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A masterpiece of fiction is an original world and as such is not likely to fit the world of the reader.

quote by Vladimir Nabokov
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Stone Cold

(r palmer)
Hey hey take it from me shes a masterpiece
She ought to have her own show
Oh stone cold
Hey hey take it from me shes a masterpiece
Stone cold in love with you
Could you be ? or van gough
Youre a work of art, my darlin
You are the one I adore
You choose the role to star in
Youve got the part - Im all yours
My hearts in perpetual motion
When you make love with me
Beats so hard we reach an explosion
Of sensuality
You are poetry - I read your lips
They say just kiss me darling
The way you move - the way you speak
I got to have you cos Im stone cold
Hey hey take it from me shes a masterpiece
Stone cold in love with you
She ought to have her own show
Oh stone cold
Hey hey take it from me shes a masterpiece
Stone cold in love with you
Could you be ? or van gough
You want it all - you got it
You take the cake coz you wrote the recipe
You hit the mark
Spot on it
We make the grade coz we got the chemistry
Surfin high on the waves of emotion
When you make love with me
8 miles high and deep as the ocean
Thats how big love should be
Youre a masterpiece - youre made for me
I just couldnt live without you
Say what you want - say what you need
Ill get it for you cos Im stone cold
Hey hey take it from me shes a masterpiece
Im stone cold in love with you
She ought to have her own show
Well stone cold
Hey hey take it from me shes a masterpiece
Im stone cold in love with you
Could you be ? or van gough
My hearts in perpetual motion
When you make love with me
Beats so hard we reach an explosion
Of sensuality

[...] Read more

song performed by Robert Palmer
Added by Lucian Velea
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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

[...] Read more

poem by Charles Churchill
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Fit In

Written by kim wilde
Fit in, fit in
Im spending nights just dreaming
And playing the music loud
Theyre banging on the ceiling
Theyre praying that Ill soon be out
I almost thought of leaving
Get away from the glares and their unfriendly stares
And now Im all alone
And the telephone teases and dares
Ill get away from them all (oh oh)
So pride comes before a fall
But Im not for giving in
Fit in, fit in
Theyre kicking up a storm in ...
Some strange place they know out of town
Why wont I go along there
Its crazy theyre all doing it now
But right now its the last place
That I wanna see - its my way to be free
And Im getting bored
Of the way they expect me to be
You gotta be, you gotta be
Ill get away from them all (oh oh)
So pride comes before a fall
But Im not for giving in
Fit in, fit in
Fit in, fit in
Im holding on so tightly
But I dont want to take any more
cos what they say just bites me
And gets to me down to the core
A ring and kids invite me
Or a house and a home
And a car and a phone
And a video
Wont they ever leave it alone
You gotta ring, you gotta ring
Ill get away from them all (oh oh)
So pride comes before a fall
But Im not for giving in
I wont fit in, fit in
I dont fit in, fit in
I dont fit in, fit in
I dont fit in, fit in
Oh no, I dont fit in, fit in

song performed by Kim Wilde
Added by Lucian Velea
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by Byron from Don Juan (1824)
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Science Fiction Woman

She was my science fiction woman,
I was her science fiction man,
Yet our love was no fiction
In our science fiction land.

I wore my science fiction spacesuit,
She wore a spacesuit just like mine,
While we were floating together
In our science fiction minds.

She said her name was Taylor Trippy-
A flower child light years beyond-
She was a science fiction hippy-
A spacey and vivacious blonde.

She told me of our global warming,
Greenhouse gases, acid rain,
She told me everything I know
About the structure of the brain.

So we cruised through constellations
In our science fiction ship,
Transcending time and generations-
Forever free, forever hip.

She came from some unknown planet
In some uncharted galaxy,
And we were both kindred souls
In our cosmic fantasy.

And I don't know how I knew her
Or how we came to meet that night-
She was my science fiction woman,
Who traveled at the speed of light.

At night I look upon the ocean,
The distant stars where she might be-
She was my science fiction woman,
Who set my heart forever free.

June 17,2008

poem by Alexander Shaumyan
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A Preface

To all to whom this little book may come--
Health for yourselves and those you hold most dear!
Content abroad, and happiness at home,
And--one grand Secret in your private ear: --
Nations have passed away and left no traces,
And History gives the naked cause of it--
One single, simple reason in all cases;
They fell because their peoples were not fit.

Now, though your Body be mis-shapen, blind,
Lame, feverish, lacking substance, power or skill,
Certain it is that men can school the Mind
To school the sickliest Body, to her will--
As many have done, whose glory blazes still
Like mighty flames in meanest lanterns lit:
Wherefore, we pray the crippled, weak and ill--
Be fit--be fit! In mind at first be fit!

And, though your Spirit seem uncouth or small,
Stubborn as clay or shifting as the sand,
Strengthen the Body, and the Body shall
Strengthen the Spirit till she take command;
As a bold rider brings his horse in hand
At the tall fence, with voice and heel and bit,
And leaps while all the field are at a stand.
Be fit--be fit! In body next be fit!

Nothing on earth--no Arts, no Gifts, no Graces--
No Fame, no Wealth--outweighs the wont of it.
This is the Law which every law embraces--
Be fit--be fit! In mind and body be fit!

The even heart that seldom slurs its beat--
The cool head weighing what that heart desires--
The measuring eye that guides the hands and feet--
The Soul unbroken when the Body tires--
These are the things our weary world requires
Far more than superfluities of wit;
Wherefore we pray you, sons of generous sires,
Be fit--be fit! For Honour's sake be fit.

There is one lesson at all Times and Places--
One changeless Truth on all things changing writ,
For boys and girls, men, women, nations, races--
Be fit -- be fit! And once again, be fit!

poem by Rudyard Kipling
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Gioconda And Si-Ya-U

to the memory of my friend SI-YA-U,
whose head was cut off in Shanghai

A CLAIM

Renowned Leonardo's
world-famous
"La Gioconda"
has disappeared.
And in the space
vacated by the fugitive
a copy has been placed.

The poet inscribing
the present treatise
knows more than a little
about the fate
of the real Gioconda.
She fell in love
with a seductive
graceful youth:
a honey-tongued
almond-eyed Chinese
named SI-YA-U.
Gioconda ran off
after her lover;
Gioconda was burned
in a Chinese city.

I, Nazim Hikmet,
authority
on this matter,
thumbing my nose at friend and foe
five times a day,
undaunted,
claim
I can prove it;
if I can't,
I'll be ruined and banished
forever from the realm of poesy.

1928

Part One
Excerpts from Gioconda's Diary

15 March 1924: Paris, Louvre Museum

At last I am bored with the Louvre Museum.

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poem by Nazim Hikmet
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The Original Wrapper

I was sittin home on the west end
Watchin cable tv with a female friend
We were watchin the news, the worlds in a mess
The poor and the hungry, a world in distress
Herpes, aids, the middle east at full throttle
Better check that sausage, before you put it in the waffle
And while youre at it, check whats in the batter
Make sure that candys in the original wrapper
Hey, pitcher, better check that batter
Make sure that candys in the original wrapper
Reagan says abortions murder
While hes looking at cardinal oconnor
Look at jerry falwell louis farrakhan
Both talk religion and the brotherhood of man
They both sound like they belong in teheran
Watch out, theyre goin full throttle
Better check that sausage, before you stick it in the waffle
And while youre at it better check, whats in the batter
Make sure that candys in the original wrapper
Hey, pitcher, better check that batter
Make sure that candys in the original wrapper
White against white, black against jew
It seems like its 1942
The baby sits in front of mtv
Watching violent fantasies
While dad guzzles beer with his favorite sport
Only to find his heroes are all coked up
Classic, original, the same old story
The politics of hate in a new surrounding
Hate if its good and hate if its bad
And if this all dont make you mad
Ill keep yours and Ill keep mine
Nothing sacred and nothing divine
Father, bless me, were at full throttle
Better check that sausage, before you put it in the waffle
And while youre at it better check that batter
Make sure the candys in the original wrapper
Hey, pitcher, better check that batter
Make sure that candys in the original wrapper, hey, hey
I was born in the united states
And I grew up hard but I grew up straight
I saw a lack of morals and a lack of concern
A feeling that theres nowhere to turn
Yippies, hippies and upwardly mobile yuppies
Dont treat me like Im some dumb lackey
cause the murderer lives while the victims die
Id much rather see it an eye for an eye
A heart for a heart, a brain for a brain
And if this all makes you feel a little insane
Kick up your heels, turn the music up loud

[...] Read more

song performed by Lou Reed
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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S[t]alking Mirror Sestina - CV in hand

CV in hand through contest I would stalk,
ILLEgitimate undertaking I admit,
Lightly through the rhyme scheme let me walk,
I subtle sense within sestina fit,
Stalking pseudo is not hard to talk,
Away for those with golden goblet lit

CV of charming nymph will o’ wisp lit
ILLEgible to most seems simple stalk,
Lightly pen traces, hears the table talk,
I see the comments – praises all admit,
Stalking may be fun - together fit,
Away from prying eyes will life-lines walk.

CV few APe, divine, her verse I’d walk
ILLEgal act for gaol or goal bright lit?
Lightly linking her name to my fit
I root acrostic in sestina stalk,
Stalking talking balking not – admit,
Away with critics and their jealous talk.

CV masks beauty more than my trite talk.
ILLEcebrous attractive and alluring walk,
Lightly stroking peerless miss admit,
I find no other muse as charming lit,
Stalk king if she queen Stork to nest add stalk
A way I’d find to offer homage fit.

CV seems perfect. Could another fit?
ILLEcebrum around swan neck would talk
Lightly of love I bear for stem and stalk,
I cannot stem, so, in pursuit I walk,
Stalking close by inspiration lit,
Away she’ll never slip all must admit.

CV in hand my errors I’ll admit
ILLEist I’m never, should hat fit,
Lightly I’d wear it, with her smile love-lit,
I vaunt her emblem, on none else would talk,
Stalking kitten purring I, cat, walk,
Away from idols past – she bloom, I stalk!

All here admit one Muse should stalk,
a perfect fit, eyes lovely lit,
Her praise I talk, with trophy walk.

.............................

Her praise I talk, with trophy walk,
a perfect fit, eyes lovely lit,

[...] Read more

poem by Jonathan Robin
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The Bagman's Dog, : Mr. Peters's Story

Stant littore Puppies!-- Virgil.

It was a litter, a litter of five,
Four are drown'd and one left alive,
He was thought worthy alone to survive;
And the Bagman resolved upon bringing him up,
To eat of his bread, and to drink of his cup,
He was such a dear little cock-tail'd pup.

The Bagman taught him many a trick;
He would carry and fetch, and run after a stick,
Could well understand
The word of command,
And appear to doze
With a crust on his nose,
Till the Bagman permissively waved his hand:
Then to throw up and catch it he never would fail,
As he sat up on end, on his little cock-tail.
Never was puppy so bien instruit,
Or possess'd of such natural talent as he;
And as he grew older,
Every beholder
Agreed he grew handsomer, sleeker, and bolder.--

Time, however, his wheels we may clog,
Wends steadily still with onward jog,
And the cock-tail'd puppy's a curly-tail'd dog!
When just at the time,
He was reaching his prime,
And all thought he'd be turning out something sublime,
One unlucky day,
How, no one could say,
Whether some soft liaison induced him to stray,
Or some kidnapping vagabond coax'd him away,
He was lost to the view
Like the morning dew;
He had been, and was not -- that's all that they knew;
And the Bagman storm'd, and the Bagman swore,
As never a Bagman had sworn before;
But storming or swearing but little avails,
To recover lost dogs with great curly tails.--

In a large paved court, close by Billiter Square,
Stands a mansion old, but in thorough repair,
The only strange thing, from the general air
Of its size and appearance, is, how it got there;
In front is a short semicircular stair
Of stone steps,-- some half score,--
Then you reach the ground floor,
With a shell-pattern'd architrave over the door.

[...] Read more

poem by Richard Harris Barham
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Canto the Fourteenth

I
If from great nature's or our own abyss
Of thought we could but snatch a certainty,
Perhaps mankind might find the path they miss --
But then 't would spoil much good philosophy.
One system eats another up, and this
Much as old Saturn ate his progeny;
For when his pious consort gave him stones
In lieu of sons, of these he made no bones.

II
But System doth reverse the Titan's breakfast,
And eats her parents, albeit the digestion
Is difficult. Pray tell me, can you make fast,
After due search, your faith to any question?
Look back o'er ages, ere unto the stake fast
You bind yourself, and call some mode the best one.
Nothing more true than not to trust your senses;
And yet what are your other evidences?

III
For me, I know nought; nothing I deny,
Admit, reject, contemn; and what know you,
Except perhaps that you were born to die?
And both may after all turn out untrue.
An age may come, Font of Eternity,
When nothing shall be either old or new.
Death, so call'd, is a thing which makes men weep,
And yet a third of life is pass'd in sleep.

IV
A sleep without dreams, after a rough day
Of toil, is what we covet most; and yet
How clay shrinks back from more quiescent clay!
The very Suicide that pays his debt
At once without instalments (an old way
Of paying debts, which creditors regret)
Lets out impatiently his rushing breath,
Less from disgust of life than dread of death.

V
'T is round him, near him, here, there, every where;
And there's a courage which grows out of fear,
Perhaps of all most desperate, which will dare
The worst to know it -- when the mountains rear
Their peaks beneath your human foot, and there
You look down o'er the precipice, and drear
The gulf of rock yawns -- you can't gaze a minute
Without an awful wish to plunge within it.

[...] Read more

poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Don Juan: Canto The Fourteenth

If from great nature's or our own abyss
Of thought we could but snatch a certainty,
Perhaps mankind might find the path they miss--
But then 'twould spoil much good philosophy.
One system eats another up, and this
Much as old Saturn ate his progeny;
For when his pious consort gave him stones
In lieu of sons, of these he made no bones.

But System doth reverse the Titan's breakfast,
And eats her parents, albeit the digestion
Is difficult. Pray tell me, can you make fast,
After due search, your faith to any question?
Look back o'er ages, ere unto the stake fast
You bind yourself, and call some mode the best one.
Nothing more true than not to trust your senses;
And yet what are your other evidences?

For me, I know nought; nothing I deny,
Admit, reject, contemn; and what know you,
Except perhaps that you were born to die?
And both may after all turn out untrue.
An age may come, Font of Eternity,
When nothing shall be either old or new.
Death, so call'd, is a thing which makes men weep,
And yet a third of life is pass'd in sleep.

A sleep without dreams, after a rough day
Of toil, is what we covet most; and yet
How clay shrinks back from more quiescent clay!
The very Suicide that pays his debt
At once without instalments (an old way
Of paying debts, which creditors regret)
Lets out impatiently his rushing breath,
Less from disgust of life than dread of death.

'Tis round him, near him, here, there, every where;
And there's a courage which grows out of fear,
Perhaps of all most desperate, which will dare
The worst to know it:--when the mountains rear
Their peaks beneath your human foot, and there
You look down o'er the precipice, and drear
The gulf of rock yawns,--you can't gaze a minute
Without an awful wish to plunge within it.

'Tis true, you don't - but, pale and struck with terror,
Retire: but look into your past impression!
And you will find, though shuddering at the mirror
Of your own thoughts, in all their self--confession,
The lurking bias, be it truth or error,

[...] Read more

poem by Byron
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Joshua Fit The Battle

(arranged and adapted by elvis presley)
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
God knows that
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
Good morning sister mary
Good morning brother john
Well I wanna stop and talk with you
Wanna tell you how I come along
I know youve heard about joshua
He was the son of nun
He never stopped his work until
Until the work was done
God knows that
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
You may talk about your men of gideon
You may brag about your men of saul
Theres none like good old joshua
At the battle of jericho
Up to the walls of jericho
He marched with spear in hand
Go blow them ram horns, joshua cried
cause the battle is in my hands
God knows that
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
You may talk about your men of gideon
You may brag about your king of saul
There none like joshua
At the battle of jericho
They tell me, great God that joshuas spear
Was well nigh twelve feet long
And upon his hip was a double edged sword
And his mouth was a gospel horn
Yet bold and brave he stood
Salvation in his hand
Go blow them ram horns joshua cried
cause the devil cant do you no harm
Joshua fit the battle of jericho
Jericho jericho

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song performed by Elvis Presley
Added by Lucian Velea
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Joshua Fit The Battle (take 1)

Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
God knows that
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
Good morning sister Mary
Good morning brother John
Well I wanna stop and talk with you
Wanna tell you how I come along
I know you've heard about Joshua
He was the son of Nun
He never stopped his work until
Until the work was done
God knows that
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
You may talk about your men of Gideon
You may brag about your men of Saul
There's none like good old Joshua
At the battle of Jericho
Up to the walls of Jericho
He marched with spear in hand
Go blow them ram horns, Joshua cried
'Cause the battle is in my hands
God knows that
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
You may talk about your men of Gideon
You may brag about your king of Saul
There none like Joshua
At the battle of Jericho
They tell me, great God that Joshuas spear
Was well nigh twelve feet long
And upon his hip was a double edged sword
And his mouth was a gospel horn
Yet bold and brave he stood
Salvation in his hand
Go blow them ram horns Joshua cried
'Cause the devil can't do you no harm
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho

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song performed by Elvis Presley
Added by Lucian Velea
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Original Sin

Ive been looking for an original sin.
One with a twist and a bit of a spin.
Ive done all of the old ones.
Till theyve all been done in.
Now Im just looking -
Then Im gone with the wind -
Endlessly searching for an original sin.
You can dance forever.
You got a fire in your feet.
But will it ever be enough?
You know itll never be enough.
You can fly and never land.
And never need to sleep.
But will it ever be enough?
You know itll never be enough.
Not enough to make the nightmares go away.
Not enough to make the tears run dry.
Not enough to live a littel better everyday.
Everything that they taught us.
Was nothing but lies.
Everthing thing they brought us.
Was nothing but bribes.
But itll all be over now -
All I wanted was a piece of the night.
I never got an equal share.
When the stars are out of sight.
And the moon is down -
The natives are so restless tonight.
Ive been looking for an original sin.
One with a twist and a bit of a spin.
Ive done all of the old ones.
Till theyve all been done in.
Now Im just looking -
Then Im gone with the wind -
Endlessly searching for an original sin.
You can lose yourself in pleasure.
Till your bodys going numb.
But will it ever be enough?
You know itll never be enough.
You can always take whatever.
You conceivably could want.
But will it ever be enough?
You know itll never be enough.
Not enough to make the nightmares go away.
Not enough to make the tears run dry.
Not enough to live a littel better everyday.
Everything that they taught us.
Was nothing but lies.
Everthing thing they brought us.
Was nothing but bribes.

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song performed by Meat Loaf
Added by Lucian Velea
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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.

FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.

I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.

I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!

IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.

RAGING FIRE

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poem by Praveen Kumar
Added by Poetry Lover
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My Science Fiction Twin

My science fiction twin
Is doing better than expected
He captured a little blonde trophy wife
Whos really very well connected
And when he calls home with his alibi
She says is this really necessary?
But she knows that a man cant be a man
Unless hes punishing his secretary
He sips in the glow of a 61 vintage
Just as the day is dimming
With every intention of surrendering
To fifty-foot women
Who put the fascination back into my science fiction twin
My science fiction twin
Decided to become invisible
He has my eyes, my face, my voice
But hes only happy when Im miserable
The words flew from his mouth
And they were gently gathered by reporters
Trying to frame his once infamous flame
With tattered pictures of her daughter
Her hair is all made out of porcupine
Her figure is fantastic
But as you know, they corrupted her
So theyre being sarcastic
Who put the fascination back into my science fiction twin
Hell scream and shout
Everything is working out just as he predicted
Pride and position in the gallery of attempted people
Oh and the pain is so sweet
Better stamp his little feet
And youll even have time to pity me
How can you feel content?
You wonder where this fellow went
My science fiction twin
Escorted by his lovely nieces
Filled up his purse dictating verse
While painting masterpieces
His almost universal excellence
Is starting to disturb me
They asked how in the world he does all these things
And he answered superbly
Hes trapped in his own parallel dimension
Thats why Im so forgiving
But how could I possibly forget to mention those fifty-foot women
Who put the fascination back into my science fiction twin
My science fiction twin [4x]

song performed by Elvis Costello
Added by Lucian Velea
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These Are Just Years

i thought home is where we went when we fell out of favour
ive since learned that home is where we go to learn what favours are
home is a language we all understand
and this is how the language came to me
i realise
home is where we dont feel things
fortune has arranged that the language wont abandon us
it never will abandon us
if you dont miss your home
i cant remember much about my home
when im away from...
home, where were welcome
we appear to be like you
the were welcome when we
appear to be alike
living in fiction
just seems much better than living in words
if you live in fiction
homes no match for a word
ever existence
the more you go on the same as before
the more you light up the same as this time
the more you sing
all your songs about
all your...
living in fiction
is much more better than living in words
if you live in fiction
homes much better than words
living in fiction
just seems much better than living in words
if you live in fiction
then homes no better than words
im in fiction [x6]
and what i see it seems so standard
it always seems that youre left stranded [x6]
why dont you look beond
the village wall?
look beyond the village wall
weve got four walls at home
got four walls at home
and these walls around your head
thats what they are
theyre walls around your head
an empty head is creative
and direct me
to where you come from
and what you thought you knew
where you come from
[?]

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song performed by Idlewild
Added by Lucian Velea
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