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All flowers in time bend towards the sun, I know you say there's no one for you, But here is one.

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The Columbiad: Book III

The Argument


Actions of the Inca Capac. A general invasion of his dominions threatened by the mountain savages. Rocha, the Inca's son, sent with a few companions to offer terms of peace. His embassy. His adventure with the worshippers of the volcano. With those of the storm, on the Andes. Falls in with the savage armies. Character and speech of Zamor, their chief. Capture of Rocha and his companions. Sacrifice of the latter. Death song of Azonto. War dance. March of the savage armies down the mountains to Peru. Incan army meets them. Battle joins. Peruvians terrified by an eclipse of the sun, and routed. They fly to Cusco. Grief of Oella, supposing the darkness to be occasioned by the death of Rocha. Sun appears. Peruvians from the city wall discover Roch an altar in the savage camp. They march in haste out of the city and engage the savages. Exploits of Capac. Death of Zamor. Recovery of Rocha, and submission of the enemy.


Now twenty years these children of the skies
Beheld their gradual growing empire rise.
They ruled with rigid but with generous care,
Diffused their arts and sooth'd the rage of war,
Bade yon tall temple grace their favorite isle,
The mines unfold, the cultured valleys smile,
Those broad foundations bend their arches high,
And rear imperial Cusco to the sky;
Wealth, wisdom, force consolidate the reign
From the rude Andes to the western main.

But frequent inroads from the savage bands
Lead fire and slaughter o'er the labor'd lands;
They sack the temples, the gay fields deface,
And vow destruction to the Incan race.
The king, undaunted in defensive war,
Repels their hordes, and speeds their flight afar;
Stung with defeat, they range a wider wood,
And rouse fresh tribes for future fields of blood.

Where yon blue ridges hang their cliffs on high,
And suns infulminate the stormful sky,
The nations, temper'd to the turbid air,
Breathe deadly strife, and sigh for battle's blare;
Tis here they meditate, with one vast blow,
To crush the race that rules the plains below.
Capac with caution views the dark design,
Learns from all points what hostile myriads join.
And seeks in time by proffer'd leagues to gain
A bloodless victory, and enlarge his reign.

His eldest hope, young Rocha, at his call,
Resigns his charge within the temple wall;
In whom began, with reverend forms of awe,
The functions grave of priesthood and of law,

In early youth, ere yet the ripening sun
Had three short lustres o'er his childhood run,
The prince had learnt, beneath his father's hand,
The well-framed code that sway'd the sacred land;
With rites mysterious served the Power divine,
Prepared the altar and adorn'd the shrine,
Responsive hail'd, with still returning praise,
Each circling season that the God displays,

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William Cowper

Adam: A Sacred Drama. Act 2.

SCENE I. -- CHORUS OF ANGELS Singing.

Now let us garlands weave
Of all the fairest flowers,
Now at this early dawn,
For new-made man, and his companion dear;
Let all with festive joy,
And with melodious song,
Of the great Architect
Applaud this noblest work,
And speak the joyous sound,
Man is the wonder both of Earth and Heaven.

FIRST Angel.

Your warbling now suspend,
You pure angelic progeny of God,
Behold the labour emulous of Heaven!
Behold the woody scene,
Decked with a thousand flowers of grace divine;
Here man resides, here ought he to enjoy
In his fair mate eternity of bliss.

SECOND Angel.

How exquisitely sweet
This rich display of flowers,
This airy wild of fragrance,
So lovely to the eye,
And to the sense so sweet.

THIRD Angel.

O the sublime Creator,
How marvellous his works, and more his power!
Such is the sacred flame
Of his celestial love,
Not able to confine it in himself,
He breathed, as fruitful sparks
From his creative breast,
The Angels, Heaven, Man, Woman, and the World.

FOURTH Angel.

Yes, mighty Lord! yes, hallowed love divine!
Who, ever in thyself completely blest,
Unconscious of a want,
Who from thyself alone, and at thy will,
Bright with beignant flames,
Without the aid of matter or of form,

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Vision of Columbus – Book 3

Now, twice twelve years, the children of the skies
Beheld in peace their growing empire rise;
O'er happy realms, display'd their generous care,
Diffused their arts and soothd the rage of war;
Bade yon tall temple grace the favourite isle.
The gardens bloom, the cultured valleys smile,
The aspiring hills their spacious mines unfold.
Fair structures blaze, and altars burn, in gold,
Those broad foundations bend their arches high,
And heave imperial Cusco to the sky;
From that fair stream that mark'd their northern sway,
Where Apurimac leads his lucid way,
To yon far glimmering lake, the southern bound,
The growing tribes their peaceful dwellings found;
While wealth and grandeur bless'd the extended reign,
From the bold Andes to the western main.
When, fierce from eastern wilds, the savage bands
Lead war and slaughter o'er the happy lands;
Thro' fertile fields the paths of culture trace,
And vow destruction to the Incan race.
While various fortune strow'd the embattled plain,
And baffled thousands still the strife maintain,
The unconquer'd Inca wakes the lingering war,
Drives back their host and speeds their flight afar;
Till, fired with rage, they range the wonted wood,
And feast their souls on future scenes of blood.
Where yon blue summits hang their cliffs on high;
Frown o'er the plains and lengthen round the sky;
Where vales exalted thro' the breaches run;
And drink the nearer splendors of the sun,
From south to north, the tribes innumerous wind,
By hills of ice and mountain streams confined;
Rouse neighbouring hosts, and meditate the blow,
To blend their force and whelm the world below.
Capac, with caution, views the dark design,
From countless wilds what hostile myriads join;
And greatly strives to bid the discord cease,
By profferd compacts of perpetual peace.
His eldest hope, young Rocha, at his call,
Leaves the deep confines of the temple wall;
In whose fair form, in lucid garments drest,
Began the sacred function of the priest.
In early youth, ere yet the genial sun
Had twice six changes o'er his childhood run,
The blooming prince, beneath his parents' hand,
Learn'd all the laws that sway'd the sacred land;
With rites mysterious served the Power divine,
Prepared the altar and adorn'd the shrine,
Responsive hail'd, with still returning praise,
Each circling season that the God displays,

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Rabindranath Tagore

Fireflies

My fancies are fireflies, —
Specks of living light
twinkling in the dark.

he voice of wayside pansies,
that do not attract the careless glance,
murmurs in these desultory lines.

In the drowsy dark caves of the mind
dreams build their nest with fragments
dropped from day's caravan.

Spring scatters the petals of flowers
that are not for the fruits of the future,
but for the moment's whim.

Joy freed from the bond of earth's slumber
rushes into numberless leaves,
and dances in the air for a day.

My words that are slight
my lightly dance upon time's waves
when my works havy with import have gone down.

Mind's underground moths
grow filmy wings
and take a farewell flight
in the sunset sky.

The butterfly counts not months but moments,
and has time enough.

My thoughts, like spark, ride on winged surprises,
carrying a single laughter.
The tree gazes in love at its own beautiful shadow
which yet it never can grasp.

Let my love, like sunlight, surround you
and yet give you illumined freedom.

Days are coloured vbubbles
that float upon the surface of fathomless night.

My offerings are too timid to claim your remembrance,
and therefore you may remember them.

Leave out my name from the gift
if it be a burden,
but keep my song.

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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Bend Time Back Around

(elliot wolff)
He led me astray
When my mind was weak
Thats all I can say
Ba-baby
He filled me with words
And knew I would believe
Hes nothing but dirt
Sorry
If you bend time back round
Will you bend it to me?
If you bend time back round
Will you bend it to me?
If you bend time back round
Will you bend it to me?
If you bend time back round
Will you bend it to me?
Hes a pretty face
Dressed up to the t
Nothing but a space
Underneath
I felt like a fool
I turned from you so fast
Time takes me from you
Bend it back
Chorus
If I could do it once again
Id never let the bastard in
Hes puttin on a show
The curtains crashing down and closin
I wish to back up my steps
So youd have nothing to forget
A flip to reality
I wanna pretend you did not see it
Dika dika dy-i-i, dika dika doo
Dika dika dy-i-i, dika dika doo
Dika dika dy-i-i, dika dika doo
Dika dika dy-i-i, dika dika doo
Twisted up in knots
He had me so confused
He turned my every thought
Away from you
I was drifted out
On a fantasy
But now Im comin round
Back to me
Instrumental
Du doop du doop doo, du doop du doop doo
Du doop du doop doo du doop du doop doo
Du doop du doop doo, du doop du doop doo

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Bend Time Back 'Round

He led me astray
When my mind was weak
That's all I can say
Ba-baby
He filled me with words
And knew I would believe
He's nothing but dirt
Sorry
If you bend time back 'round
Will you bend it to me?
If you bend time back 'round
Will you bend it to me?
If you bend time back 'round
Will you bend it to me?
If you bend time back 'round
Will you bend it to me?
He's a pretty face
Dressed up to the "T"
Nothing but a space
Underneath
I felt like a fool
I turned from you so fast
Time takes me from you
Bend it back
[Chorus]
If I could do it once again
I'd never let the bastard in
He's puttin' on a show
The curtain's crashing down and closin'
I wish to back up my steps
So you'd have nothing to forget
A flip to reality
I wanna pretend you did not see it
Dika dika dy-i-i, dika dika doo
Dika dika dy-i-i, dika dika doo
Dika dika dy-i-i, dika dika doo
Dika dika dy-i-i, dika dika doo
Twisted up in knots
He had me so confused
He turned my every thought
Away from you
I was drifted out
On a fantasy
But now I'm comin' 'round
Back to me
[Instrumental]
Du doop du doop doo, hey- du doop du doop doo
Du doop du doop doo hey- du doop du doop doo
Du doop du doop doo, hey -du doop du doop doo
Du doop du doop doo, hey- du doop du doop doo

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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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The Columbiad: Book I

The Argument


Natives of America appear in vision. Their manners and characters. Columbus demands the cause of the dissimilarity of men in different countries, Hesper replies, That the human body is composed of a due proportion of the elements suited to the place of its first formation; that these elements, differently proportioned, produce all the changes of health, sickness, growth and decay; and may likewise produce any other changes which occasion the diversity of men; that these elemental proportions are varied, not more by climate than temperature and other local circumstances; that the mind is likewise in a state of change, and will take its physical character from the body and from external objects: examples. Inquiry concerning the first peopling of America. View of Mexico. Its destruction by Cortez. View of Cusco and Quito, cities of Peru. Tradition of Capac and Oella, founders of the Peruvian empire. Columbus inquires into their real history. Hesper gives an account of their origin, and relates the stratagems they used in establishing that empire.

I sing the Mariner who first unfurl'd
An eastern banner o'er the western world,
And taught mankind where future empires lay
In these fair confines of descending day;
Who sway'd a moment, with vicarious power,
Iberia's sceptre on the new found shore,
Then saw the paths his virtuous steps had trod
Pursued by avarice and defiled with blood,
The tribes he foster'd with paternal toil
Snatch'd from his hand, and slaughter'd for their spoil.

Slaves, kings, adventurers, envious of his name,
Enjoy'd his labours and purloin'd his fame,
And gave the Viceroy, from his high seat hurl'd.
Chains for a crown, a prison for a world
Long overwhelm'd in woes, and sickening there,
He met the slow still march of black despair,
Sought the last refuge from his hopeless doom,
And wish'd from thankless men a peaceful tomb:
Till vision'd ages, opening on his eyes,
Cheer'd his sad soul, and bade new nations rise;
He saw the Atlantic heaven with light o'ercast,
And Freedom crown his glorious work at last.

Almighty Freedom! give my venturous song
The force, the charm that to thy voice belong;
Tis thine to shape my course, to light my way,
To nerve my country with the patriot lay,
To teach all men where all their interest lies,
How rulers may be just and nations wise:
Strong in thy strength I bend no suppliant knee,
Invoke no miracle, no Muse but thee.

Night held on old Castile her silent reign,
Her half orb'd moon declining to the main;
O'er Valladolid's regal turrets hazed
The drizzly fogs from dull Pisuerga raised;
Whose hovering sheets, along the welkin driven,
Thinn'd the pale stars, and shut the eye from heaven.
Cold-hearted Ferdinand his pillow prest,
Nor dream'd of those his mandates robb'd of rest,
Of him who gemm'd his crown, who stretch'd his reign
To realms that weigh'd the tenfold poise of Spain;
Who now beneath his tower indungeon'd lies,
Sweats the chill sod and breathes inclement skies.

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The Door Of Humility

ENGLAND
We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He;

But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
In patience through the darkness grope;

Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.

I

Let there be Light! The self-same Power
That out of formless dark and void
Endued with life's mysterious dower
Planet, and star, and asteroid;

That moved upon the waters' face,
And, breathing on them His intent,
Divided, and assigned their place
To, ocean, air, and firmament;

That bade the land appear, and bring
Forth herb and leaf, both fruit and flower,
Cattle that graze, and birds that sing,
Ordained the sunshine and the shower;

That, moulding man and woman, breathed
In them an active soul at birth
In His own image, and bequeathed
To them dominion over Earth;

That, by whatever is, decreed
His Will and Word shall be obeyed,
From loftiest star to lowliest seed;-
The worm and me He also made.

And when, for nuptials of the Spring
With Summer, on the vestal thorn
The bridal veil hung flowering,
A cry was heard, and I was born.

II

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Moonriver

Moonriver
Wider than a mile
I'll be crossing you in style
Someday
Oh, dreammaker
You heartbreaker
Wherever you're going
I'm going your way
Two drifters
Off to see the world
I'm not so sure the world
Deserves us
We're after
The same rainbow's end
How come it's just around the bend ?
It's always just around the bend ?
Moonriver
Wider than a mile
I'll be crossing you in style
Someday
Oh, dreammaker
You heartbreaker
Wherever you're going
I'm going your way
Two drifters
Off to see the world
I'm not so sure the world
Deserves us
We're after
The same rainbow's end
It's just around the bend
It's just around the bend
It's just around the bend
It's just around the bend
Oh !
Ooh ...
Moonriver
Wider than a mile
I'll be crossing you in style
Someday
Oh, dreammaker
You heartbreaker
Wherever you're going
I'm going your way
Two drifters
Off to see the world
I'm not so sure the world
Deserves us
We're after
The same rainbow's end

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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

[...] Read more

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All Flowers In Time Bend Towards The Sun

my eyes are
a baptism
oh i am filth
and sing her
into my thoughts
oh phantom elusive thing oh,
all flowers in time bend towards the sun
i know you say that there's no-one for you
but here is one,
all flowers in time bend towards the sun
i know you say that there's no-one for you
but here is one, here is one... here is one
aah, ooh...
one that can never be known
either all drunk with the world at her feet
or sober with no place to go
all flowers in time bend towards the sun
i know you say that there's no-one for you
but here is one,
all flowers in time bend towards the sun
i know you say that there's no-one for you
but here is one, here is one... here is one
aah, ooh...
we could go (......)
we can travel round
fading farther from me
with your face in my window call
when will you weep for me
sweet willow
it's ok to be angry
but not to hurt me
your happiness, yes, yes, yes
darling, darling,
oooh...
all flowers in time bend towards the sun
i know you say that there's no-one for you
but here is one,
all flowers in time bend towards the sun
i know you say that there's no-one for you
but here is one, here is one... here is one

song performed by Jeff BuckleyReport problemRelated quotes
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Twist It Feat. Lloyd Banks

[Olivia:] I make it hot...
[Lloyd Banks:] G-Unit
[Olivia:] I make it hot
[Lloyd Banks:]
Olivia, let's go
What's up ladies, I'm back baby
The boy wonder got the club goin' crazy
I'm two-steppin' in my armor in my 80
But I ain't in the VIP unless they pay me
It's like I practice stuntin', ma I have ya matress jumpin'
And I know it sounds like I'm frontin', but I ain't
Jerk jerk ya body, and work work 'em proudly, go and hurt somebody if I don't hit that
If you don't see 'em wit me don't ask bout 50
Cuz if he was here he'd be standin' right here
And if you don't care so much about my fame
Then why you keep starin' at my chain? I'm doin' my thing
From the club to the telly on a late night
Box of Magnums sippin' hen, finna get right
Checkout time ain't til daylight
From the club to the telly on a late night
[Olivia:]
Ooh babe you know I like it when you feel on me
Pullin on my waist I'm feelin energy
Gettin' kinda hard to keep ya hands off me (yeah right there)
So slide a little lower put ya hands on my thigh
Maybe I know you like it if that right
I'ma show you how to make it last all night
Now let me see you shake it
[Hook-Olivia]:
Twist it, shake it, bend but don't break it
Work that body gettin' so crazy
Don't hurt nobody up in this party
Twist it, shake it, bend but don't break it
Twist it, shake it, bend but don't break it
Work that body gettin' butt naked
Don't hurt nobody up in this party
Twist it, shake it, bend but don't break it
[Olivia:]
Mix a little hypno with some hennessey
Like the way this jig goes when it goes through me
Think I need to stop because I'm feelin' tipsy (one more drink)
Baby now I can't stop cuz I'm in the zone
Shorty keep it comin' boy I'm grown
I don't wanna finish this dance alone
Ooh I wanna see ya
[Hook-Olivia]:
Twist it, shake it, bend but don't break it
Work that body gettin' so crazy
Don't hurt nobody up in this party
Twist it, shake it, bend but don't break it

[...] Read more

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Seasonal Cycle - Chapter 06 - Spring

"Oh, dear, with the just unfolded tender leaflets of Mango trees as his incisive arrows, and with shining strings of honeybees as his bowstring, the assailant named Vasanta came very nigh, to afflict the hearts of those that are fully engaged in affairs of lovemaking...

"Oh, dear, in Vasanta, Spring, trees are with flowers and waters are with lotuses, hence the breezes are agreeably fragrant with the fragrance of those flowers, thereby the eventides are comfortable and even the daytimes are pleasant with those fragrant breezes, thereby the women are with concupiscence, thus everything is highly pleasing...

"This Spring season endows prosperity to waters of swimming pools, and to moonshine, for their water or shine is pleasurable, and even to mango trees, as their flowers are just flowered, more so, to the bejewelled girdle strings of women, for their wearing is neither cumbersome nor irksome in this season, thus it endows prosperity to womenfolk of age, as they enjoy in wearing them, thus they too, become enjoyable, these days...

"These days the flirtatious women are adorning their roundish behinds with silk cloths that are dyed with Kusumbha flower's reddish dye, and their bosomy busts with thin silks that are dyed with ocherish and reddish colours, for thinness and silkiness are agreeable in this thinnish ambience...

"The womenfolk of age are now decorating their temples with just unfolded new whitish flowers of Karnikara, and with new and reddish Ashoka flowers and with whitish jasmines flowers in their blackish hair-locks that are swaying, thus unfolded is the beauty of these women, with the flourishing resplendence of these newly unfolded flowers...

"The bosoms of women with burly rumps, whose hearts are now flurried by the Love-god, are now sharing pearly pendants that are wetted with white sandal-paste that is bedaubed on their busts, and their biceps with circlets of bicep-lets, and their hiplines with the strings of cinctures, that are till recently unbearably coldish to touch... thus, the touch of season is romantic...

"The golden lotuses like faces of flirtatious women are tattooed with erasable foliage tattoos with black Kasturi lines, and in those designs sweat-drops are now percolating, with them those faces are delightfully beautified as gem-studded jewellery, interspersed with pearls...

"Now the limbs of womenfolk are flustered by the Love-god, thus they are panting for their need-fulfilment, hence they are now loosening the fastenings of their undergarments, since spring fever makes them sultrily fervent, thus they are enamoured of their lovers, who are tarrying at their nearby...

"The Love-god is making the limbs of sybaritic women as thinnish, palish and lethargic, and tending to yawn time and again, and with these syndromes the bodies of women are becoming restless in the spring fever, with an air of enchantment...

"Now the Love-god is diversely apparent in women, who are jaded out by hard drinks, for their eyes are fluttery, their cheeks are whitely, their bosoms are stony, their waists are slimly, and their behinds are sturdy... thus these features are the evidences for their seasonal infatuation with Him...

"Advent to spring Love-god makes the limbs of womenfolk sluggishly dizzy with sleepiness, He makes their speech a little teeter-tottering with sensualities, and He also makes their looks aslant with the knitting and unknitting of their eyebrows, seeking vehement sensual pleasures...

"The frolicsome and lustful women that are with faineance are bedaubing their whitish bosoms with sandal-paste, in which well kneaded are the fragrant seeds of Priyangu, yellowish turmeric, saffron and musk, to relieve themselves of spring fever...

"These days the people, whose limbs are wearied down with their desire induced ebullience, are wearing thinnish cloths, that are fumigated with fragrant aloe vera resin and dyed in the colour of reddish lac resin, quickly discarding their coarse clothing, for this season is neither coarse nor crude...

"The passionate male koel, black singing bird, on savouring the invigorative essence of just grown flowers of Mango trees, is gladdened and passionately kissing his love, so also this honeybee, abiding in lotuses, and savouring their nectar, this too is passionately mating with his love to her complaisance, sequestered in the petals of lotuses...

"Delightful are the branches of mango trees that are laden with bunches of coppery tender leaves, and with just flowered flowers, and with their heads a little bent down, for they simile with the bashful women, whose heads are with flowery hairdos and coppery half-veils, and a little bent down and swaying in lustiness, like mango treetops that are gently swaying, swayed by the gentle breezes of this season, and on identifying themselves with those mango trees, the womenfolk is rendered muchly overenthusiastic for love, in this spring time...

"All-over adorned are those Ashoka trees with bunches of reddish folioles, and reddish flowers that resemble the hue of red corals, and when the new entrants to adulthood are observing those unfolded red flowers, those Ashoka trees are making them agonised, for unfulfilled is their new longing for a newish love...

"The charming flowers of mango trees are with delightful thickish buds, and they are overly swilled by tipsy honeybees, and slow breezes are flurrying and tilting their delicate leaflets, thus when lovelorn youngsters observe them, their hearts are quickly ecstasized by those mango trees...

"Oh, dear, the mien of this season is akin to the facial resplendence of ladyloves, with the utmost beauty of the clusters of flowers of Kuravaka plants that are uprisen in this season, and if this is observed by any good-hearted person, won't his heart be agonised, indeed, struck by the arrow of Love-god?

"The ruddy flowers in springtime are sprung by the winds simile with the reddy flames that are just now set to flame, and everywhere the earth is overspread with such brakes of Kimshuka trees, and presently when their treetops are bent under the weight of those red flowers, whole of this earth similes with a new bride, shining forth in her new bridal redly costume, and her head a little bent under the half-veil of that costume...

"Aren't the youthful hearts of youthful lovers that are hidden in the hearts of their pretty faced ladyloves unsplit by these Kimshuka flowers, that are in shine with the reddish bills of parrots... aren't they already and definitely burnt by the flame-like redly Karnikaara flowers... then why for this Kokila, the black singing bird, is again gnawing away those hearts, with its gnawingly melodious singing...

"Passion is surging out in male Kokila-s, singing birds, as they obtained jollity in this springtime on chewing mango flowers, thus they are singing inexplicably, and the honeybees, when they are drunk with the flowery nectar of those flowers, they are also droning hums murmuringly as their drinking song, and with these hums and drones the hearts of new brides are flustered in a trice, even if they are in the service of their in-laws, where certain docility and prudishness are in demand...

"On the departure of mist-fall in springtime, the propitious breeze is breezing pleasantly to undulate the flowered branches of Mango trees, and to transmit the singings of Kokila-s in all directions, thereby to steal the hearts of humans, who can neither be blatant nor silent, of their longings...

"These days the pleasure gardens are brightened up with whitely jasmines, thus they simile with the toothy grins of sprightly brides, and hence they are heart-stealing, and these gardens are now stealing the hearts of saints or sages that have neutralised their materialistic indulgences long back, as such, these gardens must have stolen the hearts of youths, which are already tainted with seasonal sensualities...

"This Madhu month, Chaitra, nectarean month at the end of springtime, is forcefully stealing away the hearts of people, for the womenfolk, whose bodies are slenderised by the pride of Love-god, is eyeful with their golden strings of girdle that are pensile onto their hiplines, and their bosoms are clung by pendulous pearly pendants, besides, earful are the singings of Kokila-s and the humming of honeybees...

"These interiors of visible horizon are comprised of mountains that are adorned with divers and delightful flowery trees, and the areas of those mountainsides are hurly-burly with the singings of Kokila-s, and the masses of their rock faces are hemmed in and enwrapped with fragrant mountainy moss, that comes out now when those rocks were fissured during last summer, to see such an environ, all the people are rejoiced...

[...] Read more

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Shake A Tail Feather

(o. hayes, v. rice, a. williams)
Producer: chris lor-aldge
Albums: whats love got to do wth it
B-side of the why must we wait until tonight? single
Well I heard about the girl
Youve been dancing with
All over the neighborhood
Tell me why didnt you ask me baby?
Or didnt you think I could?
Well I know that your partner will never step aside
Ive seen you do the jerk all night
Why didnt you ask me baby?
I would have shown you how to do it right
Do it right
Do it right
Do it right
Do it right
Do it right
Do it right
Do it right
Ahhhh!
Twist it
Shake it
Shake it
Shake it baby
Here we go loop de loop
Shake it up baby
Here we go loop de la
Bend over and let me see you shake a tail feather
Bend over and let me see you shake a tail feather
Bend over and let me see you shake a tail feather
Bend over and let me see you shake a tail feather
Well, you bend over and let me see you shake a tail feather
Well, you bend over and let me see you shake a tail feather
All right
Ahhhh!
Twist it
Shake it
Shake it
Shake it baby
Here we go loop de loop
And we shake it up baby
Here we go loop de la
All right now
Bend over and let me see you shake a tail feather
Bend over and let me see you shake a tail feather
So you bend over and let me see you shake a tail feather
You bend over and let me see you shake a tail feather
Well can I see you bend over and let me see you shake a tail feather?
Well bend over and let me see you shake a tail feather

[...] Read more

song performed by Tina TurnerReport problemRelated quotes
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Train Round The Bend

(reed)
Train round the bend
Takin me away from my country
Im sick of the trees
Take me to the city
Train comin round the bend
Oh train comin round the bend
Been in the country oh much too long
Trying to be a farmer
But nothing that I planted never seems to grow
Train comin round the bend
Train comin round the bend
Hey I am just a city boy
And really not the country kind
Oh I need the city streets and I need your light
To see bend comin round the bend
The train comin round the bend
Allright
Ooh ohh
Once
Shes going twice
Shes going ? to the loop? up and down
Shes going twice
Shes going the train comin round the bend
You know the train comin round the bend
And Im out of nowhere
Takin me back where I belong
Ive been here once and I dont take it tonight
For the train comin round the bend
The train comin round the bend
Oooh allright!

song performed by Velvet UndergroundReport problemRelated quotes
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