind to see the one
Who's always on our side
.
I'm asking why
I'm asking why
Nobody gives an answer
I'm just asking why
.
Just tell me why
Why it has to be like this
That the good ones disappear
I'm asking you why
.
I'm asking why
I'm asking why
Nobody gives an answer
I'm just asking why
.
I'm asking why

song performed by Enigma
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Scar

Im not
Crawling around
Looking for a friend.
Im not
Thinking the big I am.
Im not
Down on the ground
Looking for a cure.
Im not
Saying that Im the man.
And Im not asking for your opinion.
Im not asking for a miracle.
And Im not asking you to remember me,
Not asking for the ghost to call.
Im
Cold and corrupt
Looking for a heart.
Im
Trying to hide my scars.
Im
Talking to you
Like a shadow in the dark.
Im
Just trying to survive.
(call my name, hide my shame)
I call this human emotion.
(save my soul, save my soul)
I call this human corrosion.
And Im not asking you for emotion,
Im not asking for the sky to mend.
And Im not asking you for nostalgia,
Im not asking for the world to end.
And Im not asking for your opinion,
Im not asking for a miracle.
And Im not asking you to remember me,
Not asking for the ghost to call.

song performed by Gary Numan
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The Parish Register - Part II: Marriages

DISPOSED to wed, e'en while you hasten, stay;
There's great advantage in a small delay:
Thus Ovid sang, and much the wise approve
This prudent maxim of the priest of Love;
If poor, delay for future want prepares,
And eases humble life of half its cares;
If rich, delay shall brace the thoughtful mind,
T'endure the ills that e'en the happiest find:
Delay shall knowledge yield on either part,
And show the value of the vanquish'd heart;
The humours, passions, merits, failings prove,
And gently raise the veil that's worn by Love;
Love, that impatient guide!--too proud to think
Of vulgar wants, of clothing, meat, and drink,
Urges our amorous swains their joys to seize,
And then, at rags and hunger frighten'd, flees:
Yet not too long in cold debate remain;
Till age refrain not--but if old, refrain.
By no such rule would Gaffer Kirk be tried;
First in the year he led a blooming bride,
And stood a wither'd elder at her side.
Oh! Nathan! Nathan! at thy years trepann'd,
To take a wanton harlot by the hand!
Thou, who wert used so tartly to express
Thy sense of matrimonial happiness,
Till every youth, whose banns at church were read,
Strove not to meet, or meeting, hung his head;
And every lass forebore at thee to look,
A sly old fish, too cunning for the hook;
And now at sixty, that pert dame to see,
Of all thy savings mistress, and of thee;
Now will the lads, rememb'ring insults past,
Cry, 'What, the wise one in the trap at last!'
Fie! Nathan! fie! to let an artful jade
The close recesses of thine heart invade;
What grievous pangs! what suffering she'll impart!
And fill with anguish that rebellious heart;
For thou wilt strive incessantly, in vain,
By threatening speech thy freedom to regain:
But she for conquest married, nor will prove
A dupe to thee, thine anger or thy love;
Clamorous her tongue will be: --of either sex,
She'll gather friends around thee and perplex
Thy doubtful soul;--thy money she will waste
In the vain ramblings of a vulgar taste;
And will be happy to exert her power,
In every eye, in thine, at every hour.
Then wilt thou bluster--'No! I will not rest,
And see consumed each shilling of my chest:'
Thou wilt be valiant--'When thy cousins call,

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poem by George Crabbe
Added by Poetry Lover
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A Song Of Trafalgar

LIKE an angry sun, like a splendid star,
War gleams down the long years' track;
They strain at the leash, the dogs of war,
And who shall hold them back?
'Let loose the pack: we are English bred,
We will meet them full and fair
With the flag of England over our head,
And his hand to keep it there!'

So spake our fathers. Our flag, unfurled,
Blew brave to the north and south;
An iron answer we gave the world,
For we spoke by the cannon's mouth.
But he who taught us the word to say
Grew dumb as his Victory sang,
And England mourned on her triumph day,
And wept while her joy-bells rang.

Long hour by hour, and long day by day,
The swift years crept apace,
The patient, the coral-insect way,
To cover the dear dead face.
O foolish rabble of envious years,
Who wist not the dead must rise,
His name is music still in our ears,
His face a light to our eyes!

Bring hither your laurels, the fading sign
Of a deathless love and pride;
These cling more close than the laurels twine,
They are strong as the world is wide:
At the feet of Virtue in Valour clad
Shall glory and love be laid,
While Glory sings to an English lad,
Or Love to an English maid.

Wherever the gleams of an English fire
On an English roof-tree shine,
Wherever the fire of a youth's desire
Is laid upon Honour's shrine,
Wherever brave deeds are treasured and told,
In the tale of the deeds of yore
Like jewels of price in a chain of gold
Are the name and the fame he bore.

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poem by Edith Nesbit
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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

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poem by Alfred Lord Tennyson
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Smash The Mirror

Mother:
Mother:
You dont answer my call
You dont answer my call
With even a nod or a twitch
With even a nod or a twitch
But you gaze at your own reflection!
But you gaze at your own reflection!
You dont seem to see me
You dont seem to see me
But I think you can see yourself.
But I think you can see yourself.
How can the mirror affect you?
How can the mirror affect you?
Can you hear me
Can you hear me
Or do I surmise?
Or do I surmise?
That you fear me can you feel my temper
That you fear me can you feel my temper
Rise.
Rise.
Do you hear or fear or
Do you hear or fear or
Do I smash the mirror.
Do I smash the mirror.
Do you hear of fear or
Do you hear of fear or
Do I smash the mirror? smash!
Do I smash the mirror? smash!

song performed by Who
Added by Lucian Velea
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Canto the Sixteenth

I
The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings --
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.

II
The cause of this effect, or this defect, --
"For this effect defective comes by cause," --
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.

III
And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'T is true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
"De rebus cunctis et quibusdam aliis."

IV
But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost --
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'T is time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.

V
Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 't is so. Who nibble, scribble, quibble, he
Quiets at once with "quia impossibile."

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poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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