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Double-digit inflation is a terrible thing - and it got up to 14 or 15 percent on a monthly basis for a while, shortly after I became chairman of the Fed.

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A Kiss Is A Terrible Thing To Waste

(andrew lloyd webber/ jim steinman)
Producer for meatloaf & bonnie: jim steinman
Recorded in 1998 as part of the 'songs from whistle down the wind' project. bonnie duets with meatloaf on a reprise of 'tire tracks and broken hearts' at the end of the song. the lyrics are from careful listening.
(ooh if only, ooh if only)
If you listen to the night you can hear the darkness fall
I can barely stand the wait, i can barely stand at all
Come on closer to me now, like we're sharing the same skin
We gotta get out of this jail, we gotta let the future in
So many things in your life that you're bound to regret
Why didn't i do that? why didn't i do this?
So many chances you've lost that you never forget
Why didn't i make it? why didn't i take it right then?
The loneliest words you'll ever know if only, if only it was so
The emptiest words that there'll ever be
It could've been me, it could've been me
The loneliest words you'll ever know if only, if only it was so
The emptiest words that there'll ever be
It could've been me, it could've been me
You'll have to pay for it later
If you don't get it while it's going for free
Believe me, believe me
A kiss is a terrible thing to waste
A kiss is a terrible thing to waste
It's something that's always been so
A kiss is a terrible thing to waste
A kiss is a terrible thing to waste
And one of these nights i'm gonna show you that you already know
There's a feast waiting for you and you've never even gotten a taste
It's later than you think and a kiss is a terrible thing to waste
You shouldn't tremble when they touch there's no reason for these fears
It's a promise that was made, we've been promised this for years
I want to show you it all, what to do and where and how
'cause we'll never be as young as we are right now
Never be as young as we are right now
So many cries in the night that you try to ignore
Why didn't i do this? why didn't i do that?
So many un-answered prayers, so many un-opened doors
Why didn't i take it? why didn't i make it come true?
The loneliest words you'll ever know if only, if only it was so
The emptiest words that there'll ever be
It could've been me, it could've been me
The loneliest words you'll ever know if only, if only it was so
The emptiest words that there'll ever be
It could've been me, it could've been me
You'll have to pay for it later
If you don't get it while it's going for free
Believe me, believe me
A kiss is a terrible thing to waste
A kiss is a terrible thing to waste
It's something that's always been so
A kiss is a terrible thing to waste
A kiss is a terrible thing to waste
And one of these nights i'm gonna show you that you already know
There's a feast waiting for you and you've never even gotten a taste
It's later than you think and a kiss is a terrible thing to waste
There's a feast waiting for you and you've never even gotten a taste
It's later than you think and a kiss is a terrible thing to waste
Tire tracks and broken hearts, that's all we're leaving behind
It doesn't matter what we lose, it only matters what we're going to find
Tire tracks and broken hearts, that's all we're leaving behind
It doesn't matter what we lose, it only matters what we're going to find
Tire tracks and broken hearts, that's all we're leaving behind
(let's get away from the past)
It doesn't matter what we lose, it only matters what we're going to find
(so many ways to go fast)
Tire tracks and broken hearts, that's all we're leaving behind
It doesn't matter what we lose, it only matters what we're going to find
Tire tracks and broken hearts, that's all we're leaving behind
It doesn't matter what we lose, it only matters what we're going to find
There's a feast waiting for you and you've never even gotten a taste
It's later than you think and a kiss is a terrible thing to waste
A kiss is a terrible thing to waste
A kiss is a terrible thing to waste

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Such a Terrible Thing.

That would be such a terrible
Thing she said seeing morning
Come through the window like
Some peeping Tom if he was to
Write and say he didn’t want to
Meet and that he never loved
Me at all or indeed in the first
Place that it was all just pretence
And she waited each day for his
Letter to come saying precisely
That saying what she thought a
Terrible thing written in his neat
Hand with that hard pushed down
Period at the end of the last sentence
And with the absence of those crosses
Of kisses at the bottom of the page
And she lifted her head to the day
Coming through her window wondering
If the mailman would be late or if
Maybe he was on his way and maybe
He knew what the letter would say
And was on his way to deliver like some
Ancient messenger with news of some
Raging war or battle lost and it would
Be a terrible thing she thought if he did
Say those things if he did write them down
And she didn’t know how she would cope
If he did wasn’t sure if she could keep her
World intact wasn’t sure she could cling
On each morning as the sunlight seeped
Its way through to her room and touched
Her bed and skin and head maybe she
Thought he’ll say he loves me and write it
In his fine words and hand with those kisses
Like birds in flight at the bottom of the page
Otherwise she said it would be a terrible thing
For the traitorous two-faced mailman to bring.

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A Kiss Is A Terrible Thing To Waste

If you listen, to the night
You can hear the darkness call
I can barely stand to wait
I can barely stand at all
Cmon closer to me now
Its like were sharing the same skin
We gotta get out of this jail
We gotta let the future in
So many things in your life
That your bound to regret
Why didnt I do that?
Why didnt I do this?
So many chances you lost
That youll never forget
Why didnt I make it?
Why didnt I take it right there?
The loneliest words youll ever know
If only-if only it was so
The emptiest words that therell ever be:
It could have been me. it could have been me
The loneliest words youll ever know
If only-if only it was so
The emptiest words that therell ever be:
It could have been me. it could have been me
Youll have to pay for it later
If you dont get it when its going for free
Believe me -! believe me -!
A kiss is a terrible thing to waste
A kiss is a terrible thing to waste
Its something thats always been so
A kiss is a terrible thing to waste
A kiss is a terrible thing to waste
And one of these nights
Youre gonna show me that you already know
Theres a feast waiting for you
And youve never even gotten a taste
Its later than you think and
A kiss is a terrible thing to waste!
You shouldnt tremble when we touch
Theres no reason for these fears
Its a promise that was made
Weve been promised this for years
I wanna show you it all
What to do and where and how!
Cause well never be as young as we are right now
Well never be as young as we are right now!
So many cries in the night
That you try to ignore
Why didnt I do this?
Why didnt I do that?
So many unanswered prayers
So many unopened doors
Why didnt I take it?
Why didnt I make it come true?
The loneliest words youll ever know:
If only - if only it was so
The emptiest words that therell ever be:
It could have been me
It could have been me
The loneliest words youll ever- know:
If only - if only it was so
The emptiest words that therell ever be:
It could have been me
It could have been me
Youll have to pay for it later:
If you dont get it when its going for free!
Believe me! believe me, believe me!
A kiss is a terrible thing to waste
A kiss is a terrible thing to waste
Its something that has always been so
A kiss is a terrible thing to waste
A kiss is a terrible thing to waste
And one of these nights
Im gonna show you that you already know...
Theres a feast waiting for you
And youve never even gotten a taste
Its later than, you think and
A kiss is a terrible thing to waste!
Theres a feast waiting for you
And youve never even gotten a taste
Its later than you think and
A kiss is a terrible thing to waste!
Tyre tracks and broken hearts
Thats all were leaving behind!
It doesnt matter what were losing
It only matters what were going to find!
Tyre tracks and broken hearts
Thats all were leaving behind!
It doesnt matter what were losing
It only matters what were going to find!
Tyre tracks and broken hearts
Thats all were leaving behind!
It doesnt matter what were losing
It only matters what were going to find!
Tyre tracks and broken hearts
Thats all were leaving behind!
It doesnt matter what were losing
It only matters what were going to find!
Theres a feast waiting for you
And youve never even gotten a taste
Its later than you think and
A kiss is a terrible thing to waste
A kiss is a terrible thing to waste

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William Blake

Book the Second

Thou hearest the Nightingale begin the Song of Spring.
The Lark sitting upon his earthly bed, just as the morn
Apears, listens silent; then springing from the waving Corn-field loud
He leads the Choir of Day! trill, thrill, thrill, trill,
Mounting upon the wings of light into the great Expanse,
Reechoing against the lovely blue & shining heavenly Shell.
His little throat labours with inspiration; every feather
On throat & breast & wings vibrates with the effluence Divine.
All Nature listens silent to him, & the awful Sun
Stands still upon the Mountain looking on this little Bird
With eyes of soft humility & wonder, love & awe.
Then loud from their green covert all the Birds begin their Song:
The Thrush, the Linnet & the Goldfinch, Robin & the Wren
Awake the Sun from his sweet reverie upon the Mountain;
The Nightingale again assays his song, & thro’ the day
And thro’ the night warbles luxuriant, every Bird of Song
Attending his loud harmony with admiration & love.
This is a Vision of the lamentation of Beulah over Ololon.

Thou perceivest the Flowers put forth their precious Odours,
And none can tell how form so small a center comes such sweets,
Forgetting that within that Center Eternity expends
Its ever during doors that Og & Anak fiercely guard.
First, e’er the morning breaks, joy opens in the flowery bosoms,
Joy even to tears, which the
Sun rising dries; first the Wild Thyme
And Meadow-sweet, downy & soft, waving among the reeds,
Light springing on the air, lead the sweet Dance: they wake
The Honeysuckle sleeping on the Oak; the flaunting beauty
Revels along upon the wind; the White-thorn, lovely May,
Opens her many lovely eyes; listening the Rose still sleeps –
None dare to wake her; soon she bursts her crimson curtain’d bed
And comes forth in the majesty of beauty; every Flower,
The Pink, the Jessamine, the Wall-flower, the Carnation,
The Jonquil, the mild Lilly opes her heavens; every Tree
And Flower & Herb soon fill the air with an innumberable Dance,
Yet all in order sweet & lovely. Men are sick with Love.
Such is a Vision of the Lamentation of Beulah over Ololon.
And Milton oft sat upon the Couch of Death, & oft conversed
In vision & dream beatific with the Seven Angels of the Presence:
I have turned my back upon these Heavens builded on cruelty.
My Spectre still wandering thro’ them follows my Emanation;
He hunts her footsteps thro’ the snow & the wintry hail & rain.
The idiot Reasoner laughs at the Man of Imagination,
And from laughter proceeds o murder by undervaluing calumny.’
Then Hillel, who is Lucifer, replied over the Couch of Death,
And thus the Seven angels instructed him, & thus they converse:
‘We are not Individuals but States, Combinations of Individuals.
We were Angels of the Divine Presence, & were Druids in Annandale,
Compell’d to combine into Form by Satan, the Spectre of Albion,
Who make himself a God & destroyed the Human Form Divine.
But the divine Humanity & Mercy gave us a Human Form
Because we were combin’d in Freedom & holy Brotherhood;
Whild those combin’d by Satan’s Tyranny, first in the blood of War
And Sacrifice & next in Chains of imprisonment, are Shapeless Rocks
Retaining only Satan’s Mathematic holiness, Length, Bredth & Highth,
Calling the Human Imagination, which is the Divine Vision & Fruition
In which Man liveth eternally, madness & blasphemy, against
Its own Qualities, which are Servants of Humanity, not Gods or Lords.
Distinguish therefore States from Individuals in those States.
States change, but Individual Identities never change nor cease.
You cannot go to Eternal Death in that which can never Die.
Satan & Adam are States Created in Twenty-seven Churches,
And thou, O Milton, are a State about to be Created
Called Eternal Annihilation, that none but the Living shall
Dare to enter; & they shall enter triumphant over Death
And Hell & the Grave: States that are not, but ah! Seem to be.
‘Judge then of thy Own Self: thy Eternal Lineaments explore,
What is Eternal & what Changeable, & what Annihilable?
The Imagination is not a State: it is the Human Existence itself.
Affection of Love becomes a State when divided from Imagination.
The Memory is a State always, & the Reason is a State
Created to be Annihilated & a new Ratio Created.
Whatever can be Created can be Annihilated. Forms cannot.
The Oak is cut down by the Ax, the Lamb falls by the Knife;
But their Forms Eternal Exist For-ever. Amen. Hallelujah!’

Thus they converse with the Dead, watching round the Couch of Death.
For God himself enters Death’s door always with those that enter,
And lays down in the grave with them, in Vision of Eternity,
Till they awake & see Jesus, & the Linen Clothes lying
That the Females had Woven for them, & the Gates of their Father’s House.

* * *

There is a Moment in each Day that Satan cannot find,
Nor can his Watch Fiends find it; but the Industrious find
This Moment & it multiply; & when it once is found
It renovates every Moment of the Day if rightly placed.
In this Moment Ololon descended to Los & Enitharmon,
Unseen beyond the Mundane Shell, Southward in Milton’s track.

Just in this Moment when the morning odours rise abroads,
And first from the Wild thyme, stands a Fountain in a rock
Of crystal flowing into two Streams: one flow thro’ Golgonooza
And thro’ Beulah to Eden, beneath Los’s western wall;
The other flows thro’ the Aerial Void & all the Churches,
Meeting again in Golgonooze beyond Satan’s Seat.

The Wild thyme is Los’s Messenger to Eden, a mighty Demon,
Terrible, deadly & poisonous his presence in Ulro dark;
Therefore the appears only a small Root creeping in grass,
Covering over the Rock of Odours his bright purple mantle
Beside the Fount, above the Lark’s Nest in Golgonooza.
Luvah slept here in death, & here is Luvah’s empty Tomb.
Ololon sat beside this Fountain on the Rock of Odours.

Just at the place to where the Lark mounts is a Crystal Gate:
It is the entrance of the First Heaven, named Luther; for
The Lark is Los’s Messenger thro’ the Twenty-seven Churches,
That the Seven Eyes of god, who walk even to Satan’s Seat
Thro’ all the Twenty-seven Heavens, may not slumber nor sleep.
But the Lark’s Nest is at the gate of Los, at the eastern
Gate of wide Golgonooza, & the Lark is Los’s Messenger.
When on the highest lift of his light pinions he arrives
At that bright Gate, another Lark meets him, & back to back
They touch their pinions, tip tip, and each descend
To their respective Earths, & there all night consult with Angels
Of Providence & with the eyes of God all night in slumbers
Inspired, & at the dawn of day send out another Lark
Into another Heaven to carry news upon his wings.
Thus are the Messengers dispatch’d till they reach the Earth again
In the East Gate of Golgonooza; & the twenty-eighth bright
Lark met the Female Ololon descending my Garden.
Thus it appears to Mortal eyes & those of the Ulro Heavens,
But not thus to Immortals; the Lark is a mighty Angel.
For Ololon step’d into the Polypus within the Mundane Shell –
They could not step into Vegetable Worlds without becoming
The enemies of Humanity, except in a Female Form –
And as One Female Ololon and all its mighty Hosts
Appear’d, a Virgin of twelve years. Nor time nor space was
To the perception of the Virgin Ololon; but as the
Flash of lightning, but more quick, the virgin in my Garden
Before my Cottage stood; for the Satanic space is delusion.

For when Los join’d with me he took me in his fi’ry
Whirlwind.
My Vegetated portion was hurried from Lambeth’s shades;
He set me down in Pelpham’s Vale & prepar’d a beautiful
Cottage for me, that in three years I might write all these Visions
To display Nature’s cruel holiness, the deceits of Natural Religion.
Walking in my Cottage Garden sudden I beheld
The Virgin Ololon & address’d her as a Daughter of Beulah:

‘Virgin of Providence fear not to enter into my Cottage.
What is thy message to thy friend? What am I now to do?
Is it again to plunge into deeper affliction? Behold me
Ready to obey, but pity thou my Shadow of Delight.
Enter my Cottage, comfort her, for she is sick with fatigue.’
The Virgin answer’d: ‘Knowest thou of Milton who descended
Driven form Eternity? Him I seek! terrified at my Act
In Great Eternity which thou knowest, I come him to seek.’

So Ololon utter’d in words distinct the anxious thought:
Mild was the voice, but more distinct than any earthly.
That Milton’s Shadow heard; & condensing all his Fibres
Into a strength impregnable of majesty & beauty infinite,
I saw he was the Covering Cherub, & within him Satan
And Rahab, in an outside which is fallacious, within
Beyond the outline of Identity, in the Selfhood deadly.
And he appear’d the Wicker Man of Scandinavia, in whom
Jerusalem’s children consume in flames among the Stars.

Descending down into my Garden, a Human Wonder of God
Reaching form heaven to earth, a Cloud & Human Form,
I beheld Milton with astonishment, & in him beheld
The Monstrous Churches of Beulah, the Gods of Ulro dark
Twelve monstrous dishumaniz’d terrors, Synagogues of Satan,
A Double Twelve & Thrice Nine: such their divisions.

* * *

and Milton, collecting all his fibres into impregnable strength,
Descended down a Paved work of all kinds of precious stones
Out from the eastern sky; descending down into my Cottage
Garden, clothed in black, severe & silent he descended.

The Spectre of Satan stood upon the roaring sea & beheld
Milton within his sleeping Humanity; trembling & shudd’ring
He stood upon the waves, a Twenty-seven-fold mighty Demon,
Gorgeous & beautiful; loud roll his thunders against Milton.
Loud Satan thunder’d, loud & dark upon mild Felpham shore;
Not daring to touch one fibre he howl’d round upon the Sea.

I also stood in Satan’s bosom & beheld its desolatons:
A ruin’d Man, a ruin’d building of God not made with hands;
Its plains of burning sand, its mountains of marble terrible;
Its pits & declivities flowing with molten ore & fountains
Of pitch & nitre; its ruin’d palaces & cities & mighty works;
Its furnaces of affliction, in which his Angels & Emanations
Labour with blacken’d visages among its stupendous ruins,
Arches & pyramids & porches, colonnades & domes,
In which dwells Mystery, Babylon; here is her secret place;
From hence she comes forth on the Churches in delight;
Here is her Cup fill’d with its poisons, in these horrid vales,
And here her scarlet Veil woven in pestilence & war;
Here is Jerusalem bound in chains, in the Dens of Babylon.

In the Eastern porch of Satan’s Universe Milton stood & said:
‘Satan! my Spectre! I know my power thee to annihilate
And be a greater in thy place, & be thy Tabernacle,
A covering for thee to do thy will, till one greater comes
And smites me as I Smote thee & becomes my covering.
Such are the laws of thy false Heav’ns; but Laws of eternity
Are not such. Know thou, I come to Self Annihilation.
Such are the Laws of Eternity, that each shall mutully
Annighilate himself for other’s good, as I for thee.
Thy purpose & the purpose of thy Priests & of thy Churches
Is to impress on men the fear of death, to teach
Trembling & fear, terror, constriction, abject selfishness.
Mine is to teach Men to despise death & to go on
In fearless majesty annihilating Self, laughing to scorn
Thy Laws & terrors, shaking down thy Synagogues as webs.
I come to discover before Heav’n & Hell the Self righteousness
In all it Hypocritic turpitude, opening to every eye
These wonders of Satan’s holiness, shewing to the Earth
The Idol Virtues of the Natural Hearth, & Satan’s Seat
Explore in all its Selfish Natural Virtue, & put off
In Self annihilation all that is not of God alone,
To put off Self & all I have, ever & ever. Amen.’

Satan heard, Coming in a cloud with trumpets & flaming fire,
Saying: ‘I am God the judge of all, the living & the dead.
Fall therefore down& worship me; submit thy supreme
Dictate to my eternal Will, & to my dictate bow.
I hold the Balances of Right & just, & mine the Sword.
Seven Angels bear my Name & in those Seven I appear;
But I alone am God, & I alone in Heav’n & Earth
Of all that live dare utter this; others tremble & bow,
Till All Things become One Great Satan, in Holiness
Oppos’d to Mercy, and the Divines Delusion, Jesus, be no more.’

Suddenly around Milton on my Path the Starry Seven
Burn’d terrible! My Path became a solid fire, as bright
As the clear Sun, & Milton silent came down on my Path.
And there went forth from the Starry limbs of the Seven, Forms
Human, with Trumpets innumerable, sounding articulate
As the Seven spake; and they stood in a mighty Column of Fire
Surrounding Felpham’s Vale, reaching to the Mundane Shell, Saying:

‘Awake, Albion awake! reclaim thy Reasoning Spectre. Subdue
Him to the Divine Mercy; Cast him down into the Lake
Of Los that ever burneth with fire, ever & ever, Amen!
Let the Four Zoas awake form Slumbers of Six Thousand Years.’

Then loud the Furnaces of Los were heard, & seen as Seven Heavens
Stretching from south to north over the mountains of Albion.
Satan heard’ trembling round his Body, he incircled it;
He trembled with exceeding great trembling & astonishment,
Howling in his Spectre round his Body, hung’ring to devour
But fearing for the pain; for if he touches a Vital
His torment is unendurable. Therefore he cannot devour,
But howls round it as a lion round his prey continually.
Loud Satan thunder’d, loud& dark upon mild Felpham’s Shore,
Coming in a Cloud with Trumpets & with Fiery Flame,
An awful Form eastward, form midst of a bright Pavedwork
Of Precious stones by Cherubim surrounded, so permitted
(Lest he should fall apart in his Eternal Death) to imitate
The Eternal Great Humanity Divine surrounded by
His Cherubim & Seraphim in ever happy Eternity.
Beneath sat Chaos: sin on his right hand, Death on his left;
And Ancient Night spread over all the heav’n his Mantle of Laws.
He trembled with exceeding great trembling & astonishment.

Then Albion rose up in the Night of Beulah on his Couch
Of dread repose seen by the visionary eye; his face is toward
The east, toward Jerusalem’s Gates; groaning he sat above
His rocks. London & Bath & Legions & Edinburgh
Are the four pillars of his Throne; his left foot near London
Covers the shades of Tyburn; his instep from Windsor
To Primrose Hill stretching to Highgate & Holloway;
London is between his knees, its basements fourfold;
His right foot stretches to the sea on Dover cliffs, his heel
On Canterbury’s ruins; his right hand covers lofty Wales,
His left Scotland; his bosom girt with gold involves
York, Edinburgh, Durham & Carlisle, & on the front
Bath, Oxford, Cambridge, Norwich; his right elbow
Leans on the Rocks of Erin’s Land, Ireland, ancient nation;
His head bends over London. He sees his embodied Spectre
Trembling before him with exceeding great trembling & fear.
He views Jerusalem & Babylon, his tears flow down.
He mov’d his right foot to Cornwall, his left to the rocks of Bognor;
He strove to rise to walk into the Deep, but strength failing
Forbad; & down with dreadful groans he sunk upon his Couch
In moony Beulah. Los, his strong Guard, walks round beneath the Moon.

Urizen faints in terror, striving among the Brooks of Arnon
With Milton’s Spirit. As the Plowman of Artificer of Shepherd
While in the labours of his Calling sends his thought abroad
To labour in the ocean or in the starry heaven, So Milton
Labour’d in Chasms of the Mundane Shell, tho’ here before
My Cottage midst the Starry Seven, where the Virgin Ololon
Stood rembling in the Porch. Loud Satan thunder’d on the stormy Sea,
Circling Albion’s Cliffs in which the Four-fold World resides,
Tho’s seen in fallacy outside, a fallacy of Satan’s Churches.
Before Ololon Milton stood & perceiv’d the Eternal Form
Of that mild Vision; wondrous were their acts by me unknown
Except remotely; and I heard Ololon say to Milton:

I see thee strive upon the Brooks of Arnon. There a dread
And awful Man I see, o’vercover’d with the mantle of years.
I behold Los & Urizen, I behold Orc & Tharmas,
The Four Zoas of Albion, & thy Spirit with them striving,
In Self annihilation giving thy life to thy enemies.
Are those who contemn Religion & seek to annihilate it
Become in their Feminine portions the causes & promoters
Of these Religions? How is this thing, this Newtonian Phantasm,
This Voltaire & Rousseau, this Hume & Gibbon & Bolingbroke,
This Natural Religion, this impossibleabsurdity?
Is Ololon the cause of this? O where shall I hide my face?
These tears fall for the little ones, the Children of Jerusalem,
Lest they be annihilated in thy annihilation.’

No sooner she had spoke but Rahab Babylon appear’d
Eastward upon the Paved work across Europe & Asia,
Glorious as the midday Sun, in Satan’s bosom glowing,
A Female hidden in a Male, Religion hidden in War,
Nam’d Moral Virtue, cruel two-fold Monster shining bright,
A Dragon red & hidden Harlot which John in Patmos saw.

And all beneath the Nations innumberable of Ulro
Apear’d: the Seven Kingdoms of Canaan & Five Baalim
Of Philistea into Twelve divided, call’d after the Names
Of Israel, as they are in Eden – Mountain, River & Plain,
City & sandy Desart intermingled beyond mortal ken.
But turning toward Ololon in terrible majesty, Milton
Replied: ‘Obey thou the Words of the Inspired Man.
All that can be annihilated must be annihilated
That the Children of Jerusalem may be saved form slavery.
There is a Negation, & there is a Contrary;
The Negation must be destroy’d to redeem the Contraries.
The Negation is the Spectre, the reasoning Power in Man.
This is a false body, an Incrustation over my Immortal
Spirit, a Selfhood which must be put off & annihilated always.
To cleanse the face of my Spirit by Self-examination,
To bathe in the Waters of Life, to wash off the Not Human,
I come in Self-annihilation & the grandeur of Inspiration;
To cast off rational Demonstration by Faith in the Saviour,
To cast off the rotten rags of Memory by Inspiration,
To cast off Bacon, Locke & Newton form Albion’s covering,
To take off his filthy garments, & clothe him with Imagination;
To cast aside from Poetry all that is not Inspiration,
That is no longer shall dare to mock with the aspersion of Madness
Cast on the Inspired by the tame high finisher of paltry Blots
Indefinite, or paltry Rhymes, or Paltry Harmonies,
Who creeps into State Government like a catterpiller to destroy;
To cast off the idiot Questioner who is always questioning
But never capable of answering, who sits wit a sly grin
Silent plotting when to question, like a thief in a cave;
Who publishes doubt & calls it knowledge, whose Science is Despair,
Whose pretence to knowledge is Envy, whose whole Science is
To destroy the wisdom of ages to gratify ravenous Envy,
That rages round him like a Wolf day & night without rest.
He smiles with condescension, he talks of Benevolence & Virtue,
And those who act with Benevolence & Virtue they murder time on time.
These are the destroyers of Jerusalem, these are the murderers
Of Jesus, who deny the Faith & mock at Eternal life;
Who pretend to Poetry that they may destroy Imagination
By imitation of Nature’s Images drawn from Remembrance.
These are the Sexual Garments, the Abomination of Desolation,
Hiding the Human Lineaments as with an Ark & Curtains,
Which Jesus rent & now shall wholly purge away with Fire,
Till Generation is swallow’d up in Regeneration.’

Then trembled the Virgin Ololon & reply’d in clouds of despair:

Is this our Feminine Portion, the Six-fold Miltonic Female?
Terrible this Portion trembles before thee, O awful Man!
Altho’ our Human Power can sustain the severe contentions
Of Friendship, our Sexual cannot, but flies into the Ulro.
Hence arose all our terrors in Eternity; & now remembrance
Returns upon us. Are we Contraries, O Milton, Thou & I?
O Immortal! how were we led to War the Wars of Death?
Is this the Void Outside of Existence, which if enter’d into
Becomes a Womb? & is this the Death Couch of Albion?
Thou goest to Eternal Death, & all must go with thee.’

So saying, the Virgin divided Six-fold, & with a shriek
Dolorous that ran thro’ all Creation, a Double-Six-fold Wonder,
Away from Ololon she divided & fled into the depths
Of Milton’s Shadow, as a Dove upon the stormy Sea.

Then as a Moony Ark Ololon descended to Felpham’s Vale
In clouds of blood, in streams of gore, with dreadful thunderings
Into the Fires of Intellect that rejoic’d in Felpham’s Vale
Around the Starry Eight. With one accord the Starry Eight became
One Man, Jesus the Saviour, wonderful! Round his limbs
The Clouds of Ololon folded as a Garment dipped in blood,
Written within & without in woven letters; & the Writing
Is the Divine Revelation in the Litteral expression,
A Garment of War. I heard it nam’d the Woof of Six Thousand Years.

And I beheld the Twenty-four Cities of Albion
Arise upon their Thrones to Judge the Nations of the Earth;
And the Immortal Four in whom the Twenty-four appear Four-fold
Arose around Albion’s body. Jesus wept & walked forth
From Felpham’s Vale clothed in Clouds of blood, to enter into
Albion’s Bosom, the bosom of death, & the Four surrounded him
In the Column of Fire in Felpham’s Vale. Then to their mouths the four
Applied their Four Trumpets & them sounded to the Four winds.

Terror struck in the Vale. I stood at that immortal sound;
My bones trembles. I fell outstretch’d upon the path
A moment, & my Soul return’d into its mortal state,
To Resurrection & Judgment in the Vegetable body;
And my sweet Shadow of Delight stood trembling by my side.

Immediately the Lark mounted with a loud trill form Felpham’s Vale,
And the Wild Thyme from Wimbleton’s green & impurpled Hills;
And Los& Enitharmon rose over the Hills of Surrey.
Their clouds roll over London with a south wind. Soft Oothoon
Pants in the Vales of Lambeth, weeping o’er her Human Harvest.
Los listens to the Cry of the Poor Man, his Cloud
Over London in volume terrific, low bended in anger.

Rintrah & Palamabron view the Human Harvest beneath.
Their Wine-presses & Barns stand open; the Ovens are prepar’d,
The Waggons ready; terrific, Lions & Tygers sport & play.
All Animals upon the Earth are prepar’d in all their strength
To go forth to the Great Harvest & Vintage of the Nations.

Finis

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The truth. It is a beautiful and terrible thing, and must therefore be treated with great caution.

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The truth. It is a beautiful and terrible thing, and should therefore be treated with great caution.

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Big Thing

(l. stansfield/i. devaney/a. morris)
Chorus:
Love is a big thing
And weve got love
We dont need nobody else
Love is a big thing
And weve got love
We dont need nobody else
Love is a big thing
Im living for your lovin, baby
And for the next time
Nothings getting in the way
Theres nothing I can fight
I can wait forever, baby
To be by your side
I can wait forever, baby
To be with you again
Need your body keepin me warm
Need your touch to keep me going
Chorus
Gonna tell the world about you
And all youve given me
No one gives me lovin, baby
The way you give me love
Im waiting for your arms to hold me
And just to touch your face
Im living for your lovin, baby
And for the next time
Need your body keepin me warm
Need your touch to keep me going
Chorus
Im living for your lovin, baby
And for the next time
Nothings getting in the way
Theres nothing I can fight
I can wait forever, baby
To be by your side
I can wait forever, baby
To be with you again
Need your body keepin me warm
Need your touch to keep me going
Chorus
I can wait forever
I can wait forever

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A sunset [ double Quintain (English and Sicilian) ]

While the red butterfly melts its wings
Within the light red poppy chain,
The pink gray cloud of the sunset rings
On the gray pink sky the light rays,
Seemingly thrown in a bloody pain.


The leaving sun abandons the sky
For a few hours and like crickets crawl,
The whispers of oak leaves mean good bye,
While the coming night is a dark haul,
Looking at the moon with a black eye.


The sun and the moon finds synergy,
Light becomes gray regolith of moon
With helium fusing energy,
Night makes moon looks like a big balloon
Or like swaddled in a big cocoon.


Much more, like thoughts enveloped in words
Or like souls carrying their divine love,
With feathers of light like Holy birds,
In the rain with drops of divine globes,
Falling down for giving love awards.


Like rain with drops of human spheres,
Pouring up to Him when they can hook
Or falling right down to disappear,
Reverse arch getting a killer look,
Trying to provide fragrance of fear.

Their waves are liquid and drain in sight
Of Earth to meet at infinity.
They are like dark rays in the pure light,
Light rays are arches for Trinity,
While dressed in wind seems to be the night.

Stars are candles and night lights them all,
The colors withdraw in the lost light.
In the black darkness they look so small.
The seeds of dream germinate for fight,
Becoming real for breaking their wall.

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Double Up On Shock

Double up on shock.
And gather as much as possible,
To keep stocked...
When a wishing for it,
Can no longer be resisted.

Profiling those suspected,
Of being nonconformists AND independent thinkers...
Is enough to carry around a signed baseball bat.
Hopefully to be sold before its actual usage.
Stained memorabilia does not produce a high price.
Not to pay at someone else's expense.

'Excuse me?
Is that blood?
OR ketchup?
With the remains of someone's nose,
Dried into the bat? '

~Oh no.
But it certainly appears that way.
If purchased today...
We can discount it for you.~

Double up on shock.
And gather as much as possible,
To keep stocked...
When a wishing for it,
Can no longer be resisted.

Who knew that all that oil gushing in the Gulf,
Was coming up from a mile down?
And the oil companies are constructing a giant finger,
Made from a combination of 'Oops! ' and 'Huh? '
To curtail ('wink') a seepage that may be seen...
Hanging around for a while.
Oh...
And that giant finger sent down to plug up the gush?
Is sure to be a hit with the kids this coming Christmas.

Is there any sense of decency? ANYWHERE?

When squirrels are seen refusing free nuts being offered...
What can be said about the level of respect given to human beings?
It has dipped!
Not fluctuating like the stock market.
But on a dip that seems permanent.
Yes!

Double up on shock.
And gather as much as possible,
To keep stocked...
When a wishing for it,
Can no longer be resisted.
And it is unmistakably right there when needed.

Ridiculous or not...
At least you can say you've got it!

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One And Only

I'm lookin' for my one and only
Every time I turn around
I find my heart in pieces on the ground
So so lonely
I'm lookin' for my one and only
I'm riding home in pain again baby
But that don't mean s*** to you
You're currently engaged
In an intimate conversation
With a young groupie or two
They say "players only love you
when they're playing games"
Still I gave my heart to you
I should have stayed away
Like my friends all told me to
[chorus]
Every time I turn around
I find my heart in pieces on the ground
So so lonely
I'm lookin' for my one and only
Every time I turn around
I find my heart in pieces on the ground
Why can't I find my one and only
See I'm looking for a man that'll rub me slow
Make me sing real high
When he goes down low
But see it ain't just a physical thing
He's gotta treat me affectionately
And I gotta know he won't betray my trust
Just like every other motherf***** does
Is this just an impossible dream baby
To elusive to pursue
It's been such a sad and windy road for me
Just searchin' for the truth
[chorus]
Every time I turn around
I find my heart in pieces on the ground
So so lonely
I'm lookin' for my one and only
Every time I turn around
I find my heart in pieces on the ground
Why can't I find my one and only
Now you know i roll a beamer and a benz
an edition out???
and you trippin on a playa, balla
having bit of conversation while we rollin on 24's
and i know you got doubts why you listening
to what people talkin bout
you aint figure out
why they call ya
the heffas steady hating cause you rollin on 24's
see how ya money flow
you dressed in designer clothes
from head to the toe
you aint satisfied well tell me what you looking fo
*mariah*
(I'm looking for my one and only)
well I'll be your one and only
if you give me a chance I'll make a change for you girl
I know I ain't been the most faithful ni**a in the world
but let's stay together so we can shine like pearls
spit it to her while I fill a swisher with fire
to kiss ya lips I desire
Twist and Mariah and together like the grip from the tire
*Mariah*
(I'm looking for my one and only)
Well come here shawty let me make it better
we can do whatever while we sittin on
suede and leather
freaking through the city while we rollin on chrome and
let's kick it in the chi
I know i messed up with you I ain't gone lie
I know you was feeling you really know yo guy
but baby girl I ain't mean to blow yo high
let me pick the pieces up and put em back together
cause I wanna be with you don't wanna leave you lonely
ride with you like the homies never no phony
shawty can I be your one and only
Every time----oh-mmm
Every time I turn around
I find my heart in pieces on the ground
So so loney
Why---
I'm looking for my one and only
Every time I turn around
Agh---ha ha ha ha
I find my heart in pieces on the ground
Whey can't I find my one and only
Still lookin' for my one and only
Every time I turn around
Agh---ha ha ha ha
I find my heart in pieces on the ground
So so lonely
Yay-
I'm lookin' for my one and only
I'm lookin' for my one and only
Every time I turn around
Agh-ha ha ha ha
I find my heart in pieces on the ground
I'm lookin' for my one and only
Why can't I find my one and only
Agh--

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Jenny

Lazy laughing languid Jenny,
Fond of a kiss and fond of a guinea,
Whose head upon my knee to-night
Rests for a while, as if grown light
With all our dances and the sound
To which the wild tunes spun you round:
Fair Jenny mine, the thoughtless queen
Of kisses which the blush between
Could hardly make much daintier;
Whose eyes are as blue skies, whose hair
Is countless gold incomparable:
Fresh flower, scarce touched with signs that tell
Of Love's exuberant hotbed:—Nay,
Poor flower left torn since yesterday
Until to-morrow leave you bare;
Poor handful of bright spring-water
Flung in the whirlpool's shrieking face;
Poor shameful Jenny, full of grace
Thus with your head upon my knee;—
Whose person or whose purse may be
The lodestar of your reverie?
This room of yours, my Jenny, looks
A change from mine so full of books,
Whose serried ranks hold fast, forsooth,
So many captive hours of youth,—
The hours they thieve from day and night
To make one's cherished work come right,
And leave it wrong for all their theft,
Even as to-night my work was left:
Until I vowed that since my brain
And eyes of dancing seemed so fain,
My feet should have some dancing too:—
And thus it was I met with you.
Well, I suppose 'twas hard to part,
For here I am. And now, sweetheart,
You seem too tired to get to bed.
It was a careless life I led
When rooms like this were scarce so strange
Not long ago. What breeds the change,—
The many aims or the few years?
Because to-night it all appears
Something I do not know again.
The cloud's not danced out of my brain—
The cloud that made it turn and swim
While hour by hour the books grew dim.
Why, Jenny, as I watch you there,—
For all your wealth of loosened hair,
Your silk ungirdled and unlac'd
And warm sweets open to the waist,
All golden in the lamplight's gleam,—
You know not what a book you seem,
Half-read by lightning in a dream!
How should you know, my Jenny? Nay,
And I should be ashamed to say:—
Poor beauty, so well worth a kiss!
But while my thought runs on like this
With wasteful whims more than enough,
I wonder what you're thinking of.
If of myself you think at all,
What is the thought?—conjectural
On sorry matters best unsolved?—
Or inly is each grace revolved
To fit me with a lure?—or (sad
To think!) perhaps you're merely glad
That I'm not drunk or ruffianly
And let you rest upon my knee.
For sometimes, were the truth confess'd,
You're thankful for a little rest,—
Glad from the crush to rest within,
From the heart-sickness and the din
Where envy's voice at virtue's pitch
Mocks you because your gown is rich;
And from the pale girl's dumb rebuke,
Whose ill-clad grace and toil-worn look
Proclaim the strength that keeps her weak,
And other nights than yours bespeak;
And from the wise unchildish elf,
To schoolmate lesser than himself
Pointing you out, what thing you are:—
Yes, from the daily jeer and jar,
From shame and shame's outbraving too,
Is rest not sometimes sweet to you?—
But most from the hatefulness of man,
Who spares not to end what he began,
Whose acts are ill and his speech ill,
Who, having used you at his will,
Thrusts you aside, as when I dine
I serve the dishes and the wine.
Well, handsome Jenny mine, sit up:
I've filled our glasses, let us sup,
And do not let me think of you,
Lest shame of yours suffice for two.
What, still so tired? Well, well then, keep
Your head there, so you do not sleep;
But that the weariness may pass
And leave you merry, take this glass.
Ah! lazy lily hand, more bless'd
If ne'er in rings it had been dress'd
Nor ever by a glove conceal'd!
Behold the lilies of the field,
They toil not neither do they spin;
(So doth the ancient text begin,—
Not of such rest as one of these
Can share.) Another rest and ease
Along each summer-sated path
From its new lord the garden hath,
Than that whose spring in blessings ran
Which praised the bounteous husbandman,
Ere yet, in days of hankering breath,
The lilies sickened unto death.
What, Jenny, are your lilies dead?
Aye, and the snow-white leaves are spread
Like winter on the garden-bed.
But you had roses left in May,—
They were not gone too. Jenny, nay,
But must your roses die, and those
Their purfled buds that should unclose?
Even so; the leaves are curled apart,
Still red as from the broken heart,
And here's the naked stem of thorns.
Nay, nay, mere words. Here nothing warns
As yet of winter. Sickness here
Or want alone could waken fear,—
Nothing but passion wrings a tear.
Except when there may rise unsought
Haply at times a passing thought
Of the old days which seem to be
Much older than any history
That is written in any book;
When she would lie in fields and look
Along the ground through the blown grass
And wonder where the city was,
Far out of sight, whose broil and bale
They told her then for a child's tale.
Jenny, you know the city now.
A child can tell the tale there, how
Some things which are not yet enroll'd
In market-lists are bought and sold
Even till the early Sunday light,
When Saturday night is market-night
Everywhere, be it dry or wet,
And market-night in the Haymarket.
Our learned London children know,
Poor Jenny, all your pride and woe;
Have seen your lifted silken skirt
Advertise dainties through the dirt;
Have seen your coach-wheels splash rebuke
On virtue; and have learned your look
When, wealth and health slipped past, you stare
Along the streets alone, and there,
Round the long park, across the bridge,
The cold lamps at the pavement's edge
Wind on together and apart,
A fiery serpent for your heart.
Let the thoughts pass, an empty cloud!
Suppose I were to think aloud,—
What if to her all this were said?
Why, as a volume seldom read
Being opened halfway shuts again,
So might the pages of her brain
Be parted at such words, and thence
Close back upon the dusty sense.
For is there hue or shape defin'd
In Jenny's desecrated mind,
Where all contagious currents meet,
A Lethe of the middle street?
Nay, it reflects not any face,
Nor sound is in its sluggish pace,
But as they coil those eddies clot,
And night and day remember not.
Why, Jenny, you're asleep at last!—
Asleep, poor Jenny, hard and fast,—
So young and soft and tired; so fair,
With chin thus nestled in your hair,
Mouth quiet, eyelids almost blue
As if some sky of dreams shone through!
Just as another woman sleeps!
Enough to throw one's thoughts in heaps
Of doubt and horror,—what to say
Or think,—this awful secret sway,
The potter's power over the clay!
Of the same lump (it has been said)
For honour and dishonour made,
Two sister vessels. Here is one.
My cousin Nell is fond of fun,
And fond of dress, and change, and praise,
So mere a woman in her ways:
And if her sweet eyes rich in youth
Are like her lips that tell the truth,
My cousin Nell is fond of love.
And she's the girl I'm proudest of.
Who does not prize her, guard her well?
The love of change, in cousin Nell,
Shall find the best and hold it dear:
The unconquered mirth turn quieter
Not through her own, through others' woe:
The conscious pride of beauty glow
Beside another's pride in her,
One little part of all they share.
For Love himself shall ripen these
In a kind soil to just increase
Through years of fertilizing peace.
Of the same lump (as it is said)
For honour and dishonour made,
Two sister vessels. Here is one.
It makes a goblin of the sun.
So pure,—so fall'n! How dare to think
Of the first common kindred link?
Yet, Jenny, till the world shall burn
It seems that all things take their turn;
And who shall say but this fair tree
May need, in changes that may be,
Your children's children's charity?
Scorned then, no doubt, as you are scorn'd!
Shall no man hold his pride forewarn'd
Till in the end, the Day of Days,
At Judgment, one of his own race,
As frail and lost as you, shall rise,—
His daughter, with his mother's eyes?
How Jenny's clock ticks on the shelf!
Might not the dial scorn itself
That has such hours to register?
Yet as to me, even so to her
Are golden sun and silver moon,
In daily largesse of earth's boon,
Counted for life-coins to one tune.
And if, as blindfold fates are toss'd,
Through some one man this life be lost,
Shall soul not somehow pay for soul?
Fair shines the gilded aureole
In which our highest painters place
Some living woman's simple face.
And the stilled features thus descried
As Jenny's long throat droops aside,—
The shadows where the cheeks are thin,
And pure wide curve from ear to chin,—
With Raffael's, Leonardo's hand
To show them to men's souls, might stand,
Whole ages long, the whole world through,
For preachings of what God can do.
What has man done here? How atone,
Great God, for this which man has done?
And for the body and soul which by
Man's pitiless doom must now comply
With lifelong hell, what lullaby
Of sweet forgetful second birth
Remains? All dark. No sign on earth
What measure of God's rest endows
The many mansions of his house.
If but a woman's heart might see
Such erring heart unerringly
For once! But that can never be.
Like a rose shut in a book
In which pure women may not look,
For its base pages claim control
To crush the flower within the soul;
Where through each dead rose-leaf that clings,
Pale as transparent Psyche-wings,
To the vile text, are traced such things
As might make lady's cheek indeed
More than a living rose to read;
So nought save foolish foulness may
Watch with hard eyes the sure decay;
And so the life-blood of this rose,
Puddled with shameful knowledge, flows
Through leaves no chaste hand may unclose:
Yet still it keeps such faded show
Of when 'twas gathered long ago,
That the crushed petals' lovely grain,
The sweetness of the sanguine stain,
Seen of a woman's eyes, must make
Her pitiful heart, so prone to ache,
Love roses better for its sake:—
Only that this can never be:—
Even so unto her sex is she.
Yet, Jenny, looking long at you,
The woman almost fades from view.
A cipher of man's changeless sum
Of lust, past, present, and to come,
Is left. A riddle that one shrinks
To challenge from the scornful sphinx.
Like a toad within a stone
Seated while Time crumbles on;
Which sits there since the earth was curs'd
For Man's transgression at the first;
Which, living through all centuries,
Not once has seen the sun arise;
Whose life, to its cold circle charmed,
The earth's whole summers have not warmed;
Which always—whitherso the stone
Be flung—sits there, deaf, blind, alone;—
Aye, and shall not be driven out
Till that which shuts him round about
Break at the very Master's stroke,
And the dust thereof vanish as smoke,
And the seed of Man vanish as dust:—
Even so within this world is Lust.
Come, come, what use in thoughts like this?
Poor little Jenny, good to kiss,—
You'd not believe by what strange roads
Thought travels, when your beauty goads
A man to-night to think of toads!
Jenny, wake up…. Why, there's the dawn!
And there's an early waggon drawn
To market, and some sheep that jog
Bleating before a barking dog;
And the old streets come peering through
Another night that London knew;
And all as ghostlike as the lamps.
So on the wings of day decamps
My last night's frolic. Glooms begin
To shiver off as lights creep in
Past the gauze curtains half drawn-to,
And the lamp's doubled shade grows blue,—
Your lamp, my Jenny, kept alight,
Like a wise virgin's, all one night!
And in the alcove coolly spread
Glimmers with dawn your empty bed;
And yonder your fair face I see
Reflected lying on my knee,
Where teems with first foreshadowings
Your pier-glass scrawled with diamond rings:
And on your bosom all night worn
Yesterday's rose now droops forlorn,
But dies not yet this summer morn.
And now without, as if some word
Had called upon them that they heard,
The London sparrows far and nigh
Clamour together suddenly;
And Jenny's cage-bird grown awake
Here in their song his part must take,
Because here too the day doth break.
And somehow in myself the dawn
Among stirred clouds and veils withdrawn
Strikes greyly on her. Let her sleep.
But will it wake her if I heap
These cushions thus beneath her head
Where my knee was? No,—there's your bed,
My Jenny, while you dream. And there
I lay among your golden hair,
Perhaps the subject of your dreams,
These golden coins.
For still one deems
That Jenny's flattering sleep confers
New magic on the magic purse,—
Grim web, how clogged with shrivelled flies!
Between the threads fine fumes arise
And shape their pictures in the brain.
There roll no streets in glare and rain,
Nor flagrant man-swine whets his tusk;
But delicately sighs in musk
The homage of the dim boudoir;
Or like a palpitating star
Thrilled into song, the opera-night
Breathes faint in the quick pulse of light;
Or at the carriage-window shine
Rich wares for choice; or, free to dine,
Whirls through its hour of health (divine
For her) the concourse of the Park.
And though in the discounted dark
Her functions there and here are one,
Beneath the lamps and in the sun
There reigns at least the acknowledged belle
Apparelled beyond parallel.
Ah Jenny, yes, we know your dreams.
For even the Paphian Venus seems
A goddess o'er the realms of love,
When silver-shrined in shadowy grove:
Aye, or let offerings nicely plac'd
But hide Priapus to the waist,
And whoso looks on him shall see
An eligible deity.
Why, Jenny, waking here alone
May help you to remember one,
Though all the memory's long outworn
Of many a double-pillowed morn.
I think I see you when you wake,
And rub your eyes for me, and shake
My gold, in rising, from your hair,
A Danaë for a moment there.
Jenny, my love rang true! for still
Love at first sight is vague, until
That tinkling makes him audible.
And must I mock you to the last,
Ashamed of my own shame,—aghast
Because some thoughts not born amiss
Rose at a poor fair face like this?
Well, of such thoughts so much I know:
In my life, as in hers, they show,
By a far gleam which I may near,
A dark path I can strive to clear.
Only one kiss. Good-bye, my dear.

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The Child Of The Islands - Summer

I.

FOR Summer followeth with its store of joy;
That, too, can bring thee only new delight;
Its sultry hours can work thee no annoy,
Veiled from thy head shall be its glowing might.
Sweet fruits shall tempt thy thirsty appetite;
Thy languid limbs on cushioned down shall sink;
Or rest on fern-grown tufts, by streamlets bright,
Where the large-throated deer come down to drink,
And cluster gently round the cool refreshing brink.
II.

There, as the flakèd light, with changeful ray
(From where the unseen glory hotly glows)
Through the green branches maketh pleasant way,
And on the turf a chequered radiance throws,
Thou'lt lean, and watch those kingly-antlered brows--
The lustrous beauty of their glances shy,
As following still the pace their leader goes,
(Who seems afraid to halt--ashamed to fly,)
Rapid, yet stately too, the lovely herd troop by.
III.

This is the time of shadow and of flowers,
When roads gleam white for many a winding mile;
When gentle breezes fan the lazy hours,
And balmy rest o'erpays the time of toil;
When purple hues and shifting beams beguile
The tedious sameness of the heath-grown moor;
When the old grandsire sees with placid smile
The sunburnt children frolic round his door,
And trellised roses deck the cottage of the poor.
IV.

The time of pleasant evenings! when the moon
Riseth companioned by a single star,
And rivals e'en the brilliant summer noon
In the clear radiance which she pours afar;
No stormy winds her hour of peace to mar,
Or stir the fleecy clouds which melt away
Beneath the wheels of her illumined car;
While many a river trembles in her ray,
And silver gleam the sands round many an ocean bay!
V.

Oh, then the heart lies hushed, afraid to beat,
In the deep absence of all other sound;
And home is sought with loth and lingering feet,
As though that shining tract of fairy ground,
Once left and lost, might never more be found!
And happy seems the life that gipsies lead,
Who make their rest where mossy banks abound,
In nooks where unplucked wild-flowers shed their seed;
A canvass-spreading tent the only roof they need!
VI.

Wild Nomades of our civilised calm land!
Whose Eastern origin is still betrayed
By the swart beauty of the slender hand,--
Eyes flashing forth from over-arching shade,--
And supple limbs, for active movement made;
How oft, beguiled by you, the maiden looks
For love her fancy ne'er before pourtrayed,
And, slighting village swains and shepherd-crooks,
Dreams of proud youths, dark spells, and wondrous magic books!
VII.

Lo! in the confines of a dungeon cell,
(Sore weary of its silence and its gloom!)
One of this race: who yet deserveth well
The close imprisonment which is her doom:
Lawless she was, ere infancy's first bloom
Left the round outline of her sunny cheek;
Vagrant, and prowling Thief;--no chance, no room
To bring that wild heart to obedience meek;
Therefore th' avenging law its punishment must wreak.
VIII.

She lies, crouched up upon her pallet bed,
Her slight limbs starting in unquiet sleep;
And oft she turns her feverish, restless head,
Moans, frets, and murmurs, or begins to weep:
Anon, a calmer hour of slumber deep
Sinks on her lids; some happier thought hath come;
Some jubilee unknown she thinks to keep,
With liberated steps, that wander home
Once more with gipsy tribes a gipsy life to roam.
IX.

But no, her pale lips quiver as they moan:
What whisper they? A name, and nothing more:
But with such passionate tenderness of tone,
As shews how much those lips that name adore.
She dreams of one who shall her loss deplore
With the unbridled anguish of despair!
Whose forest-wanderings by her side are o'er,
But to whose heart one braid of her black hair
Were worth the world's best throne, and all its treasures rare.
X.

The shadow of his eyes is on her soul--
His passionate eyes, that held her in such love!
Which love she answered, scorning all control
Of reasoning thoughts, which tranquil bosoms move.
No lengthened courtship it was his to prove,
(Gleaning capricious smiles by fits and starts)
Nor feared her simple faith lest he should rove:
Rapid and subtle as the flame that darts
To meet its fellow flame, shot passion through their hearts.
XI.

And though no holy priest that union blessed,
By gipsy laws and customs made his bride;
The love her looks avowed, in words confessed,
She shared his tent, she wandered by his side,
His glance her morning star, his will her guide.
Animal beauty and intelligence
Were her sole gifts,--his heart they satisfied,--
Himself could claim no higher, better sense,
So loved her with a love, wild, passionate, intense!
XII.

And oft, where flowers lay spangled round about,
And to the dying twilight incense shed,
They sat to watch heaven's glittering stars come out,
Her cheek down-leaning on his cherished head--
That head upon her heart's soft pillow laid
In fulness of content; and such deep spell
Of loving silence, that the word first said
With startling sweetness on their senses fell,
Like silver coins dropped down a many-fathomed well.
XIII.

Look! her brows darken with a sudden frown--
She dreams of Rescue by his angry aid--
She dreams he strikes the Law's vile minions down,
And bears her swiftly to the wild-wood shade!
There, where their bower of bliss at first was made,
Safe in his sheltering arms once more she sleeps:
Ah, happy dream! She wakes; amazed, afraid,
Like a young panther from her couch she leaps,
Gazes bewildered round, then madly shrieks and weeps!
XIV.

For, far above her head, the prison-bars
Mock her with narrow sections of that sky
She knew so wide, and blue, and full of stars,
When gazing upward through the branches high
Of the free forest! Is she, then, to die?
Where is he--where--the strong-armed and the brave,
Who in that vision answered her wild cry?
Where is he--where--the lover who should save
And snatch her from her fate--an ignominious grave?
XV.

Oh, pity her, all sinful though she be,
While thus the transient dreams of freedom rise,
Contrasted with her waking destiny!
Scorn is for devils; soft compassion lies
In angel-hearts, and beams from angel-eyes.
Pity her! Never more, with wild embrace,
Those flexile arms shall clasp him ere she dies;
Never the fierce sad beauty of her face
Be lit with gentler hope, or love's triumphant grace!
XVI.

Lonely she perishes; like some wild bird
That strains its wing against opposing wires;
Her heart's tumultuous panting may be heard,
While to the thought of rescue she aspires;
Then, of its own deep strength, it faints and tires:
The frenzy of her mood begins to cease;
Her varying pulse with fluttering stroke expires,
And the sick weariness that is not peace
Creeps slowly through her blood, and promises release.
XVII.

Alas, dark shadows, press not on her so!
Stand off, and let her hear the linnet sing!
Crumble, ye walls, that sunshine may come through
Each crevice of your ruins! Rise, clear spring,
Bubbling from hidden fountain-depths, and bring
Water, the death-thirst of her pain to slake!
Come from the forest, breeze with wandering wing!
There, dwelt a heart would perish for her sake,--
Oh, save her! No! Death stands prepared his prey to take.
XVIII.

But, because youth and health are very strong,
And all her veins were full of freshest life,
The deadly struggle must continue long
Ere the free heart lie still, that was so rife
With passion's mad excess. The gaoler's wife
Bends, with revolted pity on her brow,
To watch the working of that fearful strife,
Till the last quivering spark is out. And now
All's dark, all's cold, all's lost, that loved and mourned below.
XIX.

She could not live in prison--could not breathe
The dull pollution of its stagnant air,--
She, that at dewy morn was wont to wreathe
The wild-briar roses, singing, in her hair,--
She died, heart-stifled, in that felon-lair!
No penitence; no anchor that held fast
To soothing meditation and meek prayer,
But a wild struggle, even to the last--
In death-distorted woe her marble features cast!
XX.

And none lament for her, save only him
Who choking back proud thoughts and words irate,
With tangled locks, and glances changed and dim,
Bows low to one who keeps the prison-gate,
Pleading to see her; asking of her fate;
Which, when he learns, with fierce and bitter cries
(Howling in savage grief for his young mate)
He curseth all, and all alike defies;--
Despair and fury blent, forth flashing from worn eyes!
XXI.

With vulgar terror struck, they deem him wild--
Fit only for the chains which madmen clank.
But soon he weepeth, like a little child!
And many a day, by many a sunny bank,
Or forest-pond, close fringed with rushes dank,
He wails, his clenched hands on his eyelids prest;
Or by lone hedges, where the grass grows rank,
Stretched prone, as travellers deem, in idle rest,
Mourns for that murdered girl, the dove of his wild nest.
XXII.

Little recks he, of Law and Law's constraint,
Reared in ill-governed sense of Liberty!
At times he bows his head, heart-stricken, faint;
Anon--in strange delirious agony--
He dreams her yet in living jeopardy!
His arm is raised,--his panting breast upheaves,--
Ah! what avails his youth's wild energy?
What strength can lift the withering autumn leaves,
Light as they drifting lie on her for whom he grieves!
XXIII.

Her SPRING had ripened into Summer fruit;
And, if that fruit was poison, whose the blame?
Not hers, whose young defying lips are mute--
Though hers the agony, though hers the shame--
But theirs, the careless crowd, who went and came,
And came and went again, and never thought
How best such wandering spirits to reclaim;
How earnest minds the base have trained and taught,
As shaping tools vile forms have into beauty wrought.
XXIV.

The land that lies a blank and barren waste
We drain, we till, we sow, with cheerful hope:
Plodding and patient, looking yet to taste
Reward in harvest, willingly we cope
With thorns that stay the plough on plain and slope,
And nipping frosts, and summer heats that broil.
Till all is done that lies within the scope
Of man's invention, to improve that soil,
Earnest we yet speed on, unceasing in our toil.
XXV.

But for the SOUL that lieth unreclaimed,
Choked with the growth of rankest weeds and tares,
No man puts forth his hand, and none are blamed;
Though plenteous harvest might repay his cares,
Though he might 'welcome angels, unawares.'
The earth he delves, and clears from every weed,
But leaves the human heart to sinful snares;
The earth he sows with costly, precious seed,
But lets the human heart lie barren at its need.
XXVI.

Once I beheld (and, to my latest hour,
That sight unfaded in my heart I hold)
A bright example of the mighty power
One human mind, by earnest will controlled,
Can wield o'er other minds--the base and bold,
Steeped in low vice, and warped in conscious wrong;
Or weaker wanderers from the Shepherd's fold,
Who, sinning with averted faces, long
To turn again to God, with psalm and angel-song.
XXVII.

I saw one man, armed simply with God's Word,
Enter the souls of many fellow-men,
And pierce them sharply as a two-edged sword,
While conscience echoed back his words again;
Till, even as showers of fertilising rain
Sink through the bosom of the valley clod,
So their hearts opened to the wholesome pain,
And hundreds knelt upon the flowery sod,
One good man's earnest prayer the link 'twixt them and God.
XXVIII.

That amphitheatre of awe-struck heads
Is still before me: there the Mother bows,
And o'er her slumbering infant meekly sheds
Unusual tears. There, knitting his dark brows,
The penitent blasphemer utters vows
Of holy import. There, the kindly man,
Whose one weak vice went near to bid him lose
All he most valued when his life began,
Abjures the evil course which erst he blindly ran.
XXIX.

There, with pale eyelids heavily weighed down
By a new sense of overcoming shame,
A youthful Magdalen, whose arm is thrown
Round a young sister who deserves no blame;
(As though like innocence she now would claim,
Absolved by a pure God!) And, near her, sighs
The Father who refused to speak her name:
Her penitence is written in her eyes--
Will he not, too, forgive, and bless her, ere she rise?
XXX.

Renounce her not, grieved Father! Heaven shall make
Room for her entrance with the undefiled.
Upbraid her not, sad Mother! for the sake
Of days when she was yet thy spotless child.
Be gentle with her, oh, thou sister mild!
And thou, good brother! though by shame opprest;
For many a day, amid temptations wild,
Madly indulged, and sinfully carest,
She yearned to weep and die upon thy honest breast.
XXXI.

Lost Innocence!--that sunrise of clear youth,
Whose lovely light no morning can restore;
When, robed in radiance of unsullied truth,
Her soul no garment of concealment wore,
But roamed its paradise of fancies o'er
In perfect purity of thought--is past!
But He who bid the guilty 'sin no more'
A gleam of mercy round her feet shall cast,
And guide the pilgrim back to heaven's 'strait Gate' at last.
XXXII.

By that poor lost one, kneel a happier group,
Children of sinners, christened free from sin;
Smiling, their curled and shining heads they stoop,
Awed, but yet fearless; confident to win
Blessings of God; while early they begin
(The Samuels of the Temple) thus to wait
HIS audible voice, whose Presence they are in,
And formally, from this auspicious date,
Themselves, and their young lives, to HIM to dedicate.
XXXIII.

While, mingling with those glad and careless brows,
And ruddy cheeks, embrowned with honest toil;
Kneels the pale artisan (who only knows
Of Luxury--how best its glittering spoil,
Midst whirring wheels, and dust, and heat, and oil,
For richer men's enjoyment to prepare);
And ill-fed labourers of a fertile soil,
Whose drunkenness was Lethe to their care,--
All met, for one good hope, one blessing, and one prayer!
XXXIV.

I will not cavil with the man who sneers
At priestly labours, as the work of hell;
I will not pause to contradict strange fears
Of where the influence ends, begun so well;
One only thought remained with me to dwell,
For ever with remembrance of that scene,
When I beheld hearts beat and bosoms swell,
And that melodious voice and eye serene
Govern the kneeling crowd, as he their God had been.
XXXV.

I thought, in my own secret soul, if thus,
(By the strong sympathy that knits mankind)
A power untried exists in each of us,
By which a fellow-creature's wavering mind
To good or evil deeds may be inclined;
Shall not an awful questioning be made,
(And we, perchance, no fitting answer find!)
'Whom hast THOU sought to rescue, or persuade?
Whom roused from sinful sloth? whom comforted, afraid?'
XXXVI.

For whom employed,--e'en from thy useless birth,--
The buried Talent at thy Lord's command?
Unprofitable servant of the earth!
Though here men fawned on thee, and licked thy hand
For golden wealth, and power, and tracts of land;
When the Eternal Balance justly weighs,
Above thee, in the ranks of heaven, shall stand,
Some wretch obscure, who through unnoticed days,
Taught a poor village school to sing their Maker's praise.
XXXVII.

A mournful memory in my bosom stirs!
A recollection of the lovely isle
Where, in the purple shadow of thy firs
Parkhurst! and gloomy in the summer smile,
Stands the CHILD'S PRISON: (since we must defile
So blest a refuge, with so curst a name)
The home of those whose former home was vile;
Who, dogged, sullen, scoffing, hither came,
Tender in growth and years, but long confirmed in shame.
XXVIII.

Alas! what inmates may inhabit there?
Those to whose infant days a parent's roof,
In lieu of a protection, was a snare;
Those from whose minds instruction held aloof,
No hope, no effort made in their behoof;
Whose lips familiar were with blasphemy,
And words obscene that mocked at all reproof,
But never uttered prayer to the Most High,
Or learned one gentle hymn, His name to glorify.
XXXIX.

Th' Untaught, Uncared-for, 'neath whose stolid look
The Scriptures might have lain, a block of wood,
Hewn to the shape and semblance of a book,
For any thing they knew in it of good,
Or any text they heard or understood.
THESE are your Prisoned Children! Germs of Men,
Vicious, and false, and violent of mood,
Such as strange carelessness first rears, and then
Would crush the sting out by a death of pain!
XL.

But skilful hands have drawn the arrow's barb
From the unfestered wound which Time shall heal!
And though 'tis mournful, in their prison garb,
To see them trooping to their silent meal;
And though, among them, many brows reveal
Sorrow too bitter for such childish hearts;
Yet the most pitiful (if just) must feel
(E'en while the tear of forced compassion starts)
That blessed is the hope their suffering imparts!
XLI.

The Saved are there, who would have been the Lost;
The Checked in crime, who might have been the Doomed;
The wildbriar buds, whose tangled path was crost
By nightshade poison trailing where they bloomed!
The Wrecked, round whom the threatening surges boomed,
Borne in this Life-boat far from peril's stress;
The Sheltered, o'er whose heads the thunder loomed;
Convicts (convicted of much helplessness
Exiles, whom Mercy guides through guilt's dark wilderness.
XLII.

I saw One sitting in that Island Prison
Whose day in solitude was going down,
E'en as in solitude its light had risen!
His little savage sullen face, bent down,
From all kind words, with an averted frown--
A world of dumb defiance in his scowl!
Or, looking up, with gaze that seemed to own,
'I scorn the smiting of your forced control;
My body scourge or slay, you shall not bend my soul!'
XLIII.

But one was weeping--weeping bitter tears!
Of softer mould his erring heart was made;
And, when the sound of coming steps he hears
Advancing to his lone cell's cheerless shade,
He turns, half welcoming and half afraid,
Trustful of pity, willing to be saved;
Stepping half way to meet the proffered aid;
Thankful for blessings kind and counsel grave;
Strange to this new sad life, but patient, calm, and brave.
XLIV.

Brave! for what courage must it not require
In a child's heart, to bear those dreadful hours?
Think how WE find the weary spirit tire,
How the soul sinks with faint and flagging powers,
Pent in, in these indulgent lives of ours,
By one monotonous day of winter's rain!
Woe for the prisoned boy, who sadly cowers,
In his blank cell, for days of dreary pain,
Pining for human looks and human tones in vain.
XLV.

Nor let it be forgot, for these young spirits,
(Although by gross and vulgar sin defiled,)
How differently judged were their demerits,
Were each a noble's or a gentle's child.
Are there no sons at college, 'sadly wild?'
No children, wayward, difficult to rear?
Are THEY cast off by Love? No, gleaming mild
Through the salt drops of many a bitter tear,
The rainbow of your hope shines out of all your fear!
XLVI.

For they are YOUNG, you say; and this green stem
With shoots of good shall soon be grafted in:
Meanwhile, how much is FROLIC, done by them,
Which, in the poor, is punishable SIN?
Nor mark I this, a useless sigh to win,
(They lose their ground, who falsely, lightly chide,)
But to note down how much your faith you pin
Upon the worth of that, to them supplied--
Revealed Religion's light, and Education's guide.
XLVII.

Yea, for yourselves and sons, ye trusted it,
And knew no reed it was you leaned upon;
Therefore, whoso denies that benefit
To meaner men in ignorance chained down,
From each this true reproach hath justly won:--
'Oh, selfish heart! that owned the healing sure,
Yet would not help to save MY erring son!'
They cry to you, 'PREVENT!'--You cannot cure,
The ills that, once incurred, these little ones endure!
XLVIII.

The criminal is in the felon's dock:
Fearful and stupified behold him stand!
While to his trial cold spectators flock,
And lawyers grave, and judges of the land.
At first he grasps the rail with nervous hand,
Hearing the case which learnedly they state,
With what attention ignorance can command:
Then, weary of such arguing of his fate,
Torpid and dull he sinks, throughout the long debate.
XLIX.

Vapid, incomprehensible to him
The skilful pleader's cross-examining wit;
His sullen ear receives, confused and dim,
The shouts of laughter at some brilliant hit,
When a shrewd witness leaves the Biter bit.
He shrinks not while the facts that must prevail
Against his life, unconscious friends admit;
Though Death is trembling in the adverse scale,
He recks no more than if he heard the autumn gale.
L.

Oh, Eloquence, a moving thing art thou!
Tradition tells us many a mournful story
Of scaffold-sentenced men, with noble brow,
Condemned to die in youth, or weak and hoary,
Whose words survived in long-remembered glory!
But eloquence of words the power hath not
(Nor even their fate, who perished gaunt and gory)
To move my spirit like his abject lot,
Who stands there, like a dog, new-sentenced to be shot!
LI.

Look, now! Attention wakes, with sudden start,
The brutish mind which late so dull hath been!
Quick grows the heavy beating at his heart!
The solemn pause which rests the busy scene,
He knows, though ignorant, what that must mean--
The Verdict! With the Jury rests his chance!
And his lack-lustre eye grows strangely keen,
Watching with wistful, pleading, dreadful glance,
Their consultation cease, their foreman slow advance.
LII.

His home, his hopes, his life, are in that word!
His ties! (for think ye not that he hath ties?)
Alas! Affection makes its pleading heard
Long after better sense of duty dies,
Midst all that Vice can do to brutalise.
Hark to the verdict--'Guilty!'--All are foes!
Oh, what a sight for good, compassionate eyes,
That haggard man; as, stupified with woes,
Forth from the felon's dock, a wretch condemned he goes!
LIII.

A wretch condemned, but not at heart subdued.
Rebellious, reckless, are the thoughts which come
Intruding on his sentenced solitude:--
Savage defiance! gnawing thoughts of home!
Plots to escape even now his threatened doom!
Sense of desertion, persecution!--all
Choke up the fount of grief, and bid the foam
Stand on his gnashing lips when tears should fall,
And mock the exhorting tones which for repentance call!
LIV.

For if one half the pity and the pains,
The charity, and visiting, and talk,
Had been bestowed upon that wretch in chains,
While he had yet a better path to walk,
Life's flower might still have bloomed upon its stalk!
He might not now stand there, condemned for crime,
(Helpless the horror of his fate to balk!)
Nor heard the sullen bell, with funeral chime,
Summon him harshly forth, to die before his time!
LV.

CHILD OF THE ISLANDS! thou, whose cradle-bed
Was hallowed still with night and morning prayer!
Thou, whose first thoughts were reverently led
To heaven, and taught betimes to anchor there!
Thou, who wert reared with fond peculiar care,
In happiest leisure, and in holiest light!
Wilt THOU not feed the lamp whose lustre rare
Can break the darkness of this fearful night,
Midst dim bewild'ring paths to guide faint steps aright?
LVI.

Wilt thou not help to educate the poor?
They will learn something, whether taught or no;
The Mind's low dwelling hath an open door,
Whence, wandering still uneasy, to and fro,
It gathers that it should, or should not, know.
Oh, train the fluttering of that restless wing!
Guide the intelligence that worketh woe!
So shall the Summer answer to the Spring,
And a well-guided youth an age of duty bring.
LVII.

Thus,--freed from the oppressive pang which chokes
A young warm heart that pities men in vain,--
Thou'lt roam beneath thy Windsor's spreading oaks,
And see Life's course before thee, clear and plain,
And how to spare, and how to conquer, pain:
Or, greeting fair Etona's merry groups,
Thou'lt think, not only for this noble train,
The dovelike wing of Science brooding stoops,
But shadows many a head that else obscurely droops!
LVIII.

Glad shalt thou roam beneath those oaks, fair Boy!
While round thy conscious feet the earth's cold dust
Reflects a sunshine from the Poor Man's joy!
There dream of England's Glory: nor distrust
Thy cheering hopes, for men who seek to thrust
Cold counsel on thy young, inspired heart;
Pleading that, though 'tis politic and just
To fill each studded port and loaded mart,
Utopian are the schemes free knowledge to impart!
LIX.

Yet shalt thou dream of England's commerce, too;
And the tall spreading trees,--which, branching round,
Thy footsteps to their covert coolness woo,--
Cast visionary shadows on the ground
Of floating ships for distant stations bound.
Unheard shall be the wild-bird's song! Instead,
Hoarsely the roar of fancied waves shall sound;
And o'er the shining sands thy soul shall tread,
With Albion's snowy cliffs high beetling o'er thy head!
LX.

Or Thought, in her strange chaos, shall display
That proudest sight reserved for English eyes--
The building ship--which soon shall cleave its way
Through the blue waters, 'neath the open skies.
The stately oak is felled, and low it lies,
Denuded of its lovely branches--bare
Of e'en the bark that wrapped its giant size
Roughly defying all the storms of air,
One fragment of its gnarled and knotted strength to tear.
LXI.

Out of its swelling girth are aptly hewn
The timbers fitted for the massive frame;
By perfect rule and measurement foreshewn,
Plank after plank, each answering to the same,
The work goes on--a thing without a name--
Huge as a house, and heavy as a rock,
Enough the boldest looker-on to tame,
Standing up-gazing at that monstrous block,
Whose grand proportions seem his narrow sense to mock.
LXII.

And ceaseless, hammering, shouting, pigmy forms
Work, crawl, and clatter on her bulging sides:
Are those the beings, who, in Heaven's wild storms,
Shall move that mass against opposing tides?
One, tread her decks, with proud impetuous strides?
Others, through yawning port-holes point the gun,--
Scattering the foe her glorious strength derides,
And shouting 'Victory' for a sea-fight won?
Oh, magic rule of MIND, by which such works are done!
LXIII.

But, first, the Launch must send our ship afloat:
Assembled thousands wait the glorious sight:
Gay-coloured streamers deck each tiny boat,
And glistening oars reflect a restless light:
Till some fair form, with smiles and blushes bright,
And active hand (though delicate it seem)
Advances to perform the 'Christening Rite;'
The fragile crystal breaks, with shivering gleam,
And the grand mass comes forth, swift gliding, like a dream.
LXIV.

Now give her MASTS and SAILS!--those spreading wings
Whose power shall save from many a dangerous coast!
Her ROPES, with all their bolts, and blocks, and rings;
Her glorious FLAG, no foe shall dare to brave
Who sees it come careering o'er the wave!
Give her, the HEARTS of OAK, who, marshalled all,
Within her creaking ribs when tempests rave
And the fierce billows beat that echoing walls
Fearless and calm obey the Boatswain's mustering call.
LXV.

Give her, those giant ANCHORS, whose deep plunge
Into the startled bosom of the Sea,
Shall give the eager sailor leave to lounge
In port awhile, with reckless liberty.
Soon shall his changeful heart impatiently,
For their unmooring and upheaving long;
For 'Sailing-orders' which shall set him free;
While his old messmates, linked in brawny throng,
Coil up the Cable's length--huge, intricate, and strong!)
LXVI.

Give her, her CAPTAIN! who, from that day forth,
With her loved beauty all his speech shall fill;
And all her wanderings, East, West, South, and North,
Narrate,--with various chance of good and ill,--
As though she lived, and acted of free will.
Yet, let no lip with mocking smile be curled ;--
These are the souls, that man with dauntless skill,
Our Wooden Walls; whose Meteor-flag, unfurled,
Bids England 'hold her own' against th' united world!
LXVII.

Dear Island-Home!--and is the boast so strange
Which bids thee claim the Empire of the Sea?
O'er the blue waters as we fearless range,
Seem not the waves familiar friends to be?
We knew them in the Country of the Free!
And now they follow us with playful race,
Back rolling to that land of liberty,
And dashing round her rocks with rough embrace,
Like an old shaggy dog that licks its Master's face.
LXVIII.

Yea, and a Watch-dog too, if there be need!
A low determined growl, when danger lowers,
Shall, from the gloomy port-holes, grimly speed,
To rouse our Heroes, and our armed Powers.
Let the land-circled nations keep their towers,
Their well-scanned passports, and their guards secure,--
We'll trust this floating, changeful wall of ours,
And, long as ocean-waves and rocks endure,
So long, dear Island-Home, we'll hold thy freedom sure!
LXIX.

Back to our ship! She breasts the surging tide;
The fair breeze freshens in the flowing sheet!
With deafening cheers the landsmen see her glide,
And hearts, that watch her progress, wildly beat.
Oh! where and when shall all the many meet,
Who part to-day? That secret none may sound!
But slowly falls the tread of homeward feet;
And, in the evening, with a sigh goes round,
That brief, but thrilling toast, 'Health to the Outward-Bound!'
LXX.

Health to the Outward-Bound! How many go
Whose homeward voyage never shall be made!
Who but that drear Sea-Burial shall know,
Which bids the corse the shifting flood invade!
No grave--no stone beneath the cypress-shade,
Where mourning friends may gather round and weep,
Whose distant wretchedness is yet delayed:
Orphans at home a jubilee may keep,
While Messmates' hands commit a Father to the deep!
LXXI.

Some, whom the cry of 'FIRE!' doth overtake
On the wide desert of the lonely seas,
Their vague escape in open boats shall make;
To suffer quenchless thirst, and parched disease,
And hunger-pangs the DEATH-LOT shall appease.
Some, crashing wrecked in one stupendous shock,
Endure more helpless rapid fate than these,
And vainly clinging to the foam-washed block,
Die, drifted like weak weeds from off the slippery rock.
LXXII.

Some, scarcely parted twice a cable's length
From those who on the firm earth safely stand,
Shall madly watch the strained united strength
And cheers and wavings of the gallant band,
Who launch their life-boat with determined hand.
Ah! none shall live, that zealous aid to thank;
The wild surge whirls the life-boat back to land,--
The hazy distance suddenly grows blank,--
In that last labouring plunge the fated vessel sank!
LXXIII.

And some shall plough their homeward track in vain,
Dying, it may be, within sight of shore:
While others, (dreariest horror of the main!)
Are vaguely 'lost' and never heard of more.
Ah, me! how many now such fate deplore,
As hisfor whom Grief's wild and piercing cry
Followed, e'er yet lamenting tears were o'er,
Shed for his brother; doomed, like him, to die
In youth,--but not like him without one kinsman nigh!
LXXIV.

Peace to thy woeful heart, thou grey-haired sire;
Each, had he lived, his duty would have done:
Towards gallant deeds unwearied to aspire,
Was thine own heritage to either son.
Yet thou hast wept,--like him whose race is run,--
Who rose a happy Father when the day
Through morning clouds, with misty radiance shone;
But when at eve his ship got under way,
Left his unburied son in wild Algoa Bay!
LXXV.

His generous son, who risked his own young life
Hoping another from that doom to save;
And battled nobly with the water's strife,
E'er the green billows were his floating grave.
Nor died alone, beneath the whelming wave;
Others,--less known perhaps,--not cherished less
By those who for their presence vainly crave,--
Sank struggling down in utter weariness,
Lost in that wild dark night of terrible distress.
LXXVI.

Oh, hearts have perished, neither faint nor few,
Whose names have left no echo save at home;
With many a gallant ship, whose fearless crew
Set sail with cheerful hope their course to roam!
Buried 'neath many a fathom's shifting foam,--
By the rude rocks of many a distant shore,--
Their visionary smiles at midnight come
To those whose waking eyes their loss deplore,--
Dreaming of their return, who shall return no more!
LXXVII.

CHILD OF THE ISLANDS! some such saddening tales,
Thou, in thine infancy, perchance shalt hear;
Linked with the names a Nation still bewails,
And warrior-deeds to England's glory dear.
Ah! let them not fall lightly on thine ear!
Though Death calmed down that anguish, long ago,
The record is not ended; year by year
Recurring instances of loss and woe
Shall bid thee, for like grief, a like compassion show!
LXXVIII.

Neglect not, Thou, the sons of men who bled
To do good service in the former time;
Slight not some veteran father of the Dead,
Whose noble boys have perished in their prime.
Accept not selfishly, the love sublime
And loyalty which in such souls hath burned.
What though it be thy right; the lack, a crime?
Yet should no honest heart by thine be spurned--
True service paid with smiles, and thanks, is cheaply earned.
LXXIX.

Keep Thou the reverence of a youthful heart
To Age and Merit in thy native land;
Nor deem CONDITION sets thee far apart:
ABOVE, but not ALOOF, a Prince should stand:
Still near enough, to stretch the friendly hand
To those whose names had never reached the throne,
But for great deeds, performed in small command:
Since thus the gallant wearers first were known,
Hallow those names; although not Royal like thine own.
LXXX.

And let thy Smile be like the Summer Sun,
Whose radiance is not kept for garden-flowers,
But sends its genial beams to rest upon
The meanest blushing bud in way-side bowers.
Earth's Principalities, and Thrones, and Powers,
If Heaven's true Delegates on Earth they be,
Should copy Heaven; which giveth fertile Showers,
The Dew, the Warmth, the Balm, the Breezes free,
Not to one Class alone,--but all Humanity!

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

VI
Most epic poets plunge "in medias res"
(Horace makes this the heroic turnpike road),
And then your hero tells, whene'er you please,
What went before—by way of episode,
While seated after dinner at his ease,
Beside his mistress in some soft abode,
Palace, or garden, paradise, or cavern,
Which serves the happy couple for a tavern.

VII
That is the usual method, but not mine—
My way is to begin with the beginning;
The regularity of my design
Forbids all wandering as the worst of sinning,
And therefore I shall open with a line
(Although it cost me half an hour in spinning)
Narrating somewhat of Don Juan's father,
And also of his mother, if you'd rather.

VIII
In Seville was he born, a pleasant city,
Famous for oranges and women—he
Who has not seen it will be much to pity,
So says the proverb—and I quite agree;
Of all the Spanish towns is none more pretty,
Cadiz perhaps—but that you soon may see;
Don Juan's parents lived beside the river,
A noble stream, and call'd the Guadalquivir.

IX
His father's name was Jóse—Don, of course,—
A true Hidalgo, free from every stain
Of Moor or Hebrew blood, he traced his source
Through the most Gothic gentlemen of Spain;
A better cavalier ne'er mounted horse,
Or, being mounted, e'er got down again,
Than Jóse, who begot our hero, who
Begot—but that's to come—Well, to renew:

X
His mother was a learnéd lady, famed
For every branch of every science known
In every Christian language ever named,
With virtues equall'd by her wit alone,
She made the cleverest people quite ashamed,
And even the good with inward envy groan,
Finding themselves so very much exceeded
In their own way by all the things that she did.

XI
Her memory was a mine: she knew by heart
All Calderon and greater part of Lopé,
So that if any actor miss'd his part
She could have served him for the prompter's copy;
For her Feinagle's were an useless art,
And he himself obliged to shut up shop—he
Could never make a memory so fine as
That which adorn'd the brain of Donna Inez.

XII
Her favourite science was the mathematical,
Her noblest virtue was her magnanimity,
Her wit (she sometimes tried at wit) was Attic all,
Her serious sayings darken'd to sublimity;
In short, in all things she was fairly what I call
A prodigy—her morning dress was dimity,
Her evening silk, or, in the summer, muslin,
And other stuffs, with which I won't stay puzzling.

XIII
She knew the Latin—that is, "the Lord's prayer,"
And Greek—the alphabet—I'm nearly sure;
She read some French romances here and there,
Although her mode of speaking was not pure;
For native Spanish she had no great care,
At least her conversation was obscure;
Her thoughts were theorems, her words a problem,
As if she deem'd that mystery would ennoble 'em.

XIV
She liked the English and the Hebrew tongue,
And said there was analogy between 'em;
She proved it somehow out of sacred song,
But I must leave the proofs to those who've seen 'em;
But this I heard her say, and can't be wrong
And all may think which way their judgments lean 'em,
"'T is strange—the Hebrew noun which means 'I am,'
The English always used to govern d—n."

XV
Some women use their tongues—she look'd a lecture,
Each eye a sermon, and her brow a homily,
An all-in-all sufficient self-director,
Like the lamented late Sir Samuel Romilly,
The Law's expounder, and the State's corrector,
Whose suicide was almost an anomaly—
One sad example more, that "All is vanity"
(The jury brought their verdict in "Insanity").

XVI
In short, she was a walking calculation,
Miss Edgeworth's novels stepping from their covers,
Or Mrs. Trimmer's books on education,
Or "Coelebs' Wife" set out in quest of lovers,
Morality's prim personification,
In which not Envy's self a flaw discovers;
To others' share let "female errors fall,"
For she had not even one—the worst of all.

XVII
Oh! she was perfect past all parallel—
Of any modern female saint's comparison;
So far above the cunning powers of hell,
Her guardian angel had given up his garrison;
Even her minutest motions went as well
As those of the best time-piece made by Harrison:
In virtues nothing earthly could surpass her,
Save thine "incomparable oil," Macassar!

XVIII
Perfect she was, but as perfection is
Insipid in this naughty world of ours,
Where our first parents never learn'd to kiss
Till they were exiled from their earlier bowers,
Where all was peace, and innocence, and bliss
(I wonder how they got through the twelve hours),
Don Jóse, like a lineal son of Eve,
Went plucking various fruit without her leave.

XIX
He was a mortal of the careless kind,
With no great love for learning, or the learn'd,
Who chose to go where'er he had a mind,
And never dream'd his lady was concern'd;
The world, as usual, wickedly inclined
To see a kingdom or a house o'erturn'd,
Whisper'd he had a mistress, some said two—
But for domestic quarrels one will do.

XX
Now Donna Inez had, with all her merit,
A great opinion of her own good qualities;
Neglect, indeed, requires a saint to bear it,
And such, indeed, she was in her moralities;
But then she had a devil of a spirit,
And sometimes mix'd up fancies with realities,
And let few opportunities escape
Of getting her liege lord into a scrape.

XXI
This was an easy matter with a man
Oft in the wrong, and never on his guard;
And even the wisest, do the best they can,
Have moments, hours, and days, so unprepared,
That you might "brain them with their lady's fan;"
And sometimes ladies hit exceeding hard,
And fans turn into falchions in fair hands,
And why and wherefore no one understands.

XXII
'T is pity learnéd virgins ever wed
With persons of no sort of education,
Or gentlemen, who, though well born and bred,
Grow tired of scientific conversation:
I don't choose to say much upon this head,
I'm a plain man, and in a single station,
But—Oh! ye lords of ladies intellectual,
Inform us truly, have they not hen-peck'd you all?

XXIII
Don Jóse and his lady quarrell'd—why,
Not any of the many could divine,
Though several thousand people chose to try,
'T was surely no concern of theirs nor mine;
I loathe that low vice—curiosity;
But if there's anything in which I shine,
'T is in arranging all my friends' affairs,
Not having of my own domestic cares.

XXIV
And so I interfered, and with the best
Intentions, but their treatment was not kind;
I think the foolish people were possess'd,
For neither of them could I ever find,
Although their porter afterwards confess'd—
But that's no matter, and the worst's behind,
For little Juan o'er me threw, down stairs,
A pail of housemaid's water unawares.

XXV
A little curly-headed, good-for-nothing,
And mischief-making monkey from his birth;
His parents ne'er agreed except in doting
Upon the most unquiet imp on earth;
Instead of quarrelling, had they been but both in
Their senses, they'd have sent young master forth
To school, or had him soundly whipp'd at home,
To teach him manners for the time to come.

XXVI
Don Jóse and the Donna Inez led
For some time an unhappy sort of life,
Wishing each other, not divorced, but dead;
They lived respectably as man and wife,
Their conduct was exceedingly well-bred,
And gave no outward signs of inward strife,
Until at length the smother'd fire broke out,
And put the business past all kind of doubt.

XXVII
For Inez call'd some druggists and physicians,
And tried to prove her loving lord was mad;
But as he had some lucid intermissions,
She next decided he was only bad;
Yet when they ask'd her for her depositions,
No sort of explanation could be had,
Save that her duty both to man and God
Required this conduct—which seem'd very odd.

XXVIII
She kept a journal, where his faults were noted,
And open'd certain trunks of books and letters,
All which might, if occasion served, be quoted;
And then she had all Seville for abettors,
Besides her good old grandmother (who doted);
The hearers of her case became repeaters,
Then advocates, inquisitors, and judges,
Some for amusement, others for old grudges.

XXIX
And then this best and weakest woman bore
With such serenity her husband's woes,
Just as the Spartan ladies did of yore,
Who saw their spouses kill'd, and nobly chose
Never to say a word about them more—
Calmly she heard each calumny that rose,
And saw his agonies with such sublimity,
That all the world exclaim'd, "What magnanimity!"

XXX
No doubt this patience, when the world is damning us,
Is philosophic in our former friends;
'T is also pleasant to be deem'd magnanimous,
The more so in obtaining our own ends;
And what the lawyers call a "malus animus"
Conduct like this by no means comprehends;
Revenge in person's certainly no virtue,
But then 't is not my fault, if others hurt you.

XXXI
And if your quarrels should rip up old stories,
And help them with a lie or two additional,
I'm not to blame, as you well know—no more is
Any one else—they were become traditional;
Besides, their resurrection aids our glories
By contrast, which is what we just were wishing all:
And science profits by this resurrection—
Dead scandals form good subjects for dissection.

XXXII
Their friends had tried at reconciliation,
Then their relations, who made matters worse.
('T were hard to tell upon a like occasion
To whom it may be best to have recourse—
I can't say much for friend or yet relation):
The lawyers did their utmost for divorce,
But scarce a fee was paid on either side
Before, unluckily, Don Jóse died.

XXXIII
He died: and most unluckily, because,
According to all hints I could collect
From counsel learnéd in those kinds of laws
(Although their talk's obscure and circumspect),
His death contrived to spoil a charming cause;
A thousand pities also with respect
To public feeling, which on this occasion
Was manifested in a great sensation.

XXXIV
But, ah! he died; and buried with him lay
The public feeling and the lawyers' fees:
His house was sold, his servants sent away,
A Jew took one of his two mistresses,
A priest the other—at least so they say:
I ask'd the doctors after his disease—
He died of the slow fever call'd the tertian,
And left his widow to her own aversion.

XXXV
Yet Jóse was an honourable man,
That I must say who knew him very well;
Therefore his frailties I'll no further scan
Indeed there were not many more to tell;
And if his passions now and then outran
Discretion, and were not so peaceable
As Numa's (who was also named Pompilius),
He had been ill brought up, and was born bilious.

XXXVI
Whate'er might be his worthlessness or worth,
Poor fellow! he had many things to wound him.
Let's own—since it can do no good on earth—
It was a trying moment that which found him
Standing alone beside his desolate hearth,
Where all his household gods lay shiver'd round him:
No choice was left his feelings or his pride,
Save death or Doctors' Commons- so he died.

XXXVII
Dying intestate, Juan was sole heir
To a chancery suit, and messuages, and lands,
Which, with a long minority and care,
Promised to turn out well in proper hands:
Inez became sole guardian, which was fair,
And answer'd but to nature's just demands;
An only son left with an only mother
Is brought up much more wisely than another.

XXXVIII
Sagest of women, even of widows, she
Resolved that Juan should be quite a paragon,
And worthy of the noblest pedigree
(His sire was of Castile, his dam from Aragon):
Then for accomplishments of chivalry,
In case our lord the king should go to war again,
He learn'd the arts of riding, fencing, gunnery,
And how to scale a fortress—or a nunnery.

XXXIX
But that which Donna Inez most desired,
And saw into herself each day before all
The learnéd tutors whom for him she hired,
Was, that his breeding should be strictly moral;
Much into all his studies she inquired,
And so they were submitted first to her, all,
Arts, sciences, no branch was made a mystery
To Juan's eyes, excepting natural history.

XL
The languages, especially the dead,
The sciences, and most of all the abstruse,
The arts, at least all such as could be said
To be the most remote from common use,
In all these he was much and deeply read;
But not a page of any thing that's loose,
Or hints continuation of the species,
Was ever suffer'd, lest he should grow vicious.

XLI
His classic studies made a little puzzle,
Because of filthy loves of gods and goddesses,
Who in the earlier ages raised a bustle,
But never put on pantaloons or bodices;
His reverend tutors had at times a tussle,
And for their AEneids, Iliads, and Odysseys,
Were forced to make an odd sort of apology,
For Donna Inez dreaded the Mythology.

XLII
Ovid's a rake, as half his verses show him,
Anacreon's morals are a still worse sample,
Catullus scarcely has a decent poem,
I don't think Sappho's Ode a good example,
Although Longinus tells us there is no hymn
Where the sublime soars forth on wings more ample:
But Virgil's songs are pure, except that horrid one
Beginning with "Formosum Pastor Corydon."

XLIII
Lucretius' irreligion is too strong,
For early stomachs, to prove wholesome food;
I can't help thinking Juvenal was wrong,
Although no doubt his real intent was good,
For speaking out so plainly in his song,
So much indeed as to be downright rude;
And then what proper person can be partial
To all those nauseous epigrams of Martial?

XLIV
Juan was taught from out the best edition,
Expurgated by learnéd men, who place
Judiciously, from out the schoolboy's vision,
The grosser parts; but, fearful to deface
Too much their modest bard by this omission,
And pitying sore his mutilated case,
They only add them all in an appendix,
Which saves, in fact, the trouble of an index;

XLV
For there we have them all "at one fell swoop,"
Instead of being scatter'd through the Pages;
They stand forth marshall'd in a handsome troop,
To meet the ingenuous youth of future ages,
Till some less rigid editor shall stoop
To call them back into their separate cages,
Instead of standing staring all together,
Like garden gods—and not so decent either.

XLVI
The Missal too (it was the family Missal)
Was ornamented in a sort of way
Which ancient mass-books often are, and this all
Kinds of grotesques illumined; and how they,
Who saw those figures on the margin kiss all,
Could turn their optics to the text and pray,
Is more than I know—But Don Juan's mother
Kept this herself, and gave her son another.

XLVII
Sermons he read, and lectures he endured,
And homilies, and lives of all the saints;
To Jerome and to Chrysostom inured,
He did not take such studies for restraints;
But how faith is acquired, and then ensured,
So well not one of the aforesaid paints
As Saint Augustine in his fine Confessions,
Which make the reader envy his transgressions.

XLVIII
This, too, was a seal'd book to little Juan—
I can't but say that his mamma was right,
If such an education was the true one.
She scarcely trusted him from out her sight;
Her maids were old, and if she took a new one,
You might be sure she was a perfect fright;
She did this during even her husband's life—
I recommend as much to every wife.

XLIX
Young Juan wax'd in goodliness and grace;
At six a charming child, and at eleven
With all the promise of as fine a face
As e'er to man's maturer growth was given:
He studied steadily, and grew apace,
And seem'd, at least, in the right road to heaven,
For half his days were pass'd at church, the other
Between his tutors, confessor, and mother.

L
At six, I said, he was a charming child,
At twelve he was a fine, but quiet boy;
Although in infancy a little wild,
They tamed him down amongst them: to destroy
His natural spirit not in vain they toil'd,
At least it seem'd so; and his mother's joy
Was to declare how sage, and still, and steady,
Her young philosopher was grown already.

LI
I had my doubts, perhaps I have them still,
But what I say is neither here nor there:
I knew his father well, and have some skill
In character—but it would not be fair
From sire to son to augur good or ill:
He and his wife were an ill-sorted pair—
But scandal's my aversion—I protest
Against all evil speaking, even in jest.

LII
For my part I say nothing—nothing—but
This I will say—my reasons are my own—
That if I had an only son to put
To school (as God be praised that I have none),
'T is not with Donna Inez I would shut
Him up to learn his catechism alone,
No—no—I'd send him out betimes to college,
For there it was I pick'd up my own knowledge.

LIII
For there one learns—'t is not for me to boast,
Though I acquired—but I pass over that,
As well as all the Greek I since have lost:
I say that there's the place—but Verbum sat.
I think I pick'd up too, as well as most,
Knowledge of matters—but no matter what—
I never married—but, I think, I know
That sons should not be educated so.

LIV
Young Juan now was sixteen years of age,
Tall, handsome, slender, but well knit: he seem'd
Active, though not so sprightly, as a page;
And everybody but his mother deem'd
Him almost man; but she flew in a rage
And bit her lips (for else she might have scream'd)
If any said so, for to be precocious
Was in her eyes a thing the most atrocious.

LV
Amongst her numerous acquaintance, all
Selected for discretion and devotion,
There was the Donna Julia, whom to call
Pretty were but to give a feeble notion
Of many charms in her as natural
As sweetness to the flower, or salt to ocean,
Her zone to Venus, or his bow to Cupid
(But this last simile is trite and stupid).

LVI
The darkness of her Oriental eye
Accorded with her Moorish origin
(Her blood was not all Spanish, by the by;
In Spain, you know, this is a sort of sin);
When proud Granada fell, and, forced to fly,
Boabdil wept, of Donna Julia's kin
Some went to Africa, some stay'd in Spain,
Her great-great-grandmamma chose to remain.

LVII
She married (I forget the pedigree)
With an Hidalgo, who transmitted down
His blood less noble than such blood should be;
At such alliances his sires would frown,
In that point so precise in each degree
That they bred in and in, as might be shown,
Marrying their cousins—nay, their aunts, and nieces,
Which always spoils the breed, if it increases.

LVIII
This heathenish cross restored the breed again,
Ruin'd its blood, but much improved its flesh;
For from a root the ugliest in Old Spain
Sprung up a branch as beautiful as fresh;
The sons no more were short, the daughters plain:
But there's a rumour which I fain would hush,
'T is said that Donna Julia's grandmamma
Produced her Don more heirs at love than law.

LIX
However this might be, the race went on
Improving still through every generation,
Until it centred in an only son,
Who left an only daughter; my narration
May have suggested that this single one
Could be but Julia (whom on this occasion
I shall have much to speak about), and she
Was married, charming, chaste, and twenty-three.

LX
Her eye (I'm very fond of handsome eyes)
Was large and dark, suppressing half its fire
Until she spoke, then through its soft disguise
Flash'd an expression more of pride than ire,
And love than either; and there would arise
A something in them which was not desire,
But would have been, perhaps, but for the soul
Which struggled through and chasten'd down the whole.

LXI
Her glossy hair was cluster'd o'er a brow
Bright with intelligence, and fair, and smooth;
Her eyebrow's shape was like th' aerial bow,
Her cheek all purple with the beam of youth,
Mounting at times to a transparent glow,
As if her veins ran lightning; she, in sooth,
Possess'd an air and grace by no means common:
Her stature tall—I hate a dumpy woman.

LXII
Wedded she was some years, and to a man
Of fifty, and such husbands are in plenty;
And yet, I think, instead of such a one
'T were better to have two of five-and-twenty,
Especially in countries near the sun:
And now I think on 't, "mi vien in mente",
Ladies even of the most uneasy virtue
Prefer a spouse whose age is short of thirty.

LXIII
'T is a sad thing, I cannot choose but say,
And all the fault of that indecent sun,
Who cannot leave alone our helpless clay,
But will keep baking, broiling, burning on,
That howsoever people fast and pray,
The flesh is frail, and so the soul undone:
What men call gallantry, and gods adultery,
Is much more common where the climate's sultry.

LXIV
Happy the nations of the moral North!
Where all is virtue, and the winter season
Sends sin, without a rag on, shivering forth
('T was snow that brought St. Anthony to reason);
Where juries cast up what a wife is worth,
By laying whate'er sum in mulct they please on
The lover, who must pay a handsome price,
Because it is a marketable vice.

LXV
Alfonso was the name of Julia's lord,
A man well looking for his years, and who
Was neither much beloved nor yet abhorr'd:
They lived together, as most people do,
Suffering each other's foibles by accord,
And not exactly either one or two;
Yet he was jealous, though he did not show it,
For jealousy dislikes the world to know it.

LXVI
Julia was—yet I never could see why—
With Donna Inez quite a favourite friend;
Between their tastes there was small sympathy,
For not a line had Julia ever penn'd:
Some people whisper but no doubt they lie,
For malice still imputes some private end)
That Inez had, ere Don Alfonso's marriage,
Forgot with him her very prudent carriage;

LXVII
And that still keeping up the old connection,
Which time had lately render'd much more chaste,
She took his lady also in affection,
And certainly this course was much the best:
She flatter'd Julia with her sage protection,
And complimented Don Alfonso's taste;
And if she could not (who can?) silence scandal,
At least she left it a more slender handle.

LXVIII
I can't tell whether Julia saw the affair
With other people's eyes, or if her own
Discoveries made, but none could be aware
Of this, at least no symptom e'er was shown;
Perhaps she did not know, or did not care,
Indifferent from the first or callous grown:
I'm really puzzled what to think or say,
She kept her counsel in so close a way.

LXIX
Juan she saw, and, as a pretty child,
Caress'd him often—such a thing might be
Quite innocently done, and harmless styled,
When she had twenty years, and thirteen he;
But I am not so sure I should have smiled
When he was sixteen, Julia twenty-three;
These few short years make wondrous alterations,
Particularly amongst sun-burnt nations.

LXX
Whate'er the cause might be, they had become
Changed; for the dame grew distant, the youth shy,
Their looks cast down, their greetings almost dumb,
And much embarrassment in either eye;
There surely will be little doubt with some
That Donna Julia knew the reason why,
But as for Juan, he had no more notion
Than he who never saw the sea of ocean.

LXXI
Yet Julia's very coldness still was kind,
And tremulously gentle her small hand
Withdrew itself from his, but left behind
A little pressure, thrilling, and so bland
And slight, so very slight, that to the mind
'T was but a doubt; but ne'er magician's wand
Wrought change with all Armida's fairy art
Like what this light touch left on Juan's heart.

LXXII
And if she met him, though she smiled no more,
She look'd a sadness sweeter than her smile,
As if her heart had deeper thoughts in store
She must not own, but cherish'd more the while
For that compression in its burning core;
Even innocence itself has many a wile,
And will not dare to trust itself with truth,
And love is taught hypocrisy from youth.

LXXIII
But passion most dissembles, yet betrays
Even by its darkness; as the blackest sky
Foretells the heaviest tempest, it displays
Its workings through the vainly guarded eye,
And in whatever aspect it arrays
Itself, 't is still the same hypocrisy;
Coldness or anger, even disdain or hate,
Are masks it often wears, and still too late.

LXXIV
Then there were sighs, the deeper for suppression,
And stolen glances, sweeter for the theft,
And burning blushes, though for no transgression,
Tremblings when met, and restlessness when left;
All these are little preludes to possession,
Of which young passion cannot be bereft,
And merely tend to show how greatly love is
Embarrass'd at first starting with a novice.

LXXV
Poor Julia's heart was in an awkward state;
She felt it going, and resolved to make
The noblest efforts for herself and mate,
For honour's, pride's, religion's, virtue's sake;
Her resolutions were most truly great,
And almost might have made a Tarquin quake:
She pray'd the Virgin Mary for her grace,
As being the best judge of a lady's case.

LXXVI
She vow'd she never would see Juan more,
And next day paid a visit to his mother,
And look'd extremely at the opening door,
Which, by the Virgin's grace, let in another;
Grateful she was, and yet a little sore—
Again it opens, it can be no other,
'T is surely Juan now—No! I'm afraid
That night the Virgin was no further pray'd.

LXXVII
She now determined that a virtuous woman
Should rather face and overcome temptation,
That flight was base and dastardly, and no man
Should ever give her heart the least sensation;
That is to say, a thought beyond the common
Preference, that we must feel upon occasion
For people who are pleasanter than others,
But then they only seem so many brothers.

LXXVIII
And even if by chance—and who can tell?
The devil's so very sly—she should discover
That all within was not so very well,
And, if still free, that such or such a lover
Might please perhaps, a virtuous wife can quell
Such thoughts, and be the better when they're over;
And if the man should ask, 't is but denial:
I recommend young ladies to make trial.

LXXIX
And then there are such things as love divine,
Bright and immaculate, unmix'd and pure,
Such as the angels think so very fine,
And matrons who would be no less secure,
Platonic, perfect, "just such love as mine;"
Thus Julia said—and thought so, to be sure;
And so I'd have her think, were I the man
On whom her reveries celestial ran.

LXXX
Such love is innocent, and may exist
Between young persons without any danger.
A hand may first, and then a lip be kist;
For my part, to such doings I'm a stranger,
But hear these freedoms form the utmost list
Of all o'er which such love may be a ranger:
If people go beyond, 't is quite a crime,
But not my fault—I tell them all in time.

LXXXI
Love, then, but love within its proper limits,
Was Julia's innocent determination
In young Don Juan's favour, and to him its
Exertion might be useful on occasion;
And, lighted at too pure a shrine to dim its
Ethereal lustre, with what sweet persuasion
He might be taught, by love and her together—
I really don't know what, nor Julia either.

LXXXII
Fraught with this fine intention, and well fenced
In mail of proof—her purity of soul—
She, for the future of her strength convinced.
And that her honour was a rock, or mole,
Exceeding sagely from that hour dispensed
With any kind of troublesome control;
But whether Julia to the task was equal
Is that which must be mention'd in the sequel.

LXXXIII
Her plan she deem'd both innocent and feasible,
And, surely, with a stripling of sixteen
Not scandal's fangs could fix on much that's seizable,
Or if they did so, satisfied to mean
Nothing but what was good, her breast was peaceable—
A quiet conscience makes one so serene!
Christians have burnt each other, quite persuaded
That all the Apostles would have done as they did.

LXXXIV
And if in the mean time her husband died,
But Heaven forbid that such a thought should cross
Her brain, though in a dream! (and then she sigh'd)
Never could she survive that common loss;
But just suppose that moment should betide,
I only say suppose it—inter nos.
(This should be entre nous, for Julia thought
In French, but then the rhyme would go for naught.)

LXXXV
I only say suppose this supposition:
Juan being then grown up to man's estate
Would fully suit a widow of condition,
Even seven years hence it would not be too late;
And in the interim (to pursue this vision)
The mischief, after all, could not be great,
For he would learn the rudiments of love,
I mean the seraph way of those above.

LXXXVI
So much for Julia. Now we'll turn to Juan.
Poor little fellow! he had no idea
Of his own case, and never hit the true one;
In feelings quick as Ovid's Miss Medea,
He puzzled over what he found a new one,
But not as yet imagined it could be
Thing quite in course, and not at all alarming,
Which, with a little patience, might grow charming.

LXXXVII
Silent and pensive, idle, restless, slow,
His home deserted for the lonely wood,
Tormented with a wound he could not know,
His, like all deep grief, plunged in solitude:
I'm fond myself of solitude or so,
But then, I beg it may be understood,
By solitude I mean a sultan's, not
A hermit's, with a haram for a grot.

LXXXVIII
"Oh Love! in such a wilderness as this,
Where transport and security entwine,
Here is the empire of thy perfect bliss,
And here thou art a god indeed divine."
The bard I quote from does not sing amiss,
With the exception of the second line,
For that same twining "transport and security"
Are twisted to a phrase of some obscurity.

LXXXIX
The poet meant, no doubt, and thus appeals
To the good sense and senses of mankind,
The very thing which every body feels,
As all have found on trial, or may find,
That no one likes to be disturb'd at meals
Or love.—I won't say more about "entwined"
Or "transport," as we knew all that before,
But beg'security' will bolt the door.

XC
Young Juan wander'd by the glassy brooks,
Thinking unutterable things; he threw
Himself at length within the leafy nooks
Where the wild branch of the cork forest grew;
There poets find materials for their books,
And every now and then we read them through,
So that their plan and prosody are eligible,
Unless, like Wordsworth, they prove unintelligible.

XCI
He, Juan (and not Wordsworth), so pursued
His self-communion with his own high soul,
Until his mighty heart, in its great mood,
Had mitigated part, though not the whole
Of its disease; he did the best he could
With things not very subject to control,
And turn'd, without perceiving his condition,
Like Coleridge, into a metaphysician.

XCII
He thought about himself, and the whole earth
Of man the wonderful, and of the stars,
And how the deuce they ever could have birth;
And then he thought of earthquakes, and of wars,
How many miles the moon might have in girth,
Of air-balloons, and of the many bars
To perfect knowledge of the boundless skies;—
And then he thought of Donna Julia's eyes.

XCIII
In thoughts like these true wisdom may discern
Longings sublime, and aspirations high,
Which some are born with, but the most part learn
To plague themselves withal, they know not why:
'T was strange that one so young should thus concern
His brain about the action of the sky;
If you think 't was philosophy that this did,
I can't help thinking puberty assisted.

XCIV
He pored upon the leaves, and on the flowers,
And heard a voice in all the winds; and then
He thought of wood-nymphs and immortal bowers,
And how the goddesses came down to men:
He miss'd the pathway, he forgot the hours,
And when he look'd upon his watch again,
He found how much old Time had been a winner—
He also found that he had lost his dinner.

XCV
Sometimes he turn'd to gaze upon his book,
Boscan, or Garcilasso;—by the wind
Even as the page is rustled while we look,
So by the poesy of his own mind
Over the mystic leaf his soul was shook,
As if 't were one whereon magicians bind
Their spells, and give them to the passing gale,
According to some good old woman's tale.

XCVI
Thus would he while his lonely hours away
Dissatisfied, nor knowing what he wanted;
Nor glowing reverie, nor poet's lay,
Could yield his spirit that for which it panted,
A bosom whereon he his head might lay,
And hear the heart beat with the love it granted,
With—several other things, which I forget,
Or which, at least, I need not mention yet.

XCVII
Those lonely walks, and lengthening reveries,
Could not escape the gentle Julia's eyes;
She saw that Juan was not at his ease;
But that which chiefly may, and must surprise,
Is, that the Donna Inez did not tease
Her only son with question or surmise:
Whether it was she did not see, or would not,
Or, like all very clever people, could not.

XCVIII
This may seem strange, but yet 't is very common;
For instance—gentlemen, whose ladies take
Leave to o'erstep the written rights of woman,
And break the—Which commandment is 't they break?
(I have forgot the number, and think no man
Should rashly quote, for fear of a mistake.)
I say, when these same gentlemen are jealous,
They make some blunder, which their ladies tell us.

XCIX
A real husband always is suspicious,
But still no less suspects in the wrong place,
Jealous of some one who had no such wishes,
Or pandering blindly to his own disgrace,
By harbouring some dear friend extremely vicious;
The last indeed's infallibly the case:
And when the spouse and friend are gone off wholly,
He wonders at their vice, and not his folly.

C
Thus parents also are at times short-sighted;
Though watchful as the lynx, they ne'er discover,
The while the wicked world beholds delighted,
Young Hopeful's mistress, or Miss Fanny's lover,
Till some confounded escapade has blighted
The plan of twenty years, and all is over;
And then the mother cries, the father swears,
And wonders why the devil he got heirs.

CI
But Inez was so anxious, and so clear
Of sight, that I must think, on this occasion,
She had some other motive much more near
For leaving Juan to this new temptation;
But what that motive was, I sha'n't say here;
Perhaps to finish Juan's education,
Perhaps to open Don Alfonso's eyes,
In case he thought his wife too great a prize.

CII
It was upon a day, a summer's day;—
Summer's indeed a very dangerous season,
And so is spring about the end of May;
The sun, no doubt, is the prevailing reason;
But whatsoe'er the cause is, one may say,
And stand convicted of more truth than treason,
That there are months which nature grows more merry in,—
March has its hares, and May must have its heroine.

CIII
'T was on a summer's day—the sixth of June:—
I like to be particular in dates,
Not only of the age, and year, but moon;
They are a sort of post-house, where the Fates
Change horses, making history change its tune,
Then spur away o'er empires and o'er states,
Leaving at last not much besides chronology,
Excepting the post-obits of theology.

CIV
'T was on the sixth of June, about the hour
Of half-past six—perhaps still nearer seven—
When Julia sate within as pretty a bower
As e'er held houri in that heathenish heaven
Described by Mahomet, and Anacreon Moore,
To whom the lyre and laurels have been given,
With all the trophies of triumphant song—
He won them well, and may he wear them long!

CV
She sate, but not alone; I know not well
How this same interview had taken place,
And even if I knew, I should not tell—
People should hold their tongues in any case;
No matter how or why the thing befell,
But there were she and Juan, face to face—
When two such faces are so, 't would be wise,
But very difficult, to shut their eyes.

CVI
How beautiful she look'd! her conscious heart
Glow'd in her cheek, and yet she felt no wrong.
Oh Love! how perfect is thy mystic art,
Strengthening the weak, and trampling on the strong,
How self-deceitful is the sagest part
Of mortals whom thy lure hath led along-
The precipice she stood on was immense,
So was her creed in her own innocence.

CVII
She thought of her own strength, and Juan's youth,
And of the folly of all prudish fears,
Victorious virtue, and domestic truth,
And then of Don Alfonso's fifty years:
I wish these last had not occurr'd, in sooth,
Because that number rarely much endears,
And through all climes, the snowy and the sunny,
Sounds ill in love, whate'er it may in money.

CVIII
When people say, "I've told you fifty times,"
They mean to scold, and very often do;
When poets say, "I've written fifty rhymes,"
They make you dread that they'll recite them too;
In gangs of fifty, thieves commit their crimes;
At fifty love for love is rare, 't is true,
But then, no doubt, it equally as true is,
A good deal may be bought for fifty Louis.

CIX
Julia had honour, virtue, truth, and love,
For Don Alfonso; and she inly swore,
By all the vows below to powers above,
She never would disgrace the ring she wore,
Nor leave a wish which wisdom might reprove;
And while she ponder'd this, besides much more,
One hand on Juan's carelessly was thrown,
Quite by mistake—she thought it was her own;

CX
Unconsciously she lean'd upon the other,
Which play'd within the tangles of her hair:
And to contend with thoughts she could not smother
She seem'd by the distraction of her air.
'T was surely very wrong in Juan's mother
To leave together this imprudent pair,
She who for many years had watch'd her son so—
I'm very certain mine would not have done so.

CXI
The hand which still held Juan's, by degrees
Gently, but palpably confirm'd its grasp,
As if it said, "Detain me, if you please;"
Yet there's no doubt she only meant to clasp
His fingers with a pure Platonic squeeze:
She would have shrunk as from a toad, or asp,
Had she imagined such a thing could rouse
A feeling dangerous to a prudent spouse.

CXII
I cannot know what Juan thought of this,
But what he did, is much what you would do;
His young lip thank'd it with a grateful kiss,
And then, abash'd at its own joy, withdrew
In deep despair, lest he had done amiss,—
Love is so very timid when 't is new:
She blush'd, and frown'd not, but she strove to speak,
And held her tongue, her voice was grown so weak.

CXIII
The sun set, and up rose the yellow moon:
The devil's in the moon for mischief; they
Who call'd her CHASTE, methinks, began too soon
Their nomenclature; there is not a day,
The longest, not the twenty-first of June,
Sees half the business in a wicked way
On which three single hours of moonshine smile—
And then she looks so modest all the while.

CXIV
There is a dangerous silence in that hour,
A stillness, which leaves room for the full soul
To open all itself, without the power
Of calling wholly back its self-control;
The silver light which, hallowing tree and tower,
Sheds beauty and deep softness o'er the whole,
Breathes also to the heart, and o'er it throws
A loving languor, which is not repose.

CXV
And Julia sate with Juan, half embraced
And half retiring from the glowing arm,
Which trembled like the bosom where 't was placed;
Yet still she must have thought there was no harm,
Or else 't were easy to withdraw her waist;
But then the situation had its charm,
And then—— God knows what next—I can't go on;
I'm almost sorry that I e'er begun.

CXVI
Oh Plato! Plato! you have paved the way,
With your confounded fantasies, to more
Immoral conduct by the fancied sway
Your system feigns o'er the controulless core
Of human hearts, than all the long array
Of poets and romancers:—You're a bore,
A charlatan, a coxcomb—and have been,
At best, no better than a go-between.

CXVII
And Julia's voice was lost, except in sighs,
Until too late for useful conversation;
The tears were gushing from her gentle eyes,
I wish indeed they had not had occasion,
But who, alas! can love, and then be wise?
Not that remorse did not oppose temptation;
A little still she strove, and much repented
And whispering "I will ne'er consent"—consented.

CXVIII
'T is said that Xerxes offer'd a reward
To those who could invent him a new pleasure:
Methinks the requisition's rather hard,
And must have cost his majesty a treasure:
For my part, I'm a moderate-minded bard,
Fond of a little love (which I call leisure);
I care not for new pleasures, as the old
Are quite enough for me, so they but hold.

CXIX
Oh Pleasure! you are indeed a pleasant thing,
Although one must be damn'd for you, no doubt:
I make a resolution every spring
Of reformation, ere the year run out,
But somehow, this my vestal vow takes wing,
Yet still, I trust it may be kept throughout:
I'm very sorry, very much ashamed,
And mean, next winter, to be quite reclaim'd.

CXX
Here my chaste Muse a liberty must take—
Start not! still chaster reader—she'll be nice hence—
Forward, and there is no great cause to quake;
This liberty is a poetic licence,
Which some irregularity may make
In the design, and as I have a high sense
Of Aristotle and the Rules, 't is fit
To beg his pardon when I err a bit.

CXXI
This licence is to hope the reader will
Suppose from June the sixth (the fatal day,
Without whose epoch my poetic skill
For want of facts would all be thrown away),
But keeping Julia and Don Juan still
In sight, that several months have pass'd; we'll say
'T was in November, but I'm not so sure
About the day—the era's more obscure.

CXXII
We'll talk of that anon.—'T is sweet to hear
At midnight on the blue and moonlit deep
The song and oar of Adria's gondolier,
By distance mellow'd, o'er the waters sweep;
'T is sweet to see the evening star appear;
'T is sweet to listen as the night-winds creep
From leaf to leaf; 't is sweet to view on high
The rainbow, based on ocean, span the sky.

CXXIII
'T is sweet to hear the watch-dog's honest bark
Bay deep-mouth'd welcome as we draw near home;
'T is sweet to know there is an eye will mark
Our coming, and look brighter when we come;
'T is sweet to be awaken'd by the lark,
Or lull'd by falling waters; sweet the hum
Of bees, the voice of girls, the song of birds,
The lisp of children, and their earliest words.

CXXIV
Sweet is the vintage, when the showering grapes
In Bacchanal profusion reel to earth,
Purple and gushing: sweet are our escapes
From civic revelry to rural mirth;
Sweet to the miser are his glittering heaps,
Sweet to the father is his first-born's birth,
Sweet is revenge—especially to women,
Pillage to soldiers, prize-money to seamen.

CXXV
Sweet is a legacy, and passing sweet
The unexpected death of some old lady
Or gentleman of seventy years complete,
Who've made "us youth" wait too—too long already
For an estate, or cash, or country seat,
Still breaking, but with stamina so steady
That all the Israelites are fit to mob its
Next owner for their double-damn'd post-obits.

CXXVI
'T is sweet to win, no matter how, one's laurels,
By blood or ink; 't is sweet to put an end
To strife; 't is sometimes sweet to have our quarrels,
Particularly with a tiresome friend:
Sweet is old wine in bottles, ale in barrels;
Dear is the helpless creature we defend
Against the world; and dear the schoolboy spot
We ne'er forget, though there we are forgot.

CXXVII
But sweeter still than this, than these, than all,
Is first and passionate love—it stands alone,
Like Adam's recollection of his fall;
The tree of knowledge has been pluck'd—all's known—
And life yields nothing further to recall
Worthy of this ambrosial sin, so shown,
No doubt in fable, as the unforgiven
Fire which Prometheus filch'd for us from heaven.

CXXVIII
Man's a strange animal, and makes strange use
Of his own nature, and the various arts,
And likes particularly to produce
Some new experiment to show his parts;
This is the age of oddities let loose,
Where different talents find their different marts;
You'd best begin with truth, and when you've lost your
Labour, there's a sure market for imposture.

CXXIX
What opposite discoveries we have seen!
(Signs of true genius, and of empty pockets.)
One makes new noses, one a guillotine,
One breaks your bones, one sets them in their sockets;
But vaccination certainly has been
A kind antithesis to Congreve's rockets,
With which the Doctor paid off an old pox,
By borrowing a new one from an ox.

CXXX
Bread has been made (indifferent) from potatoes;
And galvanism has set some corpses grinning,
But has not answer'd like the apparatus
Of the Humane Society's beginning
By which men are unsuffocated gratis:
What wondrous new machines have late been spinning!
I said the small-pox has gone out of late;
Perhaps it may be follow'd by the great.

CXXXI
'T is said the great came from America;
Perhaps it may set out on its return,—
The population there so spreads, they say
'T is grown high time to thin it in its turn,
With war, or plague, or famine, any way,
So that civilisation they may learn;
And which in ravage the more loathsome evil is
Their real lues, or our pseudo-syphilis?

CXXXII
This is the patent-age of new inventions
For killing bodies, and for saving souls,
All propagated with the best intentions;
Sir Humphry Davy's lantern, by which coals
Are safely mined for in the mode he mentions,
Tombuctoo travels, voyages to the Poles,
Are ways to benefit mankind, as true,
Perhaps, as shooting them at Waterloo.

CXXXIII
Man's a phenomenon, one knows not what,
And wonderful beyond all wondrous measure;
'T is pity though, in this sublime world, that
Pleasure's a sin, and sometimes sin's a pleasure;
Few mortals know what end they would be at,
But whether glory, power, or love, or treasure,
The path is through perplexing ways, and when
The goal is gain'd, we die, you know—and then—

CXXXIV
What then?—I do not know, no more do you—
And so good night.—Return we to our story:
'T was in November, when fine days are few,
And the far mountains wax a little hoary,
And clap a white cape on their mantles blue;
And the sea dashes round the promontory,
And the loud breaker boils against the rock,
And sober suns must set at five o'clock.

CXXXV
'T was, as the watchmen say, a cloudy night;
No moon, no stars, the wind was low or loud
By gusts, and many a sparkling hearth was bright
With the piled wood, round which the family crowd;
There's something cheerful in that sort of light,
Even as a summer sky's without a cloud:
I'm fond of fire, and crickets, and all that,
A lobster salad, and champagne, and chat.

CXXXVI
'T was midnight—Donna Julia was in bed,
Sleeping, most probably,—when at her door
Arose a clatter might awake the dead,
If they had never been awoke before,
And that they have been so we all have read,
And are to be so, at the least, once more;—
The door was fasten'd, but with voice and fist
First knocks were heard, then "Madam—Madam—hist!

CXXXVII
"For God's sake, Madam—Madam—here's my master,
With more than half the city at his back—
Was ever heard of such a curst disaster!
'T is not my fault—I kept good watch—Alack!
Do pray undo the bolt a little faster—
They're on the stair just now, and in a crack
Will all be here; perhaps he yet may fly—
Surely the window's not so very high!"

CXXXVIII
By this time Don Alfonso was arrived,
With torches, friends, and servants in great number;
The major part of them had long been wived,
And therefore paused not to disturb the slumber
Of any wicked woman, who contrived
By stealth her husband's temples to encumber:
Examples of this kind are so contagious,
Were one not punish'd, all would be outrageous.

CXXXIX
I can't tell how, or why, or what suspicion
Could enter into Don Alfonso's head;
But for a cavalier of his condition
It surely was exceedingly ill-bred,
Without a word of previous admonition,
To hold a levee round his lady's bed,
And summon lackeys, arm'd with fire and sword,
To prove himself the thing he most abhorr'd.

CXL
Poor Donna Julia, starting as from sleep
(Mind—that I do not say—she had not slept),
Began at once to scream, and yawn, and weep;
Her maid Antonia, who was an adept,
Contrived to fling the bed-clothes in a heap,
As if she had just now from out them crept:
I can't tell why she should take all this trouble
To prove her mistress had been sleeping double.

CXLI
But Julia mistress, and Antonia maid,
Appear'd like two poor harmless women, who
Of goblins, but still more of men afraid,
Had thought one man might be deterr'd by two,
And therefore side by side were gently laid,
Until the hours of absence should run through,
And truant husband should return, and say,
"My dear, I was the first who came away."

CXLII
Now Julia found at length a voice, and cried,
"In heaven's name, Don Alfonso, what d' ye mean?
Has madness seized you? would that I had died
Ere such a monster's victim I had been!
What may this midnight violence betide,
A sudden fit of drunkenness or spleen?
Dare you suspect me, whom the thought would kill?
Search, then, the room!"—Alfonso said, "I will."

CXLIII
He search'd, they search'd, and rummaged everywhere,
Closet and clothes' press, chest and window-seat,
And found much linen, lace, and several pair
Of stockings, slippers, brushes, combs, complete,
With other articles of ladies fair,
To keep them beautiful, or leave them neat:
Arras they prick'd and curtains with their swords,
And wounded several shutters, and some boards.

CXLIV
Under the bed they search'd, and there they found—
No matter what—it was not that they sought;
They open'd windows, gazing if the ground
Had signs or footmarks, but the earth said nought;
And then they stared each other's faces round:
'T is odd, not one of all these seekers thought,
And seems to me almost a sort of blunder,
Of looking in the bed as well as under.

CXLV
During this inquisition, Julia's tongue
Was not asleep—"Yes, search and search," she cried,
"Insult on insult heap, and wrong on wrong!
It was for this that I became a bride!
For this in silence I have suffer'd long
A husband like Alfonso at my side;
But now I'll bear no more, nor here remain,
If there be law or lawyers in all Spain.

CXLVI
"Yes, Don Alfonso! husband now no more,
If ever you indeed deserved the name,
Is 't worthy of your years?—you have threescore—
Fifty, or sixty, it is all the same—
Is 't wise or fitting, causeless to explore
For facts against a virtuous woman's fame?
Ungrateful, perjured, barbarous Don Alfonso,
How dare you think your lady would go on so?

CXLVII
"Is it for this I have disdain'd to hold
The common privileges of my sex?
That I have chosen a confessor so old
And deaf, that any other it would vex,
And never once he has had cause to scold,
But found my very innocence perplex
So much, he always doubted I was married—
How sorry you will be when I've miscarried!

CXLVIII
"Was it for this that no Cortejo e'er
I yet have chosen from out the youth of Seville?
Is it for this I scarce went anywhere,
Except to bull-fights, mass, play, rout, and revel?
Is it for this, whate'er my suitors were,
I favor'd none—nay, was almost uncivil?
Is it for this that General Count O'Reilly,
Who took Algiers, declares I used him vilely?

CXLIX
"Did not the Italian Musico Cazzani
Sing at my heart six months at least in vain?
Did not his countryman, Count Corniani,
Call me the only virtuous wife in Spain?
Were there not also Russians, English, many?
The Count Strongstroganoff I put in pain,
And Lord Mount Coffeehouse, the Irish peer,
Who kill'd himself for love (with wine) last year.

CL
"Have I not had two bishops at my feet,
The Duke of Ichar, and Don Fernan Nunez?
And is it thus a faithful wife you treat?
I wonder in what quarter now the moon is:
I praise your vast forbearance not to beat
Me also, since the time so opportune is
Oh, valiant man! with sword drawn and cock'd trigger,
Now, tell me, don't you cut a pretty figure?

CLI
"Was it for this you took your sudden journey.
Under pretence of business indispensable
With that sublime of rascals your attorney,
Whom I see standing there, and looking sensible
Of having play'd the fool? though both I spurn, he
Deserves the worst, his conduct's less defensible,
Because, no doubt, 't was for his dirty fee,
And not from any love to you nor me.

CLII
"If he comes here to take a deposition,
By all means let the gentleman proceed;
You've made the apartment in a fit condition:
There's pen and ink for you, sir, when you need—
Let every thing be noted with precision,
I would not you for nothing should be fee'd—
But, as my maid's undrest, pray turn your spies out."
"Oh!" sobb'd Antonia, "I could tear their eyes out."

CLIII
"There is the closet, there the toilet, there
The antechamber—search them under, over;
There is the sofa, there the great arm-chair,
The chimney—which would really hold a lover.
I wish to sleep, and beg you will take care
And make no further noise, till you discover
The secret cavern of this lurking treasure—
And when 't is found, let me, too, have that pleasure.

CLIV
"And now, Hidalgo! now that you have thrown
Doubt upon me, confusion over all,
Pray have the courtesy to make it known
Who is the man you search for? how d' ye call
Him? what's his lineage? let him but be shown—
I hope he's young and handsome—is he tall?
Tell me—and be assured, that since you stain
My honour thus, it shall not be in vain.

CLV
"At least, perhaps, he has not sixty years,
At that age he would be too old for slaughter,
Or for so young a husband's jealous fears
(Antonia! let me have a glass of water).
I am ashamed of having shed these tears,
They are unworthy of my father's daughter;
My mother dream'd not in my natal hour
That I should fall into a monster's power.

CLVI
"Perhaps 't is of Antonia you are jealous,
You saw that she was sleeping by my side
When you broke in upon us with your fellows:
Look where you please—we've nothing, sir, to hide;
Only another time, I trust, you'll tell us,
Or for the sake of decency abide
A moment at the door, that we may be
Drest to receive so much good company.

CLVII
"And now, sir, I have done, and say no more;
The little I have said may serve to show
The guileless heart in silence may grieve o'er
The wrongs to whose exposure it is slow:
I leave you to your conscience as before,
'T will one day ask you why you used me so?
God grant you feel not then the bitterest grief!—
Antonia! where's my pocket-handkerchief?"

CLVIII
She ceased, and turn'd upon her pillow; pale
She lay, her dark eyes flashing through their tears,
Like skies that rain and lighten; as a veil,
Waved and o'ershading her wan cheek, appears
Her streaming hair; the black curls strive, but fail,
To hide the glossy shoulder, which uprears
Its snow through all;—her soft lips lie apart,
And louder than her breathing beats her heart.

CLIX
The Senhor Don Alfonso stood confused;
Antonia bustled round the ransack'd room,
And, turning up her nose, with looks abused
Her master and his myrmidons, of whom
Not one, except the attorney, was amused;
He, like Achates, faithful to the tomb,
So there were quarrels, cared not for the cause,
Knowing they must be settled by the laws.

CLX
With prying snub-nose, and small eyes, he stood,
Following Antonia's motions here and there,
With much suspicion in his attitude;
For reputations he had little care;
So that a suit or action were made good,
Small pity had he for the young and fair,
And ne'er believed in negatives, till these
Were proved by competent false witnesses.

CLXI
But Don Alfonso stood with downcast looks,
And, truth to say, he made a foolish figure;
When, after searching in five hundred nooks,
And treating a young wife with so much rigour,
He gain'd no point, except some self-rebukes,
Added to those his lady with such vigour
Had pour'd upon him for the last half-hour,
Quick, thick, and heavy—as a thunder-shower.

CLXII
At first he tried to hammer an excuse,
To which the sole reply was tears and sobs,
And indications of hysterics, whose
Prologue is always certain throes, and throbs,
Gasps, and whatever else the owners choose:
Alfonso saw his wife, and thought of Job's;
He saw too, in perspective, her relations,
And then he tried to muster all his patience.

CLXIII
He stood in act to speak, or rather stammer,
But sage Antonia cut him short before
The anvil of his speech received the hammer,
With "Pray, sir, leave the room, and say no more,
Or madam dies."—Alfonso mutter'd, "D—n her,"
But nothing else, the time of words was o'er;
He cast a rueful look or two, and did,
He knew not wherefore, that which he was bid.

CLXIV
With him retired his "posse comitatus,"
The attorney last, who linger'd near the door
Reluctantly, still tarrying there as late as
Antonia let him—not a little sore
At this most strange and unexplain'd "hiatus"
In Don Alfonso's facts, which just now wore
An awkward look; as he revolved the case,
The door was fasten'd in his legal face.

CLXV
No sooner was it bolted, than—Oh shame!
Oh sin! Oh sorrow! and oh womankind!
How can you do such things and keep your fame,
Unless this world, and t' other too, be blind?
Nothing so dear as an unfilch'd good name!
But to proceed—for there is more behind:
With much heartfelt reluctance be it said,
Young Juan slipp'd half-smother'd, from the bed.

CLXVI
He had been hid—I don't pretend to say
How, nor can I indeed describe the where—
Young, slender, and pack'd easily, he lay,
No doubt, in little compass, round or square;
But pity him I neither must nor may
His suffocation by that pretty pair;
'T were better, sure, to die so, than be shut
With maudlin Clarence in his Malmsey butt.

CLXVII
And, secondly, I pity not, because
He had no business to commit a sin,
Forbid by heavenly, fined by human laws,
At least 't was rather early to begin;
But at sixteen the conscience rarely gnaws
So much as when we call our old debts in
At sixty years, and draw the accompts of evil,
And find a deuced balance with the devil.

CLXVIII
Of his position I can give no notion:
'T is written in the Hebrew Chronicle,
How the physicians, leaving pill and potion,
Prescribed, by way of blister, a young belle,
When old King David's blood grew dull in motion,
And that the medicine answer'd very well;
Perhaps 't was in a different way applied,
For David lived, but Juan nearly died.

CLXIX
What's to be done? Alfonso will be back
The moment he has sent his fools away.
Antonia's skill was put upon the rack,
But no device could be brought into play—
And how to parry the renew'd attack?
Besides, it wanted but few hours of day:
Antonia puzzled; Julia did not speak,
But press'd her bloodless lip to Juan's cheek.

CLXX
He turn'd his lip to hers, and with his hand
Call'd back the tangles of her wandering hair;
Even then their love they could not all command,
And half forgot their danger and despair:
Antonia's patience now was at a stand—
"Come, come, 't is no time now for fooling there,"
She whisper'd, in great wrath—"I must deposit
This pretty gentleman within the closet:

CLXXI
"Pray, keep your nonsense for some luckier night—
Who can have put my master in this mood?
What will become on 't—I'm in such a fright,
The devil's in the urchin, and no good—
Is this a time for giggling? this a plight?
Why, don't you know that it may end in blood?
You'll lose your life, and I shall lose my place,
My mistress all, for that half-girlish face.

CLXXII
"Had it but been for a stout cavalier
Of twenty-five or thirty (come, make haste)—
But for a child, what piece of work is here!
I really, madam, wonder at your taste
(Come, sir, get in)—my master must be near:
There, for the present, at the least, he's fast,
And if we can but till the morning keep
Our counsel—(Juan, mind, you must not sleep)."

CLXXIII
Now, Don Alfonso entering, but alone,
Closed the oration of the trusty maid:
She loiter'd, and he told her to be gone,
An order somewhat sullenly obey'd;
However, present remedy was none,
And no great good seem'd answer'd if she stay'd:
Regarding both with slow and sidelong view,
She snuff'd the candle, curtsied, and withdrew.

CLXXIV
Alfonso paused a minute—then begun
Some strange excuses for his late proceeding;
He would not justify what he had done,
To say the best, it was extreme ill-breeding;
But there were ample reasons for it, none
Of which he specified in this his pleading:
His speech was a fine sample, on the whole,
Of rhetoric, which the learn'd call "rigmarole."

CLXXV
Julia said nought; though all the while there rose
A ready answer, which at once enables
A matron, who her husband's foible knows,
By a few timely words to turn the tables,
Which, if it does not silence, still must pose,—
Even if it should comprise a pack of fables;
'T is to retort with firmness, and when he
Suspects with one, do you reproach with three.

CLXXVI
Julia, in fact, had tolerable grounds,—
Alfonso's loves with Inez were well known,
But whether 't was that one's own guilt confounds—
But that can't be, as has been often shown,
A lady with apologies abounds;—
It might be that her silence sprang alone
From delicacy to Don Juan's ear,
To whom she knew his mother's fame was dear.

CLXXVII
There might be one more motive, which makes two;
Alfonso ne'er to Juan had alluded,—
Mention'd his jealousy but never who
Had been the happy lover, he concluded,
Conceal'd amongst his premises; 't is true,
His mind the more o'er this its mystery brooded;
To speak of Inez now were, one may say,
Like throwing Juan in Alfonso's way.

CLXXVIII
A hint, in tender cases, is enough;
Silence is best, besides there is a tact—
(That modern phrase appears to me sad stuff,
But it will serve to keep my verse compact)—
Which keeps, when push'd by questions rather rough,
A lady always distant from the fact:
The charming creatures lie with such a grace,
There's nothing so becoming to the face.

CLXXIX
They blush, and we believe them; at least I
Have always done so; 't is of no great use,
In any case, attempting a reply,
For then their eloquence grows quite profuse;
And when at length they 're out of breath, they sigh,
And cast their languid eyes down, and let loose
A tear or two, and then we make it up;
And then—and then—and then—sit down and sup.

CLXXX
Alfonso closed his speech, and begg'd her pardon,
Which Julia half withheld, and then half granted,
And laid conditions he thought very hard on,
Denying several little things he wanted:
He stood like Adam lingering near his garden,
With useless penitence perplex'd and haunted,
Beseeching she no further would refuse,
When, lo! he stumbled o'er a pair of shoes.

CLXXXI
A pair of shoes!—what then? not much, if they
Are such as fit with ladies' feet, but these
(No one can tell how much I grieve to say)
Were masculine; to see them, and to seize,
Was but a moment's act.—Ah! well-a-day!
My teeth begin to chatter, my veins freeze—
Alfonso first examined well their fashion,
And then flew out into another passion.

CLXXXII
He left the room for his relinquish'd sword,
And Julia instant to the closet flew.
"Fly, Juan, fly! for heaven's sake—not a word—
The door is open—you may yet slip through
The passage you so often have explored—
Here is the garden-key—Fly—fly—Adieu!
Haste—haste! I hear Alfonso's hurrying feet—
Day has not broke—there's no one in the street:"

CLXXXIII
None can say that this was not good advice,
The only mischief was, it came too late;
Of all experience 't is the usual price,
A sort of income-tax laid on by fate:
Juan had reach'd the room-door in a trice,
And might have done so by the garden-gate,
But met Alfonso in his dressing-gown,
Who threaten'd death—so Juan knock'd him down.

CLXXXIV
Dire was the scuffle, and out went the light;
Antonia cried out "Rape!" and Julia "Fire!"
But not a servant stirr'd to aid the fight.
Alfonso, pommell'd to his heart's desire,
Swore lustily he'd be revenged this night;
And Juan, too, blasphemed an octave higher;
His blood was up: though young, he was a Tartar,
And not at all disposed to prove a martyr.

CLXXXV
Alfonso's sword had dropp'd ere he could draw it,
And they continued battling hand to hand,
For Juan very luckily ne'er saw it;
His temper not being under great command,
If at that moment he had chanced to claw it,
Alfonso's days had not been in the land
Much longer.—Think of husbands', lovers' lives!
And how ye may be doubly widows—wives!

CLXXXVI
Alfonso grappled to detain the foe,
And Juan throttled him to get away,
And blood ('t was from the nose) began to flow;
At last, as they more faintly wrestling lay,
Juan contrived to give an awkward blow,
And then his only garment quite gave way;
He fled, like Joseph, leaving it; but there,
I doubt, all likeness ends between the pair.

CLXXXVII
Lights came at length, and men, and maids, who found
An awkward spectacle their eyes before;
Antonia in hysterics, Julia swoon'd,
Alfonso leaning, breathless, by the door;
Some half-torn drapery scatter'd on the ground,
Some blood, and several footsteps, but no more:
Juan the gate gain'd, turn'd the key about,
And liking not the inside, lock'd the out.

CLXXXVIII
Here ends this canto.—Need I sing, or say,
How Juan naked, favour'd by the night,
Who favours what she should not, found his way,
And reach'd his home in an unseemly plight?
The pleasant scandal which arose next day,
The nine days' wonder which was brought to light,
And how Alfonso sued for a divorce,
Were in the English newspapers, of course.

CLXXXIX
If you would like to see the whole proceedings,
The depositions, and the cause at full,
The names of all the witnesses, the pleadings
Of counsel to nonsuit, or to annul,
There's more than one edition, and the readings
Are various, but they none of them are dull;
The best is that in short-hand ta'en by Gurney,
Who to Madrid on purpose made a journey.

CXC
But Donna Inez, to divert the train
Of one of the most circulating scandals
That had for centuries been known in Spain,
At least since the retirement of the Vandals,
First vow'd (and never had she vow'd in vain)
To Virgin Mary several pounds of candles;
And then, by the advice of some old ladies,
She sent her son to be shipp'd off from Cadiz.

CXCI
She had resolved that he should travel through
All European climes, by land or sea,
To mend his former morals, and get new,
Especially in France and Italy
(At least this is the thing most people do).
Julia was sent into a convent: she
Grieved, but, perhaps, her feelings may be better
Shown in the following copy of her Letter:—

CXCII
"They tell me 't is decided; you depart:
'T is wise—'t is well, but not the less a pain;
I have no further claim on your young heart,
Mine is the victim, and would be again;
To love too much has been the only art
I used;—I write in haste, and if a stain
Be on this sheet, 't is not what it appears;
My eyeballs burn and throb, but have no tears.

CXCIII
"I loved, I love you, for this love have lost
State, station, heaven, mankind's, my own esteem,
And yet can not regret what it hath cost,
So dear is still the memory of that dream;
Yet, if I name my guilt, 't is not to boast,
None can deem harshlier of me than I deem:
I trace this scrawl because I cannot rest—
I've nothing to reproach, or to request.

CXCIV
"Man's love is of man's life a thing apart,
'T is woman's whole existence; man may range
The court, camp, church, the vessel, and the mart;
Sword, gown, gain, glory, offer in exchange
Pride, fame, ambition, to fill up his heart,
And few there are whom these cannot estrange;
Men have all these resources, we but one,
To love again, and be again undone.

CXCV
"You will proceed in pleasure, and in pride,
Beloved and loving many; all is o'er
For me on earth, except some years to hide
My shame and sorrow deep in my heart's core;
These I could bear, but cannot cast aside
The passion which still rages as before—
And so farewell—forgive me, love me—No,
That word is idle now—but let it go.

CXCVI
"My breast has been all weakness, is so yet;
But still I think I can collect my mind;
My blood still rushes where my spirit's set,
As roll the waves before the settled wind;
My heart is feminine, nor can forget—
To all, except one image, madly blind;
So shakes the needle, and so stands the pole,
As vibrates my fond heart to my fix'd soul.

CXCVII
"I have no more to say, but linger still,
And dare not set my seal upon this sheet,
And yet I may as well the task fulfil,
My misery can scarce be more complete:
I had not lived till now, could sorrow kill;
Death shuns the wretch who fain the blow would meet,
And I must even survive this last adieu,
And bear with life, to love and pray for you!"

CXCVIII
This note was written upon gilt-edged paper
With a neat little crow-quill, slight and new:
Her small white hand could hardly reach the taper,
It trembled as magnetic needles do,
And yet she did not let one tear escape her;
The seal a sun-flower; "Elle vous suit partout,"
The motto cut upon a white cornelian;
The wax was superfine, its hue vermilion.

CXCIX
This was Don Juan's earliest scrape; but whether
I shall proceed with his adventures is
Dependent on the public altogether;
We'll see, however, what they say to this:
Their favour in an author's cap's a feather,
And no great mischief's done by their caprice;
And if their approbation we experience,
Perhaps they'll have some more about a year hence.

CC
My poem's epic, and is meant to be
Divided in twelve books; each book containing,
With love, and war, a heavy gale at sea,
A list of ships, and captains, and kings reigning,
New characters; the episodes are three:
A panoramic view of hell's in training,
After the style of Virgil and of Homer,
So that my name of Epic's no misnomer.

CCI
All these things will be specified in time,
With strict regard to Aristotle's rules,
The Vade Mecum of the true sublime,
Which makes so many poets, and some fools:
Prose poets like blank-verse, I'm fond of rhyme,
Good workmen never quarrel with their tools;
I've got new mythological machinery,
And very handsome supernatural scenery.

CCII
There's only one slight difference between
Me and my epic brethren gone before,
And here the advantage is my own, I ween
(Not that I have not several merits more,
But this will more peculiarly be seen);
They so embellish, that 't is quite a bore
Their labyrinth of fables to thread through,
Whereas this story's actually true.

CCIII
If any person doubt it, I appeal
To history, tradition, and to facts,
To newspapers, whose truth all know and feel,
To plays in five, and operas in three acts;
All these confirm my statement a good deal,
But that which more completely faith exacts
Is that myself, and several now in Seville,
Saw Juan's last elopement with the devil.

CCIV
If ever I should condescend to prose,
I'll write poetical commandments, which
Shall supersede beyond all doubt all those
That went before; in these I shall enrich
My text with many things that no one knows,
And carry precept to the highest pitch:
I'll call the work "Longinus o'er a Bottle,
Or, Every Poet his own Aristotle."

CCV
Thou shalt believe in Milton, Dryden, Pope;
Thou shalt not set up Wordsworth, Coleridge, Southey;
Because the first is crazed beyond all hope,
The second drunk, the third so quaint and mouthy:
With Crabbe it may be difficult to cope,
And Campbell's Hippocrene is somewhat drouthy:
Thou shalt not steal from Samuel Rogers, nor
Commit—flirtation with the muse of Moore.

CCVI
Thou shalt not covet Mr. Sotheby's Muse,
His Pegasus, nor anything that's his;
Thou shalt not bear false witness like "the Blues"
(There's one, at least, is very fond of this);
Thou shalt not write, in short, but what I choose:
This is true criticism, and you may kiss—
Exactly as you please, or not,—the rod;
But if you don't, I'll lay it on, by G-d!

CCVII
If any person should presume to assert
This story is not moral, first, I pray,
That they will not cry out before they're hurt,
Then that they'll read it o'er again, and say
(But, doubtless, nobody will be so pert)
That this is not a moral tale, though gay;
Besides, in Canto Twelfth, I mean to show
The very place where wicked people go.

CCVIII
If, after all, there should be some so blind
To their own good this warning to despise,
Led by some tortuosity of mind,
Not to believe my verse and their own eyes,
And cry that they "the moral cannot find,"
I tell him, if a clergyman, he lies;
Should captains the remark, or critics, make,
They also lie too—under a mistake.

CCIX
The public approbation I expect,
And beg they'll take my word about the moral,
Which I with their amusement will connect
(So children cutting teeth receive a coral);
Meantime, they'll doubtless please to recollect
My epical pretensions to the laurel:
For fear some prudish readers should grow skittish,
I've bribed my grandmother's review—the British.

CCX
I sent it in a letter to the Editor,
Who thank'd me duly by return of post—
I'm for a handsome article his creditor;
Yet, if my gentle Muse he please to roast,
And break a promise after having made it her,
Denying the receipt of what it cost,
And smear his page with gall instead of honey,
All I can say is—that he had the money.

CCXI
I think that with this holy new alliance
I may ensure the public, and defy
All other magazines of art or science,
Daily, or monthly, or three monthly; I
Have not essay'd to multiply their clients,
Because they tell me 't were in vain to try,
And that the Edinburgh Review and Quarterly
Treat a dissenting author very martyrly.

CCXII
"Non ego hoc ferrem calida juventâ
Consule Planco," Horace said, and so
Say I; by which quotation there is meant a
Hint that some six or seven good years ago
(Long ere I dreamt of dating from the Brenta)
I was most ready to return a blow,
And would not brook at all this sort of thing
In my hot youth—when George the Third was King.

CCXIII
But now at thirty years my hair is grey
(I wonder what it will be like at forty?
I thought of a peruke the other day)—
My heart is not much greener; and, in short, I
Have squander'd my whole summer while 't was May,
And feel no more the spirit to retort; I
Have spent my life, both interest and principal,
And deem not, what I deem'd, my soul invincible.

CCXIV
No more—no more—Oh! never more on me
The freshness of the heart can fall like dew,
Which out of all the lovely things we see
Extracts emotions beautiful and new,
Hived in our bosoms like the bag o' the bee:
Think'st thou the honey with those objects grew?
Alas! 't was not in them, but in thy power
To double even the sweetness of a flower.

CCXV
No more—no more—Oh! never more, my heart,
Canst thou be my sole world, my universe!
Once all in all, but now a thing apart,
Thou canst not be my blessing or my curse:
The illusion's gone for ever, and thou art
Insensible, I trust, but none the worse,
And in thy stead I've got a deal of judgment,
Though heaven knows how it ever found a lodgment.

CCXVI
My days of love are over; me no more
The charms of maid, wife, and still less of widow,
Can make the fool of which they made before,—
In short, I must not lead the life I did do;
The credulous hope of mutual minds is o'er,
The copious use of claret is forbid too,
So for a good old-gentlemanly vice,
I think I must take up with avarice.

CCXVII
Ambition was my idol, which was broken
Before the shrines of Sorrow, and of Pleasure;
And the two last have left me many a token
O'er which reflection may be made at leisure:
Now, like Friar Bacon's brazen head, I've spoken,
"Time is, Time was, Time's past:"—a chymic treasure
Is glittering youth, which I have spent betimes—
My heart in passion, and my head on rhymes.

CCXVIII
What is the end of Fame? 't is but to fill
A certain portion of uncertain paper:
Some liken it to climbing up a hill,
Whose summit, like all hills, is lost in vapour;
For this men write, speak, preach, and heroes kill,
And bards burn what they call their "midnight taper,"
To have, when the original is dust,
A name, a wretched picture, and worse bust.

CCXIX
What are the hopes of man? Old Egypt's King
Cheops erected the first pyramid
And largest, thinking it was just the thing
To keep his memory whole, and mummy hid;
But somebody or other rummaging,
Burglariously broke his coffin's lid:
Let not a monument give you or me hopes,
Since not a pinch of dust remains of Cheops.

CCXX
But I being fond of true philosophy,
Say very often to myself, "Alas!
All things that have been born were born to die,
And flesh (which Death mows down to hay) is grass;
You've pass'd your youth not so unpleasantly,
And if you had it o'er again—'t would pass—
So thank your stars that matters are no worse,
And read your Bible, sir, and mind your purse."

CCXXI
But for the present, gentle reader! and
Still gentler purchaser! the bard—that's I
Must, with permission, shake you by the hand,
And so "Your humble servant, and good-b'ye!"
We meet again, if we should understand
Each other; and if not, I shall not try
Your patience further than by this short sample—
'T were well if others follow'd my example.

CCXXII
"Go, little book, from this my solitude!
I cast thee on the waters—go thy ways!
And if, as I believe, thy vein be good,
The world will find thee after many days."
When Southey's read, and Wordsworth understood,
I can't help putting in my claim to praise—
The four first rhymes are Southey's every line:
For God's sake, reader! take them not for mine.

poem by from Don Juan (1824)Report problemRelated quotes
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The terrible thing about terrorism is that ultimately it destroys those who practice it. Slowly but surely, as they try to extinguish life in others, the light within them dies.

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Unfortunately, money in politics is an insidious thing - and a loophole in our campaign finance system was taken advantage of with money going to existing or new 527 groups with the sole purpose of influencing the election.

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But clearly an economy that's growing and expanding like this one - and it certainly is doing that with high GDP output, employment numbers strong, capacity utilization strong - that's an environment in which the Fed needs to continually be alert to early signs of inflation.

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I am searching for love never ending

Although sometimes love is caught
only in moments long
and comes and goes far quicker
than it should be
and I remember every flame,
every girl that cherished me

I am searching for love never ending,
someone to hold dear
when the final years draw near
and even beyond this thing
that we call life
to be a companion, a lover and a wife.

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Time and Space

Just past the ordinary,
The road becomes obscure
where space defies
Three dimensions
And time surpasses four...

My presence is an illusion
Constructed by the eyes
To make my person visible
While I remain inside...

Energy That is transparent
Creates change with response,
Elicited from the living,
Dialogue of the spirit...

Transformation bears momentum,
Focusing for a while,
Lingering on something
Made substantial
In the spotlight...

Then, flickering in memory
After the light has passed,
Conviction throughout existence
Stays the essence of a goal...

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My Centurion

Somewhere in
Dark corners
I know
Something is wrong.
No fear
No talking
Just this long wait for pain
Scream scream
Were going down
My centurion dies
All I can do now is wait for the noise
Im so helpless and
I could just cry inside
no! no!
Oh god
Look at the speed
Were going in
So this
Is death and
Its so
Calm Im surprised
All I can do now is wait for noise
This machine
No sign of life
Only the whisper of air
She wont turn
She wont climb
She wont stop
She wont fly
Im falling
Im silent
Im thinking
Im waiting for this thing to end.
All I can do now is wait for the noise.

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You have to realise that I am not a remarkable person at all, but incomprehensible even to myself. While in the cradle I was showered with gifts from many beautiful people who acted as fairies having been invited by my mother to bestow a multitude of different talents upon her son. But the forgotten fairy, the terrible twisted and bandy legged one that is always left out appeared as well. Leaning over my cot, she said I cannot take away the gifts you have just received from these ladies, but I can give you one of my own. Your whole life long, you will never do that which you like best!

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