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What has 'theology' ever said that is of the smallest use to anybody? When has 'theology' ever said anything that is demonstrably true and is not obvious? What makes you think that 'theology' is a subject at all?

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It Ain't Obvious

I keep trying
but I'm running out of ways to make you want me baby
I cannot be everything you want you drive me crazy
you're never satisfied
its not even worth a try times are for making up your mind
maybe we'll never see eye to eye

so treat me cruel to be kind
lets play it straight down the line
I'm sure you wanna be mine
but it ain't obvious

why cant you just let it be
what would you have me believe
I'm sure you really want me
but it ain't obvious

why don't you put a little trust in me
and let it go
if you don't take a chance
how will you ever know
baby im on your side

have I been foolish all along
have you been leading me on
just to walk away
if this is where you belong

so treat me cruel to be kind
lets play it straight down the line
I'm sure you wanna be mine
but it ain't obvious

why cant you just let it be
what would you have me believe
I'm sure you really want me
but it ain't obvious

but it ain't obvious
but it ain't obvious
but it ain't obvious
but it ain't obvious

come on wont you be with me
what would you have me believe
come on wont you be with me
oh no no

if its not even worth a try times are for making up your mind
maybe we'll never see eye to eye

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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The Subject On This Love

The subject on this love is an object,
And the object is very sound and beautiful;
The subject on this love is a valley,
And the valley is very quiet and lovely;
The subject on this love is a fruit,
And the fruit is very sound and attractive;
The subject on this love is a mountain,
And the mountain is very high and lonely;
The subject on this love is a river,
And the river is very smooth and slippery;
The subject on this love is a seed,
And the seed is very fruitful and sweet;
The subject on this love is your milk,
And your milk is very thick and sweet;
The subject on this love is your lake,
And your lake is very fresh and aromantic;
The subject on this love is a garden,
And the garden is very thick and bushy;
The subject on this love is a room,
And that room is very romantic and peaceful;
The subject on this love is your apples,
And your apples are very passinate and emotional;
The subject on this love is a tree,
And that tree is very tall and bushy;
But the peace of this subject brings is like,
Two lovers swimming across the blue sea of love and blues.

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What is a Friend?

True friends will never let each other down
True friends will tell each other when they are right or wrong
True friends listen to their problems without casting judgment
True friends are never afraid to tell you like it is

A true friend knows when to say no
A true friend will never flop you
A true friend will be supportive of all you do
A true friend will be there to dry your weeping eyes

A true friend will lend a shoulder for you to cry on
A true friend cares how you are doing
A true friend cares about your day-to-day life
A true friend always calls and checks up on you

A true friend gives of himself/herself without asking for anything in return
A true friend would not lend you money but give you whatever they can
A true friend may argue, fuss, and fight with you but will always be there for you
A true friend forgives you for your shortcomings

A true friend will come to your aid no matter what time of day it is
A true friend doesn’t wait to hear from you to make the first call
A true friend just calls to chitchat with you
A true friend is like a Godsend in times of perils

A true friend is always welcoming
A true would give you the coat off their backs
A true friend knows enough is enough
A true friend will be by your side when you need them the most

A true friend will run an intercept or blockage for you
True friends will CYA for each other
True friends knows that this world wasn’t promised to us
True friends make the best of a bad situation

True friends keeps each others secretes
True friends keeps no secretes from one another
True friends share each other’s lives
A true friend is forever

Are you a true friend?
Ask yourself that question
Can you be a true friend?
Do you deserve a good friend?

There are no goodbyes in life, just hellos

Hello friend

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Samuel Butler

Hudibras: Part 3 - Canto I

THE ARGUMENT

The Knight and Squire resolve, at once,
The one the other to renounce.
They both approach the Lady's Bower;
The Squire t'inform, the Knight to woo her.
She treats them with a Masquerade,
By Furies and Hobgoblins made;
From which the Squire conveys the Knight,
And steals him from himself, by Night.

'Tis true, no lover has that pow'r
T' enforce a desperate amour,
As he that has two strings t' his bow,
And burns for love and money too;
For then he's brave and resolute,
Disdains to render in his suit,
Has all his flames and raptures double,
And hangs or drowns with half the trouble,
While those who sillily pursue,
The simple, downright way, and true,
Make as unlucky applications,
And steer against the stream their passions.
Some forge their mistresses of stars,
And when the ladies prove averse,
And more untoward to be won
Than by CALIGULA the Moon,
Cry out upon the stars, for doing
Ill offices to cross their wooing;
When only by themselves they're hindred,
For trusting those they made her kindred;
And still, the harsher and hide-bounder
The damsels prove, become the fonder.
For what mad lover ever dy'd
To gain a soft and gentle bride?
Or for a lady tender-hearted,
In purling streams or hemp departed?
Leap'd headlong int' Elysium,
Through th' windows of a dazzling room?
But for some cross, ill-natur'd dame,
The am'rous fly burnt in his flame.
This to the Knight could be no news,
With all mankind so much in use;
Who therefore took the wiser course,
To make the most of his amours,
Resolv'd to try all sorts of ways,
As follows in due time and place

No sooner was the bloody fight,
Between the Wizard, and the Knight,

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Strange Attraction

it started with a dedication
'lost in admiration - happy birthday -
i'm forever yours - BLOSSOM'
fared red inside a tiny book of butterflies
i smiled surprised at how when flickered through
the wings flew by spelled out my name
six months went by the summer lost
obsessively the letters dropped into my life
the same soft blood smooth flowing hand
'please try to understand - I have to see you - have to feel you -
tell you all the ways I need you - yours forever in love...'
strange attraction spreads its wings
it varies but the smallest things
you never know how anything will change
strange attraction spreads its wings
and alters but the smallest things
you never know how anything will fade
the year grew old incessantly she wrote to me
she'd started smoking poetry!
i laughed in recognition of a favorite phrase
she'd pulled me in...
i answered her
a christmas card in sepia
arranging when and where
and how the two of us should meet...
her opening so well prepared
a nervous smile
i couldn't take my eyes from her
she whispered
'can I use some of your lipstick?'
it was perfect so believable
i couldn't help but feel that it was real
and kissing crimson fell into her waiting arms
strange attraction spreads its wings
it varies but the smallest things
you never know how anything will change
strange attraction spreads its wings
and alters but the smallest things
you never know how anything will fade
so alone into the cold new year without another wo
i wrote to ask if we could maybe meet again before
but weeks went by with no reply untill once more m
and with it my surprise but this time nothing was
'i'm sorry - blame infatuation - blame imagination
i was sure you'd be the one but I was wrong -
it seems reality destroys our dreams - I won't for
fared red inside a tiny book of all goodbyes...
strange attraction spreads its wings
it varies but the smallest things
you never know how anything will change

[...] Read more

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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Mister Fix It

I need to be there.
And not subject myself to riddles.
Just be there,
And put to rest...
My need to split!

I...
Need,
To be there!
And not subject myself to riddles.
Or feel I'm in the middle of something misfit!

I need to be there.
And not subject myself to riddles.
Just be there,
And put to rest...
My need to split!

I...
Need,
To be there!
And not subject myself to riddles.
Or feel I'm in the middle of something misfit!

Whenever I am called to play Mister Fix-It...
I need to be there.
To give time to it.

Whenever I am called to play Mister Fix-It...
I need to be there.
To give time to it.

I've never give up on a love,
I could not keep before we split.
It seems as if we've gotten use to getting a bit!
I need to be there.

Never give up on loving it,
Once a week.
Just...
To keep it secret!

B-b-b-be there.
And not subject myself to riddles.
Just be there,
And put to rest...
My need to split!

Just be there,
Whenever I am called to play Fix-It Quick.

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Alexander Pope

An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.


'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

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Scars

Reality sucks, too much pain
I cant explain why I wanna bash brains
Still I can see it on the other side
Got a new baby, wanna stay alive
Give what I give, give what I got
Make it worth while, cause I got another shot
Broken families that always got pain
I break the chain, refuse to be the same
Mother-did as good as you could
After all the abuse I still understood
Three times divorced, and three times a kid
Gave us more love than our father ever did
Now weve all grown and moved along
Tried to forget, but my brother did me wrong
But its real hard to put it all behind me
Its like a tattoo frozen in a memory
I cant seem to erase the stain
In my brain, things will never be the same
I remember all the lies, f__ked up, now I realize
Never had a chance as a kid, I was a man
Fight after fight wasnt really what I planned
Father!
Whoever you are
Beat my mother down, all I see is scars
And memories - what about me?
Throw me through a window for watching tv
Where did I get this anger?
Where did I get this hate?
And where did I get my temper?
Now Im gonna show my faith
(huh) never will I be like you, be like you
F__ked up, that sh_t - Im staying true
My family, true to my family
Im true to my family
True to my family
Stay true
True to my family
Stay true, stay true
True to my family
Stay true
True to my family
Stay true, stay true
True to my family
True
True to my family
Stay true, stay true
True to my family
Stay true
True to my family
Stay true, stay true

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Schooling Relationship

you are the subject which i study
understanding and getting to know you psychologically
learning new ways to do right
ways to out do the wrong
you are the subject which i study
practicing and testing the goods and bads
you are the subject which i study
the time has come graduation is here
learn the subject by studing its psychology
understanding is the only way for success
now we move on to the next step
you are the subject which i study to major
as i take hold of your hand
guide you through rough times throughout this life
you are the subject which i study to major
as time goes by ticking away
i studied you all those days
i understand your past history life
your psychology means alot to me
mentally physically emotionally speaking
you are the subject which i study to major...

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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The Sorcerer: Act I

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers


ACT I -- Grounds of Sir Marmaduke's Mansion, Mid-day


SCENE -- Exterior of Sir Marmaduke's Elizabethan Mansion, mid-day.

CHORUS OF VILLAGERS

Ring forth, ye bells,
With clarion sound--
Forget your knells,
For joys abound.
Forget your notes
Of mournful lay,
And from your throats
Pour joy to-day.

For to-day young Alexis--young Alexis Pointdextre
Is betrothed to Aline--to Aline Sangazure,
And that pride of his sex is--of his sex is to be next her
At the feast on the green--on the green, oh, be sure!

Ring forth, ye bells etc.
(Exeunt the men into house.)

(Enter Mrs. Partlet with Constance, her daughter)

RECITATIVE

MRS. P. Constance, my daughter, why this strange depression?

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Obvious Song

There was a man in the jungle
Trying to make ends meet
Found himself one day with an axe in his hand
When a voice said buddy can you spare that tree
We gotta save the world - starting with your land
It was a rock n roll millionaire from the usa
Doing 3 to the gallon in a big white car
And he sang and he sang til he polluted the air
And he blew a lot of smoke from a cuban cigar
And the stars are looking down
Through a hole in the sky
And if they can see, they cry
Thats obvious
And the walls are coming down
Between the west and the east
You dont have to be a hippie to believe in peace
Thats obvious . . . obvious
There was a kid in the city selling crack to get by
Got caught one day with a gun in his hand
When a voice said, okay, get em up in the air
Youre too young to live like this
But you aint too fast to die.
Just another foot-soldier in a stupid little war
Another sound-bite on the american scene
Caught between the supplier only dreaming of money
And the demand of the man with money
Who needs a little help to dream
So we starve all the teachers
And recruit more marines
How come we dont even know what that means
Its obvious
And the walls are coming down
Between the eagle and the dove
You dont have to be a hippie to believe in love
Thats obvious . . . obvious

song performed by Joe JacksonReport problemRelated quotes
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True Love

(mansfield/oneill/palmer)
If Im not mistaken
My whole universe was shaken when I fell for you
Coz all the stars collided when I held you in my arms
I knew you were the one
I was searching for perfection babe
But love is the exception that proves all the rules
Theres a sensuality that only you have shown to me
That steals my breath away
And by the way baby
If theres something that I care about its true love
And no matter where you are, you are my true love
And I thank the lucky stars above for true love
There was never any doubt about it
True love
(and its you love)
Total satisfaction - irresistible attraction
I got no excuse
I live in anticipation of your unforeseen temptations
What you gonna do?
I dont have an explanation
Youre the only invitation I cannot refuse
And handsome is as handsome does
And you win hands down baby doll
You got it nailed
And by the way baby
It dont matter where you are, you are my true love
There was never any doubt about it
True love
And I thank the lucky stars above for true love
If theres one thing I cant live without
Its true love
(and its you love)
If Im not mistaken
My whole universe was shaken when I fell for you
Coz all the stars collided when I held you in my arms
I knew you were the one
And by the way baby
If theres something that I care about its true love
And no matter where you are, you are my true love
And I thank the lucky stars above for true love
There was never any doubt about it
True love
All the tragedy and irony of true love
All the agony and ecstacy of true love
It dont matter where you are, you are my true love
There was never any doubt about it
True love
It dont matter where you are, you are my true love
There was never any doubt about it

[...] Read more

song performed by Robert PalmerReport problemRelated quotes
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What Makes A True Friend?

What are the qualities that a friend should
have – that which would make a true friend so true?
A friend is one whom you like to be with
while a true friend insists on being with you.

A friend likes you when you have so much in
common. True friends like you who for who you are.
True friends make you feel as though they are at
all times near, although they are very far.

A true friend is one whom you can always
talk to, even at night when it is late -
when loved ones are asleep, a true friend is
always there to hear what you have to say.

Friends like to share, but a true friend always
gives younot what you want, but what you need.
The feelings you hide, as well as your thoughts,
and your dreams, a true friend can always read.

A friend may forgive you or they may not
forgive, for something wrong you've done to them.
A true friend forgives even when you don't
ask. True friends forgive - again and again.

Friends are close when you are close to them. A
true friend wants your friendship to be closer.
A true friend does what is best for you, and
hates that you would end up with the losers.

A true friend teaches you lessons to help
you grow – lessons that are hard and easy.
A true friend is always there - having a
true friend can never make you feel lonely.

Friends may sometimes make mistakes, but a true
friend is always careful not to hurt you.
A true friend is a guide and a teacher.
A true friend knows everything you go through.

The true friend I mention is our God,
who kept you company before you were born.
The friendship of God, if you truly keep
and cherish, you will never feel forlorn.

The true friend we all need is God (Allah) –
the One who guides and can teach us lessons,
the One who hears our calls and understands,
the One always near – in every season –

[...] Read more

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Patrick White

Infrequently Asked Questions

Is it true
the most compassionate people in life
are the ones in the greatest danger?
That the most generous
will lose their hands to the ones they fed?
That the bravest will be hunted down by protected cowards
and when the last of the heroes are dead
and the dragons who inspired them
are the advertising themes of amusement parks
those with the smallest balls
will give themselves the biggest awards?
Is it true
those who are creative
chafe the destroyers like anti-matter
and give the intellectuals diaper-rash of the mind?
That just to open your eyes
to watch the stars and fireflies
is enough to make other people feel blind
and insist you black them out
like pearls in an air-raid?
What's a starmap to a mole?
What's a lamp that shines in braille
to someone without fingerprints?
Is it true that beauty summons the worm
as a material eye-witness to its ruin?
That genius is devoured
by cannibalistic Neanderthals
into homoeopathic magic
for the power of its brain
to turn thought into protein
with a high creatine content
that can make your dick strike twelve anachronistically
so you can go on knapping flint
for the next hundred thousand years?
That genius is a freak in isolation
that gets its own back
for being pecked at
like a phoenix among chickens
by opening Pandora's box
like the atom at Los Alamos
like the genie in the lamp
and making a Trojan horse of its gifts
gives them everything they want
because anything as red
as Van Gogh's hair and beard and ear in Arles
must be either a phoenix
or a fox with chicken-pox.
Sometimes you have more to fear
from the keys
than the locks.

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John Dryden

The Hind And The Panther, A Poem In Three Parts : Part II.

“Dame,” said the Panther, “times are mended well,
Since late among the Philistines you fell.
The toils were pitched, a spacious tract of ground
With expert huntsmen was encompassed round;
The inclosure narrowed; the sagacious power
Of hounds and death drew nearer every hour.
'Tis true, the younger lion 'scaped the snare,
But all your priestly calves lay struggling there,
As sacrifices on their altars laid;
While you, their careful mother, wisely fled,
Not trusting destiny to save your head.
For, whate'er promises you have applied
To your unfailing Church, the surer side
Is four fair legs in danger to provide;
And whate'er tales of Peter's chair you tell,
Yet, saving reverence of the miracle,
The better luck was yours to 'scape so well.”
“As I remember,” said the sober Hind,
“Those toils were for your own dear self designed,
As well as me; and with the selfsame throw,
To catch the quarry and the vermin too,—
Forgive the slanderous tongues that called you so.
Howe'er you take it now, the common cry
Then ran you down for your rank loyalty.
Besides, in Popery they thought you nurst,
As evil tongues will ever speak the worst,
Because some forms, and ceremonies some
You kept, and stood in the main question dumb.
Dumb you were born indeed; but, thinking long,
The test, it seems, at last has loosed your tongue:
And to explain what your forefathers meant,
By real presence in the sacrament,
After long fencing pushed against a wall,
Your salvo comes, that he's not there at all:
There changed your faith, and what may change may fall.
Who can believe what varies every day,
Nor ever was, nor will be at a stay?”
“Tortures may force the tongue untruths to tell,
And I ne'er owned myself infallible,”
Replied the Panther: “grant such presence were,
Yet in your sense I never owned it there.
A real virtue we by faith receive,
And that we in the sacrament believe.”
“Then,” said the Hind, “as you the matter state,
Not only Jesuits can equivocate;
For real, as you now the word expound,
From solid substance dwindles to a sound.
Methinks, an Æsop's fable you repeat;
You know who took the shadow for the meat:
Your Church's substance thus you change at will,

[...] Read more

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