Actually, I don't think there's anyone that represents the artists, except the artists themselves.
quote by Isaac Hanson
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Related quotes
Washed Away Under Work Loads
artists feel frustrated
when achieving not
when producing art not
not realizing images
in shifting vision mind
artists should
be producing art
no time for cooking
no time for cleaning
no time for hair cut
artists should not
not be able to keep up
with fermenting ideas
rain weather changes
haunting wake up calls
not creating art
is wasting artistic souls
is wasting artistic lives
in dry season droughts
withering artistic minds
work income human activities
life necessity farming for wages
dependent on salary climates
fifty sixty wage slave hours
is change devastating for artists
this drought no time for artistic activities
is crop failure starvation of artistic minds
leading to artistic suffering on massive scales
droughts are caused by lack of fertility rains
extended over long periods of wage slave times
slight brief rains slight artistic showers
is normality artistic not enough spring rains
to ground absorb artistic evaporated minds
artist is dehydrated lacking soul rejuvenations
plants animals need sustaining life waters
artists need self generated creativity waters
least art dies death of artistic dehydrations
art is main ingredient in artistic food chains
plants die from lack of water therefore animals
eating these plants will also die in drought cycles
artists true artists deprived of art wither drought dies
in mind soul lacking artistic flowering rejuvenations
[...] Read more
poem by Terence George Craddock
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Reverse Reality
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
poem by Nyein Way
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An Abc Of Inner Peace
inner peace: a to z (© Raj Arumugam, September 2008)
Inner peace is effortless, as it’s always there within.
One just has to see it.
And once one truly sees this inner peace – not with words or just
intellectually, but actually see this inner peace within – it is one’s, always;
no one takes away that…
Nothing and no evil and no violent force or even the most difficult
of circumstances in one’s life can remove that inner peace that one
sees within; but let one see this not as a word, or as a phrase
but as an actuality.
Feel that peace, see that inner peace and let it radiate always – for it is
the harmony within each and it is always one’s own.
A
Let amity be your constant companion….Be at peace with all beings, equally at peace with those near and those far, and thus walk hand in hand with amity as in a bounteous garden…
B
Be mindful of your blessings always…To be alive, to breathe in fresh air;
and to be with the family and the companionship of good fellow-human
beings; and the kindness of strangers; and the creatures of this world
and the flowers that bloom, and to have a place in this marvelous planet
of ours….all these too are blessings….
There is a life of the body in the domain of the physical, and
the legitimate needs of the body are just as important as
one’s inner needs…
[...] Read more
poem by Raj Arumugam
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Everlasting Rose
a rose is often used to show
your affectionate feelings to
someone special.
The 'r' in the word represents
The radiant beauty of a rose.
For no flow can compare.
For you are like a rose filled with passion
And are truly one of a kind.
The 'o' represents the overwhelming
depths of color of each petal of
the rose. It's like the outstanding
depths of color that spark in
your beautiful eyes.
The 's' represents the Softness
of each petal of the rose.
For your lips are like the
petalsof a rose, soft and sweet
to each kiss.
The 'e' represents the everlasting
beauty of the rose, for the rose
soon fades and dies.
But the everlasting beauty of it
stays in the eye of your mind forever
for you are like my rose.
For your beauty is everlasting
neither fades nor dies in the
eyes of the one that cares for you.
poem by Ryan Castro
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You Might Actually Care
So many times my heart leans over
Psst David, look, she's pretty, she's nice, she could be your lover
So many times Heart tells me how great she is
Heart prods me: 'Hey what if that your first kiss '
Heart says: 'You've only seen this side of her but she's actually like this'
Heart says: 'This isn't your idea of her this is her' what hypnosis
Heart says: 'She thinks you're worth it '
Heart says: 'She's wants romance, she wants you, you're a perfect fit'
Heart prods me: 'Wouldn't it be wonderful if...'
Heart says: 'Hey she actually cares, don't wait take the risk '
Heart says: 'Hey come this is your chance, she's like your serif'
Heart says: 'You want her, no you need her, like dawn needs dusk.'
Heart says: 'Don't suppress your feelings you were made for it'
Deceit... could this be deceit... Heart are you my friend?
Because of this, no hopefully in spite of this I think you care
I think that maybe I could say this love, maybe it's love... do I dare?
I think you might actually truly value me
Maybe you don't know to say 'you're worth it' but I hope you think that
I sincerely hope if I love you it's for you, not the you I see
I want to love you for who you really are, I want to love you at
Every single, breathing moment of my life, if I say I love you
It means I want to spend my entire life with you, I really do
So now you see why I can't just walk up and say how I feel
I'm not sure if my heart will ever heal
It's destroyed by lust, deceived by Heart... I don't want to offer you that
No you deserve better, but what if you actually care... I dunno if I was at
Even though I want you to have someone better I can't help it
I love you or so I think, I wish I could take a hit
For you and just not pursue so that someone worthy might find you
I'm sorry for my selfishness too
But maybe you don't care... maybe you'd only accept another
I don't want to fall in love with an idea of you
But maybe you could actually love me
Maybe you return my feelings and because maybe you're the first one
Who actually cares. Or maybe Heart has won
Again... do you actually care? Can I say that I love you?
Or could I let you go?
poem by David Knox
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Myths and Symbols
An island represents the world and people that inhabit it,
A conch represents democracy and freedom of speech,
Glasses symbolize power as well as the power to understand,
And have common sense,
Light represents the power to reveal or conceal,
As well as to create and illusion in the mind,
It means knowledge as well,
The sun shows power and strength however it seems,
Like it's also the protector of good,
The sea seems to represent a haven of unknown,
And maybe evil,
Fire symbolizes a killer and a fighting, killing soldier,
In a deadly war only to claim lives,
Beasts are not actually real but show a,
Pigment of fear in the world and all that inhabit,
These are some symbols in life,
Some may help and some may not,
But in the world there are many more,
Or you could say greatly a lot,
But in this world of great demise,
We all take our place,
To give the symbols, an erotic feeling,
And use them at our pace...
poem by Viraj Bhanshaly
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Maryanne Webber Gallery
Maryanne Webber Gallery is on Lurcerne Ave.
featuring fine American crafts, one of a kind jewelry and art glass.
Her gallery represents Florida artists and artists from around the USA,
she has been open since 1990 and is very successful till this day.
Her gallery also has metal sculptures, hand silks and wearable art,
her gallery represents Joan Edelstein, her Arts & Passion Scarf.
She also has sculptures made of clay, one of a kind and handmade.
Her gallery displays original Blue Vase of Elodie Holmes,
a beautiful sculptured piece to cherish in your home.
Also you will find a one of a kind Zip 20 Clock, by David Scherer Designs.
Home accessories that I find colorful and bright,
is hand painted Tropical Wine Glasses by Leslie Millar to drink wine at night.
Maryanne’s gallery is open Monday through Friday,10 till 5 and Saturday 10 to 4,
make sure you stop by and see what unique gifts her gallery has in store.
Written by Suzae Chevalier on November 12,2011
poem by Christina Sunrise
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Maryanne Webber Gallery
Maryanne Webber Gallery is on Lurcerne Ave.
featuring fine American crafts, one of a kind jewelry and art glass.
Her gallery represents Florida artists and artists from around the USA,
she has been open since 1990 and is very successful till this day.
Her gallery also has metal sculptures, hand silks and wearable art,
her gallery represents Joan Edelstein, her Arts & Passion Scarf.
She also has sculptures made of clay, one of a kind and handmade.
Her gallery displays original Blue Vase of Elodie Holmes,
a beautiful sculptured piece to cherish in your home.
Also you will find a one of a kind Zip 20 Clock, by David Scherer Designs.
Home accessories that I find colorful and bright,
is hand painted Tropical Wine Glasses by Leslie Millar to drink wine at night.
Maryanne’s gallery is open Monday through Friday,10 till 5 and Saturday 10 to 4,
make sure you stop by and see what unique gifts her gallery has in store.
Written by Suzae Chevalier on November 12,2011
poem by Suzae Chevalier
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Bestowers Of Transformative Vision
pathos suffering passion
ripe within bodily experience
pathos of culture artistic expression
artists the 'I give birth to'
shape shifters people creators
bestowers of transformative vision
sentence seen is life vibration alteration
passionate in artistic creation expression
enrichers of web strand seekers beholders
artists hung upon vision quests
artists hung upon life beat heart beats
artists hung upon eyes burning in soul flame
artists historical now you see them now you don’t
poem by Terence George Craddock
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Thick At that! ...And Glossy!
How much admitted,
Actually exists?
If you talk about someone
In a negative light,
What makes that which is expressed,
Alright to dance on gossip licked lips?
Thick
At that...
And glossy!
How much admitted,
Actually exists?
We know of no one's true feelings,
But our own.
No conflicts inflicted will be felt,
With a depthness known,
No one knows...
Who's in bed with who,
And who is left alone.
But there is no stopping,
Having a fling or two
With someone new.
Who knows what to do,
With a stiffened bone!
How much admitted,
Actually exists?
How much has been changed
To arrange point of views,
By those who discreetly
Do what they do!
How much admitted,
Actually exists...?
Has driven misfits
To even more exposure.
And Rod Sterling has passed...
To worlds beyond Twilight Zones.
And he was very comfortable,
With discussing 'possibilities'!
If it is worthy to admit
Situations believed to be unfit...
One must sit and evaluate,
Being in someone's business not theirs...
How much actually exists?
And whoever committed an admission...
Please admit it!
So we can move 'that hell',
Away from here and us.
[...] Read more
poem by Lawrence S. Pertillar
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It Doesn't Come Easy
Into a zone I own and claim.
And not only am I featured...
But I'm there in every scene.
Into a zone I own and claim.
And it took me quite a while,
To establish my own style.
It doesn't come easy,
To get up from a fall at all.
No matter who depicts,
What the picture represents.
It doesn't come easy...
To decide and get the nerve to play ball.
With thoughts of getting rid,
Of any suspect competition.
Into a zone I own and claim.
With thoughts of getting rid,
Of any suspect competition.
Into a zone I own and claim.
With thoughts of getting rid,
Of any suspect competition.
It doesn't come easy,
To get up from a fall at all.
No matter who depicts,
What the picture represents.
So many find their comforts in like minds.
Hoping that all will agree,
To their wants and spoiled needs.
Into a zone I own and claim.
With thoughts of getting rid,
Of any suspect competition.
Into a zone I own and claim.
With thoughts of getting rid,
Of any suspect competition.
It doesn't come easy,
To get up from a fall at all.
No matter who depicts,
What the picture represents.
Into a zone I own and claim.
It doesn't come easy,
To get up from a fall at all.
[...] Read more
poem by Lawrence S. Pertillar
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Cyder: Book I
-- -- Honos erit huic quoq; Pomo? Virg.
What Soil the Apple loves, what Care is due
To Orchats, timeliest when to press the Fruits,
Thy Gift, Pomona, in Miltonian Verse
Adventrous I presume to sing; of Verse
Nor skill'd, nor studious: But my Native Soil
Invites me, and the Theme as yet unsung.
Ye Ariconian Knights, and fairest Dames,
To whom propitious Heav'n these Blessings grants,
Attend my Layes; nor hence disdain to learn,
How Nature's Gifts may be improv'd by Art.
And thou, O Mostyn, whose Benevolence,
And Candor, oft experienc'd, Me vouchsaf'd
To knit in Friendship, growing still with Years,
Accept this Pledge of Gratitude and Love.
May it a lasting Monument remain
Of dear Respect; that, when this Body frail
Is moulder'd into Dust, and I become
As I had never been, late Times may know
I once was blest in such a matchless Friend.
Who-e'er expects his lab'ring Trees shou'd bend
With Fruitage, and a kindly Harvest yield,
Be this his first Concern; to find a Tract
Impervious to the Winds, begirt with Hills,
That intercept the Hyperborean Blasts
Tempestuous, and cold Eurus nipping Force,
Noxious to feeble Buds: But to the West
Let him free Entrance grant, let Zephyrs bland
Administer their tepid genial Airs;
Naught fear he from the West, whose gentle Warmth
Discloses well the Earth's all-teeming Womb,
Invigorating tender Seeds; whose Breath
Nurtures the Orange, and the Citron Groves,
Hesperian Fruits, and wafts their Odours sweet
Wide thro' the Air, and distant Shores perfumes.
Nor only do the Hills exclude the Winds:
But, when the blackning Clouds in sprinkling Show'rs
Distill, from the high Summits down the Rain
Runs trickling; with the fertile Moisture chear'd,
The Orchats smile; joyous the Farmers see
Their thriving Plants, and bless the heav'nly Dew.
Next, let the Planter, with Discretion meet,
The Force and Genius of each Soil explore;
To what adapted, what it shuns averse:
[...] Read more
poem by John Arthur Phillips
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Pretty Good
I got a friend in fremont, he sells used cars, ya know.
Well, he calls me up twice a year
Just ask me howd it go
Pretty good, not bad, I cant complain
Actually everything is just about the same
I met a girl from venus, and her insides were lined in gold
Well, she did what she did said how was it, kid?
She was politely told
Pretty good, not bad, I cant complain
But actually everything is just about the same.
Moonlight makes me dizzy
Sunlight makes me clean
Your light is the sweetest thing
That this boy has ever seen.
Molly went to arkansas, she got raped by dobbins dog
Well, she was doing good till she went in the woods
And got pinned up against a log
Pretty good, not bad, she cant complain
Cause actually all them dogs is just about the same
Moonlight makes me dizzy
Sunlight makes me clean
Your light is the sweetest thing
That this boy has ever seen.
Instrumental:
I heard allah and buddha were singing at the saviors feast
And up the sky and arabian rabbi
Fed quaker oats to a priest.
Pretty good, not bad, they cant complain
Cause actually all them gods is just about the same
Pretty good, not bad, I cant complain
Cause actually everything is just about the same
song performed by John Prine
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Voyage around the Square Root of Minus One
I often heard
that while the sciences concern themselves
with objective truths
the arts deal with subjective phenomena.
Many years ago I held the same view,
but later came to the conclusion
that this is just a well-combed popular myth.
It is an untenable credo
because the sharp separation
of the arts and sciences is a rigid
and arbitrary mandate, full of holes.
Although all subjects have their specificities,
at the same time they also share
many common traits with each other.
There is art in science and science in art.
Artists, for example,
apply geometry to represent
a three dimensional scene in a painting,
which is a two dimensional surface.
By using ‘objective' geometrical perspective,
Renaissance artists, among them Alberti,
Brunelleschi, Uccello, Leonardo and Dürer,
developed in Europe the ‘subjective' illusion
of perceptual realism.
Later, in the Dutch Republic of the 17th century,
Johannes Vermeer applied expensive pigments
to the canvas and conducted
pioneering research in optics that enhanced
the supreme quality of his work,
imbuing his paintings with sublime,
otherworldly light.
In the 19th century
the Romantic painter John Constable
prepared detailed studies
of the landscape and weather conditions
of England, before transcribing them
into images of stunning accuracy and grace.
Following the closing of the Weimar Bauhaus
by the Nazis in 1933, the artist Josef Albers
moved to the USA, where he worked at
Black Mountain College and at Yale University.
[...] Read more
poem by Paul Hartal
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Joseph's Gloss On God
When Joseph tells his brothers: “I
am not God, ” he perhaps implies
that unlike God he sometimes lies,
and unlike Him, is doomed to die.
The words that Joseph never said
are wrong, as we find out when burned;
God often lies, a lesson learned
from history, and God is dead.
Inspired by a review by Paul Buhle of R. Crumb’s The Whole Book of Genesis, in Forward, October 10,2009 (“In the Image of God: The Ambition of R. Crumb’s Graphic Genesis”:
To say this book is a remarkable volume or even a landmark volume in comic art is somewhat of an understatement. It doesn’t hurt that excerpts of the book appeared during the summer in the New Yorker and that the Hammer Museum in Los Angeles is opening an exhibit of the original drawings from which the book’s contents were adapted. “The Book of Genesis, ” Robert Crumb’s version, nevertheless stands on its own as one of this century’s most ambitious artistic adaptations of the West’s oldest continuously told story.
No comic artist has been more influential than Crumb. In terms of sales, his work is dwarfed by the superheroes and, in comic art prestige. Art Spiegelman, and a short list of others including Alison Bechdel and Marjane Sartrapi may have displaced Crumb. But Crumb’s influence abides and endures in his occasional LP/CD covers, in his volumes of collected work (16 volumes so far and counting) , his artistic prizes and a generation of artists who have incorporated his particular view of humanity.
Surprisingly, his best work in 20 years has actually been in the genre of adaptation, specifically an adaptation of Franz Kafka, dating to the mid 1990s. On that highly curious point, any consideration of this “Genesis, ” as a highly personal comic art, properly begins. Notoriously, Crumb is a gentile who fled from his deeply dysfunctional Delaware family to the Cleveland neighborhood of Harvey Pekar and the arms of the first of two Jewish wives. “Crumb, ” the 1994 film documentary, was in many ways about emotional pain (including a brother doomed to suicide) and his craving for a certain kind of woman, who, although possibly any female with a bemuscled backside, was in fact most likely to be Jewish. She, reality and image, was his consolation. The strips that he drew of Jewish-American life, nevertheless, reworked stereotypes, some funny (he visits Florida with his second wife, and holds a tiny grandfather on his knee) , and some, doubtless, insulting to many readers.
In the pages of “Introducing Kafka, ” Crumb became his fictional protagonist with such depth of insight into the logic of the doomed writer, as well as of Kafka’s famed works, that many readers were simply astonished, this reviewer among them. Kafka is the exemplar par excellence of a type of ambiguous, tortured mittel European Jewish personality as it hovered between faith and uncertainty, shortly before the Holocaust. Not Spiegelman, not Ben Katchor, nor Sharon Rudahl, nor others who drew historical or quasi-historical strips about Jewish history, had taken the characterization as far as Crumb. An earlier escape from Middle American culture had propelled Crumb toward his satirical protagonist Mister Natural, a Zen-like, robed quasi-prophet of the 1970s-80s. Three decades later, Crumb’s robed prophets are far from Zen.
Crumb’s “Genesis” is then perfectly serious and the author wants us to know it. As he says on the cover, “Nothing Left Out! ” Every “beget” from the King James Bible can be found here, along with plenty of scenes censored from previous graphic adaptations. And more prose, in the final “Commentary” segment of the book, than non-writer Crumb may have put on the page anywhere, aside from his published letters. More striking for anyone but the seasoned Crumb fan: unlike previous Biblical comic adaptations, including some published and drawn by Jews, Crumb’s characters actually look Jewish, the women even more than the men. The contrast to the classic work, EC Comics’ “Picture Stories from the Bible” (1945) in that respect is most illuminating. But more recent works like the best-selling “Manga Bible” (2000) are not much different (nor was the “The Wolverton Bible” by one of the strangest of comic artists Basil Wolverton) . Close readers will see Crumb’s wife Aline Kominsky, to whom the book is dedicated, again and again, in various guises; perhaps only Chagall drew his beloved wife so often and with such varied imagination.
Not only are the characters Jewish here, they are all ages and sizes. If, for instance, there are more drawings of Jewish elders in any single volume of comic art anywhere, I have never seen them. The women here are beautiful when young, heavily busted with large, muscular thighs. The men are strong, their beards full and noble. The deity has a really big beard and retains his notoriously bad temper, as well as his commanding presence, and absolute demand for loyalty. The animals of Genesis (in Noah’s ark and elsewhere) may be where Crumb is most similar to earlier comic art adaptations of Biblical texts, but they are drawn, like everything else, with such loving care that they are special and demand repeated viewing.
In those extensive notes at the end, Crumb comes as close as he is ever likely to revealing the sources and depth of his commitment to the text. He had been puzzling, no doubt under a wave of feminist criticism, about the gender struggle, until Torah scholar Savina Teubel’s “Sarah the Priestess” (1984) gave him new insight: a matriarchal background, female deities and actual female power, in a society turning toward patriarchy but retaining some elements of women’s prehistorical strength and centrality to the direction of early civilization. If anything is reinterpreted purposefully in “Genesis, ” it is in gender, and Crumb does so not by scoring points but by rearranging the visual subtext. Gender issues also help him reframe somewhat the class dimension of tribal society, which endures not through brute force but because of the strength of its women.
The commentary on his visual choices and his broader interpretations explores and explains his few intentional deviations, not only in the name of narrative clarity but artistic intent. Mainly, his notes drive home how he struggled to interpret the text in suitable graphic form, chapter by chapter, sometimes even character by character. There is no doubting the artist’s integrity or hard work, in no small part because he redrew again and again, trying to find historically accurate clothing and scenery. The Old Testament of cinematic Charlton Heston, so to speak, became the Genesis of lived and perceived experience, socially real and super-real. Clues are provided with translations of specific Hebrew names within the visual text, essentially metaphorical in meaning. These clues may be the closest to footnotes that Crumb has ever provided.
Comics scholar Jeet Heer, has noted in “Bookforum” that Crumb’s biblical characters, with the exception of the deity, have no internal lives: only the deity has depth and personality. As with the original text, much more is implied in Crumb’s visual text than can be stated, because scenes rush by so fast and because the artist forever works out, pen or brush in hand, a unique meaning that escapes easy interpretation. Even closer to the mark, Heer argues that above all, this is a book about bodies, the natural expression of an artist whose work has, possibly more than any other master of comic art, been concerned with body structure and expression.
And offending the deity? Crumb treads with a caution all the more remarkable for an artist, who, short decades ago, allowed himself the full run of his imagination, heedless of the consequences. Crumb’s innovation might be summed up in his characterization of Joseph, brilliant in subjugating Egypt but weary of his own powers. In the final phrases of the book, the artist suggests a radical view several thousand years previous to Jewish Karl Marx. “In the very last chapter, when his obstreperous brothers fling themselves at this feet and proclaim, ‘Here we are, your slaves, ’ he says to them, “I am not God, am I’ Joseph has learned a much finer humility than the fear-driven kind shown by his barbaric brothers.” So says a humble Crumb.
10/22/09
poem by Gershon Hepner
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Living in recession
I can’t tell you right now
What I am feeling
But I can tell you one thing that nothing is going well
I saw a picture yesterday
Actually I didn’t understand that
Full of bright colors and lines
Most of them are broken
What all these pictures represent
Are they pure art!
Or some artists trying to fool us?
But the thing is that when I stared at the picture
I thought it represents my mind
Full of emotions (nothing relevant!)
Living in recession with your dreams is a stupid thing
You have to step out from your shoes
In order to live a normal life
But what is the relevance of life with out dreams
The second thing I thought yesterday was
Why do people commit suicide
Last month one of my friends hanged himself
In his suicide note he had written;
‘I want to defeat god’
Is it possible to defeat god (god the almighty)
But with my normal capacity I can say that
By committing suicide we are defeating god
(or do we defeat ourselves)
Living in recession is a bad thing
Like thinking about suicide.
poem by Pramod Sen
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The Last Warning
The last warning,
It will actually be a third part of man;
The last warning,
It will actually be a fourth part of the earth;
The last warning,
It will actually be in and around the great Euphrates River!
The last warning,
It will actually be by nuclear war and famine! !
So be very much informed about it.
poem by Edward Kofi Louis
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New
We knew.
Anne to come.
Anne to come.
Be new.
Be new too.
Anne to come
Anne to come
Be new
Be new too.
And anew.
Anne to come.
Anne anew.
Anne do come.
Anne do come too, to come and to come not to come and as to
and new, and new too.
Anne do come.
Anne knew.
Anne to come.
Anne anew.
Anne to come.
And as new.
Anne to come to come too.
Half of it.
Was she
Windows
Was she
Or mine
Was she
Or as she
For she or she or sure.
Enable her to say.
And enable her to say.
Or half way.
Sitting down.
Half sitting down.
And another way.
Their ships
And please.
As the other side.
And another side
Incoming
Favorable and be fought.
Adds to it.
In half.
Take the place of take the place of take the place of taking
place.
Take the place of in places.
Take the place of taken in place of places.
Take the place of it, she takes it in the place of it. In the way
of arches architecture.
[...] Read more
poem by Gertrude Stein
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Happiness... what is it?
what happiness is actually..
when somebody said.. happiness is when u get your first date..
but I said NO..
we would feel happy
if only we had date with no fight for nothing untill the end...
what happiness is actually..
when somebody said.. happiness is when u get married..
but i said NO..
we are really feel the full of happiness
if only we could keep that feel until we die with our couple...
for the third times I ask:
what happiness is actually...
having child.. somebody said..
yes of course I said..
having child is one of happiness..
but is getting to be deep of sadness..
if only the child is not us anymore...
then... what happiness is actually...
I said for the last time:
happiness is sadness...
happiness is badness...
happiness is madness...
because happiness
is sure will bring us
to the sadness.. badness.. even madness...
poem by Omy Istibsyarah
Added by Poetry Lover
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Something to worry about
Round of applause
Baby make that ass clap
-CLAP, CLAP-
Now that I've grasped your attention
Let me explain to you why
What you just did was stupid
All the females that clapped
Understand you're merely fueling society's belief
On the only thing a black girl is good for
Fellas, we're worse
Because we get all excited
When a girl actually do it
Not realizing it's our very bone
That is degrading itself
I will say this though
We aren't to blame completely.
Some of it is because of parents
Some of it is because of teachers
But an overwhelming majority is because
Of OUR shared mentality
Because we allow ourselves to believe
That when we fight we always win
When that's merely the so called supremacy
Toying with us once again
Prime example: Nov.4,2008
HOORAY WE HAVE A BLACK PRESIDENT
So, most of his house and senate is republican and white
Presidents don't run countries by themselves
Stop blaming him because it appears nothings happened
You have to understand he's fighting
All those snobby, white bastards
That don't want a nigger
In "their" house
But I digress and move on to brass tax
People the supposed supremacy
Embedded in we
Our expected life plans
The day the pregnancy test says "yes"
You'll grow up
Learn what they want you to learn
Go to high school
And begin the downward spiral
Because, since your black, you'll do drugs
To handle the stress of being a teen
And you'll rob a store
Because you got the munchies
Now both you and your girl
Got rep sheets because neither of you knew
About the camera in the back corner
You go to jail
[...] Read more
poem by Armand Miller
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