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I've made several films that haven't been shown.

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Book IV - Part 03 - The Senses And Mental Pictures

Bodies that strike the eyes, awaking sight.
From certain things flow odours evermore,
As cold from rivers, heat from sun, and spray
From waves of ocean, eater-out of walls
Around the coasts. Nor ever cease to flit
The varied voices, sounds athrough the air.
Then too there comes into the mouth at times
The wet of a salt taste, when by the sea
We roam about; and so, whene'er we watch
The wormword being mixed, its bitter stings.
To such degree from all things is each thing
Borne streamingly along, and sent about
To every region round; and Nature grants
Nor rest nor respite of the onward flow,
Since 'tis incessantly we feeling have,
And all the time are suffered to descry
And smell all things at hand, and hear them sound.
Besides, since shape examined by our hands
Within the dark is known to be the same
As that by eyes perceived within the light
And lustrous day, both touch and sight must be
By one like cause aroused. So, if we test
A square and get its stimulus on us
Within the dark, within the light what square
Can fall upon our sight, except a square
That images the things? Wherefore it seems
The source of seeing is in images,
Nor without these can anything be viewed.

Now these same films I name are borne about
And tossed and scattered into regions all.
But since we do perceive alone through eyes,
It follows hence that whitherso we turn
Our sight, all things do strike against it there
With form and hue. And just how far from us
Each thing may be away, the image yields
To us the power to see and chance to tell:
For when 'tis sent, at once it shoves ahead
And drives along the air that's in the space
Betwixt it and our eyes. And thus this air
All glides athrough our eyeballs, and, as 'twere,
Brushes athrough our pupils and thuswise
Passes across. Therefore it comes we see
How far from us each thing may be away,
And the more air there be that's driven before,
And too the longer be the brushing breeze
Against our eyes, the farther off removed
Each thing is seen to be: forsooth, this work
With mightily swift order all goes on,
So that upon one instant we may see

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If It's Love!

It's important that unshown love,
Comes directly shown from you.
To say it...
Doesn't make,
That-love-be-true!

It's important that unshown love,
Is a thing one wants to do...
Just to prove what is said,
Is absolutely true.

A hug,
And maybe a kiss.
A touch,
That has been missed.
A show of thoughtfulness...
Can go a very long distance.

A call,
Every once in a while...
Will go further than a mile.
If love is there to be shared...
Show someone they are cared for!
And doubts will come no more.

It's important that unshown love,
Comes directly shown from you.
To say it...
Doesn't make,
That-love-be-true!

It's important it's directly shown,
If it's love.
Yes!

It's important it's directly shown,
If it's love.
Yes!

It's important it's directly shown.
It's important it's directly shown.
It's important it's directly shown,
If it's love!

It shoos a boo-hooin'...
Known.

It's important it's directly shown.
It's important it's directly shown.
It's important it's directly shown,

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I'm Better Than That!

I know I'm not that...
Greedy.
I'm not,
Greedy a lot.

I know I'm better than just sleazy.
I'm not that,
Hopeless cat.

I know I'm not that...
Greedy.
I'm not,
Greedy a lot.

I know I'm better than just sleazy
I'm not that,
Hopeless cat.

So many pick up wrong meanings,
From what is perceived and...
Not known.

So many trip on just seeing,
What is believed and seen as shown.
What is believed and seen as shown.

I know I'm not that...
Greedy.
I'm not,
Greedy a lot.

I know I'm better than just sleazy
I'm not that hopeless cat.

I know I'm not that...
Greedy.
I'm not,
Greedy a lot.

I know I'm better than just sleazy
I'm not that,
Hopeless cat.
I'm better than that.

So many trip on just seeing,
What is believed and seen as shown.
What is believed and seen as shown.

I know I'm not that...
Greedy.

[...] Read more

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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A free action

express freely
it may not look silly
your intention of retaining
the desire for love maintaining

it has to go from your direction
reach out to the people with real affection
show it to them that it is love for peace
we all live with harmony and at ease

What may make others to wonder?
As the clouds appear with thunder
it may rain heavily with shower
touching the roots for birth of flower

Who can stop this natural process?
you are gifted with an open access
You were observing it all along
nothing can go out of hand or wrong

You may not be able to convince
they can not be compelled to show or evince
for sacred love to be shown to fellow man
it is show of eagerness that any one can

it will be too late to regret or express sorrow
it can not be left for uncertainty or tomorrow
The love has its origin from eternity
it has to be expressed and shown with fine quality

You may have solid return
sometimes you may have same turn
you are earning a praise from deprived
the long term effect can not be believed

The love and affection is not the commodity to show
it is essence of life and naturally grow
we are not used to difference of opinion
we need to appreciate if it existed in companion

There is enough room and space to fall in line
it must be shown that you really feel it fine
the time pass off within no time to come
there won't be anybody later on to welcome

Show the willingness for all kind gesture
you have seen its utility for the future
the world can be built effectively on good will
the stones should not be used with flowers to kill

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Reflection (rewrite and edit)

Reflection
By: Adam M. Snow

Alone am I this night of flutter,
confusion reigns, so I utter.
The air is that of a clouded dream;
so dark like that of an ordeal gleam.

I wonder where this fancy bestowed me;
in this room, damp as can be.
My vision is blurred from this smoky scene.
I see only a table, that of shallow green.

Heedfully I approach the table with ease,
Seeing afar it covered in bluish frieze.
My vision once blurred now is clearer;
that vanity table shown an olden mirror.

From the vanity table, that mirror I now held
I glanced upon myself, now greatly compelled.
A face has shown, was I yet not I,
it curses myself to die.

The image that was shown shadowed a vision:
Ye or I inter sweet derision,
o'er thy pass of insanity wake
as much of pain as I could take.

The mirror is now cracked as I am no more.
My heart beats cold as my days be hoar.
I've fallen apart and lost my way;
I am now one, alone in this blackened day.

My life's water has been turned into mist,
I, the writer who can't exist.
I am cracked in my own reflection
these wounds are the signs of my affliction.

I am one in this reflection shown two;
seeking to make my life anew.
I asked my reflection to be shown;
my truth, my past is left unknown.

I ask of thee, 'Let it be done.'
I am the writer, the lonely one
My reflections, it strains drops of blood;
now engulfing in life's lowly flood.

My eyes are stained as I lay cold,
I am weak-bound growing old.

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Everything But Me

Ashes falling on the ground
Winds that blow a hollow sound
Once standing taller still
Now falling by your will
How many times the sun has shown
On everything but me

Rain that falls upon my heart
Washes away the endings start
I try to sing aloud but
My voice is lost within the crowd
How many times the sun has shown
On everything but me

Every little thing is free
Every little moment sings
Every little ray of sunshine
Every little broken heart of mine
How many times the sun has shown
On everything but me

Blinded by the snow today
My true friend grey skies comes to play
Lost inside my forest desire
Feeling this wild funeral pyre
How many times the sun has shown
On everything but me

Every little thing is free
Every little moment sings
Every little ray of sunshine
Every little broken heart of mine
How many times the sun has shown
On everything but me
Every little thing is free
Every little moment sings
Every little ray of sunshine
Every little broken heart of mine
How many times the sun has shown
On everything but me

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Eriq La Salle

The films that have influenced me and the films that have motivated me and inspired me were films that resonated, films that made me think after I saw them.

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There were a lot of people dreaming about making films, and they would finance maybe 6 films a year. Because they were funded by the government, the films sort-of had to deal with serious social issues - and, as a result, nobody went to see those films.

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Danny Glover

Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects.

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Everything Is You

...you are my everything...
i've been thinking of a way to phrase it
seem to never find the words to say it
but it's true to say
i've been occupied by other things (i've been occupied by other things)
how could i think that you wouldn't notice (you wouldn't notice)
the absence of our closeness
realizing now
i will never let it happen again (again)
now i realize
that you are my everything
and without you here beside me
it's like an angel without it's wings
and now i realize (i realize)
that you are my everything
now i know it
should've shown it
and now i realize that you are my everything
as i sit here contemplating
'bout our love that's slowly fading
so insensitive
didn't hear you calling out for me...(didn't hear you calling out my name..)
if i could change the past i would do
everything to show i appreciate you
open up your heart
let me help you fall in love again
my friend, 'cause now i
now i realize
that you are my everything
and without you here beside me
it's like an angel without it's wings
(now i) and now i realize
that you are my everything
now i know it
should've shown it
and now i realize
that you are my everything
now i realize
that you are my everything
and without you here beside me
it's like an angel without it's wings (like an angel without it's wings)
(and now) and now i realize
that you are my everything (you are everything)
now i know it (now i know it)
shouldve shown it (should've shown it)
and now i realize that you are my everything
now i realize
that you are my everything
(life without you here beside me) and like an angel without it's wings
(oh can't you see that i apologize)

[...] Read more

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Byron

Canto the Sixth

I
"There is a tide in the affairs of men
Which, -- taken at the flood," -- you know the rest,
And most of us have found it now and then;
At least we think so, though but few have guess'd
The moment, till too late to come again.
But no doubt every thing is for the best --
Of which the surest sign is in the end:
When things are at the worst they sometimes mend.

II
There is a tide in the affairs of women
Which, taken at the flood, leads -- God knows where:
Those navigators must be able seamen
Whose charts lay down its current to a hair;
Not all the reveries of Jacob Behmen
With its strange whirls and eddies can compare:
Men with their heads reflect on this and that --
But women with their hearts on heaven knows what!

III
And yet a headlong, headstrong, downright she,
Young, beautiful, and daring -- who would risk
A throne, the world, the universe, to be
Beloved in her own way, and rather whisk
The stars from out the sky, than not be free
As are the billows when the breeze is brisk --
Though such a she's a devil (if that there be one),
Yet she would make full many a Manichean.

IV
Thrones, worlds, et cetera, are so oft upset
By commonest ambition, that when passion
O'erthrows the same, we readily forget,
Or at the least forgive, the loving rash one.
If Antony be well remember'd yet,
'T is not his conquests keep his name in fashion,
But Actium, lost for Cleopatra's eyes,
Outbalances all Caesar's victories.

V
He died at fifty for a queen of forty;
I wish their years had been fifteen and twenty,
For then wealth, kingdoms, worlds are but a sport -- I
Remember when, though I had no great plenty
Of worlds to lose, yet still, to pay my court, I
Gave what I had -- a heart: as the world went, I
Gave what was worth a world; for worlds could never
Restore me those pure feelings, gone forever.

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Tale XVI

THE CONFIDANT.

Anna was young and lovely--in her eye
The glance of beauty, in her cheek the dye:
Her shape was slender, and her features small,
But graceful, easy, unaffected all:
The liveliest tints her youthful face disclosed;
There beauty sparkled, and there health reposed;
For the pure blood that flush'd that rosy cheek
Spoke what the heart forbade the tongue to speak,
And told the feelings of that heart as well,
Nay, with more candour than the tongue could tell.
Though this fair lass had with the wealthy dwelt,
Yet like the damsel of the cot she felt;
And, at the distant hint or dark surmise,
The blood into the mantling cheek would rise.
Now Anna's station frequent terrors wrought,
In one whose looks were with such meaning fraught,
For on a Lady, as an humble friend,
It was her painful office to attend.
Her duties here were of the usual kind -
And some the body harass'd, some the mind:
Billets she wrote, and tender stories read,
To make the Lady sleepy in her bed;
She play'd at whist, but with inferior skill,
And heard the summons as a call to drill;
Music was ever pleasant till she play'd
At a request that no request convey'd;
The Lady's tales with anxious looks she heard,
For she must witness what her Friend averr'd;
The Lady's taste she must in all approve,
Hate whom she hated, whom she lov'd must love;
These, with the various duties of her place,
With care she studied, and perform'd with grace:
She veil'd her troubles in a mask of ease,
And show'd her pleasure was a power to please.
Such were the damsel's duties: she was poor -
Above a servant, but with service more:
Men on her face with careless freedom gaz'd,
Nor thought how painful was the glow they raised.
A wealthy few to gain her favour tried,
But not the favour of a grateful bride;
They spoke their purpose with an easy air,
That shamed and frighten'd the dependent fair;
Past time she view'd, the passing time to cheat,
But nothing found to make the present sweet:
With pensive soul she read life's future page,
And saw dependent, poor, repining age.
But who shall dare t'assert what years may

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Byron

Don Juan: Canto The Sixth

'There is a tide in the affairs of men
Which,--taken at the flood,'--you know the rest,
And most of us have found it now and then;
At least we think so, though but few have guess'd
The moment, till too late to come again.
But no doubt every thing is for the best-
Of which the surest sign is in the end:
When things are at the worst they sometimes mend.

There is a tide in the affairs of women
Which, taken at the flood, leads- God knows where:
Those navigators must be able seamen
Whose charts lay down its current to a hair;
Not all the reveries of Jacob Behmen
With its strange whirls and eddies can compare:
Men with their heads reflect on this and that-
But women with their hearts on heaven knows what!

And yet a headlong, headstrong, downright she,
Young, beautiful, and daring- who would risk
A throne, the world, the universe, to be
Beloved in her own way, and rather whisk
The stars from out the sky, than not be free
As are the billows when the breeze is brisk-
Though such a she 's a devil (if that there be one),
Yet she would make full many a Manichean.

Thrones, worlds, et cetera, are so oft upset
By commonest ambition, that when passion
O'erthrows the same, we readily forget,
Or at the least forgive, the loving rash one.
If Antony be well remember'd yet,
'T is not his conquests keep his name in fashion,
But Actium, lost for Cleopatra's eyes,
Outbalances all Caesar's victories.

He died at fifty for a queen of forty;
I wish their years had been fifteen and twenty,
For then wealth, kingdoms, worlds are but a sport- I
Remember when, though I had no great plenty
Of worlds to lose, yet still, to pay my court, I
Gave what I had- a heart: as the world went, I
Gave what was worth a world; for worlds could never
Restore me those pure feelings, gone forever.

'T was the boy's 'mite,' and, like the 'widow's,' may
Perhaps be weigh'd hereafter, if not now;
But whether such things do or do not weigh,
All who have loved, or love, will still allow
Life has nought like it. God is love, they say,

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When They Moan

When they moan...
They are much upset.
And beset in troubled homes.

When they moan...
Storm clouds have arrived.
And they can not hide,
Their groans.
When they moan!

Fed up by the rise of lies,
Told about but denied.
And there is no where to put aside their pride,
When they moan.
With a besetting that upsets them...
In their troubled homes.
And displeasures once unknown are shown.
As they gather to scatter chatter,
That droans.
When they moan.

In voices now condoned,
They moan.
With a groaning shown and known,
From their homes.
Leaving no one left alone,
When the moaning droans.

Aye curumba!
With a groaning shown and known,
From their homes.
Aye curumba!
Leaving no one left alone,
When the moaning droans.
Aye curumba!
In voices now condoned...
They moan.
Aye curumba!
With a groaning shown and known,
From their homes.
Aye curumba!
Leaving no one left alone,
When the moaning droans.
Aye curumba!
In voices now condoned...
They moan.
Aye curumba!
With a groaning shown and known,
When they moan!

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“The Sea Had Shown Me Mercy”

“The sea had shown me mercy”-
I confessed to the prosy desert island beach.
Beneath my proud feet a sea star felt like a leech

My pyretic body and tanned skin felt more marooned!
And my pushy prosaic imagination had been swooned.
“The sea had shown me mercy”-

to the provocative palm trees I repeatedly said.
My prurient love fancied my lover with a mermaid.
The sea had shown me mercy.

My fake puritanical heart hid into the puny sand dune caves.
My putrid mind hated the laughing children of the waves.
The sea had shown me mercy.

The sea had shown me mercy
before the sun burnt my fatal desire to feel
that the precious glimmering ocean waters were real.

Written on the 13th August,2011

©Munia Khan 2011

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Haley Joel Osment

It's important in selecting films that have that feeling behind them, there's a place for films that are just light and entertaining, but for me it's most important to find the films that will last.

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You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff.

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Jacqueline Bisset

I have an intense obsession with making films. I not only love to make films, I perhaps need to make films.

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But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.

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