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I'm a neurotic New York Jew by birth. Creating characters is second nature to me.

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New York City

Standing on the corner, just me and yoko ono,
We was waiting for jerry to land.
Up come a man with a guitar in his hand,
Singing, have a marijuana, if you can.
His name was david peel and we found that he was real,
He sang, the pope smokes dope evryday.
Up come a policeman, shoved us of the street,
Singing, power to the people today.
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Hey! hey!
Well, down to maxs, kansas city, got down the nitty gritty
With the elephants memory band.
Laid something down as the news spread around
About the plastic ono elephants memory band.
Well, we played some funky boogie, and laid some tutti fritti,
Singing, long tall sallys a man.
Up come a preacher man, tryin to be a teacher,
Singing, gods a red herring in drag!
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Ha! ha!
Hey! hey! hey! hey!
Hey!
Oh yeah!
Hey! new york city!
Alright, new york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Hey! hey!
Well, we did the staten island ferry, making movies for the telly,
Played the fillmore and apollo for freedom.
Tried to shake our image, just a-cycling through the village,
But we found that we had left it back in london.
Well, nobody came to bug us, hustle us or shove us,
We decided to make it our home.
If the man wants to shove us out, we gonna jump and shout,
The statue of liberty said, come!
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?

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New York City

Standing on the corner, just me and yoko ono,
We was waiting for jerry to land.
Up come a man with a guitar in his hand,
Singing, have a marijuana, if you can.
His name was david peel and we found that he was real,
He sang, the pope smokes dope evryday.
Up come a policeman, shoved us of the street,
Singing, power to the people today.
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Hey! hey!
Well, down to maxs, kansas city, got down the nitty gritty
With the elephants memory band.
Laid something down as the news spread around
About the plastic ono elephants memory band.
Well, we played some funky boogie, and laid some tutti fritti,
Singing, long tall sallys a man.
Up come a preacher man, tryin to be a teacher,
Singing, gods a red herring in drag!
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Ha! ha!
Hey! hey! hey! hey!
Hey!
Oh yeah!
Hey! new york city!
Alright, new york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Hey! hey!
Well, we did the staten island ferry, making movies for the telly,
Played the fillmore and apollo for freedom.
Tried to shake our image, just a-cycling through the village,
But we found that we had left it back in london.
Well, nobody came to bug us, hustle us or shove us,
We decided to make it our home.
If the man wants to shove us out, we gonna jump and shout,
The statue of liberty said, come!
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?

[...] Read more

song performed by Yoko OnoReport problemRelated quotes
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New York Times

New york poor new york
New york poor new york
Cars choking your child to death
But you dont wanna see
Cause you only think about yourself
How blind can you be
New york poor new york
Sniper on the rooftop new york
New york poor new york
Not fit for a dog in new york
Everybody bites on the big apple
Leave the hungry in tears
But no one gives a damn no one really cares
How they feel theyre just paper people not real
You need a gun to walk into new york
Now youre broke and youre out on a ledge
Who can help you this time
Now youre down to your very last cent
Still youre askin me who was your friend
I was your friend
New york poor new york
Who turned the lights out in new york
New york poor new york
Just another blackout in new york
Girl dead on the 26th floor
But no one knew her name
Found her body behind the door
Too young for the game
New york poor new york
Devils in the subway new york
New york poor new york
New york poor new york
Talkin talkin talkin - watch out
Harlem touching midtown new york
New york poor new york
Talkin bout new york new york
Moneys getting tighter new york
Theyre burning the bridges to new york

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Safe In New York City

(young - young)
Hello baby gimme your hand
Check out the high spots the lay of the land
You dont need a rocket or a big limousine
Come on over baby and Ill make you obscene
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
All over the city and down to the dives
Dont mess with this place itll eat you alive
Got lip smackin honey to soak up the jam
On top of the world ma ready to slam
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
Movin all over like a jumpin bean
Take a look at that thing in the tight ass jeans
Comin your way now you may be in luck
Dont you fret boy shes ready to buck
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
New york, new york, new york
I feel safe in a cage in new york city
2000, j. albert & son, pty.

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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New York City

Standing on the corner
Just me and yoko ono
We was waiting for jerry to land
Up come a man with a guitar in his hand
Singing, have a marijuana if you can
His name was david peel
And we found that he was real
He sang, the pope smokes dope every day
Up come a policeman shoved us up the street
Singing, power to the people today!
New york city...new york city...new york city
Que pasa, new york?
Que pasa, new york?
Well down to maxs kansas city
Got down the nitty gritty
With the elephants memory band
Laid something down
As the news spread around
About the plastic ono elephants memory band!
And we played some funky boogie
And laid some tutti frutti
Singing, long tall sallys a man.
Up come a preacherman trying to be a teacher
Singing, gods a red herring in drag!
New york city...new york city...new york city
Que pasa, new york?
Que pasa, new york?
New york city...new york city...new york city
Que pasa, new york?
Que pasa, new york?
Well we did the staten island ferry
Making movies for the telly
Played the fillmore and apollo for freedom
Tried to shake our image
Just a cycling through the village
But found that we had left it back in london
Well nobody came to bug us
Hustle us or shove us
So we decided to make it our home
If the man wants to shove us out
We gonna jump and shout
The statue of liberty said, come!
New york city...new york city...new york city
Que pasa, new york?
Que pasa, new york?
New york city...back in new york city...new york city
Que pasa, new york?
Que pasa, new york?

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Mist Upon the Placid Morn

Bleed out your beauty, Autumn –
Give up a gentle wrist, and smear
Your bloody hues atop the green.

Cast a calming throw of heady peace
Upon the cooling land.
And as you grant the sun a final fling of warmth,
Charge the silent air
(Now lolling on a foliar deathbed)
With earthen whiff to intimate the fungal push.

Soon you’ll send a shiver down the watery spine of
Quivering ponds, punctual brooks, and
Listless lakes, to warn them of the freeze to come.

Behold! your mellow spirit
Hanging as a mist upon the placid morn –
A sight that draws a sneaking tear or two – forlorn
Observers are we all of colder climes to view!

Autumn Lady, must you be the summer waning –?
Our adieu to fairer-weather life?
Ah well, at least you hum a warming tone, ensuring
Nature’s rhythm still abounds.

But now you must prepare the mind for chilly times –
You know the drill –
Guiding us along a sloping path
To ease our psyche in to sleet and snow –
The blue-ice bite of winter.


Copyright © Mark R Slaughter 2010


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As I ventured to the Wood

As I ventured to the wood,
I stopped to draw on dewy air; let
Droplets shimmer in my hair, that
Rested on my tranquil head – as
In a sense of cosy bed.

As I ventured to the wood,
A gesturing cuckoo perched above,
And then in song with cooing dove,
‘You're welcome’, bade he, ’Enter please
To roam our land with gentle breeze.’

As I ventured to the wood,
A fallow deer of limpid eye
Gave care to glance at lucky I.
The heavenly aura 'bout her glow had
Charmed me, like a fine Bordeaux.

As I ventured to the wood,
A dazzling flower waved her face
In blazing show of dance and chase, and
Reddened bright in shade of dawn, she
Flirted like a prancing fawn.

As I ventured to the wood,
A butterfly had graced my arm,
And knowing I bid him no harm, he
Splayed for me hypnotic wing in
Colours for to urge me sing!

As I ventured to the wood,
The radiant sun shone down on me.
He flushed and beamed ‘I say to thee,
You bless your land; be filled with pride, and
Cherish e’er yon countryside! ’

Copyright © Mark R Slaughter 2009
All rights reserved

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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A Country Path in Late Spring

The path of mossy ground nestled
In between maternal hedgerows,
That overgrew atop, dimming down
The brilliance of the day.
Embosomed, a calm-cool vision –
Abstract takes of nature, in
Leaf-spattered green shades;
Stem-speckled brown hues;
Shards of sunlight percolating
Through the random flaws to
Up glittering sprites upon the leaves.

And avian chatter bounced along the burrow,
Smattered by the crosstalk
Of busybody insects;
But outside the green comfort zone,
Other worlds of other sounds of other life
Otherwise gave a hint of
Other dozy goings on.

Hawthorn filled the air,
Filled the nose,
Filled the head –
Pungency had overpowered all –
Gave the late-spring-early-summer haze.

Here and there a break of colour:
Odd bluebells – escapees from nearby woods –
Blue-blushing bell faces glancing down,
Aware of their erectness in the stem;
The flaming wing of red admirals
Broke through a hedge hole to
Break up the calm backdrop,
While flitting blue tits gave
To greater-bodied animation.

Nature’s warm narration –
The undertones of life.

Copyright © Mark R Slaughter 2010

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New York City

New york city ... here we come
New york city ... just for fun
New york city ... broadway lights
New york city ... oh baby, funny nights
New york city ... here we come
New york city ... just for fun
New york city ... here we come
New york city ... just for fun
New york city ... broadway lights
New york city ... oh baby, funny nights
New york city ... here we come
New york city ... just for fun
Mmmh baby
New york city ... here we come
New york city ... just for fun
New york city ... broadway lights
New york city ... mmmh baby, funny nights
New york city ... here we come
New york city ... just for fun
New york city ... broadway lights
New york city

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Empire State Of Mind

Yeah, Yeah, I'ma up at Brooklyn, now I'm down in Tribeca
Right next to De Niro, but I'll be hood forever
I'm the new Sinatra, and since I made it here
I can make it anywhere, yeah, they love me everywhere

I used to cop in Harlem, all of my Dominicanos
Right there up on Broadway, brought me back to that McDonald's
Took it to my stash spot,560 State Street
Catch me in the Kitchen like a Simmons whipping pastry

Cruising down 8th Street, off-white Lexus
Driving so slow, but BK is from Texas
Me I'm up at Bed-Stuy, home of that boy Biggie
Now I live on Billboard, and I brought my boys with me

Say what up to Ty Ty, still sipping mai tai
Sitting courtside, Knicks and Nets give me high fives
Nigga I be spiked out, I can trip a referee,
Tell by my attitude, that I am most definitely from

In New York, concrete jungle where dreams are made, oh
There's nothing you can't do, now you're in New York
These streets will make you feel brand new
Big lights will inspire you, let's hear it for New York
New York, New York
(I made you hot, nigga)

Catch me at the X with OG at a Yankee game,
Shit, I made the Yankee hat more famous than a Yankee can
You should know I bleed blue, but I ain't a Crip though
But I got a gang of niggas walking with my clique, though

Welcome to the melting pot, corners where we selling rock
Afrika Bambaataa shit, home of the hip hop
Yellow Cab, Gypsy Cab, Dollar Cab, holla back
For foreigners that ain't fifty they act like they forgot how to act

Eight million stories, out there, and they're naked
Cities is a pity, half of y'all won't make it
Me I gotta plug, Special Ed 'I Got It Made'
If Jesus payin' LeBron, I'm paying Dwyane Wade

Three dice, Cee-lo, three-card, Monte
Labor Day Parade, rest in peace, Bob Marley
Statue of Liberty, long live the World Trade
Long live the king yo, I'm from the Empire State that's

In New York, concrete jungle where dreams are made, oh
There's nothing you can't do, now you're in New York
These streets will make you feel brand new

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Jonny

On the night of april the 14th
A little girl walked to new york, new york
Her best friend jonny said
Itd be impossible cause
Seattle is too far away from new york, new york
Seattle is too far away from new york, new york
She only talked to jonny
Talked to him that night
Only talked to jonny
Then she walked to new york
It happened eight years ago today
Im the little girl walked to new york, new york
My best friend jonny said
Itd be impossible cause
Seattle is too far away from new york, new york
Seattle is too far away from new york, new york
Chorus:
She only talked to jonny
Talked to him that night
Only talked to jonny
She only talked to jonny
Talked to him that night
Only talked to jonny
Then she walked to new york
It was hard for them that I was gone
Only jonny knew why I fled to new york
He was my best friend jonny yeah
I know I loved him cause
Seattle is too far from new york, new york
Seattle is too far from new york, new york
Chorus
Oh jonny...

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The Merchant of Venice,: A Legend of Italy

I believe there are few
But have heard of a Jew,
Named Shylock, of Venice, as arrant a 'screw'
In money transactions as ever you knew;
An exorbitant miser, who never yet lent
A ducat at less than three hundred per cent.,
Insomuch that the veriest spendthrift in Venice,
Who'd take no more care of his pounds than his pennies,
When press'd for a loan, at the very first sight
Of his terms, would back out, and take refuge in Flight.
It is not my purpose to pause and inquire
If he might not, in managing thus to retire,
Jump out of the frying-pan into the fire;
Suffice it, that folks would have nothing to do,
Who could possibly help it, with Shylock the Jew.

But, however discreetly one cuts and contrives,
We've been most of us taught in the course of our lives,
That 'Needs must when the Elderly Gentleman drives!'
In proof of this rule,
A thoughtless young fool,
Bassanio, a Lord of the Tomnoddy school,
Who, by showing at Operas, Balls, Plays, and Court,
A 'swelling' (Payne Collier would read 'swilling') 'port,'
And inviting his friends to dine, breakfast, and sup,
Had shrunk his 'weak means,' and was 'stump'd,' and 'hard up,'
Took occasion to send
To his very good friend
Antonio, a merchant whose wealth had no end,
And who'd often before had the kindness to lend
Him large sums, on his note, which he'd managed to spend.

'Antonio,' said he, 'Now listen to me;
I've just hit on a scheme which, I think you'll agree,
All matters consider'd, is no bad design,
And which, if it succeeds, will suit your book and mine.
'In the first place, you know all the money I've got,
Time and often, from you has been long gone to pot,
And in making those loans you have made a bad shot;
Now do as the boys do when, shooting at sparrows
And tom-tits, they chance to lose one of their arrows,
-- Shoot another the same way -- I'll watch well its track,
And, turtle to tripe, I'll bring both of them back!
So list to my plan,
And do what you can,
To attend to and second it, that's a good man!

'There's a Lady, young, handsome, beyond all compare, at
A place they call Belmont, whom, when I was there, at
The suppers and parties my friend Lord Mountferrat

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In the next birth

IF I ACQUIRED the menacing form of an
alligator in the next birth,
I would want you to cling tightly to my persona as my serrated green
skin.


If I was born in the ominous form of the jungle tiger in the
next birth,
I would you to be incorporated in my body as my domineeringly
authoritative growl.


If I was born as a densely foliated tree in the next birth,
I would want you to be the perennial leaves that emanated from
my silhouette.


If I was born as an opalescent fish in the next birth,
I would want you to be saline water in which I could sustain life
and swim.


If I was born as the twin horned sacrosanct cow in the next birth,
I would inevitably desire you as the milk I would diffuse from
my flaccid teats.


If I was born as a slithering reptile in the next birth,
I would want you to be the lethal venom I possessed in my triangular
fangs.


If I was born as an obnoxious donkey in the next birth,
I would want you to be my hooves which swished indiscriminately
at innocuous trespassers.


If I was born as perpetually blind in the next birth,
I would indispensably want you to be my eyes to guide me
towards dazzling light.


If I was born as being disdainfully maim; bereft of feet in the next
birth,
I would incorrigibly want you to be my legs to ecstatically leap
in times of jubilation.


If I was born as a rustic spider with a battalion of arms in the
next birth,

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Big Apple Dreamin' (Hippo)

We're so young and pretty, we're so young and clean
So many things that we have never seen
Let's move from Ohio, sell this dam' old store
Big Apple dreamin' on a wooden floor
Skyscrapers and subways and stations
Staring up at the United Nations
New York is waiting for you and me, baby
Waiting to swallow us down
New York, we're coming to see what you're made of
Are you as great as you sound
Heard about them massages, and all those dirty shows
I read somewhere some places never close
While we waste time on yokels, comin' through the door
Big Apple dreamin' on a wooden floor
Skyscrapers and subways and stations
Staring up at the United Nations
New York is waiting for you and me, baby
Waiting to swallow us down
New York, we're coming to see what you're made of
Are you as great as you sound
New York is waiting for you and me, baby
Waiting to swallow us down
New York, we're coming to see what you're made of
Are you as tough as you sound
Oh, New York is waiting for you and me, baby
Waiting to swallow us down, whoo-oo
New York, we're coming, to see what you're made of
Are you as tough as you sound
Yeah, New York is waiting, baby
Waiting to swallow us down,
New York, we're coming, see what you're made of
You can't be as tough as you sound
Oh, New York, you and me, baby
Waiting to swallow us down,
New York, we're coming see what you're made of
Are you as great as you sound
Oh, New York, Oh, New York we're coming
Oh, we're coming to see what you're made of
Oh, you can't be as tough as you sound
Me and my baby, we're coming
Oh, we're coming
They're waiting for you and me, baby
Oh... (Fading out dialog)

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Gaia’s Plan

Please, don’t sweep the leaves away –
Their essence gives to life’s decay.

Never hack the flowers down –
Their colours bless the laughing clown.

Now why the mowing of the lawn?
The severed grass will lie forlorn.

Let our flora live undressed,
Or under Man, will toil repressed!

I, the tree of standing still –
Erect and proud, and stout of will,
Aglow with motley bark of earth –
Advance my roots for all they’re worth,
Internalising Nature’s bowels
To snag the devil, tweak his jowls
And pull his hairs from whence they grow!
I’ll destroy his pagan show
Of Homo sapiens’ disrespect!

The humble ape must reconnect
With Gaia’s plan!

Copyright © Mark R Slaughter 2010

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Filippo Baldinucci on the Privilege of Burial

"No, boy, we must not"—so began
My Uncle (he's with God long since),
A-petting me, the good old man!
"We must not"—and he seemed to wince,
And lost that laugh whereto had grown
His chuckle at my piece of news,
How cleverly I aimed my stone—
"I fear we must not pelt the Jews!

"When I was young indeed,—ah, faith
Was young and strong in Florence too!
We Christians never dreamed of scathe
Because we cursed or kicked the crew.
But now, well, well! The olive-crops
Weighed double then, and Arno's pranks
Would always spare religious shops
Whenever he o'erflowed his banks!

"I'll tell you"—and his eye regained
Its twinkle—"tell you something choice!
Something may help you keep unstained
Your honest zeal to stop the voice
Of unbelief with stone-throw, spite
Of laws, which modern fools enact,
That we must suffer Jews in sight
Go wholly unmolested! Fact!

"There was, then, in my youth, and yet
Is, by our San Frediano, just
Below the Blessed Olivet,
A wayside ground wherein they thrust
Their dead,—these Jews,—the more our shame!
Except that, so they will but die,
Christians perchance incur no blame
In giving hogs a hoist to stye.

"There, anyhow, Jews stow away
Their dead; and,—such their insolence,—
Slink at odd times to sing and pray
As Christians do—all make-pretence!—
Which wickedness they perpetrate
Because they think no Christians see.
They reckoned here, at any rate,
Without their host: ha, ha, he, he!

"For, what should join their plot of ground
But a good Farmer's Christian field?
The Jews had hedged their corner round
With bramble-bush to keep concealed
Their doings: for the public road

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poem by from Pacchiarotto (1876)Report problemRelated quotes
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Unlock That Box!

Everybody knows.
You're behind closed doors.
Wishing to live a life you hide.
But afraid to step outside.

So...
Unlock that box!
You like to peep but get on out.
Too many people keep their wishes swept away.
To have their walls upon them fall...
As they dry to rot and fade.

Unlock that box!
Get out and walk the block.
And stop playing the game with life,
Of love or love me not.

Everybody knows.
You're behind closed doors.
Wishing to live a life you hide.
But afraid to step outside.

So...
Unlock that box!
Or...
Get somebody who will prove,
That you can move and do it!

Don't be neurotic you can do something about it.

Unlock that box.
Why you choose to be neurotic.
Unlock that box.
You can do something about it.
Unlock that box.
You're like an addict on narcotics.

And everybody knows you're there behind closed doors.

Unlock that box.
Why you choose to be neurotic.
Unlock that box.
You can do something about it.
Unlock that box.
You're like an addict on narcotics.
Unlock that box.
Why you choose to be neurotic.
Unlock that box.
You're like an addict on narcotics.
Unlock that box!

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8th Avenue Shuffle

Patrick simmons
Hey, hey, honey, whats on your mind
Well, you said that sleepin with a poor bands not your style
Aint that just a little unkind
Hey, marlon brando, what would you do in a spot like this
I dont play as your pawn tonight
Doin the new york hustle with a hundred dollar miss
Summer night in the city
New york girls they always make you feel so fine
Theres music, and I can always hear it playin
New york nights and theres music in the streets
A doin the eighth avenue shuffle on a friday afternoon
With the hum of a thousand engines
Singin that old familiar tune
And now yakety yak and dont talk back
When a guy lay me down with my pontiac
Tell those high school queens of mine that the
Prom was for your monkey shine
Try n a catch a cab in new york city
New york girls are oh, so pretty
Try n a catch a cab in new york city
New york girls make you feel so fine
Try n a catch a cab in new york city
New york girls are oh, so pretty
Try n a catch a cab in new york city
Music in the streets
Another night, another town
Im out on the road and thers no one around
And its rainin, yeah, its rainin
Silence is all around
Its cold and lonely, oh darlin, if only I could feel it
Oh, can you feel it
Eighth avenue shuffle on a friday afternoon
With the hum of a thousand engines
Singin that old familiar tune
Hey, marlon brando, do you agree it feels so fine
Doin the new york hustle
These girls are doin the monkey shine
Summer night in the city
New york girls they always make you feel so fine
Theres music, and I can always hear it playin
New york nights and theres music in the streets

song performed by Doobie BrothersReport problemRelated quotes
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