I would say I'm humanly engaged.
quote by Juliette Binoche
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The Sorcerer: Act II
DRAMATIS PERSONAE
Sir Marmaduke Pointdextre, an Elderly Baronet
Alexis, of the Grenadier Guards--His Son
Dr. Daly, Vicar of Ploverleigh
John Wellington Wells, of J. W. Wells & Co., Family Sorcerers
Lady Sangazure, a Lady of Ancient Lineage
Aline, Her Daughter--betrothed to Alexis
Mrs. Partlet, a Pew-Opener
Constance, her Daughter
Chorus of Villagers
(Twelve hours are supposed to elapse between Acts I and II)
ACT II-- Grounds of Sir Marmaduke's Mansion, Midnight
Scene--Exterior of Sir Marmaduke's mansion by moonlight. All the
peasantry are discovered asleep on the ground, as at the end
of Act I.
Enter Mr. Wells, on tiptoe, followed by Alexis and Aline. Mr. Wells
carries a dark lantern.
TRIO--ALEXIS, ALINE, and MR. WELLS
'Tis twelve, I think,
And at this mystic hour
The magic drink
Should manifest its power.
Oh, slumbering forms,
How little ye have guessed
That fire that warms
Each apathetic breast!
ALEXIS. But stay, my father is not here!
ALINE. And pray where is my mother dear?
MR. WELLS. I did not think it meet to see
A dame of lengthy pedigree,
[...] Read more
poem by William Schwenck Gilbert
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Lets Stay Engaged
It might be late
but it won't be early
you got me to the gate
with time for a coffee
it's getting late
sounds like a departure
it's getting close
sounds to me like a departure
Until we meet again
lets stay engaged
until then
lets stay engaged
Lies over time
float to the surface
lies over time
they equal surface
lies over time
though the reasons desert us
lies over time
with no apparent purpose
Until we meet again
lets stay engaged
until then
lets stay engaged
See the dead art
and you see your reflection
fear no art
and you fear no reflection
but don't look at me
I'm not the artist in question
sounds good to me
but I'm not the artist in question
Until we meet again
lets stay engaged
until then
lets stay engaged
song performed by The Tragically Hip from Trouble At The Henhouse
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Angry Again
The more of you that I inspect
The more of me I see reflect
The more I try to read your lips
The more the mask youre wearing rips
But when I seek out your voice
My ears are overcome with noise
You show and tell with greatest ease
Raving impossibilities
Engaged in crime I grasp my throat
Enraged my mind starts to smoke
Enforce a mental overload
Angry again, angry again, angry ow
And when the story takes a twist
If folds like a contortionist
Slight of hand and quick exchange
The old tricks have been rearranged
Engaged in crime I grasp my throat
Enraged my mind starts to smoke
Enforce a mental overload
Angry again, angry again, angry
The searing of the sinew
My body fights for air
The ripping of the tissue
My lungs begin to tear
Gravitys got my bones
It pulls my flesh away
The steam finally dissipates
I make out my sweaty face
Association that I choose
Game I inevitably lose
Governed by laws set up by me
Fracture its jaw to let me be
A cut-out cardboard condo maze
Filled with an insubordinate race
Irrational youths stop to stare
As music rubber hosed the air
Engaged in crime I grasp my throat
Enraged my mind starts to smoke
Enforce a mental overload
Angry again, angry again, angry again
And again and again, again
Engaged in crime I grasp my throat
Enraged my mind starts to smoke
Enforce a mental overload
Angry again, angry again, angry ow
song performed by Megadeth
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A Christmas Tale
Meat is Meat (a christmas tale)
Santa came running up the road his coat was open
exposing a hairy belly, arms full of parcels, asked
me if I was a vet, because Rudolf had broken its leg.
Told him I was a destroyer of Christmas, took delight
telling children that Santa was their own uncle Ted)
every child got an uncle Ted) but was willing this once
to help him out. I called a Lapland friend, who has
a herd of reindeer lives in a tent and is dressed for
year long winters, he gave us a reindeer for free as
he too was a sentimental fool and had eight children.
Problem solved, but what about Rudolf? We sent him
to an abattoir where he was humanly slaughtered,
(humanly, means he was shot through its head when
eating carrots) as a reindeer is too cute to eat its flesh
was sold as veal, which is meat of doe eyed calves.
poem by Oskar Hansen
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Aught
Azriel of Gerona taught
that if you look beyond the yesh
which is the aught you’ll find the naught,
the spirit that’s behind the flesh,
the truth that lies within the kernel,
hidden from the mortal eyes
of man by ayin that’s eternal,
enveloped by man’s lethal lies,
because Reality must be
eclipsed, however hard it’s sought
by I’s that lie between the Thee
which is the Naught beyond the Aught.
In Sacred Attunement: A Jewish Theology (Chicago: University of Chicago Press,2008) , Michael Fishbane writes about Azriel of Gerona (36–7) :
R. Azriel pondered the mystery and depth of infinite Being, and even tried to imagine the very borderline between the knowable realm of Absolute Reality and all that might be humanly conceived or known by human minds. In his discourse he calls the first realm Naught (or ayin) , because it is wholly beyond thought and thus virtually Nothing; and the second he deems Aught (or yesh) , because it is the realm where knowable (or discernable) reality becomes and is. But the point of transition is truly neither the one nor the other, but both: it is neither wholly naught, insofar as there is a gathering towards existence (where things are nameable and determinate) , nor is it wholly aught, since this domain is still characterized by the naught (where no thing is named or differentiated.) At this borderline we have something else. What we have is an imaginable sense of aught grounded in naught; that is, a sense that the all-unfolding reality and being of existence, whose source is God, is ultimately effaced in the depths of God’s Godhood. And though we may not follow R. Azriel in his particular mystical ontology of divine emanations, we may nevertheless strain to understand his teaching as a great truth of theology––still pertinent for our lives. For what he conveys through this meditation is that whatever may be humanly sayable about God and existence is ultimately grounded in and a manifestation of the Naught. To bring our minds towards this realization is the tsk of theology. This holds as much for our common view of everyday reality, where the Aught rightly prevails and predominates, as for our sense of God, where the Naught is the ultimate reality wherein all mindfulness is eclipsed.
10/24/08
poem by Gershon Hepner
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Sinners
He fell for her daughter;
She fell for him later.
There came in no protest.
He engaged them both.
***
He fell for her mother;
She fell for him later.
From them came no protest.
He engaged them both.
***
He fell for his neigbour;
His son too fell for her.
Silence was the protest.
She fed them both alike.
***
A mother was his beloved;
Her daughter was his son’s.
Wordless was the protest.
Each engaged the other.
***
Sinners make friends
19.10.2011
poem by Rm. Shanmugam Chettiar
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Ch 07 On The Effects Of Education Story 20
Contention of Sa’di with a Disputant concerning Wealth and Poverty
I saw a man in the form but not with the character of a dervish, sitting in an assembly, who had begun a quarrel; and, having opened the record of complaints, reviled wealthy men, alleging at last that the hand of power of dervishes to do good was tied and that the foot of the intention of wealthy men to do good was broken.
The liberal have no money.
The wealthy have no liberality.
I, who had been cherished by the wealth of great men, considered these words offensive and said: ‘My good friend, the rich are the income of the destitute and the hoarded store of recluses, the objects of pilgrims, the refuge of travellers, the bearers of heavy loads for the relief of others. They give repasts and partake of them to feed their dependants and servants, the surplus of their liberalities being extended to widows, aged persons, relatives and neighbours.’
The rich must spend for pious uses, vows and hospitality,
Tithes, offerings, manumissions, gifts and sacrifices.
How canst thou attain their power of doing good who art able
To perform only the prayer-flections and these with a hundred distractions?
If there be efficacy in the power to be liberal and in the ability of performing religious duties, the rich can attain it better because they possess money to give alms, their garments are pure, their reputation is guarded, their hearts are at leisure. Inasmuch as the power of obedience depends upon nice morsels and correct worship upon elegant clothes, it is evident that hungry bowels have but little strength, an empty hand can afford no liberality, shackled feet cannot walk, and no good can come from a hungry belly.
He sleeps troubled in the night
Who has no support for the morrow.
The ant collects in summer a subsistence
For spending the winter in ease.
Freedom from care and destitution are not joined together and comfort in poverty is an impossibility. A man who is rich is engaged in his evening devotions whilst another who is poor is looking for his evening meal. How can they resemble each other?
He who possesses means is engaged in worship.
Whose means are scattered, his heart is distracted.
The worship of those who are comfortable is more likely to meet with acceptance, their minds being more attentive and not distracted or scattered. Having a secure income, they may attend to devotion. The Arab says: ‘I take refuge with Allah against base poverty and neighbours whom I do not love. There is also a tradition: Poverty is blackness of face in both worlds.’ He retorted by asking me whether I had heard the Prophet’s saying: Poverty is my glory. I replied: ‘Hush! The prince of the world alluded to the poverty of warriors in the battlefield of acquiescence and of submission to the arrow of destiny; not to those who don the patched garb of righteousness but sell the doles of food given them as alms.’
O drum of high sound and nothing within,
What wilt thou do without means when the struggle comes?
Turn away the face of greed from people if thou art a man.
Trust not the rosary of one thousand beads in thy hand.
A dervish without divine knowledge rests not until his poverty, culminates in unbelief; for poverty is almost infidelity, because a nude person cannot be clothed without money nor a prisoner liberated. How can the like of us attain their high position and how does the bestowing resemble the receiving hand? Knowest thou not that God the most high and glorious mentions in his revealed word the Pleasures of paradise-They shall have a certain provision in paradise-to inform thee that those who are occupied with cares for a subsistence are excluded from the felicity of piety and that the realm of leisure is under the ring of the certain provision.
The thirsty look in their sleep
On the whole world as a spring of water.
Wherever thou beholdest one who has experienced destitution and tasted bitterness, throwing himself wickedly into fearful adventures and not avoiding their consequences, he fears not the punishment of Yazed and does not discriminate between what is licit or illicit.
The dog whose head is touched by a clod of earth
Leaps for joy, imagining it to be a bone.
And when two men take a corpse on their shoulders,
A greedy fellow supposes it to be a table with food.
But the possessor of wealth is regarded with a favourable eye by the Almighty for the lawful acts he has done and preserved from the unlawful acts he might commit. Although I have not fully explained this matter nor adduced arguments, I rely on thy sense of justice to tell me whether thou hast ever seen a mendicant with his hands tied up to his shoulders or a poor fellow sitting in prison or a veil of innocence rent or a guilty hand amputated, except in consequence of poverty? Lion-hearted men were on account of their necessities captured in mines which they had dug to rob houses and their heels were perforated. It is also possible that a dervish, impelled by the cravings of his lust and unable to restrain it, may commit sin because the stomach and the sexual organs are twins, that is to say, they are the two children of one belly and as long as one of these is contented, the other will likewise be satisfied. I heard that a dervish had been seen committing a wicked act with a youth, and although he had been put to shame, he was also in danger of being stoned. He said: ‘O Musalmans, I have no power to marry a wife and no patience to restrain myself. What am I to do? There is no monasticism in Islam.” Among the number of causes producing internal tranquility and comfort in wealthy people, the fact may be reckoned that they take every night a sweetheart in their arms and may every day contemplate a youth whose brightness excels that of the shining morn and causes the feet of walking cypresses to conceal themselves abashed.
Plunging the fist into the blood of beloved persons,
Dying the finger-tips with the colour of the jujube-fruit.
[...] Read more
The Cornishman
The train pulled away from the station,
The driver grinned up at the box,
The signalman glowered at the driver's face
As he slotted the lever across,
The train slid easily through the points
As it blew three whistle blasts,
One for the train, one for the box,
And one for Miss Caroline Glass.
Caroline waved him a cheery farewell
From the cottage she owned on the bank,
She'd once been engaged to the signalman,
But now she'd moved up a rank.
'A driver is such an important man, '
She'd said to her former beau,
'He holds all those lives in his hands when he drives,
And he crosses the country, so.'
'But you - you stand in this signal box,
Pull levers, and ring little bells,
I'd rather be out on the railway track
With the steam blowing over the vales! '
And so it was, there, in the pub one night,
While enjoying the Olde Tyme Dance,
The driver cut in, and he whirled her around
As the signalman watched, askance.
'I'm going to be driving The Cornishman, '
The driver had told her then,
'It's really an honour, the Cornwall Express,
Come down, and I'll show you around.
The coaches are really the latest type,
With cushions, and bright as the sun…'
So Caroline gave back her ring that night,
Then shrugged - said: 'It's been fun! '
The signalman brooded, and wept at night,
To think of his Caroline Glass
Alone in the arms of the driver, Ben,
While he sat alone in the house.
He vowed revenge, but he didn't know
How ever he'd win her back,
She never would look at the signal box
While the train was down on the track.
He watched her boarding The Cornishman
First Class, to travel for free,
At the end of the trip, in a cheap hotel…
The signalman thought he could see,
Just what they would do at the end of the line
[...] Read more
poem by David Lewis Paget
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Finest Worksong
The time to rise has been engaged
Youre better best to rearrange
Im talking here to me alone
I listen to the finest worksong
Your finest hour
Another chance has been engaged
To throw thoreau and rearrange
You are following this time
I beg you not beg to rhyme (blow your horn)
Your finest hour (blow your horn)
Take your instinct by the reins
Your better best to rearrange
What we want and what we need
Has been confused been confused (blow your horn)
Your finest hour (blow your horn)
(repeat 3rd verse)
song performed by REM
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
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The Hunting of the Snark: An Agony in Eight Fits
Fit the First.
THE LANDING
"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What I tell you three times is true."
The crew was complete: it included a Boots—
A maker of Bonnets and Hoods—
A Barrister, brought to arrange their disputes—
And a Broker, to value their goods.
A Billiard-marker, whose skill was immense,
Might perhaps have won more than his share—
But a Banker, engaged at enormous expense,
Had the whole of their cash in his care.
There was also a Beaver, that paced on the deck,
Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
Though none of the sailors knew how.
There was one who was famed for the number of things
He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
And the clothes he had bought for the trip.
He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact,
They were all left behind on the beach.
The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pairs of boots—but the worst of it was,
He had wholly forgotten his name.
He would answer to "Hi!" or to any loud cry,
Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
But especially "Thing-um-a-jig!"
While, for those who preferred a more forcible word,
He had different names from these:
[...] Read more
poem by Lewis Carroll (1876)
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I have investigated the dust-heaps of humanity, and found a treasure in all of them. I have found that humanity is not incidentally engaged, but eternally and systematically engaged, in throwing gold into the gutter and diamonds into the sea.
classic quote by G.K. Chesterton
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An engaged woman is always more agreeable than a disengaged. She is satisfied with herself. Her cares are over, and she feels that she may exert all her powers of pleasing without suspicion. All is safe with a lady engaged; no harm can be done.
quote by Jane Austen
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As far as the mechanics go, working with other people on received ideas was for me a very interesting technical problem. I can't say that any of my collaborations engaged my heart, but they engaged the craftsman in me.
quote by Robert Sheckley
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The most important thing for anyone, I think, is to be engaged, whether you're an artist or a journalist is to be engaged in the process at some level.
quote by Billy Bragg
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Research is starting to show that a child should be engaged at least 20 hours a week. I do not think it matters which program you choose as long as it keeps the child actively engaged with the therapist, teacher, or parent for at least 20 hours a week.
quote by Temple Grandin
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Fingal - Book IV
ARGUMENT.
The action of the poem being suspended by night, Ossian takes the opportunity to relate his own actions at the lake of Lego, and his courtship of Everallin, who was the mother of Oscar, and had died some time before the expedition of Fingal into Ireland. Her ghost appears to him, and tells him that Oscar, who had been sent, the beginning of the night, to observe the enemy, was engaged with an advanced party, and almost overpowered. Ossian relieves his son; and an alarm is given to Fingal of the approach of Swaran. The king rises, calls his army together, and, as he had promised the preceding night, devolves the command on Gaul the son of Morni, while he himself, after charging his sons to behave gallantly and defend his people, retires to a hill, from whence he could have a view of the battle. The battle joins; the poet relates Oscar's great actions. But when Oscar, in conjunction with his father, conquered in one wing, Gaul, who was attacked by Swaran in person, was on the point of retreating in the other. Fingal sends Ullin his bard to encourage them with a war song, but notwithstanding Swaran prevails; and Gaul and his army are obliged to give way. Fingal descending from the hill, rallies them again; Swaran desists from the pursuit, possesses himself of a rising ground, restores the ranks, and waits the approach of Fingal. The king, having encouraged his men, gives the necessary orders, and renews the battle. Cuthullin, who, with his friend Connal, and Carril his bard, had retired to the cave of Tura, hearing the noise, came to the brow of the hill, which overlooked the field of battle, where he saw Fingal engaged with the enemy. He, being hindered by Connal from joining Fingal, who was himself upon the point of obtaining a complete victory, sends Carril to congratulate that hero on success.
Who comes with her songs from the hill, like the bow of the showery Lena? It is the maid of the voice of love: the white-armed daughter of Toscar! Often hast thou heard my song; often given the tear of beauty. Hast thou come to the wars of thy people? to hear the actions of Oscar? When shall I cease to mourn, by the streams of resounding Cona? My years have passed away in battle. My age is darkened with grief!
"Daughter of the hand of snow, I was not so mournful and blind; I was not so dark and forlorn, when Everallin loved me! Everallin with the dark-brown hair, the white-bosomed daughter of Branno. A thousand heroes sought the maid, she refused her love to a thousand. The sons of the sword were despised: for graceful in her eyes was Ossian. I went, in suit of the maid, to Lego's sable surge. Twelve of my people were there, the sons of streamy Morven! We came to Branno, friend of strangers! Branno of the sounding mail! 'From whence,' he said, 'are the arms of steel? Not easy to win is the maid, who has denied the blue-eyed sons of Erin. But blest be thou, O son of Fingal! Happy is the maid that waits thee! Though twelve daughters of beauty were mine, thine were the choice, thou son of fame!'
"He opened the hall of the maid, the dark-haired Everallin. Joy kindled in our manly breasts. We blest the maid of Branno. Above us on the hill appeared the people of stately Cormac. Eight were the heroes of the chief. The heath flamed wide with their arms. There Colla; there Durra of wounds; there mighty Toscar, and Tago; there Fresta the victorious stood; Dairo of the happy deeds; Dala the battle's bulwark in the narrow way! The sword flamed in the hand of Cormac. Graceful was the look of the hero! Eight were the heroes of Ossian. Ullin, stormy son of war. Mullo of the generous deeds. The noble, the graceful Scelacha. Oglan, and Cerdan the wrathful. Dumariccan's brows of death. And why should Ogar be the last; so wide-renowned on the hills of Ardven?
"Ogar met Dala the strong face to face, on the field of heroes. The battle of the chiefs was like wind, on ocean's foamy waves. The dagger is remembered by Ogar; the weapon which he loved. Nine times he drowned it in Dala's side. The stormy battle turned. Three times I broke on Cormac's shield: three times he broke his spear. But, unhappy youth of love! I cut his head away. Five times I shook it by the lock. The friends of Cormac fled. Whoever would have told me, lovely maid, when then I strove in battle, that blind, forsaken, and forlorn, I now should pass the night; firm ought his mail to have been; unmatched his arm in war."
On Lena's gloomy heath the voice of music died away. The inconstant blast blew hard. The high oak shook its leaves around. Of Everallin were my thoughts, when in all the light of beauty she came; her blue eyes rolling in tears. She stood on a cloud before my sight, and spoke with feeble voice! "Rise, Ossian, rise, and save my son; save Oscar, prince of men. Near the red oak of Luba's stream he fights with Lochlin's sons." She sunk into her cloud again. I covered me with steel. My spear supported my steps; my rattling armor rung. I hummed, as I was wont in danger, the songs of heroes of old. Like distant thunder Lochlin heard. They fled; my son pursued.
I called him like a distant stream. "Oscar, return over Lena. No further pursue the foe," I said, "though Ossian is behind thee." He came! and pleasant to my ear was Oscar's sounding steel. "Why didst thou stop my hand," he said, "till death had covered all? For dark and dreadful by the stream they met thy son and Fillin. They watched the terrors of the night. Our swords have conquered some. But as the winds of night pour the ocean over the white sands of Mora, so dark advance the sons of Lochlin, over Lena's rustling heat! The ghosts of night shriek afar: I have seen the meteors of death. Let me awake the king of Morven, he that smiles in danger! He that is like the sun of heaven, rising in a storm!"
Fingal had started from a dream, and leaned on Trenmor's shield! the dark-brown shield of his fathers, which they had lifted of old in war. The hero had seen, in his rest, the mournful form of Agandecca. She came from the way of the ocean. She slowly, lonely, moved over Lena. Her face was pale, like the mist of Cromla. Dark were the tears of her cheek. She often raised her dim hand from her robe, her robe which was of the clouds of the desert: she raised her dim hand over Fingal, and turned away silent eyes! "Why weeps the daughter of Starno?" said Fingal with a sigh; "why is thy face so pale, fair wanderer of the clouds?" She departed on the wind of Lena. She left him in the midst of the night. She mourned the sons of her people, that were to fall by the hand of Fingal.
The hero started from rest. Still he beheld her in his soul. The sound of Oscar's steps approached. The king saw the gray shield on his side: for the faint beam of the morning came over the waters of Ullin. "What do the foes in their fear?" said the rising king of Morven: "or fly they through ocean's foam, or wait they the battle of steel? But why should Fingal ask? I hear their voice on the early wind! Fly over Lena's heath: O Oscar, awake our friends!"
The king stood by the stone of Lubar. Thrice he reared his terrible voice. The deer started from the fountains of Cromla. The rocks shook, on all their hills. Like the noise of a hundred mountain-streams, that burst, and roar, and foam! like the clouds, that gather to a tempest on the blue face of the sky! so met the sons of the desert, round the terrible voice of Fingal. Pleasant was the voice of the king of Morven to the warriors of his land. Often had he led them to battle; often returned with the spoils of the foe.
"Come to battle," said the king, "ye children of echoing Selma! Come to the death of thousands! Comhal's son will see the fight. My sword shall wave on the hill, the defence of my people in war. But never may you need it, warriors; while the son of Morni fights, the chief of mighty men! He shall lead my battle, that his fame may rise in song! O ye ghosts of heroes dead! ye riders of the storm of Cromla! receive my falling people with joy, and bear them to your hills. And may the blast of Lena carry them over my seas, that they may come to my silent dreams, and delight my soul in rest. Fillan and Oscar of the dark-brown hair! fair Ryno, with the pointed steel! advance with valor to the fight. Behold the son of Morni! Let your swords be like his in strife: behold the deeds of his hands. Protect the friends of your father. Remember the chiefs of old. My children, I will see you yet, though here you should fall in Erin. Soon shall our cold pale ghosts meet in a cloud, on Cona's eddying winds."
Now like a dark and stormy cloud, edged round with the red lightning of heaven, flying westward from the morning's beam, the king of Selma removed. Terrible is the light of his armor; two spears are in his hand. His gray hair falls on the wind. He often looks back on the war. Three bards attend the son of fame, to bear his words to the chiefs high on Cromla's side he sat, waving the Lightning of his sword, and as he waved we moved.
Joy rises in Oscar's face. His cheek is red. His eye sheds tears. The sword is a beam of fire in his hand. He came, and smiling, spoke to Ossian. "O ruler of the fight of steel! my father, hear thy son! Retire with Morven's mighty chief. Give me the fame of Ossian. If here I fall, O chief, remember that breast of snow, the lonely sunbeam of my love, the white-handed daughter of Toscar! For, with red cheek from the rock, bending over the stream, her soft hair flies about her bosom, as she pours the sigh for Oscar. Tell her I am on my hills, a lightly-bounding son of the wind; tell her, that in a cloud I may meet the lovely maid of Toscar." "Raise, Oscar, rather raise my tomb. I will not yield the war to thee. The first and bloodiest in the strife, my arm shall teach thee how to fight. But remember, my son, to place this sword, this bow, the horn of my deer, within that dark and narrow house, whose mark is one gray stone! Oscar, I have no love to leave to the care of my son. Everallin is no more, the lovely daughter of Branno!"
Such were our words, when Gaul's loud voice came growing on the wind. He waved on high the sword of his father. We rushed to death and wounds. As waves, white bubbling over the deep, come swelling, roaring on; as rocks of ooze meet roaring waves; so foes attacked and fought. Man met with man, and steel with steel. Shields sound and warriors fall. As a hundred hammers on the red son of the furnace, so rose, so rung their swords!
Gaul rushed on, like a whirlwind in Ardven. The destruction of heroes is on his sword. Swaran was like the fire of the desert in the echoing heath of Gormal! How can I give to the song the death of many spears? My sword rose high, and flamed in the strife of blood. Oscar, terrible wert thou, my best, my greatest son! I rejoiced in my secret soul, when his sword flamed over the slain. They fled amain through Lena's heath. We pursued and slew. As stones that bound from rock to rock; as axes in echoing woods; as thunder rolls from hill to hill, in dismal broken peals; so blow succeeded to blow, and death to death, from the hand of Oscar and mine.
But Swaran closed round Morni's son, as the strength of the tide of Inistore. The king half rose from his hill at the sight. He half-assumed the spear. "Go, Ullin, go, my aged bard," began the king of Morven. "Remind the mighty Gaul of war. Remind him of his fathers. Support the yielding fight with song; for song enlivens war." Tall Ullin went, with step of age, and spoke to the king of swords. "Son of the chief of generous steeds! high-bounding king of spears! Strong arm in every perilous toil! Hard heart that never yields! Chief of the pointed arms of death! Cut down the foe; let no white sail bound round dark Inistore. Be thine arm like thunder, thine eyes like fire, thy heart of solid rock. Whirl round thy sword as a meteor at night: lift thy shield like the flame of death. Son of the chief of generous steeds, cut down the foe! Destroy!" The hero's heart beat high. But Swaran came with battle. He cleft the shield of Gaul in twain. The sons of Selma fled.
Fingal at once arose in arms. Thrice he reared his dreadful voice. Cromla answered around. The sons of the desert stood still. They bent their blushing faces to earth, ashamed at the presence of the king. He came like a cloud of rain in the day of the sun, when slow it rolls on the hill, and fields expect the shower. Silence attends its slow progress aloft; but the tempest is soon to rise. Swaran beheld the terrible king of Morven. He stopped in the midst of his course. Dark he leaned on his spear, rolling his red eyes around. Silent and tall he seemed as an oak on the banks of Lubar, which had its branches blasted of old by the lightning of heaven. It bends over the stream: the gray moss whistles in the wind: so stood the king. Then slowly he retired to the rising heath of Lena. His thousands pour round the hero. Darkness gathers on the hill!
Fingal, like a beam of heaven, shone in the midst of his people. His heroes gather around him. He sends forth the voice of his power. "Raise my standards on high; spread them on Lena's wind, like the flames of a hundred hills! Let them sound on the wind of Erin, and remind us of the fight. Ye sons of the roaring streams, that pour from a thousand hills be near the king of Morven! attend to the words of his power! Gaul, strongest arm of death! O Oscar, of the future fights! Connal, son of the blue shields of Sora! Dermid, of the dark-brown hair! Ossian, king of many songs, be near your father's arm!" We reared the sunbeam of battle; the standard of the king! Each hero exulted with joy, as, waving, it flew on the wind. It was studded with gold above, as the blue wide shell of the nightly sky. Each hero had his standard too, and each his gloomy men!
"Behold," said the king of generous shells, "how Lochlin divides on Lena! They stand like broken clouds on a hill, or a half-consumed grove of oaks, when we see the sky through its branches, and the meteor passing behind! Let every chief among the friends of Fingal take a dark troop of those that frown so high: nor let a son of the echoing groves bound on the waves of Inistore!"
"Mine," said Gaul, "be the seven chiefs that came from Lano's lake." "Let Inistore's dark king," said Oscar, "come to the sword of Ossian's son." "To mine the king of Iniscon," said Connal, heart of steel!" Or Mudan's chief or I," said brown-haired Dermid, "shall sleep on clay-cold earth." My choice, though now so weak and dark, was Terman's battling king; I promised with my hand to win the hero's dark-brown shield, "Blest and victorious be my chiefs," said Fingal of the mildest look. "Swaran, king of roaring waves, thou art the choice of Fingal!"
Now, like a hundred different winds that pour through many vales, divided, dark the sons of Selma advanced. Cromla echoed around! How can I relate the deaths, when we closed in the strife of arms? O, daughter of Toscar, bloody were our hands! The gloomy ranks of Lochlin fell like the banks of roaring Cona! Our arms were victorious on Lena: each chief fulfilled his promise. Beside the murmur of Branno thou didst often sit, O maid! thy white bosom rose frequent, like the down of the swan when slow she swims on the lake, and sidelong winds blow on her ruffled wing. Thou hast seen the sun retire, red and slow behind his cloud: night gathering round on the mountain, while the unfrequent blast roared in the narrow vales. At length the rain beats hard: thunder rolls in peals. Lightning glances on the rocks! Spirits ride on beams of fire! The strength of the mountain streams comes roaring down the hills. Such was the noise of battle, maid of the arms of snow! Why. daughter of Toscar, why that tear? The maids of Lochlin have cause to weep! The people of their country fell. Bloody were the blue swords of the race of my heroes! But I am sad, forlorn, and blind: no more the corn ion of heroes! Give, lovely maid to me thy tears. I have seen the tombs of all my friends!
It was then, by Fingal's hand, a hero fell, to his grief! Gray-haired he rolled in the dust. He lifted his faint eyes to the king. "And is it by me thou hast fallen," said the son of Comhal, "thou friend of Agandecca? I have seen thy tears for the maid of my love in the halls of the bloody Starno! Thou hast been the foe of the foes of my love, and hast thou fallen by my hand? Raise Ullin, raise the grave of Mathon, and give his name to Agandecca's song. Dear to my soul hast thou been, thou darkly-dwelling maid of Ardven!"
Cuthullin, from the cave of Cromla, heard the noise of the troubled war. He called to Connal, chief of swords: to Carril of other times. The gray-haired heroes heard his voice. They took their pointed spears. They came, and saw the tide of battle, like ocean's crowded waves, when the dark wind blows from the deep, and rolls the billows through the sandy vale! Cuthullin kindled at the sight. Darkness gathered on his brow. His hand is on the sword of his fathers: his red-rolling eyes on the foe. He thrice attempted to rush to battle. He thrice was stopped by Connal. "Chief of the isle of mist," he said, "Fingal subdues the foe. Seek not a part of the fame of the king; himself is like the storm!"
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poem by James Macpherson
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Annus Mirabilis, The Year Of Wonders, 1666
1
In thriving arts long time had Holland grown,
Crouching at home and cruel when abroad:
Scarce leaving us the means to claim our own;
Our King they courted, and our merchants awed.
2
Trade, which, like blood, should circularly flow,
Stopp'd in their channels, found its freedom lost:
Thither the wealth of all the world did go,
And seem'd but shipwreck'd on so base a coast.
3
For them alone the heavens had kindly heat;
In eastern quarries ripening precious dew:
For them the Idumaean balm did sweat,
And in hot Ceylon spicy forests grew.
4
The sun but seem'd the labourer of the year;
Each waxing moon supplied her watery store,
To swell those tides, which from the line did bear
Their brimful vessels to the Belgian shore.
5
Thus mighty in her ships, stood Carthage long,
And swept the riches of the world from far;
Yet stoop'd to Rome, less wealthy, but more strong:
And this may prove our second Punic war.
6
What peace can be, where both to one pretend?
(But they more diligent, and we more strong)
Or if a peace, it soon must have an end;
For they would grow too powerful, were it long.
7
Behold two nations, then, engaged so far
That each seven years the fit must shake each land:
Where France will side to weaken us by war,
Who only can his vast designs withstand.
8
See how he feeds the Iberian with delays,
To render us his timely friendship vain:
And while his secret soul on Flanders preys,
He rocks the cradle of the babe of Spain.
9
Such deep designs of empire does he lay
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poem by John Dryden
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The Cloud Messenger - Part 04
The slender young woman who is there would be the premier creation by the
Creator in the sphere of women, with fine teeth, lips like a ripe bimba fruit, a
slim waist, eyes like a startled gazelle’s, a deep navel, a gait slow on account
of the weight of her hips, and who is somewhat bowed down by her breasts.
You should know that she whose words are few, my second life, is like a
solitary female cakravaka duck when I, her mate, am far away. While these
weary days are passing, I think the girl whose longing is deep has taken on an
altered appearance, like a lotus blighted by frost.
Surely the face of my beloved, her eyes swollen from violent weeping, the
colour of her lower lip changed by the heat of her sighs, resting upon her
hand, partially hidden by the hanging locks of her hair, bears the miserable
appearance of the moon with its brightness obscured when pursued by you.
She will come at once into your sight, either engaged in pouring oblations, or
drawing from memory my portrait, but grown thin on account of separation,
or asking the sweet-voiced sarika bird in its cage, ‘I hope you remember the
master, O elegant one, for you are his favourite’;
Or having placed a lute on a dirty cloth on her lap, friend, wanting to sing a
song whose words are contrived to contain my name, and somehow plucking
the strings wet with tears, again and again she forgets the melody, even
though she composed it herself;
Or engaged in counting the remaining months set from the day of our
separation until the end by placing flowers on the ground at the threshold, or
enjoying acts of union that are preserved in her mind. These generally are the
diversions of women when separated from their husbands.
During the day, when she has distractions, separation will not torment her so
much. I fear that your friend will have greater suffering at night without
distraction. You who carry my message, positioned above the palace roof-top,
see the good woman at midnight, lying on the ground, sleepless, and cheer her
thoroughly.
Grown thin with anxiety, lying on one side on a bed of separation, resembling
the body of the moon on the eastern horizon when only one sixteenth part
remains, shedding hot tears, passing that night, lengthened by separation,
which spent in desired enjoyments in company with me would have passed in
an instant.
Covering with eyelashes heavy with tears on account of her sorrow, her eyes
which were raised to face the rays of the moon, which were cool with nectar
and which entered by way of the lattice, fall again on account of her previous
love, like a bed of land-lotuses on an overcast day, neither open nor closed.
She whose sighs that trouble her bud-like lower lip will surely be scattering
the locks of her hair hanging at her cheek, dishevelled after a simple bath,
thinking how enjoyment with me might arise even if only in a dream, yearning
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poem by Kalidasa
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