Think how many blameless lives are brightened by the blazing indiscretions of other people.
quote by Pope Paul VI
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Related quotes
Ever Blazin'
(Ever blazing ever blazing girl)
(blazing up the flame blazing up the flame)
(Ever blazing ever blazing girl yo)
[Chorus]
As the world turns
and as time burns
girl you know im gonna be there
my love is ever blazing ever blazing girl
and you know it na go change
As the world turns
and as time buns
girl you know im gonna be there
my love is ever blazing ever blazing girl
and it never fades away
[Verse 1]
Theres no pretending
girl i said my love is never ending
form we used to par just like a friend thing
up untill now me a tell you say
a you fi be the queen
i and i man a accenting
and a 1 thing the dutty paul is requesting
keep up to date cause you are the best thing
girl you know your life style real intersting thats why the dutty investing
[Chorus]
[Verse 2]
Because me admire you
but me na shy of you
say from the day me hire you
me know me na fire you
girl form a long time the dutty a desire you
woman you know say you a hot and you a spit fire too
bill gate donald trump
the a require you
ina the pentium five them want wire you
when them know you a real frequent flier to
like a trophy ina me bed you know me wan retire you
[Chrous]
[Repeat Verse 1]
[Chrous repeat 2x]
song performed by Sean Paul
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Pharsalia - Book IX: Cato
Yet in those ashes on the Pharian shore,
In that small heap of dust, was not confined
So great a shade; but from the limbs half burnt
And narrow cell sprang forth and sought the sky
Where dwells the Thunderer. Black the space of air
Upreaching to the poles that bear on high
The constellations in their nightly round;
There 'twixt the orbit of the moon and earth
Abide those lofty spirits, half divine,
Who by their blameless lives and fire of soul
Are fit to tolerate the pure expanse
That bounds the lower ether: there shall dwell,
Where nor the monument encased in gold,
Nor richest incense, shall suffice to bring
The buried dead, in union with the spheres,
Pompeius' spirit. When with heavenly light
His soul was filled, first on the wandering stars
And fixed orbs he bent his wondering gaze;
Then saw what darkness veils our earthly day
And scorned the insults heaped upon his corse.
Next o'er Emathian plains he winged his flight,
And ruthless Caesar's standards, and the fleet
Tossed on the deep: in Brutus' blameless breast
Tarried awhile, and roused his angered soul
To reap the vengeance; last possessed the mind
Of haughty Cato.
He while yet the scales
Were poised and balanced, nor the war had given
The world its master, hating both the chiefs,
Had followed Magnus for the Senate's cause
And for his country: since Pharsalia's field
Ran red with carnage, now was all his heart
Bound to Pompeius. Rome in him received
Her guardian; a people's trembling limbs
He cherished with new hope and weapons gave
Back to the craven hands that cast them forth.
Nor yet for empire did he wage the war
Nor fearing slavery: nor in arms achieved
Aught for himself: freedom, since Magnus fell,
The aim of all his host. And lest the foe
In rapid course triumphant should collect
His scattered bands, he sought Corcyra's gulfs
Concealed, and thence in ships unnumbered bore
The fragments of the ruin wrought in Thrace.
Who in such mighty armament had thought
A routed army sailed upon the main
Thronging the sea with keels? Round Malea's cape
And Taenarus open to the shades below
And fair Cythera's isle, th' advancing fleet
[...] Read more
poem by Marcus Annaeus Lucanus
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Seasonable Retour-Knell
SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS
Author notes
A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000
In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.
For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.
Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.
One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.
Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER
Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.
Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.
AUTUMN WINTER
Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.
Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,
[...] Read more
poem by Jonathan Robin
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All Different, But Still The Same
Some people have short hair, some have long.
Some people have thick hair; some people’s hair is all gone.
Some people have black hair, some have gray.
Some people have brown hair, some blonde, some red.
Some people’s hair a color unsaid.
Some people are short, some people are tall.
Some people will love you; some won’t like you at all.
Some people like hot weather, some like cold.
Some people are timid, some people are bold.
Some people have dark skin, some people have light.
Some people have black skin, some people have white.
Some people eat meat; some won’t touch it at all.
Some people have a good memory, some can’t recall.
Some people accept Christ, some never will.
Some people are stingy, some people give.
Some people like school, some people don’t.
Some people will excel, some people won’t.
Some people smoke cigarettes, some never will.
Some people are honest, some people steal.
Some people have book knowledge;
But don’t know the Holy Book.
Some people burn food, some people can cook.
Some people are old, some people are young.
Some people do smart things, some people do dumb.
Some people just have a diploma
Some people have degrees.
Some people do things slow, some with a breeze.
Some people are complainers, some easy to please.
Some people hate shopping, some stay in the mall.
Some people hate God, but God loves us all.
We are all different, but still the same.
When I get cut, I bleed red;
You get cut, red blood you’ll shed.
Some people are plump, some people are thin.
But we are all the same, we’re all human being.
Copyright © 2010-Phyllis Strong
poem by Phyllis Strong
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Geraint And Enid
O purblind race of miserable men,
How many among us at this very hour
Do forge a life-long trouble for ourselves,
By taking true for false, or false for true;
Here, through the feeble twilight of this world
Groping, how many, until we pass and reach
That other, where we see as we are seen!
So fared it with Geraint, who issuing forth
That morning, when they both had got to horse,
Perhaps because he loved her passionately,
And felt that tempest brooding round his heart,
Which, if he spoke at all, would break perforce
Upon a head so dear in thunder, said:
'Not at my side. I charge thee ride before,
Ever a good way on before; and this
I charge thee, on thy duty as a wife,
Whatever happens, not to speak to me,
No, not a word!' and Enid was aghast;
And forth they rode, but scarce three paces on,
When crying out, 'Effeminate as I am,
I will not fight my way with gilded arms,
All shall be iron;' he loosed a mighty purse,
Hung at his belt, and hurled it toward the squire.
So the last sight that Enid had of home
Was all the marble threshold flashing, strown
With gold and scattered coinage, and the squire
Chafing his shoulder: then he cried again,
'To the wilds!' and Enid leading down the tracks
Through which he bad her lead him on, they past
The marches, and by bandit-haunted holds,
Gray swamps and pools, waste places of the hern,
And wildernesses, perilous paths, they rode:
Round was their pace at first, but slackened soon:
A stranger meeting them had surely thought
They rode so slowly and they looked so pale,
That each had suffered some exceeding wrong.
For he was ever saying to himself,
'O I that wasted time to tend upon her,
To compass her with sweet observances,
To dress her beautifully and keep her true'--
And there he broke the sentence in his heart
Abruptly, as a man upon his tongue
May break it, when his passion masters him.
And she was ever praying the sweet heavens
To save her dear lord whole from any wound.
And ever in her mind she cast about
For that unnoticed failing in herself,
Which made him look so cloudy and so cold;
Till the great plover's human whistle amazed
[...] Read more
poem by Alfred Lord Tennyson
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Some People
Some people seem to have it all
Some people always have to crawl
Some people pay to be abused
Some people end up destitute
Some people search their souls for truth
Some people try to be of use
Some people pray before they kill
Some people kill just for the thrill
Some people follow one mans vision, some others die on television
Some people build their homes on sand, some people live in garbage cans
Some people think that live is dear, some people hope the end is near
Some people fight for right to life, some people hate to stay alive
Some people dream of life on mars, some people end their life in cars
Some people throw their lives away, some others go on holidays
Some people live and love in vain, some people dont and go insane
Some people always need to win, some other people love to sin
Some people breaking all their vows, some people slashing sacred cows
Some people like to worship stars, some people think the worlds a farce
Some people try to make ends meet, some others end up kissing feet
Some people find their holy grail, some other people go to hell
Some people never catch their breath, some people drink themselves to death
Some people seem to have it all, some people always have to crawl
Some people pay to be abused, some people end up destitute
Some people search their souls for truth
Some people try to be of use
Some people
!
Gold/ocean/1994
song performed by Alphaville
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The Tower Beyond Tragedy
I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.
[...] Read more
poem by Robinson Jeffers
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He Lives In You
(mark a. mancina/jay rifkin/lebohang morake)
Ingonyama nengw enamabala
Ingonyama nengw enamabala
Night and the spirit of life calling
Oh, oh, iyo mamela oh, oh, iyo
And the voice with the fear of a child answers
Oh, oh, iyo iyo mamela
Wait! theres no mountain too great
Hear these words and have faith
Oh, oh, iyo
Have faith
Hela hey mamela, hela hey mamela
Hela hey mamela, hela hey mamela
He lives in you, he lives in me (hela hey mamela)
He watches over everything we see
Into the waters, into the truth
In your reflection, he lives in you
Dream, and the voice in the wind whispers
Oh, oh, iyo, iyo mamela oh, oh, iyo
Wait! theres no mountain too great
Hear these words and have faith
Oh, oh, iyo
He lives in you, he lives in me
He watches over everything we see
Into the waters, into the truth
In your reflection, he lives in you
Ingonyama nengw enamabala
Ingonyama nengw enamabala
He lives in you, he lives in me
He watches over everything we see
Into the water, into the truth
In your reflection, he lives in you
He lives in you (oh yeah), he lives in me
He watches over everything we see
Into the water, into the truth
In your reflection, he lives, he lives, he lives, he lives in you
He lives, he lives, he lives in you
He watches over everything we see
song performed by Diana Ross
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Through the eyes of a Field Coronet (Epic)
Introduction
In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.
Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.
Prologue
The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain
mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact
that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals
becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,
who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight
in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.
Let them then also be patriotic
into their souls,
believe in and read
out of the word of God
[...] Read more
poem by Gert Strydom
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Ordinary People
In a dusty town a clock struck high noon, two men stood face to face.
One wore black and one wore white, but of fear there wasnt a trace.
Two hundred years later two hot rods drag through the very same place,
And a half a million people
Moved in to pick up the pace, a factory full of people.
Makin parts to go to outer space, a train load of people.
They were aimin for another place, out of town people.
Theres a man in the window with a big cigar, says everythings for sale.
The house and the boat and the railroad car, the owners gotta go to jail.
He acquired these things from a life of crime, now hes selling them to raise his bail.
He was rippin off the people.
Sellin guns to the underground, tryin to help the people.
Lose their ass for a piece of ground, rippin off the people.
Skimmin the top when there was no one around, tryin to help the people.
He was dealing antiques in a hardware store but he sure had a lot to hide.
He had a backroom full of the guns of war and a ton of ammunition besides.
Well, he walked with a cane, kept a bolt on the door with five pit bulls inside,
Just a warning to the people
Who might try to break in at night, protection from the people.
Selling safety in the darkest night, tryin to help the people.
Get the drugs to the street all right, ordinary people.
Well, its hard to say where a man goes wrong, might be here and it might be there.
What starts out weak might get too strong, if you cant tell foul from fair.
But its hard to judge from an angry throng of hands stretched into the air,
The vigilante people.
Takin law into their own hands, conscientious people.
Crackin down on the druglords land, government people.
Confiscatin all the dealers land, patch-of-ground people.
Down at the factory, theyre puttin new windows in.
The vandals made a mess of things, and the homeless just walked right in.
Well, they worked here once, and they live here now, but they might work here again,
Theyre ordinary people.
And theyre livin in a nightmare, hard workin people.
And they dont know how they go there, ordinary people.
And they think that you dont care, hard workin people.
Down on the assembly line, they keep puttin the same thing out.
But the people today, they just aint buyin, nobody can figure it out.
Well, they try like hell to build a quality end, theyre workin hard without a doubt,
Theyre ordinary people.
And the dollars what its all about, hard workin people.
But the customers are walkin out, lee iacocca people.
Yeah, they look but they just dont buy, hard workin people.
Two out of work models and a fashion slave try to dance away the michelob night.
The bartender poured himself another drink, while two drunks sat watchin the fight.
The champ went down, then he got up again, and then he went out like a light,
He was fightin for the people.
But his timing wasnt right, for las vegas people
Who came to see a las vegas fight, high rollin people.
Takin limos though the neon night, fightin for the people.
And then a new rolls royce and a company car they went flyin down the street.
[...] Read more
song performed by Neil Young
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That Little Hole
Some people keep their love in a safe, then forget the combination
Some people think life's a masquerade ball, keeping up with the latest fashion
Some people sell dreams like rag magazines, on the busy fast food city street corners
Some people give, some people take, Some people share, some people fake
And they all believe their mouths to be religion, I ask you who puts their faith in that little hole
Me, I’m happy to be breathing
with both feet on the ground
Some people hide from the world and it’s charms, others flee from its tragedy
Some people wish for a place to call home while they kill off every living thing they see
Some people await the rapture and fate, others are simply looking for the cure
Some people lead some people follow, some people spit, some people swallow
And they all believe their mouths to be religion, I ask you who puts their faith in that little hole
Me, I’m happy to be breathing
Some people search for Utopia and peace, but never seem to laugh
Some people forgot what it’s like to be young, having grown up much to fast
Some people preach salvation and hope to anyone willing to pay
Some people judge to quick, some never judge at all, some people climb, some are simply happy to fall
And they all believe their mouths to be religion, I ask you who puts their faith in that little hole
Me, I’m happy to be breathing
with both feet on the ground
Some people feel the mirror holds the key, to their tomorrows and prosperity
Some people are sealed off from the world by their hearts, their leaders, or their personality
Some people are like cannibals, they devour what they need and move on
Some people are criminals trying to make ends meet, steeling from others trying to make ends meet
And they all believe their mouths to be religion, I ask you who puts their faith in that little hole
Me, I’m happy to be breathing
with both feet on the ground
Some people feel its much more real, to chase rainbows on canvass painted skies
Some people think their shit don’t stink, some have the trust of a saint and tell lies
Some people’s minds react like a nuclear bomb, some people are one with the galaxy
Some people die as they lived, others live as they die, some never give up hope, others don’t even try
And they all believe their mouths to be religion, I ask you who puts their faith in that little hole
Some people wear their hearts on their sleeve, others forget what it means to be free
Some people speak of friendships and love, but don’t know what it means to be a friend
Some people search for enlightenment in the stars, in tea leaves, other find it floating in a glass
Some people smile, some people cry, some people live, some people try
And they all believe their mouths to be religion, I ask you who puts their faith in that little hole
Some people are afraid to take risks, or to be anything they wish until they die
Some people love the sound of their voice, some talk more than they listen
Some people don’t suffer fools only to find the jokes on them
[...] Read more
poem by Colin Coplin
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Virginia's Story
Elizabeth Gates-Wooten is my Grand mom.
She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.
When she was old enough she got married.
First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.
Agnes was my mother.
Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.
Then they moved to West Virginia in the United States.
Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.
Anna was a maid and cook.
She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth
They were both good cooks
They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.
My moms name was Agnes Barrie Gates.
She married James Wright and moved to Cleveland.
[...] Read more
poem by Talile Ali
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Dar-Thula
ARGUMENT.
It may not be improper here to give the story which is the foundation of this poem, as it is handed down by tradition. Usnoth, lord of Etha, which is probably that part of Argyleshire which is near Loch Eta, an arm of the sea in Lorn, had three sons, Nathos, Althos, and Ardan, by Slissáma, the daughter of Semo, and sister to the celebrated Cuthullin. The three brothers, when very young, were sent over to Ireland by their father, to learn the use of arms under their uncle Cuthullin, who made a great figure in that kingdom. They were just landed in Ulster, when the news of Cuthullin's death arrived. Nathos, though very young, took the command of Cuthullin's army, made head against Cairbar the usurper, and defeated him in several battles. Cairbar at last, having found means to murder Cormac, the lawful king, the army of Nathos shifted sides, and he himself was obliged to return into Ulster, in order to pass over into Scotland.
Dar-thula, the daughter of Colla, with whom Cairbar was in love, resided at that time in Seláma, a castle in Ulster. She saw, fell in love, and fled with Nathos; but a storm rising at sea, they were unfortunately driven back on that part of the coast of Ulster, where Cairbar was encamped with his army. The three brothers, after having defended themselves for some time with great bravery, were overpowered and slain, and the unfortunate Dar-thula killed herself upon the body of her beloved Nathos.
The poem opens, on the night preceding the death of the sons of Usnoth, and brings in, by way of episode, what passed before. it relates the death of Dar-thula differently from the common tradition. This account, is the most probable, as suicide seems to have been unknown in those early times, for no traces of it are found in the old poetry.
DAUGHTER of heaven, fair art thou! the silence of thy face is pleasant! Thou comest forth in loveliness. The stars attend thy blue course in the east. The clouds rejoice in thy presence, O moon! They brighten their dark-brown sides. Who is like thee in heaven, light of the silent night? The stars are shamed in thy presence. They turn away their sparkling eyes. Whither dost thou retire from thy course when the darkness of thy countenance grows? Hast thou thy hall, like Ossian? Dwellest thou in the shadow of grief? Have thy sisters fallen from heaven? Are they who rejoiced with thee, at night, no more? Yes, they have fallen, fair light! and thou dost often retire to mourn. But thou thyself shalt fail one night and leave thy blue path in heaven. The stars will then lift their heads: they who were ashamed in thy presence, will rejoice. Thou art now clothed with thy brightness. Look from thy gates in the sky. Burst the cloud, O wind! that the daughters of night may look forth; that the shaggy mountains may brighten, and the ocean roll its white waves in light!
Nathos is on the deep, and Althos, that beam of youth! Ardan is near his brothers. They move in the gloom of their course. The sons of Usnoth move in darkness, from the wrath of Cairbar of Erin. Who is that, dim by their side? The night has covered her beauty! Her hair sighs on ocean's wind. Her robe streams in dusky wreaths. She is like the fair spirit of heaven in the midst of the shadowy mist. Who is it but Dar-thula, the first of Erin's maids? She has fled from the love of Cairbar, with blue-shielded Nathos. But the winds deceive thee, O Dar-thula! They deny the woody Etha to thy sails. These are not the mountains of Nathos; nor is that the roar of his climbing waves. The halls of Cairbar are near: the towers of the foe lift their heads! Erin stretches its green head into the sea. Tura's bay receives the ship. Where have ye been, ye southern Winds, when the sons of my love were deceived? But ye have been sporting on the plains, pursuing the thistle's beard. O that ye had been rustling in the sails of Nathos, till the hills of Etha arose! till they arose in their clouds, and saw their returning chief! Long hast thou been absent, Nathos! the day of thy return is past!
But the land of strangers saw thee lovely! thou wast lovely in the eyes of Dar-thula. Thy face was like the light of the morning. Thy hair like the raven's wing. Thy soul was generous and mild, like tho hour of the setting sun. Thy words were the gale of the reeds; the gliding stream of Lora! But when the rage of battle rose, thou wast a sea in a storm. The clang of thy arms was terrible: the host vanished at the sound of thy course. It was then Dar-thula beheld thee, from the top of her mossy tower; from the tower of Seláma, where her fathers dwelt.
"Lovely art thou, O stranger!" she said, for her trembling soul arose. "Fair art thou in thy battles, friend of the fallen Cormac! Why dost thou rush on in thy valor, youth of the ruddy look? Few are thy hands in fight against the dark-brown Cairbar! O that I might be freed from his love, that I might rejoice in the presence of Nathos! Blest are the rocks of Etha! they will behold his steps at the chase; they will see his white bosom, when the winds lift his flowing hair!" Such were thy words, Dar-thula, in Seláma's mossy towers. But now the night is around thee. The winds have deceived thy sails- — the winds have deceived thy sails, Dar-thula! Their blustering sound is high. Cease a little while, O north wind! Let me hear the voice of the lovely. Thy voice is lovely, Dar-thula, between the rustling blasts!
"Are these the rocks of Nathos?" she said, "this the roaring of his mountain streams? Comes that beam of light from Usnoth's nightly hall? The mist spreads around; the beam is feeble and distant far. But the light of Dar-thula's soul dwells in the chief of Etha! Son of the generous Usnoth, why that broken sigh? Are we in the land of strangers, chief of echoing Etha?"
"These are not the rocks of Nathos," he replied, "nor this the roar of his stream. No light comes from Etha's hall, for they are distant far. We are in the land of strangers, in the land of cruel Cairbar. The winds have deceived us, Dar-thula. Erin lifts here her hills. Go towards the north, Althos: be thy steps, Ardan, along the coast; that the foe may not come in darkness, and our hopes of Etha fail. I will go towards that mossy tower, to see who dwells about the beam. Rest, Dar-thula, on the shore! rest in peace, thou lovely light! the sword of Nathos is around thee, like the lightning of heaven!"
He went. She sat alone: she heard the roiling of the wave. The big tear is in her eye. She looks for returning Nathos. Her soul trembles at the bast. She turns her ear towards the tread of his feet. The tread of his feet is not heard. "Where art thou, son of my love! The roar of the blast is around me. Dark is the cloudy night. But Nathos does not return. What detains thee, chief of Etha? Have the foes met the hero in the strife of the night?"
He returned; but his face was dark. He had seen his departed friend! it was the wall of Tura. The ghost of Cuthullin stalked there alone; the sighing of his breast was frequent. The decayed flame of his eyes was terrible! His spear was a column of mist. The stars looked dim through his form. His voice was like hollow wind in a cave: his eye a light seen afar. He told the tale of grief. The soul of Nathos was sad, like the sun in the day of mist, when his face watery and dim.
"Why art thou sad, O Nathos!" said the lovely daughter of Colla. "Thou art a pillow of light to Dar-thula. The joy of her eyes is in Etha's chief. Where is my friend, but Nathos? My father, my brother is fallen! Silence dwells on Seláma. Sadness spreads on the blue streams of my land. My friends have fallen with Cormac. The mighty were slain in the battles of Erin. Hear, son of Usnoth! hear, O Nathos! my tale of grief.
"Evening darkened on the plain. The blue streams failed before mine eyes. The unfrequent blast came rustling in the tops of Seláma's groves. My seat was beneath a tree, on the walls of my fathers. Truthil past before my soul; the brother of my love: he that was absent in battle against the haughty Cairbar! Bending on his spear, the gray-haired Colla came. His downcast face is dark, and sorrow dwells in his soul. His sword is on the side of the hero; the helmet of his fathers on his head. The battle grows in his breast. He strives to hide the tear.
"'Dar-thula, my daughter,' he said, 'thou art the last of Colla's race! Truthil is fallen in battle. The chief of Seláma is no more! Cairbar comes, with his thousands, towards Seláma's walls. Colla will meet his pride, and revenge his son. But where shall I find thy safety, Dar-thula with the dark-brown hair! thou art lovely as the sunbeam of heaven, and thy friends are low!' 'Is the son of battle fallen?' I said, with a bursting sigh. 'Ceased the generous soul of Truthil to lighten through the field? My safety, Colla, is in that bow. I have learned to pierce the deer. Is not Cairbar like the hart of the desert, father of fallen Truthil?'
"The face of age brightened with joy. The crowded tears of his eyes poured down. The lips of Colla trembled. His gray beard whistled in the blast. 'Thou art the sister of Truthil,' he said; 'thou burnest in the fire of his soul. Take, Dar-thula, take that spear, that brazen shield, that burnished helm; they are the spoils of a warrior, a son of early youth! When the light rises on Seláma, we go to meet the car-borne Cairbar. But keep thou near the arm of Colla, beneath the shadow of my shield. Thy father, Dar-thula, could once defend thee; but age is trembling On his hand. The strength of his arm has failed. His soul is darkened with grief.'
"We passed the night in sorrow. The light of morning rose. I shone in the arms of battle. The gray haired hero moved before. The sons of Seláma convened around the sounding shield of Colla. But few were they in the plain, and their locks were gray. The youths had fallen with Truthil, in the battle of car-borne Cormac. 'Friends of my youth,' said Colla, 'it was not thus you have seen me in arms. It was not thus I strode to battle when the great Confaden fell. But ye are laden with grief. The darkness of age comes like the mist of the desert. My shield is worn with years! my sword is fixed in its place! I said to my soul, Thy evening shall be calm; thy departure like a fading light. But the storm has returned. I bend like an aged oak. My boughs are fallen on Seláma. I tremble in my place. Where art thou, with thy fallen heroes, O my beloved Truthil! Thou answerest not from thy rushing blast. The soul of thy father is sad. But I will be sad no more! Cairbar or Colla must fall! I feel the returning strength of my arm. My heart leaps at the sound of war.'
"The hero drew his sword. The gleaming blades of his people rose. They moved along the plain. Their gray hair streamed in the wind. Cairbar sat at the feast, in the silent plain of Lena. He saw the coming of the heroes. He called his chiefs to war. Why should I tell to Nathos how the strife of battle grew? I have seen thee in the midst of thousands, like the beam of heaven's fire: it is beautiful, but terrible; the people fall in its dreadful course. The spear of Colla flew. He remembered the battles of his youth. An arrow came with its sound. It pierced the hero's side. He fell on his echoing shield. My soul started with fear. I stretched my buckler over him: but my heaving breast was seen! Cairbar came with his spear. He beheld Seláma's maid. Joy rose on his dark-brown Taco. He stayed his lifted steel. He raised the tomb of Colla. He brought me weeping to Seláma. He spoke the words of love, but my soul was sad. I saw the shields of my fathers; the sword of car-borne Truthil. I saw the arms of the dead; the tear was on my cheek! Then thou didst come, O Nathos! and gloomy Cairbar fled. He fled like the ghost of the desert before the morning's beam. His host was not near; and feeble was his arm against thy steel! Why art thou sad, O Nathos?" said the lovely daughter of Colla.
"I have met," replied the hero, "the battle in my youth. My arm could not lift the spear when danger first arose. My soul brightened in the presence of war, as the green narrow vale, when the sun pours his streamy beams, before he hides his head in a storm. The lonely traveller feels a mournful joy. He sees the darkness that slowly comes. My soul brightened in danger before I saw Seláma's fair; before I saw thee, like a star that shines on the hill at night; the cloud advances, and threatens the lovely light! We are in the land of foes. The winds have deceived us, Dar-thula! The strength of our friends is not near, nor the mountains of Etha. Where shall I find thy peace, daughter of mighty Colla! The brothers of Nathos are brave, and his own sword has shone in fight. But what are the sons of Usnoth to the host of dark-brown Cairbar! O that the winds had brought thy sails, Oscar king of men! Thou didst promise to come to the battles of fallen Cormac! Then would my hand be strong as the flaming arm of death. Cairbar would tremble in his halls, and peace dwell round the lovely Dar-thula. But why dost thou fall, my soul? The sons of Usnoth may prevail!"
"And they will prevail, O Nathos!" said the rising soul of the maid. "Never shall Dar-thula behold the halls of gloomy Cairbar. Give me those arms of brass, that glitter to the passing meteor. I see them dimly in the dark-bosomed ship. Dar-thula will enter the battles of steel. Ghost of the noble Colla! do I behold thee on that cloud! Who is that dim beside thee? Is it the car-borne Truthil? Shall I behold the halls of him that slew Seláma's chief? No: I will not behold them, spirits of my love!"
Joy rose in the face of Nathos when he heard the white-bosomed maid. "Daughter of Seláma! thou shinest along my soul. Come, with thy thousands, Cairbar! the strength of Nathos is returned! Thou O aged Usnoth! shalt not hear that thy son has fled. I remembered thy words on Etha, when my sails began to rise: when I spread them towards Erin, towards the mossy walls of Tura! 'Thou goest,' he said, 'O Nathos, to the king of shields! Thou goest to Cuthullin, chief of men, who never fled from danger. Let not thine arm be feeble: neither be thy thoughts of flight; lest the son of Semo should say that Etha's race are weak. His words may come to Usnoth, and sadden his soul in the hall.' The tear was on my father's cheek. He gave this shining sword!
"I came to Tura's bay; but the halls of Tara were silent. I looked around, and there was none to tell of the son of generous Semo. I went to the hall of shells, where the arms of his fathers hung. But the arms were gone, and aged Lamhor sat in tears. 'Whence are the arms of steel?' said the rising Lamhor. 'The light of the spear has long been absent from Tura's dusky walls. Come ye from the rolling sea? or from Temora's mournful halls?'
"'We come from the sea,' I said, 'from Usnoth's rising towers. We are the sons of Slissáma, the daughter of car-borne Semo. Where is Tura's chief, son of the silent hall? But why should Nathos ask? for I behold thy tears. How did the mighty fall, son of the lonely Tura?' 'He fell not,' Lamhor replied, 'like the silent star of night, when it flies through darkness and is no more. But he was like a meteor that shoots into a distant land. Death attends its dreary course. Itself is the sign of wars. Mournful are the banks of Lego; and the roar of streamy Lara! There the hero fell, son of the noble Usnoth!' 'The hero fell in the midst of slaughter,' I said with a bursting sigh. 'His hand was strong in war. Death dimly sat behind his sword.'
"We came to Lego's sounding banks. We found his rising tomb. His friends in battle are there: his bards of many songs. Three days we mourned over the hero: on the fourth I struck the shield of Caithbat. The heroes gathered around with joy, and shook their beamy spears. Corlath was near with his host, the friend of car-borne Cairbar. We came like a stream by night. His heroes fell before us. When the people of the valley rose, they saw their blood with morning's light. But we rolled away, like wreaths of mist, to Cormac's echoing hall. Our swords rose to defend the king. But Temora's halls were empty. Cormac had fallen in his youth. The king of Erin was no more!
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poem by James Macpherson
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Exodus (Laswell Mix)
[Bob Marley]
Exodus: Movement of Jah people! Oh-oh-oh, yea-eah!
.......
Men and people will fight ya down (Tell me why!)
When ya see Jah light. (Ha-ha-ha-ha-ha-ha-ha!)
Let me tell you if you're not wrong; (Then, why?)
Everything is all right.
So we gonna walk - all right! - through de roads of creation:
We the generation (Tell me why!)
(Trod through great tribulation) trod through great tribulation.
Exodus, all right! Movement of Jah people!
Oh, yeah! O-oo, yeah! All right!
Exodus: Movement of Jah people! Oh, yeah!
Yeah-yeah-yeah, well!
Uh! Open your eyes and look within:
Are you satisfied (with the life you're living)? Uh!
We know where we're going, uh!
We know where we're from.
We're leaving Babylon,
We're going to our Father land.
2, 3, 4: Exodus: movement of Jah people! Oh, yeah!
(Movement of Jah people!) Send us another brother Moses!
(Movement of Jah people!) From across the Red Sea!
(Movement of Jah people!) Send us another brother Moses!
(Movement of Jah people!) From across the Red Sea!
Movement of Jah people!
---
/Instrumental break/
---
Exodus, all right! Oo-oo-ooh! Oo-ooh!
Movement of Jah people! Oh, yeah!
Exodus!
Exodus! All right!
Exodus! Now, now, now, now!
Exodus!
Exodus! Oh, yea-ea-ea-ea-ea-ea-eah!
Exodus!
Exodus! All right!
Exodus! Uh-uh-uh-uh!
Move! Move! Move! Move! Move! Move!
Open your eyes and look within:
Are you satisfied with the life you're living?
We know where we're going;
We know where we're from.
We're leaving Babylon, y'all!
We're going to our Father's land.
Exodus, all right! Movement of Jah people!
Exodus: movement of Jah people!
Movement of Jah people!
Movement of Jah people!
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song performed by Bob Marley
Added by Lucian Velea
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People At The Bustop
People at the bustop.
('people at the bustop? ')
Don't have time to talk a lot.
('people at the bustop? ')
And when it rains or snow on them drops,
People at the bustop,
Don't appear to anger with moods to cop.
People at the bustop.
('people at the bustop? ')
May sing a tune or fingerpop.
('people at the bustop? ')
Listening to music through earplugs blocked,
And unheard to hear by those who are near.
People at the bustop.
('people at the bustop? ')
Don't have time to talk a lot.
('people at the bustop? ')
And when it rains or snow on them drops,
People at the bustop,
Don't appear to anger with moods to cop.
People at the bustop.
('people at the bustop? ')
With ipods bop.
('people at the bustop? ')
Listening to their rap or rockin' hip hop.
Oh those people at the bustop.
('people at the bustop? ')
With ipods bop.
('people at the bustop? ')
Listening to their rap or rockin' hip hop.
People at the bustop.
('people at the bustop? ')
Don't have time to talk a lot.
('people at the bustop? ')
And when it rains or snow on them drops,
People at the bustop,
Don't appear to anger with moods to cop.
People at the bustop.
('people at the bustop? ')
People at the bustop.
('people at the bustop? ')
People at the bustop.
('people at the bustop? ')
Peeping on the people who are nodding to a beat.
[...] Read more
poem by Lawrence S. Pertillar
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Merlin And Vivien
A storm was coming, but the winds were still,
And in the wild woods of Broceliande,
Before an oak, so hollow, huge and old
It looked a tower of ivied masonwork,
At Merlin's feet the wily Vivien lay.
For he that always bare in bitter grudge
The slights of Arthur and his Table, Mark
The Cornish King, had heard a wandering voice,
A minstrel of Caerlon by strong storm
Blown into shelter at Tintagil, say
That out of naked knightlike purity
Sir Lancelot worshipt no unmarried girl
But the great Queen herself, fought in her name,
Sware by her--vows like theirs, that high in heaven
Love most, but neither marry, nor are given
In marriage, angels of our Lord's report.
He ceased, and then--for Vivien sweetly said
(She sat beside the banquet nearest Mark),
'And is the fair example followed, Sir,
In Arthur's household?'--answered innocently:
'Ay, by some few--ay, truly--youths that hold
It more beseems the perfect virgin knight
To worship woman as true wife beyond
All hopes of gaining, than as maiden girl.
They place their pride in Lancelot and the Queen.
So passionate for an utter purity
Beyond the limit of their bond, are these,
For Arthur bound them not to singleness.
Brave hearts and clean! and yet--God guide them--young.'
Then Mark was half in heart to hurl his cup
Straight at the speaker, but forbore: he rose
To leave the hall, and, Vivien following him,
Turned to her: 'Here are snakes within the grass;
And you methinks, O Vivien, save ye fear
The monkish manhood, and the mask of pure
Worn by this court, can stir them till they sting.'
And Vivien answered, smiling scornfully,
'Why fear? because that fostered at THY court
I savour of thy--virtues? fear them? no.
As Love, if Love is perfect, casts out fear,
So Hate, if Hate is perfect, casts out fear.
My father died in battle against the King,
My mother on his corpse in open field;
She bore me there, for born from death was I
Among the dead and sown upon the wind--
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poem by Alfred Lord Tennyson
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Hey Grayson
(Dedicated to Grayson Wolpert who changed our lives forever)
Hey Grayson did you see view?
When I walked into that room
So many people
So many tears
So many laughs
So many smiles
And so many hearts that went out to you
Hey Grayson did you hear what they said?
When I sat in that chair listening to speeches
So many funny stories
So many laughs
So many hilarious moments
So many deep conversations
So many encouraging words
So many special memories
And so many people that talked about the amazing you
Hey Grayson did you hear the words in which you were described?
So many called you passionate
So many called you loving
So many called you compassionate
So many called you unique
So many called you funny
So many called you beautiful
So many called you caring
So many called you inspirational
So many called you outgoing
And so many people that were grateful for you
Hey Grayson did you see those pictures?
So many of your horse and you
So many of your family and you
So many of your sister and you
So many of your mother and you
So many of your father and you
So many of special people and you
And so many people were deeply in love with you
Hey Grayson did you feel how much you were loved?
So many people would change for you
So many people would kill for you
So many people would die for you
So many people would do anything for you
Hey Grayson did you notice how many lives you affected?
So many people wanted to serve others because of you
So many people wanted to help others because of you
So many people wanted to be nice to others because of you
So many people wanted to encourage others because of you
So many people wanted to love others because of you
So many people wanted to change because of you
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poem by Michelle Rainey
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Seasonal Cycle - Chapter 01 - Summer
"Oh, dear, this utterly sweltering season of the highly rampant sun is drawing nigh, and it will always be good enough to go on taking daytime baths, as the lakes and rivers will still be with plenteous waters, and at the end of the day, nightfall will be pleasant with fascinating moon, and in such nights Love-god can somehow be almost mollified...[who tortured us in the previous vernal season... but now without His sweltering us, we can happily enjoy the nights devouring cool soft drinks and dancing and merrymaking in outfields...]
"Oh, beloved one, somewhere the moon shoved the blackish columns of night aside, somewhere else the palace-chambers with water [showering, sprinkling and splashing] machines are highly exciting, and else where the matrices of gems, [like coolant pearls and moon-stone, etc.,] are there, and even the pure sandalwood is liquefied [besides other coolant scents,] thus this season gets an adoration from all the people...
"The beloved ones will enjoy the summer's clear late nights while they are atop the rooftops of buildings that are delightful and fragranced well, while they savour the passion intensifiers like strong drinks and while the ladylove's face suspires the bouquets of those drinks together with melodious instrumental and vocal music...
"The women are ameliorating the heat of their lovers with their chicly silken coolant fineries gliding onto their rotund fundaments, for they are knotted loosely, and on those silks glissading are their golden cinctures with their dangling tassels that are unfastened on and off, and with their buxom bosoms that are bedaubed with sandal-paste and semi-covered with pearly strings and golden lavalieres, and with their locks of hair that are sliding onto their faces, which locks are fragrant with bath-time emulsions, which are just applied before their oil bath...
"Brightly coloured with the reddish foot-paint that is akin to the colour of lac's reddish resin, adorned with anklets that are festooned with jingling bells, whose tintinnabulations on their stepping after stepping mimic the clucks of swans, with such feet those women with bumpy behinds are rendering the hearts of people impassioned, in these days of pre-summer...
"These days the bosoms of womenfolk are bedaubed with scents and sandal-paste, and they are given out to snowily and whitely pearly pendants that are sported on those bosoms, and even their hiplines are with the dangling golden griddle-strings, with such a lovely ostentation whose heart is it, that does not fill with raptures...
"The seams of limbs of ladies of age are conquered by the often emerging sweat, thus those peaky bosomed lustful ladies are presently banding their bosoms with softish fineries, casting aside their roughish apparels ...
"The rustles of air comprising the aroma of watered sandal-paste, blown off by the fans with peacocks' plumage, and the rustle of strings of pearls when the roundish bosoms of loves are hugged, together with the subtle melody of string instruments, and subtly sung intonations of singers, now appear to awaken Love-god, Manmatha, who is as though asleep after his manoeuvres in the last spring season...
"On leisurely seeing the faces of the maids that are comfortably sleeping well on the tops of whitish edifices, the moon of these nights is highly ecstasized, for he is unpossessed with any such flawless face, as his own face is flawed with rabbit-like, deer-like foibles, and when the night dwindles, he doubtlessly goes into state of pallidity, as though ashamed to show his face to the flawless sun...
"The intolerable westerly wind of the summer is up-heaving the clouds of dust, even the earth is ablaze, set by the blazing sun, and the itinerants whose hearts are already put to blaze by the blazing called the detachment from their ladyloves, and now it has become impossible for them even to look at the blazing earth, to tread further...
"The reigning sun's torridity rendered the animals parched, and with unquenchable thirst highly shrivelled are their tongues, throats and lips, and on seeing kneaded blackish mascara like mirages on the sky in another forest, that are cloudlike in their shine, those animals are rushing there, presuming them to be water...
"The women of charm are with smiles and slanted looks, and now they are on par with the twilights that are ornamented with a beautiful ornament called moon, and they are now decorating themselves confusedly and they are inciting the incorporeal Love-god in the hearts of itinerants...
"Extremely seared by the rays of sun, and even by the already seared dust on the pathway, with its slithery motion and downcast hood, repeatedly suspiring when being scalded thus awfully, that serpent is sinking down under the pave of peacock's plumage, distrait of the fact that a peacock is an enemy of serpents, thus distrait is the relative danger from a born enemy or from the searing summer...
"Thwarted are the valorousness and venturesomeness of that king of animals, the lion, for the thirst is abnormal, thereby gaping his mouth much lengthily, and suspiring repeatedly with a lengthened and dangling tongue, and repeatedly whisking his frontal hair of the mane, that lion is not pawing the elephants, though they are at his nearby, and though they both of them are born rivals, thus the scalding summer cooled off their mutual contempt...
"Verily dried up are their throats, but somehow some cool water remaining in their trunks is brought to those dry throats with the prehensility of their trunks, but too scanty is that water for those mega-vores, further muchly scorched by sun's scorching rays and overpowered by heightened thirst, even those water-seeking tuskers are unafraid of those nearby lions, as negligible is the physical danger than the natural danger...
"The scorching sunrays that are akin to the tongues of blazed up Ritual-fire, by them the bodies as well as the souls of peacocks are wilted, thus they wedge their faces in the pack of their plumage for certain coolness, and though they mark the serpents that are milling about under the very same plumage through the plumes and feathers, they peck not those serpents to death, as their priority is to cool off their faces and heads...
"The slime in the ponds is dried up but in some areas Bhadramusta grass is available, and while the herd of wild boars is digging up that grass with their long and broad snouts for a piggish slumber, the sunrays have highly sweltered their backs, but that herd dug the dry swamp more and more, as though to enter the interior of earth, to get a mucky, miry, muddy slumber...
"With the unbearable prickly heat of sunrays highly seared is a frog, and jumping up from a pond with mud and muddy water, it jumped to sit under the shade of a parasol, called the hood of a snake... neither thirstier frog is aware that it is the shade of a snake's hood, nor the thirstiest snake is aware that it is shading a thirsty frog...
"When each other elephant is highly huddling, belaboured is that lake by their elephantine limbs, and completely uprooted are the tall slender stems of lilies and lotuses of that lake, without any remnants of standing lotuses or lilies, thus trampled and agglutinated with mud, they are heaped up under the feet of elephants, and ill-fated are the fishes when trodden by elephants underfoot, and the Saarasa waterfowls are fleeing with fear of this rumpus...
"Akin to sunshine upcast is irradiance of the jewel on its hood, and wigwagging is its twinned tongue licking the air, and it is seared by its own venom, by fiery soil, and by the searing sun as well, and thus tottering thirstily, that hooded serpent is not draining the dregs of frogs, to the dregs...
"Frothily gaping and reeling are the two-pieced snouts, and jerkily extruding are the lightly reddened tongues, and staggering thirstily looking for water with upraised snouts, those herds of she-buffalos are extruding from the caves of mountain with such snouts and gaits, wherein they took shade from the scorching sun so far, but thirst drove them out of those cool caves...
"Extremely withered as though by wildfire and utterly shrivelled are the tender stalks of crops, and windswept by harsh winds they are uprooted and completely wilted and reduced to straw, and all over scorched are they in an overall manner as the water is evaporated, and if seen from highlands till the end of forest, this summer is foisting upon the onlookers a kind of disconcert, as the straw in the wind about the monsoon is unnoticeable...
"Perching on the trees with wilted leaves, flocks of birds are hyperventilating, the overtired troops of monkeys are going nigh of viny caves on the mountain, the water-craving herds of buffalos are rambling hither and thither, the straight flying Sharabha birds are nose-diving into wells and easily lifting up the water...
"The wildfire, that is simulative of a just blossomed bright and fierily ochreish safflower, is exceedingly speedy and further whipped up by the speed of the wind it is eagerly embracing the treetops, that are on the banks of lakes and rivers, with tongues of fire, onto which trees the apices of climber plants are eager to embrace, thus that wildfire has burnt down every quarter of land, in a trice...
"That wildfire, now intensified by the gusts, is blazing the valleys of mountains, and thus skittering across it entered the stands of bamboos, only to shatter them in a second with clattering rattles, then escalated by gusts it is overspreading the straw fields, then from their within, on smacking the perimeter of straw-field, it is broiling the herds of deer, tumultuously ...
[...] Read more
poem by Kalidasa
Added by Poetry Lover
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On fidelity
I don't ask you to be faithful - you're beautiful, after all -
but just that I be spared the pain of knowing.
I make no stringent demands that you should really be chaste,
but only that you try to cover up.
If a girl can claim to be pure, it's the same as being pure:
it's only admitted vice that makes for scandal.
What madness, to confess by day what's wrapped in night,
and what you've done in secret, openly tell!
The hooker, about to bed some Roman off the street
still locks her door first, keeping out the crowd:
will you yourself then make your sins notorious,
accusing and prosecuting your own crime?
Be wise, and learn at least to imitate chaste girls,
and let me believe you're good, though you are not.
Do what you do, but simply deny you ever did:
there's nothing wrong with public modesty.
There is a proper place for looseness: fill it up
with all voluptuousness, and banish shame;
but when you're done there, then put off all playfulness
and leave your indiscretions in your bed.
There, don't be ashamed to lay your gown aside
and press your thigh against a pressing thigh;
there take and give deep kisses with your crimson lips;
let love contrive a thousand ways of passion;
there let delighted words and moans come ceaselessly,
and make the mattress quiver with playful motion.
But put on with your clothes a face that's all discretion,
and let Shame disavow your shocking deeds.
Trick everyone, trick me: leave me in ignorance;
let me enjoy the life of a happy fool.
Why must I see so often notes received - and sent?
Why must I see two imprints on your bed,
or your hair disarrayed much more than sleep could do?
Why must I notice love bites on your neck?
You all but flaunt your indiscretions in my face.
Think of me, if not of your reputation.
I lose my mind, I die, when you confess you've sinned;
I break out in cold sweat from hand to foot;
I love you then, and hate you - in vain, since I must love you;
I wish then I were dead - and you were too!
I won't investigate or check whatever you try
to hide: I will be thankful to be deceived.
But even if I catch you in the very act
and look on your disgrace with my own eyes,
deny that I have seen what I have clearly seen,
and my eyes will agree with what you claim.
You'll win an easy prize from a man who wants to lose,
only remember to say, 'I didn't do it.'
Since you can gain your victory with one short phrase,
win on account of your judge, if not your case.
[...] Read more
Power To The People
Power to the people
Power to the people
Power to the people
Power to the people
Power to the people
Power to the people
Power to the people
Power to the people, right on
Say you want a revolution
We better get on right away
Well you get on your feet
And out on the street
Singing power to the people
Power to the people
Power to the people
Power to the people, right on
A million workers working for nothing
You better give em what they really own
We got to put you down
When we come into town
Singing power to the people
Power to the people
Power to the people
Power to the people, right on
I gotta ask you comrades and brothers
How do you treat you own woman back home
She got to be herself
So she can free herself
Singing power to the people
Power to the people
Power to the people
Power to the people, right on
Now, now, now, now
Oh well, power to the people
Power to the people
Power to the people
Power to the people, right on
Yeah, power to the people
Power to the people
Power to the people
Power to the people, right on
Power to the people
Power to the people
Power to the people
Power to the people, right on
song performed by Lennon John
Added by Lucian Velea
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