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There are more ways of outraging speech than contradiction merely.

quote by J.L. Austin
Added by Lucian Velea
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Inarticulate Speech Of The Heart No. 2

Inarticulate speech, inarticulate speech of the heart
Inarticulate speech, inarticulate speech of the heart
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
Inarticulate speech, inarticulate speech of the heart
Inarticulate speech, inarticulate speech of the heart
I'm just wild about it i can't live without it
I'm just wild about it i can't live without it
Inarticulate speech, inarticulate speech of the heart
Inarticulate speech, inarticulate speech of the heart
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
Spoken
I'm a soul in wonder
I'm a soul in wonder
I'm a soul in wonder
A soul in wonder
A soul in wonder

song performed by Van Morrison
Added by Lucian Velea
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Conversation

Though nature weigh our talents, and dispense
To every man his modicum of sense,
And Conversation in its better part
May be esteem'd a gift, and not an art,
Yet much depends, as in the tiller’s toil,
On culture, and the sowing of the soil.
Words learn'd by rote a parrot may rehearse,
But talking is not always to converse;
Not more distinct from harmony divine,
The constant creaking of a country sign.
As alphabets in ivory employ,
Hour after hour, the yet unletter’d boy,
Sorting and puzzling with a deal of glee
Those seeds of science call’d his a b c;
So language in the mouths of the adult,
Witness its insignificant result,
Too often proves an implement of play,
A toy to sport with, and pass time away.
Collect at evening what the day brought forth,
Compress the sum into its solid worth,
And if it weigh the importance of a fly,
The scales are false, or algebra a lie.
Sacred interpreter of human thought,
How few respect or use thee as they ought!
But all shall give account of every wrong,
Who dare dishonour or defile the tongue;
Who prostitute it in the cause of vice,
Or sell their glory at a market-price;
Who vote for hire, or point it with lampoon,
The dear-bought placeman, and the cheap buffoon.
There is a prurience in the speech of some,
Wrath stays him, or else God would strike them dumb;
His wise forbearance has their end in view,
They fill their measure and receive their due.
The heathen lawgivers of ancient days,
Names almost worthy of a Christian’s praise,
Would drive them forth from the resort of men,
And shut up every satyr in his den.
Oh, come not ye near innocence and truth,
Ye worms that eat into the bud of youth!
Infectious as impure, your blighting power
Taints in its rudiments the promised flower;
Its odour perish’d, and its charming hue,
Thenceforth ‘tis hateful, for it smells of you.
Not e’en the vigorous and headlong rage
Of adolescence, or a firmer age,
Affords a plea allowable or just
For making speech the pamperer of lust;
But when the breath of age commits the fault,
‘Tis nauseous as the vapour of a vault.

[...] Read more

poem by William Cowper
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Two Ways To Play

Somethin' crossed my mind again
You were in my eyes
It was somewhere out by Bombay
And I'm tellin' all those lies
I've been there and you've been there
And there ain't no mistake
We could take it anyway
But the one thing we can't fake
There's just two ways to play
Just two ways to play
And I don't want to stay
There's just two ways to play
And I'm gonna play it right, this time
Yeah
There's always the easy numbers
There's those hard ways too
There's those cheaters blunders
It's either one of two
But fortune telling's mezmorizing
In the game of chance
But rollin' dice ain't sympathizing
When you play romance
There's just two ways to play
Just two ways to play
And I don't want to stay
There's just two ways to play
I can't control the numbers
I can't control your sexy ways
I can't control my inner thunder
It makes me want????????
Two ways to play
There's Just two ways to play
There's just two ways to play
There's just two ways to play
I'm gonna play it right this time
There's two ways to play
There's just two ways to play
Two ways to play
There's just two ways to play
And I don't want to stay
There's just two ways to play

song performed by ZZ Top
Added by Lucian Velea
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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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In Your Own Ways

You are smart in your own ways
you are lovely in your own ways
you are beautiful in your own ways
You smile in your own ways

So crazy in your own ways
The madness of your own ways
such mysterious in your own ways
Those eyes of your own ways

You inspire me in your own ways
You talk in you own ways
you love me in your own ways
You suprise me in your own ways

Your kindness of its own kind
Your love of its own loveliness
your touch of its own comfort
And your kisses of its own sweetness

There is nothing so much worth to
treasure in my own ways than the
sweet memories of your own ways
Your life in your own ways
changes mine in its own way

God must have taken His own time
for sush a creation of its own kind
With everything in its own way
I must live your way.

poem by Moffat Mbuzi
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(Choices Poem) All Yours

Let my finger tips do the talking
I am crawling
I am walking
I am marching
If only for a little while
To rise up, to rise against
To show the weakness in man
I am but a contradiction in words
I am a man of many masks
One each for a different task
I think way too fast

Just slow it down bit
What's the hurry to go nowhere
We are already here.
Standing before you
Ready to ask
Ready to question
Demanding answers
Debated and already hated
You have just been emasculated
I'm your worst enemy.
I'm your best friend
I'm as you make it.
Be careful with that vase you just might break it
I'm here to send you to hell or help
Take it or don't
The choice is all yours
All yours

Let my finger tips do the talking
I am crawling
I am walking
I am marching
If only for a little while
To rise up, to rise against
To show the weakness in man
I am but a contradiction in words
I am a man of many masks
One each for a different task
I think way too fast

You make your claims to be of evil man
Like the invisible ghost
Most don't see you
But I do
You look like you might just be in trouble
If you need some help
Just ask
Forgive me if seem kinda of mean

[...] Read more

poem by Ace Of Black Hearts
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Beowulf

LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able

[...] Read more

poem by Charles Baudelaire
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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The Bride's Prelude

“Sister,” said busy Amelotte
To listless Aloÿse;
“Along your wedding-road the wheat
Bends as to hear your horse's feet,
And the noonday stands still for heat.”
Amelotte laughed into the air
With eyes that sought the sun:
But where the walls in long brocade
Were screened, as one who is afraid
Sat Aloÿse within the shade.
And even in shade was gleam enough
To shut out full repose
From the bride's 'tiring-chamber, which
Was like the inner altar-niche
Whose dimness worship has made rich.
Within the window's heaped recess
The light was counterchanged
In blent reflexes manifold
From perfume-caskets of wrought gold
And gems the bride's hair could not hold,
All thrust together: and with these
A slim-curved lute, which now,
At Amelotte's sudden passing there,
Was swept in somewise unaware,
And shook to music the close air.
Against the haloed lattice-panes
The bridesmaid sunned her breast;
Then to the glass turned tall and free,
And braced and shifted daintily
Her loin-belt through her côte-hardie.
The belt was silver, and the clasp
Of lozenged arm-bearings;
A world of mirrored tints minute
The rippling sunshine wrought into 't,
That flushed her hand and warmed her foot.
At least an hour had Aloÿse—
Her jewels in her hair—
Her white gown, as became a bride,
Quartered in silver at each side—
Sat thus aloof, as if to hide.
Over her bosom, that lay still,
The vest was rich in grain,
With close pearls wholly overset:
Around her throat the fastenings met
Of chevesayle and mantelet.
Her arms were laid along her lap
With the hands open: life
Itself did seem at fault in her:
Beneath the drooping brows, the stir
Of thought made noonday heavier.

[...] Read more

poem by Dante Gabriel Rossetti
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Adam: A Sacred Drama. Act 2.

SCENE I. -- CHORUS OF ANGELS Singing.

Now let us garlands weave
Of all the fairest flowers,
Now at this early dawn,
For new-made man, and his companion dear;
Let all with festive joy,
And with melodious song,
Of the great Architect
Applaud this noblest work,
And speak the joyous sound,
Man is the wonder both of Earth and Heaven.

FIRST Angel.

Your warbling now suspend,
You pure angelic progeny of God,
Behold the labour emulous of Heaven!
Behold the woody scene,
Decked with a thousand flowers of grace divine;
Here man resides, here ought he to enjoy
In his fair mate eternity of bliss.

SECOND Angel.

How exquisitely sweet
This rich display of flowers,
This airy wild of fragrance,
So lovely to the eye,
And to the sense so sweet.

THIRD Angel.

O the sublime Creator,
How marvellous his works, and more his power!
Such is the sacred flame
Of his celestial love,
Not able to confine it in himself,
He breathed, as fruitful sparks
From his creative breast,
The Angels, Heaven, Man, Woman, and the World.

FOURTH Angel.

Yes, mighty Lord! yes, hallowed love divine!
Who, ever in thyself completely blest,
Unconscious of a want,
Who from thyself alone, and at thy will,
Bright with beignant flames,
Without the aid of matter or of form,

[...] Read more

poem by William Cowper
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Change Your Ways

[Intro/Chorus]
Come on, come on, come on, come on
Change your ways
[LL Cool J]
Why don't you make, hah, a resolution
Heh, for God sake, give a contribution
Huh, you're filthy rich huh, so help the world
Donate some dough to the starvin' boys and girls
They ain't eatin', we're just chillin', stop the killin'
[Chorus]
Come on, come on, come on, come on
Change your ways
[LL Cool J]
Change your ways huh, start givin'
Huh, you're livin' like every day is thanksgivin'
Huh, cool songs huh, nice cars, clear sky, bright stars
Funky, funky beats on the radio be pumpin'
Hah, you're so cool, well let us tell you somethin':
Change your ways
[Chorus]
Come on, come on, come on, come on
Change your ways
[LL Cool J]
Hey you, don't be stupid, comprehend
the words I'm speakin' to a beat
that's crazy funky and keeps the people freakin'
Just trust through us, you're listenin' to God talk
Mic check 1, 2, huh, hey fellas tell 'em what they need to do
[Chorus]
Come on, come on, come on, come on
Change your ways
[LL Cool J]
Come on, come on, let's do it, let's do it
There's just so many of us, huh
hey yo, there ain't nothin' to it
We're just too strong, can't nothin' stop the movement
Hah, party people listen - the world has room for improvement
The groove is small and I know you've
been thinkin' a lot about this jam
So take his hand and take her hand
and let's all lend a hand to our fellow man
[Chorus]
Come on, come on, come on, come on
Change your ways
[LL Cool J]
We can do it, we can do it, we can do it
We can do it, we can do it, we can do it
We can do it, we can do it, we can do it
We can do it, we can do it, we can do it
[Chorus]

[...] Read more

song performed by LL Cool J
Added by Lucian Velea
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Canto III

Another's a half-cracked fellow—John Heydon,
Worker of miracles, dealer in levitation,
In thoughts upon pure form, in alchemy,
Seer of pretty visions ('servant of God and secretary of nature');
Full of plaintive charm, like Botticelli's,
With half-transparent forms, lacking the vigor of gods.
Thus Heydon, in a trance, at Bulverton,
Had such a sight:
Decked all in green, with sleeves of yellow silk
Slit to the elbow, slashed with various purples.
Her eyes were green as glass, her foot was leaf-like.
She was adorned with choicest emeralds,
And promised him the way of holy wisdom.
'Pretty green bank,' began the half-lost poem.
Take the old way, say I met John Heydon,
Sought out the place,
Lay on the bank, was 'plungèd deep in swevyn;'
And saw the company—Layamon, Chaucer—
Pass each in his appropriate robes;
Conversed with each, observed the varying fashion.
And then comes Heydon.
'I have seen John Heydon.'
Let us hear John Heydon!
'Omniformis
Omnis intellectus est'—thus he begins, by spouting half of Psellus.
(Then comes a note, my assiduous commentator:
Not Psellus De Daemonibus, but Porphyry's Chances,
In the thirteenth chapter, that 'every intellect is omni-form.')
Magnifico Lorenzo used the dodge,
Says that he met Ficino
In some Wordsworthian, false-pastoral manner,
And that they walked along, stopped at a well-head,
And heard deep platitudes about contentment
From some old codger with an endless beard.
'A daemon is not a particular intellect,
But is a substance differed from intellect,'
Breaks in Ficino,
'Placed in the latitude or locus of souls'—
That's out of Proclus, take your pick of them.
Valla, more earth and sounder rhetoric—
Prefacing praise to his Pope Nicholas:
'A man of parts, skilled in the subtlest sciences;
A patron of the arts, of poetry; and of a fine discernment.'
Then comes a catalogue, his jewels of conversation.
No, you've not read your Elegantiae—
A dull book?—shook the church.
The prefaces, cut clear and hard:
'Know then the Roman speech, a sacrament,'
Spread for the nations, eucharist of wisdom,
Bread of the liberal arts.

[...] Read more

poem by Ezra Pound
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I Dream Of Wires

(gary numan)
I am the final silence
The last electrician alive
And they called me the sparkle
I was the best
I worked them all
New ways, new ways
I dream of wires
We opened doors by thinking
We went to sleep by dialing go
We drove to work by backseat
I bought my wife in just for show
New ways, new ways
I dream of wires
So I press c for comfort
I dream of wires, the old days
New ways, new ways
I dream of wires
New ways, new ways
I dream of wires
New ways, new ways
I dream of wires
I am the final silence
The last electrician alive
And they called me the sparkle
I was the best
I worked them all
New ways, new ways
I dream of wires

song performed by Robert Palmer
Added by Lucian Velea
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Political Assassination Publically Justified

“Friends, Romans, countrymen, lend me your ears”
such emotionally charged rhetoric written in iambic
pentameter; reminds of times without hearing aids
when microphone television did not aid cause politic.

Yes Antony here plays mocking Brutus, saying that
maybe his speech was too 'cerebral' for the crowd.
Let us not beat around the bush in politics agendaed
politic proclaim “So are they all, all honourable men”.

A portion of the speech 'But Brutus was an honourable
man' is referenced in an opening scene of the West Wing;
which reminds of honourable times without hearing aids
when microphone television did not edit amplify a plot.

“O judgment! thou art fled to brutish beasts,
And men have lost their reason. Bear with me; ”
recall words 'Enemies Foreign and Domestic'
remind in war on terror of threatening all abodes.

Brutus too had previously delivered politic speech,
in which Brutus proud claimed that the murder had;
been done in name of public freedom clever speech,
evil lives while good is oft interred with slain bones.

The opening quotation of this poem is the famous first line of the often-quoted speech by Mark Antony, in the play Julius Caesar, by William Shakespeare. The first three words fit into the rule of three technique.
The second quotation also alludes to the theme of a speaker and the power of a good speech to convince an audience of a specific political point of view. Note the turn of the word honourable to mean dishonourable in Mark Anthony’s speech and beware those who speak of us as Honourable Friends.

poem by Terence George Craddock
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The Song of Lamech

Hearken to me, ye mothers of my tent:
Ye wives of Lamech, hearken to my speech:
Adah, let Jubal hither lead his goats:
And Tubal Cain, O Zillah, hush the forge;
Naamah her wheel shall ply beside, and thou,
My Jubal, touch, before I speak, the string.
Yea, Jubal, touch, before I speak, the string.
Hear ye my voice, beloved of my tent,
Dear ones of Lamech, listen to my speech.

For Eve made answer, Cain, my son, my own,
O, if I cursed thee, O my child, I sinned,
And He that heard me, heard, and said me nay:
My first, my only, one, thou shalt not go;
And Adam answered also, Cain, my son,
He that is gone forgiveth, we forgive:
Rob not thy mother of two sons at once;
My child, abide with us and comfort us.

Hear ye my voice; Adah and Zillah, hear;
Ye wives of Lamech, listen to my speech.
For Cain replied not. But, an hour more, sat
Where the night through he sat; his knit brows seen,
Scarce seen, amid the foldings of his limbs.
But when the sun was bright upon the field,
To Adam still, and Eve still waiting by,
And weeping, lift he up his voice and spake.
Cain said, The sun is risen upon the earth;
The day demands my going, and I go.
As you from Paradise, so I from you:
As you to exile, into exile I:
My father and my mother, I depart.
As betwixt you and Paradise of old,
So betwixt me, my parents, now, and you,
Cherubim I discern, and in their hand
A flaming sword that turneth every way,
To keep the way of my one tree of life,
The way my spirit yearns to, of my love.
Yet not, O Adam and O Eve, fear not.
For He that asked me, Where is Abel? He
Who called me cursed from the earth, and said
A fugitive and vagabond thou art,
He also said, when fear had slain my soul,
There shall not touch thee man nor beast. Fear not.
Lo, I have spoke with God, and He hath said.
Fear not; and let me go as He hath said.
Cain also said (O Jubal, touch thy string),
Moreover, in the darkness of my mind,
When the night’s night of misery was most black,
A little star came twinkling up within,

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poem by Arthur Hugh Clough
Added by Veronica Serbanoiu
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Tale VI

THE FRANK COURTSHIP.

Grave Jonas Kindred, Sybil Kindred's sire,
Was six feet high, and look'd six inches higher;
Erect, morose, determined, solemn, slow,
Who knew the man could never cease to know:
His faithful spouse, when Jonas was not by,
Had a firm presence and a steady eye;
But with her husband dropp'd her look and tone,
And Jonas ruled unquestion'd and alone.
He read, and oft would quote the sacred words,
How pious husbands of their wives were lords;
Sarah called Abraham Lord! and who could be,
So Jonas thought, a greater man than he?
Himself he view'd with undisguised respect,
And never pardon'd freedom or neglect.
They had one daughter, and this favourite child
Had oft the father of his spleen beguiled;
Soothed by attention from her early years,
She gained all wishes by her smiles or tears;
But Sybil then was in that playful time,
When contradiction is not held a crime;
When parents yield their children idle praise
For faults corrected in their after days.
Peace in the sober house of Jonas dwelt,
Where each his duty and his station felt:
Yet not that peace some favour'd mortals find,
In equal views and harmony of mind;
Not the soft peace that blesses those who love,
Where all with one consent in union move;
But it was that which one superior will
Commands, by making all inferiors still;
Who bids all murmurs, all objections, cease,
And with imperious voice announces--Peace!
They were, to wit, a remnant of that crew,
Who, as their foes maintain, their Sovereign slew;
An independent race, precise, correct,
Who ever married in the kindred sect:
No son or daughter of their order wed
A friend to England's king who lost his head;
Cromwell was still their Saint, and when they met,
They mourn'd that Saints were not our rulers yet.
Fix'd were their habits; they arose betimes,
Then pray'd their hour, and sang their party-

rhymes:
Their meals were plenteous, regular and plain;
The trade of Jonas brought him constant gain;
Vender of hops and malt, of coals and corn -
And, like his father, he was merchant born:

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poem by George Crabbe
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Cuts Both Ways

It cuts both ways
Our love is like knife
That cuts both ways
Its driven deep into my heart each time
That I realize
How it cuts both ways
Cant be together
Cannot live apart
Were heading straight into a broken heart
But I cant stop
(bridge)
cause I feel too much to let you go
Im hurting you and its hard I know
To stay and fight for what weve got
Knowing itll never be good enough
cause you and I are dangerous
We want too much and life aint that way
Dont ask for more
Dont be a fool
Havent we already broken every rule
It cuts both ways, were in too deep for sorry alibis
Cant have regrets or even question why
We cant say goodbye
Because it cuts both ways
No more illusions of the love we make
No sacrifice would ever be too great
If you would just stay
(bridge)
Cuts both ways
Our love is like a knife that cuts both ways
Its drivin deep into my heart each time I see we livin the lie
And it cuts both ways
It cuts both ways, mmm
Cuts both ways
Cuts both ways

song performed by Gloria Estefan
Added by Lucian Velea
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Sister Songs-An Offering To Two Sisters - Part The Second

And now, thou elder nursling of the nest;
Ere all the intertangled west
Be one magnificence
Of multitudinous blossoms that o'errun
The flaming brazen bowl o' the burnished sun
Which they do flower from,
How shall I 'stablish THY memorial?
Nay, how or with what countenance shall I come
To plead in my defence
For loving thee at all?
I who can scarcely speak my fellows' speech,
Love their love, or mine own love to them teach;
A bastard barred from their inheritance,
Who seem, in this dim shape's uneasy nook,
Some sun-flower's spirit which by luckless chance
Has mournfully its tenement mistook;
When it were better in its right abode,
Heartless and happy lackeying its god.
How com'st thou, little tender thing of white,
Whose very touch full scantly me beseems,
How com'st thou resting on my vaporous dreams,
Kindling a wraith there of earth's vernal green?
Even so as I have seen,
In night's aerial sea with no wind blust'rous,
A ribbed tract of cloudy malachite
Curve a shored crescent wide;
And on its slope marge shelving to the night
The stranded moon lay quivering like a lustrous
Medusa newly washed up from the tide,
Lay in an oozy pool of its own deliquious light.

Yet hear how my excuses may prevail,
Nor, tender white orb, be thou opposite!
Life and life's beauty only hold their revels
In the abysmal ocean's luminous levels.
There, like the phantasms of a poet pale,
The exquisite marvels sail:
Clarified silver; greens and azures frail
As if the colours sighed themselves away,
And blent in supersubtile interplay
As if they swooned into each other's arms;
Repured vermilion,
Like ear-tips 'gainst the sun;
And beings that, under night's swart pinion,
Make every wave upon the harbour-bars
A beaten yolk of stars.
But where day's glance turns baffled from the deeps,
Die out those lovely swarms;
And in the immense profound no creature glides or creeps.

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poem by Francis Thompson
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