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Herman Melville

There is no quality in this world that is not what it is merely by contrast. Nothing exists in itself.

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Contrast

R- ray a- anita
A: theres no limitation to what this beat can do
You better get the feeling before the night is through
R: contrast
Contrast
Contrast
Contrast
A: theres no limitation to waht this beat can do
You better get the feeling before the night is through
R: break the beat while Im coming up strong
A: theres no limitation to what this beat can do
You better get the feeling before the night is through
R: contrast
Contrast
Contrast
Contrast
R: break the beat while Im coming up strong
R: contrast
Contrast
A: theres no limitation to what this beat can do
You better get the feeling before the night is through
R: contrast
Contrast
Contrast
Contrast
R: break the beat while Im coming up strong

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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The quality of mercy (conditions apply)

The quality of mercy,
Portia declared,

the quality of mercy is
suspended during the present conflict

the quality of mercy is
not the business of a Minister of Justice

the quality of mercy is
not a matter of individual conscience

the quality of mercy is
too subtle for public discussion
or law

the quality of mercy is
only for Shakespeare and stuff

the quality of mercy is
less stimulating than revenge

the quality of mercy is
no business of yours

the quality of mercy is
no concern of religious authorities
who should stay silent

the quality of mercy is
an outdated concept

the quality of mercy is
nothing to do with forgiveness
or circumstantial evidence
or the remission of sins

the quality of mercy is
no longer a matter of pride

the quality of mercy is
no longer a mark of humanity

the quality of mercy
would be OK if Obama said so

the quality of mercy
is one hell of a hot potato
cooked in oil

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Quality Street

Ive seen, so many lovers cry
Lost love, makes me wonder why
Ive found a love, a once in a lifetime love
Angel on high, from heaven so high above
So I thank God for sending me you
I have heard of playing around with numbers
But one is all I need
She cant be beat, she makes me complete
On quality street
I have heard of playing around with numbers
But one is all I need
She cant be beat, she makes me complete
On quality street
I have lived alone, until you came along
And you gave me love
And my dream came true
And God gave me you
I see, the end of the rainbow now
True love, has blessed me somehow
Blessing of love, a once in a lifetime love
Angel on high, from heaven so high above
So I thank God for sending me you
I have heard of playing around with numbers
But one is all I need
She cant be beat, she makes me complete
On quality street
Quality street
On quality street
Quality, quality, quality, quality street
Quality street
On quality street.

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Confessio Amantis. Prologus

Torpor, ebes sensus, scola parua labor minimusque
Causant quo minimus ipse minora canam:
Qua tamen Engisti lingua canit Insula Bruti
Anglica Carmente metra iuuante loquar.
Ossibus ergo carens que conterit ossa loquelis
Absit, et interpres stet procul oro malus.


Of hem that writen ous tofore
The bokes duelle, and we therfore
Ben tawht of that was write tho:
Forthi good is that we also
In oure tyme among ous hiere
Do wryte of newe som matiere,
Essampled of these olde wyse
So that it myhte in such a wyse,
Whan we ben dede and elleswhere,
Beleve to the worldes eere
In tyme comende after this.
Bot for men sein, and soth it is,
That who that al of wisdom writ
It dulleth ofte a mannes wit
To him that schal it aldai rede,
For thilke cause, if that ye rede,
I wolde go the middel weie
And wryte a bok betwen the tweie,
Somwhat of lust, somewhat of lore,
That of the lasse or of the more
Som man mai lyke of that I wryte:
And for that fewe men endite
In oure englissh, I thenke make
A bok for Engelondes sake,
The yer sextenthe of kyng Richard.
What schal befalle hierafterward
God wot, for now upon this tyde
Men se the world on every syde
In sondry wyse so diversed,
That it welnyh stant al reversed,
As forto speke of tyme ago.
The cause whi it changeth so
It needeth nought to specifie,
The thing so open is at ije
That every man it mai beholde:
And natheles be daies olde,
Whan that the bokes weren levere,
Wrytinge was beloved evere
Of hem that weren vertuous;
For hier in erthe amonges ous,
If noman write hou that it stode,
The pris of hem that weren goode

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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No One That Is Living Has A Quality Owed

No one that is living,
Has a quality owed.
No one that is giving,
Has a quality owed.
No one who is wishing,
Has a quality owed...
With nothing less,
Than solid gold.
With expectations,
Another holds...
Delivered and quick to give.

No one is living,
To demand and get.
No one is living,
Just to benefit.
No one is living...
Just to sit!
And to get.

No one that is living,
Has a quality owed.
No one that is giving,
Has a quality owed.
No one who is wishing,
Has a quality owed...
With nothing less,
Than solid gold.
With expectations,
Another holds...
Delivered and quick to give.

No one is living,
To demand and to get.
No one is living,
Just to benefit.
No one is living,
Just to sit and sit.
No matter what it is...
To receive without a risk.
And if they don't,
They throw a fit.

No one is living,
To demand and to get.
No one is living,
Just to benefit.
No one is living,
Just to sit and sit.
No matter what it is...

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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

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Aun Existe Amor

Cuando te adormeces junto a mi
Entonces no me quedan dudas
De que aun existe amor
(when you fall asleep next to me
Then I have no doubt
That love still exists)
La indecisirn que hay en mi
Yo la mandara a la luna
Para vivir contigo
La soledad de cada da
Que entre lgrimas creca
La alejar de mi
(the indecision I have in me
I ordered it from the moon
To live with you
The loneliness of each day
That grows between tears
That grows apart from me)
Para amarte a toda costa
Para amarte a cada momento
A pesar de tanto mal
Que gira entorno nuestro
(to love you at all cost
To love you at each moment
Considering all the madness
That runs around us)
Cuando te adormeces junto a mi
Entonces no me quedan dudas
De que aun existe amor
S que aun existe amor
(when you fall asleep next to me
Then I have no doubt
That love still exists
Love still exists)
Las discusiones de los dos
Saber quin tendr la culpa
Que nos importa ya
En nuestro mundo que es muy grande
(the discussions between us
Knowing whom will be blamed
Whats important to us
In our world that is so large)
Carino mo nos amaremos
Mucho mucho ms...
Ms all de la violenca
Ms all de la locura
(dear one, we will love each other
Much much more...
Beyond the violence
Beyond the madness)

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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What's In It For Me?

THE WORLD WHERE PEOPLE HAVE TIME FOR TWITTER AND FACEBOOK, BUT NONE FOR THEMSELVES OR OTHERS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE HAVE A HUNDRED 'FRIENDS' ON FACEBOOK,
BUT NOT EVEN TEN IN REAL LIFE
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE EMOTE WITH EMOTICONS BUT NOT WITH THEIR FACES,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE PREFER TO WRITE 'LOL' RATHER THAN ACTUALLY LAUGHING OUT LOUD,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE LOVE THEIR COMPUTER MORE THAN THEIR FRIENDS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE LIVE THEIR LIVES MORE ONLINE THAN OFF IT,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE CAN SPOT THE ERROR IN SOMEONE'S TYPING BUT CANNOT SPOT A TEAR IN A FRIEND'S EYE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE CAN GROW ANY CROP ONLINE BUT CANNOT EVEN PICK UP A SPADE IN REAL LIFE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE RELISH THE FOOD AT MCDONALDS AND DOMINOS, BUT CRIB OVER HOME COOKED FOOD,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE ARE READY TO KILL FOR A FEW SHREDS OF PAPER,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE KILL IN THE NAME OF RELIGION,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE A MAN IS READY TO KILL HIS BROTHER OVER PROPERTY AND MONEY,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THE VALUE OF MONEY IS MORE THAN THE VALUE OF LIFE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE LIVING A LIFE IS TOUGHER THAN KILLING A LIFE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE IT'S EASIER TO EARN MONEY BY CHEATING THAN BY WORKING HONESTLY,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THE VALUE OF A GIFT IS THROUGH ITS PRICE AND NOT ITS EMOTIONS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THE MEASURE OF A MAN IS THROUGH HIS CAR AND HOUSE RATHER THAN HIS CHARACTER,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE LOVE THEIR POSSESSIONS MORE THAN THEIR FRIENDS AND PARENTS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THINGS ARE LOVED AND PEOPLE ARE USED,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE DO ANYTHING FOR A BETTER PAY BUT NOTHING FOR A BETTER CONSCIENCE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD IS BAD AND I KNOW THAT BUT SILL IF I WIN THIS WORLD,
WHAT'S IN IT FOR ME?

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The Child Of The Islands - Winter

I.

ERE the Night cometh! On how many graves
Rests, at this hour, their first cold winter's snow!
Wild o'er the earth the sleety tempest raves;
Silent, our Lost Ones slumber on below;
Never to share again the genial glow
Of Christmas gladness round the circled hearth;
Never returning festivals to know,
Or holidays that mark some loved one's birth,
Or children's joyous songs, and loud delighted mirth.
II.

The frozen tombs are sheeted with one pall,--
One shroud for every churchyard, crisp and bright,--
One foldless mantle, softly covering all
With its unwrinkled width of spotless white.
There, through the grey dim day and starlit night,
It rests, on rich and poor, and young and old,--
Veiling dear eyes,--whose warm homne-cheering light
Our pining hearts can never more behold,--
With an unlifting veil,--that falleth blank and cold.
III.

The Spring shall melt that snow,--but kindly eyes
Return not with the Sun's returning powers,--
Nor to the clay-cold cheek, that buried lies,
The living blooms that flush perennial flowers,--
Nor, with the song-birds, vocal in the bowers,
The sweet familiar tones! In silence drear
We pass our days,--and oft in midnight hours
Call madly on their names who cannot hear,--
Names graven on the tombs of the departed year!
IV.

There lies the tender Mother, in whose heart
So many claimed an interest and a share!
Humbly and piously she did her part
In every task of love and household care:
And mournfully, with sad abstracted air,
The Father-Widower, on his Christmas Eve,
Strokes down his youngest child's long silken hair,
And, as the gathering sobs his bosom heave,
Goes from that orphaned group, unseen to weep and grieve.
V.

Feeling his loneliness the more this day
Because SHE kept it with such gentle joy,
Scarce can he brook to see his children play,
Remembering how her love it did employ

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Quality

Teen idol
The way you move
Its got quality
Come on baby, lets go downtown
Little girl, you sure look good to me
The way you move
Its got quality
Come on baby now dont be shy
Step in the light so I can see
The way you move
Its got quality
Girls
I want to know
Are you my beautiful young boy
Or just another love
Passing through my life
I need to know
Will you be my sorrow and my joy
And maybe one day soon
Will I be your wife.
Teen idol
Come on baby,
Lets rock some more
I want to spend my salary
The way you move
Its got quality
Sal
Everytime they see me walk down the street
They say co? o that boy is fine
The way he moves
Got quality
Girls
I want to know
Are you my beautiful young boy,
Or just another love
Passing through my life,
I need to know
Will you be my sorrow and my joy
And maybe one day soon
Will I be your wife
Quiero saber
Quiero saber
Nadie nunca sabe
En la vida
Teen idol
The way you move
Its got quality
The way you move
Its got quality
Lead vocal-paul simon

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Quatrains Of Life

What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?

What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?

'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.

Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.

I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.

Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.

All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.

So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''

My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?

I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.

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Drunken Life

Drunken Life
I wake up on a Sunday Morning
To the sound of cars horning
Smelling of booze
And a particular ooze

No wash, no breakfast, no amount of food
Can put me in my desired frame of mood
All dressed
From yesterdays mess
I am ready to visit my favourite spot
This is where I once fought

A pub with loads of alcohol
Where I can stand up all mighty and tall
Six pints of lager
And I stagger
But hold on it is not yet over
For I am in Dover in my Rover
Prepared for a sleepover from any type of hangover

I am now boarding a ferry
As I am high and merry
To Calais a land of gold
For the old and bold so I am told
I am hoping to smuggle without a fine
6 cartons of cigarettes and 6 cartons of wine

This is the life of a sadistic drunk
It’s quite a contrast from that of a monk

6 shots of spirits
And I am ready to vomit
So I sit while I take out my kit
A special small emergency bucket
So I can pour out my juices like a rocket

People in the city
Look at me and feel pity
As I beg for change
What a shame at my age
I still want more
For this body is hardcore

This is the life of a sadistic drunk
It’s quite a contrast from that of a monk

With a bottle of beer in one hand
I wave it around like a magic wand
My head is spinning

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Thick At that! ...And Glossy!

How much admitted,
Actually exists?
If you talk about someone
In a negative light,
What makes that which is expressed,
Alright to dance on gossip licked lips?
Thick
At that...
And glossy!

How much admitted,
Actually exists?
We know of no one's true feelings,
But our own.
No conflicts inflicted will be felt,
With a depthness known,
No one knows...
Who's in bed with who,
And who is left alone.

But there is no stopping,
Having a fling or two
With someone new.
Who knows what to do,
With a stiffened bone!
How much admitted,
Actually exists?
How much has been changed
To arrange point of views,
By those who discreetly
Do what they do!

How much admitted,
Actually exists...?
Has driven misfits
To even more exposure.
And Rod Sterling has passed...
To worlds beyond Twilight Zones.
And he was very comfortable,
With discussing 'possibilities'!

If it is worthy to admit
Situations believed to be unfit...
One must sit and evaluate,
Being in someone's business not theirs...
How much actually exists?
And whoever committed an admission...
Please admit it!
So we can move 'that hell',
Away from here and us.

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An Evolution That Has Erased The Yesterdays

Too much ugliness exists.
And too much of it is persisted.

Clear choices today are being readily defined.
Making up one's mind as to which road to take,
Is for many not a decision to contemplate.
It may be difficult for some to switch up...
From steps taken to reverse what has been done.
But it can be done...
If a wish for happiness is to come!

Too much ugliness exists.
And too much of it is persisted.

There are those confused,
By the suddenness of change.
But it's not as if it had been hidden.
Not for those who have witnessed,
A quality of life that is not the same.

Closed eyes are different from those that are blind.
Some choose not to see what is.
Others who can not see period...
Have survived with sharpened minds.
And are quick to sense...
The atmosphere has been stimulated,
By the addition of increased decadence.

Too much ugliness exists.
And too much of it is persisted.

A higher consciousness has arrived,
And it struggles with accepted commonness.
But this slide that delights some,
Comes to an end to unravel comforts under the Sun.
To achieve a peace slowly becoming noticed.
And those overdosed with delusions that limit...
Will find themselves anguished,
By an evolution that has erased the yesterdays.
Leaving them revolving in memories dissolving.
And not a sign ahead that shows,
Those times will be revisited.

Too much ugliness exists.
And too much of it is persisted with...
But,
Not for long!
Drastic changes have come to move us on!
With or without the necessity for debate.
Or an appreciative applause in waiting.

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

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Outside My Picture Window

It has been said that there is a world outside my picture window and
Beyond the trees I see everyday and the sky, sometimes overcast and
Other days, when the sun rises early- I can see the sky and have often wondered if
There exists another world within our universe- I know that
There exists a world inside of my mind and
My pupils are the windows into which
People would look if I were to venture outward?
Beyond the sky, and beyond the sun-
Beyond that world inside my mind,
I would never know where there exists a place for me-
Last night outside of my window
I could see the stars- stars mean different things to different people as
Does the sun, the trees and this whole world outside-
The world inside my mind revolves about
The sun that shines upon my own horizon and
As for this world outside, all I can do is look- and to
See a tree, perhaps a single cloud and the grass that grows-
I have shut my mind to the people who live beyond
The trees, clouds and the grass that I can see-
That window opens to the world inside of my thoughts-
I have just shut and pulled the curtain to discourage all intruders-
I am lying by my window in total darkness now as I place my hand over my eyes,
Shutting out reality and now I can see mountains, flowering trees and
A creek flowing in which I can see my reflection and
I am running upon the grass that grows beneath my feet-
I believe I heard music playing inside the fortress of my mind-
It has been said there is a world outside and I have pulled the curtain
To the window once opened to veracity-
Darkness has never looked as beautiful as I am safe here in my solitude-
Even when the stars are shining and the sky is such a magnificent sight to see-
No place is as exquisite as the creek that runs through my inner space and
The sun inside the world of my thoughts that shines upon my horizon?
The stars are far away and all that is real, though just outside my picture window
I perceive as too far away for me to reach- I would touch the stars and I could be a dove
That can lift my wings and fly away from all that threatens, but only inside my dreams-
Children sing songs and read fairy tales and they believe and I believe that
The sun shines light upon their worlds and
Someday their dreams shall blossom as has mine and shall become their homes-
Home is the safe place inside a person's mind, not within the madding crowd that
Exists outside my picture window- even if the stars are always there- and
That unique and special sun shall just keep on shining upon the world of my dreams….

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