Don't ever take a fence down until you know why it was put up.
quote by Robert Frost
Added by Lucian Velea
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Over There
The fence is long and high where we love
You cant see the other side where they live
Ive spied with my little eye
And Ive sighed with my little sigh
But it seems Ive give all that I can give
Every hour I have to count to ten
And a thousand times Ive thought again
But it seems Ive given all that I can give
Is there anyone there
Here is the fence that they built
{over there}
This is the fence that hate built
Is anyone there
{over there}
This is the fence that turns one into two
I want to break through but Im though if I do
Ive tried with my little try
And Ive cried with my little cry
But it seems that the gate holds the only clue
Every hour I have to count to ten
And a thousand times Ive though again
But it seems Ive given all that I can give
Is there anyone there
Here is the fence that they built
{over there}
This is the fence that hate built
Is anyone there
{over there}
[brilliant solo from stan the man]
Every hour I have to count to ten
And a thousand times Ive thought again
Is there anyone there
Here is the fence that they built
{over there}
This is the fence that hate built
Is anyone there
{over there}
Is there anyone there
Here is the fence that they built
{over there}
This is the fence that hate built
Is anyone there
{over there}
But it seems Ive give all that I can give
Is there anyone there
Here is the fence that they built
{over there}
This is the fence that hate built
Is anyone there
{over there}
song performed by Housemartins
Added by Lucian Velea
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Sitting On A Fence
Sitting on a fence is a man who sees no sense in fighting
Sitting on a fence is a man who sees no sense at all
Sitting on a fence is a man who strokes his twenty beards
Sitting on a fence is a man who drink real ale
But the real problem with this man
Is he says he cant when he can
Hed rather not get his hands dirty
Hell still be there when hes thirty
I told myself to keep my mouth shut
But I still end up saying if and but
I lied to myself right from the start
And Ive just worked out that Im falling apart
Sitting on a fence
Sitting on a fence is a man who looks up to his guardian
Sitting on a fence is a man who swings from poll to poll
Sitting on a fence is a man who sees both sides of both sides
Sitting on a fence is a man who looks down on opinion
But the real problem with this man
Is he says he cant when he can
Hes rather not get his hands dirty
Hell still be there when he is thirty
I told myself to keep my mouth shut
But I still end up saying if and but
I lied to myself right from the start
And Ive just worked out that Im falling apart
Sitting on a fence
song performed by Housemartins
Added by Lucian Velea
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On the Boundary
I Love the ancient boundary-fence,
That mouldering chock-and-log.
When I go ride the boundary
I let the old horse jog
And take his pleasure in and out
Where the sandalwood grows dense,
And tender pines clasp hands across
The log that tops the fence.
’Tis pleasant on the boundary-fence,
These sultry summer days;
A mile away, outside the scrub,
The plain is all ablaze,
The sheep are panting on the camps,
The heat is so intense;
But here the shade is cool and sweet
Along the boundary-fence.
I love to loaf along the fence,
So does my collie dog,
He often finds a spotted cat
Hid in a hollow log;
He’s very near as old as I
And ought to have more sense,
I’ve hammered him so many times
Along the boundary-fence.
My mother says that boundary fence
Must surely be bewitched;
The old man says that through that fence
The neighbours are enriched;
It’s always down, and through the gaps
Our stock all get them hence,
I takes me half my time to watch
The doings of that fence.
But should you seek the reason
You won’t travel very far,
’Tis there a mile away among
The murmuring Belar:
The Jones’s block joins on to ours,
And so, in consequence,
It’s part of Polly’s work to ride
Their side the boundary-fence.
poem by Barcroft Henry Thomas Boake
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Sun-Up
(Shadows over a cradle…
fire-light craning….
A hand
throws something in the fire
and a smaller hand
runs into the flame and out again,
singed and empty….
Shadows
settling over a cradle…
two hands
and a fire.)
I
CELIA
Cherry, cherry, glowing on the hearth, bright red cherry…. When you try to pick up cherry Celia's shriek sticks in you like a pin.
When God throws hailstones you cuddle in Celia's shawl and press your feet on her belly high up like a stool. When Celia makes umbrella of her hand. Rain falls through big pink spokes of her fingers. When wind blows Celia's gown up off her legs she runs under pillars of the bank— great round pillars of the bank have on white stockings too.
Celia says my father
will bring me a golden bowl.
When I think of my father
I cannot see him
for the big yellow bowl
like the moon with two handles
he carries in front of him.
Grandpa, grandpa…
(Light all about you…
ginger… pouring out of green jars…)
You don't believe he has gone away and left his great coat…
so you pretend… you see his face up in the ceiling.
When you clap your hands and cry, grandpa, grandpa, grandpa,
Celia crosses herself.
It isn't a dream…. It comes again and again…. You hear ivy crying on steeples the flames haven't caught yet and images screaming when they see red light on the lilies on the stained glass window of St. Joseph. The girl with the black eyes holds you tight, and you run… and run past the wild, wild towers… and trees in the gardens tugging at their feet and little frightened dolls shut up in the shops crying… and crying… because no one stops… you spin like a penny thrown out in the street. Then the man clutches her by the hair…. He always clutches her by the hair…. His eyes stick out like spears. You see her pulled-back face and her black, black eyes lit up by the glare…. Then everything goes out. Please God, don't let me dream any more of the girl with the black, black eyes.
Celia's shadow rocks and rocks… and mama's eyes stare out of the pillow as though she had gone away and the night had come in her place as it comes in empty rooms… you can't bear it— the night threshing about and lashing its tail on its sides as bold as a wolf that isn't afraid— and you scream at her face, that is white as a stone on a grave and pull it around to the light, till the night draws backward… the night that walks alone and goes away without end. Mama says, I am cold, Betty, and shivers. Celia tucks the quilt about her feet, but I run for my little red cloak because red is hot like fire.
I wish Celia
could see the sea climb up on the sky
and slide off again…
[...] Read more
poem by Lola Ridge
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Roan Stallion
The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.
[...] Read more
poem by Robinson Jeffers
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Dont Fence Me In
Wildcat kelley, lookin mighty pale,
Was standin by the sherrifs side
And when the sherrif said Im sendin you to jail,
Wildcat raised his head and cried
Oh, give me land, lots of land under starry skies above,
Dont fence me in.
Let me ride through the wide open country that I love,
Dont fence me in.
Let me be by myself in the evenin breeze,
Listen to the murmur of the cottonwood trees,
Send me off forever but I ask you please,
Dont fence me in.
Just turn me loose, let me straddle my old saddle
Underneath the western skies.
On my cayuse, let me wander over yonder
Till I see the mountains rise.
I want to ride to the ridge where the west commences
Gaze at the moon till I lose my senses
I cant look at hobbles and I cant stand fences
Dont fence me in.
Wildcat kelley, back again in town,
Was standin by his sweethearts side,
And when his sweetheart said come on lets settle down,
Wildcat raised his head and cried
Oh, give me land, lots of land under starry skies,
Dont fence me in.
Let me ride through the wide open country that I love,
Dont fence me in.
Let me be by myself in the evenin breeze
Listen to the murmur of the cottonwood trees
Send me off forever but I ask you please,
Dont fence me in
Just turn me loose, let me straddle my old saddle
Underneath the western skies
On my cayuse, let me wander over yonder
Till I see the mountains rise.
I want to ride to the ridge where the west commences
Gaze at the moon till I lose my senses
I cant look at hobbles and I cant stand fences
Dont..... fence me in.
###########
Transcription unknown; key correction by john mair.
Edited by cool hand luke
song performed by Ella Fitzgerald
Added by Lucian Velea
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Thurso’s Landing
I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.
II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,
[...] Read more
poem by Robinson Jeffers
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Up Yours
(E. Stefani)
Mmmm I'll put up with you in the morning
And I'll put up with you in the night
I'll put up with you anytime
Oh being with you's such a delight
I'll put up with you and your boyfriends
And I'll put up with you and your family
I'll put up with you and the inlaws
If they can put up with me
I'll put up with your complaining
And I'll put up with your needs
I'll put up with you messin' around
You can go but once more with me (?)
I'll put up with you and your smoking
And I'll put up with you and your dirty deeds
I'll put up with you and your cussin'
You don't know how happy you would make me
I want you sugar yeah hey woo hoo hoo hoo
And baby I got to - I know I have to
I put my love around you honey (?)
(?)
I want you need you so bad
Oh you put up with me (?)
Ooh I'll put up
I'll put up, I'll put up, I'll put up
I'll put up with your last name
And I'll put up with you and not kiss my lips
I'll put up with you not missin' me
Though down deep inside I wish you would change
Though down deep inside I wish you would change
Though down deep inside I wish you would change
Though down deep inside I wish you would change
song performed by No Doubt
Added by Lucian Velea
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator
Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!
It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!
Well,
Let others climb the heights o' the court, the camp!
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
basket,
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
[...] Read more
poem by Robinson Jeffers
Added by Poetry Lover
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I Know Their Name
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. I used to play with them they lived a block away
I know their name. Their father used to drive a light blue chevrolet
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. They had a dog that used to answer to Barney
I know their name. I used to play with them they lived a block away
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
(La guitar)
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I say:
I I I I I I I know their name. I know. I know. I know their name.
I I I I I I I know their name. I know. I know. I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I know their name.
I know their name.
I know their name
song performed by Men Without Hats
Added by Lucian Velea
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6 Minutes Of Pleasure
Six minutes, six minutes
Six minutes, six minutes
(Sample)
I know why you're here
I ain't sayin nothin
(LL Cool J)
Aiyyo baby I know why you're here
I know what you're doing
I can see it in your eyes you're up to somethin
I know what it is, but we're still cool
And we can socialize, I'm peepin ya baby
I'm holdin back I'm not lettin go
Cause a fool doesn't have a shoulder to cry on
So, give me a kiss and you service
Whether you like a mister or a miss
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
(LL Cool J)
Baby you're my dear I know why you're here
I know why you came I know what you're thinkin
I know what you need and that's what I've got
You think I'm goin crazy no I'm not drinking
I know what you want, I made ya want it
Take my hand listen to the man
You have a plan don't even risk it
What do you want a biscuit?
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
[...] Read more
song performed by LL Cool J
Added by Lucian Velea
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Dont Put Me Out
Baby now I realize
All of those times I told you I loved you
I just didnt show it
Im sorry
Dont put me out
Dont put me out
Dont put me out
Dont put me out
Dont put me out
Dont put me out
Dont put me out
Dont put me out
Dont put me out
Dont put me out
I remember when you said to me
Dont talk about it be about it
I should have felt you when you said
To me that you were all alone
I act like I was doin a favor
For you cuz you were wit me
Something let me thinking that whatever happens
This would be my home
But I was wrong (I was wrong)
How could I have been so low
(how could I have been so low)
I wrote a song all about it
(took a pen and wrote a song)
Wanna hear it, here it go, from now on
1 - i wont talk about lovin you
Cuz Im gonna be about lovin you
I wont talk about comin home
Cuz Im gonna be about comin home
I wont talk about both of us
Cuz Im gonna be about both of us
I wont talk about makin sweet love
Cuz Im gonna be about makin sweet love
Now I remember when we used the crib in studio 12a
Clothes and pallets on the floor makin sweet love night till day
Used to say I wanna have a baby boy and call him man
But now its all gone up in smoke and baby I dont understand
All I know that is I was wrong
(dead wrong, yeah)
How could I have stooped so low
(how could I have stooped so low)
I wrote a song about it
(wrote a song)
Wrote about it, here it go, from now on
Repeat 1
Now all the money in the world couldnt add up to what you did
Cuz when I was down and out you took the burden off of me
[...] Read more
song performed by R. Kelly
Added by Lucian Velea
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Inside The Puppet Head
As your body floats down third street
With the burn-smell factory closing up
Yes its sad to say you will romanticize
All the things youve known before
It was not not not so great
It was not not not so great
And as you take a bath in that beaten path
Theres a pounding at the door
Well its a mighty zombie talking of some love and posterity
He says the good old days never say good-bye
If you keep this in your mind:
You need some lo-lo-loving arms
You need some lo-lo-loving arms
And as you fall from grace the only words you say are
Put your hand inside the puppet head
Put your hand inside the puppet head
Put your hand inside
Put your hand inside
Put your hand inside the puppet head
Ads up in the subway are the work of someone
Trying to please their boss
And though the guys a pig we all know what he wants
Is just to please somebody else
If the pu-pu-puppet head
Was only bu-bu-busted in
It would be a better thing for everyone involved
And we wouldnt have to cry
Put your hand inside the puppet head
Put your hand inside the puppet head
Put your hand inside
Put your hand inside
Put your hand inside the puppet head
Memo to myself: do the dumb things I gotta do
Touch the puppet head
Quit my job down at the carwash
Didnt have to write no-one a good-bye note
That said, the checks in the mail, and
Ill see you in church, and dont you ever change
If the pu-pu-puppet head
Was only bu-bu-busted in
Ill see you after school
Put your hand inside the puppet head
Put your hand inside the puppet head
Put your hand inside
Put your hand inside
Put your hand inside the puppet head
Put your hand inside the puppet head
Put your hand inside the puppet head
Put your hand inside
Put your hand inside
[...] Read more
song performed by They Might Be Giants
Added by Lucian Velea
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Put Your Hand Inside The Puppet Head
As your body floats down third street
With the burn-smell factory closing up
Yes its sad to say you will romanticize
All the things youve known before
It was not not not so great
It was not not not so great
And as you take a bath in that beaten path
Theres a pounding at the door
Well its a mighty zombie talking of some love and posterity
He says the good old days never say good-bye
If you keep this in your mind:
You need some lo-lo-loving arms
You need some lo-lo-loving arms
And as you fall from grace the only words you say are
Put your hand inside the puppet head
Put your hand inside the puppet head
Put your hand inside
Put your hand inside
Put your hand inside the puppet head
Ads up in the subway are the work of someone
Trying to please their boss
And though the guys a pig we all know what he wants
Is just to please somebody else
If the pu-pu-puppet head
Was only bu-bu-busted in
It would be a better thing for everyone involved
And we wouldnt have to cry
Put your hand inside the puppet head
Put your hand inside the puppet head
Put your hand inside
Put your hand inside
Put your hand inside the puppet head
Memo to myself: do the dumb things I gotta do
Touch the puppet head
Quit my job down at the carwash
Didnt have to write no-one a good-bye note
That said, the checks in the mail, and
Ill see you in church, and dont you ever change
If the pu-pu-puppet head
Was only bu-bu-busted in
Ill see you after school
Put your hand inside the puppet head
Put your hand inside the puppet head
Put your hand inside
Put your hand inside
Put your hand inside the puppet head
Put your hand inside the puppet head
Put your hand inside the puppet head
Put your hand inside
Put your hand inside
[...] Read more
song performed by They Might Be Giants
Added by Lucian Velea
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Booger McNulty and Me
In 1948 Booger McNulty's coal yard stirred
constant gossip among the citizens who lived
in little bungalows on narrow blocks
in my far corner of Chicago.
That was more than 60 years ago,
a time when families took Sunday walks
and went back home in time to hear
Jack Benny on the radio.
A Sunday walk didn't cost a cent,
a price my parents could afford.
When my parents took a Sunday walk,
my sister and I always had to go along,
and every time we'd pass Booger's place,
I'd hear my mother ask my father
what could possibly be on the other side
of Booger's 10-foot fence.
Hoping to avoid a conversation,
my father always said he didn't know
but he believed it couldn't just be coal.
Back then, every kid in the neighborhood
wanted to climb that fence and look around.
But Booger didn't feature visitors.
According to the boy whose keister caught
a chunk of coal from Booger's slingshot,
there was nothing on the other side
except for pigeons and a lot of coal.
In the bungalows surrounding Booger's place,
immigrants from everywhere slept off beer and garlic
when they weren't working, which was pretty often,
according to my mother. My father always worked,
digging graves with the other men,
most of them, like him, from Ireland.
He dug graves because some Bulgarian
broke his nose, after which my mother ruled
no more boxing. He'd been undefeated until then.
I was ten in 1948 and I'd climb Booger's fence
when I was certain he was gone for the night.
Inside the yard I'd climb the piles of coal
until I got tired and then I'd go home
and take a bath before my father saw me.
My mother never let my father see me
cloaked in the soot of Booger's coal
[...] Read more
poem by Donal Mahoney
Added by Poetry Lover
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Put The Money Down
I got lost in the back streets, trying to get here tonight,
I got lost in the back streets, trying to get here tonight,
The police were asking questions, they took me to the wrong place twice.
The police were asking questions, they took me to the wrong place twice.
I even lost my passport, and I forgot my name and town,
I even lost my passport, and I forgot my name and town,
But now Im here by the water, put the money down.
But now Im here by the water, put the money down.
Before I walk on the water,
Before I walk on the water,
Put the money down, down, down,
Put the money down, down, down,
There are bands killing chickens,
There are bands killing chickens,
My heros getting pushed around, round, round.
My heros getting pushed around, round, round.
I dont know if I trust you as you try to shoot me down,
I dont know if I trust you as you try to shoot me down,
Before I walk on the water,
Before I walk on the water,
Put the money down, down, down,
Put the money down, down, down,
Put the money down.
Put the money down.
It was a beautiful day in columbus when the fences fell
It was a beautiful day in columbus when the fences fell
But the five loaves and the fishes aint going to be much help,
But the five loaves and the fishes aint going to be much help,
I got a hungry juggler here who wants to be at the head,
I got a hungry juggler here who wants to be at the head,
Before he walks the water he wants his bread.
Before he walks the water he wants his bread.
Take a glass of that light brown ale and a purple pill,
Take a glass of that light brown ale and a purple pill,
If the air dont get you too sure as hell the pill will,
If the air dont get you too sure as hell the pill will,
Oh, mommy, mommy, please may I go downtown?
Oh, mommy, mommy, please may I go downtown?
Hes gonna walk on the water,
Hes gonna walk on the water,
Put the money down,
Put the money down,
Put it down, before I walk on the water,
Put it down, before I walk on the water,
Put the money down, down, down.
Put the money down, down, down.
There are bands killing chickens,
There are bands killing chickens,
My heros getting pushed around, round, round,
My heros getting pushed around, round, round,
[...] Read more
song performed by Who
Added by Lucian Velea
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