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I think one can achieve a very pleasant lifestyle by treating human beings, fellow human beings, very well.

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How Y' Livin'

I should have seen the signs you showed me
So many times, in so many ways
On a never ending journey though the cold light of day
Cold light of day
I spent nearly all my time
Thinking I know you but I still got my doubts
Little things to try to work you out
Playing on my mind
Will you leave her now
Like you left me then
Just forgot and leave me
With just enough to start again
Start a brand new life
Maybe have some kids
Never facing facts and never looking back
How y' livin',
Are y' living your life
How y' livin'
Are you treating her right
How y' livin'
Are y' living your life
How y' livin'
Are you treating her,
Treating her right
I don't see you anymore
Heard you're married
But you never know
You've never married enough to not want to let them go
You never fight enough to not want to fight no more
Just keep moving on,
Find another girl
Go out and party and make sure that she rocks your world
How y' livin'
Are you living your life
How y' livin'
Are you treating her right
How y' livin'
Are you living your life
How y' livin"
Are you treating her,
Treating her right
How y' livin baby,
Have you done what's right
How y' livin baby,
Are you treating her right
How y' livin' baby
Have you done what's right
How y' livin' baby,
Are you treating her,
Treating her right

[...] Read more

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Jewelry

I know that Im a diamond
But you dont gotta treat me like one
I know I shine like platinum
And Im about as real as they come
And I dont like the way youre doing me
You wear me then you put me away
Cant come out until you want me
And I cant let you keep it this way
I dont like the way that you be shining me
You be treating me like jewelry
Then you turn around and you stash me
You be treating me like jewelry
I dont like the way that you be shining me
You be treating me like jewelry
Then you turn around and you stash me
You be treating me like jewelry
This has become a problem
You watch me like youre security
You place me under lock and key
Like someones gonna run away with me
You keep the same old stories
You say that youre protecting me
But you only worry how long before you lose me
I dont like the way that you be shining me
You be treating me like jewelry
Then you turn around and you stash me
You be treating me like jewelry
I dont like the way that you be shining me
You be treating me like jewelry
Then you turn around and you stash me
You be treating me like jewelry
You make me feel like Im your jewelry
Im not your jewelry, dont put me on display
You make me feel like Im your property
Why dont you show me some respect
So now make your decision
Do you think that you could untie my hands
You know that youd be stressing
If you were no longer my man
And theres no combination
I can leave you anytime that I choose
So if you dont believe me
I guess you will just look like a fool
I dont like the way that you be shining me
You be treating me like jewelry
Then you turn around and you stash me
You be treating me like jewelry
I dont like the way that you be shining me
You be treating me like jewelry
Then you turn around and you stash me

[...] Read more

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Spectator ab Extra

As I sat in the Café I said to myself,
They may talk as they please about what they call pelf,
They may sneer as they like about eating and drinking,
But help it I cannot, I cannot help thinking
How pleasant it is to have money, heigh-ho!
How pleasant it is to have money.

I sit at my table en grand seigneur,
And when I have done, throw a crust to the poor;
Not only the pleasure itself of good living,
But also the pleasure of now and then giving:
So pleasant it is to have money, heigh-ho!
So pleasant it is to have money.

They may talk as they please about what they call pelf,
And how one ought never to think of one’s self,
How pleasures of thought surpass eating and drinking—
My pleasure of thought is the pleasure of thinking
How pleasant it is to have money, heigh-ho!
How pleasant it is to have money.

II
Le Diner

Come along, ‘tis the time, ten or more minutes past,
And he who came first had to wait for the last;
The oysters ere this had been in and been out;
Whilst I have been sitting and thinking about
How pleasant it is to have money, heigh-ho!
How pleasant it is to have money.

A clear soup with eggs, voilà tout; of the fish
The filets de sole are a moderate dish
A la Orly, but you’re for the red mullet, you say:
By the gods of good fare, who can question today
How pleasant it is to have money, heigh-ho!
How pleasant it is to have money.

After oysters, sauterne; then sherry; champagne,
Ere one bottle goes, comes another again;
Fly up, thou bold cork, to the ceiling above,
And tell to our ears in the sound that they love
How pleasant it is to have money, heigh-ho!
How pleasant it is to have money.

I’ve the simplest of palates; absurd it may be,
But I almost could dine on a poulet-au-riz,
Fish and soup and omelette and that – but the deuce –
There were to be woodcocks, and not Charlotte Russe!
So pleasant it is to have money, heigh-ho!

[...] Read more

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Mr Pleasant

Oh mr pleasant, how is mrs pleasant?
I hope the world is treating you right,
And your heads in the air,
And youre feeling so proud,
cause youre such a success,
And the whole wide world is on your side, hey hey.
How are you today?
People say mr pleasant is good,
Mr pleasant is kind,
Mr pleasants okay,
Mr pleasant dont mind.
As long as mr pleasants all right, hey hey.
How are you today?
Hows your father, hows your mother?
Hows your sister, hows your brother?
Hows your brand, new limousine,
Twenty-four inch tv screen?
Did you like prosperity
More than you liked poverty?
Life is easier, so much easier,
Life is easier now.
Oh mr pleasant, how is mrs pleasant?
Did you know she was flirting around
With another young man,
And hes taking her out
When you have to work late?
And its not so pleasant after all, hey hey.
How are you today?
People say mr pleasant is good,
Mr pleasant is kind,
Mr pleasants okay,
Mr pleasant dont mind.
As long as mr pleasants all right, hey hey.
How are you today?
Mr pleasant is good,
Mr pleasant is kind,
Mr pleasants okay.

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Some Get Erotic

Some get erotic,
When the bottom drops...
And they hit the rocks.

Like their heads had knocked against,
Acknowledged nonsense.

Some get erotic,
When the bottom drops...
And they hit the rocks.

Like they got up from a shock,
That all their bubbles popped!

And they found out...
They were isolated and locked.
And they found out...
Life is not about what they've got!

And they found out...
They were isolated and locked.
And they found out...
The bottom rushes to the top.
When you're dropping,
Isolated.
When your'e dropping,
And locked.

Some get erotic,
When the bottom drops...
And they hit the rocks.

Like they got up from a shock,
That all their bubbles popped!

And they found out...
They were isolated and locked.
And they found out...
The bottom rushes to the top.
When you're dropping,
Isolated.
When your'e dropping,
And locked.

When you're dropping,
Isolated.
When your'e dropping,
And locked.

Some get erotic,

[...] Read more

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I'm Sorry

i know i was wrong
for treating you the way i did (the way i did)
i have so much on my mind
i didn't know where you fit in (where you fit in)
and if i could do it all over again (again)
i'll never treat you that way
(i'll never treat you that way again)
i apologize for the pain that i caused
and i just wanna say (i just wanna say)
i'm sorry (i'm sorry)
so sorry (so sorry)
for treating you the way i did (i didn't mean it baby)
i'm sorry (i'm sorry)
so sorry (so sorry)
for leaving you the way i did

when i close my eyes
i think of how it used to be (used to be)
that's when i realized
just how much you mean to me (you mean to me)
a second chance is all that i need (i need)
to change what's wrong and make it right
(to change what's wrong and make it right)
a fool i was to let you slip away (away)
when i know i need you in my life (need you in my life)

i'm sorry (i'm sorry)
so sorry (so sorry)
for treating you the way i did
(i didn't mean to hurt you baby)
i'm sorry (i'm sorry)
so sorry (so sorry)
for leaving you the way i did

and i know everytime (everytime)
everytime i treated you unkind (so unkind)
you still gave your best to me (to me)
i'll do anything to get you back in to my life
i need to hold you again (hold you)
kiss you again (kiss you)
make love to you (love you)
and i'll do it again (to you)
listen to me (listen to me)
i'm down on my knees (down on my knees)
can we start over again (can we start over)

i'm sorry (i'm sorry)
so sorry (so sorry)
for treating you the way i did
(i didn't mean to hurt you baby)

[...] Read more

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Head Over Heels

Late at night in the park
I saw her slipping in the dark
For heaven's sake, what's going on?
It's like someone is here
Got to follow now
Like beeing in trance for me
The silence here
More than all the noise
Whispering in the dark head over heels
Overheated heart head over heels
Treating it so hard the spurting feels every day, every night
Whispering in the dark head over heels
Overheated heart head over heels
Treating it so hard the spurting feels, oh yeah!
Down on my knees, God help me please
Gotta know who's out in the dark
I've stopped my breath, can feel the hands
Could hear the sound of people making love
I surrender right now!
I've to be touched
I feel so much...
Whispering in the dark head over heels
Overheated heart head over heels
Treating it so hard the spurting feels every day, every night
Whispering in the dark head over heels
Overheated heart head over heels
Treating it so hard the spurting feels, oh yeah!
[Instrumental verse]
Whispering in the dark head over heels
Overheated heart head over heels
Treating it so hard the spurting feels every day, every night
Whispering in the dark head over heels
Overheated heart head over heels
Treating it so hard the spurting feels every day, every night!
Head over heels, head over heels
Head over heels every day, every night
Head over heels, head over heels
Head over heels every day, every night!
Head over heels!

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Byron

Canto the Fourth

I
Nothing so difficult as a beginning
In poesy, unless perhaps the end;
For oftentimes when Pegasus seems winning
The race, he sprains a wing, and down we tend,
Like Lucifer when hurl'd from heaven for sinning;
Our sin the same, and hard as his to mend,
Being pride, which leads the mind to soar too far,
Till our own weakness shows us what we are.

II
But Time, which brings all beings to their level,
And sharp Adversity, will teach at last
Man, -- and, as we would hope, -- perhaps the devil,
That neither of their intellects are vast:
While youth's hot wishes in our red veins revel,
We know not this -- the blood flows on too fast;
But as the torrent widens towards the ocean,
We ponder deeply on each past emotion.

III
As boy, I thought myself a clever fellow,
And wish'd that others held the same opinion;
They took it up when my days grew more mellow,
And other minds acknowledged my dominion:
Now my sere fancy "falls into the yellow
Leaf," and Imagination droops her pinion,
And the sad truth which hovers o'er my desk
Turns what was once romantic to burlesque.

IV
And if I laugh at any mortal thing,
'T is that I may not weep; and if I weep,
'T is that our nature cannot always bring
Itself to apathy, for we must steep
Our hearts first in the depths of Lethe's spring,
Ere what we least wish to behold will sleep:
Thetis baptized her mortal son in Styx;
A mortal mother would on Lethe fix.

V
Some have accused me of a strange design
Against the creed and morals of the land,
And trace it in this poem every line:
I don't pretend that I quite understand
My own meaning when I would be very fine;
But the fact is that I have nothing plann'd,
Unless it were to be a moment merry,
A novel word in my vocabulary.

[...] Read more

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Byron

Don Juan: Canto The Fourth

Nothing so difficult as a beginning
In poesy, unless perhaps the end;
For oftentimes when Pegasus seems winning
The race, he sprains a wing, and down we tend,
Like Lucifer when hurl'd from heaven for sinning;
Our sin the same, and hard as his to mend,
Being pride, which leads the mind to soar too far,
Till our own weakness shows us what we are.

But Time, which brings all beings to their level,
And sharp Adversity, will teach at last
Man,- and, as we would hope,- perhaps the devil,
That neither of their intellects are vast:
While youth's hot wishes in our red veins revel,
We know not this- the blood flows on too fast;
But as the torrent widens towards the ocean,
We ponder deeply on each past emotion.

As boy, I thought myself a clever fellow,
And wish'd that others held the same opinion;
They took it up when my days grew more mellow,
And other minds acknowledged my dominion:
Now my sere fancy 'falls into the yellow
Leaf,' and Imagination droops her pinion,
And the sad truth which hovers o'er my desk
Turns what was once romantic to burlesque.

And if I laugh at any mortal thing,
'T is that I may not weep; and if I weep,
'T is that our nature cannot always bring
Itself to apathy, for we must steep
Our hearts first in the depths of Lethe's spring,
Ere what we least wish to behold will sleep:
Thetis baptized her mortal son in Styx;
A mortal mother would on Lethe fix.

Some have accused me of a strange design
Against the creed and morals of the land,
And trace it in this poem every line:
I don't pretend that I quite understand
My own meaning when I would be very fine;
But the fact is that I have nothing plann'd,
Unless it were to be a moment merry,
A novel word in my vocabulary.

To the kind reader of our sober clime
This way of writing will appear exotic;
Pulci was sire of the half-serious rhyme,
Who sang when chivalry was more Quixotic,
And revell'd in the fancies of the time,

[...] Read more

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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Tibetan Prayer

'om mani padme hung,
om mani padme hung...'

may all beings be freed from suffering.
may all beings breathe as one.
may all beings live in peace.
may all beings learn to give.
may all beings walk in unity.
may all beings walk in forgiveness.
may all beings lay down their weapons.
may all beings be fed and have shelter.
may all beings know they are loved.
may all beings join hands.
may all beings live in awareness.
may all beings be freed from suffering.

'om mani padme hung,
om mani padme hung...'

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Wellwell, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

[...] Read more

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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How's The World Treating You (feat. Alison Krauss)

I've had nothing but sorrow
Since you said we were through
There's no hope for tomorrow
How's the World Treating You
Every sweet thing that mattered
Has been broken in two
All my dreams have been shattered
How's the World Treating You
Got no plans for next Sunday
Got no plans for today
Everyday is blue Monday
Everyday You're away
Though our pathways have parted
To your memory I'm true
Guess I'll stay broken hearted
How's the World Treating You
Do you wonder about me
Like I'm hoping you do
Are you lonesome without me
Have you found someone new
Are you burning and yearning
Do you ever get blue
Do you think of returning
How's the World Treating You
Do you think of returning
How's the World Treating You

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Robin Hood And Guy Of Gisborne

When shawes been sheene, and shradds full fayre,
And leeves both large and longe,
Itt is merry, walking in the fayre forrest,
To heare the small birds songe.

The woodweele sang, and wold not cease,
Amongst the leaves a lyne:
And it is by two wight yeomen,
By deare God, that I meane.

'Me thought they did mee beate and binde,
And tooke my bow mee froe;
If I bee Robin a-live in this lande,
I'le be wrocken on both them towe.'

Sweavens are swift, master,' quoth John,
'As the wind that blowes ore a hill;
For if itt be never soe lowde this night,
To-morrow it may be still.'

'Buske yee, bowne yee, my merry men all,
For John shall goe with mee:
For I'le goe seek yond wight yeomen
In greenwood where the bee.'
^ TOP

The cast on their gowne of greene,
A shooting gone are they,
Untill they came to the merry greenwood,
Where they had gladdest bee;

There were the ware of a wight yeoman,
His body leaned to a tree.

A sword and a dagger he wore by his side,
Had beene many a man bane,
And he was cladd in his capull-hyde,
Topp, and tayle, and mayne.

'Stand you still, master,' quoth Litle John,
'Under this trusty tree,
And I will goe to yong wight yeomen,
To know his meaning trulye.'

'A, John, by me thou setts noe store,
And that's a farley thinge;
How offt send I my men beffore,
And tarry my-selfe behinde?

It is noe cunning a knave to ken,

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I Have Seen a Fellow

I have known a fellow
With a statuesque threshold
For the flipping jabs
Of kerosene tongues
And I had seen him
In so many nights
Under a farcical lamppost
Reckoning the deluging drought
That had imposed his inebriation
With his sordid fingers latched
Into the waist of desolation,
And he was scarcely available
By the maws of the sun
For he is tethered
To inadequacy
And poverty
Of all squalid kinds.

I have seen this fellow
From a distance and he was fine
With his dyed chestnut tresses
Combing the wisps of light
That drifts far from his eyes
Which were blackly tired
Sunken deep in a vale
Dug by his skeptic vision,
And then I looked closer
Into the marred paper
And he was hideous
And grotesque.

He was lean, too anorexic lean,
That the looming sun
Cloyed in a taut metal string
Can never stroke his spine
Slithering in sinewy lids
Thus, would never cast his shadow
And he was seemingly tall
Until he darted through a crowd
And cringed without recoil.

I have seen this fellow
Saunter past the catastrophe
Of pawned breaths
And sycophancies,
Dragging his heels
Through the scathing embers
Of bleak serenity
Juggling abortive things
On his scrawny hands

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Young Fellow My Lad

"Where are you going, Young Fellow My Lad,
On this glittering morn of May?"
"I'm going to join the Colours, Dad;
They're looking for men, they say."
"But you're only a boy, Young Fellow My Lad;
You aren't obliged to go."
"I'm seventeen and a quarter, Dad,
And ever so strong, you know."

* * * *

"So you're off to France, Young Fellow My Lad,
And you're looking so fit and bright."
"I'm terribly sorry to leave you, Dad,
But I feel that I'm doing right."
"God bless you and keep you, Young Fellow My Lad,
You're all of my life, you know."
"Don't worry. I'll soon be back, dear Dad,
And I'm awfully proud to go."

* * * *

"Why don't you write, Young Fellow My Lad?
I watch for the post each day;
And I miss you so, and I'm awfully sad,
And it's months since you went away.
And I've had the fire in the parlour lit,
And I'm keeping it burning bright
Till my boy comes home; and here I sit
Into the quiet night.

* * * *

"What is the matter, Young Fellow My Lad?
No letter again to-day.
Why did the postman look so sad,
And sigh as he turned away?
I hear them tell that we've gained new ground,
But a terrible price we've paid:
God grant, my boy, that you're safe and sound;
But oh I'm afraid, afraid."

* * * *

"They've told me the truth, Young Fellow My Lad:
You'll never come back again:
(Oh God! the dreams and the dreams I've had,
and the hopes I've nursed in vain!)
For you passed in the night, Young Fellow My Lad,
And you proved in the cruel test

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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Part I

"That oblong book's the Album; hand it here!
Exactly! page on page of gratitude
For breakfast, dinner, supper, and the view!
I praise these poets: they leave margin-space;
Each stanza seems to gather skirts around,
And primly, trimly, keep the foot's confine,
Modest and maidlike; lubber prose o'er-sprawls
And straddling stops the path from left to right.
Since I want space to do my cipher-work,
Which poem spares a corner? What comes first?
'Hail, calm acclivity, salubrious spot!'
(Open the window, we burn daylight, boy!)
Or see—succincter beauty, brief and bold—
'If a fellow can dine On rumpsteaks and port wine,
He needs not despair Of dining well here—'
'Here!' I myself could find a better rhyme!
That bard's a Browning; he neglects the form:
But ah, the sense, ye gods, the weighty sense!
Still, I prefer this classic. Ay, throw wide!
I'll quench the bits of candle yet unburnt.
A minute's fresh air, then to cipher-work!
Three little columns hold the whole account:
Ecarté, after which Blind Hookey, then
Cutting-the-Pack, five hundred pounds the cut.
'Tis easy reckoning: I have lost, I think."

Two personages occupy this room
Shabby-genteel, that's parlor to the inn
Perched on a view-commanding eminence;
———— -Inn which may be a veritable house
Where somebody once lived and pleased good taste
Till tourists found his coign of vantage out,
And fingered blunt the individual mark
And vulgarized things comfortably smooth.
On a sprig-pattern-papered wall there brays
Complaint to sky Sir Edwin's dripping stag;
His couchant coast-guard creature corresponds;
They face the Huguenot and Light o' the World.
Grim o'er the mirror on the mantlepiece,
Varnished and coffined, Salmo ferox glares
—Possibly at the List of Wines which, framed
And glazed, hangs somewhat prominent on peg.

So much describes the stuffy little room—
Vulgar flat smooth respectability:
Not so the burst of landscape surging in,
Sunrise and all, as he who of the pair
Is, plain enough, the younger personage
Draws sharp the shrieking curtain, sends aloft
The sash, spreads wide and fastens back to wall

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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