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Things get very distorted when you do a movie, weirdly so.

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Distorted Angel

Strange things seem to occur, somewhere behind the nursery door
Though I was just a bit of a kid, it was the bit that she was looking for
Now I dont know where to begin confessing
The way shes making me feel it cant be a sin
I was taught to believe you were looking down on everyone
And your benevolent face is beautiful to gaze upon
Now I just dont know who to tell to go to hell
Who put the old devil in the distorted angel?
Distorted angel
Pure illuminated sweetness
Frightening small children is just about your only weakness
I thought that you would tell me what Im living for
But I cant see you anymore
I dont know what we did but Im sorry if it made you cry
And if theres any justice at all Id be punished for it Id surmise
It will mark the spot very well where I fell
Under the shadow of the distorted angel
Beneath the shadow of the distorted angel
Below the shadow of the distorted angel
Angel
Beneath the shadow of the distorted angel
Below the shadow of the distorted angel
Angel

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Silent Movie

(corky laing/ian hunter)
Well the school bell rings
I carried your things
Getting on the yellow bus
With the whole world watching us
And our love was like a silent movie
Aint got nothing to say
Our love was like a silent movie
I wish we could have kept it that way
Now the door bell rings
Im gonna get my things
Take another bright (? )
At the lions side
Cause our love was like a silent movie
Aint got nothing to say
Our love was like a silent movie
Thats the all-american way
Silent movie
And our love was like a silent movie
Theres nothing to say
Our love was like a silent movie
And thats the all-american way
And our love was like a silent movie
Theres nothing to say
Our love was like a silent movie
I wish we could have kept it that way
Our love was like a silent movie
Silent movie
Our love was like a silent movie
I wish we could have kept it that way

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Sentimental Movie

You better change your attitude
Cause you know you want it to
You bring me all your pride
But I know you hold it too
I can feed your bounty, yeah
If you feed my head as well
And I wont give you empty promises, yeah
When the quarters in the wishing well
But this ain't no sentimental movie
Where dreams collect like dust
You talk to me with innocence in your eyes
So now, who can you trust?
You think you look so cool
Yes you do
You take me for your fool, yeah
Itching' for your... of the hug
Baby I want a new start, but dont you be true, yeah
I can see through your door
You put my head into these walls
You take my heart to the dockside, yeah
You put me in the car
And take me for another ride
But this ain't no sentimental movie
Where dreams collect like dust
You talk to me with innocence in your eyes
So now, who can you trust?
Trust
Trust
Put a path on to your veins
And antique and old whore's our new pain, yeah
The tears you cried
All the tears you cried tonight
Yeah
You put me down
But you can't get out of sight
And this aint no sentimental movie
You push it on
You grab it on
But I dont see the TV?
This ain't no sentimental movie
Yeah, see the screen
Youre startin to scream
Abusin confusin
Your programs over?
This aint no sentimental movie
Yeah, you look so cool
Dont take me for another one of your scenes?
This aint no sentimental movie
This aint no sentimental movie
The tears you cried

[...] Read more

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You're A Movie

I fearlessly walk into battle
With a shine on my boots and my teeth
Never flinch, never blink, never rattle
My blood is like ice underneath
Oh, I'm the reincarnation of Patton
And I've got Hannibal's heart in my chest
God told me I would have rivalled
Alexander the Great at his best
(You're a movie)
Quite
(You're a movie)
Yes
(The exception)
That's right
(You're the final kind)
(You're a movie)
More of an epic
(Please include me, send us to the line)
Mm, that's right
Very good
Bullets repel off my medals
And my men are in awe when I speak
All chaos my strategy settles
My mere presence gives strength to the weak
For me it seems really alarming
I'm really just only a man
With five million sheep in this army
I seem to be the only one fit to command
(You're a movie)
I'm quite aware
(You're a movie)
Yeah
(The exception)
Oh, you've noticed
(You're the final kind)
(You're a movie)
Hey, very true
(Please include me, send us to the line)
Mm, if you're lucky
I must go now and save the world
Move aside mere drop of water, let the ocean pass
(You're a movie)
Quite right
(You're a movie)
(The exception)
(You're the final kind)
(You're a movie)
(Please include me)
Mm hmm
(Please include me)

[...] Read more

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Notes On An Unadorned Night

after Rene Char

Let's agree that the night is a blank canvas, a station
break, a bridge of a song.

Let's agree further that activities at night—movies,
campfires, reading by a lamp—are all
basically an homage to the day.

I have come to regard these two statements as
contradictory. Let me explain.

First, set aside that one could see a movie, torch a fire,
and read with the sun blazing over us.

The in-between aspect of night need not spark a flurry of
activity, is all I'm saying.

You could do nothing at night! Just lay and sleep!

A Cézanne sketch I looked at last night bears
mentioning.

A big Gallic face, reclining upwards, looks up at three
boxcars on train tracks.

The man's eyes are wide open and unfulfilled.

The two disemboweled deer I saw the night before also
bear mentioning.

The torsos of both deer were connected to faces, both
looking up.

I assumed they were struck by trains near the house
where I was sleeping.

Anyway, it occurred to me that as I looked into these
two dead deer's eyes that so much has fallen at
me, rather than simply by me.

I want to be among people. I do.

But I just want the easy parts skipped, for bodies to rub
up against each other, to always feel as new flesh
touches new flesh.

Those deer weren't an emblem of anything. I'm not like that.

I don't need dead animals to mirror my own interior world.

[...] Read more

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A Wonderful Beetle——Shi Xiaoqun

Beetles, beetles beautiful movie star,
Shi Xiaoqun is the emperor's lover of Ir star,
Beetles, beetles beautiful movie star,
How I wonder who you are.
Up above the world so high,
Like an empress in the star,
Beetles, beetles beautiful movie star,
How I wonder who you are.

Beetles, beetles beautiful movie star,
Shi Xiaoqun is the emperor's lover of Ir star,
Beetles, beetles beautiful movie star,
How I wonder who you are.
Up above the world so high,
Like an empress in the star,
Beetles, beetles beautiful movie star,
How I wonder who you are.

When the world loses love and tolerance,
When I no more love you,
When you no more love me,

Then you know what will happen!

Beetles, beetles beautiful movie star,
How I wonder who you are.
Beetles, beetles beautiful movie star,
Shi Xiaoqun is the emperor's lover of Ir star,
Beetles, beetles beautiful movie star,
How I wonder who you are.

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Allegany Camp

amazing grace circus camp
amazing grace day camp
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amazing grace jeremy camp
amazing love jeremy camp
amazing place chalet pigeon forge
amazing race church camp
amazing race games for camps
amazing race girl scout camp
amazon camp dutch lodge oven
amazon camp in sweetwater missouri
amazon cast iron dutch lodge camp
amazon dutch oven camp
amazon lodge dutch oven camp
ambassador camp at lake waccamaw nc
ambassador camp inc
ambassador chalet
ambassador chalet at doral
ambassador chalet wgc
amber bowers
amber camp lazlo
amber pow camp
amberg germany dp camp
ambition camp hockey pro
ambler baseball camp
ambleside scotland school camp
ambon pow camp
ambor island pow camp
ambor pow camp
ambulance bower
amc camp dodge
amc camp movie summer
amc camp summer theater
amc little lyford camps
amc movie camp
amc movie camps
amc north west camp bear mountain
amc pinkham notch camp
amc summer camp for s
amc summer camp for s 2007
amc summer camp movies
amc summer movie camp
amc summer movie camp 2007
amc summer movie camp 2008
amc summer movie camp arlington
amc summer movie camp ontario california
amc theater camp hill
amc theatres summer camp
amcmovie camps
amelia earhart in japanese war camp

[...] Read more

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Hollywood Movie Girls

(g. heideman)
Today I went out on a movie call
I saw a million nervous faces
I knew them all
Hollywood movie girls
Were all wearing our one good interview dress
The one showin our legs
Aah, were lookin our best
Now, who will be chosen for the screen test?
Its your guess
Hollywood movie girls
And each and every potential star
Drives home in the night in her economy car
Whoever thought home would be a one-room flat?
Well, as simple as that
Hollywood movie girls
Each morning up early to call on the phone
Agents, producers, oh, theyre never at home
Like door-to-door salesmen, we are selling ourselves
Ooh, nothing else
Hollywood movie girls
And each and every potential star
Drives home in the night in her economy car
Whoever thought home would be a one-room flat?
Well, as simple as that
Hollywood movie girls
And just about bedtime each one of us asks
Tell me, when will I make it to the big-time at last?
Oh, small parts youre offered
Aah, but those too shall pass
Nothing lasts
Hollywood movie girls
Yeah, and each and every potential star
Drives home in the night in her economy car
Whoever thought home would be a one-room flat?
Well, as simple as that
Hollywood movie girls
Oh, star light, star bright, wont you wish on me tonight?
Wish I may, wish I might
Shine your light for me

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The Reoccuring Dream

Words and music by joni mitchell
This is the reoccurring dream
Born in the dreary gap between
What we have now
And what we wish we could have
More fulfilling--and less frustrating!
Out of the envy in our eyes
Look!
Glamorous picture people rise
Radiant!
Gleaming down from screens and pages
Ooh--glamour--before your very eyes!
Isnt it true--isnt it true?
Good question--i know--who cares
Look here they tell you
If you had this
If you had that
Latest styles and colors
If we had that for us mmmmm
Wouldnt it be fabulous
If you had that house, car, bottle, jar
Your lovers would look like movie stars
Movie stars, movie stars, movie stars
Order your youth secrets of the stars
Call now--just $9.99
Our discontent is their delight
They offer relief for the purchase price
Love in a bottle
Love on four wheels
Is that our new car charles?
Isnt it true--isnt it true?
We guarantee it--pick up your phone and dial
See here they sell you
If you had this
If you had that
I want a new truck!--more power!
If you use this shampoo
True love will come to you
If you had that house, car, bottle, jar
Your lovers would look like movie stars
Movie stars, movie stars, movie stars
Hollywoods greatest legends
Recognize this?
Dreamer
Soft sexy hair
Dream on
Hes going to love me in this ruby, ruby lipstick
Others will notice!--sexy!--who cares!
Recognize this?
Dreamer

[...] Read more

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A Horse of a Different Color in BLACK AND WHITE AND TECHNICOLOR ///// Narrative Satire

Recently discovered an official White House report on the events that took place on
December 15,2009 Titled (Yellow brick road)) posted by Wikileaks.


The report exposed that there had been an accidental releasing of an experiment virus at a Class 5 military research lab located in Oz Kansas.
The (Anti-M) rouge virus upon inhalation temporally caused color blindness, and altered depth perception. The White House declared a state of emergency for the entire State of Kansas ordering the closing of all public and private schools.
The National Guard had been activated, and President Barack Obama said 'It was for traffic control purposes.'

The following day Avatar premiered at theaters and received rave reviews all across the country, but not in Oz, where movie goers were walking out in droves, demanding refunds. One patron a member of the Lollypop Guild echoed the sentiments of the outraged crowd leaving the Toto Theater, he was quoted as saying. 'The greatest movie ever, when monkeys fly, it's the worst B movie I've ever seen.'

In light of the recently obtained Wikileaks information the producers of the movie, Avatar, have filed a class action law suit against the government in Federal Court
Pertaining to the large release of the color blind virus at Oz Kansas on Dec.15,09
Sighting that the movie maker's right to fool the public was infringed upon.

When asked about the movie, in a previously recorded interview, one of the producers gave this comment; 'We had the heart and courage to make it all along, even though it's really nothing more then a futuristic Cowboy, and Indian flick. So, we spent a third world's yearly budget on special effects. When you add that much glitz, and glam to a dog, and pony show people will be convinced it's a night at the opera.'

The United States Government settled out of court earlier today with the producers of the movie Avatar, for an undisclosed amount of money. A highly informed source inside the bubble (AKA Glinda) reported that the amount could be in excess of $500 million dollars. Pending that there will be no further appeal(s) following the Yellow brick road incident, the Brains behind Avatar will be clicking their heels happily ever after.


The Kansas City Cyclone
Article title: A Horse of a Different Color
Reported by D. Gale

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The Doom Of A City Part Ii: The City

I
A near the dying of that royal day
Those amber-vested hills began to swerve;
And soon a lofty Pharos, gleaming white
Upon its isle set darkly in the light,
Beckoned us onward to the spacious bay
Encompassed broadly by their noble curve.
And so at length we entered it; and faced
The thin dark lines of countless masts, all traced
Upon the saddest sunset ever seen -
Spread out like an interminable waste
Of red and saffron sand, devoured by slow
Persistent fire; beneath whose desolate glow
A City lay, thick-zoned with solemn green
Of foliage massed upon the steeps around.
Between those mast-lines flamed the crystal fires
Of multitudinous windows; and on high
Grand marble palaces and temples, crowned
>With golden domes and radiant towers and spires,
Stood all entranced beneath that desert sky,
Based on an awful stillness. Dead or dumb,
That mighty City through the breathless air
Thrilled forth no pulse of sound, no faintest hum
Of congregated life in street and square:
Becalmed beyond all calm those galleons lay,
As still and lifeless as their shadows there,
Fixed in the magic mirror of the bay
As in a rose-flushed crystal weirdly fair.
A strange, sad dream: and like a fiery pall,
Blazoned with death, that sky hung over all.


II

Where, eastward from the town, the shore was low,
I drew at length my shallop up the sand,-
The quiet and gloomless twilight gathering slow;
And took my way across the lonely strand,
And onward to the City, lost in thought.
Who shall his own wild life-course understand?
From terror through great terrors I am brought
To front my fate in this mysterious land.
In my old common world, well fenced about
With myriad lives that fellowed well my own,
Terror and deadly anguish found me out
And drove me forth to seek the dread Unknown;
Through all whose terrors I have yet been brought,
Though hopeless, helpless, utterly alone.
May yet my long wild night be blessed with morn?
Some revelation from the awful Throne

[...] Read more

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Picasso Moon

South of market in the land of ruin
You get all manner of action
Tinsel tigers in the metal room
Stalking satisfaction.
They got em packaged up for love and money
Tattooed tots and chrome spike bunnies
Check my conscience at the dmz
And roll on in, gonna roll in it, honey
But I get a feelin like when big things collide
Like the crack before the thunder, like I really ought to hide
And here comes metal angel, she looks ready to ride;
& whats that shes tryin to show me..?
Whats that youre tryin to show me..?
Picasso moon, shattered light
Diamond bullets ripping up the night
Picasso moon, liberate me,
From the middle of eternity,
Something hooks her little finger at me,
An its bigger than a drive-in movie, ooooo-eeee.
Bigger than a drive-in movie, ooooo-eeee.
Hangin ten out on space and time
Redefining distance.
The next skull on your necklace is mine:
Cheap for such assistance
I had a job trading bits for pieces
Wed make wrinkles, advertise them as creases
Please, find my resignation enclosed,
Roll with it, roll with it, we gonna roll in it, honey..,
Dark angel, whats botherin you?
So strange, youll do me all that you do
Dark angel, youre makin me blue..,
I guess it doesnt matter..,
I guess it doesnt matter...
Picasso moon, blinding ball,
Spinning fire, the lightning calls
Picasso moon, fall into the sky
Rarin out, Im gonna testify
And stare a shout into that burning eye,
Bigger than a drive-in movie, oh my.
Bigger than a drive-in movie, oh my.
Strikes morning; the atomic dawn,
Scramble back to cover.
Quick, pop your mirrored sunglasses on,
My little leather-winged lover.
I see your face printed on my money,
Your blazin ways really move me, honey..!
Heart of darkness, yea-e-yea-e-e-hoo..,
Whym I laughing? this aint funny
Dark angel, now just dont start..,
Youll break my spirit, wreck my heart

[...] Read more

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Hey

And I said Hey
When I'm making my movie, baby
You keep saying all my...
You keep breaking all my...
Said hey
You like boots and perfume
Said hey
Your red pumps and your cadillac blues
Said hey
You want that fine
white wine
on my dime
What you want from me?
'Cause you're on my mind
Don't you get no more
'Cause you're losing yourself
Don't you want some truth?
'Cause I'll give you mine
Hey, when I'm making my movie, baby
You keep saying all my lines
And I said hey, after sunset drive cruising, baby
You're just yesterdays prize
Said hey, do do do do do
You want trips on a white yacht for two
Said hey,
Beverly heights
Bright lights
Late nights
What you want from me?
'Cause you're on my mind
Don't you get no more
'Cause you're losing yourself
Don't you want some truth?
'Cause I'll give you mine
Hey, when I'm making my movie, baby
You keep saying all my lines
And I said hey, after sunset drive cruising, baby
You're just yesterdays prize
You're just yesterdays prize
Hey, Hey
Your red pumps and your cadillac blues
You want trips on a white yacht for two
Your red pumps and your cadillac blues
You like boots and expensive perfume
Your red pumps and your cadillac blues
You want trips on a white yacht for two
Your red pumps and your cadillac blues
You like boots and expensive perfume
Your red pumps and your cadillac blues
You want trips on a white yacht for two

[...] Read more

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My Private Movie

pretty girls are all around
I'm looking up and down
Till my view finder
Finds you in the sand
Zoom in till you fill the frame
You're driving me insane
And the way you're acting's tellin me you feel the same
Everything you do
Everything you say
The sunlight on your body is working for me
Take after take
Watching every move you make
There's only one thing that's missing
(chorus)
Picture me all over you
Picture you all over me
Baby you're the star in my private movie
You're stealing the love scene
Right out of my dream
We see the sun come up
The violins are playing
Girl we're making love
In my private movie
Cut to a desert isle
Surrounded by the deep blue sea
Fade to a picture of your lips kissing me
Waves are crashing as our love runs free
Let the rhythm take us from here to eternity
Oh baby
Can we make this real
Autograph my heart
And you know how you feel
(you know how you feel)
Cos you know it's true
Girl you're my fantasy
There's only one thing missing, oh yeah
(repeat chorus)
Since i saw your face
I've never been the same
Now it's only you i think of
Slow motion
Frame by frame
Picture me all over you
And all over me
Baby you're the star
Picture me all over you
Picture you all over me
Straight out of my private movie
Your're stealing the love scene
Right out of my dream

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This Was A Movie

Last night I heard my own heart beating
Sounded like footsteps on my stairs
Six months gone and I'm still reaching
Even though I know you're not there
I was playing back a thousand memories,
baby
Thinking 'bout everything we've been
through
Maybe I've been going back too much
lately
When time stood still and I had you
Come back, come back, come back to me
like
You would, you would if this was a movie
Stand in the rain outside 'til I came out
Come back, come back, come back to me
like
You could, you could if you just said you're
sorry
I know that we could work it out somehow
But if this was a movie you'd be here by
now
I know people change and these things
happen
But I remember how it was back then
Wrapped up in your arms and our friends
were laughing
'Cause nothing like this ever happened to
them,
Now I'm pacing down the hall, chasing
down your street
Flashback to the night when you said to me,
'Nothing's gonna change, not for me and
you
Not before I knew how much I had to lose'
Come back, come back, come back to me
like
You would, you would if this was a movie
Stand in the rain outside 'til I came out
Come back, come back, come back to me
like
You could, you could if you just said you're
sorry
I know that we could work it out somehow
But if this was a movie you'd be here by
now
If you're out there
If you're somewhere
If you're moving on
I've been waiting for you

[...] Read more

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Sunspot Birth Surrealism

starbursts spike creativity
slay us at irregular intervals
solar radiation sunspots

activity maximum wreaks
havoc in neural pathways
frying emotive overloads

adrenaline rush surge crazy
cannot should not be denied
time to paint surreal frescoes

familiar pattern life slices
distorted disturbing weirdly
dream objects experiences

unfamiliar is surrealism depicted
echoes expunged energy images
solar maximum emotive urgency


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Lets Make A Movie

Lets make a movie
Baby, let me direct ya,be tha co-star what ya do, lets a movie,(its gonna be
Me and you, Im gonna be the camera crew we,we can do what you wanna do, lets
Make a movie)
Chrous:
Dim tha lights,
Camera action,
Record your award the saddest
Lets make a movie(hey boy what ya watin for go ahead baby press record, each
Scene I want ya more, lets make a movie.)
1st verse:

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Tv Movie

I woke up last night shaking from a dream
For in that dream I died
My wife rolled over and told me
That my life would be immortalized
Not in some major motion picture
Or great american novel, you see
No, theyre gonna make a tv movie out of me
Chorus:
Well now, its one two three you take the money
Yeah its as easy as a b c
Yeah theyre gonna make a tv movie out of me
Well they can change my name or they can leave it
They can change my story too
Or they can make me black or chinese
And do things that I never did do
Theyre gonna give my life a whole new ending
And put me in prime time first-run
And when its over, what I did there will be what I done
Now I dont want my name in a history book
Nobodys ever gonna see
No, theyre gonna make a tv movie out of me
(chorus)
Well Im a shoe-in for a sponsor
Goodyear blimp and radial wheels
Somebody had a meeting somewhere
Somehow somebody made a deal
Well I was one of them kinds of stories
That everybody liked to see
Yeah theyre gonna make a tv movie out of me
Now I dont want no inscription on my gravestone
No long soliloquy
No theyre gonna make a tv movie out of me
(chorus)

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Frankly, My Dear

Scarlett O’ and Melanie,
presenting the dichotomies
of feminine near-felony
and law, would need lobotomies
to reconcile. If, frankly, dear,
you give a damn, you must decide
to which of them your heart is near,
allowing it to be your guide,
for if you choose them both the wind
will see that you are gone. Life ain’t
like Hollywood. If you have sinned,
don’t try to make out with a saint,
because there always is a clash
when opposites attempt to meet,
and if they do they tend to crash,
since those who cannot change must cheat.

Inspired by Michiko Kakutani’s review of Molly Haskell’s “‘Frankly My Dear: Gone With the Wind’ Revisited” (“Frankly My Dear: ” NYT, April 24,2009) :
Just as the dichotomy between Scarlett and Melanie, Rhett and Ashley gave the movie a classic bipolar architecture, so Cukor and Fleming became, in Ms. Haskell’s words, the movie’s stylistic “yin and yang”: Cukor providing “the delicate gradations of feeling between lovers and family” while Fleming supplied the movie’s “bold, sweeping movement through time and history.” At the same time, Ms. Haskell observes, the art director William Cameron Menzies endowed the sprawling opus with a visual coherence: “The expressionistic landscapes and character positionings designed by Menzies and his staff keep certain images as touchstones, in the forefront of consciousness — like the horse collapsing on the bridge, the fire in the background, the use of the new moon, ” even as his masterful use of the new process of Technicolor worked to heighten the drama of the story. In the end the real reason this movie with too many cooks miraculously worked, Ms. Haskell says, was “the fire and desperation of three people with strangely overlapping tastes and eccentricities”: “In ‘Gone With the Wind, ’ Mitchell’s only book, every crisis and trauma of her life is transmuted into narrative; Selznick seized the reins and threw himself into the making of the movie like a man possessed; and Leigh, whose casting was less accidental than legend has it, invested Scarlett with something beyond beauty, something altogether uncanny — a demonic energy, a feverishness that would later tip over into illness and pathology.” All three of these people, Ms. Haskell argues, were “possessed of fire-and-ice opposites that they projected into their lives and careers”: “Leigh, the mesmerizing mixture of bawdy sexpot and exquisite doll, echoed the Scarlett-Melanie sides of Margaret Mitchell, flapper turned matron. Mitchell, in turn, was attracted in fiction and in life to male opposites: the blackguard and the saint (she created one of each; she married one of each) .” As for Selznick, Ms. Haskell says, he liked to cast his protégées as “wide-eyed innocents” or “palpitating sexpots, ” who in turn were attracted “to good boy-bad boy opposites.” “The intensely personal energy of this dividedness, the deep-down tension in Mitchell, Selznick and Leigh between vulgarity and refinement, ” she concludes, “is what gives the archetypes in ‘Gone With the Wind’ their extraordinary human resonance, ” and thanks to the way the three of them threw themselves into the project, “that historical ‘costume’ story” never feels remotely past.


4/24/09

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Scarlett And Melanie

Scarlett O’ and Melanie,
presenting the dichotomies
of feminine near-felony
and law, would need lobotomies
to reconcile. If, frankly, dear,
you give a damn, you must decide
to which of them your heart is near,
allowing it to be your guide,
for if you choose them both the wind
will see that you are gone. Life ain’t
like Hollywood. If you have sinned,
don’t try to make out with a saint,
because there always is a clash
when opposites attempt to meet,
and if they do they tend to crash,
since those who cannot change must cheat.

Inspired by Michiko Kakutani’s review of Molly Haskell’s “‘Frankly My Dear: Gone With the Wind’ Revisited” (“Frankly My Dear: ” NYT, April 24,2009) :
Just as the dichotomy between Scarlett and Melanie, Rhett and Ashley gave the movie a classic bipolar architecture, so Cukor and Fleming became, in Ms. Haskell’s words, the movie’s stylistic “yin and yang”: Cukor providing “the delicate gradations of feeling between lovers and family” while Fleming supplied the movie’s “bold, sweeping movement through time and history.” At the same time, Ms. Haskell observes, the art director William Cameron Menzies endowed the sprawling opus with a visual coherence: “The expressionistic landscapes and character positionings designed by Menzies and his staff keep certain images as touchstones, in the forefront of consciousness — like the horse collapsing on the bridge, the fire in the background, the use of the new moon, ” even as his masterful use of the new process of Technicolor worked to heighten the drama of the story. In the end the real reason this movie with too many cooks miraculously worked, Ms. Haskell says, was “the fire and desperation of three people with strangely overlapping tastes and eccentricities”: “In ‘Gone With the Wind, ’ Mitchell’s only book, every crisis and trauma of her life is transmuted into narrative; Selznick seized the reins and threw himself into the making of the movie like a man possessed; and Leigh, whose casting was less accidental than legend has it, invested Scarlett with something beyond beauty, something altogether uncanny — a demonic energy, a feverishness that would later tip over into illness and pathology.” All three of these people, Ms. Haskell argues, were “possessed of fire-and-ice opposites that they projected into their lives and careers”: “Leigh, the mesmerizing mixture of bawdy sexpot and exquisite doll, echoed the Scarlett-Melanie sides of Margaret Mitchell, flapper turned matron. Mitchell, in turn, was attracted in fiction and in life to male opposites: the blackguard and the saint (she created one of each; she married one of each) .” As for Selznick, Ms. Haskell says, he liked to cast his protégées as “wide-eyed innocents” or “palpitating sexpots, ” who in turn were attracted “to good boy-bad boy opposites.” “The intensely personal energy of this dividedness, the deep-down tension in Mitchell, Selznick and Leigh between vulgarity and refinement, ” she concludes, “is what gives the archetypes in ‘Gone With the Wind’ their extraordinary human resonance, ” and thanks to the way the three of them threw themselves into the project, “that historical ‘costume’ story” never feels remotely past.

4/24/09

poem by Report problemRelated quotes
Added by Poetry Lover
Comment! | Vote! | Copy!

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