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If poets were realistic, they wouldn't be poets.

quote by Peter Davison
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0005 Totally Boring Poem

I’m totally bored by:

poems that sound like other poems

poems that try to sound unlike any other poems

poets who never take risks

poets who think that taking risks
makes them good poets

poems with 'meaning'

poems with no meaning

poets who slag off other poets
as if that achieves something

poets that tell you that rhyme
is not for an age but for all time

poets that tell you that rhyme is outmoded and boring

poets who think that the poetry of 'the past'
is greater than that of 'the present'

poets who think that the poetry of 'the present'
is greater than that of 'the past'

poems that tell you the poet's the first to discover sex

poets that tell you they’re the best sex you’ll ever have
although you’ll never meet them to find out

poets that tell you they’ve been dumped

poets who've never known love and being dumped

poets who are ambitious

poets who are unambitious

poets who tell you all about higher things

poets who reject higher things

poets who think life’s just a joke

poets who think life’s no joke

[...] Read more

poem by Michael Shepherd
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Good Poets and Bad Poets

Some poets get awards and think they are good poets.

Some poets never get awards and think they are bad poets.

Some poets think they are good poets only in their own mind

Some poets think they are bad poets in somebody's else mind.

Some poets think they are good poets in somebody else mind.

Some poets think others think they are good poets but they don't in their hearts.

Some poets think they are good poets in their hearts but not in anyone else's mind.

All are insecure, except those who get security from the opinions of others and that, alas, doesn't last and isn't real.

Some poets have left the entire scene and live only in their mind.

Some poets take criticism and don't mind.

Some poets avoid criticism and do mind.

Some poets write poetry to get love.

Some poets love to write poetry.

Some poets are ahead of their time, in their mind

Some poets spend a lifetime feeling like failures in their mind

Some poets live only after they die.

Some poets have much to say but can't articulate

Some poets retreat, believing others don't understand

So which one of these am I?

I guess I am all of these and none of these

and no matter what my description

I intend to keep doing what I do:

Write. Right

poem by Lonnie Hicks
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Keep Them Barred

Don't accept fresh trouble not yours,
To endure...
Keep it barred.
From your life,
Don't have it start.

Don't accept fresh trouble not yours,
To endure...
Keep it barred.
From your life,
Don't have it start.

People creeping out of cracks,
With crap to attack.
Keep them barred,
From your life...
Don't have them start.

Establish the fact you are better than that!
And don't be scarred...
To arrest a peace that will depart.
Oh-oh-no!

Don't accept fresh trouble not yours,
To endure...
Keep it barred.
From your life,
Don't have it start.

Decide you'll have none of it,
And quick!
Keep it barred.
You can resist it.
Keep it barred.
Be realistic.
Keep it barred.

Let go those woes,
You may hold.
Let go those woes,
You may hold.

Decide you'll have none of it,
And quick!
Keep it barred.
You can resist it.
Keep it barred.
Be realistic.
Keep it barred.

[...] Read more

poem by Lawrence S. Pertillar
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It's Not Realistic

It's not realistic,
That everyone can live so posh.
To be massaged and sit in spas.
Or fly in private jets.
Nibbling on petite fours,
And the best of caviar.

It is not realistic,
Everyone can be a 'star'.
Followed by an entourage.
Or rush quickly to a chauffeur driven,
Corniche Rolls Royce car.
Parked outside of the Ritz Hotel.

No.
It isn't realistic,
To have someone shop for them.
While they pop champagne,
To dropp a big tip after eating something exquisite.
As adorning fans watch.
From behind guards who block,
Closer approaches.

It's.
Just not for everyone,
Realistic.
Even for those wishing,
As they sit on a dock fishing..
For Tuna in the Ozarks.

poem by Lawrence S. Pertillar
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Fresh Air

I

At the Poem Society a black-haired man stands up to say
“You make me sick with all your talk about restraint and mature talent!
Haven’t you ever looked out the window at a painting by Matisse,
Or did you always stay in hotels where there were too many spiders crawling on your visages?
Did you ever glance inside a bottle of sparkling pop,
Or see a citizen split in two by the lightning?
I am afraid you have never smiled at the hibernation
Of bear cubs except that you saw in it some deep relation
To human suffering and wishes, oh what a bunch of crackpots!”
The black-haired man sits down, and the others shoot arrows at him.
A blond man stands up and says,
“He is right! Why should we be organized to defend the kingdom
Of dullness? There are so many slimy people connected with poetry,
Too, and people who know nothing about it!
I am not recommending that poets like each other and organize to fight them,
But simply that lightning should strike them.”
Then the assembled mediocrities shot arrows at the blond-haired man.
The chairman stood up on the platform, oh he was physically ugly!
He was small-limbed and –boned and thought he was quite seductive,
But he was bald with certain hideous black hairs,
And his voice had the sound of water leaving a vaseline bathtub,
And he said, “The subject for this evening’s discussion is poetry
On the subject of love between swans.” And everyone threw candy hearts
At the disgusting man, and they stuck to his bib and tucker,
And he danced up and down on the platform in terrific glee
And recited the poetry of his little friends—but the blond man stuck his head
Out of a cloud and recited poems about the east and thunder,
And the black-haired man moved through the stratosphere chanting
Poems of the relationships between terrific prehistoric charcoal whales,
And the slimy man with candy hearts sticking all over him
Wilted away like a cigarette paper on which the bumblebees have urinated,
And all the professors left the room to go back to their duty,
And all that were left in the room were five or six poets
And together they sang the new poem of the twentieth century
Which, though influenced by Mallarmé, Shelley, Byron, and Whitman,
Plus a million other poets, is still entirely original
And is so exciting that it cannot be here repeated.
You must go to the Poem Society and wait for it to happen.
Once you have heard this poem you will not love any other,
Once you have dreamed this dream you will be inconsolable,
Once you have loved this dream you will be as one dead,
Once you have visited the passages of this time’s great art!

2

“Oh to be seventeen years old
Once again,” sang the red-haired man, “and not know that poetry

[...] Read more

poem by Kenneth Koch
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Populist Manifesto No. 1

Poets, come out of your closets,
Open your windows, open your doors,
You have been holed-up too long
in your closed worlds.
Come down, come down
from your Russian Hills and Telegraph Hills,
your Beacon Hills and your Chapel Hills,
your Mount Analogues and Montparnasses,
down from your foothills and mountains,
out of your teepees and domes.
The trees are still falling
and we’ll to the woods no more.
No time now for sitting in them
As man burns down his own house
to roast his pig
No more chanting Hare Krishna
while Rome burns.
San Francisco’s burning,
Mayakovsky’s Moscow’s burning
the fossil-fuels of life.
Night & the Horse approaches
eating light, heat & power,
and the clouds have trousers.
No time now for the artist to hide
above, beyond, behind the scenes,
indifferent, paring his fingernails,
refining himself out of existence.
No time now for our little literary games,
no time now for our paranoias & hypochondrias,
no time now for fear & loathing,
time now only for light & love.
We have seen the best minds of our generation
destroyed by boredom at poetry readings.
Poetry isn’t a secret society,
It isn’t a temple either.
Secret words & chants won’t do any longer.
The hour of oming is over,
the time of keening come,
a time for keening & rejoicing
over the coming end
of industrial civilization
which is bad for earth & Man.
Time now to face outward
in the full lotus position
with eyes wide open,
Time now to open your mouths
with a new open speech,
time now to communicate with all sentient beings,
All you ‘Poets of the Cities’
hung in museums including myself,

[...] Read more

poem by Lawrence Ferlinghetti
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Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.

'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

[...] Read more

poem by Alexander Pope
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The First Poets

The First Poets hunted game in the forest and on the plains-
inventing signs and gestures; guttural sounds and mime-
and ultimately Words.

The First Poets wrote words and drew pictures
on the walls of caves
stamping their feet to drum-beats;
learning to dance.

The First Poets invented music for their words
religion, books and counting-conjuring up
in each instance-new things.

The First Poets imagined names for plants,
animals, birds and creatures of the sea;
sang songs about them-wrote poems and hymns.
creating sentiment, vows and promises-
marriage ceremonies.

Poets invented the idea of the Idea, of kindness, and visions.
Poets invented hope and the future, love of the past, community.
Poets invented the rhythm of our lives.

Poets re-invent themselves and civilization each generation.
They peer into the gauzy dream and dream what is not yet;
they peer inside themselves
reaching in
with-drawing something new
from that which had not been
there
before.

The First Poets invent and re-invent civilization each generation.

poem by Lonnie Hicks
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Why People Become Poets Poets Dreams

have you ever wondered why people become poets?
poets have been around since the beginning of time
and they have been mostly men, speaking of their loves, life
and emotions.
famous love stories, plays, movies, all seen thru a poets eyes.
just as the centuries have gone by and everything in life has changed
so have the poets.
there is now as many and if not more female poets
than male poets. why? because they are more sensitive to emotions
and are not afraid to show or speak of it, unlike men who want to
show the 'MACHO MAN IMAGE'
poets see life thru different eyes for different situations
and write about it in so many forms, and see the light and
the darkness in everything, including the good and bad.
it may be just one word, or a line, or verse
that enters their mind to start creating
what will become a poem,
what is the poets dream that you will create?
a love story, a sad story, one of fear or hate, or passion
one of beauty, or war.
so many things to choose from- but it doesn’t matter
what you may choose, you must take the first step.
just as reading this is the first step to start on your way to writing poetry
and opening up your mind and soul.
touching other people and receiving comments
and feedback on your writings will help you to improve
on your weak areas.
some people do it because they are looking for fortune and fame
while others want to communicate with others, and others
just to see their names on something other than
a bill being paid.

poem by Louis Rams
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As I Sat Alone By Blue Ontario's Shores

AS I sat alone, by blue Ontario's shore,
As I mused of these mighty days, and of peace return'd, and the dead
that return no more,
A Phantom, gigantic, superb, with stern visage, accosted me;
Chant me the poem, it said, that comes from the soul of America--
chant me the carol of victory;
And strike up the marches of Libertad--marches more powerful yet;
And sing me before you go, the song of the throes of Democracy.

(Democracy--the destin'd conqueror--yet treacherous lip-smiles
everywhere,
And Death and infidelity at every step.)

A Nation announcing itself,
I myself make the only growth by which I can be appreciated, 10
I reject none, accept all, then reproduce all in my own forms.

A breed whose proof is in time and deeds;
What we are, we are--nativity is answer enough to objections;
We wield ourselves as a weapon is wielded,
We are powerful and tremendous in ourselves,
We are executive in ourselves--We are sufficient in the variety of
ourselves,
We are the most beautiful to ourselves, and in ourselves;
We stand self-pois'd in the middle, branching thence over the world;
From Missouri, Nebraska, or Kansas, laughing attacks to scorn.

Nothing is sinful to us outside of ourselves, 20
Whatever appears, whatever does not appear, we are beautiful or
sinful in ourselves only.

(O mother! O sisters dear!
If we are lost, no victor else has destroy'd us;
It is by ourselves we go down to eternal night.)

Have you thought there could be but a single Supreme?
There can be any number of Supremes--One does not countervail
another, any more than one eyesight countervails another, or
one life countervails another.

All is eligible to all,
All is for individuals--All is for you,
No condition is prohibited--not God's, or any.

All comes by the body--only health puts you rapport with the
universe. 30

Produce great persons, the rest follows.

[...] Read more

poem by Walt Whitman
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Tom Zart Poet For The Lord = 2012

I'm a poet for the Lord
Who created all I love.
A blind man riding a fast horse
Fulfilled by my Father above.

God has blessed me 480 times
With stories I could never compose on my own.
Love, war, faith and the answers of life
Are the seeds of His poems I've sown.

I'm the most over blessed man I've met
I should have been dead a thousand times.
But God sees to it I stay alive
To disciple His goodness to hearts and minds.

Some get up and preach a good sermon
Others stand up and sing a divine song.
I step forth with heart and soul
And deliver God's words of right and wrong.

POETS ARE THE BELL RINGERS of THE SOUL

Poets as a rule are high on adventure
Like wondering bards or prophets today.
Embracing hearts and minds with wisdom
Casting through verse their visions at play.

Poets have their dreams and their nightmares
Of love, life, death, faith and war.
They feel the pain and tragedy of others
Even those they've never met before.

They fan the flames of human compassion
With their stories of the failings of man.
Professing to follow a higher power
As they recruit whomever they can.

Poets are the bell ringers of the soul
As they depict the past, the present and beyond.
They sound their alarm of what lies ahead
As the missteps of man live on.

POETS AND POEMS

Poetry blossomed long before Shakespeare, Milton or Poe.
It thrived prior to Solomon and the languages of old.
Poetry today offers itself more often in the form of music
Then in sonnets and poems as the legends of life unfold.

Man has his fear of loneliness, death and the hereafter

[...] Read more

poem by Tom Zart
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Dodging Life

Dodging life for fantasies are not realistic...
But yet goes on.
Wanting to be comforted by things we pick...
Goes on and on.
And the getting upset with regrets that are kept...
Goes on and on.
With a craving that stays forever.
With an appetite changing never.

Dodging life for fantasies are not realistic...
But yet goes on.
Wanting to be comforted by things we pick...
Goes on and on.
And the getting upset with regrets that are kept...
Goes on and on.
With a craving that stays forever.
With an appetite changing never.

Dodging life to only get what is liked and wished...
Goes on and on.
With a holding on we hope is strong,
To keep with us...
Forever!
With an appetite changing never.

Dodging life for fantasies are not realistic...
But yet goes on.
To select with a holding on...
And kept,
Forever!

poem by Lawrence S. Pertillar
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Simplistically Breezy

Keeping it realistic.
Untwisted from statistics!
I've got my charm and focus going.
Watching those whose minds flow,
Unknowing...
Their balled fists keeps them animalistic.

I've got to keep it realistic...
Tired of being analystic,
About who did what to whom and where?
Why that was done in others affairs?
I am staying on top of what I maintain.
Trying to rise above those misfits...
Unchanged.
Who seem encouraged to go ballistically insane!

Dah deedee dah dah doo!
Dah dee dah.
Dah dee dah,
Dah dee dah...
Dah deedee dah dah doo!
Dah dee dah...
Dee dee dah dah dah doo!

Simplistically breezy.

Dah deedee dah dah doo!
Dah dee dah.
Dah dee dah,
Dah dee dah...
Dah deedee dah dah doo!
Dah dee dah...
Dee dee dah dah dah doo!

Keeping it realistic...
Without hatchets to bury or bones to pick.
Removed from rat races,
And those who sniff conflicts.
I've learned my lessons...
And have found for me what fits!
I'm through with that kind of messing around,
And those who take those 'trips'.

Dah deedee dah dah doo!
Dah dee dah.
Dah dee dah,
Dah dee dah...
Dah deedee dah dah doo!
Dah dee dah..
Dee dee dah dah dah doo!

[...] Read more

poem by Lawrence S. Pertillar
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Burning Dreams

I cant help but laugh

at the irony

parents telling you can do anything be anything

but then you get older and the truth is revealed

they want you to be realistic

what happen to being able to do / be anything

You LIER!

And I see so many younger kids reaching for the stars

where is my star?

My milkyway of possibilities

have they crashed and burn......gone away

I wanted to be a singer

I sung and sung and sung

you said I was really good

so I believed if i tried I would be....

years later and here I am

you tell me I'm not good enough

praising some other little girl

am I invisible?

that was my dream but you crushed it

before me wanting me to become a veterinarian

to hell with that

All I want to do now is learn Japanese

live in Japan

while publishing books

[...] Read more

poem by Alizia Sampson
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First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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La Beauté (Beauty)

Je suis belle, ô mortels! comme un rêve de pierre,
Et mon sein, où chacun s'est meurtri tour à tour,
Est fait pour inspirer au poète un amour
Eternel et muet ainsi que la matière.

Je trône dans l'azur comme un sphinx incompris;
J'unis un coeur de neige à la blancheur des cygnes;
Je hais le mouvement qui déplace les lignes,
Et jamais je ne pleure et jamais je ne ris.

Les poètes, devant mes grandes attitudes,
Que j'ai l'air d'emprunter aux plus fiers monuments,
Consumeront leurs jours en d'austères études;

Car j'ai, pour fasciner ces dociles amants,
De purs miroirs qui font toutes choses plus belles:
Mes yeux, mes larges yeux aux clartés éternelles!

Beauty

I am fair, O mortals! like a dream carved in stone,
And my breast where each one in turn has bruised himself
Is made to inspire in the poet a love
As eternal and silent as matter.

On a throne in the sky, a mysterious sphinx,
I join a heart of snow to the whiteness of swans;
I hate movement for it displaces lines,
And never do I weep and never do I laugh.

Poets, before my grandiose poses,
Which I seem to assume from the proudest statues,
Will consume their lives in austere study;

For I have, to enchant those submissive lovers,
Pure mirrors that make all things more beautiful:
My eyes, my large, wide eyes of eternal brightness!

— Translated by William Aggeler

Beauty

I'm fair, O mortals, as a dream of stone;
My breasts whereon, in turn, your wrecks you shatter,
Were made to wake in poets' hearts alone
A love as indestructible as matter.

A sky-throned sphinx, unknown yet, I combine

[...] Read more

poem by Charles Baudelaire
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For All The Poets

FOR ALL THE POETS

This is a poem for all the poets who have no name,
For all those who have written and failed,
And for those who have not written,
And failed.

This is a poem for all the poets who dreamed themselves poets,
And were never, and will be known as poets
To the world.

This a poem for all those
Who after years of effort
Still live in an oblivion
They will die in.

This is a poem for all those
Who whether they have poetry in them or not,
Will never be heard or read,
For what their hearts must tell
Someone else.

This is a poem for all the silent poets
Those who live in silence
And whose silence is eternal
For all those whose only poetry
is the poem they have lived within themselves.

This is a poem for all those who would- be poets
And a poem for those
Who despite their efforts
Did not make their poem known.

This is a poem which may be for you,
And I know is for me
A confession
To make us less alone.

poem by Shalom Freedman
Added by Poetry Lover
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Our Poetry Critics

Our poetry critics ageing males on saturday evenings from six to nine
Meet at the literary room of the Lions Club to do what suits them fine
To talk of poetry and poets each to their point of view
Though they agree on one thing that good poets only few.

Well educated gents of course and they could not be rude
But contemporary rhyme poets only poetasters and them they exclude
From their talk of poets and poetry and in their literary knowledge they take pride
And who is or who is not a poet seems their right to decide.

They never talk about bush poets such verse they see as slipshod
And they see them as the children of the lesser poetry god
And for their years in Uni they have their degrees to show
And of poets and of poetry so much they think they know.

To them a poem is not a poem unless it reads like prose
And a ballad different from true verse as a weed is from a rose
And true poets only write for the privileged few that's what they do imply
And never for the ordinary, people like you and I.

Our poetry critics at the Lions they meet on saturday
And who is a good poet and what is a good poem each like to have their say
And if you wish to become a member of their club you must have your Uni Degrees
For if not to them you are not qualified for to talk about poetry.

poem by Francis Duggan
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In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.

quote by James Broughton
Added by Lucian Velea
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