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The exchangeable value of all commodities, rises as the difficulties of their production increase.

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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

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The Unknown Eros. Book I.

I
Saint Valentine’s Day

Well dost thou, Love, thy solemn Feast to hold
In vestal February;
Not rather choosing out some rosy day
From the rich coronet of the coming May,
When all things meet to marry!

O, quick, prævernal Power
That signall'st punctual through the sleepy mould
The Snowdrop's time to flower,
Fair as the rash oath of virginity
Which is first-love's first cry;
O, Baby Spring,
That flutter'st sudden 'neath the breast of Earth
A month before the birth;
Whence is the peaceful poignancy,
The joy contrite,
Sadder than sorrow, sweeter than delight,
That burthens now the breath of everything,
Though each one sighs as if to each alone
The cherish'd pang were known?
At dusk of dawn, on his dark spray apart,
With it the Blackbird breaks the young Day's heart;
In evening's hush
About it talks the heavenly-minded Thrush;
The hill with like remorse
Smiles to the Sun's smile in his westering course;
The fisher's drooping skiff
In yonder sheltering bay;
The choughs that call about the shining cliff;
The children, noisy in the setting ray;
Own the sweet season, each thing as it may;
Thoughts of strange kindness and forgotten peace
In me increase;
And tears arise
Within my happy, happy Mistress' eyes,
And, lo, her lips, averted from my kiss,
Ask from Love's bounty, ah, much more than bliss!

Is't the sequester'd and exceeding sweet
Of dear Desire electing his defeat?
Is't the waked Earth now to yon purpling cope
Uttering first-love's first cry,
Vainly renouncing, with a Seraph's sigh,
Love's natural hope?
Fair-meaning Earth, foredoom'd to perjury!
Behold, all amorous May,
With roses heap'd upon her laughing brows,

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If the quantity of labour realized in commodities, regulate their exchangeable value, every increase of the quantity of labour must augment the value of that commodity on which it is exercised, as every diminution must lower it.

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John Dryden

The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

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Today, there are also buyers and sellers of all these energy commodities, just like there are buyers and sellers of food commodities and many other commodities.

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Great Conductors

Hans Richter Parsifal did not conduct,
and to the National Gallery he never paid
a visit, but he showed Franz Strauss who never sucked
just how the horn in Meistersinger should be played.

Franz Strauss refused to play a second time
for Hans von Bülow Meistersinger’s second act;
Hans begged his pardon when Franz told him: “I’m
retiring, since you for the hornist show no tact.”

There is an incident reported about the premiere of Die Meistersinger von Nuremberg. The first version: during a rehearsal Strauss complained about the terrible demanding horn part, but Hans Richter, Wagner's secretary & former first horn at the Viennese Kaerntnerthor Theatre (Beethoven's Sonata op.17 had been premiered there; forerunner theatre of the Imperial Opera House) , was present & asked Strauss to lend him his horn & played the passage from the endings of the second act flawless, but giving the horn back with the comment With your B-flat-horn you will have difficulties always; the F-horn sounds much better.
I do not believe this anecdote to be true. Even an already warmed up horn player of excellent qualities might have difficulties with the Pruegelszene How can a conducter to be (Richter became the first world famous conductor; he led the first Ring in Bayreuth 1876) , who had not played his horn for a while, play this passage flawless without any warm-up. A myth only! Richter used this complain about B-flat horn also, when he conducted in Bayreuth. He recommended the use of the single F horn always. No wonder. He came from Vienna.
The second incident happened after the end of the dress rehearsal of Mastersingers. Hans von Bülow wanted to repeat the ending of the 2nd Act again, but Strauss refused to do so, telling von Bülow that he could not do it again, as being exhausted already. If you cant do it again, so you must better ask for retirement! , replied von Buelow to Strauss. But Strauss left the pit and asked the opera's administration for immediate retirement. So Hans von Bülow had to come to Strauss house at the Pschorr Estate, ask for pardon, which was granted, - so the premiere of Mastersingers was saved.
There is an incident reported about the premiere of Die Meistersinger von Nuremberg. The first version: during a rehearsal Strauss complained about the terrible demanding horn part, but Hans Richter, Wagner's secretary & former first horn at the Viennese Kaerntnerthor Theatre (Beethoven's Sonata op.17 had been premiered there; forerunner theatre of the Imperial Opera House) , was present & asked Strauss to lend him his horn & played the passage from the endings of the second act flawless, but giving the horn back with the comment With your B-flat-horn you will have difficulties always; the F-horn sounds much better.
I do not believe this anecdote to be true. Even an already warmed up horn player of excellent qualities might have difficulties with the Pruegelszene. How can a conductor to be (Richter became the first world famous conductor; he led the first Ring in Bayreuth 1876) , who had not played his horn for a while, play this passage flawless without any warm-up. A myth only! Richter used this complain about B-flat horn also, when he conducted in Bayreuth. He recommended the use of the single F horn always. No wonder. He came from Vienna.
The second incident happened after the end of the dress rehearsal of Mastersinger. Hans von Bülow wanted to repeat the ending of the 2nd Act again, but Strauss refused to do so, telling von Bülow that he could not do it again, as being exhausted already. If you can’t do it again you had better ask for retiremen! replied von Bülow to Strauss. But Strauss left the pit and asked the opera's administration for immediate retirement. So Hans von Bülow had to come to Strauss house at the Pschorr Estate, ask for pardon, which was granted, - so the premiere of Mastersingers was saved.


8/25/08

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Solomon

As thro' the Psalms from theme to theme I chang'd,
Methinks like Eve in Paradice I rang'd;
And ev'ry grace of song I seem'd to see,
As the gay pride of ev'ry season, she.
She gently treading all the walks around,
Admir'd the springing beauties of the ground,
The lilly glist'ring with the morning dew,
The rose in red, the violet in blew,
The pink in pale, the bells in purple rows,
And tulips colour'd in a thousand shows:
Then here and there perhaps she pull'd a flow'r
To strew with moss, and paint her leafy bow'r;
And here and there, like her I went along,
Chose a bright strain, and bid it deck my song.

But now the sacred Singer leaves mine eye,
Crown'd as he was, I think he mounts on high;
Ere this Devotion bore his heav'nly psalms,
And now himself bears up his harp and palms.
Go, saint triumphant, leave the changing sight,
So fitted out, you suit the realms of light;
But let thy glorious robe at parting go,
Those realms have robes of more effulgent show;
It flies, it falls, the flutt'ring silk I see,
Thy son has caught it and he sings like thee,
With such election of a theme divine,
And such sweet grace, as conquers all but thine.

Hence, ev'ry writer o'er the fabled streams,
Where frolick fancies sport with idle dreams,
Or round the sight enchanted clouds dispose,
Whence wanton cupids shoot with gilded bows;
A nobler writer, strains more brightly wrought,
Themes more exulted, fill my wond'ring thought:
The parted skies are track'd with flames above,
As love descends to meet ascending love;
The seasons flourish where the spouses meet,
And earth in gardens spreads beneath their feet.
This fresh-bloom prospect in the bosom throngs,
When Solomon begins his song of songs,
Bids the rap'd soul to Lebanon repair,
And lays the scenes of all his action there,
Where as he wrote, and from the bow'r survey'd
The scenting groves, or answ'ring knots he made,
His sacred art the sights of nature brings,
Beyond their use, to figure heav'nly things.

Great son of God! whose gospel pleas'd to throw
Round thy rich glory, veils of earthly show,
Who made the vineyard oft thy church design,

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Annihilation

From dehumanization to arms production,
For the benefit of the nation or its destruction
Power, power, the law of the land,
Those living for death will die by their own hand,
Life's no ordeal if you come to terms,
Reject the system dictating the norms
From dehumanization to arms production,
To hasten the nation towards its destruction
Power, power, the law of the land,
Those living for death will die by their own hand,
Life's no ordeal if you come to terms,
Reject the system dictating the norms
From dehumanization to arms production,
To hasten the nation towards its destruction
Power, power, the law of the land,
Those living for death will die by their own hand,
Life's no ordeal if you come to terms,
Reject the system dictating the norms
From dehumanization to arms production,
To hasten this nation towards its destruction,
It's your choice, your choice, your choice, your choice,
Peace or annihilation

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Blind Faith

[ alternative version of planned obsolescence ]
Love, breaks apart is a myth of human kindness
Love, breaks apart is amyth of human kindness
Love, breaks apart is a myth of human kindness
Panic in the worried night with the tempting, rises
Panic in the worried night with the tempting, rises
Panic in the worried night the tempting rises
No doubt that shed desire blind faith in all surmises
No doubt that shed desire blind faith in all surmises
No doubt that shed deny blind faith in half-surmises
Because
Any modern man can see that
Any modern man can see that
Piety obsolete
Faith obsolete
Mysticism obsolete
Prophetic vision obsolete
Any modern man can see that
Any modern mad can see that
Love, breaks apart is a myth of human kindness
Love, breaks apart is a myth of human kindness
Love, breaks apart is a myth of human kindness
Panic in the worried night with the tempting, rises
Panic in the worried night with the tempting, rises
Panic in the worried night the tempting rises
No doubt that shed desire blind faith in all surmises
No doubt that shed desire blind faith in all surmises
No doubt that shed deny blind faith in half-surmises
Because
Any modern man can see that
Any modern man can see that
Piety obsolete
Faith obsolete
Mysticism obsolete
Prophetic vision obsolete
Any modern man can see that
Any modern mad can see that

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My Bad

It's the ignorance of youth
It's the fear of growing old
It's the universal truth you're never told
Know that it's my fault, know that it's my bad
Couldn't accept love I've never had
It's to learn from your mistakes
It's to be the bigger man
It's to always try to do the best ya...
Cool rises up from underneath it when you're down
It rises, all your enemies, never ever know, unless you let it show
Oh yeah...yeah...oh...yeah...ah, ya ya ya
Cause it's my bad, it's my bad, it's my...bad
Cool rises up from underneath it when you're down
It rises, all your enemies, never ever know, unless you let it show
Or until I lose it all, until I lose it all, until I lose it all,
Until I lose it, yeah
Til I lose it, until I lose it
I love you all, it's your choice
Cool rises up from underneath it when you're down
It rises, all your enemies, never ever know, unless you let it show
Or until I lose it all, until I lose it all, until I lose it all, til I lose it, yeah
Til I lose it
Til I lose it
I love you all
(Kiss sound)

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Love Me Lide There's No Tomorrow

Hold me like there's no next time
Like it's the last time you'll have the chance too
Show me how much you want me
Like I'm the only thing that matters
No one knows when the world's gonna end
So let's make love like we never will again
'Cause if the sun never rises, I wanna go down in flames
I want the last thing I hear to be you whisperin' my name
If every moment together is time that we borrowed
Then hold me tight and love me like there's no tomorrow
I hope we live forever
And that day will never come, but darlin'
I know if it ever happens
I couldn't imagine not being in your arms
There's so much we take for granted in life
So love me baby like we're running out of time
'Cause if the sun never rises, I wanna go down in flames
I want the last thing I hear to be you whisperin' my name
If every moment together is time that we borrowed
Then hold me tight and love me like there's no tomorrow
'Cause if the sun never rises, I wanna go down in flames
I want the last thing I hear to be you whisperin' my name
If every moment together is time that we borrowed
Then hold me tight and love me like there's no tomorrow
Hold me like there's no next time
Like it's the last time you'll have the chance too
Show me how much you want me
Like I'm the only thing that matters
No one knows when the world's gonna end
So let's make love like we never will again
'Cause if the sun never rises, I wanna go down in flames
I want the last thing I hear to be you whisperin' my name
If every moment together is time that we borrowed
Then hold me tight and love me like there's no tomorrow
I hope we live forever
And that day will never come, but darlin'
I know if it ever happens
I couldn't imagine not being in your arms
There's so much we take for granted in life
So love me baby like we're running out of time
'Cause if the sun never rises, I wanna go down in flames
I want the last thing I hear to be you whisperin' my name
If every moment together is time that we borrowed
Then hold me tight and love me like there's no tomorrow
'Cause if the sun never rises, I wanna go down in flames
I want the last thing I hear to be you whisperin' my name
If every moment together is time that we borrowed
Then hold me tight and love me like there's no tomorrow

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Love Me Lide There's No Tomorrow

Hold me like there's no next time
Like it's the last time you'll have the chance too
Show me how much you want me
Like I'm the only thing that matters
No one knows when the world's gonna end
So let's make love like we never will again
'Cause if the sun never rises, I wanna go down in flames
I want the last thing I hear to be you whisperin' my name
If every moment together is time that we borrowed
Then hold me tight and love me like there's no tomorrow
I hope we live forever
And that day will never come, but darlin'
I know if it ever happens
I couldn't imagine not being in your arms
There's so much we take for granted in life
So love me baby like we're running out of time
'Cause if the sun never rises, I wanna go down in flames
I want the last thing I hear to be you whisperin' my name
If every moment together is time that we borrowed
Then hold me tight and love me like there's no tomorrow
'Cause if the sun never rises, I wanna go down in flames
I want the last thing I hear to be you whisperin' my name
If every moment together is time that we borrowed
Then hold me tight and love me like there's no tomorrow
Hold me like there's no next time
Like it's the last time you'll have the chance too
Show me how much you want me
Like I'm the only thing that matters
No one knows when the world's gonna end
So let's make love like we never will again
'Cause if the sun never rises, I wanna go down in flames
I want the last thing I hear to be you whisperin' my name
If every moment together is time that we borrowed
Then hold me tight and love me like there's no tomorrow
I hope we live forever
And that day will never come, but darlin'
I know if it ever happens
I couldn't imagine not being in your arms
There's so much we take for granted in life
So love me baby like we're running out of time
'Cause if the sun never rises, I wanna go down in flames
I want the last thing I hear to be you whisperin' my name
If every moment together is time that we borrowed
Then hold me tight and love me like there's no tomorrow
'Cause if the sun never rises, I wanna go down in flames
I want the last thing I hear to be you whisperin' my name
If every moment together is time that we borrowed
Then hold me tight and love me like there's no tomorrow

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Georgic 1

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,
Nor may so dire a lust of sovereignty
E'er light upon thee, howso Greece admire

[...] Read more

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T.S. Eliot

Our difficulties of the moment must always be dealt with somehow, but our permanent difficulties are difficulties of every moment.

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Rhyme of Sachin Tendulkar

Thou' Cricket is not religion;
Sachin is our god,
Thou' British are Founder,
Sachin is invader.
We owned India,
British conquered it;
British owned Criket,
Sachin conqered it.
Talent sticks to that precious diomond,
Just like magnet sticks to iron.
Talent and efforts in practice matches,
Made king of international cricket.
Neither difficulties nor attraction,
Each fails in bending Tendulkar,
Whether it is fast-track of South Africa
Or Green top of Newzealand,
Sachin mesmerized all Indians by his performence on these land.
Never lost his courage
Whatever difficulties came in Carrier,
Face all difficulties by himself encouraging,
And fight with all of them like iron barrier.
And now whether it test or ODI
Sachin sir is leading run scorer.
Not king but emperor of Cricket,
The wierd guy Tendulkar,
Made Ton of Ton in International Cricket,
And become supremo of Cricket.
Played many many memorable Innings for India,
His Upper-cut is thrilling,
While Cover drive is quivering,
Master's every shot is quite trembling.
He is very very gentle sage,
But can't tolerate any challenge,
Not tell anything in Press-Conference,
But proceedin Play-Conference.
Whether it is Waqar, Warne or Akhtar,
He beat all like unstoppable runner.
People say- Sachin is God, But,
I don't agree,
God is Sachin,
This is true, true and true.
Lucky fortunate this Mumbai city,
Who bloom such wonderful blossom
Who re-defined Cricket;
By his talent,
By his stamina,
By his potential,
By his will.
And now,121 crore people of India calls you:
Go Sachin go...

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I WILL NEVER LEAVE YOU: A prayer

My child, no matter what you do
No matter what happens to you in this life of exile
Regardless of all the difficulties that you encounter
I am always with you because
I will never leave you.

My child, try to live your life with much care and candor
Try to live your life with much discipline and truth
But even if you fail and stumble in your efforts
I will always be there to lift you up because
I will never leave you

My child try to avoid all occasions that may cause evil
When faced with a choice between the broad and easy path in life and the narrow and difficult one
Come to me and I will show you how the seemingly easy path is fraught with danger
I will show you the ultimate rewards of the narrow and difficult path because
I will never leave you

My child try not to stray from the good that should always prevail
You will often be enticed by reasoning and false logic to embrace the apparently easy and convenient way that ultimately leads to evil
Yet I am there, hoping that with your will that is free, you will eventually perceive your perilous journey ahead because
I will never leave you


My child, life is made up of many instances of pain and sorrow, of overwhelming problems that seem insurmountable
Take heart, for all things pass, yet if matters appear too harsh
Remember me and compare your difficulties with what I went through in my Agony
And you will see things in a new light, a different perspective because
I will never leave you

My child, there will indeed be times in your life when you will feel all is lost
That you have been left alone with your problems
But if you go deeper into your apparent isolation, you will see that it is you who have left me because
I will never leave you

My child always come to me with your problems with all your needs
Do not be afraid to ask me for I am rich, very rich and I will always give you what is for your own good
Through the difficulties you may encounter, remember that I will always be there for you because
I will never leave you

My child will you endure these few problems that come to your life?
Carry whatever load comes your way for love of me
I promise you that you will find rest because my Yoke is easy and my burden is light
Through the crosses that come your way, you will only bear a sliver of the timber and I will carry the rest of the heavy cross for you because
I will never leave you

My child will you do something for me in return?
Come to me whenever you can, I am present in all the Tabernacles of the world
In churches in chapels in prayer rooms, there I wait for you in solitude
Waiting hoping for even just a flicker of recognition from you because

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The Sky and The Sea

They are so similar; the sky and the sea,
Each day the sun rises on both of them with glee.

As the sun rises high in the sky,
It immerses itself into the depths of the sea.

The clouds for one are waves for another,
They reflect faithfully: each others bother.

Every evening as the sun slips away to rest,
Both are tinged with red in the west.

With a million stars twinkling on them,
Both are in blue drenched.

Merciful are they as they house creatures,
Although they do sometimes show their wicked features.

But all of these similarities are a waste,
Because they can never meet: neither in leisure nor in haste.

They do seem to meet at the horizon,
Enlightened each day by the rising and setting sun.

Yet between them there is a distance,
A distance which is even on the horizon immense.

Knowing all of this the sea loves the sky,
Rising each day to meet him but still shy.

The sky loving the space rises higher every moment,
The sea still rises higher and higher with every second spent.

The sea for the sky loses its very existence,
The sea fosters her love and her spirit itself mends.

She knows that the sky won’t be with the void together,
Yet she rises each day with all the strength mustered.

One fine day she realizes that the sky is out of bounds for her,
That is the day she shatters.

Unable to meet her love she turns to the dust,
She lays on it her burden and loses life as she must.

She isn’t lucky as she won’t get to die,
She’ll be made to fall back as rain and love the sky.

The rain is also the tears of the sky’
Unable to reach the space he himself has to cry.

[...] Read more

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But a rise in the wages of labour would not equally affect commodities produced with machinery quickly consumed, and commodities produced with machinery slowly consumed.

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It is therefore utterly false to say that Marx revokes the law of value as far as individual commodities are concerned, and maintains it in force solely for the aggregate of these commodities.

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A rise of wages from this cause will, indeed, be invariably accompanied by a rise in the price of commodities; but in such cases, it will be found that labour and all commodities have not varied in regard to each other, and that the variation has been confined to money.

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