By the time you're 30 years old, you can be on a nowhere street, if you're not careful.
quote by Gerry Cooney
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Careful What You Wish For
Just lately I've had a go
To find me a new world and candy home
All I needed was a little affection for my soul
Hey, maybe it's time to go
I should have told you a couple of years ago
And I know what's gonna play on my mind
So I'll meet you on the floor
Are you ready for some more?
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
Tell me who do you think you see?
Am I still the girl that you thought I'd be?
Do you care that I might be for real?
Hey, maybe it's time to go
I should have told you a couple of years ago
And I know what's gonna play on my mind
So I'll meet you on the floor
Are you ready for some more?
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
INSTRUMENTAL
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
You're wish, it may come true!
You're wish, it may come true!
You're wish, it may come true!
You're wish, it may come true!
song performed by Texas
Added by Lucian Velea
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Careful What You Wish For
Just lately I've had a go
To find me a new world and candy home
All I needed was a little affection for my soul
Hey, maybe it's time to go
I should have told you a couple of years ago
And I know what's gonna play on my mind
So I'll meet you on the floor
Are you ready for some more?
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
Tell me who do you think you see?
Am I still the girl that you thought I'd be?
Do you care that I might be for real?
Hey, maybe it's time to go
I should have told you a couple of years ago
And I know what's gonna play on my mind
So I'll meet you on the floor
Are you ready for some more?
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
INSTRUMENTAL
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
Just be careful what you wish for
Just be careful what you hope for
You're wish, it may come true!
You're wish, it may come true!
You're wish, it may come true!
You're wish, it may come true!
song performed by Texas
Added by Lucian Velea
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Careful With That Melletron, Eugene
Be careful with that melletron, eugene
Careful with that melletron, eugene
Careful with that melletron, eugene
Be careful with that melletron, you dont know where its been
Careful with the melletron, eugene
Careful with the melletron, eugene
Careful with the melletron, eugene
Be careful with the melletron, you dont know where its been
Play I am the walrus, eugene
Play I am the walrus, eugene
Its I am the walrus, eugene
Play I am the walrus, you dont know where its been
Careful with the melletron, eugene
Careful with the melletron, eugene
Careful with the melletron, eugene
Be careful with the melletron, you dont know where its been
Be careful with the melletron, you dont know where its been
Be careful with the melletron, you dont know where its been
song performed by Waterboys
Added by Lucian Velea
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Street Fighting Man
Everywhere I hear the sound of marching, charging feet, boy
cause summers here and the time is right for fighting in the street, boy
Tell me what can a poor boy do
cept for sing for a rock n roll band
cause in this sleepy l.a. town
Theres just no place for a street fighting man
A street fighting man
A street fighting man
A street fighting man
Do you think the time is right for a palace revolution
Where I live the game to play is compromise solution
Well then what can a poor boy
cept for sing for a rock n roll band
cause in this sleepy l.a. town
Theres just no place for a street fighting man
A street fighting man
A street fighting man
A street fighting man
Well what else can a poor boy do?
Well what else can a poor boy do?
Well what else can a poor boy do?
Well what else can a poor boy do?
Hey my name is called disturbance
Ill shout and scream, Ill kill the king, Ill rail at all his servants
Well what can a poor boy do
For sing for a rock n roll band
In this sleepy l.a. town
Theres just no place for
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
song performed by Rage Against The Machine
Added by Lucian Velea
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Faces In The Street
They lie, the men who tell us in a loud decisive tone
That want is here a stranger, and that misery's unknown;
For where the nearest suburb and the city proper meet
My window-sill is level with the faces in the street --
Drifting past, drifting past,
To the beat of weary feet --
While I sorrow for the owners of those faces in the street.
And cause I have to sorrow, in a land so young and fair,
To see upon those faces stamped the marks of Want and Care;
I look in vain for traces of the fresh and fair and sweet
In sallow, sunken faces that are drifting through the street --
Drifting on, drifting on,
To the scrape of restless feet;
I can sorrow for the owners of the faces in the street.
In hours before the dawning dims the starlight in the sky
The wan and weary faces first begin to trickle by,
Increasing as the moments hurry on with morning feet,
Till like a pallid river flow the faces in the street --
Flowing in, flowing in,
To the beat of hurried feet --
Ah! I sorrow for the owners of those faces in the street.
The human river dwindles when 'tis past the hour of eight,
Its waves go flowing faster in the fear of being late;
But slowly drag the moments, whilst beneath the dust and heat
The city grinds the owners of the faces in the street --
Grinding body, grinding soul,
Yielding scarce enough to eat --
Oh! I sorrow for the owners of the faces in the street.
And then the only faces till the sun is sinking down
Are those of outside toilers and the idlers of the town,
Save here and there a face that seems a stranger in the street,
Tells of the city's unemployed upon his weary beat --
Drifting round, drifting round,
To the tread of listless feet --
Ah! My heart aches for the owner of that sad face in the street.
And when the hours on lagging feet have slowly dragged away,
And sickly yellow gaslights rise to mock the going day,
Then flowing past my window like a tide in its retreat,
Again I see the pallid stream of faces in the street --
Ebbing out, ebbing out,
To the drag of tired feet,
While my heart is aching dumbly for the faces in the street.
And now all blurred and smirched with vice the day's sad pages end,
For while the short `large hours' toward the longer `small hours' trend,
[...] Read more
poem by Henry Lawson
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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Tread Careful
Tread careful
Because youre treading on my dreams.
Tread careful
Because Ive just one heart
Tread careful
Let me down slowly
Or Ill forget how to dream.
Chorus:
I wont forget anything
(I love you)
I wont forgive anyone
(do you love me? )
Tread careful
You hear the sound of my breathing
Tread careful
Because I feel this sound
Tread careful
Im falling in a glasshouse
Im trying hard to begin
Because I want it to get harder
Tread careful
Before I change my mind
Tread careful
I could surprise you
I know something you want to do.
(repeat chorus)
Tread careful
Im sure you dont care but
Tread careful
I could change your mind
Tread careful
Ive been waiting for you
There is no comfort in here.
(repeat chorus)
song performed by Gary Numan
Added by Lucian Velea
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Dead End Street
Theres a crack up in the ceiling,
And the kitchen sink is leaking.
Out of work and got no money,
A sunday joint of bread and honey.
What are we living for?
Two-roomed apartment on the second floor.
No money coming in,
The rent collectors knocking, trying to get in.
We are strictly second class,
We dont understand,
(dead end!)
Why we should be on dead end street.
(dead end!)
People are living on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
On a cold and frosty morning,
Wipe my eyes and stop me yawning.
And my feet are nearly frozen,
Boil the tea and put some toast on.
What are we living for?
Two-roomed apartment on the second floor.
No chance to emigrate,
Im deep in debt and now its much too late.
We both want to work so hard,
We cant get the chance,
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Head to my feet (yeah)
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Hows it feel? (yeah)
[...] Read more
song performed by Kinks
Added by Lucian Velea
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Out In The Street
Put on your best dress baby
And darlin, fix your hair up right
Cause theres a party, honey
Way down beneath the neon lights
All day youve been working that hard line
Now tonight youre gonna have a good time
I work five days a week girl
Loading crates down on the dock
I take my hard earned money
And meet my girl down on the block
And monday when the foreman calls time
Ive already got friday on my mind
When that whistle blows
Girl, Im down the street
Im home, Im out of my work clothes
When Im out in the street
I walk the way I wanna walk
When Im out in the street
I talk the way I wanna talk
When Im out in the street
When Im out in the street
When Im out in the street, girl
Well, I never feel alone
When Im out in the street, girl
In the crowd I feel at home
The black and whites they cruise by
And they watch us from the corner of their eye
But there aint no doubt girl, down here
We aint gonna take what theyre handing out
When Im out in the street
I walk the way I wanna walk
When Im out in the street
I talk the way I wanna talk
Baby, out in the street I dont feel sad or blue
Baby, out in the street Ill be waiting for you
When the whistle blows
Girl, Im down the street
Im home, Im out of my work clothes
When Im out in the street
I walk the way I wanna walk
When Im out in the street
I talk the way I wanna talk
When Im out in the street
Pretty girls, theyre all passing by
When Im out in the street
From the corner, we give them the eye
Baby, out in the street I just feel all right
Meet me out in the street, little girl, tonight
Meet me out in the street
Meet me out in the street
song performed by Bruce Springsteen
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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A Time To Feel Forlorn and Reconstruct What's Torn
There's a designated time in the universe for everything:
A time to limit, a time to expand.
A time to rise, time to lower and lend a hand.
A time to maintain, a time to abandon.
A time to develop, a time to rest at random.
A time to communicate, a time for silence.
A time to kiss your enemy, a time to concede wins.
A time to spite, a time to please.
A time for respite, a time to tease.
A time to process, a time to confess.
A time to do more. A time to do less.
A time to dominate. A time to captivate.
A time to plunge. A time to resurface straight.
A time to maximise. A time to minimise.
A time to diminish. A time to optimise.
A time to sacrifice. time to insist on rights.
A time to be selfish. A time to be concerned about plights.
A time to be big. A time to be small.
A time to care for a special one. A time to love all.
A time to add dimension. A time to simplify.
A time to advocate egalitarianism.
A time to exult.
A time to default.
A time to be accepting of imperfect humanism.
A time to enhance. A time to simplify.
A time to criticise. A time to dignify.
A time to produce. A time to use.
A time to relent. A time to refuse.
A time to demand. A time to give.
A time to die. a time to live.
A time to survive. A time to admit defeat.
A time to lie. A time to walk on your feet.
A time to compete. A time to not.
A time to remember. A time to concede you forgot.
[...] Read more
poem by Hercolena Oliver
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On The Street
On the street
On the street
O, O, On the street
On the street
O, O, On the street
[Everybody dance]
[Watch for the difference]
On the street
{Breaking on broadway]
O, O, On the street
[Shaking on sunset strip]
On the street
[Like nobody booming supporting that]
Da, da, da, da, da ...
On the street
On the street
Dancing
On the street
On the street
Dancing
Dancing
On the street
On the street
[Twisting on the turnpipe]
Dancing
On the street
On the street
On the street ...
Da, da, da, da, ...
Dance on the street ...
song performed by Madonna
Added by Lucian Velea
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Love Street
Yeah, yeah, yeah, yeah, yeah, yeah
Ohh...ho...
Yeah, yeah, yeah, yeah
Ohh...ho...
It seems we've lost our touch
Used to be so in love, yeah, uh
But somehow we've gotten off-track
And we never really got it back, no, yeah
I think we better find a way, yeah
And get right back to them good old days, good old days
Wanna make it to Heaven's gate, yeah (oh)
And we need to escalate, I need
I need direction (whoo, I need direction)
To that street called love (to that street called love, yeah)
Lead me to that road (trying to get home, yeah)
Trying to get home (oh take me to love street, yeah)
Now life is gone and skipped a beat
Tell me where are all the dancing feet? Yeah
Boy I tell you there's always something going wrong
Tell me why can't we all just get along
Keep struggling (yeah) just to get by, oh (oh yeah)
So many hills, mountains to climb, yeah
We should all be ashamed of ourselves
'Cause if we don't love ourselves
Tell me how can we love somebody else?
I need direction (whoo, we need direction)
To that street called love (to that street called love yeah)
Lead me to that road (I'm trying to get home)
Trying to get home (come on and take me to love street)
Easter Sunday morning (yeah)
We weredressed up (yeah)
Ready to go and have some... Church
(And I remember feeling so joyful)
Whether East side or the West side
Or the North side or the South side
You were at... Church
(So tell me what is all this fighting for?)
So what is all this pouting about? (and whoa)
What is all this hating about? (whoa)
(We have got to figure out how to get right back to love street)
I need directions (we need direction, whoa)
To that street called love (to that street called love, yeah)
Lead me to that road (trying to get home)
Trying to get home (would you take me straight to love street, yeah)
I need directions (I need some direction yeah) (ohh)
To that street called love (yes I do, yes I do) (yes I do, yeah)
Lead me to that road (please let me lead me to that road) (yeah)
Trying to get home
Heard somebody say (Toot-toot, beep-beep)
Heard somebody say (Tell me how to get to love street) yeah
[...] Read more
song performed by R. Kelly
Added by Lucian Velea
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Trivia ; or, the Art of Walking the Streets of London : Book II.
Of Walking the Streets by Day.
Thus far the Muse has trac'd in useful lays
The proper implements for wintry ways;
Has taught the walker, with judicious eyes,
To read the various warnings of the skies.
Now venture, Muse, from home to range the town,
And for the public safety risk thy own.
For ease and for dispatch, the morning's best;
No tides of passengers the street molest.
You'll see a draggled damsel, here and there,
From Billingsgate her fishy traffic bear;
On doors the sallow milk-maid chalks her gains;
Ah! how unlike the milk-maid of the plains!
Before proud gates attending asses bray,
Or arrogate with solemn pace the way;
These grave physicians with their milky cheer,
The love-sick maid and dwindling beau repair;
Here rows of drummers stand in martial file,
And with their vellum thunder shake the pile,
To greet the new-made bride. Are sounds like these
The proper prelude to a state of peace?
Now industry awakes her busy sons,
Full charg'd with news the breathless hawker runs:
Shops open, coaches roll, carts shake the ground,
And all the streets with passing cries resound.
If cloth'd in black, you tread the busy town
Or if distinguish'd by the rev'rend gown,
Three trades avoid; oft in the mingling press,
The barber's apron soils the sable dress;
Shun the perfumer's touch with cautious eye,
Nor let the baker's step advance too nigh;
Ye walkers too that youthful colours wear,
Three sullying trades avoid with equal care;
The little chimney-sweeper skulks along,
And marks with sooty stains the heedless throng;
When small-coal murmurs in the hoarser throat,
From smutty dangers guard thy threaten'd coat:
The dust-man's cart offends thy clothes and eyes,
When through the street a cloud of ashes flies;
But whether black or lighter dyes are worn,
The chandler's basket, on his shoulder borne,
With tallow spots thy coat; resign the way,
To shun the surly butcher's greasy tray,
Butcher's, whose hands are dy'd with blood's foul stain,
And always foremost in the hangman's train.
Let due civilities be strictly paid.
The wall surrender to the hooded maid;
Nor let thy sturdy elbow's hasty rage
Jostle the feeble steps of trembling age;
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poem by John Gay
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The Street Only Knew Your Name
Your street, rich street or poor
You should always be sure of your street
There's a place in your heart,
When you know from the start
And you can't be complete without a street
Keep movin' on, just like a train
Sometimes you gotta look back to the street again
Would you prefer all those castles in spain
Or a view of the street from your window pane
When you were young, so young
So very very young
When you were young, so young
So very very young
And the street only knew your name
And the street only knew your name
And the street only knew your name, oh your precious name, precious name
There was walter and joy, kate and roy
All hung around the corner lamplight
Get together sing some songs
Like boppin' the blues - you make me feel alright
That was long before fortune and fame
No such thing as a star when you've played that game
Everyone knew who everyone was
There was no preference in the street no, no
When you were young, so young
So very very young
When you were young, so young
So very very young
And the street only knew your name
And the street only knew your name
And the street only knew your name, oh your precious name
And you walked around in the heart of town
Listening for that sound
And you walk around in the heart of town
Listening for that sound
Blue suede shoes, it was the blue suede shoes
When you were young, so young
So very very young
When you were young, so young
So very very young
And the street only knew your name
And the street only knew your name
And the street only knew your name
And the street only knew your name
song performed by Van Morrison
Added by Lucian Velea
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Virginia's Story
Elizabeth Gates-Wooten is my Grand mom.
She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.
When she was old enough she got married.
First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.
Agnes was my mother.
Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.
Then they moved to West Virginia in the United States.
Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.
Anna was a maid and cook.
She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth
They were both good cooks
They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.
My moms name was Agnes Barrie Gates.
She married James Wright and moved to Cleveland.
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poem by Talile Ali
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Enoch Arden
Long lines of cliff breaking have left a chasm;
And in the chasm are foam and yellow sands;
Beyond, red roofs about a narrow wharf
In cluster; then a moulder'd church; and higher
A long street climbs to one tall-tower'd mill;
And high in heaven behind it a gray down
With Danish barrows; and a hazelwood,
By autumn nutters haunted, flourishes
Green in a cuplike hollow of the down.
Here on this beach a hundred years ago,
Three children of three houses, Annie Lee,
The prettiest little damsel in the port,
And Philip Ray the miller's only son,
And Enoch Arden, a rough sailor's lad
Made orphan by a winter shipwreck, play'd
Among the waste and lumber of the shore,
Hard coils of cordage, swarthy fishing-nets,
Anchors of rusty fluke, and boats updrawn,
And built their castles of dissolving sand
To watch them overflow'd, or following up
And flying the white breaker, daily left
The little footprint daily wash'd away.
A narrow cave ran in beneath the cliff:
In this the children play'd at keeping house.
Enoch was host one day, Philip the next,
While Annie still was mistress; but at times
Enoch would hold possession for a week:
`This is my house and this my little wife.'
`Mine too' said Philip `turn and turn about:'
When, if they quarrell'd, Enoch stronger-made
Was master: then would Philip, his blue eyes
All flooded with the helpless wrath of tears,
Shriek out `I hate you, Enoch,' and at this
The little wife would weep for company,
And pray them not to quarrel for her sake,
And say she would be little wife to both.
But when the dawn of rosy childhood past,
And the new warmth of life's ascending sun
Was felt by either, either fixt his heart
On that one girl; and Enoch spoke his love,
But Philip loved in silence; and the girl
Seem'd kinder unto Philip than to him;
But she loved Enoch; tho' she knew it not,
And would if ask'd deny it. Enoch set
A purpose evermore before his eyes,
To hoard all savings to the uttermost,
To purchase his own boat, and make a home
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poem by Alfred Lord Tennyson
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The Plea Of The Midsummer Fairies
I
'Twas in that mellow season of the year
When the hot sun singes the yellow leaves
Till they be gold,—and with a broader sphere
The Moon looks down on Ceres and her sheaves;
When more abundantly the spider weaves,
And the cold wind breathes from a chillier clime;—
That forth I fared, on one of those still eves,
Touch'd with the dewy sadness of the time,
To think how the bright months had spent their prime,
II
So that, wherever I address'd my way,
I seem'd to track the melancholy feet
Of him that is the Father of Decay,
And spoils at once the sour weed and the sweet;—
Wherefore regretfully I made retreat
To some unwasted regions of my brain,
Charm'd with the light of summer and the heat,
And bade that bounteous season bloom again,
And sprout fresh flowers in mine own domain.
III
It was a shady and sequester'd scene,
Like those famed gardens of Boccaccio,
Planted with his own laurels evergreen,
And roses that for endless summer blow;
And there were fountain springs to overflow
Their marble basins,—and cool green arcades
Of tall o'erarching sycamores, to throw
Athwart the dappled path their dancing shades,—
With timid coneys cropping the green blades.
IV
And there were crystal pools, peopled with fish,
Argent and gold; and some of Tyrian skin,
Some crimson-barr'd;—and ever at a wish
They rose obsequious till the wave grew thin
As glass upon their backs, and then dived in,
Quenching their ardent scales in watery gloom;
Whilst others with fresh hues row'd forth to win
My changeable regard,—for so we doom
Things born of thought to vanish or to bloom.
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poem by Thomas Hood
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