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Of course, in later years, I'd studied acting more than ever before - mostly with the late Stella Adler, who was marvelous! - but in my earlier years, I couldn't afford to do this.

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Amy Lowell

A Roxbury Garden

I

Hoops

Blue and pink sashes,
Criss-cross shoes,
Minna and Stella run out into the garden
To play at hoop.

Up and down the garden-paths they race,
In the yellow sunshine,
Each with a big round hoop
White as a stripped willow-wand.

Round and round turn the hoops,
Their diamond whiteness cleaving the yellow sunshine.
The gravel crunches and squeaks beneath them,
And a large pebble springs them into the air
To go whirling for a foot or two
Before they touch the earth again
In a series of little jumps.

Spring, Hoops!
Spit out a shower of blue and white brightness.
The little criss-cross shoes twinkle behind you,
The pink and blue sashes flutter like flags,
The hoop-sticks are ready to beat you.
Turn, turn, Hoops! In the yellow sunshine.
Turn your stripped willow whiteness
Along the smooth paths.

Stella sings:
'Round and round, rolls my hoop,
Scarcely touching the ground,
With a swoop,
And a bound,
Round and round.
With a bumpety, crunching, scattering sound,
Down the garden it flies;
In our eyes
The sun lies.
See it spin
Out and in;
Through the paths it goes whirling,
About the beds curling.
Sway now to the loop,
Faster, faster, my hoop.
Round you come,
Up you come,
Quick and straight as before.

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King Estmere

Hearken to me, gentlemen,
Come and you shall heare;
He tell you of two of the boldest brethren,
That ever born y-were.

The tone of them as Adler yonge,
The tother was Kyng Estmere;
The were as bolde men in their deedes,
As any were, farr and neare.

As they were drinking ale and wine
Within Kyng Estmeres halle:
'When will ye marry a wyfe, brother,
A wyfe to gladd us all?'

Then bespake him Kyng Estmere,
And answered him hatilee
'I know not that ladye in any lande,
That is able to marry with mee.'

'Kyng Adland hath a daughter, brother,
Men call her bright and sheene;
If I were kyng here in your stead,
That ladye shold be queene.'

Sayes, 'Reade me, reade me, deare brother,
Throughout merry England,
Where we might find a messenger
Betweene us two to sende.'

Sayes, 'You shall ryde yourselfe, brother,
He beare you companee;
Many throughe fals messengers are deceived,
And I feare lest soe shold wee.'

Thus the renisht them to ryde
Of twoe good renisht steedes,
And when they came to Kyng Adlands halle,
Of red golde shone their weedes.

And when the came to Kyng Adlands halle
Before the goodlye yate,
Ther they found good Kyng Adland
Rearing himselfe theratt.

'Nowe Christ thee save, good Kyng Adland,
Nowe Christ thee save and see.'
Sayd, 'You be welcome, Kyng Estmere,
Right hartilye to mee.'

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Its Too Late To Change The Time

[intro]
Too late
Too late
Too late
[verse 1]
In this automatic age
We shop through the yellow page
Gone is the corner store
There is a supermarket there for you
People give way to change
But feelings remain the same
[chorus]
And its too late, too late to change the time
Well its too late, too late to change the time
And its too late, too late to change the time
But its not too late (too late) to change your mind
[verse 2]
Its a new day, a new age
A photograph just taken, is ready one minute later
Cars are bigger and better
But the manufacturers sastified never
In a world full of crime
I cant let you think thats right
[chorus]
And its too late, too late to change the time
And its too late, too late to change the time
And its too late, too late to change the time
But its not too late (too late) to change your mind
No, no
[bridge 1]
So you wanna be a star (so you wanna be a star)
You are who you think you are (ah think you are)
You dont have to go further
Than my loving arms
[chorus half]
And its too late, too late to change the time
But its not too late (too late) to change your mind
[bridge 2]
Are you sure you wanna go to new york city (new york city)
Where girls make it big if theyre pretty (if they pretty)
Let say you get that penthouse view
But whos gonna love you the way I do (just the way I do)
[chorus]
Its too late, too late to change the time
And its too late, too late to change the time, no
Too late, too late to change the time
But its not too late (too late) to change your mind
Yeah, yeah, yeah
[chorus]
Its too late, too late to change the time

[...] Read more

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Jonathan Swift

To Stella Visiting Me in My Sickness

Pallas, observing Stella's wit
Was more than for her sex was fit,
And that her beauty, soon or late,
Might breed confusion in the state,
In high concern for human kind,
Fix'd honour in her infant mind.
But (not in wrangling to engage
With such a stupid, vicious age)
If honour I would here define,
It answers faith in things divine.
As natural life the body warms,
And, scholars teach, the soul informs,
So honour animates the whole,
And is the spirit of the soul.
Those numerous virtues which the tribe
Of tedious moralists describe,
And by such various titles call,
True honour comprehends them all.
Let melancholy rule supreme,
Choler preside, or blood, or phlegm,
It makes no difference in the case,
Nor is complexion honour's place.
But, lest we should for honour take
The drunken quarrels of a rake:
Or think it seated in a scar,
Or on a proud triumphal car;
Or in the payment of a debt
We lose with sharpers at piquet;
Or when a whore, in her vocation,
Keeps punctual to an assignation;
Or that on which his lordship swears,
When vulgar knaves would lose their ears;
Let Stella's fair example preach
A lesson she alone can teach.
In points of honour to be tried,
All passions must be laid aside:
Ask no advice, but think alone;
Suppose the question not your own.
How shall I act, is not the case;
But how would Brutus in my place?
In such a case would Cato bleed?
And how would Socrates proceed?
Drive all objections from your mind,
Else you relapse to human kind:
Ambition, avarice, and lust,
A factious rage, and breach of trust,
And flattery tipt with nauseous fleer,
And guilty shame, and servile fear,
Envy, and cruelty, and pride,
Will in your tainted heart preside.

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Marvelous

So you've been well
I couldn't tell
I know you better
Remember when
Spoken back then
You'd come here again
I must admit I wasn't loving
And I was running from myself
Do seasons changing stir old feelings
And in conversation

Does my name still come up?
Was I marvelous?
You should have asked yourself before you turned me down
Your name still comes up
You are marvelous
I should have told myself before I let you down
You're marvelous

So I've been fine
Living my life
Though I've been better
So here's to you
Breathing a new
Neglecting a few
I must admit that you were loving
And I was searching for myself
Do seasons changing stir old feelings
And in conversations

Does my name still come up?
Was I marvelous?
You should have asked yourself before you turned me down
Your name still comes up
You are marvelous
I should have told myself before I let you down
You're marvelous

You're marvelous

So how are you going to feel when you know it's so true
You'll think of me when you say "I do"
Excuse my state of mind
Did I spoil your valentine?
For all the length we've walked in these shoes
Eternal faith you've lost in me through
When you're walking down the aisle
You won't stretch another mile
The memories you visualize

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Your Home Is In My Heart (Stella's Love Theme) (feat. Chante Moore)

[Mike:] Don't be afraid, love has no age.
[Chorus 1:] Even from across the sea (so far across the sea)
I can hear you calling me (baby come to me)
Destiny controls the air (no matter where you are)
Dream and dare to love again (your home is in my heart)
[Verse 1:]
[Nate:] I know the way I feel bout you won't pass, yes it's going to last and stand the test of time.
[Shawn:] So your search for love is about to end. Your future hold, a place where true love begins.
[Mike:] I'll be right there.
[Shawn:] Even
[Repeat Chorus 1]
[Verse 2: ]
[Shawn:] Take a romantic journey, just start in the beginning, you won't no where you're going til you're there.
[Nate:] Is it just physical or is it lasting love, please don't give up, we won't know unless we try.
[Ad Libs:]
[Shawn:] So Far
[Repeat Chorus 1]
[Tag:] Mike talking: Oh Love that's what dreams are made of, love is all you have, you need me baby
Don't be afraid (don't be afraid, don't be afraid) to love (to love, to love) to love
[Chorus 2:] Even from across the sea (so far across the sea)
I can hear you calling me (I hear you calling me)
Destiny controls the air (no matter where you are)
Dream and dare to love again (your home is in my...)
[Chorus 3:] So far away (far across the sea) I can hear you calling me (My Stella's calling me)
[Wanya overlapping:] Stella, Stella
Destiny controls the air (no matter where you are)
Dream and dare to love again (your home is in my heart)
Oh Oh OOOOOh
[Ad Libs [Overlapping]]
[Mike:] Stella, no matter where you are, no matter how far you go...
[Wanya:] Stella
[Mike:] I'll be there.
[Wanya:] Stella
[Shawn:] And ever
[Chante:] Forever baby
[Wanya:] Stella
[Chante:] Forever baby
[Shawn:] And ever
[Nate:] Ohhhh
[Wanya:] Stella
[Shawn:] And ever
[Nate & Wan:] Ohhhh--OOOOOh
[Shawn:] And ever
[Wanya:] You mean the world to me
[Chante:] I love you baby
[Shawn:] I love you so much baby
[Wanya:] I love you
[Chante:] Baby I love you
[Wanya:] I love you, I love you
[Chante:] Baby I love you

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Station To Station

The return of the thin white duke
Throwing darts in lovers eyes
Here are we, one magical moment, such is the stuff
From where dreams are woven
Bending sound, dredging the ocean, lost in my circle
Here am i, flashing no colour
Tall in this room overlooking the ocean
Here are we, one magical movement from kether to malkuth
There are you, drive like a demon from station to station
The return of the thin white duke, throwing darts in lovers eyes
The return of the thin white duke, throwing darts in lovers eyes
The return of the thin white duke, making sure white stays
Once there were mountains on mountains
And once there were sunbirds to soar with
And once I could never be down
Got to keep searching and searching
Oh, what will I be believing and who will connect me with love?
Wonderful, wonderful, wonder when
Have you sought fortune, evasive and shy?
Drink to the men who protect you and i
Drink, drink, drain your glass, raise your glass high
Its not the side-effects of the cocaine
Im thinking that it must be love
Its too late - to be grateful
Its too late - to be late again
Its too late - to be hateful
The european cannon is here
I must be only one in a million
I wont let the day pass without her
Its too late - to be grateful
Its too late - to be late again
Its too late - to be hateful
The european cannon is here
Should I believe that Ive been stricken?
Does my face show some kind of glow?
Its too late - to be grateful
Its too late - to be late again
Its too late - to be hateful
The european cannon is here, yes its here
Its too late
Its too late, its too late, its too late, its too late
The european cannon is here
Its not the side-effects of the cocaine
Im thinking that it must be love
Its too late - to be grateful
Its too late - to be late again
Its too late - to be hateful
The european cannon is here
I must be only one in a million
I wont let the day pass without her

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Cant Afford To Do It

Written by james williamson.
Well, I wanna go out without tearing my bed, now
Ise so scared my baby quit n
I cant afford to do it
I cant afford to do it
I cant afford to do it
And loose that girl of mine
Well she spend my money - buying me clothes
Shes done cheapest woman I ever did know n
So, I cant afford to do it
I cant afford to do it
I cant afford to do it
And loose that girl of mine
Yeah
Break:
I got a good friend from alabam
He tried to steal my chick I dont know how many time
I cant afford to do it
I cant afford to do it, ah
I cant afford to do it
And loose that girl of mine, ah
I cant afford to do it
I cant afford to do it
I cant afford to do it
I cant afford to do it
I cant afford to do it
And loose that girl of mine, um

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Too Late

See the stop-light turn-in red,
Dont you listen to what its said.
All the things you try to hide,
They keep you runnin hard inside.
Oh, you got to leave this town before its...
Too late, too late, too late, too late, too late,
Too late to make the change.
Oo, yes, my friend, youre fadin fast, if you stay here you wont last.
Before your time has run astray, youve got to try to get away.
Oh, you got to leave this place before its...
Too late, too late, too late, too late, too late,
Too late to make the change.
Too late, too late to make the change
Too late to make the change
Yes, its time to make the change, yes, its time to rearrange,
So, my friend, I join the fight for the things you know are right.
Oh, you got to leave this town before its...
Too late, too late, too late, too late, too late,
Too late to make the change.
Too late, too late to make the change
Too late, too late, to make the change
Too late to make the change
Too late, before its too late.

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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Jonathan Swift

Stella’s Birth-Day.1719-20

All travellers at first incline
Where'er they see the fairest sign
And if they find the chambers neat,
And like the liquor and the meat,
Will call again, and recommend
The Angel Inn to every friend.
And though the painting grows decay'd,
The house will never lose its trade:
Nay, though the treach'rous tapster, Thomas,
Hangs a new Angel two doors from us,
As fine as daubers' hands can make it,
In hopes that strangers may mistake it,
We think it both a shame and sin
To quit the true old Angel Inn.
Now this is Stella's case in fact,
An angel's face a little crack'd.
(Could poets or could painters fix
How angels look at thirty-six
This drew us in at first to find
In such a form an angel's mind;
And every virtue now supplies
The fainting rays of Stella's eyes.
See, at her levee crowding swains,
Whom Stella freely entertains
With breeding, humour, wit, and sense,
And puts them to so small expense;
Their minds so plentifully fills,
And makes such reasonable bills,
So little gets for what she gives,
We really wonder how she lives!
And had her stock been less, no doubt
She must have long ago run out.
Then, who can think we'll quit the place,
When Doll hangs out a newer face?
Nail'd to her window full in sight
All Christian people to invite.
Or stop and light at Chloe's head,
With scraps and leavings to be fed?
Then, Chloe, still go on to prate
Of thirty-six and thirty-eight;
Pursue your trade of scandal-picking,
Your hints that Stella is no chicken;
Your innuendoes, when you tell us,
That Stella loves to talk with fellows:
But let me warn you to believe
A truth, for which your soul should grieve;
That should you live to see the day,
When Stella's locks must all be gray,
When age must print a furrow'd trace
On every feature of her face;

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Guinevere

Queen Guinevere had fled the court, and sat
There in the holy house at Almesbury
Weeping, none with her save a little maid,
A novice: one low light betwixt them burned
Blurred by the creeping mist, for all abroad,
Beneath a moon unseen albeit at full,
The white mist, like a face-cloth to the face,
Clung to the dead earth, and the land was still.

For hither had she fled, her cause of flight
Sir Modred; he that like a subtle beast
Lay couchant with his eyes upon the throne,
Ready to spring, waiting a chance: for this
He chilled the popular praises of the King
With silent smiles of slow disparagement;
And tampered with the Lords of the White Horse,
Heathen, the brood by Hengist left; and sought
To make disruption in the Table Round
Of Arthur, and to splinter it into feuds
Serving his traitorous end; and all his aims
Were sharpened by strong hate for Lancelot.

For thus it chanced one morn when all the court,
Green-suited, but with plumes that mocked the may,
Had been, their wont, a-maying and returned,
That Modred still in green, all ear and eye,
Climbed to the high top of the garden-wall
To spy some secret scandal if he might,
And saw the Queen who sat betwixt her best
Enid, and lissome Vivien, of her court
The wiliest and the worst; and more than this
He saw not, for Sir Lancelot passing by
Spied where he couched, and as the gardener's hand
Picks from the colewort a green caterpillar,
So from the high wall and the flowering grove
Of grasses Lancelot plucked him by the heel,
And cast him as a worm upon the way;
But when he knew the Prince though marred with dust,
He, reverencing king's blood in a bad man,
Made such excuses as he might, and these
Full knightly without scorn; for in those days
No knight of Arthur's noblest dealt in scorn;
But, if a man were halt or hunched, in him
By those whom God had made full-limbed and tall,
Scorn was allowed as part of his defect,
And he was answered softly by the King
And all his Table. So Sir Lancelot holp
To raise the Prince, who rising twice or thrice
Full sharply smote his knees, and smiled, and went:
But, ever after, the small violence done

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Sprinkle drinkle in the bar

Sprinkle drinkle in the bar
how I wonder what side car
I’ll rush into as some knight
whets my blurry appetite.
Drinkle, twinkle, little bar –
only hope you’re up to par!

When to blazes one is gone
ten more line up for the fun,
can I, canned, quite see the light,
can I dream of selenite?
Drinkle drinkle nothing bar –
spare a dropp for grandmama!

When rich traveller in the dark
thanks one for the little lark
two play at in dark car park,
take him for a ride stripped stark.
One should thank that lucky star
and save a tip[ple] for mamma!

But – night’s curtains rise – still keep
all Tom’s change to pay for peep,
one should never shut an eye
till its time to say goodbye!
Drinkle’s cost? - what’s lost won’t count
[hope it is a large amount] J

As his drooping tiny spark
stands not on ceremony, mark,
one should heave par[s]ting remark -
“ciao” then leave him in the dark!
Drinkle, drinkle little bar
Closing time’s the best by far!

When at last Night’s curtain falls
Knight takes no more curtain calls,
see his bark grow[l] worse than bite –
both, if witnessed, could indict –...
Help I’m summoned to the bar
no-contest? judgement won by star?

19 March 2005 Parody Ann & Jane TAYLOR The Star, William Blake Tyger


'The Star'


Twinkle, twinkle, little star,
How I wonder what you are!

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The Wreck of the Steamer Stella

'Twas in the month of March and in the year of 1899,
Which will be remembered for a very long time;
The wreck of the steamer "Stella" that was wrecked on the Casquet Rocks,
By losing her bearings in a fog, and received some terrible shocks.

The "Stella" was bound for the Channel Islands on a holiday trip,
And a number of passengers were resolved not to let the chance slip;
And the hearts of the passengers felt light and gay,
As the "Stella" steamed out of the London Docks without delay.

The vessel left London at a quarter-past eleven,
With a full passenger list and a favourable wind from heaven;
And all went well until late in the afternoon,
When all at once a mist arose, alas! too soon.

And as the Channel Islands were approached a fog set in,
Then the passengers began to be afraid and made a chattering din;
And about half-past three o'clock the fog settled down,
Which caused Captain Reeks and the passengers with fear to frown.

And brave Captain Reeks felt rather nervous and discontent,
Because to him it soon became quite evident;
And from his long experience he plainly did see
That the fog was increasing in great density.

Still the "Stella" sailed on at a very rapid rate,
And, oh, heaven! rushed headlong on to her fate,
And passed o'er the jagged rocks without delay,
And her side was ripped open: Oh! horror and dismay!

Then all the passengers felt the terrible shock,
As the "Stella" stuck fast upon the first ledge of rock;
And they rushed to the deck in wild alarm,
While some of them cried: "Oh! God protect us from harm."

Then men clasped wives and daughters, and friends shook hands,
And unmoved Captain Reeks upon the bridge stands;
And he shouted, "Get out the boats without delay!"
Then the sailors and officers began to work without dismay.

Again Captain Reeks cried in a manly clear voice,
"Let the women and children be our first choice!"
Then the boats were loaded in a speedy way,
And with brave seamen to navigate them that felt no dismay.

Then the "Stella" began rapidly for to settle down,
And Captain Reeks gave his last order without a frown,
Shouting, "Men, for yourselves, you'll better look out!"
Which they did, needing no second bidding, without fear or doubt.

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Stella Blue

All the years combine, they melt into a dream,
A broken angel sings from a guitar.
In the end theres just a song comes cryin up the night
Thru all the broken dreams and vanished years.
Stella blue. stella blue.
When all the cards are down, theres nothing left to see,
Theres just the pavement left and broken dreams.
In the end theres still that song comes cryin like the wind.
Down every lonely street thats ever been
Stella blue. stella blue.
Ive stayed in every blue-light cheap hotel, cant win for trying.
Dust off those rusty strings just one more time,
Gonna make them shine, shine
It all rolls into one and nothing comes for free,
Theres nothing you can hold, for very long.
And when you hear that song come crying like the wind,
It seems like all this life was just a dream.
Stella blue. stella blue.

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The Columbiad: Book I

The Argument


Natives of America appear in vision. Their manners and characters. Columbus demands the cause of the dissimilarity of men in different countries, Hesper replies, That the human body is composed of a due proportion of the elements suited to the place of its first formation; that these elements, differently proportioned, produce all the changes of health, sickness, growth and decay; and may likewise produce any other changes which occasion the diversity of men; that these elemental proportions are varied, not more by climate than temperature and other local circumstances; that the mind is likewise in a state of change, and will take its physical character from the body and from external objects: examples. Inquiry concerning the first peopling of America. View of Mexico. Its destruction by Cortez. View of Cusco and Quito, cities of Peru. Tradition of Capac and Oella, founders of the Peruvian empire. Columbus inquires into their real history. Hesper gives an account of their origin, and relates the stratagems they used in establishing that empire.

I sing the Mariner who first unfurl'd
An eastern banner o'er the western world,
And taught mankind where future empires lay
In these fair confines of descending day;
Who sway'd a moment, with vicarious power,
Iberia's sceptre on the new found shore,
Then saw the paths his virtuous steps had trod
Pursued by avarice and defiled with blood,
The tribes he foster'd with paternal toil
Snatch'd from his hand, and slaughter'd for their spoil.

Slaves, kings, adventurers, envious of his name,
Enjoy'd his labours and purloin'd his fame,
And gave the Viceroy, from his high seat hurl'd.
Chains for a crown, a prison for a world
Long overwhelm'd in woes, and sickening there,
He met the slow still march of black despair,
Sought the last refuge from his hopeless doom,
And wish'd from thankless men a peaceful tomb:
Till vision'd ages, opening on his eyes,
Cheer'd his sad soul, and bade new nations rise;
He saw the Atlantic heaven with light o'ercast,
And Freedom crown his glorious work at last.

Almighty Freedom! give my venturous song
The force, the charm that to thy voice belong;
Tis thine to shape my course, to light my way,
To nerve my country with the patriot lay,
To teach all men where all their interest lies,
How rulers may be just and nations wise:
Strong in thy strength I bend no suppliant knee,
Invoke no miracle, no Muse but thee.

Night held on old Castile her silent reign,
Her half orb'd moon declining to the main;
O'er Valladolid's regal turrets hazed
The drizzly fogs from dull Pisuerga raised;
Whose hovering sheets, along the welkin driven,
Thinn'd the pale stars, and shut the eye from heaven.
Cold-hearted Ferdinand his pillow prest,
Nor dream'd of those his mandates robb'd of rest,
Of him who gemm'd his crown, who stretch'd his reign
To realms that weigh'd the tenfold poise of Spain;
Who now beneath his tower indungeon'd lies,
Sweats the chill sod and breathes inclement skies.

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Jonathan Swift

Stella’s Birth-Day: A Great Bottle Of Wine, Long Buried, Being That Day Dug Up. 1722-3

Resolv'd my annual verse to pay,
By duty bound, on Stella's day,
Furnish'd with paper, pens, and ink,
I gravely sat me down to think:
I bit my nails, and scratch'd my head,
But found my wit and fancy fled:
Or if, with more than usual pain,
A thought came slowly from my brain,
It cost me Lord knows how much time
To shape it into sense and rhyme:
And, what was yet a greater curse,
Long thinking made my fancy worse.
Forsaken by th'inspiring Nine,
I waited at Apollo's shrine:
I told him what the world would say,
If Stella were unsung to-day:
How I should hide my head for shame,
When both the Jacks and Robin came;
How Ford would frown, how Jim would leer,
How Sheridan the rogue would sneer,
And swear it does not always follow,
That semel'n anno ridet Apollo.
I have assur'd them twenty times,
That Phoebus help'd me in my rhymes;
Phoebus inspired me from above,
And he and I were hand and glove.
But, finding me so dull and dry since,
They'll call it all poetic license;
And when I brag of aid divine,
Think Eusden's right as good as mine.
Nor do I ask for Stella's sake;
'Tis my own credit lies at stake:
And Stella will be sung, while I
Can only be a stander by.
Apollo, having thought a little,
Return'd this answer to a tittle.
Though you should live like old Methusalem,
I furnish hints and you shall use all 'em,
You yearly sing as she grows old,
You'd leave her virtues half untold.
But, to say truth, such dulness reigns,
Through the whole set of Irish deans,
I'm daily stunn'd with such a medley,
Dean White, Dean Daniel, and Dean Smedley,
That, let what dean soever come,
My orders are, I'm not at home;
And if your voice had not been loud,
You must have pass'd among the crowd.
But now, your danger to prevent,
You must apply to Mrs. Brent;

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