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You begin to realize that hypocrisy is not a terrible thing when you see what overt fascism is compared to sort of covert, you know, communal politics which the Congress has never been shy of indulging in.

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Shy

Written by John Mellencamp
Can you shelter me
From this anxiety
Hey baby don't look me in the eye
'Cause I'm sexually shy shy shy
Sexually shy shy shy
I don't know why
With other girls I'm fine
But with you baby I'm shy shy shy
I hate for you to see me like this
'Cause nowhere else in my life
Does this exist
Can you shelter me
From this anxiety
Hey baby don't look me in the eye
'Cause I'm sexually shy shy shy
I'm sexually shy shy shy
Every time we talk
I can't catch my breath
I want a conversation
But I scare myself
I really can't hide behind this lie
'Cause with you baby
I'm shy shy shy
Woman
Well I'm ashamed to say
Woman
That I'm afraid this way
Woman
Yeah
Woman
I gotta stop acting so crazy
Can you shelter me
From this anxiety
Hey baby don't look me in the eye
'Cause I'm sexually shy shy shy
Sexually I'm shy shy shy
Can you shelter me
From this anxiety yeah
Hey baby don't look me in the eye
'Cause I'm sexually shy shy shy
Can you shelter me
From this anxiety yeah
Hey baby don't look me in the eye
'Cause I'm sexually shy shy shy
Sexually I'm shy shy shy
I don't know why
With other girls I'm fine
But with you baby I'm shy shy shy
I don't know why

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Walt Whitman

Salut Au Monde

O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.

What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?

Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.

What do you hear, Walt Whitman?

I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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Old Spookses' Pass

I.
WE'D camped that night on Yaller Bull Flat,--
Thar was Possum Billy, an' Tom, an' me.
Right smart at throwin' a lariat
Was them two fellers, as ever I see;
An' for ridin' a broncho, or argyin' squar
With the devil roll'd up in the hide of a mule,
Them two fellers that camp'd with me thar
Would hev made an' or'nary feller a fool.
II.
Fur argyfyin' in any way,
Thet hed to be argy'd with sinew an' bone,
I never see'd fellers could argy like them;
But just right har I will hev to own
Thet whar brains come in in the game of life,
They held the poorest keerds in the lot;
An' when hands was shown, some other chap
Rak'd in the hull of the blamed old pot!
III.
We was short of hands, the herd was large,
An' watch an' watch we divided the night;
We could hear the coyotes howl an' whine,
But the darned critters kept out of sight
Of the camp-fire blazin'; an' now an' then
Thar cum a rustle an' sort of rush--
A rattle a-sneakin' away from the blaze,
Thro' the rattlin', cracklin' grey sage bush.
IV.
We'd chanc'd that night on a pootyish lot,
With a tol'ble show of tall, sweet grass--
We was takin' Speredo's drove across
The Rockies, by way of "Old Spookses' Pass"--
An' a mite of a creek went crinklin' down,
Like a "pocket" bust in the rocks overhead,
Consid'able shrunk, by the summer drought,
To a silver streak in its gravelly bed.
V.
'Twas a fairish spot fur to camp a' night;
An' chipper I felt, tho' sort of skeer'd
That them two cowboys with only me,
Couldn't boss three thousand head of a herd.
I took the fust of the watch myself;
An' as the red sun down the mountains sprang,
I roll'd a fresh quid, an' got on the back
Of my peart leetle chunk of a tough mustang.
VI.
An' Possum Billy was sleepin' sound
Es only a cowboy knows how to sleep;
An' Tommy's snores would hev made a old
Buffalo bull feel kind o' cheap.

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Shy

After a month of just bein alone he said, I wonder what l.a.s thinkin
Streets he roamed in search of a poem amongst the wild and drinkin
When he sees cool dark skin in hot virgin white
The search was over at least 4 2night
When she co-signed and then told him she was ...
Chorus:
Shy - cool dark skin in hot virgin white
Shy - lips say wont but her body say might
Shy - looks like were gonna take the long way home 2night
Oh baby (shy)
After a look much louder than words she said, I passed my initiation
A friend of mine, he got killed and in retaliation
I shot the boy (pop! pop!), huh, twice in the head
No regrets, no sorrow - Im goin back 2morrow 2 make sure hes dead
Cuz if I dont, theyll call me a chicken, but u can call me ...
Chorus
Shy
Shy - lips say no but the body say might
Looks like were gonna take the long way home..
Looks like were gonna take the long way home..
Looks like were gonna take the long way home 2night
The girl was rough, but he called her bluff
And he told her not 2 know was better
Fact or fiction he wondered
And thats when the rain and thunder got wetter
And at the top of the page he wrote ...
Shy - cool dark skin in hot virgin white
Shy - looks like were gonna take the long way home 2night
Chorus
(oh, say it now, yeah)
(shy, shy!)
(shy)
Ooh baby, dont u wanna be alone 2night?
Shy - yeah (oh yes)
Shy (shy)
Shy - looks like were gonna take the long way home 2night

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Out To Lunch

(j. spinks)
Im ­ out of my head
You ­ wont understand me
Dont come knocking at my door tonight
Tell all my friends i? m all screwed up
Dont come messing with my head tonight
Tell all my friends ­ Im so far out to lunch
I? m under a spell
You won? t recognize me
Don? t come knocking at my door tonight
Tell all my friends ­ Im all screwed up
Dont come messing with my head tonight
Tell all my friends ­ Im so far out to lunch
Im out to lunch ­ mmm ­ wont you listen ­ Im to lunch
Hey just let me sleep
Please ­ dont pressurize me
Dont come knocking at my door tonight
Tell all my friends ­ Im all screwed up
Dont come messing with my head tonight
Tell all my friends ­ Im so far out to lunch
Dont come knocking at my door tonight
Tell all my friends ­ Im all screwed up
Dont come messing with my head tonight
Tell all my friends ­ Im so far out to lunch
Im ­ out of my head ­ Im out of my head

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A Kiss Is A Terrible Thing To Waste

(andrew lloyd webber/ jim steinman)
Producer for meatloaf & bonnie: jim steinman
Recorded in 1998 as part of the 'songs from whistle down the wind' project. bonnie duets with meatloaf on a reprise of 'tire tracks and broken hearts' at the end of the song. the lyrics are from careful listening.
(ooh if only, ooh if only)
If you listen to the night you can hear the darkness fall
I can barely stand the wait, i can barely stand at all
Come on closer to me now, like we're sharing the same skin
We gotta get out of this jail, we gotta let the future in
So many things in your life that you're bound to regret
Why didn't i do that? why didn't i do this?
So many chances you've lost that you never forget
Why didn't i make it? why didn't i take it right then?
The loneliest words you'll ever know if only, if only it was so
The emptiest words that there'll ever be
It could've been me, it could've been me
The loneliest words you'll ever know if only, if only it was so
The emptiest words that there'll ever be
It could've been me, it could've been me
You'll have to pay for it later
If you don't get it while it's going for free
Believe me, believe me
A kiss is a terrible thing to waste
A kiss is a terrible thing to waste
It's something that's always been so
A kiss is a terrible thing to waste
A kiss is a terrible thing to waste
And one of these nights i'm gonna show you that you already know
There's a feast waiting for you and you've never even gotten a taste
It's later than you think and a kiss is a terrible thing to waste
You shouldn't tremble when they touch there's no reason for these fears
It's a promise that was made, we've been promised this for years
I want to show you it all, what to do and where and how
'cause we'll never be as young as we are right now
Never be as young as we are right now
So many cries in the night that you try to ignore
Why didn't i do this? why didn't i do that?
So many un-answered prayers, so many un-opened doors
Why didn't i take it? why didn't i make it come true?
The loneliest words you'll ever know if only, if only it was so
The emptiest words that there'll ever be
It could've been me, it could've been me
The loneliest words you'll ever know if only, if only it was so
The emptiest words that there'll ever be
It could've been me, it could've been me
You'll have to pay for it later
If you don't get it while it's going for free
Believe me, believe me
A kiss is a terrible thing to waste
A kiss is a terrible thing to waste
It's something that's always been so

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Why Washington Retreated

1775

Said Congress to George Washington:
"To set this country free,
You'll have to whip the Britishers
And chase them o'er the sea."
"Oh, very well," said Washington,
"I'll do the best I can.
I'll slam and bang those Britishers
And whip them to a man."

1777

Said Congress to George Washington:
"The people all complain;
Why don't you fight? You but retreat
And then retreat again."
"That can't be helped," said Washington,
"As you will quite agree
When you see how the novelists
Have mixed up things for me."

Said Congress to George Washington:
"Pray make your meaning clear."
Said Washington: "Why, certainly --
But pray excuse this tear.
Of course we know," said Washington,
"The object of this war --
It is to furnish novelists
With patriotic lore."

Said Congress to George Washington:
"Yes! yes! but pray proceed."
Said Washington: "My part in it
Is difficult indeed,
For every hero in the books
Must sometime meet with me,
And every sweet-faced heroine
I must kiss gallantly."

Said Congress to George Washington:
"But why must you retreat?"
Said Washington: "One moment, please,
My story to complete.
These hero-folk are scattered through
The whole United States;
At every little country town
A man or maiden waits."

To Congress said George Washington:

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A Kiss Is A Terrible Thing To Waste

If you listen, to the night
You can hear the darkness call
I can barely stand to wait
I can barely stand at all
Cmon closer to me now
Its like were sharing the same skin
We gotta get out of this jail
We gotta let the future in
So many things in your life
That your bound to regret
Why didnt I do that?
Why didnt I do this?
So many chances you lost
That youll never forget
Why didnt I make it?
Why didnt I take it right there?
The loneliest words youll ever know
If only-if only it was so
The emptiest words that therell ever be:
It could have been me. it could have been me
The loneliest words youll ever know
If only-if only it was so
The emptiest words that therell ever be:
It could have been me. it could have been me
Youll have to pay for it later
If you dont get it when its going for free
Believe me -! believe me -!
A kiss is a terrible thing to waste
A kiss is a terrible thing to waste
Its something thats always been so
A kiss is a terrible thing to waste
A kiss is a terrible thing to waste
And one of these nights
Youre gonna show me that you already know
Theres a feast waiting for you
And youve never even gotten a taste
Its later than you think and
A kiss is a terrible thing to waste!
You shouldnt tremble when we touch
Theres no reason for these fears
Its a promise that was made
Weve been promised this for years
I wanna show you it all
What to do and where and how!
Cause well never be as young as we are right now
Well never be as young as we are right now!
So many cries in the night
That you try to ignore
Why didnt I do this?
Why didnt I do that?

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Info For Everone

From: CLEMENT TWIFORD [mailto: cwtwiford@bellsouth.net]
Sent: Saturday, October 15,2011 10: 16 AM
To: undisclosed recipients:
Subject: : Makes sense to me! !

Warren Buffett, in a recent interview with CNBC, offers one of the best
quotes about the debt ceiling:

'I could end the deficit in 5 minutes, ' he told CNBC. 'You just pass a law
that says that anytime there is a deficit of more than 3% of GDP, all
sitting members of Congress are ineligible for re-election. The 26th
amendment (granting the right to vote for 18 year-olds) took only 3 months
& 8 days to be ratified! Why? Simple! The people demanded it. That was in
1971...before computers, e-mail, cell phones, etc. Of the 27 amendments to
the Constitution, seven (7) took 1 year or less to become the law of the
land...all because of public pressure.

Warren Buffet is asking each addressee to forward this email to a minimum of
twenty people on their address list; in turn ask each of those to do
likewise.
In three days, most people in The United States of America will have the
message. This is one idea that really should be passed around.

*Congressional Reform Act of 2011*

1. No Tenure / No Pension. A Congressman collects a salary while in office
and receives no pay when they are out of office.

2. Congress (past, present & future) participates in Social Security. All
funds in the Congressional retirement fund move to the Social Security
system immediately. All future funds flow into the Social Security system,
and Congress participates with the American people. It may not be used for
any other purpose.

3. Congress can purchase their own retirement plan, just as all Americans
do.

4. Congress will no longer vote themselves a pay raise. Congressional pay
will rise by the lower of CPI or 3%.

5. Congress loses their current health care system and participates in the
same health care system as the American people.

6. Congress must equally abide by all laws they impose on the American
people.

7. All contracts with past and present Congressmen are void effective
1/1/12.
The American people did not make this contract with Congressmen. Congressmen
made all these contracts for themselves. Serving in Congress is an honor,

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Avon's Harvest

Fear, like a living fire that only death
Might one day cool, had now in Avon’s eyes
Been witness for so long of an invasion
That made of a gay friend whom we had known
Almost a memory, wore no other name
As yet for us than fear. Another man
Than Avon might have given to us at least
A futile opportunity for words
We might regret. But Avon, since it happened,
Fed with his unrevealing reticence
The fire of death we saw that horribly
Consumed him while he crumbled and said nothing.

So many a time had I been on the edge,
And off again, of a foremeasured fall
Into the darkness and discomfiture
Of his oblique rebuff, that finally
My silence honored his, holding itself
Away from a gratuitous intrusion
That likely would have widened a new distance
Already wide enough, if not so new.
But there are seeming parallels in space
That may converge in time; and so it was
I walked with Avon, fought and pondered with him,
While he made out a case for So-and-so,
Or slaughtered What’s-his-name in his old way,
With a new difference. Nothing in Avon lately
Was, or was ever again to be for us,
Like him that we remembered; and all the while
We saw that fire at work within his eyes
And had no glimpse of what was burning there.

So for a year it went; and so it went
For half another year—when, all at once,
At someone’s tinkling afternoon at home
I saw that in the eyes of Avon’s wife
The fire that I had met the day before
In his had found another living fuel.
To look at her and then to think of him,
And thereupon to contemplate the fall
Of a dim curtain over the dark end
Of a dark play, required of me no more
Clairvoyance than a man who cannot swim
Will exercise in seeing that his friend
Off shore will drown except he save himself.
To her I could say nothing, and to him
No more than tallied with a long belief
That I should only have it back again
For my chagrin to ruminate upon,
Ingloriously, for the still time it starved;

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Dying Inside

Terrible thing
It was a terrible thing to see you're dying
It was a terrible thing
It was a terrible thing to see you're dying inside
To see you're dying
Won't you come out
I'll play the game with day
Won't you speak out
I'll say the things you say
The lady loved her gold
The lady lost her soul

It was a terrible thing
It was a terrible thing to see you're dying
It was a terrible thing
It was a terrible thing to see you're dying inside
To see you're dying
Do you remember the things we used to do
Do you remember the way it was for you
The lady loved her gold
The lady lost her soul

It was a terrible thing
It was a terrible thing to see you're dying
It was a terrible thing
It was a terrible thing to see you're dying inside
To see you die
La...

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Stream Line Consciousness

Big brother voyeur blimps unidentified spies
uncle sam peeping toms patrolling skies
bird brain police intelligence
remote viewing homeland pest control
pentagon private eye monitoring the public's every move
mass produced micro chips intercepting prayers patrolling citizens from heaven
Bentham's Panopticon NSA
super computer surveillance cameras
world police spying Manhattan streets

'Athens plummets Euro death spiral
suicide rates soar deepening into despair'

haaretz..the post.. the times
blogs tribunes dailies all in a mad gab
headlong headline attention grabbing scramble

'Yugoslavia - Iraq - Egypt - Yemen - Iran - Syria - United States'
bilderberg building blocks New American Century post apocalyptic prophecy

'foreign mercenaries …national guard...DOD
homeland security to amass covert munitions stockpile
Americans on guard anxieties mounting surrounding
the stripping of amendments 1st if you swing to your left
2nd if you stand on the right
whispers of martial law circulate Anarchical reverberations
emanate from internet Alt culture epicenters
bottle necking global tensions'

'common feeling of deepening disappointment...
heightened expectations...
people expecting an explosive situation over the
next few weeks'

...riot police respond 'to preserve public order'
public roads barricaded to 'protect security of citizens'

'blatant act of censorship
western mainstream media staying away
from Myanmar massacres of Mohammedan Angels
further showing strong anti Muslim bias'

'Media blackout Burmese army
seeking coverage under propaganda blankets'

from the middle east throughout the western world
planet consciousness blurring lines between conspiracy/reality
conflicting global network narratives multiply violent scenarios daily
Victims in a world wide scramble
Government Banking Military

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Get A Leg Up

Dont look at me dont touch me
Keep your mind straight ahead
Dont get no funny ideas about we
Or youll wish you were dead
Thats what I am thinking she must be thinking
The girl I spent 53 bucks on last night
She give me a look from the corner of her eye
That says, boy, keep acting right
How surprised was i
When she leaned over and whispered in my ear
Chorus:
Get a leg up
Get a leg over boy
Get a leg up
Whats the matter
Are you shy, shy, shy?
Im pretty good with first impressions
But sometimes im not always right
I pulled the car to the shoulder of the road
To see what she had in mind
Want me to spend the night
Hey lover boy you know I will
And my best girlfriend lives down the road
Together we will thrill ya
And im thinking to myself
I could be lucky pierre tonight
Chorus:
If I could get a leg up
If I could get a leg over boy
You know I aint that handsome
But you know I aint shy, shy, shy
The rest of the night we went on and on
And the moral to this song
Dont go making hasty judgements
Because sometimes they could be wrong
Nothing wrong with a good time
Just keep yourself protected make a list
And you can bet your life that the women dont know
The little girls are acting like this
So the next time a young one moves up
And she whispers in your ear
Chorus:
Get a leg up
Get a leg over boy
Get a leg up
Whats the matter
Now dont you be shy, shy, shy?
Get a leg up
Get a leg over boy
Get a leg up

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The Libelle of Englyshe Polycye

Here beginneth the Prologe of the processe of the Libelle of Englyshe polycye, exhortynge alle Englande to kepe the see enviroun and namelye the narowe see, shewynge whate profete commeth thereof and also whate worshype and salvacione to Englande and to alle Englyshe menne.

The trewe processe of Englysh polycye
Of utterwarde to kepe thys regne in rest
Of oure England, that no man may denye
Ner say of soth but it is one the best,
Is thys, as who seith, south, north, est and west
Cheryshe marchandyse, kepe thamyralte,
That we bee maysteres of the narowe see.


For Sigesmonde the grete Emperoure,
Whyche yet regneth, whan he was in this londe
Wyth kynge Herry the vte, prince of honoure,
Here moche glorye, as hym thought, he founde,
A myghty londe, whyche hadde take on honde
To werre in Fraunce and make mortalite,
And ever well kept rounde aboute the see.


And to the kynge thus he seyde, 'My brothere',
Whan he perceyved too townes, Calys and Dovere,
'Of alle youre townes to chese of one and other
To kepe the see and sone for to come overe,
To werre oughtwardes and youre regne to recovere,
Kepe these too townes sure to youre mageste
As youre tweyne eyne to kepe the narowe see'.


For if this see be kepte in tyme of werre,
Who cane here passe withought daunger and woo?
Who may eschape, who may myschef dyfferre?
What marchaundy may forby be agoo?
For nedes hem muste take truse every foo,
Flaundres and Spayne and othere, trust to me,
Or ellis hyndered alle for thys narowe see.


Therfore I caste me by a lytell wrytinge
To shewe att eye thys conclusione,
For concyens and for myne acquytynge
Ayenst God, and ageyne abusyon
And cowardyse and to oure enmyes confusione;
For iiij. thynges oure noble sheueth to me,
Kyng, shype and swerde and pouer of the see.


Where bene oure shippes, where bene oure swerdes become?
Owre enmyes bid for the shippe sette a shepe.
Allas, oure reule halteth, hit is benome.

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Terrible Way To Treat Your Baby

I know that she loves you now
But your heart doesnt keep any vows
And thats a terrible way to treat your baby
A terrible way to hurt that girl
Its a terrible way you treat your baby
When you know that I love her
More than anything in this world
Her heart isnt for a game
So tell her , you dont feel the same
For thats a terrible way to treat your baby
A terrible way , you hurt that girl
Its a terrible way you treat your baby
When you know that I love her
More than anything in this world
Oh, so sad ,leaving her behind
And if you give me the chance to take her hand
And try to change her mind
For its a terrible way to treat your baby
A terrible way you hurt that girl
Its a terrible way to treat your baby
When you know that I love her
More than anything in this world
For its a terrible way to treat your baby
A terrible way you hurt that girl
Its a terrible way to treat your baby
When you know that I love her
More than anything in this world

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