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Bette Davis

The key to life is accepting challenges. Once someone stops doing this, he's dead.

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The Rock Stops Here

(eric carmen/fred carmen)
(recorded by eric carmen)
Cool 101 / 1986
A dj in cleveland brought some bands to town
When the music got started
They tore the house down
People said everybody just went out of control
Alan freed grabbed a mike and called it rock and roll
They started bandstand in philly back in 55
And elvis rock-a-billy brought memphis alive
L.a. gave us surfers and detroits got soul
But theres only one home of rock and roll
And kids a hundred thousand strong
Burned the phone lines all night long
To send a message loud and clear
In the u.s.a., I said, the rock stops here
The rock stops here
Little richard brought miss molly
The rock stops here
Peggy sues with buddy holly
The rock stops here
Everybodys gettin down
The rock stops here
Oww! here comes the great james brown
The rock stops here
Chuck berrys with maybelline
The rock stops here
Jerry lees pianos screamin
The rock stops here
Elvis singin blue suede shoes
I need a shot of rock-a-billy
With my rhythm and blues
They looked from new york to l.a. to find the spot
Every city in the nation took their very best shot
When the dust all settled, one city stood tall
And they knew who deserved the rock and roll hall
So to prove the facts they already knew
They took a nationwide poll
That made the front page news
When the votes were counted, the results all showed
In cleveland, we eat, sleep and drink rock and roll
Kids a hundred thousand strong
Shouted, put the hall where it belongs
Now heres the message loud and clear
In the u.s.a., you know the rock stops here
I said the rock stops here
Cathys clowns with don and phil
The rock stops here
Fats is up on blueberry hill
The rock stops here

[...] Read more

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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My Heart Stops

(diane warren)
(recorded by eric carmen)
Arista as1-2264 / 1992
I tell myself
This cant be love
That Im feelin
But if I think that my world
Will be the way that it was
Im dreamin
Why do I feel so high
At the mention of your name
Why do I act so shy
Cant explain, cant explain, cant explain
But darlin
Wo-wo-wo when you go walkin by
My heart stops
My heart stops
I cant explain it
Wo-wo-wo when you look in my eye
My heart stops
My heart stops
Every time youre near
Just thinkin about you
Darlin it just does
Something to me
And when we meet on the street
I feel the flame of love
Burnin through me
I try to play it cool
And never show a sign
But I give myself away
Every time, every time, every time
cause darlin
Wo-wo-wo when you go walkin by
My heart stops
My heart stops
I cant explain it
Wo-wo-wo when you look in my eye
My heart stops
My heart stops
Every time youre near
My heart stops, my heart stops
My heart stops, my heart stops
Oh, whenever youre close to me
Theres a wave of love rushin over me
And I never felt this way
Cant explain, cant explain, cant explain
But darlin
My darlin
Wo-wo-wo when you go walkin by

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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The Key

Let me in your life
Open up the door
Let me in your heart
Give me the key
Youre the only one
Ill ever want
Show me the way
Give me the key
Give me the key
Give me the key
I wont let you down
Ill never let you go
Ill love you forever
Give me the key
Youre the only one
That knows what I need
Take me in your arms
Give me the key
Give me the key
Give me the key
I dont want to wait
Another second more
Im down on my knees
Give me the key
Im over my head
Too far gone
You know how I feel
Give me the key
Give me the key
Give me the key
Give me the key
Give me the key
Give me the key
Give me the key
Give me the key
Give me the key
(m.charlton)
Copyright 1989 elgin music

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Love Is The Key

Here is the news to make you feel better, love is the key
Oh what can we lose if our hearts are together-love is the key
Kick out your shoes and get down with it-love is the key
Just let the music take you there, and open your heart to the world
Love is the key, love is the key, so plain to see, love is the key
Heres what Ive found, love really makes the world go round
Ooh, kick out the blues and let the music take you-love is the key
How can we lose, its not gonna break you-love is the key
Kick out your shoes and get down with it-love is the key
And sing to the world to listen, listen and open their ears to the music
Love is the key, love is the key, so plain to see, love is the key
Heres what Ive found, love really makes the world go round
Love is the key, love is the key
Just let the music take your there and open your heart to the world
Love is the key, love is the key, so plain to see, love is the key
Heres what Ive found, love really makes the world go round

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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Key Lime Pie

Ocean breeze, tire swing
Coconut fall if you shake that thing
And my, my, my - my key lime pie
Not too tart, not too sweet
My baby loves to watch me eat
Her key lime pie
Her key lime pie
Tall green tree, yellow bird
Bikini bottom and a tie-dyed shirt
And my, my, my - my key lime pie
Big white sail, red sunset
Lobster tail and don't forget
My, my, my - my key lime pie
A six string, ten shots
Of Cruzan rum, hey, I like it a lot
With my, my, my - my key lime pie
Tortola, a full moon
Shining down on a blue lagoon
And my, my, my - my key lime pie
Not too tart, not too sweet
My baby loves to watch me eat
Her key lime pie
Her key lime pie
We got Ginger and Mary Ann
Cookin' up a real good tan
And my, my, my - my key lime pie
Key lime pie, key lime pie
Key lime pie, my my my
My, my, my key lime pie
Key lime pie, key lime pie

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Down On Longboat Key

She sits and stares out the window at the water
Every night down at ....Cafe'
All alone she sips her pina colada
Talking to herself, dreaming time away
The story is that a dark haired stranger
Stole her heart many years ago
He promised her he'd come back and take her
Around the world, bring her hills of gold
Chorus:
Down on Longboat Key
Where the island sand meet the Gulf Stream Bridge
Down on Longboat Key
She spends her life in a dream
On Longboat Key
Down on Longboat Key
Down on Longboat Key.
Each afternoon as the snugboats come in
She runs to meet them down at the pier
She sees the fishermen, the nets and the sunset
But she don't see him, her eyes fill with tears
She stands there looking at the crystal blue water
And in the coral she imagines pearls
She makes believe he brought them all the way from China
Then the water swirls
The blue-green water swirls
Chorus:
Down on Longboat Key
Where the island sand meet the Gulf Stream breeze
Down on Longboat Key
She spends her life in a dream
On Longboat Key
Down on Longboat Key
Down on Longboat Key.
Young sailors make a play to take her home
She says 'No, I'm already taken'
Oh, they just laugh when she mentions his name
She just keeps on waiting, waiting, waiting, waiting
Chorus:
Down on Longboat Key
Where the island sand meet the Gulf Stream breeze
Down on Longboat Key
She spends her life in a dream
On Longboat Key
Down on Longboat Key
Down on Longboat Key.

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Keys!

Key to Happiness is Rejoice
Key to Friendship is Friendliness
Key to Singing is Voice
Key to Love is Fondness

Key to Learning is Understanding
Key to Music is Rhythmic flow
Key to Relationship is Bonding
Key to Wisdom is Expressive show

Key to Success is Endurance
Key to Dance is Posture
Key to Achievement is Experience
Key to Growth is Nurture

Key to Art is Culture
Key to Life is Nature!

-Sonnet-

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Paranoia Key Of E

How come you say you will and then you wont
You change your mind and then you say you dont
The mystery is why I play the goat
The mystery you call love
Sometimes youre like an eagle strong like a rock
Other times it seems you get unlocked
And all your worst fears come tumbling out
Into the street, into the snow
I remember when you had a dream
Everything was what it seemed to be
But now nightmares replace everything
And everything you see is wrong
You said wed meet but youre two hours late
You said you thought someone had picked your gate
So you hid and were afraid to wait
Seeing shadows in the snow
Seeing shadows in the snow
Now your friend godfrey is a perfect choice
One minute down next time rejoice, he seems -
- to have found the perfect voice
Paranoia key of e
Lets say everything he says is true
You love me but I cheat on you
And in my bedroom is a female zoo
Worse then clinton in prime time
I swear to you Im not with jill or joyce
Or cyd or sherry or darlene or worse
Im not kissing you while inside I curse
Paranoia key of e
Lets play a game the next time we meet, ah
Ill be the hands and you be the feet
And together we will keep the beat
To paranoia key of e
Now, you know manias in the key of b
Psychosis in the key of c
Lets hope that were not meant to be
In paranoia key of e
Anorexia is in g flat
And f is anything Ive left out
Dyslexia, kleptomania and vertigo
Patricide a, matricide d the same schizos
Paranoia key of e
Lets have a coda in the key of k
Something that only we can play
Maybe well light up like a hundred k
Paranoia out of key
Paranoia key of e
Paranoia key of e
Anorexia, dyslexia
Kleptomania, patricide a, matricide d, vertigo, schizos

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Dead End Street

Theres a crack up in the ceiling,
And the kitchen sink is leaking.
Out of work and got no money,
A sunday joint of bread and honey.
What are we living for?
Two-roomed apartment on the second floor.
No money coming in,
The rent collectors knocking, trying to get in.
We are strictly second class,
We dont understand,
(dead end!)
Why we should be on dead end street.
(dead end!)
People are living on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
On a cold and frosty morning,
Wipe my eyes and stop me yawning.
And my feet are nearly frozen,
Boil the tea and put some toast on.
What are we living for?
Two-roomed apartment on the second floor.
No chance to emigrate,
Im deep in debt and now its much too late.
We both want to work so hard,
We cant get the chance,
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Head to my feet (yeah)
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Hows it feel? (yeah)

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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Byron

Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

[...] Read more

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Dead Guy Stickers

In the USA,
They want to put dead guy pictures on cigarette packs.
With that brilliant logic in mind, I say put dead guy stickers on:
car windshields(dead guys in wrecks)
pistol and rifle handles (dead guys shot)
marriage licenses (dead spouses)
hamburger and hot dog wrappers (dead fat guys)
pies, cakes (more dead fat guys)
bathroom doors (thousands of dead guys in bathrooms every year)
bicycles (road kill dead guys)
fire places (burnt dead guys)
swimming pools (drown dead guys)
every electrical outlet (fried dead guys)
air plane tickets (dead passenger guys)
the beach (shark bit dead guys)
cities (shot dead guys)
air (blue dead guys)
fish (poisoned dead guys)
motorcycles (more road kill dead guys)
scarfs (strangled dead guys)
football helmets (brain dead guys)
hot tubs (more drowned dead guys)
and so on.
Just about everything can kill you, such as:
Mothers (dead baby guys plus dead fathers)
Fathers (dead baby guys plus dead mothers)
Police(multiple dead guys and chicks)
Drugs (multiple dead guys and chicks)
and so on.
Once everything has a dead guy sticker on it,
You've been warned and the world will be safer, right?
It shows we care, right?

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The City of Dreadful Night

Per me si va nella citta dolente.

--Dante

Poi di tanto adoprar, di tanti moti
D'ogni celeste, ogni terrena cosa,
Girando senza posa,
Per tornar sempre la donde son mosse;
Uso alcuno, alcun frutto
Indovinar non so.

Sola nel mondo eterna, a cui si volve
Ogni creata cosa,
In te, morte, si posa
Nostra ignuda natura;
Lieta no, ma sicura
Dell' antico dolor . . .
Pero ch' esser beato
Nega ai mortali e nega a' morti il fato.

--Leopardi

PROEM

Lo, thus, as prostrate, "In the dust I write
My heart's deep languor and my soul's sad tears."
Yet why evoke the spectres of black night
To blot the sunshine of exultant years?
Why disinter dead faith from mouldering hidden?
Why break the seals of mute despair unbidden,
And wail life's discords into careless ears?

Because a cold rage seizes one at whiles
To show the bitter old and wrinkled truth
Stripped naked of all vesture that beguiles,
False dreams, false hopes, false masks and modes of youth;
Because it gives some sense of power and passion
In helpless innocence to try to fashion
Our woe in living words howe'er uncouth.

Surely I write not for the hopeful young,
Or those who deem their happiness of worth,
Or such as pasture and grow fat among
The shows of life and feel nor doubt nor dearth,
Or pious spirits with a God above them
To sanctify and glorify and love them,
Or sages who foresee a heaven on earth.

For none of these I write, and none of these
Could read the writing if they deigned to try;

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OBIIT MDCCCXXXIII (Entire)

Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.

Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.

Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.

Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.

We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.

Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,

But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.

Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.

Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.

Forgive these wild and wandering cries,

[...] Read more

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

[...] Read more

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Bad Side Of The Moon

(bernie taupin/elton john)
Published by songs of polygram international - bmi
Seems as though Ive lived my life on the bad side of the moon
To stir your dregs, and sittin still, without a rustic spoon
Now come on people, live with me, where the light has never shone
And the harlots flock like hummingbirds, speakin in a foreign tongue
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
It seems as though Ive lived my life on the bad side of the moon
To stir your dregs, and sittin still, without a rustic spoon
Now come on people, live with me, where the light has never shone
And the harlots flock like hummingbirds, speakin in a foreign tongue
Im a light world away, from the people who make me stay
Sittin on the bad side of the moon
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
There aint no need for watchdogs here, to justify our ways
We lived our lives in manacles, the main cause of our stay
And exiled here from other worlds, my sentence comes to soon
Why should I be made to pay on the bad side of the moon
Im a light world away, from the people who make me stay
Sittin on the bad side of the moon
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life

song performed by April WineReport problemRelated quotes
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Unlock That Box Just For You

The key to feeling happy and free...
Unlock that box.
And walk away from it when you get out.
Experience what life is about.
It's not inside to keep up whining,
It's not inside to throw a tantrum and pout.

The key to feeling happy and free...
You've got to move your feet with direct speed.
You've got to unleash from guilt and pity.

The key to feeling happy and free...
You've got to accept what is there and care!
You can not wish for something you think is fair.

The key to feeling happy and free...
You've got to unload despair and grief.
You've got to move with faith and beliefs.

The key to feeling happy and free...
You've got to move your feet with direct speed.
You've got to unleash from guilt and pity.

The key to feeling happy and free...
You've got to accept what is there and care!
You can not wish for something you think is fair.

The key to feeling happy and free...
Unlock that box.
And walk away from it when you get out.
Experience what life is about.
It's not inside to keep up whining,
It's not inside to throw a tantrum and pout.

The key to feeling happy and free...
Unlock that box and get out.
Look around and see what your world's about.

The key to feeling happy and free...
Unlock that box and get out.
Look around and see what your world's about.

The key to feeling happy and free...
Unlock that box and get out.
Look around and see what your world's about.

The key to feeling happy and free...
Unlock that box and get out.
Unlock that box and get out.
Unlock that box and get out.

[...] Read more

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