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The last thing I want to become is one of those talking heads where everything is satiny smooth and you know what the next question is going to be.

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The Rhythm (feat. Ice-T, Donald D & Diva)

The rythm is both the songs manicle and it's demonic charge charge
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
I'm Everlast born to be a caucassion but it makes no difference what persuasion you are
As long as you know how to get up on the floor and start workin' a sweat
To a musical measure that makes you move as soon as the needle drops into the groove
So get up and dance to the gift I'm giving, forget about your troubles get into the rhythm
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Yo, yo, you know what the world needs...we need peace, rhythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
You linger for the rap singer, when Donald D brings the party to the deal my presence is felt world wide
You don't dance to this it's suicide
Put your hands into the air on, the M.C. cop, the girlies are pipen' hot
Natorious Lama is how I'm livin' don't step to me step to the rhythm

[...] Read more

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Talkin Talkin

Talking, talking
It doesnt really matter
If you know my name
It doesnt really matter
If you see things the same
As I do
It doesnt even matter
If Im tied and tense
It doesnt even matter
If Im still making sense
Over you
Im just talking, talking
Talkin, talking
Cos Im only talking, talking
Talking, talking
It doesnt matter
What the people
All around you say
Be careful how
You listen
They dont know you
The way that I do
And if you wanna
Talk about it baby
Thats alright
Its better if I say it
Than to sit down
And write it to you
Im just talking, talking
Talkin, talking
Cos Im only talking, talking
It can be that
Youre here with me
When Im standing out
On my own
The words of love
That you gage
When we were alone
It doesnt matter
If you want to
Rock and roll all night
I know youre gonna
Be there when the
Feeling is right
The feeling is right
The feeling is right
Im just talking, talking
Talkin, talking
Im just talking, talking
Talkin, talking

[...] Read more

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Microphone Fiend

Yo, I was a fiend before I became a teen
I melted microphone instead of cones of ice cream
Music orientated so when hip-hop was originated
Fitted like pieces of puzzles, complicated
Shot grabbed the mic and try to say, yes yall!
They tried to take it, and say that Im too small
Cool, cause I dont get upset
I kick a hole in the speaker, pull the plug, then I jet
Back to the lab ...without a mic to grab
So then I add all the rhymes I had
One after the another one, then I make another one
To dis the opposite then ask if the brothers done
I get a craving like I fiend for nicotine
But I dont need a cigarette, know what I mean?
Im raging, ripping up the stage and
Dont it sound amazing cause every rhyme is made and
Thought of, cuz its sort of...an addiction,
Magnatized by the mixing
E-f-f-e-c-t
A smooth operator operating correctly.
An e-f-f-e-c-t
A smooth operator operating correctly.
E-f-f-e-c-t
A smooth operator operating correctly.
An e-f-f-e-c-t
A smooth operator operating correctly.
But back to the problem, I gotta habit,
You cant solve it, you silly rabbit
The prescription is a hypertone thats thorough when
I fiend for a microphone like heroin
Soon as the bass kicks, I need a fix
Gimme a stage and a mic and a mix
And Ill put you in a mood or is it a state of
Unawareness? beware, its the reanamator!
A menace to a microphone, a lethal weapon
An assasinator, if the people aint stepping
You see a part of me that you never seen
When Im fiending for a microphone.
Cause I take it to the maximum, I cant relax see, im
Hype as a hyperchrondriac cause the rap be one
Hell of a antidote, something you cant smoke
More than dope, youre trying to move away but you cant, youre broke
More than cracked up, you should have backed up
For those who act up need to be more than smacked up
E-f-f-e-c-t
A smooth operator operating correctly.
An e-f-f-e-c-t
A smooth operator operating correctly.
An e-f-f-e-c-t
A smooth operator operating correctly.

[...] Read more

song performed by Rage Against The MachineReport problemRelated quotes
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13 Question Method

(chuck berry)
Now, the thirteen question method is the one to use
Listen to me!
Thirteen question method is the one to use
Im saying that the thirteen question method is the one you gotta use
If you wanna have some fun
cause the thirteen question method is the one to use
Uhn!
Question number one: you wanna have fun, uh hun
Question number two: what to do ?
Lets see!
Question number three: wanna go out and eat burger with me ?
God almighty!
For the thirteen question method is the one to use
Now the question number five: dont give me no jive this morning
Question number six: dont try no tricks, this evening
Question number seven: Ill pick you up at a quarter to eleven, baby
And question number eight: its a date
Thats question number nine: where to dine, this evening ?
Question number ten: ah, can we get in ?
Question number eleven: gonna be just like heaven ?
God almighty!
Question number twelve: we get by ourselves ?
cause the thirteen question method is the one to use
The thirteen question method is the one to use
Now the thirteen question method is the one gotta use if you wanna...
The thirteen question method is the one to use
And she says ah...
She says...
The thirteen question method is the one to use
The thirteen question method is the one to use
Now the thirteen question method is the one gotta use if you wanna have some fun
cause the...

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Fundamental Of Liar Chapter CXVIII: I’m Just Talking To Myself

I’m not talking to you
I’m not talking to anyone
I’m just talking to myself

I’m not grumbling
I’m not cursing
I’m just talking to myself

I’m not insane
I’m not in trance
I’m just talking to myself

I’m not mocking
I’m not threatening
I’m just talking to myself

I’m not sharing secret
I’m not hiding something
I’m just talking to myself

I’m not mad
I’m not in rage
I’m just talking to myself

I’m not jealous
I’m not envious
I’m just talking to myself

I’m not afraid
I’m not in pessimism thought
I’m just talking to myself

I’m not whining
I’m not complaining
I’m just talking to myself

I’m not depressed
I’m not in foul mood
I’m just talking to myself

I’m not blaming
I’m not accusing
I’m just talking to myself

I’m not in denial
I’m not in confusion
I’m just talking to myself

I’m not informing
I’m not warning

[...] Read more

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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Im Just Talkin About Tonight

Im not talking about locking down forever baby
That would be too too demanding
Im just talking about two lonely people who might
Reach a little understanding
Im not talking about knocking out heaven
With weather were wrong or were right
Im not talking about hooking up or hanging out
Im just talking about tonight
You were sittin on your barstool, and talking to some fool who didnt have a
Clue
Well I guess he couldnt see you were looking right at me cause I was looking
At you too
And its do you want to dance, have we ever met
You said, hold your horses boy, I aint that easy to get
Im not talking about locking down forever baby
That would be too too demanding
Im just talking about two lonely people who might
Reach a little understanding
Im not talking about knocking out heaven
With weather were wrong or were right
Im not talking about hooking up or hanging out
Im just talking about tonight
She said, I wanna take it slow by now you oughta know that I aint diggin
This
If we can start as friends the weekend just might end with a little kiss
She said, Im a lady lookin for a man in my life,
Who will make a good husband, Ill make a good wife
Easy now
Im not talking about locking down forever baby
That would be too too demanding
Im just talking about two lonely people who might
Reach a little understanding
Im not talking about knocking out heaven
With weather were wrong or were right
See, Im not talking about hooking up or hanging out
Im just talking about tonight
Yeah, Im just talking about a little bit later on tonight

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Rock n Roll Mercenaries

(talking, talking - wealth, talking - money, talking - power
Talking - horses, talking - fun, talking - self, talking - power
Talking - diamonds, talking - ego, talking - man, talking - wealth)
(and talking - power) (repeats)
Money is power, power is fame
Chorus:
Talking about rock n roll mercenaries
Soldiers of fortune by some other name
Im talking about rock n roll mercenaries
Money is power, n power is fame
Everything you pay to hear - just listen
Everything to catch your ear - just listen
Whatever it takes, theyre ready to sell
Anything and everything they do it themselves
(chorus)
Young are the victims so easily [swayed/slain]
[as some given are poisoned, all continuous placed]
Our conscience is a load, so heavy to carry, for a rock n roll mercenary
(chorus)
It starts with a game, see how they play
Till all of the laughter is faded away
Its not for the song, its not for the love
Its just for the gold and theres never enough - never enough
(chorus)
Its not for the song, its not for the love
Its just for the gold, theres never enough
(chorus)
(rock n roll mercenaries)
(talking, talking) (repeats out)
Rock n roll mercenaries - ooh, talkin about
Rock n roll mercenaries... (to fade)

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Gibberish

Arg wu sentafinticate nar dunderford
Bida menti kosticated interserd
Thorphilliate stinded yilla billa zay
Wentora yate paravillintiniay
Paravillintiniay
Dorga orpha dorga billa
Dorga orpha stifaleare
Dorga orpha dorga billa
Tonalation fonamere
Stop talking gibberish
Or just stop talking
Stop talking gibberish
Or just stop talking
Stop talking gibberish
Or just stop talking
Stop talking gibberish
Or just stop talking now
If I had one wish
Well I dont know what Id wish for
But if I had a million zillion wishes
Id use one to let you know that gibberish is
Not a nice way to talk to all your
Mork sawx ippen reeby yufftabar
Higgerd quillip ernigrade du wellinshar
Lirp crawn xyfa gourk jawinstabray
Venaldo urp paravillintiniay
Paravillintiniay
Stop talking gibberish
Or just stop talking
Stop talking gibberish
Or just stop talking
Stop talking gibberish
Or just stop talking
Stop talking gibberish
Or just stop talking now
If I had one wish
Well I dont know what Id wish for
But if I had a million zillion wishes
Id use one to let you know that gibberish is
Not a nice way to talk to all your friends

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Your Woulda Be Smooth

If you treat me decently,
I'd be the last one to scratch your number.
If you treat me decently,
I'd put the sandpaper to rough lumber.
If you treat me decently...
Your woulda be smooth.

If you treat me decently,
I'd be the last one to scratch your number.
If you treat me decently,
I'd put the sandpaper to rough lumber.
If you treat me decently...
Your woulda be smooth.

No shoulda coulda.
Your woulda be smooth.
No suit too loose.
Your woulda be smooth.
No loot to boot.
Your woulda be smooth.
And you can do anything you wish to do,
Cause...
Your woulda be smooth!

If you wanna stay cute,
You've gotta keep your mouth muted.
And...
your woulda be smooth.

If you treat me decently,
I'd be the last one to scratch your number.
If you treat me decently,
I'd put the sandpaper to rough lumber.
If you treat me decently...
Your woulda be smooth.

No shoulda coulda.
Your woulda be smooth.
No suit too loose.
Your woulda be smooth.
No loot to boot.
Your woulda be smooth.
And you can do anything you wish to do,
Cause...
Your woulda be smooth!

If you wanna stay cute,
You've gotta keep your mouth muted,
And...
Your woulda be smooth!

[...] Read more

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

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6 Minutes Of Pleasure

Six minutes, six minutes
Six minutes, six minutes
(Sample)
I know why you're here
I ain't sayin nothin
(LL Cool J)
Aiyyo baby I know why you're here
I know what you're doing
I can see it in your eyes you're up to somethin
I know what it is, but we're still cool
And we can socialize, I'm peepin ya baby
I'm holdin back I'm not lettin go
Cause a fool doesn't have a shoulder to cry on
So, give me a kiss and you service
Whether you like a mister or a miss
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
(LL Cool J)
Baby you're my dear I know why you're here
I know why you came I know what you're thinkin
I know what you need and that's what I've got
You think I'm goin crazy no I'm not drinking
I know what you want, I made ya want it
Take my hand listen to the man
You have a plan don't even risk it
What do you want a biscuit?
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me

[...] Read more

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Your Move

I've seen all good people turn their heads each day
so satisfied I'm on my way.
I've seen all good people turn their heads each day
so satisfied I'm on my way.
Take a straight and stronger course to the corner of your life.
Make the white queen run so fast she hasn't got time to make you a wife.
'Cause it's time, it's time in time with your time and its news is captured
For the queen to use.
Move me on to any black square,
Use me any time you want,
Just remember that the goal
'Sfor us to capture all we want, anywhere,
Yea, yea, yea.
Don't surround yourself with yourself,
Move on back two squares,
Send an Instant Karma to me,
Initial it with loving care
Don't surround
Yourself.
'Cause it's time, it's time in time with your time and
its news is captured
For the queen to use.
Diddit diddit diddit diddit diddit diddit diddit didda.
Diddit diddit diddit diddit diddit diddit diddit
Didda.
Don't surround yourself with yourself,
Move on back two squares,
Send an Instant Karma to me,
Initial it with loving care
Don't surround
Yourself with yourself.
Don't surround yourself.
Send an Instant
Karma to me. Don't surround
yourself.
'Cause it's time, it's time in time with your time and its news is captured
For the queen to use.
Diddit diddit diddit diddit diddit diddit diddit didda.
Diddit diddit diddit diddit diddit diddit diddit didda.
Diddit diddit diddit diddit diddit diddit diddit didda.
Diddit diddit diddit diddit diddit diddit diddit didda.
'Cause it's time, it's time in time with your time and its news is captured.
II. All Good People
(Squire)
I've seen all good people turn their heads each day so satisfied I'm on my way.
I've seen all good people turn their heads each day so satisfied I'm on my way.
I've seen all good people turn their heads each day so satisfied I'm on my way.
I've seen all good people turn their heads each day so satisfied I'm on my way.
I've seen all good people turn their heads each day so satisfied I'm on my way.
I've seen all good people turn their heads each day so satisfied I'm on my way.

[...] Read more

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Your Move

I've seen all good people turn their heads each day
so satisfied I'm on my way.
I've seen all good people turn their heads each day
so satisfied I'm on my way.
Take a straight and stronger course to the corner of your life.
Make the white queen run so fast she hasn't got time to make you a wife.
'Cause it's time, it's time in time with your time and its news is captured
For the queen to use.
Move me on to any black square,
Use me any time you want,
Just remember that the goal
'Sfor us to capture all we want, anywhere,
Yea, yea, yea.
Don't surround yourself with yourself,
Move on back two squares,
Send an Instant Karma to me,
Initial it with loving care
Don't surround
Yourself.
'Cause it's time, it's time in time with your time and
its news is captured
For the queen to use.
Diddit diddit diddit diddit diddit diddit diddit didda.
Diddit diddit diddit diddit diddit diddit diddit
Didda.
Don't surround yourself with yourself,
Move on back two squares,
Send an Instant Karma to me,
Initial it with loving care
Don't surround
Yourself with yourself.
Don't surround yourself.
Send an Instant
Karma to me. Don't surround
yourself.
'Cause it's time, it's time in time with your time and its news is captured
For the queen to use.
Diddit diddit diddit diddit diddit diddit diddit didda.
Diddit diddit diddit diddit diddit diddit diddit didda.
Diddit diddit diddit diddit diddit diddit diddit didda.
Diddit diddit diddit diddit diddit diddit diddit didda.
'Cause it's time, it's time in time with your time and its news is captured.
II. All Good People
(Squire)
I've seen all good people turn their heads each day so satisfied I'm on my way.
I've seen all good people turn their heads each day so satisfied I'm on my way.
I've seen all good people turn their heads each day so satisfied I'm on my way.
I've seen all good people turn their heads each day so satisfied I'm on my way.
I've seen all good people turn their heads each day so satisfied I'm on my way.
I've seen all good people turn their heads each day so satisfied I'm on my way.

[...] Read more

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The Distracted Puritan

Am I mad, O noble Festus,
When zeal and godly knowledge
Have put me in hope
To deal with the Pope
As well as the best in the college?
Boldly I preach, I hate a cross, hate a surplice,
Mitres, copes, and rochets!
Come hear me pray nine times a day,
And fill your heads with crotchets.

In the house of pure Emanuel
I had my education,
Where my friends surmise
I dazel'd my eyes
With the sight of revelation.
Boldly I preach, I hate a cross, hate a surplice,
Mitres, copes, and rochets!
Come hear me pray nine times a day,
And fill your heads with crotchets.

They hound me like a bedlam,
They lash'd my four poor quarters.
Whilst this I endure,
Faith makes me sure
To be one of Foxes martyrs.
Boldly I preach, I hate a cross, hate a surplice,
Mitres, copes, and rochets!
Come hear me pray nine times a day,
And fill your heads with crotchets.

These injuries I suffer
Through antichrist's perswasion.
Take off this chain!
Neither Rome nor Spain
Can resist my strong invasion.
Boldly I preach, I hate a cross, hate a surplice,
Mitres, copes, and rochets!
Come hear me pray nine times a day,
And fill your heads with crotchets.

Of the beast's ten horns (God bless us!)
I have knock'd off three already;
If they let me alone
I'll leave him none;
But they say I am too heady.
Boldly I preach, I hate a cross, hate a surplice,
Mitres, copes, and rochets!
Come hear me pray nine times a day,
And fill your heads with crotchets.

[...] Read more

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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All The Talking

I don't like the way I feel
But I don't understand
Why I hide the things I do
And I don't care who's wrong or right
I just need a reason,
A reason just to see it through
And I don't care if I've wasted all your time
'Cause there's dreams that go by
And dreams that you find
And I know what you mean
But I can't hear you
With all the talking, with all the talking
And I know how it seems
But I can't find you
With all the talking
I never mentioned love affairs
That run through my mind
And all the faces you won't see
And you don't know your words have changed
So you keep talking
And there might be something for me
And I don't care if I've wasted all your time
'Cause there's dreams that go by
And dreams that you find
And I know what you mean
But I can't hear you
With all the talking, with all the talking
And I know how it seems
But I can't find you
With all the talking
Can't you feel it
Can't you see
This world just gets me down
When all at once you find a way
To be satisfied
And I don't like the way I feel
But I don't understand
Why I hide the things I do
And I don't care who's wrong or right
I just need a reason,
I need a reason,
I need a reason
Oh I know what you mean
But I can't hear you
With all the talking, with all the talking
And I know how it seems
But I can't find you
With all the talking, with all the talking
I know what you mean,
I know what you mean,

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Byron

Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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