
Tim also has enough confidence so that it always looks like a Tim Burton film, but it really is collaborative. You're allowed to do it your way but of course he's always going to choose his way.
quote by Helena Bonham Carter
Added by Lucian Velea
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Related quotes
I Should Be Allowed To Think
I saw the best minds of my generation
Destroyed by madness, starving, hysterical
I should be allowed to glue my poster
I should be allowed to think
I should be allowed to glue my poster
I should be allowed to think
I should be allowed to think
I should be allowed to think
And I should be allowed to blurt the merest idea
If by random whim, one occurs to me
If necessary, leave paper stains on the grey utility pole
I saw the worst bands of my generation
Applied by magic marker to dry wall
I should be allowed to shoot my mouth off
I should have a call in show
I should be allowed to glue my poster
I should be allowed to think
I should be allowed to think
I should be allowed to think
And I should be allowed to blurt the merest idea
If by random whim, one occurs to me
If necessary, leave paper stains on the grey utility pole
I am not allowed
To ever come up with a single original thought
I am not allowed
To meet the criminal government agent who oppresses me
I was the worst hope of my generation
Destroyed by madness, starving, hysterical
I should be allowed to share my feelings
I should be allowed to feel
I should be allowed to glue my poster
I should be allowed to think
I should be allowed to think
I should be allowed to think
And I should be allowed to blurt the merest idea
If by random whim one occurs to me
But sadly, this can never be
I am not allowed to think
I am not allowed to think
I am not allowed to think (I am not allowed to think)
I am not allowed to think (I am not allowed to think)
I am not allowed to think (I am not allowed to think)
I am not allowed to think (I am not allowed to think)
song performed by They Might Be Giants
Added by Lucian Velea
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Additions
The Fire at Tranter Sweatley's
THEY had long met o' Zundays--her true love and she--
And at junketings, maypoles, and flings;
But she bode wi' a thirtover uncle, and he
Swore by noon and by night that her goodman should be
Naibor Sweatley--a gaffer oft weak at the knee
From taking o' sommat more cheerful than tea--
Who tranted, and moved people's things.
She cried, "O pray pity me!" Nought would he hear;
Then with wild rainy eyes she obeyed,
She chid when her Love was for clinking off wi' her.
The pa'son was told, as the season drew near
To throw over pu'pit the names of the peäir
As fitting one flesh to be made.
The wedding-day dawned and the morning drew on;
The couple stood bridegroom and bride;
The evening was passed, and when midnight had gone
The folks horned out, "God save the King," and anon
The two home-along gloomily hied.
The lover Tim Tankens mourned heart-sick and drear
To be thus of his darling deprived:
He roamed in the dark ath'art field, mound, and mere,
And, a'most without knowing it, found himself near
The house of the tranter, and now of his Dear,
Where the lantern-light showed 'em arrived.
The bride sought her cham'er so calm and so pale
That a Northern had thought her resigned;
But to eyes that had seen her in tide-times of weal,
Like the white cloud o' smoke, the red battlefield's vail,
That look spak' of havoc behind.
The bridegroom yet laitered a beaker to drain,
Then reeled to the linhay for more,
When the candle-snoff kindled some chaff from his grain--
Flames spread, and red vlankers, wi' might and wi' main,
And round beams, thatch, and chimley-tun roar.
Young Tim away yond, rafted up by the light,
Through brimble and underwood tears,
Till he comes to the orchet, when crooping thereright
In the lewth of a codlin-tree, bivering wi' fright,
Wi' on'y her night-rail to screen her from sight,
His lonesome young Barbree appears.
Her cwold little figure half-naked he views
[...] Read more
poem by Thomas Hardy
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The Fire at Tranter Sweatley's
They had long met o' Zundays--her true love and she--
And at junketings, maypoles, and flings;
But she bode wi' a thirtover uncle, and he
Swore by noon and by night that her goodman should be
Naibor Sweatley--a gaffer oft weak at the knee
From taking o' sommat more cheerful than tea--
Who tranted, and moved people's things.
She cried, "O pray pity me!" Nought would he hear;
Then with wild rainy eyes she obeyed,
She chid when her Love was for clinking off wi' her.
The pa'son was told, as the season drew near
To throw over pu'pit the names of the peäir
As fitting one flesh to be made.
The wedding-day dawned and the morning drew on;
The couple stood bridegroom and bride;
The evening was passed, and when midnight had gone
The folks horned out, "God save the King," and anon
The two home-along gloomily hied.
The lover Tim Tankens mourned heart-sick and drear
To be thus of his darling deprived:
He roamed in the dark ath'art field, mound, and mere,
And, a'most without knowing it, found himself near
The house of the tranter, and now of his Dear,
Where the lantern-light showed 'em arrived.
The bride sought her cham'er so calm and so pale
That a Northern had thought her resigned;
But to eyes that had seen her in tide-times of weal,
Like the white cloud o' smoke, the red battlefield's vail,
That look spak' of havoc behind.
The bridegroom yet laitered a beaker to drain,
Then reeled to the linhay for more,
When the candle-snoff kindled some chaff from his grain--
Flames spread, and red vlankers, wi' might and wi' main,
And round beams, thatch, and chimley-tun roar.
Young Tim away yond, rafted up by the light,
Through brimble and underwood tears,
Till he comes to the orchet, when crooping thereright
In the lewth of a codlin-tree, bivering wi' fright,
Wi' on'y her night-rail to screen her from sight,
His lonesome young Barbree appears.
Her cwold little figure half-naked he views
Played about by the frolicsome breeze,
Her light-tripping totties, her ten little tooes,
[...] Read more
poem by Thomas Hardy
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Am I Allowed
Am I allowed
To wish not to breathe?
Am I allowed
To skip over tomorrow?
And,
Am I allowed
Not to believe,
Who it is that speaks.
Or,
Whom everybody follows?
Am I allowed
To want my own needs?
Am I allowed
Not to beg or borrow.
Am I allowed
Not to be deceived,
By who those that I know
Are low, lazy and shallow?
Am I allowed
My own company?
Am I allowed
To float or row my boat?
And,
Am I allowed
To see what I see,
Who it is that show
Not which way to go?
Am I allowed
To want my own needs?
Am I allowed
Not to beg or borrow.
Am I allowed
Not to be deceived,
By who those that I know
Are low, lazy and shallow?
Am I allowed
My own company?
Am I allowed
To float or row my boat?
And,
Am I allowed
To see what I see,
Who it is that show
Not which way to go?
Am I allowed
[...] Read more
poem by Lawrence S. Pertillar
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The Ballad Of Betsy
Betsy now pulls the cart towards sweet home that day
Her size makes pulling baby carts as mere child's play
She's huge, a Labrador, obtained from Russian friend
Trained by cop, we'll call Tim - that isn't his real name
Tim can slug between the eyes crooks across the street
His temper's short, but long the distance he'd shoot straight
His baby, Betsy pulls in cart as they would stroll
Today could be the day, she waits maternal call
So many pats, did Tim bestow on Betsy's head
As due reward for deeds of bravery she'd made
To Betsy it's worth all to life and what it brought
And with her newborn pups, she's bound for added worth
One fateful day, as Tim was out, the stork came in,
And for Betsy it looks like Fate did show her grin,
But as her seventh pup was out, a wolf came by
It bit the baby that so loud it now did cry
Still in maternity, she sprang to guard duty
To give battle, protect her tuft, succeed ably
She'd killed the wolf, at last, but not without its price
Bloodied and stained, she hardly moves from where she lies
But worse is for the fox that now nary is seen,
Concealed in undergrowth from where it once had been
The stench of death will fill the air in future days
Or else its rotted corpse thereat forever stays
As Tim arrives, she thought a pat would ease her pain
She whined a bit to point out to where she'd lain
Tim saw the baby bleeding red from dangling arm
And felt the matching blood on Betsy's face still warm
To Tim this meant a smoking gun that he has found
As victim and the culprit were all still around
Ten years of Police work taught him to act now fast
He struck at Betsy who just stared feeling aghast
The pat that Betsy yearned now came, but seemed too hard
It split her skull and felt as though there flew a shard
Her pups, too, Tim held nothing back, he game them all
She watched with mournful eyes as last of them did fall
She stared at Tim with eyes where now fresh blood had sprung
As if to say, "If you'd kill me, please spare my young, "
"I've only done the best I can, if not enough,
Then punish me, but please, let live a single pup."
[...] Read more
poem by Reyvrex Questor Reyes
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Girls On Film (Night Version)
See them walking hand in hand
Across the bridge at midnight
Heads turning as the lights flashing out
Are so bright
And walk right out to the four line track
There's a camera rolling on her back
On her back
And I sense a rhythm humming in a frenzy
All the way down her spine
Girls on Film
Girls on Film
Girls on Film
Girls on Film
Lipstick cherry all over the lens as she's falling
And miles of sharp blue water coming in
Where she lies
The diving man's coming up for air
'Cause the crowd all love pulling Dolly by the hair
By the hair
And she wonders how she ever got here
As she goes under again
Girls on Film (Two minutes later)
Girls on Film
Girls on Film (Got your picture)
Girls on Film
Wider, baby, smile and you've just made a million
Fuses pumping live heat twisting out on a wire
Take one last glimpse into the night
I'm touching close
I'm holding bright, holding tight
Give me shudders in a whisper,
Take me up til I'm shooting a star
Girls on Film (she's more than a lady)
Girls on Film
Girls on Film (Two minutes later)
Girls on Film
Girls on Film (see you together)
Girls on Film
Girls on Film (see you later)
Girls on Film
song performed by Duran Duran
Added by Lucian Velea
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Girls On Film
See them walking hand in hand across the bridge at midnight
Heads turning as the lights flashing out are so bright
Then walk right out to the fourline track
Theres a camera rolling on her back on her back
And I sense the rhythms humming in a frenzy
All the way down her spine
Girls on film
Girls on film
Girls on film
Girls on film
Lipstick cherry all over the lens as shes falling
In miles of sharp blue water coming in where she lies
The diving mans coming up for air
Cause the crowd all love pulling dolly by the hair, by the hair
And she wonders how she ever got here
As she goes under again
Girls on film (two minutes later)
Girls on film
Girls on film (got your picture)
Girls on film
Wider baby smiling youve just made a million
Fuses pumping live heat twisting out on a wire
Take one last glimpse into the night
Im touching close Im holding bright, holding tight
Give me shudders with a whisper take me high
Till I Im shooting a star
Girls on film (shes more than a lady)
Girls on film
Girls on film (see you together)
Girls on film
Girls on film (see you later)
Girls on film
Girls on film (two minutes later)
song performed by Duran Duran
Added by Lucian Velea
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Anyway, Anyhow, Anywhere
I can go anyway, way I choose
I can go anyway, way I choose
I can live anyhow, win or lose
I can live anyhow, win or lose
I can go anywhere, for something new
I can go anywhere, for something new
Anyway, anyhow, anywhere I choose
Anyway, anyhow, anywhere I choose
I can do anything, right or wrong
I can do anything, right or wrong
I can talk anyhow, and get along
I can talk anyhow, and get along
Dont care anyway, I never lose
Dont care anyway, I never lose
Anyway, anyhow, anywhere I choose
Anyway, anyhow, anywhere I choose
Nothing gets in my way
Nothing gets in my way
Not even locked doors
Not even locked doors
Dont follow the lines
Dont follow the lines
That been laid before
That been laid before
I get along anyway I dare
I get along anyway I dare
Anyway, anyhow, anywhere
Anyway, anyhow, anywhere
I can go anyway, way I choose
I can go anyway, way I choose
I can live anyhow, win or lose
I can live anyhow, win or lose
I can go anywhere, for something new
I can go anywhere, for something new
Anyway, anyhow, anywhere I choose
Anyway, anyhow, anywhere I choose
Anyway
Anyway
Anyway I choose, yeah
Anyway I choose, yeah
Anyway I wanna go, I wanna go n do it myself,
Anyway I wanna go, I wanna go n do it myself,
Do it myself
Do it myself
Do it myself, yeah
Do it myself, yeah
Anyway, way I choose
Anyway, way I choose
Anyway I choose
Anyway I choose
[...] Read more
song performed by Who
Added by Lucian Velea
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The Candidate
This poem was written in , on occasion of the contest between the
Earls of Hardwicke and Sandwich for the High-stewardship of the
University of Cambridge, vacant by the death of the Lord Chancellor
Hardwicke. The spirit of party ran high in the University, and no
means were left untried by either candidate to obtain a majority. The
election was fixed for the th of March, when, after much
altercation, the votes appearing equal, a scrutiny was demanded;
whereupon the Vice-Chancellor adjourned the senate _sine die_. On
appeal to the Lord High-Chancellor, he determined in favour of the
Earl of Hardwicke, and a mandamus issued accordingly.
Enough of Actors--let them play the player,
And, free from censure, fret, sweat, strut, and stare;
Garrick abroad, what motives can engage
To waste one couplet on a barren stage?
Ungrateful Garrick! when these tasty days,
In justice to themselves, allow'd thee praise;
When, at thy bidding, Sense, for twenty years,
Indulged in laughter, or dissolved in tears;
When in return for labour, time, and health,
The town had given some little share of wealth,
Couldst thou repine at being still a slave?
Darest thou presume to enjoy that wealth she gave?
Couldst thou repine at laws ordain'd by those
Whom nothing but thy merit made thy foes?
Whom, too refined for honesty and trade,
By need made tradesmen, Pride had bankrupts made;
Whom Fear made drunkards, and, by modern rules,
Whom Drink made wits, though Nature made them fools;
With such, beyond all pardon is thy crime,
In such a manner, and at such a time,
To quit the stage; but men of real sense,
Who neither lightly give, nor take offence,
Shall own thee clear, or pass an act of grace,
Since thou hast left a Powell in thy place.
Enough of Authors--why, when scribblers fail,
Must other scribblers spread the hateful tale?
Why must they pity, why contempt express,
And why insult a brother in distress?
Let those, who boast the uncommon gift of brains
The laurel pluck, and wear it for their pains;
Fresh on their brows for ages let it bloom,
And, ages past, still flourish round their tomb.
Let those who without genius write, and write,
Versemen or prosemen, all in Nature's spite,
The pen laid down, their course of folly run
In peace, unread, unmention'd, be undone.
Why should I tell, to cross the will of Fate,
That Francis once endeavour'd to translate?
Why, sweet oblivion winding round his head,
[...] Read more
poem by Charles Churchill
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I Choose You
(r palmer)
I choose you
When love comes along you go with the flow
You should trust your feelings on it
When you get hit by the arrow youll know
Cupids aim is always on it
Its half past two now
Your face is lovely
Its only lit by candlelight
Just me and you here
Our room is quiet
Only our sighs and whispers
You dont choose who you fall in love with
You dont mess with the gods of love
You cant choose who you fall in love with
So I choose you
When love comes along you go with the flow
You should trust your feelings on it
When you get hit by the arrow youll know
Cupids aim is always on it
You mesmerise me
My head is spinning
This is much more than fantasy
Lost in your kisses
My senses tingle
We lose our inhibitions
You dont choose who you fall in love with
You dont mess with the gods of love
You cant choose who you fall in love with
So I choose you
Ohohohah
I choose
I choose you
I choose
I choose you
I choose
Oh babe I choose you
I choose
I choose you
Whooo
You dont choose who you fall in love with
You dont mess with the gods of love
You cant choose who you fall in love with
So I choose you
Whoo
You dont choose who you fall in love with
You dont mess with the gods of love
You cant choose who you fall in love with
So I choose you
song performed by Robert Palmer
Added by Lucian Velea
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What Did You Learn At School Today?
1
What do kids learn
say on the first day at school?
...just some light-hearted verse follows...
2
See it's Tim’s first day
at high school;
see dad’s come to pick up Tim
See all the kids are coming out of school
And you can see Tim too
Do you see Tim?
He is walking
and Dad waves to him
and Tim gets in the car
and Dad says:
“Hi Tim…Did you enjoy school? ”
“Yes, ” says Tim, looking serious
“And what did you learn, Tim
on your first day at high school? ”
“I learned, ” says little Tim
“that all my friends get more pocket money
than I do! ”
poem by Raj Arumugam
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We don't cry—Tim and I
196
We don't cry—Tim and I,
We are far too grand—
But we bolt the door tight
To prevent a friend—
Then we hide our brave face
Deep in our hand—
Not to cry—Tim and I—
We are far too grand—
Nor to dream—he and me—
Do we condescend—
We just shut our brown eye
To see to the end—
Tim—see Cottages—
But, Oh, so high!
Then—we shake—Tim and I—
And lest I—cry—
Tim—reads a little Hymn—
And we both pray—
Please, Sir, I and Tim—
Always lost the way!
We must die—by and by—
Clergymen say—
Tim—shall—if I—do—
I—too—if he—
How shall we arrange it—
Tim—was—so—shy?
Take us simultaneous—Lord—
I—"Tim"—and Me!
poem by Emily Dickinson
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Doodles
I've got plenty made doodles.
Some done and some new doodles too.
I've got plenty made doodles.
And doing those doodles is what I choose,
When doing those doodles I choose to do.
I've got plenty made doodles.
Some done and some new doodles too.
I've got plenty made doodles.
And doing those doodles is what I choose,
When doing those doodles I choose to do.
I've got plenty made doodles.
Some done and some new doodles too.
I've got plenty made doodles.
And doing those doodles is what I choose,
When doing those doodles I choose to do.
I've got plenty made doodles.
Some done and some new doodles too.
I've got plenty made doodles.
And doing those doodles is what I choose,
When doing those doodles I choose to do.
I've got plenty made doodles.
And doing those doodles is what I choose,
When doing those doodles I choose to do.
I've got plenty made doodles.
And...
Doing those doodles is what I choose,
When doing those doodles I choose to do.
I've got plenty made doodles.
And...
Doing those doodles is what I choose,
When doing those doodles I choose to do.
Doing those doodles is what I choose,
When doing those doodles I choose to do.
Doing those doodles is what I choose,
When doing those doodles I choose to do.
I've got plenty made doodles
I've got plenty made doodles.
And...
Doing those doodles is what I choose,
When doing those doodles I choose to do.
I've got plenty made doodles.
I've got plenty made doodles.
I...
Do all my doodles with doodles done.
[...] Read more
poem by Lawrence S. Pertillar
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Confidence
(words & music by tepper - bennett)
When everyone thought the world was flat
Columbus said its round
He went down in history
And america was found
cause
He had confidence
A little thing called confidence
Theres no job too immense when youve got
Confidence
With a c and an o and an n and an f
And an I and a d and an ence
Put em all together and what have you got
Confidence
Youll be surprised what you can do
If you will only try
Remember the tortoise and the hare
Who had that famous race
The speedy hare wound up nowhere
And slow poke took first place
cause
He had confidence
A little thing called confidence
Theres no job too immense when youve got
Confidence
Youll be surprised what you can do
If you will only try
How do you know that you cant ride a rainbow in the sky
Youll be surprised what you can do
If you will only try
All you need is confidence
A little thing called confidence
Theres no job too immense when youve got
Confidence
With a c and an o and an n and an f
And an I and a d and an ence
Put em all together and what have you got
Confidence
Confi ..... confi .... confidence
song performed by Elvis Presley
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Raincheck
Its not high finance, its called heart and soul
If its rock and roll, got to go, go, go, go, go
Gonna keep moving on up to the higher ground
Gonna keep on moving on up, I got to stand my ground
Gonna keep on moving on up, I wanna stick around
Wont let the bastards grind me down
Wont let the bastards grind me down
Wont let the bastards grind me down
Call me raincheck in the afternoon
Call me raincheck, need a shot of rhythm and blues
Call me raincheck, on a golden autumn day
Call me raincheck, I wont fade away, I wont fade away
I dont fade away, I dont fade away, unless I want to
Cant take my love away, ah cause its here to stay
If it fades away, come back another day
Gonna keep on moving on up to the higher ground
Gonna keep on moving on up, I wanna stick around
Gonna keep on moving on up, oh gonna stand my ground
Wont let the bastards grind me down
Wont let the bastards grind me down
Wont let the bastards grind me down
My name is raincheck in the afternoon
My name is raincheck, need a shot of rhythm and blues
My name is raincheck, on a golden autumn day
My name is raincheck, and I dont fade away, I dont fade away
I dont fade away, I dont fade away, unless I want to
Move it up, move it up, move it up, move it up
Move it up, move it up, move it up, move it up
Move it up, move it up, move it up, move it up, move it up
Grind me down, grind me down, grind me down
My name is raincheck in the afternoon
My name is raincheck, need a shot of rhythm and blues
My name is raincheck, on a golden autumn day
My name is raincheck, and I dont fade away, I dont fade away
I dont fade away, I dont fade away, unless I want to
Put on your dancing shoes, dance away your blues
When Im feeling like this, I got nothing to lose
Wanna keep on moving on up to the higher ground
Wanna keep on moving on up and Ill stick around
Wanna keep on moving on up, got to stand my ground
Wont let the bastards grind me down
Wont let the bastards grind me down
Oh, wont let the bastards grind me down
My name is raincheck in the afternoon
My name is raincheck, need a shot of rhythm and blues
My name is raincheck, on a golden autumn day
My name is raincheck, and I dont fade away, I dont fade away
I dont fade away, I dont fade away, unless I choose
I choose, I choose, I choose
No, I dont fade away, I dont fade away, I dont fade away
[...] Read more
song performed by Van Morrison
Added by Lucian Velea
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A Stave Of Roving Tim
(ADDRESSED TO CERTAIN FRIENDLY TRAMPS.)
I
The wind is East, the wind is West,
Blows in and out of haven;
The wind that blows is the wind that's best,
And croak, my jolly raven!
If here awhile we jigged and laughed,
The like we will do yonder;
For he's the man who masters a craft,
And light as a lord can wander.
So, foot the measure, Roving Tim,
And croak, my jolly raven!
The wind according to its whim
Is in and out of haven.
II
You live in rows of snug abodes,
With gold, maybe, for counting;
And mine's the beck of the rainy roads
Against the sun a-mounting.
I take the day as it behaves,
Nor shiver when 'tis airy;
But comes a breeze, all you are on waves,
Sick chickens o' Mother Carey!
So, now for next, cries Roving Tim,
And croak, my jolly raven!
The wind according to its whim
Is in and out of haven.
III
Sweet lass, you screw a lovely leer,
To make a man consider.
If you were up with the auctioneer,
I'd be a handsome bidder.
But wedlock clips the rover's wing;
She tricks him fly to spider;
And when we get to fights in the Ring,
It's trumps when you play outsider.
So, wrench and split, cries Roving Tim,
And croak, my jolly raven!
The wind according to its whim
Is in and out of haven.
IV
[...] Read more
poem by George Meredith
Added by Poetry Lover
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Tim Turpin
Tim Turpin he was gravel-blind,
And ne'er had seen the skies :
For Nature, when his head was made,
Forgot to dot his eyes.
So, like a Christmas pedagogue,
Poor Tim was forced to do -
Look out for pupils; for he had
A vacancy for two.
There's some have specs to help their sight
Of objects dim and small :
But Tim had specks within his eyes,
And could not see at all.
Now Tim he wooed a servant maid,
And took her to his arms;
For he, like Pyramus, had cast
A wall-eye on her charms.
By day she led him up and down.
Where'er he wished to jog,
A happy wife, altho' she led
The life of any dog.
But just when Tim had lived a month
In honey with his wife,
A surgeon ope'd his Milton eyes,
Like oysters, with a knife.
But when his eyes were opened thus,
He wished them dark again :
For when he looked upon his wife,
He saw her very plain.
Her face was bad, her figure worse,
He couldn't bear to eat :
For she was anything but like
A grace before his meat.
Now Tim he was a feeling man :
For when his sight was thick
It made him feel for everything -
But that was with a stick.
So, with a cudgel in his hand
It was not light or slim -
He knocked at his wife's head until
It opened unto him.
[...] Read more
poem by Thomas Hood
Added by Poetry Lover
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The Wake Of Tim O'Hara
TO the Wake of O’Hara
Came company;
All St. Patrick’s Alley
Was there to see,
With the friends and kinsmen
Of the family.
On the long deal table lay Tim in white,
And at his pillow the burning light.
Pale as himself, with the tears on her cheek,
The mother receiv’d us, too full to speak;
But she heap’d the fire, and on the board
Set the black bottle with never a word,
While the company gather’d, one and all,
Men and women, big and small:
Not one in the Alley but felt a call
To the Wake of Tim O’Hara.
At the face of O’Hara,
All white with sleep,
Not one of the women
But took a peep,
And the wives new-wedded
Began to weep.
The mothers gather’d round about,
And prais’d the linen and laying out,—
For white as snow was his winding-sheet,
And all was peaceful, and clean, and sweet;
And the old wives, praising the blessed dead,
Were thronging around the old press-bed,
Where O’Hara’s widow, tatter’d and torn,
Held to her bosom the babe newborn,
And star’d all around her, with eyes forlorn,
At the Wake of Tim O’Hara.
For the heart of O’Hara
Was good as gold,
And the life of O’Hara
Was bright and bold,
And his smile was precious
To young and old!
Gay as a guinea, wet or dry,
With a smiling mouth, and a twinkling eye!
Had ever an answer for chaff and fun;
Would fight like a lion, with any one!
Not a neighbor of any trade
But knew some joke that the boy had made;
Not a neighbor, dull or bright,
But minded something—frolic or fight,
And whisper’d it round the fire that night,
At the Wake of Tim O’Hara.
[...] Read more
poem by William Cosmo Monkhouse
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