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They declaim against the passions without bothering to think that it is from their flame philosophy lights its torch.

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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Carrying A Torch

Im carryin a torch for you
Im carryin a torch
You know how much it costs
To keep carryin a torch
Flame of love it burns so bright
That is my desire
Keep on liftin me, liftin me up
Higher and higher
Youre the keeper of the flame
And you burn so bright
Baby why dont we re-connect
Move into the light
Ive been going to and fro on this
And Im still carryin a torch
You must know how much its worth
When Im carryin a torch (alright)
Baby youre the keeper of the flame
And you burn so bright
Why, why, why, why, why, why dont we re-connect
And move on further, into the light
Ive been calling you on the phone
'cause Im carryin a torch (yeah)
I can do it all on my own
'cause Im carryin a torch
Im carryin a torch for you, baby
Im carryin a torch
You know how much its worth
Because Im carryin a torch (one more)
Im carryin a torch for you, baby
Im carryin a torch
You know how much its worth
Because Im carryin a torch.

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The Flame

I'll never be far from home
Talkin' on the telephone
You told me it's over, you made up your mind,
I'm part of the life that you're leaving behind
I'm left holding the torch
And the heat from the flame,
Only ease me a pain
Don't you know how much it hurts,
You took all i had and you threw it away
I'm left holding the flame, yes i am
Holding the flame once again
I'm left holding the flame, yes i am
Holding the flame once again
Nomatter what you say, it hurts
You didn't had to make it worse
It wouldn't be better as you told me yourself,
Instead that you left to somebody else
Maybe i could understand
You'd been staying with another man
Day isn't long and nights can be lonely
I wasn't there and you needed to hold me
I'm left holding the torch
And the heat from the flame,
Only ease me a pain
Don't you know how much it hurts,
You took all i had and you threw it away
I'm left holding the flame, yes i am
Holding the flame once again
I'm left holding the flame, yes i am
Holding the flame once again
I'll never be far from home
Talkin' on the telephone
You told me it's over, you made up your mind.
I'm part of the life that you're leaving behind.
I'm left holding the torch
And the heat from the flame,
Only ease me a pain
Don't you know how much it hurts,
You took all i had and you threw it away
I'm left holding the flame, yes i am
Holding the flame once again
I'm left holding the flame, yes i am
Holding the flame once again
I'm left holding the flame, yes i am
Holding the flame once again
I'm left holding the flame, yes i am
Holding the flame once again
I'm left holding the flame, yes i am

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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The Farewell

_P_. Farewell to Europe, and at once farewell
To all the follies which in Europe dwell;
To Eastern India now, a richer clime,
Richer, alas! in everything but rhyme,
The Muses steer their course; and, fond of change,
At large, in other worlds, desire to range;
Resolved, at least, since they the fool must play,
To do it in a different place, and way.
_F_. What whim is this, what error of the brain,
What madness worse than in the dog-star's reign?
Why into foreign countries would you roam,
Are there not knaves and fools enough at home?
If satire be thy object--and thy lays
As yet have shown no talents fit for praise--
If satire be thy object, search all round,
Nor to thy purpose can one spot be found
Like England, where, to rampant vigour grown,
Vice chokes up every virtue; where, self-sown,
The seeds of folly shoot forth rank and bold,
And every seed brings forth a hundredfold.
_P_. No more of this--though Truth, (the more our shame,
The more our guilt) though Truth perhaps may claim,
And justify her part in this, yet here,
For the first time, e'en Truth offends my ear;
Declaim from morn to night, from night to morn,
Take up the theme anew, when day's new-born,
I hear, and hate--be England what she will,
With all her faults, she is my country still.
_F_. Thy country! and what then? Is that mere word
Against the voice of Reason to be heard?
Are prejudices, deep imbibed in youth,
To counteract, and make thee hate the truth?
'Tis sure the symptom of a narrow soul
To draw its grand attachment from the whole,
And take up with a part; men, not confined
Within such paltry limits, men design'd
Their nature to exalt, where'er they go,
Wherever waves can roll, and winds can blow,
Where'er the blessed sun, placed in the sky
To watch this subject world, can dart his eye,
Are still the same, and, prejudice outgrown,
Consider every country as their own;
At one grand view they take in Nature's plan,
Not more at home in England than Japan.
_P_. My good, grave Sir of Theory, whose wit,
Grasping at shadows, ne'er caught substance yet,
'Tis mighty easy o'er a glass of wine
On vain refinements vainly to refine,
To laugh at poverty in plenty's reign,
To boast of apathy when out of pain,

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An Essay On The Different Stiles Of Poetry

To Henry, Lord Viscount Bolingbroke.


I hate the Vulgar with untuneful Mind,
Hearts uninspir'd, and Senses unrefin'd.
Hence ye Prophane, I raise the sounding String,
And Bolingbroke descends to hear me sing.

When Greece cou'd Truth in Mystick Fable shroud,
And with Delight instruct the list'ning Crowd,
An ancient Poet (Time has lost his Name)
Deliver'd Strains on Verse to future Fame.
Still as he sung he touch'd the trembling Lyre,
And felt the Notes a rising Warmth inspire.
Ye sweet'ning Graces in the Musick Throng,
Assist my Genius, and retrieve the Song
From dark Oblivion. See, my Genius goes
To call it forth. 'Twas thus the Poem rose.

Wit is the Muses Horse, and bears on high
The daring Rider to the Muses Sky:
Who, while his strength to mount aloft he tries,
By Regions varying in their Nature, flies.

At first he riseth o'er a Land of Toil,
A barren, hard, and undeserving Soil,
Where only Weeds from heavy Labour grow,
Which yet the Nation prune, and keep for show.
Where Couplets jingling on their Accent run,
Whose point of Epigram is sunk to Pun.
Where Wings by Fancy never feather'd fly,
Where Lines by measure form'd in Hatchets lie;
Where Altars stand, erected Porches gape,
And Sense is cramp'd while Words are par'd to shape;
Where mean Acrosticks labour'd in a Frame,
On scatter'd Letters raise a painful Scheme;
And by Confinement in their Work controul
The great Enlargings of the boundless Soul.
Where if a Warriour's elevated Fire
Wou'd all the brightest Strokes of Verse require,
Then streight in Anagram a wretched Crew
Will pay their undeserving Praises too;
While on the rack his poor disjointed Name
Must tell its Master's Character to Fame.
And (if my Fire and Fears aright presage)
The lab'ring Writers of a future Age
Shall clear new ground, and Grotts and Caves repair,
To civilize the babbling Ecchoes there.
Then while a Lover treads a lonely Walk,
His Voice shall with its own Reflection talk,

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George Chapman

Hero And Leander. The Sixth Sestiad

No longer could the Day nor Destinies
Delay the Night, who now did frowning rise
Into her throne; and at her humorous breasts
Visions and Dreams lay sucking: all men's rests
Fell like the mists of death upon their eyes,
Day's too-long darts so kill'd their faculties.
The Winds yet, like the flowers, to cease began;
For bright Leucote, Venus' whitest swan,
That held sweet Hero dear, spread her fair wings,
Like to a field of snow, and message brings
From Venus to the Fates, t'entreat them lay
Their charge upon the Winds their rage to stay,
That the stern battle of the seas might cease,
And guard Leander to his love in peace.
The Fates consent;--ay me, dissembling Fates!
They showed their favours to conceal their hates,
And draw Leander on, lest seas too high
Should stay his too obsequious destiny:
Who like a fleering slavish parasite,
In warping profit or a traitorous sleight,
Hoops round his rotten body with devotes,
And pricks his descant face full of false notes;
Praising with open throat, and oaths as foul
As his false heart, the beauty of an owl;
Kissing his skipping hand with charmed skips,
That cannot leave, but leaps upon his lips
Like a cock-sparrow, or a shameless quean
Sharp at a red-lipp'd youth, and naught doth mean
Of all his antic shows, but doth repair
More tender fawns, and takes a scatter'd hair
From his tame subject's shoulder; whips and calls
For everything he lacks; creeps 'gainst the walls
With backward humbless, to give needless way:
Thus his false fate did with Leander play.
First to black Eurus flies the white Leucote
(Born 'mongst the negroes in the Levant sea,
On whose curl'd heads the glowing sun doth rise),
And shows the sovereign will of Destinies,
To have him cease his blasts; and down he lies.
Next, to the fenny Notus course she holds,
And found him leaning, with his arms in folds,
Upon a rock, his white hair full of showers;
And him she chargeth by the fatal powers,
To hold in his wet cheeks his cloudy voice.
To Zephyr then that doth in flowers rejoice:
To snake-foot Boreas next she did remove,
And found him tossing of his ravished love,
To heat his frosty bosom hid in snow;
Who with Leucote's sight did cease to blow.
Thus all were still to Hero's heart's desire;

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Written In Aid Of The Leicester Lunatic Asylum.

Light ye the torch,--
The torch that hath expired;
The light with which was fired
Chamber and hall and porch:
But now the house is dark,
Its inmates rove in vain,
There shines but a bewildering spark:
Light ye the torch again!

Light ye the torch,--
It was a sacred flame,
From God in heaven it came:
All nature ye may search
To find a fire so bright,
And ye shall search in vain:
But quenched is all its glorious light:--
Light ye the torch again!

Light ye the torch,--
The ruthless winds have blown
Its tresses up and down,
Till it did scare and scorch,
Not bless: but one fell blast
Swept howling o'er the plain,
And left all darkness as it past;--
Light ye the torch again!

Light ye the torch,--
And ye shall blessed be:
Till many a bended knee
In chamber and in church
Shall serve ye: merciful,
Mercy ye shall obtain:
Your cup of glory shall be full:--
Light ye the torch again!

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Poetry: A Metrical Essay, Read Before the Phi Beta Kappa Society, Harvard

To Charles Wentworth Upham, the Following Metrical Essay is Affectionately Inscribed.


Scenes of my youth! awake its slumbering fire!
Ye winds of Memory, sweep the silent lyre!
Ray of the past, if yet thou canst appear,
Break through the clouds of Fancy’s waning year;
Chase from her breast the thin autumnal snow,
If leaf or blossom still is fresh below!

Long have I wandered; the returning tide
Brought back an exile to his cradle’s side;
And as my bark her time-worn flag unrolled,
To greet the land-breeze with its faded fold,
So, in remembrance of my boyhood’s time,
I lift these ensigns of neglected rhyme;
Oh, more than blest, that, all my wanderings through,
My anchor falls where first my pennons flew!
-----------------
The morning light, which rains its quivering beams
Wide o’er the plains, the summits, and the streams,
In one broad blaze expands its golden glow
On all that answers to its glance below;
Yet, changed on earth, each far reflected ray
Braids with fresh hues the shining brow of day;
Now, clothed in blushes by the painted flowers,
Tracks on their cheeks the rosy-fingered hours;
Now, lost in shades, whose dark entangled leaves
Drip at the noontide from their pendent eaves,
Fades into gloom, or gleams in light again
From every dew-drop on the jewelled plain.

We, like the leaf, the summit, or the wave,
Reflect the light our common nature gave,
But every sunbeam, falling from her throne,
Wears on our hearts some coloring of our own
Chilled in the slave, and burning in the free,
Like the sealed cavern by the sparkling sea;
Lost, like the lightning in the sullen clod,
Or shedding radiance, like the smiles of God;
Pure, pale in Virtue, as the star above,
Or quivering roseate on the leaves of Love;
Glaring like noontide, where it glows upon
Ambition’s sands,—­the desert in the sun,—­
Or soft suffusing o’er the varied scene
Life’s common coloring,—­intellectual green.

Thus Heaven, repeating its material plan,
Arched over all the rainbow mind of man;
But he who, blind to universal laws,

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The Ghetto

I

Cool, inaccessible air
Is floating in velvety blackness shot with steel-blue lights,
But no breath stirs the heat
Leaning its ponderous bulk upon the Ghetto
And most on Hester street…

The heat…
Nosing in the body's overflow,
Like a beast pressing its great steaming belly close,
Covering all avenues of air…

The heat in Hester street,
Heaped like a dray
With the garbage of the world.

Bodies dangle from the fire escapes
Or sprawl over the stoops…
Upturned faces glimmer pallidly -
Herring-yellow faces, spotted as with a mold,
And moist faces of girls
Like dank white lilies,
And infants' faces with open parched mouths that suck at the air
as at empty teats.

Young women pass in groups,
Converging to the forums and meeting halls,
Surging indomitable, slow
Through the gross underbrush of heat.
Their heads are uncovered to the stars,
And they call to the young men and to one another
With a free camaraderie.
Only their eyes are ancient and alone…

The street crawls undulant,
Like a river addled
With its hot tide of flesh
That ever thickens.
Heavy surges of flesh
Break over the pavements,
Clavering like a surf -
Flesh of this abiding
Brood of those ancient mothers who saw the dawn break over Egypt…
And turned their cakes upon the dry hot stones
And went on
Till the gold of the Egyptians fell down off their arms…
Fasting and athirst…
And yet on…

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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.


FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.


I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.


I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!


IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.


RAGING FIRE

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Alexander Pope

An Essay on Man: Epistle II

I.
Know then thyself, presume not God to scan;
The proper study of mankind is man.
Plac'd on this isthmus of a middle state,
A being darkly wise, and rudely great:
With too much knowledge for the sceptic side,
With too much weakness for the stoic's pride,
He hangs between; in doubt to act, or rest;
In doubt to deem himself a god, or beast;
In doubt his mind or body to prefer;
Born but to die, and reas'ning but to err;
Alike in ignorance, his reason such,
Whether he thinks too little, or too much:
Chaos of thought and passion, all confus'd;
Still by himself abus'd, or disabus'd;
Created half to rise, and half to fall;
Great lord of all things, yet a prey to all;
Sole judge of truth, in endless error hurl'd:
The glory, jest, and riddle of the world!

Go, wondrous creature! mount where science guides,
Go, measure earth, weigh air, and state the tides;
Instruct the planets in what orbs to run,
Correct old time, and regulate the sun;
Go, soar with Plato to th' empyreal sphere,
To the first good, first perfect, and first fair;
Or tread the mazy round his follow'rs trod,
And quitting sense call imitating God;
As Eastern priests in giddy circles run,
And turn their heads to imitate the sun.
Go, teach Eternal Wisdom how to rule—
Then drop into thyself, and be a fool!

Superior beings, when of late they saw
A mortal Man unfold all Nature's law,
Admir'd such wisdom in an earthly shape,
And showed a Newton as we shew an Ape.

Could he, whose rules the rapid comet bind,
Describe or fix one movement of his mind?
Who saw its fires here rise, and there descend,
Explain his own beginning, or his end?
Alas what wonder! Man's superior part
Uncheck'd may rise, and climb from art to art;
But when his own great work is but begun,
What Reason weaves, by Passion is undone.

Trace science then, with modesty thy guide;
First strip off all her equipage of pride;
Deduct what is but vanity, or dress,

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Rubberneckin

(words & music by jones - warren)
Stop, look and listen baby thats my philosophy
If your rubberneckin baby well thats all right with me
Stop, look and listen baby thats my philosophy
Its called rubberneckin baby but thats all right with me
Some people say Im wasting time yeh, but they dont really know
I like what I see I see what I like yeh, it gives me such a glow
First thing in the morning, last thing at night
I look, stare everywhere and see everything inside
Stop, look and listen baby thats my philosophy
If your rubberneckin baby well thats all right with me
Stop, look and listen baby thats my philosophy
Its called rubberneckin baby but thats all right with me
Some people say Im wasting time yeh, but they dont really know
I like what I see I see what I like yeh, it gives me such a glow
Sittin on the back porch all by myself
Along came mary jane with somebody else
Well, stop, look and listen baby thats my philosophy
Its called rubberneckin baby but thats all right with me
Some people say Im wasting time yeh, but I dont really care
I like what I see, I see what I like yeh, it gives me such a glow
Sittin on the back porch all by myself
Along came mary jane with somebody else
Well, stop, look and listen baby thats my philosophy
Its called rubberneckin baby but thats all right with me
Stop, look and listen baby thats my philosophy
Stop, look and listen baby thats my philosophy
Stop, look and listen baby thats my philosophy
Stop

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Rubberneckin (Original)

Stop, look and listen baby that's my philosophy
If your rubberneckin' baby well that's all right with me
Stop, look and listen baby that's my philosophy
It's called rubberneckin' baby but that's all right with me
Some people say I'm wasting time yeh, but they don't really know
I like what I see I see what I like yeh, it gives me such a glow
First thing in the morning, last thing at night
I look, stare everywhere and see everything inside
Stop, look and listen baby that's my philosophy
If your rubberneckin' baby well that's all right with me
Stop, look and listen baby that's my philosophy
It's called rubberneckin' baby but that's all right with me
Some people say I'm wasting time yeh, but they don't really know
I like what I see I see what I like yeh, it gives me such a glow
Sittin' on the back porch all by myself
Along came Mary Jane with somebody else
Well, stop, look and listen baby that's my philosophy
It's called rubberneckin' baby but that's all right with me
Some people say I'm wasting time yeh, but I don't really care
I like what I see, I see what I like yeh, it gives me such a glow
Sittin' on the back porch all by myself
Along came Mary Jane with somebody else
Well, stop, look and listen baby that's my philosophy
It's called rubberneckin' baby but that's all right with me
Stop, look and listen baby that's my philosophy
Stop, look and listen baby that's my philosophy
Stop, look and listen baby that's my philosophy
Stop

song performed by Elvis PresleyReport problemRelated quotes
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My Flame

Uh how long
How long have you been away?
Oh how long, cant find no words to say
Ive kept your picture on my shelf (thinkin bout you babe)
Only there to remind myself (thinkin bout you babe)
I have always care for you, do you still love me?
Oh my flame (my flame)
Somethings will never change
Still hold your vision in my mind
Say you still love me (say that you love me,say that you love me)
Oh my flame (my flame)
Somethings will never change
Still hold your vision in my mind
Say you still love me (say that you love me)
Say you still love me (my flame)
Uh my love
Will I ever make you see
Oh that somehow, you are still apart of me
Maybe we can compromise
cause our love just cant be disguised
I have always care for you, do you still love me?
Oh my flame (my flame)
Somethings will never change
Still hold your vision in my mind
Say you still love me (say that you love me,say that you love me)
Oh my flame (my flame)
Somethings will never change
Still hold your vision in my mind
Say you still love me (say that you love me)
Say you still love me (my flame, oh)
Ive kept your picture on my shelf
Only there to remind myself (thinkin bout you babe)
I have always care for you, do you still love me?
Oh my flame (my flame)
Somethings will never change (somethings will never change)
Still hold your vision in my mind
Say you still love me (say that you love me,say that you love me)
Oh my flame (my flame)
Somethings will never change
Still hold your vision in my mind
Say you still love me (say that you love me, say that you love me)
Say you still love me (my flame)
Say you still love me (say that you love me)
Say you still love me (my flame)
Say you still love me (say that you love me)
Say you still love me

song performed by Vanessa WilliamsReport problemRelated quotes
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

[...] Read more

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She Mannequin

Pefect girl - visit me in your dreams
Run away with me tonight
This lasts forever all it seems
That your not real to me
I don't care
Chrystal clear - I see your face
And I know you see me too
You look at me
My heart is race
Not even real yet
I fall for you
Do you seem so real to me
Just my dream - my fantasy
Mean nothing it all
A vision in my mind
I don't care
I don't know
I don't care
The lights are off when we're alone
(Yes, we were talking on the phone)
I'm still asleep kickin' in my sheets, yeah.
The lights are off when we're alone
(Yes, we were talking on the phone)
I'm still asleep kickin' in my sheets
For you
Waited for you
You never came
Lying away alone in bed
Yet you have changed
I'm still the same
Your promises were in my head
Do you seem so real to me
I couldn't see
Nothing it all
A vision in my mind
I don't care
I don't know
I don't care
The lights are off when we're alone
(Yes, we were talking on the phone)
I'm still asleep kickin' in my sheets, yeah
The lights are off when we're alone
(Yes, we were talking on the phone)
I'm still asleep kickin' in my sheets
For you
And only you
The lights are off when we're alone
(Wish we were talking on the phone)
The lights are off when we're alone
(Wish we were talking on the phone)

[...] Read more

song performed by All American RejectsReport problemRelated quotes
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Red Lights

Red lights - on the highway
Headlights - blinding my eye
Red lights - keep me waiting
White lights - drive me insane
Red lights - in the city
Streetlights - high in the night
Searchlights - Im looking for someone
Red lights - young bloods alright
Try as I can but (? )
I cant keep away
No no no no way
Red lights - she knows what Im here for
Headlights - look me in the eye
Red lights - are you looking for danger
White lights - drives me insane
Try as I can but (? )
I cant keep away
No no no, not for one day
Red lights - no questions
Streetlights c youths desire(? )
Red lights - burning desire
White lights c put you to bed (? )
Red lights- in the city
Streetlights - shadow the night
Sunshine - if you need some one
Headlights - that young bloods alright
Try as I can but (? )
I cant keep away
Not today
She brings me to my knees
Try as I can but (? )
I cant keep away
I want you babe(? )
Red lights - oh, I want you
Red lights - I need it
Red lights - you get too heavy
Red lights

song performed by Uriah HeepReport problemRelated quotes
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The Four Seasons : Winter

See, Winter comes, to rule the varied year,
Sullen and sad, with all his rising train;
Vapours, and clouds, and storms. Be these my theme,
These! that exalt the soul to solemn thought,
And heavenly musing. Welcome, kindred glooms,
Congenial horrors, hail! with frequent foot,
Pleased have I, in my cheerful morn of life,
When nursed by careless Solitude I lived,
And sung of Nature with unceasing joy,
Pleased have I wander'd through your rough domain;
Trod the pure virgin-snows, myself as pure;
Heard the winds roar, and the big torrent burst;
Or seen the deep-fermenting tempest brew'd,
In the grim evening sky. Thus pass'd the time,
Till through the lucid chambers of the south
Look'd out the joyous Spring, look'd out, and smiled.
To thee, the patron of her first essay,
The Muse, O Wilmington! renews her song.
Since has she rounded the revolving year:
Skimm'd the gay Spring; on eagle-pinions borne,
Attempted through the Summer-blaze to rise;
Then swept o'er Autumn with the shadowy gale;
And now among the wintry clouds again,
Roll'd in the doubling storm, she tries to soar;
To swell her note with all the rushing winds;
To suit her sounding cadence to the floods;
As is her theme, her numbers wildly great:
Thrice happy could she fill thy judging ear
With bold description, and with manly thought.
Nor art thou skill'd in awful schemes alone,
And how to make a mighty people thrive;
But equal goodness, sound integrity,
A firm, unshaken, uncorrupted soul,
Amid a sliding age, and burning strong,
Not vainly blazing for thy country's weal,
A steady spirit regularly free;
These, each exalting each, the statesman light
Into the patriot; these, the public hope
And eye to thee converting, bid the Muse
Record what envy dares not flattery call.
Now when the cheerless empire of the sky
To Capricorn the Centaur Archer yields,
And fierce Aquarius stains the inverted year;
Hung o'er the farthest verge of Heaven, the sun
Scarce spreads through ether the dejected day.
Faint are his gleams, and ineffectual shoot
His struggling rays, in horizontal lines,
Through the thick air; as clothed in cloudy storm,
Weak, wan, and broad, he skirts the southern sky;
And, soon-descending, to the long dark night,

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