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I don't really think about what the subject of my next album will be. I just know that I'm going to make another album.

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The Subject On This Love

The subject on this love is an object,
And the object is very sound and beautiful;
The subject on this love is a valley,
And the valley is very quiet and lovely;
The subject on this love is a fruit,
And the fruit is very sound and attractive;
The subject on this love is a mountain,
And the mountain is very high and lonely;
The subject on this love is a river,
And the river is very smooth and slippery;
The subject on this love is a seed,
And the seed is very fruitful and sweet;
The subject on this love is your milk,
And your milk is very thick and sweet;
The subject on this love is your lake,
And your lake is very fresh and aromantic;
The subject on this love is a garden,
And the garden is very thick and bushy;
The subject on this love is a room,
And that room is very romantic and peaceful;
The subject on this love is your apples,
And your apples are very passinate and emotional;
The subject on this love is a tree,
And that tree is very tall and bushy;
But the peace of this subject brings is like,
Two lovers swimming across the blue sea of love and blues.

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I Know Their Name

I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. I used to play with them they lived a block away
I know their name. Their father used to drive a light blue chevrolet
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. They had a dog that used to answer to Barney
I know their name. I used to play with them they lived a block away
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
(La guitar)
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I say:
I I I I I I I know their name. I know. I know. I know their name.
I I I I I I I know their name. I know. I know. I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I know their name.
I know their name.
I know their name

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Mister Fix It

I need to be there.
And not subject myself to riddles.
Just be there,
And put to rest...
My need to split!

I...
Need,
To be there!
And not subject myself to riddles.
Or feel I'm in the middle of something misfit!

I need to be there.
And not subject myself to riddles.
Just be there,
And put to rest...
My need to split!

I...
Need,
To be there!
And not subject myself to riddles.
Or feel I'm in the middle of something misfit!

Whenever I am called to play Mister Fix-It...
I need to be there.
To give time to it.

Whenever I am called to play Mister Fix-It...
I need to be there.
To give time to it.

I've never give up on a love,
I could not keep before we split.
It seems as if we've gotten use to getting a bit!
I need to be there.

Never give up on loving it,
Once a week.
Just...
To keep it secret!

B-b-b-be there.
And not subject myself to riddles.
Just be there,
And put to rest...
My need to split!

Just be there,
Whenever I am called to play Fix-It Quick.

[...] Read more

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6 Minutes Of Pleasure

Six minutes, six minutes
Six minutes, six minutes
(Sample)
I know why you're here
I ain't sayin nothin
(LL Cool J)
Aiyyo baby I know why you're here
I know what you're doing
I can see it in your eyes you're up to somethin
I know what it is, but we're still cool
And we can socialize, I'm peepin ya baby
I'm holdin back I'm not lettin go
Cause a fool doesn't have a shoulder to cry on
So, give me a kiss and you service
Whether you like a mister or a miss
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
(LL Cool J)
Baby you're my dear I know why you're here
I know why you came I know what you're thinkin
I know what you need and that's what I've got
You think I'm goin crazy no I'm not drinking
I know what you want, I made ya want it
Take my hand listen to the man
You have a plan don't even risk it
What do you want a biscuit?
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me

[...] Read more

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Part I

"That oblong book's the Album; hand it here!
Exactly! page on page of gratitude
For breakfast, dinner, supper, and the view!
I praise these poets: they leave margin-space;
Each stanza seems to gather skirts around,
And primly, trimly, keep the foot's confine,
Modest and maidlike; lubber prose o'er-sprawls
And straddling stops the path from left to right.
Since I want space to do my cipher-work,
Which poem spares a corner? What comes first?
'Hail, calm acclivity, salubrious spot!'
(Open the window, we burn daylight, boy!)
Or see—succincter beauty, brief and bold—
'If a fellow can dine On rumpsteaks and port wine,
He needs not despair Of dining well here—'
'Here!' I myself could find a better rhyme!
That bard's a Browning; he neglects the form:
But ah, the sense, ye gods, the weighty sense!
Still, I prefer this classic. Ay, throw wide!
I'll quench the bits of candle yet unburnt.
A minute's fresh air, then to cipher-work!
Three little columns hold the whole account:
Ecarté, after which Blind Hookey, then
Cutting-the-Pack, five hundred pounds the cut.
'Tis easy reckoning: I have lost, I think."

Two personages occupy this room
Shabby-genteel, that's parlor to the inn
Perched on a view-commanding eminence;
———— -Inn which may be a veritable house
Where somebody once lived and pleased good taste
Till tourists found his coign of vantage out,
And fingered blunt the individual mark
And vulgarized things comfortably smooth.
On a sprig-pattern-papered wall there brays
Complaint to sky Sir Edwin's dripping stag;
His couchant coast-guard creature corresponds;
They face the Huguenot and Light o' the World.
Grim o'er the mirror on the mantlepiece,
Varnished and coffined, Salmo ferox glares
—Possibly at the List of Wines which, framed
And glazed, hangs somewhat prominent on peg.

So much describes the stuffy little room—
Vulgar flat smooth respectability:
Not so the burst of landscape surging in,
Sunrise and all, as he who of the pair
Is, plain enough, the younger personage
Draws sharp the shrieking curtain, sends aloft
The sash, spreads wide and fastens back to wall

[...] Read more

poem by from The Inn Album (1875)Report problemRelated quotes
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Schooling Relationship

you are the subject which i study
understanding and getting to know you psychologically
learning new ways to do right
ways to out do the wrong
you are the subject which i study
practicing and testing the goods and bads
you are the subject which i study
the time has come graduation is here
learn the subject by studing its psychology
understanding is the only way for success
now we move on to the next step
you are the subject which i study to major
as i take hold of your hand
guide you through rough times throughout this life
you are the subject which i study to major
as time goes by ticking away
i studied you all those days
i understand your past history life
your psychology means alot to me
mentally physically emotionally speaking
you are the subject which i study to major...

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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You Know My Name

You know my name
Look up the number
You know my name
Look up the number
You you know you know my name
You you know you know my name
Good evening and welcome to slaggers
Featuring denis o'bell
Come on ringo, let's hear it for denis
Good evening
You know my name
Better look up the number
You know my name
(that's right) look up the number
You you know you know my name
You you know you know my name
You know my name
Ba ba ba ba ba ba ba ba ba
Look up my number
You know my name
That's right look up the number
Oh you know you know
You know my name you know you know you know my name.
Huh huh huh huh
You know my name
Ba ba ba pum
Look up the number
You know my name
Look up the number
You-a you know you know my name
Baby you-a you know you know my name
You know my name you know you know you know my name
Go on denis, let's hear it for denis o'bell
You know my name you know you know you know you know you know my name
Prrr you know my name and the number
You know my name and the number you know you know my name
Look up me number
You know my number three you know my number two
You know my number three you know my number four
You know my name you know number too
You know my name you know my number
What's up with you?
You know my name
That's right
Yeah.

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The Eternal Kansas City

Chorus (choir singing)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city)?
(van singing)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Train down to st. louis
Get me there alright
Over to the city there, you know that one
Where the farmers daughter digs the farmers son
Dig your charlie parker
Basie and young
Witherspoon and jay mcshann
They will come
Oooowoooowoooo
Chorus (van and choir in background)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Lady liberty in waiting
You know she lights the way
Her name is billie, shes a holiday
And the city is eternal -- hey, cant you see?
Its inside of you and its inside of me
Oooowoooowoooo
Chorus (van and choir in background)
You know, you know the way to kansas city?
You know, you know the way to kansas city?
You know, you know the way to kansas city?
You know, you know the way to kansas city ?
You know...the way to kansas city
You know...the way to kansas city
Wild thing
You know the way to kansas city (choir only)
Thank you man (van)
You know the way to kansas city
Sing it (van)
You know the way to kansas city (van and choir)
Hit it (van)
You know...the way to kansas city
You know...the way to kansas city

[...] Read more

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Brian Wilson Christmas Interview

Well, along with our special feature of this beach boys christmas album,
Once again Im happy to see the smiling face of the leader of
This popular group here in the studio, brian wilson.
Good to see you again, brian.
Hi, jack.
This beach boys christmas album is really something.
Ah, dick reynolds did the arrangements, I guess, huh?
Yes, he did. he did a beautiful job, a wonderful job.
Is this the first time youve worked with him?
Right. Id been, uh, wanting to meet him and work with him for quite a long time.
Now whos idea was it to have you featured on this, uh, one particular tune--i,
I was particularly impressed with it--a blue christmas.
Well, i... sort of picked out that song to sing for myself.
I, I love the song and uh, Ive always wanted to sing it, so I thought Id sing it.
Well, maybe this will be the start of a whole new career, huh?
I dont know, thats... it, it could, and it couldnt. ah... I really dont know.
Well, lets leave it to the listeners to see what they think of it.
Right.
I notice this album has uh, ah, along with some of the popular things like, uh,
Ill be home for christmas, uh, auld lang syne, and uh, um, we three kings
And some of the traditional things, that you have a couple of your,
Your own, uh, beach boys type sounds in the lp, too.
Uh-huh, weve more or less made one side, uh, our own style, and...
Kind of a teen side and an adult side.
Uh-huh, right, um-hm. contrasting.
Uh-huh. now, we have, uh, one of your originals coming up here, brian.
Uh, christmas day. you wrote this for the album specifically?
Yes, I did. uh-huh.
Uh-huh. and now, do you do your, the vocal arrangements,
Or did dick reynolds handle all of that?
Dick handled the vocal arrangements on the, ah, the modern side
--the traditional side--and I did the, ah, vocal and the
Arrangements of the music on our own style--our basic style--side.
Dick did the strings, also, on the, uh, on the modern side.
Coming up now, ah, a very sentimental type christmas song,
Particularly for those who are away from home during this time of year
--Ill be home for christmas. any, ah, thing particular about this,
This tune that youd like to say, brian?
Ah, well, I guess theres something very obvious when you hear the song.
Its, ah, theres a very definite influence of the four freshmen
On the arrangement as well as the delivery, and, uh, obviously
We all look up and admire the style of the four freshmen and,
Uh, I feel this has been the greatest--one of the greater--
Vocal influences, ah, in the world today.
Well, its certainly been, uh, nice of you to take the time to come
By again here for our special beach boys christmas show.
You have a fine album here and, uh, I hope youll be home for christmas.
Well, I hope I will, too. I hope everyones home for christmas.
I do, too. brian wilson, thanks again for coming by.
Thank you very much, jack.

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8 Miles And Runnin (feat. Freeway)

w/ Freeway
Yeah Renegades is back and the beat is sick,
Jay Z, Freeway, 8 Miles,
let's go...
Verse 1
8 miles and running, got my 7 album droppin,
And my 8 album coming,
Feedin a thousand growling stomachs,
But I could rewind the counter ta back, back,
When it was now or nothing,
People said I would amount to nothing,
That I had time for nothing,
Said I wasn't from the valers
or the sellers by your gunman,
I can see the folks now he got what he had coming,
Now that my 8th album's coming,
Everybody smiling wanting something,
claiming that they done something for em,
got Jay Z and pom poms in they whole uniforms,
claiming they be running and telling everybody like Martin Lawrence,
about how hot my rap performace was before I was who I was,
claimin that they threw it up before I threw it up, you what..
Where was you before I blew this up,
I didn't see you in the courtroom when everyone was suein us,
I didn't see you in all black when everybody was suitin up,
back on the block, kickin it in and it was no you with us,
CHORUS
8 miles and running, got my 7 album droppin,
and my 8 album coming,
feedin a thousand growling stomachs, freaks...
6 miles and running got my fist straight poppin,
and my first album coming feedin 20 promises I made
(Repeat)
Verse 2
6 miles and running in the pontiak,
6 thousand 86 trans mic shift,
while the engine run,
anyone turn around
and give me one more chance,
let em smoke and scream em one more grams,
so i'm a bring them, homie, son and my pop,
stick close to my momma, keep toasters for drama,
mix alot with my son, my son growin and he learnin alot,
thats what i'm toastin, thats what i'm burin, so pop,
right on your own, rell 'em nigga, tell 'em nigga,
its like a biblical scripture,
look back turn to salt like the sinners
and most yall heartless and self-centered
like me shaggin, me shack,
set up your brother cause you tell us nigga,

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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You And I Know

They ask why do we live love die do we
Take a chance maybe ask a dance do we
Risk the pain never quite regain never
Oh we bleed the dark never miss the mark never

Well you and I know I know you and I know you and I know
You and I know I know you and I know you and I know
You and I know I know you and I know you and I know

They don't know of the place we go lover
All the blues are green nothing in between lover
And when the darkness falls through the fine glass walls lover
Oh it makes the sound of the outward bound lover

But you and I know I know you and I know you and I know
You and I know I know you and I know you and I know
You and I know I know you and I know you and I know
Oh

Well they're looking right through me
And back into themselves
And I'm thinking that they knew me
When they laugh at someone else

Well you and I know I know you and I know you and I know
You and I know I know you and I know you and I know
You and I know I know you and I know you and I know
Oh I know you and I know you and I know
Oh I know you and I know you and I know
I know
Yes

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You Know Where You Went Wrong

(tennant/lowe)
---------------
Two men on the street
Drinking something cheap
No home, no family
Its cold, nowhere to sleep
Passers-by never catch their eye
Anywhere, one man drinks, the other swears
You know where you went wrong
You know where you went wrong
(aaaah) you know
You know where you went wrong
You know where you went wrong
(aaaah) you know
The old man cant understand
No one will shake his hand
I gave security, bombs and colour tv
It cost a few lives
Someones son always dies
No one shakes his hand
He dont understand
You know where you went wrong
You know where you went wrong
(aaaah) you know
You know where you went wrong
You know where you went wrong
(aaaah) you know
This is the history of the world
Of every boy and every girl
Who dont understand whats going on anymore
The history of the world
Of every boy and every girl
Who dont understand whats going on anymore
(whats going on? )
Two girls have a photograph
One looks, the other laughs
He could have been mine
Why did I change my mind?
Then hands on hips
The other girl says: admit! admit!
You know where you went wrong
You know where you went wrong
(aaaah) you know
You know where you went wrong
You know where you went wrong
(aaaah) you know
This is the history of the world (of the world)
Of every boy and every girl
Who dont (who dont) understand (understand)
Whats going on anymore (whats going on? )

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Here We Go Again

[fresh prince]
Loyal fans and newfound followers
Whassup yall? hello how are you doin out there?
Youre chillin, Im winnin
Oh, by the way, the albums out, go get it
We went to the studio and then we made a video
We didnt make a movie though, maybe the next year or so
Yo, I got a message for my fans and friends
The last album was dope yall, and here we go again!
No applause, no applause, thank you, thank you
Were back again, and were plannin on rockin you
Ten times harder than any other crew can
Jeff is like conan, Im like tarzan
In other words, wherever we go
Hahah! were runnin the show, but no
Seriously, its been a while since we dropped one
But its out now, go buy the album
If you bought the last one you know it was krush
But if you didnt man, you must not
Know what youre missin friend
The last album was dope yall, and here we go again!
A lot of people may not have bought the last album
Yo jeff, straight up, we cant allow them
To go out like that, our music is too def
We produce hit records right and left
Daytime, nighttime, def beat, def rhyme
Chorus line, bass drum, snare drum, bassline
All of this makes our records rock til the partys end..
.. here we go again!
When we first came out, we had a smash hit song
Then people started askin, whats takin so long
For yall to put another record out for the airwaves?
I said, hold up - let me explain.
When you hear a record on your radio station
Its probably getting played all throughout the nation
But we got lucky, ours was played in germany
France, japan, sweden london italy
So therefore, we had to go on tour
City after city, encore encore, bravo bravo!
Sorry we gotta go
We got another show tomorrow night in rio
The point Im tryin to make is to let you all know
It takes a long time to travel the globe
But now we gotta start this whole process all over again
The last album was def, and here we go again!
Special thanks, to everyone that helped us
Without you, we would not have been able to sell
As many records, we went top ten
And got real and well do it again
It was a long hard road, believe me

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song performed by Will SmithReport problemRelated quotes
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Subject - 731

Flickering bulbs, pass a narrowing hall
Where the conscience ape still glimmers
His breath percolates, as he's held to the bed
Straps tugging away at his femur

Fear escalates, as the wheals nimbly turn
Boldly, towards the screaming tomb
For the ape is aware: that no one returns
Exactly intact from that room

Closer and closer, the ape slowly goes
Down to the jaws of the abyss
Where brothers now lay, mementoes for worms
Indiscriminately erased

Squirming with effort, he puts up a struggle
While white coats plant him a needle
Weight grows unsteady, the light becomes vague
Chemically, enabled feeble

As he enter the doors, the ape is aware
He's now subject 731#
An expendable study, a technician spare
With equivalent rights of a sponge

Inside's a lab, baring horrendous emanations
With tools the experiment shivers
It's a Mangles' study, and Ishii's vocation
The proud medicine of butchers

Nearby is a tray; arranged instruments
Precisely, sharpened and lethal
Eyes bulge in terror, as the subject experiment
Howls to the scalpel pierced navel

Cold hands neatly brush, liquid gel to his brow
As electrodes are strapped to his temples
Lips shyly quiver, apprehension out loud
To incremental series of voltage

A lamp hits his face, obscuring the sight
While figures converge in union
One injects a syringe, near his right eye
Exploding fresh bodily torture

It burns like napalm, shredding his lungs
Into a fiery chasm
Abscess engorge, ripping cutaneous pus
Causing involuntary spasms

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William Cowper

Adam: A Sacred Drama. Act 2.

SCENE I. -- CHORUS OF ANGELS Singing.

Now let us garlands weave
Of all the fairest flowers,
Now at this early dawn,
For new-made man, and his companion dear;
Let all with festive joy,
And with melodious song,
Of the great Architect
Applaud this noblest work,
And speak the joyous sound,
Man is the wonder both of Earth and Heaven.

FIRST Angel.

Your warbling now suspend,
You pure angelic progeny of God,
Behold the labour emulous of Heaven!
Behold the woody scene,
Decked with a thousand flowers of grace divine;
Here man resides, here ought he to enjoy
In his fair mate eternity of bliss.

SECOND Angel.

How exquisitely sweet
This rich display of flowers,
This airy wild of fragrance,
So lovely to the eye,
And to the sense so sweet.

THIRD Angel.

O the sublime Creator,
How marvellous his works, and more his power!
Such is the sacred flame
Of his celestial love,
Not able to confine it in himself,
He breathed, as fruitful sparks
From his creative breast,
The Angels, Heaven, Man, Woman, and the World.

FOURTH Angel.

Yes, mighty Lord! yes, hallowed love divine!
Who, ever in thyself completely blest,
Unconscious of a want,
Who from thyself alone, and at thy will,
Bright with beignant flames,
Without the aid of matter or of form,

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Out In The Street

Out!
Out!
Out in the street
Out in the street
Im talkin bout slowly
Im talkin bout slowly
Im not gonna rest
Im not gonna rest
Woman, you dont know me
Woman, you dont know me
Yeah, you dont know me, no
Yeah, you dont know me, no
Know me, no
Know me, no
Know me, no
Know me, no
Yeah, but Im a-gonna know you
Yeah, but Im a-gonna know you
Hey listen, woman
Hey listen, woman
You just cant throw me
You just cant throw me
I wont stand it
I wont stand it
If you dont know me
If you dont know me
If you dont know me, no
If you dont know me, no
Know me, no
Know me, no
Know me, no
Know me, no
Yeah, but Im a-gonna know you
Yeah, but Im a-gonna know you
Listen to me
Listen to me
Im telling you
Im telling you
You look at me, woman
You look at me, woman
Yeah, tell the truth
Yeah, tell the truth
I know your mind
I know your mind
I can see that youre in need
I can see that youre in need
Ill show you woman
Ill show you woman
Yeah, that you belong to me
Yeah, that you belong to me

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The Memories of the Greater Good

Get out of the way.
Just let me take the bullet for you.
One mistake
That is all it takes.
Then it all over.
Waking up sober.
The reality.
Get ready.
Hold on to my cape.
Let me give you my escape.
Go before it's to late.
Don't look back.
Their is not time to second guess.
Just react.

The rain washes all these thoughts away.
I was just looking into another photograph in a my album.
The memories have each their own little sound.
As a bird chips in a melody.
So do these great harmony.

They're you were.
Sitting by the pool all alone.
So I just went right up and started talking to you.
Breaking the ice with a smile.
I had no since of style.
The shyness I fought through.
The fog moved.
So focused on getting to the bottom of what was wrong.
What was this pretty attractive young girl moping around for.
Then I met him.
And It all became so clear.
The face of many beings.
Each a different narcissist.
A falling out, the had already been spread.
It started to grow.
It started to sprout.
Peeking it ugly head out of the ground.

The rain washes all these thoughts away.
I was just looking into another photograph in a my album.
The memories have each their own little sound.
As a bird chips in a melody.
So do these great harmony.

It was too late things were put into motion.
With love as my devotion.
I made a sacrifice, the first of many.
I took a dive and let him beat the hell out of me.
For I was smart enough to know what would happen next.

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