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Beauty is our weapon against nature; by it we make objects, giving them limit, symmetry, proportion. Beauty halts and freezes the melting flux of nature.

quote by Camille Paglia
Added by Lucian Velea
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Say Brah

[master p]
Say brah,
I got to say wassup to all the soldiers and soldierettes
And to this district system free
Soulja slim
Cause they jocking our style ya heard me?
[mac] (master p)
Say brah (no limit)
Say brah (no limit)
Will you please get up out they way brah? (no limit)
Say brah (no limit)
Say brah (no limit)
Will you please get up out they way brah? (no limit)
Say brah (no limit)
Say brah (no limit)
Will you please get up out they way brah? (no limit)
What you bout? i'm bout war
What you bout? i'm bout war
[mac]
Say brah
You fake thugs best to get out the way brah
You wanna stop the tank you better pray brah
I'm a tiger, my flow be deadly just like a kabra
Get to bustin', old folks be hustlin', talking bout hey
Don't you play with him wodie he ain't afraid to spray brah
His little partners come through with choppers in broad day brah
Thugs like 50 dollars and fiend,
Thugs like magic, wiz, woo, ween, and my auntie b
Tell them fakers we back and there ain't no stoppin my doggss
Bezzled up a few haters and feds watching my doggs
And we on the grind, in '99 we let you all shine
Now that army is back so i'm back taking what's mine
I'm representing these gold tanks with the ice in it
Hated the likes and see it, these niggas nice with it
Thugged out, tru 2 da game, livin' up to my name
So when you the that soldier gear on my frame you holla
[mac] (master p)
Say brah (no limit)
Say brah (no limit)
Will you please get up out they way brah? (no limit)
Say brah (no limit)
Say brah (no limit)
Will you please get up out they way brah? (no limit)
Say brah (no limit)
Say brah (no limit)
Will you please get up out they way brah? (no limit)
We bout war
What you bout? i'm bout war
What you bout? i'm bout war
[master p]

[...] Read more

song performed by 504 Boyz
Added by Lucian Velea
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Say Brah (Radio)

[Master P]
Say Brah,
I got to say wassup to all the soldiers and soldierettes
and to this district system free Soulja Slim
cause they jocking our style ya heard me?
[Mac (Master P)]
Say Brah (No Limit)
Say Brah (No Limit)
Will you please get up out they way brah? (No Limit)
Say Brah (No Limit)
Say Brah (No Limit)
Will you please get up out they way brah? (No Limit)
Say Brah (No Limit)
Say Brah (No Limit)
Will you please get up out they way brah? (No Limit)
What you bout? I'm bout war
What you bout? I'm bout war
[Mac]
Say Brah
You fake thugs best to get out the way brah
You wanna stop the tank you better pray brah
I'm a tiger, my flow be deadly just like a kabra
get to bustin', old folks be hustlin', talking bout hey
Don't you play with him wodie he ain't afraid to spray brah
His little partners come through with choppers in broad day brah
Thugs like 50 Dollars and Fiend,
thugs like Magic, Wiz, Woo, Ween, and my auntie B
Tell them fakers we back and there ain't no stoppin my doggss
bezzled up a few haters and Feds watching my doggs
and we on the grind, in '99 we let you all shine
now that army is back so I'm back taking what's mine
I'm representing these gold tanks with the ice in it
hated the likes and see it, these niggas nice with it
Thugged out, Tru 2 Da Game, livin' up to my name
so when you the that soldier gear on my frame you holla
[Mac (Master P)]
Say Brah (No Limit)
Say Brah (No Limit)
Will you please get up out they way brah? (No Limit)
Say Brah (No Limit)
Say Brah (No Limit)
Will you please get up out they way brah? (No Limit)
Say Brah (No Limit)
Say Brah (No Limit)
Will you please get up out they way brah? (No Limit)
We bout war
What you bout? I'm bout war
What you bout? I'm bout war
[Master P]
Hoody Hoo!

[...] Read more

song performed by 504 Boyz
Added by Lucian Velea
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

[...] Read more

poem by Sir Francis Bacon
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The Pleasures of Imagination: Book The First

With what attractive charms this goodly frame
Of nature touches the consenting hearts
Of mortal men; and what the pleasing stores
Which beauteous imitation thence derives
To deck the poet's, or the painter's toil;
My verse unfolds. Attend, ye gentle powers
Of musical delight! and while i sing
Your gifts, your honours, dance around my strain.
Thou, smiling queen of every tuneful breast,
Indulgent Fancy! from the fruitful banks
Of Avon, whence thy rosy fingers cull
Fresh flowers and dews to sprinkle on the turf
Where Shakespeare lies, be present: and with thee
Let Fiction come, upon her vagrant wings
Wafting ten thousand colours through the air,
Which, by the glances of her magic eye,
She blends and shifts at will, through countless forms,
Her wild creation. Goddess of the lyre,
Which rules the accents of the moving sphere,
Wilt thou, eternal Harmony! descend
And join this festive train? for with thee comes
The guide, the guardian of their lovely sports,
Majestic Truth; and where Truth deigns to come,
Her sister Liberty will not be far.
Be present all ye Genii, who conduct
The wandering footsteps of the youthful bard,
New to your springs and shades: who touch his ear
With finer sounds: who heighten to his eye
The bloom of nature, and before him turn
The gayest, happiest attitude of things.

Oft have the laws of each poetic strain
The critic-verse imploy'd; yet still unsung
Lay this prime subject, though importing most
A poet's name: for fruitless is the attempt,
By dull obedience and by creeping toil
Obscure to conquer the severe ascent
Of high Parnassus. Nature's kindling breath
Must fire the chosen genius; nature's hand
Must string his nerves, and imp his eagle-wings
Impatient of the painful steep, to soar
High as the summit; there to breathe at large
Æthereal air: with bards and sages old,
Immortal sons of praise. These flattering scenes
To this neglected labour court my song;
Yet not unconscious what a doubtful task
To paint the finest features of the mind,
And to most subtile and mysterious things
Give colour, strength, and motion. But the love
Of nature and the muses bids explore,

[...] Read more

poem by Mark Akenside
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Skies The Limit

Written by christine mcvie
If Ive been acting just a little strange
And you have noticed it too
Its cos my life has been rearranged
With the presence of you
The sky is the limit now
We can hit it on the nail
And when we do
Ill think about you
How can we fail
Can you give me one reason why
Youd ever let me down
I wont believe it baby, but Ill try
The truths goin to come around
The sky is the limit now
We can hit it on the nail
And when we do
Ill think about you
How can we fail
The sky is the limit
Oh the sky is the limit
How can we fail
Sooner or later
Ill keep the promise
I made to you
Sooner or later
It will be greater
Then we ever knew
The sky is the limit now
We can hit it on the nail
And when we do
Ill think about you
The sky is the limit now
We can hit it on the nail
And when we do
Ill think about you
How can we fail
The sky is the limit
Oh the sky is the limit
How can we fail
Oh the sky is the limit
How can we fail
The sky is the limit
Oh the sky is the limit
How can we fail
The sky is the limit
Oh the sky is the limit
How can we fail
The sky is the limit
Oh the sky is the limit

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song performed by Fleetwood Mac
Added by Lucian Velea
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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

[...] Read more

poem by Charles Churchill
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Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

[...] Read more

poem by Byron from Childe Harold's Pilgrimage (1818)
Added by Veronica Serbanoiu
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Melting Pot

I met my girl
She was living in the melting pot
I touched her skin
It was greasy from the melting pot
Get yourself a weapon
Cause they slice you up in the melting pot
Well, I dont really have time to talk
But I wish you lots of luck in the melting pot
Chorus:
And in the end its always just some game
The heartbreak and laughter has all been in vain
Beat up and lied to
For your whole life
Kick you in the head
In the melting pot
The hewks live upstairs
Where the air is clean in the melting pot
They like to swoop down
And gnaw an your brain in the melting pot
Money, sex and power
Jerk you off in the backseat of the melting pot
Then they say I saw you last night
And you sure were looking sweet in the melting pot
Chorus:
And in the end its always just some game
The heartbreak and laughter has all been in vain
Beat up and lied to
For your whole life
Kick you in the head
In the melting pot
Theyd like to buy you off
If they possibly can in the melting pot
With temptation, dreams and persuasion
Thats what they got in the melting pot
Keep you bleeding, begging and snotty here
In the melting pot
Well, dont you dare laughting out loud
Theyll take away what you got
In the melting pot
Chorus:
And in the end its always just some game
The heartbreak and laughter has all been in vain
Beat up and lied to
For your whole life
Kick you in the head
In the melting pot

song performed by John Mellencamp
Added by Lucian Velea
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Book IV - Part 03 - The Senses And Mental Pictures

Bodies that strike the eyes, awaking sight.
From certain things flow odours evermore,
As cold from rivers, heat from sun, and spray
From waves of ocean, eater-out of walls
Around the coasts. Nor ever cease to flit
The varied voices, sounds athrough the air.
Then too there comes into the mouth at times
The wet of a salt taste, when by the sea
We roam about; and so, whene'er we watch
The wormword being mixed, its bitter stings.
To such degree from all things is each thing
Borne streamingly along, and sent about
To every region round; and Nature grants
Nor rest nor respite of the onward flow,
Since 'tis incessantly we feeling have,
And all the time are suffered to descry
And smell all things at hand, and hear them sound.
Besides, since shape examined by our hands
Within the dark is known to be the same
As that by eyes perceived within the light
And lustrous day, both touch and sight must be
By one like cause aroused. So, if we test
A square and get its stimulus on us
Within the dark, within the light what square
Can fall upon our sight, except a square
That images the things? Wherefore it seems
The source of seeing is in images,
Nor without these can anything be viewed.

Now these same films I name are borne about
And tossed and scattered into regions all.
But since we do perceive alone through eyes,
It follows hence that whitherso we turn
Our sight, all things do strike against it there
With form and hue. And just how far from us
Each thing may be away, the image yields
To us the power to see and chance to tell:
For when 'tis sent, at once it shoves ahead
And drives along the air that's in the space
Betwixt it and our eyes. And thus this air
All glides athrough our eyeballs, and, as 'twere,
Brushes athrough our pupils and thuswise
Passes across. Therefore it comes we see
How far from us each thing may be away,
And the more air there be that's driven before,
And too the longer be the brushing breeze
Against our eyes, the farther off removed
Each thing is seen to be: forsooth, this work
With mightily swift order all goes on,
So that upon one instant we may see

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poem by Lucretius
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Army Of Northern Virginia

Army of Northern Virginia, army of legend,
Who were your captains that you could trust them so surely?
Who were your battle-flags?
Call the shapes from the mist,
Call the dead men out of the mist and watch them ride.
Tall the first rider, tall with a laughing mouth,
His long black beard is combed like a beauty's hair,
His slouch hat plumed with a curled black ostrich-feather,
He wears gold spurs and sits his horse with the seat
Of a horseman born.
It is Stuart of Laurel Hill,
'Beauty' Stuart, the genius of cavalry,
Reckless, merry, religious, theatrical,
Lover of gesture, lover of panache,
With all the actor's grace and the quick, light charm
That makes the women adore him-a wild cavalier
Who worships as sober a God as Stonewall Jackson,
A Rupert who seldom drinks, very often prays,
Loves his children, singing, fighting spurs, and his wife.
Sweeney his banjo-player follows him.
And after them troop the young Virginia counties,
Horses and men, Botetort, Halifax,
Dinwiddie, Prince Edward, Cumberland, Nottoway,
Mecklenburg, Berkeley, Augusta, the Marylanders,
The horsemen never matched till Sheridan came.
Now the phantom guns creak by. They are Pelham's guns.
That quiet boy with the veteran mouth is Pelham.
He is twenty-two. He is to fight sixty battles
And never lose a gun.
The cannon roll past,
The endless lines of the infantry begin.
A. P. Hill leads the van. He is small and spare,
His short, clipped beard is red as his battleshirt,
Jackson and Lee are to call him in their death-hours.
Dutch Longstreet follows, slow, pugnacious and stubborn,
Hard to beat and just as hard to convince,
Fine corps commander, good bulldog for holding on,
But dangerous when he tries to think for himself,
He thinks for himself too much at Gettysburg,
But before and after he grips with tenacious jaws.
There is D. H. Hill-there is Early and Fitzhugh Lee-
Yellow-haired Hood with his wounds and his empty sleeve,
Leading his Texans, a Viking shape of a man,
With the thrust and lack of craft of a berserk sword,
All lion, none of the fox.
When he supersedes
Joe Johnston, he is lost, and his army with him,
But he could lead forlorn hopes with the ghost of Ney.
His bigboned Texans follow him into the mist.
Who follows them?

[...] Read more

poem by Stephen Vincent Benet
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The Artists

How gracefully, O man, with thy palm-bough,
Upon the waning century standest thou,
In proud and noble manhood's prime,
With unlocked senses, with a spirit freed,
Of firmness mild,--though silent, rich in deed,
The ripest son of Time,
Through meekness great, through precepts strong,
Through treasures rich, that time had long
Hid in thy bosom, and through reason free,--
Master of Nature, who thy fetters loves,
And who thy strength in thousand conflicts proves,
And from the desert soared in pride with thee!

Flushed with the glow of victory,
Never forget to prize the hand
That found the weeping orphan child
Deserted on life's barren strand,
And left a prey to hazard wild,--
That, ere thy spirit-honor saw the day,
Thy youthful heart watched over silently,
And from thy tender bosom turned away
Each thought that might have stained its purity;
That kind one ne'er forget who, as in sport,
Thy youth to noble aspirations trained,
And who to thee in easy riddles taught
The secret how each virtue might be gained;
Who, to receive him back more perfect still,
E'en into strangers' arms her favorite gave--
Oh, may'st thou never with degenerate will,
Humble thyself to be her abject slave!
In industry, the bee the palm may bear;
In skill, the worm a lesson may impart;
With spirits blest thy knowledge thou dost share,
But thou, O man, alone hast art!

Only through beauty's morning gate
Didst thou the land of knowledge find.
To merit a more glorious fate,
In graces trains itself the mind.
What thrilled thee through with trembling blessed,
When erst the Muses swept the chord,
That power created in thy breast,
Which to the mighty spirit soared.

When first was seen by doting reason's ken,
When many a thousand years had passed away,
A symbol of the fair and great e'en then,
Before the childlike mind uncovered lay.
Its blessed form bade us honor virtue's cause,--
The honest sense 'gainst vice put forth its powers,

[...] Read more

poem by Friedrich Schiller
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The Four Seasons : Summer

From brightening fields of ether fair disclosed,
Child of the Sun, refulgent Summer comes,
In pride of youth, and felt through Nature's depth:
He comes attended by the sultry Hours,
And ever fanning breezes, on his way;
While, from his ardent look, the turning Spring
Averts her blushful face; and earth, and skies,
All-smiling, to his hot dominion leaves.
Hence, let me haste into the mid-wood shade,
Where scarce a sunbeam wanders through the gloom;
And on the dark-green grass, beside the brink
Of haunted stream, that by the roots of oak
Rolls o'er the rocky channel, lie at large,
And sing the glories of the circling year.
Come, Inspiration! from thy hermit-seat,
By mortal seldom found: may Fancy dare,
From thy fix'd serious eye, and raptured glance
Shot on surrounding Heaven, to steal one look
Creative of the Poet, every power
Exalting to an ecstasy of soul.
And thou, my youthful Muse's early friend,
In whom the human graces all unite:
Pure light of mind, and tenderness of heart;
Genius, and wisdom; the gay social sense,
By decency chastised; goodness and wit,
In seldom-meeting harmony combined;
Unblemish'd honour, and an active zeal
For Britain's glory, liberty, and Man:
O Dodington! attend my rural song,
Stoop to my theme, inspirit every line,
And teach me to deserve thy just applause.
With what an awful world-revolving power
Were first the unwieldy planets launch'd along
The illimitable void! thus to remain,
Amid the flux of many thousand years,
That oft has swept the toiling race of men,
And all their labour'd monuments away,
Firm, unremitting, matchless, in their course;
To the kind-temper'd change of night and day,
And of the seasons ever stealing round,
Minutely faithful: such the All-perfect hand!
That poised, impels, and rules the steady whole.
When now no more the alternate Twins are fired,
And Cancer reddens with the solar blaze,
Short is the doubtful empire of the night;
And soon, observant of approaching day,
The meek'd-eyed Morn appears, mother of dews,
At first faint-gleaming in the dappled east:
Till far o'er ether spreads the widening glow;
And, from before the lustre of her face,

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poem by James Thomson
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Mist Upon the Placid Morn

Bleed out your beauty, Autumn –
Give up a gentle wrist, and smear
Your bloody hues atop the green.

Cast a calming throw of heady peace
Upon the cooling land.
And as you grant the sun a final fling of warmth,
Charge the silent air
(Now lolling on a foliar deathbed)
With earthen whiff to intimate the fungal push.

Soon you’ll send a shiver down the watery spine of
Quivering ponds, punctual brooks, and
Listless lakes, to warn them of the freeze to come.

Behold! your mellow spirit
Hanging as a mist upon the placid morn –
A sight that draws a sneaking tear or two – forlorn
Observers are we all of colder climes to view!

Autumn Lady, must you be the summer waning –?
Our adieu to fairer-weather life?
Ah well, at least you hum a warming tone, ensuring
Nature’s rhythm still abounds.

But now you must prepare the mind for chilly times –
You know the drill –
Guiding us along a sloping path
To ease our psyche in to sleet and snow –
The blue-ice bite of winter.

Copyright © Mark R Slaughter 2010

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poem by Mark R Slaughter
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Childe Harold's Pilgrimage: A Romaunt. Canto IV.

I.
I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter's wand:
A thousand years their cloudy wings expand
Around me, and a dying Glory smiles
O'er the far times, when many a subject land
Look'd to the winged Lion's marble piles,
Where Venice sate in state, thron'd on her hundred isles!

II.
She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Pour'd in her lap all gems in sparkling showers.
In purple was she rob'd, and of her feast
Monarchs partook, and deem'd their dignity increas'd.

III.
In Venice Tasso's echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone -- but Beauty still is here.
States fall, arts fade -- but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.
But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city's vanish'd sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away --
The keystones of the arch! though all were o'er,
For us repeopl'd were the solitary shore.

V.
The beings of the mind are not of clay;
Essentially immortal, they create
And multiply in us a brighter ray
And more belov'd existence: that which Fate
Prohibits to dull life, in this our state

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poem by Byron
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As I ventured to the Wood

As I ventured to the wood,
I stopped to draw on dewy air; let
Droplets shimmer in my hair, that
Rested on my tranquil head – as
In a sense of cosy bed.

As I ventured to the wood,
A gesturing cuckoo perched above,
And then in song with cooing dove,
‘You're welcome’, bade he, ’Enter please
To roam our land with gentle breeze.’

As I ventured to the wood,
A fallow deer of limpid eye
Gave care to glance at lucky I.
The heavenly aura 'bout her glow had
Charmed me, like a fine Bordeaux.

As I ventured to the wood,
A dazzling flower waved her face
In blazing show of dance and chase, and
Reddened bright in shade of dawn, she
Flirted like a prancing fawn.

As I ventured to the wood,
A butterfly had graced my arm,
And knowing I bid him no harm, he
Splayed for me hypnotic wing in
Colours for to urge me sing!

As I ventured to the wood,
The radiant sun shone down on me.
He flushed and beamed ‘I say to thee,
You bless your land; be filled with pride, and
Cherish e’er yon countryside! ’

Copyright © Mark R Slaughter 2009
All rights reserved

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poem by Mark R Slaughter
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I Caught Fire

Seemed to stop my breath
My head on your chest
Waiting to cave in
From the bottom of my...
Hear your voice again
Could we dim the sun
And wonder where we've been
Maybe you and me
So kiss me like you did
My heart stopped beating
Such a softer sin
(I'm melting, I'm melting)
In your eyes
I lost my place
Could stay a while
And I'm melting
In your eyes
Like my first time
That I caught fire
Just stay with me
Lay with me
Now
Never caught my breath
Every second I'm without you I'm a mess
Ever know each other
Trust these words are stones
why cuts aren't healing
Learning how to love
I'm melting (I'm melting)
In your eyes
I lost my place
Could stay a while
And I'm melting
In your eyes
Like my first time
That I caught fire
Just stay with me
Lay with me
(Stay with me lay with me now)
You could stay and watch me fall
And of course I'll ask for help
Just stay with me now
Take my hand
We could take our heads off
stay in bed just make love that's all
Just stay with me now
I'm melting (I'm melting)
In your eyes
I lost my place
Could stay a while

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song performed by Used
Added by Lucian Velea
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The Pleasures of Imagination: Book The Second

When shall the laurel and the vocal string
Resume their honours? When shall we behold
The tuneful tongue, the Promethéan hand
Aspire to ancient praise? Alas! how faint,
How slow the dawn of beauty and of truth
Breaks the reluctant shades of Gothic night
Which yet involve the nations! Long they groan'd
Beneath the furies of rapacious force;
Oft as the gloomy north, with iron-swarms
Tempestuous pouring from her frozen caves,
Blasted the Italian shore, and swept the works
Of liberty and wisdom down the gulph
Of all-devouring night. As long immur'd
In noon-tide darkness by the glimmering lamp,
Each muse and each fair science pin'd away
The sordid hours: while foul, barbarian hands
Their mysteries profan'd, unstrung the lyre,
And chain'd the soaring pinion down to earth.
At last the muses rose, and spurn'd their bonds,
And wildly warbling, scatter'd, as they flew,
Their blooming wreaths from fair Valclusa's bowers
Arno's myrtle border and the shore of soft Parthenope.

But still the rage of dire ambition and gigantic power,
From public aims and from the busy walk
Of civil commerce, drove the bolder train
Of penetrating science to the cells,
Where studious ease consumes the silent hour
In shadowy searches and unfruitful care.
Thus from their guardians torn, the tender arts
Of mimic fancy and harmonious joy,
To priestly domination and the lust
Of lawless courts, their amiable toil
For three inglorious ages have resign'd,
In vain reluctant: and Torquato's tongue
Was tun'd for slavish pæans at the throne
Of tinsel pomp: and Raphael's magic hand
Effus'd its fair creation to enchant
The fond adoring herd in Latian fanes
To blind belief; while on their prostrate necks
The sable tyrant plants his heel secure.

But now behold! the radiant æra dawns,
When freedom's ample fabric, fix'd at length
For endless years on Albion's happy shore
In full proportion, once more shall extend
To all the kindred powers of social bliss
A common mansion, a parental roof.
There shall the virtues, there shall wisdom's train,
Their long-lost friends rejoining, as of old,

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poem by Mark Akenside
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Weapons of Mass Destruction

The Holy Roman Empire and Alexander The Great
Exterminate the globe, with extreme prejudice,
A Weapon of Mass Destruction

The European Inquisition, A Weapon of Mass Destruction
The Holy Christian Crusades, A Weapon of Mass Destruction
The Manifest Destiny and land expansion, A Weapon of Mass Destruction

Globalization and commercialization of the many rain forests,
A Weapon of Mass Destruction
Comprehensive sanctions is economic violence,
A Weapon of Mass Destruction

The procreation of religion and God, A Weapon of Mass Destruction
Democratizing the whole world, A Weapon of Mass Destruction
The extermination of The Iroquois Confederation, A Weapon of Mass Destruction
World domination the salvation of, A Weapon of Mass Destruction

War, is the greatest Weapon of Mass Destruction
The justification for annihilation of, The Constitution

The constitution of retribution, the absolution of, A Weapon of Mass Destruction.

poem by Josephine DixonBanks
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An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.

'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

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poem by Alexander Pope
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A Country Path in Late Spring

The path of mossy ground nestled
In between maternal hedgerows,
That overgrew atop, dimming down
The brilliance of the day.
Embosomed, a calm-cool vision –
Abstract takes of nature, in
Leaf-spattered green shades;
Stem-speckled brown hues;
Shards of sunlight percolating
Through the random flaws to
Up glittering sprites upon the leaves.

And avian chatter bounced along the burrow,
Smattered by the crosstalk
Of busybody insects;
But outside the green comfort zone,
Other worlds of other sounds of other life
Otherwise gave a hint of
Other dozy goings on.

Hawthorn filled the air,
Filled the nose,
Filled the head –
Pungency had overpowered all –
Gave the late-spring-early-summer haze.

Here and there a break of colour:
Odd bluebells – escapees from nearby woods –
Blue-blushing bell faces glancing down,
Aware of their erectness in the stem;
The flaming wing of red admirals
Broke through a hedge hole to
Break up the calm backdrop,
While flitting blue tits gave
To greater-bodied animation.

Nature’s warm narration –
The undertones of life.

Copyright © Mark R Slaughter 2010

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poem by Mark R Slaughter
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