If all the ways I have been along were marked on a map and joined up with a line, it might represent a minotaur.
quote by Pablo Picasso
Added by Lucian Velea
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The Insect
From Camoweal to Windywoe, from Windywoe to Thirstyville,
We'll drag the line around the map, along the plain, and up the hill;
Scross the desert, to the swamp, across the swamp and up the rise.
'Our ' Sacred Rights must be preserved, 'our' claims you'll have to recognise.
One night, while others were abed,
With weary eyes and aching head,
I pored for hours and hours upon a map,
Till dots and lines began to swim.
'Suggested routes' grew blurred and dim,
And then, I think, I must have had a nap.
But, with a start,it seemed to me,
I sat boolt upright suddenly,
And gazed, with staring eyes, before me straight;
For there, upon my inkwell's brim,
With aspect most grotesque and grim,
Methought a large, fat, hairy spider sate.
'Good fellow, you behold in me
An insect of repute,' said he.
'I'm that State Insect, so much talked about.
I've frequently been mentioned in
Such papers as THE BULLETIN;
So you have beard of me before, no doubt.
'You've recently,' pursued the brute,
'Been pondering upon the route
Of our Transcontinental Railway Line.
I do not know what views you hold;
But, if it be not deemed too bold,
I'll just acquaint you with a few of mine.'
Then, suddenly, the creature dropped
Heels over head, and downward flopped
Into the pot, and floundered in the ink.
I calmly thought, 'He'll drown, no doubt';
But presently he struggled out
And sat, once more, all dripping, on the brink.
'Ere I proceed to illustrate
The views of each protesting State
Thus did the beast address me from the pot
'Please understand I represent
All phases of State discontent;
[...] Read more
poem by Clarence Michael James Stanislaus Dennis
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Lining Track
This song was first released on the all aboard! album. it is the only album it has been released on.
Mo boys, is you right
Done got it right
All I hate about linin track
These ol boys are gonna break my back
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Down in the holler below the fleld
Angels working on the chariot wheel
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Mary and the babe was a sittin in the shade
Thinking on the money that I aint made
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Moses stood on the red sea shore
Gotta batten down the waves with a 2 by 4
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Now if I could I surely would
Stand on the rock where moses stood
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Matthew, mark, luke and john
All them disciples dead and gone
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Mo boys, is you right
Done got it right
All I hate about lining track
These ol boys about to break my back
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
Mo boys, cant you line em (track a lack)
See eloise gonna line em track
Words and music by huddie ledbetter
song performed by John Denver
Added by Lucian Velea
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Nite Line
Calling on the nite line
Waking me up
Calling on the nite line
(calling on the nite line)
Cant get enough
Calling on the nite line
(calling on the nite line)
Whisper in my ear
Sending through the fire line
(calling on the nite line)
What Id like to hear
Every night about midnight
The call comes through
You turn it on the nite line
cause you know just what to do
And Ill be waiting
(Ill be waiting)
By the phone
(by the phone) alone.
Calling on the nite line
Waking me up
(call me, baby)
Calling on the nite line - hee!
Cant get enough
(call me, darling)
Calling on the nite line - hee!
Whisper in my ear - aow!
Sending through the fire line
What Id like to hear
Make it person-to-person
Make it heart-to-heart
Darling, your communication
Is sending up sparks
Ill be waiting
(Ill be waiting)
By the phone
(by the phone)
Why dont you give me a call?
(calling on the nite line
Getting me up)
I wanna call
(calling on the nite line
Cant get enough)
Why dont you call me, baby? hee!
Call me on the nite line!
(call me, darling!)
Whisper in my ear
(wont you call me, baby!) hee!
Sending through the fire line
What Id like to hear - oo!
[...] Read more
song performed by Michael Jackson
Added by Lucian Velea
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The Line
Can U talk 2 me with your body, baby?
Can U tell me what I wanna hear?
Can U lay on me a good enough reason 2 cross the line?
Yeah, ho! {x2}
Can U be my lover and still be my friend? (Can U be my friend?)
Can U stick with me till the bitter end? (The bitter end)
Can U lay on me a good enough reason 2 cross the line?
Yeah, ho! (Cross the line)
CHORUS:
The line, line - it's a happy step 2 make
It takes time, time - all is what it takes
The line, line - and soon your life is so much better
The water's so much better on the other side (Cross the line)
Can U tolerate? Why am I not so free?
How I did the plan
Can U understand I'm a free man?
But will I stop the dam if I don't cross the line?
Yeah, ho! {x2}
Ow!
Hey
Cross the line sugar, cross the line {x2}
Cross the line
CHORUS
(Cross the line)
Cross the line sugar, cross the line {x3}
I want U 2 cross the line, hey! {sample used in "Acknowledge Me"}
Talk 2 me, say the things I wanna hear, oh!
Cross the line
Cross the line
Cross the line
Baby, baby, baby, can U make me cross the line?
Cross the line, sugar, cross the line
U know U got 2 cross the line!
(New dance) {repeat in BG}
People, people, I got a brand new dance {x2}
Ain't talkin' 'bout Housequake! No!
Ain't talkin' 'bout Shake 'N' Bake! No!
Ain't talkin' 'bout Rice-O-Roni! No!
I'm talkin' 'bout Macaroni? No!
Lord have mercy
Boni? (What?)
On the 2 (Yeah!)
What we gonna do? (Kangaroo!)
Say it! (Kangaroo!)
Come on
Boni? (What?)
On the 2 (Yeah!)
What U wanna do? (Kangaroo!)
Do the do (Do the do!)
Cross the line {repeat}
[...] Read more
song performed by Prince
Added by Lucian Velea
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I'm no longer blind (Quatern poetry)
(A Quatern is a sixteen line French form composed of four quatrains. It is
similar to the Kyrielle and the Retourne. It has a refrain that is in a
different place in each quatrain. The first line of stanza one is the second
line of stanza two, third line of stanza three, and fouth line of stanza four.
A quatern has eight syllables per line. It does not have to be iambic or follow
a set rhyme scheme. line 1 line 2 line 3 line 4 line 5 line 6 (line 1) line 7
line 8 line 9 line 10 line 11 (line 1) line 12 line 13 line 14 line 15 line 16
(line 1)
Dear Lord, please have mercy on me,
You're always near my painful soul,
You are my focus and my goal,
In the falling rain I'm your tree.
Help me for I am a sinner.
Dear Lord, please have mercy on me.
'Cause I'm Your humble devotee,
Asking Christ to come for dinner.
Guard Thou with light this pain of mine.
I'm no longer blind I can see.
Dear Lord, please have mercy on me.
Your words through me will always shine.
Save me by Your grace, set me free.
Keep my way, truth and life in Christ.
And so I'll know that Thou exist.
Dear Lord, please have mercy on me.
poem by Marieta Maglas
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Double Helix Abecedarian - Xylophonic Resonance He Licks Enigmatic
XYLOPHONIC RESONANCE HE LICKS ENIGMATIC
Kindly refer to notes. and see Temptations and Poetic Pizza Extravaganza below :)
Xylophonic Resonance
double helix abecedarian
The first line begins with A and ends with Z
the next line begins with Z and ends with A
The next line begins with B and ends with Y
The next line begins with Y and ends with B
The next line begins with C and ends with X
The next line begins with X and ends with C
A to Z top down A to Z bottom up
All fizzle, finish frazzled, launched with fizZ.
Zero dreams teem when spirit seems at seA
Because most adepts of philosophY
Yearn for zenith seldom dwell on ebB,
Carpe diem value, seeking sea, sun, seX.
Xylem tree of life’s cannibalistiC
Desires corrupt deeds most men seW,
With survival’s urge soon lost indeeD.
Events churn causal patterns, AsimoV
Viewed clearly, took as starship journey cuE
Finding worlds which may appeal to yoU,
Unknown reader from beyond Time’s gulF -
Great divide between those past, those lefT -
Time travellers peruse these lines to sinG
High praise of poets who’ll know no more springS.
Spontaneousl prose poem picks pensive patH
In patter pattern, feet dance to empoweR.
Rhythm harmonious, need no alibI,
Joins sense, style versatile, from mind's H.Q.,
Questions seeks, finds answers. Soujourn’s hadJ
Knowledge acquires to share more than to keeP,
Pipes clear to others drifting through the darK.
Lark sings dawn’s welcome song, and each man’s taO
Opens connections, on life’s sea a-saiL
Ma d, sad, glad, bad, for threescore years and teN
Never certain of his mortal aiM,
Nor sure to gain posthumous fame, acclaiM,
Making ends meet in hope to rise agaiN
On judgement day should trust and faith prevaiL.
Life-spans increase but trite hullabaloO
Prepares too few for winding sheet, corpse starK,
[...] Read more
poem by Jonathan Robin
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Layin It On The Line
You see it every day in every way
We all hear the same routines
They all say that its okay
Just let us take care of everything
So we lay it on the line
Layin it on the line (layin it on the line)
Layin it all, right on the line
Just layin it on the line (layin it on the line)
Layin it all, were livin on the front line
I can see it in the faces
We got trouble in the streets tonight
And power keeps us in our places
And it doesnt matter if youre left or right
You lay it on the line
Layin it on the line (layin it on the line)
Just layin it all, right on the line
Layin it on the line, (layin it on the line)
Layin it all, right on the line
Take it to the wilderness
Into the jungle sun
Lookin for the voice of reason
Inside this babylon
Got u.s. boys on foreign soil
Spillin their blood to keep the peace
Cities will vanish in turmoil
While the sheiks lay sleepin on the beach
We lay it on the line
Layin it on the line (layin it on the line)
Layin it all, right on the line
Just layin it on the line (layin it on the line)
Layin it all, right on the line
Layin it on the line
Just layin it all
Layin it on the line
Just layin it all
song performed by Jefferson Starship
Added by Lucian Velea
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Layin It On The Line
You see it every day in every way
We all hear the same routines
They all say that its okay
Just let us take care of everything
So we lay it on the line
Chorus:
Layin it on the line, layin it on the line
Layin it all, right on the line
Just layin it on the line, layin it on the line
Layin it all, were livin on the front line
I can see it in the faces
We got trouble in the streets tonight
And power keeps us in our places
And it doesnt matter if youre left or right
You lay it on the line
Layin it on the line, layin it on the line
Just layin it all, right on the line
Layin it on the line, layin it on the line
Layin it all, right on the line
Take it to the wilderness
Into the jungle sun
Lookin for the voice of reason
Inside this babylon
(guitar solo)
Got u.s. boys on foreign soil
Spillin their blood to keep the peace
Cities will vanish in turmoil
While the sheiks lay sleepin on the beach
We lay it on the line
Layin it on the line, layin it on the line
Layin it all, right on the line
Just layin it on the line, layin it on the line
Layin it all, right on the line
Layin it on the line
Just layin it all
Layin it on the line
Just layin it all
song performed by Starship
Added by Lucian Velea
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The King of the Vasse
A LEGEND OF THE BUSH.
MY tale which I have brought is of a time
Ere that fair Southern land was stained with crime,
Brought thitherward in reeking ships and cast
Like blight upon the coast, or like a blast
From angry levin on a fair young tree,
That stands thenceforth a piteous sight to see.
So lives this land to-day beneath the sun,—
A weltering plague-spot, where the hot tears run,
And hearts to ashes turn, and souls are dried
Like empty kilns where hopes have parched and died.
Woe's cloak is round her,—she the fairest shore
In all the Southern Ocean o'er and o'er.
Poor Cinderella! she must bide her woe,
Because an elder sister wills it so.
Ah! could that sister see the future day
When her own wealth and strength are shorn away,
A.nd she, lone mother then, puts forth her hand
To rest on kindred blood in that far land;
Could she but see that kin deny her claim
Because of nothing owing her but shame,—
Then might she learn 'tis building but to fall,
If carted rubble be the basement-wall.
But this my tale, if tale it be, begins
Before the young land saw the old land's sins
Sail up the orient ocean, like a cloud
Far-blown, and widening as it neared,—a shroud
Fate-sent to wrap the bier of all things pure,
And mark the leper-land while stains endure.
In the far days, the few who sought the West
Were men all guileless, in adventurous quest
Of lands to feed their flocks and raise their grain,
And help them live their lives with less of pain
Than crowded Europe lets her children know.
From their old homesteads did they seaward go,
As if in Nature's order men must flee
As flow the streams,—from inlands to the sea.
In that far time, from out a Northern land,
With home-ties severed, went a numerous band
Of men and wives and children, white-haired folk:
Whose humble hope of rest at home had broke,
As year was piled on year, and still their toil
Had wrung poor fee from -Sweden's rugged soil.
One day there gathered from the neighboring steads,
In Jacob Eibsen's, five strong household heads,—
Five men large-limbed and sinewed, Jacob's sons,
[...] Read more
poem by John Boyle O'Reilly
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Loves On The Line
Tell me baby
Have we lost everything that we had before
What do you do in the day
When I walk out the door
I can see you made up your mind
And I know our loves on the line
Loves on the line, our loves on the line
Loves on the line, our loves on the line
Loves on the line, our loves on the line
With each passing day
I gotta watch more and more what I say to you
I can feel your eyes looking through me
As I sit at the table at dinnertime
I can feel our loves on the line
Loves on the line, our loves on the line
Loves on the line, our loves on the line
Loves on the line, our loves on the line
I watch our kids
Growin up, going to school
Is there anything else for us now
Are we both just fools
Wasting our precious time
At night we lay in bed
But its like youre not even there
Theres something real bad
Going wrong somewhere
Last night I heard you cry
And I know our loves on the line
Loves on the line, our loves on the line
Loves on the line, our loves on the line
Loves on the line, our loves on the line
Loves on the line
song performed by Bruce Springsteen
Added by Lucian Velea
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California
California got her right
You will have to wait
Calling from the golden gate
Sentimental sparrows
Keeping me awake
Funny how the mornings late
Funny how the mornings late
Come around with your heavenly smile
Come around and drag me out again
After a while we can sit and watch them all rush by
Come around and drag me out again
Come around and drag me out again
Always wanted to leave
Always felt that Id get stopped
But I could never see myself
In anybody elses arms
In anybody elses arms
Come around with your heavenly smile
Come around and drag me out again
After a while we can sit and watch them all rush by
Come around and drag me out again
Come around and drag me out again
Always wanted to leave
Always felt that Id get stopped
But I could never see myself
No I could never see myself
With anybody else
If you want a piece of my life
Get in line, baby get in line
If you wanna kiss then do it fast
Get in line, baby get in line
If you wanna practice, spill the past
Get in line, baby get in line
Get in line, baby get in line
Californias angel
Its more than I can stand
Calling down the sunsets pain
Sentimental star unsolved
As soon as we wake
Funny in the morning state
Funny in this morning state
If you want a piece of my life
Get in line, baby get in line
If you wanna kiss then do it fast
Get in line, baby get in line
If you wanna practice, spill the past
Get in line, baby get in line
I will smile and chuckle till the last
Get in line, baby get in line
Get in line, baby get in line
[...] Read more
song performed by Gomez
Added by Lucian Velea
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Images Presented
The image that's presented,
Determines how impressive...
Those pretentious rush to protect.
And the image that's presented,
Has less to do with intellect.
Or competence and its effect,
Upon those expecting...
Much more than an image projected to accept.
Images old have molded.
Although repeatedly they have been sold!
Those images presented,
Represent times gone.
Those images presented,
Have been rusted so long.
Those images presented,
Do not feed!
Those images presented,
No one needs now!
Those images presented represent a decadence.
And they represent with evidence pretentions that are meant.
Those images presented do not feed.
Those images presented no one needs,
Now.
Those images presented represent a decadence.
And they represent with evidence pretentions that are meant.
Those images presented do not feed.
Those images presented no one needs,
Now.
Those images presented,
Represent times gone.
Those images presented,
Have been rusted so long.
Those images presented do not feed.
Those images presented no one needs,
Now.
Those images presented represent a decadence.
And they represent with evidence pretentions that are meant.
Images old have molded.
Although repeatedly they have been sold!
poem by Lawrence S. Pertillar
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Pharsalia - Book II: The Flight Of Pompeius
This was made plain the anger of the gods;
The universe gave signs Nature reversed
In monstrous tumult fraught with prodigies
Her laws, and prescient spake the coming guilt.
How seemed it just to thee, Olympus' king,
That suffering mortals at thy doom should know
By omens dire the massacre to come?
Or did the primal parent of the world
When first the flames gave way and yielding left
Matter unformed to his subduing hand,
And realms unbalanced, fix by stern decree'
Unalterable laws to bind the whole
(Himself, too, bound by law), so that for aye
All Nature moves within its fated bounds?
Or, is Chance sovereign over all, and we
The sport of Fortune and her turning wheel?
Whate'er be truth, keep thou the future veiled
From mortal vision, and amid their fears
May men still hope.
Thus known how great the woes
The world should suffer, from the truth divine,
A solemn fast was called, the courts were closed,
All men in private garb; no purple hem
Adorned the togas of the chiefs of Rome;
No plaints were uttered, and a voiceless grief
Lay deep in every bosom: as when death
Knocks at some door but enters not as yet,
Before the mother calls the name aloud
Or bids her grieving maidens beat the breast,
While still she marks the glazing eye, and soothes
The stiffening limbs and gazes on the face,
In nameless dread, not sorrow, and in awe
Of death approaching: and with mind distraught
Clings to the dying in a last embrace.
The matrons laid aside their wonted garb:
Crowds filled the temples -- on the unpitying stones
Some dashed their bosoms; others bathed with tears
The statues of the gods; some tore their hair
Upon the holy threshold, and with shrieks
And vows unceasing called upon the names
Of those whom mortals supplicate. Nor all
Lay in the Thunderer's fane: at every shrine
Some prayers are offered which refused shall bring
Reproach on heaven. One whose livid arms
Were dark with blows, whose cheeks with tears bedewed
And riven, cried, 'Beat, mothers, beat the breast,
Tear now the lock; while doubtful in the scales
[...] Read more
poem by Marcus Annaeus Lucanus
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I Got A Line On You
Yeah.
Oh yeah, come on.
Now, let me take you babe, down to the river bed
Well, I got to tell you something
That'll go right through your head
I got a line on you babe
[I got a line on you babe]
Yeah, I got a line on you
[I got a line on you babe]
Come on.
Now, put your arms around me, every little bit of your love
Oh, you know what to do, I'll make love to you
You got the right stuff, and I do too
I got a line on you babe
[I got a line on you babe]
Yeah, I got a line on you
[I got a line on you babe]
Yeah!
Got my eye on you babe, on your velvet skin
I wanna put my hands were they've never been
Get real hot in the midnight steam
Soaking in the rain of my favorite dream
Your lips are red, the moon is blue
I only ask you once what you want to do
Gonna touch you babe 'til the night is through
Look out honey, got a line on you
Oh yeah.
Oh, now the winter's almost over,
The summer she's coming on strong.
Oh I could love you, love you, love you, love you all year long
I got a line on you babe
[I got a line on you babe]
Yeah, I got a line on you
[I got a line on you babe]
Ah yeah!
I got a line on you babe
[I got a line on you babe]
Yeah, I got a line on you
Yeah, yeah, yeah!
I got a line on you babe
[I got a line on you babe]
I got a line on you
I got a line on you babe.
song performed by Alice Cooper
Added by Lucian Velea
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You ask me to leave (Pantoum poetry)
The “pantun” is a Malaysian poetic form that was introduced to the West by French novelist, essayist, and poet, Victor Hugo (1802-1885) , hence the French spelling, “pantoum.” Westerners have taken creative liberties with the Malaysian form, which tends to follow a standard rhyme form of ABAB, where multiple, rather than single subjects, are introduced. While pantoums can have unlimited stanzas, you might want to begin with a 3-stanza poem until you get the hang of it:
Stanza 1: Line 1/Line 2/Line 3/Line 4
Stanza 2: Line 5 (repeat of line 2 in stanza 1) /Line 6 (new line) /Line 7 (repeat of line 4 in stanza 1) /
Line 8 (new line)
Stanza 3/Last Stanza (This is the format for the last stanza regardless of how many preceding stanzas exist) : Line 9 (line 2 of the previous stanza) /Line 10 (line 3 of the first stanza) /Line 11 (line 4 of the previous stanza) /Line 12 (line 1 of the first stanza)
And you ask me to leave all behind
Now when our moment in time is done
Going nowhere with nothing in mind
'Cause you're my world and my special one
Now when our moment in time is done
I love you like there's no end in sight
'Cause you're my world and my special one
You're still on my mind all day and night.
I love you like there's no end in sight
You're inside me filling my soul's space
You're still on my mind all day and night.
I feel still cuddled in your embrace
You're inside me filling my soul's space
Going nowhere with nothing in mind
I feel still cuddled in your embrace
And you ask me to leave it all behind
poem by Marieta Maglas
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Siamese Twins
I find you in my arms, this is how it begins
and we are so close, like Siamese twins.
Though you're separate from me, and we're often apart
Still nobody can see, that we're joined at the heart.
Joined at the heart.
Joined at the heart.
Joined at the heart.
You don't look like me it's true and I don't look like you
as we lead separate lives our secret still survives
Only we know our special affection,
only we know our secret connection.
Now you're back in my arms, at the end of the day
and like Siamese twins, with each other we'll stay.
Though you're separate from me, and we're often apart
Still nobody can see, that we're joined at the heart.
Joined at the heart.
Joined at the heart.
Still nobody can see, that we're joined at the heart.
song performed by Don McLean
Added by Lucian Velea
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The Trove at Bioda Mor
The last I saw of Sebastian Fudge
He was dancing the hempen jig,
To pay for the years of pirating
At the side of Captain Kidd.
While Kidd was swung at Tilbury,
Was dipped in a coat of tar,
Then hung in chains by the River Thames
As a sign to the faint of heart!
I'd sailed with Fudge on the Emerald,
In the days when men were bold,
And there wasn't a Frenchman privateer
That we couldn't divest of gold,
I thought of the Spanish throats we'd cut
And the nights of rum and hock,
As Fudge went tripping his final jig
At Execution Dock.
That left just me and Jackie Straw,
Midshipman Bowes, and Penn,
The last of the Jolly Roger crew
Of the ships we'd sailed back then,
So we met at the back of Polly's place,
The One-Eyed Tar that night,
And drank to the soul of Fudge, and drank!
We drank to the broad daylight!
And Polly had joined us there at dawn
The tears still on her face,
She'd been with Fudge, his faithful Moll,
As he swung with little grace:
'He scribbled a map for me, ' she said,
'I've kept it safely hid,
We could have collected the treasure trove
If he hadn't sailed with Kidd! '
'Belay that, let us see the map! '
Said Straw, his eyes ablaze,
And I caught a glimpse of his cutlass raised
In the raiding party days,
But 'Aye', said Penn, 'there's gold enough
And a chest of jewels each,
If we follow the trail of the castaways,
And the gold of Captain Teach! '
'You and your Caribbean gold,
I have no mind for that,
Rather a treasure close at hand,
It's marked on Fudge's map! '
Polly drew out a parchment then
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poem by David Lewis Paget
Added by Poetry Lover
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Two Ways To Play
Somethin' crossed my mind again
You were in my eyes
It was somewhere out by Bombay
And I'm tellin' all those lies
I've been there and you've been there
And there ain't no mistake
We could take it anyway
But the one thing we can't fake
There's just two ways to play
Just two ways to play
And I don't want to stay
There's just two ways to play
And I'm gonna play it right, this time
Yeah
There's always the easy numbers
There's those hard ways too
There's those cheaters blunders
It's either one of two
But fortune telling's mezmorizing
In the game of chance
But rollin' dice ain't sympathizing
When you play romance
There's just two ways to play
Just two ways to play
And I don't want to stay
There's just two ways to play
I can't control the numbers
I can't control your sexy ways
I can't control my inner thunder
It makes me want????????
Two ways to play
There's Just two ways to play
There's just two ways to play
There's just two ways to play
I'm gonna play it right this time
There's two ways to play
There's just two ways to play
Two ways to play
There's just two ways to play
And I don't want to stay
There's just two ways to play
song performed by ZZ Top
Added by Lucian Velea
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Cathlin Of Clutha
An address to Malvina, the daughter of Toscar. The poet relates the arrival of Cathlin in Selma, to solicit aid against Duth-carmor of Cluba, who had killed Cathmol for the sake of his daughter Lanul. Fingal declining to make a choice among his heroes, who were all claiming the command of the expedition, they retired "each to his hill of ghosts," to be determined by dreams. The spirit of Trenmor appears to Ossian and Oscar. They sail from the bay of Carmona, and on the fourth day, appear off the valley of Rath-col, in Inis-huna, where Duth-carmor had fixed his residence. Ossian despatches a bard to Duth-carmor to demand battle. Night comes on. The distress of Cathlin of Clutha. Ossian devolves the command on Oscar, who, according to the custom of the kings of Morven, before battle, retired to a neighboring hill. Upon the coming on of day, the battle joins. Oscar carries the mail and helmet of Duth-carmor to Cathlin, who had retired from the field. Cathlin is discovered to be the daughter of Cathmol in disguise, who had been carried off by force by, and had made her escape from, Duth-carmor.
COME, thou beam that art lonely, from watching in the night! The squalling winds are around thee, from all their echoing hills. Red, over my hundred streams, are the light-covered paths of the dead. They rejoice on the eddying winds, in the season of night. Dwells there no joy in song, white-hand of the harps of Lutha? Awake the voice of the string; roll my soul to me. It is a stream that has failed. Malvina, pour the song.
I hear thee from thy darkness in Selma, thou that watchest lonely by night! Why didst thou withhold the song from Ossian's falling soul? As the falling brook to the ear of the hunter, descending from his storm-covered hill, in a sunbeam rolls the echoing stream, he hears and shakes his dewy locks: such is the voice of Lutha to the friend of the spirits of heroes. My swelling bosom beats high. I look back on the days that are past. Come, thou beam that art lonely, from watching in the night!
In the echoing bay of Carmona we saw one day the bounding ship. On high hung a broken shield; it was marked with wandering blood. Forward came a youth in arms, and stretched his pointless spear. Long, over his tearful eyes, hung loose his disordered locks. Fingal gave the shell of kings. The words of the stranger arose. "In his hall lies Cathmol of Clutha, by the winding of his own dark streams. Duth-carmor saw white-bosomed Lanul, and pierced her father's side. In the rushy desert were my steps. He fled in the season of night. Give thine aid to Cathlin to revenge his father. I sought thee not as a beam in a land of clouds. Thou, like the sun, art known, king of echoing Selma!"
Selma's king looked around. In his presence we rose in arms. But who should lift the shield? for all had claimed the war. The night came down; we strode in silence, each to his hill of ghosts, that spirits might descend in our dreams to mark us for the field. We struck the shield of the dead: we raised the hum of songs. We thrice called the ghosts of our fathers. We laid us down in dreams. Trenmor came, before mine eyes, the tall form of other years! His blue hosts were behind him in half-distinguished rows. — Scarce seen is their strife in mist, or the stretching forward to deaths. I listened, but no sound was there. The forms were empty wind!
I started from the dream of ghosts. On a sudden blast flew my whistling hair. Low sounding. in the oak, is the departure of the dead. I took my shield from its bough. Onward came the rattling of steel. It was Oscar of Lego. He had seen his fathers. As rushes forth the blast on the bosom of whitening waves, so careless shall my course be, through ocean, to the dwelling of foes. I have seen the dead, my father! My beating soul is high! My fame is bright before me, like the streak of light on a cloud, when the broad sun comes forth, red traveller of the sky!"
" Grandson of Branno," I said, "not Oscar alone shall meet the foe. I rush forward, through ocean, to the woody dwelling of heroes. Let us contend, my son, like eagles from one rock, when they lift their broad wings against the stream of winds." We raised our sails in Carmona. From three ships they marked my shield on the wave, as I looked on nightly Ton-thena, red traveller between the clouds. Four days came the breeze abroad. Lumon came forward in mist. In winds were its hundred groves. Sunbeams marked at times its brown side. White leapt the foamy streams from all its echoing rocks.
A green field, in the bosom of hills, winds silent with its own blue stream. Here, "midst the waving of oaks, were the dwellings of kings of old." But silence, for many dark-brown years, had settled in grassy Rath-col; for the race of heroes had failed along the pleasant vale. Duth-carmor was here, with his people, dark rider of the wave! Ton-thena had hid her head in the sky. He bound his white-bosomed sails. His course is on the hills of Rath-col to the seats of roes. We came. I sent the bard, with songs, to call the foe to fight. Duth-carmor heard him with joy. The king's soul was like a beam of fire; a beam of fire, marked with smoke, rushing, varied through the bosom of night. The deeds of Duth-carmor were dark, though his arm was strong.
Night came with the gathering of clouds. By the beam of the oak we sat down. At a distance stood Cathlin of Clutha. I saw the changeful soul of the stranger. As shadows fly over the field of grass, so various is Cathlin's cheek. It was fair within locks, that rose on Rath-col's wind. I did not rush, amidst his soul, with my words. I bade the song to rise.
"Oscar of Lego," I said, "be thine the secret hill to-night. Strike the shield like Morven's kings. With day thou shalt lead in war. From my rock I shall see thee, Oscar, a dreadful form ascending in fight, like the appearance of ghosts amidst the storms they raise. Why should mine eyes return to the dim times of old, ere yet the song had bursted forth, like the sudden rising of winds? But the years that are past are marked with mighty deeds. As the nightly rider of waves looks up to Ton-thena of beams, so let us turn our eyes to Trenmor the father of kings."
"Wide, in Caracha's echoing field, Carmal had poured his tribes. They were a dark ridge of waves. The gray-haired bards were like moving foam on their face. They kindle the strife around with their red-rolling eyes. Nor alone were the dwellers of rocks; a son of Loda was there, a voice in his own dark land, to call the ghosts from high. On his hill he had dwelt in Lochlin, in the midst of a leafless grove. Five stones lifted near their heads. Loud roared his rushing stream. He often raised his voice to the winds, when meteors marked their nightly wings, when the dark-robed moon was rolled behind her hill. Nor unheard of ghosts was he! They came with the sound of eagle-wings. They turned battle, in fields, before the kings of men.
" But Trenmor they turned not from battle. He drew forward that troubled war: in its dark skirt was Trathal, like a rising light. It was dark, and Loda's son poured forth his signs on night. The feeble were not before thee, son of other lands! Then rose the strife of kings about the hill of night; but it was soft as two summer gales, shaking their light wings on a lake. Trenmor yielded to his son, for the fame of the king had been heard. Trathal came forth before his father, and the foes failed in echoing Caracha. The years that are past, my son, are marked with mighty deeds."
In clouds rose the eastern light. The foe came forth in arms. The strife is mixed on Rath-col, like the roar of streams. Behold the contending of kings! They meet beside the oak. In gleams of steel the dark forms are lost; such is the meeting of meteors in a vale by night: red light is scattered round, and men foresee the storm! — Duth-carmor is low in blood! The son of Ossian overcame! Not harmless, in battle, was he, Malvina, hand of harps!
Nor, in the field, were the steps of Cathlin. The strangers stood by secret stream, where the foam of Rath-col skirted the mossy stones. Above bends the branchy birch, and strews its leaves on wind. The inverted spear of Cathlin touched at times the stream. Oscar brought Duth-carmor's mail: his helmet with its eagle-wing. He placed them before the stranger, and his words were heard. " The foes of thy father have fallen. They are laid in the field of ghosts. Renown returns to Morven like a rising wind. Why art thou dark, chief of Clutha? Is there cause for grief?"
" Son of Ossian of harps, my soul is darkly sad. I behold the arms of Cathmol, which lie raised in war. Take the mail of Cathlin, place it high in Selma's hall, that thou mayest remember the hapless in thy distant land." From white breasts descended the mail. It was the race of kings: the soft-handed daughter of Cathmol, at the streams of Clutha! Duth-carmor saw her bright in the hall; he had come by night to Clutha. Cathmol met him in battle, but the hero fell. Three days dwelt the foe with the maid. On the fourth she fled in arms. She remembered the race of kings, and felt her bursting soul!
Why, maid of Toscar of Lutha, should I tell how Cathlin failed? Her tomb is at rushy Lumon, in a distant land. Near it were the steps of Sul-malla, in the days of grief. She raised the song for the daughter of strangers, and touched the mournful harp.
Come from the watching of night, Malvina, lonely beam!
poem by James Macpherson
Added by Poetry Lover
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