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I may have many faults, but being wrong ain't one of them.

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U R Wrong

u were wrong... so wrong.. uh uh uh huh uh.
u were wrong dead wrong.. uh uh uh whoaaaaaaa
Girl U R said your wrong wrong said your wrong wrong
Girl U R said your wrong wrong said your wrong wrong
verse1: can i take you back to happy times..
oh oh oh uh oh
everyday was paradise.. dinner and candle lights
oh oh oh uh oh
i never thought you'd change i didn't expect no games
i wanted you to bare my child i wanted you to have my last name
now we was right we was wrong
i really don't care cuz i gotta move one
i'm gone be a man about it
the headache i can live without it
chorus: Girl (you act so shady) U (spend all of my paper R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( i don't codone it ) U ( and you can't erase it) R (one heck of a lady) said ur wrong wrong said your wrong wrong
Girl ( u tired to play) U (had a house and a baby) R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( u were wrong ) u( so wrong ) R (dead wrong said your wrong wrong wrong wrong wrong.
verse2: now i admit sometime i make mistakes..
oh oh oh mmmhmmmm
the responsibility of this household was your to take
"well"
i gave you the keys to the range.. broke you off a lil bit of change
ain't no need to explain.. your gonna miss a good thang
and when it's gone away i ain't got time to play
women you had a chance a chance to stay baby baby
chorus: Girl (you act so shady) U (spend all of my paper R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( i don't codone it ) U ( and you can't erase it) R (one heck of a lady) said ur wrong wrong said your wrong wrong
Girl ( u tired to play) U (had a house and a baby) R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( u were wrong ) u( so wrong ) R (dead wrong said your wrong wrong wrong wrong wrong.
i picked you up when you were down( when your luck ran out.. baby yes i did)
i took you in when theyput you out ( do you remember that cold monday morning?)
i treated you kids like they was mine( i ain't even they real damn daddynononnono )
when you were dim i made you shine( i was the diamond in your life baby)
chorus: Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
can i break it down fora mineut baby
tell you.. why your wrong
you were wrong staying out all night
coming in sloppy drunk baby
and you were wrong for letting your friend direct your mind
and you were wrong for running up my credit card
and you were wrong for everything you've done to me.
(chorus)
ain't no explination this time.

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Right The Wrong

An indian woman buried her grampa in the black hills
When she was young he used to tell her
That these hills belonged to her still
And even though injustice took them hills away
One day well get them back, he said
And the suns gonna shine that day
When we say, right the wrong
Before she laid him down to rest
She heard his voice in the wilderness
Sayin I got six feet of it back
And now we can right the wrong
Right the wrong
Hear the song
Before long u wont hear nothin but the crackle of flames
Right the wrong
Hear the song
Would u rather die knowing that u did or keep living in shame
Did you hear the one about the boy just 17
Three years hard time for stealing ice cream
First offence and all his dreams are gone
How long before they right the wrong?
Right the wrong
Hear the song
Before long u wont hear nothin but the crackle of flames
Right the wrong
Hear the song
Would u rather die knowing that u did or keep living in shame
Right the wrong
2, 3, uh
1, 2, 1-2, come on
(right the wrong baby)
Far be it from me to say
It seem like we could stop the flow of snow in the sky today
But I guess the weather man he likes the rain
Aint that insane
Now sing
Right the wrong
Hear the song
Before long u wont hear nothin but the crackle of flames
Right the wrong
Hear the song
Would u rather die knowing that u did or keep living in shame?
(come on, come on, come on)
Did you hear me baby?
Right the wrong
Im 6 feet in the grave
Im 6 feet in the grave
(right right, right right)
(right the wrong right the wrong)
(right the wrong right the wrong)

[...] Read more

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Its Wrong Apartheid

The wretchedness of satans wrath
Will come to seize you at last
cause even he frowns upon the deeds you are doing
And you know deep in your heart
Youve no covenant with god
cause he would never countenance people abusing
You know apartheids wrong (qha), wrong (qha)
Like slavery was wrong (qha), wrong (qha)
Like the holocaust was wrong (qha), wrong (qha)
Apartheid is wrong (qha), wrong (qha), wrong
Its wrong (qha), wrong (qha), wrong (qha), wrong (qha)
Wrong (qha), wrong (qha), wrong (qha), wrong (qha)
The pain you cause in gods name
Points only to yourself to blame
For the negative karma you will be receiving
cause when people are oppressed
With atrocities that test
The future of all mankind we, the world wont stand seeing
You know apartheids wrong (qha), wrong (qha)
Like slavery was wrong (qha), wrong (qha)
Like the holocaust was wrong (qha), wrong (qha)
Apartheid is wrong (qha), its wrong (qha), wrong
Its wrong (qha), its wrong (qha), wrong (qha), wrong (qha)
Wrong (qha), wrong (qha), wrong (qha), wrong (qha)
Ubuqaba babo bucacile
Woqamba kuze kucace
Ngoba nosathane uyabugxeka
Lobuqaba
Oh, freedom is coming
(inkululeko iyeza)
Say it again
(inkululeko iyeza)
Hold on tight, its coming
(qinisani inkululeko iyeza)
(inkululeko iyeza)
Oh, the whole world is with us
(qinisani umhlaba wonke unathi)
Say it again
(umhlaba wonke unathi)
Hold on tight, cause were with you
(qinisani umhlaba wonke unathi)
(umhlaba wonke unathi)
Oh, oh, oh, freedom is coming, yeah, yeah, yeah,
(qinisani inkululeko iyeza)
(inkululeko iyeza)
Hold on tight, yeah
(qinisani inkululeko iyeza)
Freedom is coming
(inkululeko iyeza)
Hold on tight

[...] Read more

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There Is Something Really Wrong About That

There's something really wrong about that!
Those facts you ration.
There is something really wrong about that!
They're not based in truth of action.
Something really wrong about that!
Those facts you ration.
Absent is the truth of action.
Nothing is said about that.

There is something really wrong about that!
Those facts you ration.
There's something really wrong about that!
They're not based in truth of action.
Something really wrong about that!
Those facts you ration.
Absent is the truth of action.
Nothing is said about that.

Truth has been manipulated.
Something is wrong about that!

And people now themselves they hate.
Something is wrong about that!

Racism is the indicator.
Something is wrong about that!

And how one lives is too debated.
Something is wrong about that!

There is something really wrong about that!
Those facts you ration.
There's something really wrong about that!
They're not based in truth of action.
Something really wrong about that!
Those facts you ration.
Absent is the truth of action.
Nothing is said about that.

We've all been underestimated.
Something is wrong about that!
The thoughts of people are degraded.
Something is wrong about that!
Deceivers seem too much elated.
Something is wrong about that!
And truth for us has been created...
With an ease that's made..

Oh there's something really wrong about that!
Those facts you ration.

[...] Read more

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All You Ever Needed

( you got me wrong, completely wrong
You got me wrong, completely wrong )
I hope youre happy where you are
Youve been heading there for some time
Itsnot like you to complain
But then its not like you imagined
Life has changed but you shouldnt do
Ill remain the same around you
Dont be blind, look where youre coming from
Its all you ever needed
( you got me wrong, completely wrong )
You ll find fault with me warning you
Advice you should have heeded
( you got me wrong, completely wrong )
( you got me wrong, completely wrong completely wrong )
Over time you can find a way
Stop looking out for some sign
Theres a place now where you belong
Just to make it right in your mind
Im just trying to make you see
Youre the only one you have to be
Dont be blind, look where youre coming from
Its all you ever needed
( you got me wrong, completely wrong )
You ll find fault with me warning you
Advice you should have heeded
( you got me wrong, completely wrong )
( you got me wrong, completely wrong completely wrong )
Life has changed but you shouldnt do
Ill remain the same around you
( you got me wrong, completely wrong completely wrong )
You ll find fault with me warning you
Advice you should have heeded
( you got me wrong, completely wrong )
Dont be blind, look where youre coming from
Its all you ever needed
( you got me wrong, completely wrong )
You ll find fault with me warning you
Advice you should have heeded
( you got me wrong, completely wrong )
( you got me wrong, completely wrong )
( you got me wrong, completely wrong ) ...

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Alexander Pope

An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.


'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

[...] Read more

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

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You Know Where You Went Wrong

(tennant/lowe)
---------------
Two men on the street
Drinking something cheap
No home, no family
Its cold, nowhere to sleep
Passers-by never catch their eye
Anywhere, one man drinks, the other swears
You know where you went wrong
You know where you went wrong
(aaaah) you know
You know where you went wrong
You know where you went wrong
(aaaah) you know
The old man cant understand
No one will shake his hand
I gave security, bombs and colour tv
It cost a few lives
Someones son always dies
No one shakes his hand
He dont understand
You know where you went wrong
You know where you went wrong
(aaaah) you know
You know where you went wrong
You know where you went wrong
(aaaah) you know
This is the history of the world
Of every boy and every girl
Who dont understand whats going on anymore
The history of the world
Of every boy and every girl
Who dont understand whats going on anymore
(whats going on? )
Two girls have a photograph
One looks, the other laughs
He could have been mine
Why did I change my mind?
Then hands on hips
The other girl says: admit! admit!
You know where you went wrong
You know where you went wrong
(aaaah) you know
You know where you went wrong
You know where you went wrong
(aaaah) you know
This is the history of the world (of the world)
Of every boy and every girl
Who dont (who dont) understand (understand)
Whats going on anymore (whats going on? )

[...] Read more

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What Do You Need?

What do you need from me tonight?
I feel you look right through me now
I cant pretend its all right
Maybe well find a way somehow
Why do we need to turn it on?
Why does it always feel so wrong?
[chorus]
What do you need from me tonight?
The truth is so complicated now
You feel so free to say
Youre wrong, youre wrong
Youre wrong, youre wrong
Fear makes you fragile darlin
Hate is so heavy when youre weak
Now were both lost in anger
When were alone well find some peace
Why do we need to turn it on?
Why does it always seem so wrong?
What do you need from me tonight?
The truth is so complicated now
You feel so free to say
Youre wrong, youre wrong
Youre wrong, youre wrong
Youre wrong, youre wrong
Youre wrong, youre wrong
Why do we need to turn it on?
Why does it always seem so wrong?
[chorus]
[chorus]
Youre wrong, youre wrong
Youre wrong, youre wrong
Youre wrong, youre wrong
Youre wrong, youre wrong
Youre wrong, youre wrong
Why do we need to turn it on?
Why does it always seem so wrong?

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Frankie and Johnnie

Frankie and Johnnie were lovers,
O, my Gawd, how they could love,
They swore to be true to each other,
As true as the stars above;
He was her man, but he done her wrong.

Frankie was a good woman,
As everybody knows,
Gave her man a hundred dollars,
To get him a suit of clothes;
He was her man, but he done her wrong.

Frankie and Johnnie went walking,
Johnnie in his bran' new suit,
"Oh, my Gawd," said Frankie,
"But don't my Johnnie look cute?"
He was her man, but he done her wrong.

Frankie went down to Memphis,
Went on the morning train,
Paid a hundred dollars,
Got Johnnie a watch and chain;
He was her man, but he done her wrong.

Frankie lived in a crib-house,
Crib-house with only two doors,
Gave her money to Johnnie,
He spent it on those parlour whores;
He was her man, but he done her wrong.

Frankie went down to the corner,
Went for a bucket of beer,
She said, "Oh, Mr. Bar-tender,
Has my loving Johnnie been here?
He is my man, and he's done me wrong."

"I won't make you no trouble,
I won't tell you no lie,
But I saw Johnnie an hour ago
With a girl named Nellie Bly;
He is your man, and he's doing you wrong."

Frankie went to the hock-shop,
Bought her a big forty-four,
Aimed that gun at the ceiling,
Shot a big hole in the floor;
"Now where's my man that's doing me wrong?"

Frankie went down to the hook-shop,
Looked in at a window so high,

[...] Read more

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Frankie and Johnnie

Frankie and Johnnie were lovers,
O, my Gawd, how they could love,
They swore to be true to each other,
As true as the stars above;
He was her man, but he done her wrong.

Frankie was a good woman,
As everybody knows,
Gave her man a hundred dollars,
To get him a suit of clothes;
He was her man, but he done her wrong.

Frankie and Johnnie went walking,
Johnnie in his bran' new suit,
"Oh, my Gawd," said Frankie,
"But don't my Johnnie look cute?"
He was her man, but he done her wrong.

Frankie went down to Memphis,
Went on the morning train,
Paid a hundred dollars,
Got Johnnie a watch and chain;
He was her man, but he done her wrong.

Frankie lived in a crib-house,
Crib-house with only two doors,
Gave her money to Johnnie,
He spent it on those parlour whores;
He was her man, but he done her wrong.

Frankie went down to the corner,
Went for a bucket of beer,
She said, "Oh, Mr. Bar-tender,
Has my loving Johnnie been here?
He is my man, and he's done me wrong."

"I won't make you no trouble,
I won't tell you no lie,
But I saw Johnnie an hour ago
With a girl named Nellie Bly;
He is your man, and he's doing you wrong."

Frankie went to the hock-shop,
Bought her a big forty-four,
Aimed that gun at the ceiling,
Shot a big hole in the floor;
"Now where's my man that's doing me wrong?"

Frankie went down to the hook-shop,
Looked in at a window so high,

[...] Read more

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No, it is Not your Fault.

Poem Title: No, It is not your Fault. Acrostic Poem 153

No, it is not your fault!
Oh how many times must I say this, it is not your fault.

It is not your fault, from now on I want you to believe it, it is not your fault.
Try always and forever from this time on to master the fact that it is not your fault.

It is not your fault, Nobody is to blame, no thing, no way, no how, it is not your fault.
Since childhood have you not continually taken the blame upon yourself, It was not your fault.

Never wishing to cast doubt upon what a wonderful person you are, It is not your fault.
Out side of the love of friends and family are you seen as just a number, No, it's not your fault.
They may never get close enough to see the light you radiate, No, it is not your fault

Yesterday, troubles, debt, sorrow, disappointment, failure dogged your step, It was not your fault.
Over years, with hindsight your advantage, do you now see the illuminated sign on every corner?
Understanding dawns at last, Understanding all and everything gone before, was not your fault.
Redemption now at hand, you are at the gateway all your skills intact, you are loved with all faults.

Faults have given you a tool bag filled with wisdom, mistakes having been made rectified always.
All ways, All roads, All pathways trod, All modes explored, All embarrassments suffered, never at fault
Unless you count on all you meet as being with all faults, help them then aboard faults and all.
Light their hearts with your love and forgiveness despite the faults, will erase the faults you own.
That fault you thought you had was just my way of Guiding Angels through the maze Alone.

Written in the Now gifted to The 1000th Man with grateful thanks 8th September 2009

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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This Aint A Love Song

I should have seen it coming when roses died
Should have seen the end of summer in your eyes
I should have listened when you said good night
You really meant good bye
Baby, aint it funny, how you never ever learn to fall
Youre really on your knees, when you think youre standing tall
But only fools are know-it-alls and I played that fool for you
I cried and I cried
There were nights that died for you baby
I tried and I tried to deny that your love drove me crazy, baby
If the love that I got for you is gone
If the river I cried aint that long
Then Im wrong, yeah Im wrong, this aint a love song
Baby, I thought you and me would stand the test of time
Like we got away with the perfect crime but
We were just a legend in my mind
I guess that I was blind
Remember those nights dancing at the masquerade
The clowns wore smiles that wouldnt fade
You and I were the renegades, some things never change
It made me so mad cause I wanted it bad for us baby
Now its so sad that whatever we had, aint worth saving
If the love that I got for you is gone
If the river Ive cried aint that long
Then Im wrong, yes Im wrong, this aint a love song
If the pain that Im feeling so strong
Is the reason that Im holding on
Then Im wrong, yeah Im wrong - this aint a love song
I cried and I cried
There were nights that I died for you baby
I tried and I tried to deny that your love drove me crazy
If the love that I got for you is gone
If the river I cried aint that long
Then Im wrong, yeah Im wrong - this aint no love song
If the pain that Im feeling so strong
Is the reason that Im holding on
Then Im wrong, yeah Im wrong - this aint a love song
If the pain that Im feeling so strong
Is the reason that Im holding on
Then Im wrong, yeah Im wrong - this aint a love song
Yes, Im wrong, yeah, Im wrong - this aint a love song
Yes, Im wrong, yeah, Im wrong - this aint a love song
Yes, Im wrong, yeah, Im wrong - this aint a love song

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Never Give Up

There are things in life
Can't be talked about
They only can be lived
They just keep passing by
Infront of our eyes
The stories of our lives
Makes us what we are
Every ones past includes its future within
What we have planted at past we harvest its seeds
Sometimes unconscious of our faults we take wrong steps unknown
Sometimes the life seems to us like a purple colored cartoon story books
Where the legends are always the winner heroes when the story ends
At the end of the book with proud smile upon face we turn the page down
Ah but they stay and live there inside us The colorful stories legendary character's which always and always are the heroes of every story anyways
And we figure them out there in our minds the ideal ones
As we grow up picturing out the ideal life as we had pictured it out in our minds that we used to dream about
We color the life as we want it to be forgetting about realities
There misery comes out with smiling faces covered with ugliness of the simplicity we fall in faults unaware
But somehow at the near future we harvest the weeds of our deeds disappointment slaps us there
Sometimes we understand it and sometimes don't,
Sometimes we forget and we reach out for God to blame
Some of us have special abilities to find a victim to hung on them the blame of their regrets
Forgetting that everyone is the only responsible of every decision that he takes
But the life is going on never stand there behind a regret like a grave
The grave of your faults and regrets they will never be changed
As the one who's dead under the grave which no tear would make him rise up of the grave
So are our faults and regrets never-ending circular that repeats running around itself
Just stand up and never blame anyone including yourself
Faults we do gives us the strength and the ability to discover the secrets of the life
And with the time we graduate from the greatest school in the world that's called school of the life.

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Think Again

Better call and collect
Treat me with respect
If you think our love is pedigree
Push a button... disconnect
Dial again... redirect
Youre wrong... you know it isnt me
Totally misguided
Babe youre misadvised
Dont even try to fight it
Youre promises are lies
Did you think our love was sacred
Well its much too over-rated
Think again... youre wrong
And our loves a precious memory
Better look what heaven sent me
Think again youre wrong
Dont need a horoscope
Dont need a telescope
To see the way you cheat on me
Think Id give up hope
Hanging by a rope
If I thought youd never set me free
Totally misguided
Think our love is strong
Think Id get excited?
I think youd got it wrong
Did you think our love was sacred
Well its much too over-rated
Think again... youre wrong
And our loves a precious memory
Better look what heaven sent me
Think again youre wrong
Ill admit to being confused
And Im used to being used
Think again... youre wrong
So wrong... so wrong... so wrong
Think again... think again... think!
Think again...think!
Think again... think!
Love to believe you - love you and leave
Youre wrong... so wrong
Hate to deceive you - love you then leave
Youre wrong... so wrong
No secret sneak preview - dont need to see
Youre wrong... so so wrong

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Conference of the Birds

'Attar began The Conference of the Birds (Mantiq al-tair) with an invocation praising the holy Creator in which he suggested that one must live a hundred lives to know oneself; but you must know God by the deity, not by yourself, for God opens the way, not human wisdom. 'Attar believed that God is beyond all human knowledge. The soul will manifest itself when the body is laid aside. One cannot gain spiritual knowledge without dying to all things. When the birds assemble, they wonder why they have no king. The Hoopoe presents herself as a messenger from the invisible world with knowledge of God and the secrets of creation. She recommends Simurgh as their true king, saying that one of his feathers fell on China.

The Nightingale says that the love of the Rose satisfies him, and the journey is beyond his strength; but the Hoopoe warns against being a slave of passing love that interferes with seeking self-perfection. The Parrot longs for immortality, and the Hoopoe encourages the Peacock to choose the whole. The Duck is too content with water to seek the Simurgh. The Hoopoe advises the Partridge that gems are just colored stones and that love of them hardens the heart; she should seek the real jewel of sound quality. The Humay is distracted by ambition, and the Owl loves only the treasure he has found. The Hoopoe reprimands the Sparrow for taking pride in humility and recommends struggling bravely with oneself. She states that the different birds are just shadows of the Simurgh. If they succeed, they will not be God; but they will be immersed in God. If they look in their hearts, they will see the divine image. All appearances are just the shadow of the Simurgh. Those loving truly do not think about their own lives and sacrifice their desires. Those grounded in love renounce faith and religion as well as unbelief. One must hear with the ear of the mind and the heart.

A total of 22 birds speak to the Hoopoe or ask questions about the journey. Short anecdotes are told to illustrate the Hoopoe's points. The Hoopoe says that it is better to lose your life than to languish miserably. The Hoopoe says,

So long as we do not die to ourselves,
and so long as we identify with someone or something,
we shall never be free.
The spiritual way is not for those wrapped up in exterior life.5

You will enjoy happiness if you succeed in withdrawing from attachment to the world. Whoever is merciful even to the merciless is favored by the compassionate. It is better to agree to differ than to quarrel. The Hoopoe warns the sixth bird against the dog of desire that runs ahead. Each vain desire becomes a demon, and yielding to each one begets a hundred others. The world is a prison under the devil, and one should have no truck with its master. The Hoopoe also says that if you let no one benefit from your gold, you will not profit either; but by the smallest gift to the poor you both benefit. She says,

Good fortune will come to you only as you give.
If you cannot renounce life completely,
you can at least free yourself
from the love of riches and honors.6

A pupil becomes afraid in facing a choice between two roads, but a shaikh advises getting rid of fear so that either road will be good. The Hoopoe tells the eighth bird that only if death ceases to exercise power over creatures would it be wise to remain content in a golden palace. The ninth bird is told that sensual love is a game inspired by passing beauty that is fleeting. The Hoopoe asks what is uglier than a body made of flesh and bones. It is better to seek the hidden beauty of the invisible world. An anecdote about Jesus yields the following lesson:

Strive to discover the mystery before life is taken from you.
If while living you fail to find yourself, to know yourself,
how will you be able to understand
the secret of your existence when you die?7

The Hoopoe advises the eleventh bird that giving yourself over to pride or self-pity will disturb you. Since the world passes, pass it by, for whoever becomes identified with transient things has no part in the lasting things. The suffering endured is made glorious and is a treasure for the seer, for blessings will come if you make efforts on the path. The fifteenth bird is told that justice is salvation, and the just are saved from errors. Being just is better than a life of worship. Justice exercised in secret is even better than liberality; but justice professed openly may lead to hypocrisy. A story of two drunks teaches that we see faults because we do not love. When we understand real love, the faults of those near us appear as good qualities. When you see the ugliness of your own faults, you will not bother so much with the faults of others.

The journey of the birds takes them through the seven valleys of the quest, love, understanding, independence and detachment, unity, astonishment, and finally poverty and nothingness. In the valley of the quest one undergoes a hundred difficulties and trials. After one has been tested and become free, one learns in the valley of love that love has nothing to do with reason. The valley of understanding teaches that knowledge is temporary, but understanding endures. Overcoming faults and weaknesses brings the seeker closer to the goal. In the valley of independence and detachment one has no desire to possess nor any wish to discover. To cross this difficult valley one must be roused from apathy to renounce inner and outer attachments so that one can become self-sufficient. In the valley of unity the Hoopoe announces that although you may see many beings, in reality there is only one, which is complete in its unity. As long as you are separate, good and evil will arise; but when you lose yourself in the divine essence, they will be transcended by love. When unity is achieved, one forgets all and forgets oneself in the valley of astonishment and bewilderment.

The Hoopoe declares that the last valley of deprivation and death is almost impossible to describe. In the immensity of the divine ocean the pattern of the present world and the future world dissolves. As you realize that the individual self does not really exist, the drop becomes part of the great ocean forever in peace. The analogy of moths seeking the flame is used. Out of thousands of birds only thirty reach the end of the journey. When the light of lights is manifested and they are in peace, they become aware that the Simurgh is them. They begin a new life in the Simurgh and contemplate the inner world. Simurgh, it turns out, means thirty birds; but if forty or fifty had arrived, it would be the same. By annihilating themselves gloriously in the Simurgh they find themselves in joy, learn the secrets, and receive immortality. So long as you do not realize your nothingness and do not renounce your self-pride, vanity, and self-love, you will not reach the heights of immortality. 'Attar concluded the epilog with the admonition that if you wish to find the ocean of your soul, then die to all your old life and then keep silent.

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The Remedy of Love

When Cupid read this title, straight he said,
'Wars, I perceive, against me will be made.'
But spare, oh Love! to tax thy poet so,
Who oft bath borne thy ensign 'gainst thy foe;
I am not he by whom thy mother bled,
When she to heaven on Mars his horses fled.
I oft, like other youths, thy flame did prove,
And if thou ask, what I do still? I love.
Nay, I have taught by art to keep Love's course,
And made that reason which before was force.
I seek not to betray thee, pretty boy,
Nor what I once have written to destroy.
If any love, and find his mistress kind,
Let him go on, and sail with his own wind;
But he that by his love is discontented,
To save his life my verses were invented.
Why should a lover kill himself? or why
Should any, with his own grief wounded, die?
Thou art a boy, to play becomes thee still,
Thy reign is soft; play then, and do not kill;
Or if thou'lt needs be vexing, then do this,
Make lovers meet by stealth, and steal a kiss
Make them to fear lest any overwatch them,
And tremble when they think some come to catch them;
And with those tears that lovers shed all night,
Be thou content, but do not kill outright.—
Love heard, and up his silver wings did heave,
And said, 'Write on; I freely give thee leave.'
Come then, all ye despised, that love endure,
I, that have felt the wounds, your love will cure;
But come at first, for if you make delay,
Your sickness will grow mortal by your stay:
The tree, which by delay is grown so big,
In the beginning was a tender twig;
That which at first was but a span in length,
Will, by delay, be rooted past men's strength.
Resist beginnings, medicines bring no curing
Where sickness is grown strong by long enduring.
When first thou seest a lass that likes thine eye,
Bend all thy present powers to descry
Whether her eye or carriage first would shew
If she be fit for love's delights or no:
Some will be easy, such an one elect;
But she that bears too grave and stern aspect,
Take heed of her, and make her not thy jewel,
Either she cannot love, or will be cruel.
If love assail thee there, betime take heed,
Those wounds are dangerous that inward bleed;
He that to-day cannot shake off love's sorrow,
Will certainly be more unapt to-morrow.

[...] Read more

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

[...] Read more

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Wrong All Along

Been wrong all along
I've been wrong all along
You never hit me more than lightenin'
I can't understand it myself
I guess I was wrong
Now that you're gone
I have to get it on with somebody else
I've been wrong all along
I've been wrong all along
Like a death at the party's alright?
It's hard to survive on a Saturday night
I've been wrong all along
I've been wrong all along
So you're feelin' alright now
I'm not feelin' too good
You put me on ice
You better think twice
Takin' it out on a Saturday night
I've been wrong all along
I've been wrong all along
Like a death at the party's alright?
You ruin my fun on a Saturday night
I've been wrong all along
I've been wrong all along
Bridge
Heaven's fallin'
I keep callin'
You keep stallin'
You're more than lucky if you get out alive
Solo
I've been wrong all along
I've been wrong all along
Like a death at the party's alright?
It's hard to survive on a Saturday night
I've been wrong all along
I've been wrong all along
Well it's Saturday night
It's hard to survive
I'm gettin' it on with my baby tonight
It's hard to tell
It's all in your mind
Seems to be all my life it's really gone to hell

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