I never have really said much about the whole episode, which was endless. But his speech was a perfectly intelligent speech about fathers not being dispensable and nobody agreed with that more than I did.
quote by Candice Bergen
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song performed by Kraftwerk
Added by Lucian Velea
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My Fathers Eyes
(by eric clapton)
Sailing down behind the sun,
Waiting for my prince to come.
Praying for the healing rain
To restore my soul again.
Just a toerag on the run.
How did I get here?
What have I done?
When will all my hopes arise?
How will I know him?
When I look in my fathers eyes.
My fathers eyes.
When I look in my fathers eyes.
My fathers eyes.
Then the light begins to shine
And I hear those ancient lullabies.
And as I watch this seedling grow,
Feel my heart start to overflow.
Where do I find the words to say?
How do I teach him?
What do we play?
Bit by bit, Ive realized
Thats when I need them,
Thats when I need my fathers eyes.
My fathers eyes.
Thats when I need my fathers eyes.
My fathers eyes.
Then the jagged edge appears
Through the distant clouds of tears.
Im like a bridge that was washed away;
My foundations were made of clay.
As my soul slides down to die.
How could I lose him?
What did I try?
Bit by bit, Ive realized
That he was here with me;
I looked into my fathers eyes.
My fathers eyes.
I looked into my fathers eyes.
My fathers eyes.
My fathers eyes.
My fathers eyes.
I looked into my fathers eyes.
My fathers eyes.
song performed by Eric Clapton
Added by Lucian Velea
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Two In A One (Pablo & Gunslinger)
Chorus
Intelligent, we chat intelligent
Intelligent, we chat intelligent
Intelligent, we chat intelligent
Intelligent, we chat intelligent
Jackpot is when you win plenty at money
Jail is a place I don't want to go
January the first month of the year
Jealose is when five women fancy
But John is the proper name fe a English man
Jockey is a profisnel horse rider
Me sah June is the sixth mounth of the year
Chorus
An jam is when you caint move in a party
Mi say England is a place that covered in snow
Man we drink the ribeana wi don't no like drink beer
But Jelly fish Jahman mi say them swim in a the sea
Unless you born an bread as a Jamaican
The pirate them a gather round the Jolly Roger
Wi wackad as single but wi deadly as a pair
Chorus
No fe treatment go a hospital
I man pay de rent every Tuesday I man
You a Student if you a go to college
Dat a nuff argoument mi say gunny an Pablo
Cause a two in a one Jah man a two in a one
Two in a one Jah man a two in a one
Two in a one Jah man a two in a one
Two in a one Jah man a two in a one
A say to move from the window
When you come a feh wi dance
But a Babylon pick mi up
And a think to myself
Cause I'm going to jail
Man is what a going to tell
me girl Jah know I man was
So I had to get reckless
Because a two in a one Jah
man a two in a one
Two in a one Jah man a two in a one
Two in a one Jah man a two in a one
Two in a one Jah man a two in a one
Two in a one Jah man a two in a one
Seh daddy Pablo a long with Gunslinger
Seh duw to the Circumstances pirate setah in the area
Listen to the style an when we throw down
Because a murder it name
Intelligent, we chat intelligent
Intelligent, we chat intelligent
song performed by Ub40
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Fathers Eyes
I may not be every mothers dream for her little girl,
And my face may not grace the mind of everyone in the world.
But thats all right, as long as I can have one wish I pray:
When people look inside my life, I want to hear them say,
Shes got her fathers eyes,
Her fathers eyes;
Eyes that find the good in things,
When good is not around;
Eyes that find the source of help,
When help just cant be found;
Eyes full of compassion,
Seeing every pain;
Knowing what youre going through
And feeling it the same.
Just like my fathers eyes,
My fathers eyes,
My fathers eyes,
Just like my fathers eyes.
And on that day when we will pay for all the deeds we have done,
Good and bad theyll all be had to see by everyone.
And when youre called to stand and tell just what you saw in me,
More than anything I know, I want your words to be,
She had her fathers eyes,
Her fathers eyes;
Eyes that found the good in things,
When good was not around;
Eyes that found the source of help,
When help would not be found;
Eyes full of compassion,
Seeing every pain;
Knowing what youre going through,
And feeling it the same.
Just like my fathers eyes,
My fathers eyes,
My fathers eyes,
Just like my fathers eyes.
My fathers eyes,
My fathers eyes,
Just like my fathers eyes.
song performed by Amy Grant
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Dreams Of Our Fathers
Oh, Im choking, Im choking
On the smoke from this burning house
I claw and I scrape
But I cant seem to get out
But who then, who is this
Thats scratching from the ground
Oh, its my world, too
But whose gold is this Im digging out?
When we go, where we go
When were dead
Is the verdict still out?
Do we get into line
To line up with those long dead now?
With the muffled tears of sorrow
Bones underground
Is this time our time?
Yes, it is
Without or with this shadow of doubt
I dont want to wake up
Lost in the dreams of our fathers
Oh, its such a waste child
To live and die for the dreams of our fathers
Though I must confess, yes
My view is a wonder about this
This love I possess, love
Must be the dreams of our fathers
I wanna go, I wanna run
We turn, so sure someones looking down
Its haunting me, haunting me
Leaves us here to get out
Though I dont believe, I dont believe
This flavor in my mouth
Is from my tongue alone
So bitter I wanna spit it out
I repeat these words
They come out
Under the blue light in the sky
My empty pages are filling up
With these wicked lies
But I hear deep in myself
An echo, an echo
Of empty, empty emptiness
Comes up and swells inside
I dont want to wake up
Lost in the dreams of our fathers
Oh, its such a waste child
To live and die for the dreams of our fathers
Though I must confess, yes
My view is a wonder about this
This love I possess, love
[...] Read more
song performed by Dave Matthews Band
Added by Lucian Velea
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We Agree
AndersonHoweSquireWhite
September 11, 2001
Answers never clear again
This turning of the page
This turn look away
There I took a left turning
Before I came of age
I agreed to let it out
I agreed to let it go
I agreed to turn around
I agreed to turn my face away
Danger is the most important
Fear you'll ever know
The transporting of refugees
The silent night is cold
And all the time
We looked around
As we were never told
But we agreed to let it out
We agreed to let it go
We agreed to turn our backs
We agreed to turn our face away, away
Thousands to the million
Sisters, grandmothers and more
It's not the feast we throw away
It's the way we close the door
Their silence deafens every sound
We try just to ignore
To waste their future freedom
We'll regret forever more
I believe in
I believe in
These are the days that we will talk about
I believe in
I believe in
One understanding what is real
If we are one
Then we are refugees
We are the prisoners of our own design
If we are one
Seen through the eyes of a child
We will perpetuate this song of love
If we are one
Seen through the eyes of a child
We will perpetuate this song of love
If we are one
Seen through the eyes of a child
We will perpetuate this song
Perpetuate this song of love
Now we build the bridges
[...] Read more
song performed by Yes
Added by Lucian Velea
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We Agree
AndersonHoweSquireWhite
September 11, 2001
Answers never clear again
This turning of the page
This turn look away
There I took a left turning
Before I came of age
I agreed to let it out
I agreed to let it go
I agreed to turn around
I agreed to turn my face away
Danger is the most important
Fear you'll ever know
The transporting of refugees
The silent night is cold
And all the time
We looked around
As we were never told
But we agreed to let it out
We agreed to let it go
We agreed to turn our backs
We agreed to turn our face away, away
Thousands to the million
Sisters, grandmothers and more
It's not the feast we throw away
It's the way we close the door
Their silence deafens every sound
We try just to ignore
To waste their future freedom
We'll regret forever more
I believe in
I believe in
These are the days that we will talk about
I believe in
I believe in
One understanding what is real
If we are one
Then we are refugees
We are the prisoners of our own design
If we are one
Seen through the eyes of a child
We will perpetuate this song of love
If we are one
Seen through the eyes of a child
We will perpetuate this song of love
If we are one
Seen through the eyes of a child
We will perpetuate this song
Perpetuate this song of love
Now we build the bridges
[...] Read more
song performed by Yes
Added by Lucian Velea
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Dar-Thula
ARGUMENT.
It may not be improper here to give the story which is the foundation of this poem, as it is handed down by tradition. Usnoth, lord of Etha, which is probably that part of Argyleshire which is near Loch Eta, an arm of the sea in Lorn, had three sons, Nathos, Althos, and Ardan, by Slissáma, the daughter of Semo, and sister to the celebrated Cuthullin. The three brothers, when very young, were sent over to Ireland by their father, to learn the use of arms under their uncle Cuthullin, who made a great figure in that kingdom. They were just landed in Ulster, when the news of Cuthullin's death arrived. Nathos, though very young, took the command of Cuthullin's army, made head against Cairbar the usurper, and defeated him in several battles. Cairbar at last, having found means to murder Cormac, the lawful king, the army of Nathos shifted sides, and he himself was obliged to return into Ulster, in order to pass over into Scotland.
Dar-thula, the daughter of Colla, with whom Cairbar was in love, resided at that time in Seláma, a castle in Ulster. She saw, fell in love, and fled with Nathos; but a storm rising at sea, they were unfortunately driven back on that part of the coast of Ulster, where Cairbar was encamped with his army. The three brothers, after having defended themselves for some time with great bravery, were overpowered and slain, and the unfortunate Dar-thula killed herself upon the body of her beloved Nathos.
The poem opens, on the night preceding the death of the sons of Usnoth, and brings in, by way of episode, what passed before. it relates the death of Dar-thula differently from the common tradition. This account, is the most probable, as suicide seems to have been unknown in those early times, for no traces of it are found in the old poetry.
DAUGHTER of heaven, fair art thou! the silence of thy face is pleasant! Thou comest forth in loveliness. The stars attend thy blue course in the east. The clouds rejoice in thy presence, O moon! They brighten their dark-brown sides. Who is like thee in heaven, light of the silent night? The stars are shamed in thy presence. They turn away their sparkling eyes. Whither dost thou retire from thy course when the darkness of thy countenance grows? Hast thou thy hall, like Ossian? Dwellest thou in the shadow of grief? Have thy sisters fallen from heaven? Are they who rejoiced with thee, at night, no more? Yes, they have fallen, fair light! and thou dost often retire to mourn. But thou thyself shalt fail one night and leave thy blue path in heaven. The stars will then lift their heads: they who were ashamed in thy presence, will rejoice. Thou art now clothed with thy brightness. Look from thy gates in the sky. Burst the cloud, O wind! that the daughters of night may look forth; that the shaggy mountains may brighten, and the ocean roll its white waves in light!
Nathos is on the deep, and Althos, that beam of youth! Ardan is near his brothers. They move in the gloom of their course. The sons of Usnoth move in darkness, from the wrath of Cairbar of Erin. Who is that, dim by their side? The night has covered her beauty! Her hair sighs on ocean's wind. Her robe streams in dusky wreaths. She is like the fair spirit of heaven in the midst of the shadowy mist. Who is it but Dar-thula, the first of Erin's maids? She has fled from the love of Cairbar, with blue-shielded Nathos. But the winds deceive thee, O Dar-thula! They deny the woody Etha to thy sails. These are not the mountains of Nathos; nor is that the roar of his climbing waves. The halls of Cairbar are near: the towers of the foe lift their heads! Erin stretches its green head into the sea. Tura's bay receives the ship. Where have ye been, ye southern Winds, when the sons of my love were deceived? But ye have been sporting on the plains, pursuing the thistle's beard. O that ye had been rustling in the sails of Nathos, till the hills of Etha arose! till they arose in their clouds, and saw their returning chief! Long hast thou been absent, Nathos! the day of thy return is past!
But the land of strangers saw thee lovely! thou wast lovely in the eyes of Dar-thula. Thy face was like the light of the morning. Thy hair like the raven's wing. Thy soul was generous and mild, like tho hour of the setting sun. Thy words were the gale of the reeds; the gliding stream of Lora! But when the rage of battle rose, thou wast a sea in a storm. The clang of thy arms was terrible: the host vanished at the sound of thy course. It was then Dar-thula beheld thee, from the top of her mossy tower; from the tower of Seláma, where her fathers dwelt.
"Lovely art thou, O stranger!" she said, for her trembling soul arose. "Fair art thou in thy battles, friend of the fallen Cormac! Why dost thou rush on in thy valor, youth of the ruddy look? Few are thy hands in fight against the dark-brown Cairbar! O that I might be freed from his love, that I might rejoice in the presence of Nathos! Blest are the rocks of Etha! they will behold his steps at the chase; they will see his white bosom, when the winds lift his flowing hair!" Such were thy words, Dar-thula, in Seláma's mossy towers. But now the night is around thee. The winds have deceived thy sails- — the winds have deceived thy sails, Dar-thula! Their blustering sound is high. Cease a little while, O north wind! Let me hear the voice of the lovely. Thy voice is lovely, Dar-thula, between the rustling blasts!
"Are these the rocks of Nathos?" she said, "this the roaring of his mountain streams? Comes that beam of light from Usnoth's nightly hall? The mist spreads around; the beam is feeble and distant far. But the light of Dar-thula's soul dwells in the chief of Etha! Son of the generous Usnoth, why that broken sigh? Are we in the land of strangers, chief of echoing Etha?"
"These are not the rocks of Nathos," he replied, "nor this the roar of his stream. No light comes from Etha's hall, for they are distant far. We are in the land of strangers, in the land of cruel Cairbar. The winds have deceived us, Dar-thula. Erin lifts here her hills. Go towards the north, Althos: be thy steps, Ardan, along the coast; that the foe may not come in darkness, and our hopes of Etha fail. I will go towards that mossy tower, to see who dwells about the beam. Rest, Dar-thula, on the shore! rest in peace, thou lovely light! the sword of Nathos is around thee, like the lightning of heaven!"
He went. She sat alone: she heard the roiling of the wave. The big tear is in her eye. She looks for returning Nathos. Her soul trembles at the bast. She turns her ear towards the tread of his feet. The tread of his feet is not heard. "Where art thou, son of my love! The roar of the blast is around me. Dark is the cloudy night. But Nathos does not return. What detains thee, chief of Etha? Have the foes met the hero in the strife of the night?"
He returned; but his face was dark. He had seen his departed friend! it was the wall of Tura. The ghost of Cuthullin stalked there alone; the sighing of his breast was frequent. The decayed flame of his eyes was terrible! His spear was a column of mist. The stars looked dim through his form. His voice was like hollow wind in a cave: his eye a light seen afar. He told the tale of grief. The soul of Nathos was sad, like the sun in the day of mist, when his face watery and dim.
"Why art thou sad, O Nathos!" said the lovely daughter of Colla. "Thou art a pillow of light to Dar-thula. The joy of her eyes is in Etha's chief. Where is my friend, but Nathos? My father, my brother is fallen! Silence dwells on Seláma. Sadness spreads on the blue streams of my land. My friends have fallen with Cormac. The mighty were slain in the battles of Erin. Hear, son of Usnoth! hear, O Nathos! my tale of grief.
"Evening darkened on the plain. The blue streams failed before mine eyes. The unfrequent blast came rustling in the tops of Seláma's groves. My seat was beneath a tree, on the walls of my fathers. Truthil past before my soul; the brother of my love: he that was absent in battle against the haughty Cairbar! Bending on his spear, the gray-haired Colla came. His downcast face is dark, and sorrow dwells in his soul. His sword is on the side of the hero; the helmet of his fathers on his head. The battle grows in his breast. He strives to hide the tear.
"'Dar-thula, my daughter,' he said, 'thou art the last of Colla's race! Truthil is fallen in battle. The chief of Seláma is no more! Cairbar comes, with his thousands, towards Seláma's walls. Colla will meet his pride, and revenge his son. But where shall I find thy safety, Dar-thula with the dark-brown hair! thou art lovely as the sunbeam of heaven, and thy friends are low!' 'Is the son of battle fallen?' I said, with a bursting sigh. 'Ceased the generous soul of Truthil to lighten through the field? My safety, Colla, is in that bow. I have learned to pierce the deer. Is not Cairbar like the hart of the desert, father of fallen Truthil?'
"The face of age brightened with joy. The crowded tears of his eyes poured down. The lips of Colla trembled. His gray beard whistled in the blast. 'Thou art the sister of Truthil,' he said; 'thou burnest in the fire of his soul. Take, Dar-thula, take that spear, that brazen shield, that burnished helm; they are the spoils of a warrior, a son of early youth! When the light rises on Seláma, we go to meet the car-borne Cairbar. But keep thou near the arm of Colla, beneath the shadow of my shield. Thy father, Dar-thula, could once defend thee; but age is trembling On his hand. The strength of his arm has failed. His soul is darkened with grief.'
"We passed the night in sorrow. The light of morning rose. I shone in the arms of battle. The gray haired hero moved before. The sons of Seláma convened around the sounding shield of Colla. But few were they in the plain, and their locks were gray. The youths had fallen with Truthil, in the battle of car-borne Cormac. 'Friends of my youth,' said Colla, 'it was not thus you have seen me in arms. It was not thus I strode to battle when the great Confaden fell. But ye are laden with grief. The darkness of age comes like the mist of the desert. My shield is worn with years! my sword is fixed in its place! I said to my soul, Thy evening shall be calm; thy departure like a fading light. But the storm has returned. I bend like an aged oak. My boughs are fallen on Seláma. I tremble in my place. Where art thou, with thy fallen heroes, O my beloved Truthil! Thou answerest not from thy rushing blast. The soul of thy father is sad. But I will be sad no more! Cairbar or Colla must fall! I feel the returning strength of my arm. My heart leaps at the sound of war.'
"The hero drew his sword. The gleaming blades of his people rose. They moved along the plain. Their gray hair streamed in the wind. Cairbar sat at the feast, in the silent plain of Lena. He saw the coming of the heroes. He called his chiefs to war. Why should I tell to Nathos how the strife of battle grew? I have seen thee in the midst of thousands, like the beam of heaven's fire: it is beautiful, but terrible; the people fall in its dreadful course. The spear of Colla flew. He remembered the battles of his youth. An arrow came with its sound. It pierced the hero's side. He fell on his echoing shield. My soul started with fear. I stretched my buckler over him: but my heaving breast was seen! Cairbar came with his spear. He beheld Seláma's maid. Joy rose on his dark-brown Taco. He stayed his lifted steel. He raised the tomb of Colla. He brought me weeping to Seláma. He spoke the words of love, but my soul was sad. I saw the shields of my fathers; the sword of car-borne Truthil. I saw the arms of the dead; the tear was on my cheek! Then thou didst come, O Nathos! and gloomy Cairbar fled. He fled like the ghost of the desert before the morning's beam. His host was not near; and feeble was his arm against thy steel! Why art thou sad, O Nathos?" said the lovely daughter of Colla.
"I have met," replied the hero, "the battle in my youth. My arm could not lift the spear when danger first arose. My soul brightened in the presence of war, as the green narrow vale, when the sun pours his streamy beams, before he hides his head in a storm. The lonely traveller feels a mournful joy. He sees the darkness that slowly comes. My soul brightened in danger before I saw Seláma's fair; before I saw thee, like a star that shines on the hill at night; the cloud advances, and threatens the lovely light! We are in the land of foes. The winds have deceived us, Dar-thula! The strength of our friends is not near, nor the mountains of Etha. Where shall I find thy peace, daughter of mighty Colla! The brothers of Nathos are brave, and his own sword has shone in fight. But what are the sons of Usnoth to the host of dark-brown Cairbar! O that the winds had brought thy sails, Oscar king of men! Thou didst promise to come to the battles of fallen Cormac! Then would my hand be strong as the flaming arm of death. Cairbar would tremble in his halls, and peace dwell round the lovely Dar-thula. But why dost thou fall, my soul? The sons of Usnoth may prevail!"
"And they will prevail, O Nathos!" said the rising soul of the maid. "Never shall Dar-thula behold the halls of gloomy Cairbar. Give me those arms of brass, that glitter to the passing meteor. I see them dimly in the dark-bosomed ship. Dar-thula will enter the battles of steel. Ghost of the noble Colla! do I behold thee on that cloud! Who is that dim beside thee? Is it the car-borne Truthil? Shall I behold the halls of him that slew Seláma's chief? No: I will not behold them, spirits of my love!"
Joy rose in the face of Nathos when he heard the white-bosomed maid. "Daughter of Seláma! thou shinest along my soul. Come, with thy thousands, Cairbar! the strength of Nathos is returned! Thou O aged Usnoth! shalt not hear that thy son has fled. I remembered thy words on Etha, when my sails began to rise: when I spread them towards Erin, towards the mossy walls of Tura! 'Thou goest,' he said, 'O Nathos, to the king of shields! Thou goest to Cuthullin, chief of men, who never fled from danger. Let not thine arm be feeble: neither be thy thoughts of flight; lest the son of Semo should say that Etha's race are weak. His words may come to Usnoth, and sadden his soul in the hall.' The tear was on my father's cheek. He gave this shining sword!
"I came to Tura's bay; but the halls of Tara were silent. I looked around, and there was none to tell of the son of generous Semo. I went to the hall of shells, where the arms of his fathers hung. But the arms were gone, and aged Lamhor sat in tears. 'Whence are the arms of steel?' said the rising Lamhor. 'The light of the spear has long been absent from Tura's dusky walls. Come ye from the rolling sea? or from Temora's mournful halls?'
"'We come from the sea,' I said, 'from Usnoth's rising towers. We are the sons of Slissáma, the daughter of car-borne Semo. Where is Tura's chief, son of the silent hall? But why should Nathos ask? for I behold thy tears. How did the mighty fall, son of the lonely Tura?' 'He fell not,' Lamhor replied, 'like the silent star of night, when it flies through darkness and is no more. But he was like a meteor that shoots into a distant land. Death attends its dreary course. Itself is the sign of wars. Mournful are the banks of Lego; and the roar of streamy Lara! There the hero fell, son of the noble Usnoth!' 'The hero fell in the midst of slaughter,' I said with a bursting sigh. 'His hand was strong in war. Death dimly sat behind his sword.'
"We came to Lego's sounding banks. We found his rising tomb. His friends in battle are there: his bards of many songs. Three days we mourned over the hero: on the fourth I struck the shield of Caithbat. The heroes gathered around with joy, and shook their beamy spears. Corlath was near with his host, the friend of car-borne Cairbar. We came like a stream by night. His heroes fell before us. When the people of the valley rose, they saw their blood with morning's light. But we rolled away, like wreaths of mist, to Cormac's echoing hall. Our swords rose to defend the king. But Temora's halls were empty. Cormac had fallen in his youth. The king of Erin was no more!
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poem by James Macpherson
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Horatius
A Lay Made About the Year Of The City CCCLX
I
Lars Porsena of Closium
By the Nine Gods he swore
That the great house of Tarquin
Should suffer wrong no more.
By the Nine Gods he swore it,
And named a trysting day,
And bade his messengers ride forth,
East and west and south and north,
To summon his array.
II
East and west and south and north
The messengers ride fast,
And tower and town and cottage
Have heard the trumpet's blast.
Shame on the false Etruscan
Who lingers in his home,
When Porsena of Clusium
Is on the march for Rome.
III
The horsemen and the footmen
Are pouring in amain
From many a stately market-place,
From many a fruitful plain,
From many a lonely hamlet,
Which, hid by beech and pine,
Like an eagle's nest, hangs on the crest
Of purple Apennine;
IV
From lordly Volaterræ,
Where scowls the far-famed hold
Piled by the hands of giants
For godlike kings of old;
From seagirt Populonia,
Whose sentinels descry
Sardinia's snowy mountain-tops
Fringing the southern sky;
V
From the proud mart of Pisæ,
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poem by Thomas Babbington Macaulay
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Endless Flight
Writers: andrew gold
Keep me steady
Dont rock me all around
Lord, I dont wanna fall down
Understand me
I wish this jet was off the ground
Look around you
And tell me what you see
Are you afraid or is it me?
I hope we make it
I hope we dont fall in the sea
And its gonna be an endless flight
Until we reach the ground tonight
Yes its gonna be an endless flight I know
Like a flyinbird in the night
The wind is strong but I hope Im right
An this will be the end of this endless flight
Make me happy
Just let me see the light
I hope the runway time is near
The look the captain gave
Wasnt comfort and saw fear
Oh, what a fear
And its gonna be an endless flight
Until we reach the ground tonight
Yes its gonna be an endless flight I know
Like a flyin bird in the night
The wind is strong but I hope Im right
An this will be the end of this endless flight
And its gonna be an endless flight
Until we reach the ground tonight
Yes its gonna be an endless flight I know
Like a flyin bird in the night
The wind is strong but I hope Im right
An this will be the end of this endless flight
And its gonna be an endless flight
Until we reach the ground tonight
Yes its gonna be an endless flight I know
Like a flyin bird in the night
The wind is strong but I hope Im right
An this will be the end of this endless flight
song performed by Leo Sayer
Added by Lucian Velea
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Lathmon
ARGUMENT.
Lathmon, a British prince, taking advantage of Fingal's absence on an expedition to Ireland, made a descent on Morven, and advanced within sight of Selma, the royal residence. Fingal arrived in the mean time, and Lathmon retreated to a hill, where his army was surprised by night, and himself taken prisoner by Ossian and Gaul the son of Morni. The poem opens with the first appearance of Fingal on the coast of Morven, and ends, it may be supposed, about noon the next day.
SELMA, thy halls are silent. There is no sound in the woods of Morven. The wave tumbles along on the coast. The silent beam of the sun is on the field. The daughters of Morven come forth, like the bow of the shower; they look towards green Erin for the white sails of the king. He had promised to return, but the winds of the north arose!
Who pours from the eastern hill, like a stream of darkness? It is the host of Lathmon. He has heard of the absence of Fingal. He trusts in the winds of the north. His soul brightens with joy. Why dost thou come, O Lathmon? The mighty are not in Selma. Why comest thou with thy forward spear? Will the daughters of Morven fight? But stop, O mighty stream, in thy course! Does not Lathmon behold these sails? Why dost thou vanish, Lathmon, like the mist of the lake? But the squally storm is behind thee; Fingal pursues thy steps!
The king of Morven had started from sleep, as we rolled on the dark-blue wave. He stretched his hand to his spear, his heroes rose around. We knew that he had seen his fathers, for they often descended to his dreams, when the sword of the foe rose over the land and the battle darkened before us. "Whither hast thou fled, O wind?" said the king of Morven. "Dost thou rustle in the chambers of the south? pursuest thou the shower in other lands? Why dost thou not come to my sails? to the blue face of my seas? The foe is in the land of Morven, and the king is absent far. But let each bind on his mail, and each assume his shield. Stretch every spear over the wave; let every sword be unsheathed. Lathmon is before us with his host; he that fled from Fingal on the plains of Lona. But he returns like a collected stream, and his roar is between our hills."
Such were the words of Fingal. We rushed into Carmon's bay. Ossian ascended the hill! he thrice struck his bossy shield. The rock of Morven replied: the bounding roes came forth. The foe was troubled in my presence: he collected his darkened host. I stood like a cloud on the hill, rejoicing in the arms of my youth.
Morni sat beneath a tree on the roaring waters of Strumon: his locks of age are gray: he leans forward on his staff; young Gaul is near the hero, hearing the battles of his father. Often did he rise in the fire of his soul, at the mighty deeds of Morni. The aged heard the sound of Ossian's shield; he knew the sign of war. He started at once from his place. His gray hair parted on his back. lie remembered the deeds of other years.
"My son," he said, to fair-haired Gaul, "I hear the sound of war. The king of Morven is returned; his signals are spread on the wind. Go to the halls of Strumon; bring his arms to Morni. Bring the shield of my father's latter years, for my arm begins to fail. Take thou thy armor, O Gaul! and rush to the first of thy battles. Let thine arm reach to the renown of thy fathers. Be thy course in the field like the eagle's wing. Why shouldst thou fear death, my son? the valiant fall with fame; their shields turn the dark stream of danger away; renown dwells on their aged hairs. Dost thou not see, O Gaul! low the steps of my age are honored? Morni moves forth. and the young men meet him, with silent joy, on his course. But I never fled from danger, my son! my sword lightened through the darkness of war. The stranger melted before me; the mighty were blasted in my presence."
Gaul brought the arms to Morni: the aged warrior is covered with steel. He took the spear in his hand, which was stained with the blood of the valiant. He came towards Fingal; his son attended his steps. The son of Comhal arose before him with joy, when he came in his locks of age.
"Chief of the roaring Strumon!" said the rising soul of Fingal; "do I behold thee in arms, after thy strength has failed? Often has Morni shone in fight, like the beam of the ascending sun; when he disperses the storms of the hill, and brings peace to the glittering fields. But why didst thou not rest in thine age? Thy renown is in the song. The people behold thee, and bless the departure of mighty Morni. Why didst thou not rest in thine age? The foe will vanish before Fingal!"
"Son of Comhal," replied the chief, "the strength of Morni's arm has failed. I attempt to draw the sword of my youth, but it remains in its place. I throw the spear, but it falls short of the mark. I feel the weight of my shield. We decay like the grass of the hill; our strength returns no more. I have a son, O Fingal! his soul has delighted in Morni's deeds; but his sword has not been lifted against a foe, neither has his fame begun. I come with him to the war; to direct his arm in fight. His renown will be a light to my soul in the dark hour of my departure. O that the name of Morni were forgot among the people! that the heroes would only say, 'Behold the father of Gaul!'"
"King of Strumon," Fingal replied, "Gaul shall lift the sword in fight. But he shall lift it before Fingal; my arm shall defend his youth. But rest thou in the halls of Selma, and hear of our renown. Bid the harp to be strung, and the voice of the bard to arise, that those who fall may rejoice in their fame, and the soul of Morni brighten with joy. Ossian, thou hast fought in battles: the blood of strangers is on thy spear: thy course be with Gaul in the strife; but depart not from the side of Fingal, lest the foe should find you alone, and your fame fail in my presence."
[Ossian speaks ] "I saw Gaul in his arms; my soul was mixed with his. The fire of the battle was in his eyes! he looked to the foe with joy. We spoke the words of friendship in secret; the lightning of our swords poured together; for we drew them behind the wood, and tried the strength of our arms on the empty air!"
Night came down on Morven. Fingal sat at the beam of the oak. Morni sat by his side with all his gray-waving locks. Their words were of other times, of the mighty deeds of their fathers. Three bards, at times, touched the harp: Ullin was near with his song. He sung of the mighty Comhal; but darkness gathered on Morni's brow. He rolled his red eye on Ullin: at once ceased the song of the bard. Fingal observed the aged hero, and he mildly spoke: "Chief of Strumon, why that darkness? Let the days of other years be forgot. Our fathers contended in war; but we meet together at the feast. Our swords are turned on the foe of our land: he melts before us on the field. Let the days of our fathers be forgot, hero of mossy Strumon!"
King of Morven," replied the chief, "I remember thy father with joy. He was terrible in battle, the rage of the chief was deadly. My eyes were full of tears when the king of heroes fell. The valiant fall, O Fingal! the feeble remain on the hills! How many heroes have passed away in the days of Morni! Yet I did not shun the battle; neither did I fly from the strife of the valiant. Now let the friends of Fingal rest, for the night is around, that they may rise with strength to battle against car-borne Lathmon. I hear the sound of his host, like thunder moving on the hills. Ossian! and fair-haired Gaul! ye are young and swift in the race. Observe the foes of Fingal from that woody hill. But approach them not: your fathers are near to shield you. Let not your fame fall at once. The valor of youth may fail!"
We heard the words of the chief with joy. We moved in the clang of our arms. Our steps are on the woody hill. Heaven burns with all its stars. The meteors of death fly over the field. The distant noise of the foe reached our ears. It was than Gaul spoke, in his valor: his hand half unsheathed his sword.
"Son of Fingal!" he said, "why burns the soul of Gaul? my heart beats high. My steps are disordered; my hand trembles on my sword. When I look towards the foe, my soul lightens before me. I see their sleeping host. Tremble thus the souls of the valiant in battles of the spear? How would the soul of Morni rise if we should rush on the foe? Our renown should grow in song: our steps would be stately in the eyes of the brave."
"Son of Morni," I replied, "my soul delights in war. I delight to shine in battle alone, to give my name to the bards. But what if the foe should prevail? can I behold the eyes of the king? They are terrible in his displeasure, and like the flames of death. But I will not behold them in his wrath! Ossian shall prevail or fall. But shall the fame of the vanquished rise? They pass like a shade away. But the fame of Ossian shall rise! His deeds shall be like his father's. Let us rush in our arms; son of Morni, let us rush to fight. Gaul, if thou shouldst return, go to Selma's lofty hall. Tell to Everallin that I fell with fame; carry this sword to Branno's daughter. Let her give it to Oscar, when the years of his youth shall arise."
"Son of Fingal," Gaul replied with a sigh, "shall I return after Ossian is low? What would my father say? what Fingal, the king of men? The feeble would turn their eyes and say, 'Behold Gaul, who left his friend in his blood!' Ye shall not behold me, ye feeble, but in the midst of my renown! Ossian, I have heard from my father the mighty deeds of heroes; their mighty deeds when alone! for the soul increases in danger!"
"Son of Morni," I replied, and strode before him on the heath, "our fathers shall praise our valor when they mourn our fall. A beam of gladness shall rise on their souls, when their eyes are full of tears. They will, say, 'Our sons have not fallen unknown: they spread death around them.' But why should we think of the narrow house? The sword defends the brave. But death pursues the flight of the feeble; their renown is never heard."
We rushed forward through night; we came to the roar of a stream, which bent its blue course round the foe, through trees that echoed to its sound. We came to the bank of the stream, and saw the sleeping host. Their fires were decayed on the plain: the lonely steps of their scouts were distant far. I stretched my spear before me, to support my steps over the stream. But Gaul took my hand, and spoke the words of the brave. "Shall the son of Fingal rush on the sleeping foe? Shall he come like a blast by night, when it overturns the young trees in secret? Fingal did no receive his fame, nor dwells renown on the gray hairs of Morni, for actions like these. Strike, Ossian, strike the shield, and let their thousands rise! Let them meet Gaul in his first battle, that he may try the strength of his arm."
My soul rejoiced over the warrior; my bursting tears came down. "And the foe shall meet thee, Gaul," I said: "the fame of Morni's son shall arise. But rush not too far, my hero: let the gleam of thy steel be near to Ossian. Let our hands join in slaughter. Gaul! dost thou not behold that rock? Its gray side dimly gleams to the stars. Should the foe prevail, let our back be towards the rock. Then shall they fear to approach our spears; for death is in our hands!"
I struck thrice my echoing shield. The startling foe arose. We rushed on in the sound of our arms. Their crowded steps fly over the heath. They thought that the mighty Fingal was come. The strength of their arms withered away. The sound of their flight was like that of flame, when it rushes through the blasted groves. It was then the spear of Gaul flew in its strength; it was then his sword arose. Cramo fell; and mighty Leth! Dunthormo struggled in his blood. The steel rushed through Crotho's side, as bent he rose on his spear; the black stream poured from the wound, and hissed on the half-extinguished oak. Cathmin saw the steps of the hero behind him: he ascended a blasted tree; but the spear pierced him from behind. Shrieking, panting, he fell. Moss and withered branches pursue his fall, and strew the blue arms of Gaul.
Such were thy deeds, son of Morni, in the first of thy battles. Nor slept the sword by thy side, thou last of Fingal's race! Ossian rushed forward in his strength; the people fell before him; as the grass by the stall of the boy, when he whistles along the field, and the gray beard of the thistle falls. But careless the youth moves on; his steps are towards the desert. Gray morning rose around us; the winding streams are bright along the heath. The foe gathered on a bill; and the rage of Lathmon rose. He bent the red eye of his wrath: he is silent in his rising grief. He often struck his bossy shield: and his steps are unequal on the heath. I saw the distant darkness of the hero, and I spoke to Morni's son.
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poem by James Macpherson
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The War Of Caros
Caros is probably the noted usurper Carausius, by birth a Menapran, who assumed the purple in the year 284; and, seizing on Britain, defeated the emperor Maximinian Herculius in several naval engagements, which gives propriety to his being called in this poem "the king of ships." He repaired Agricola's wall, in order to obstruct the incursions of the Caledonians, and when he was employed in that work, it appears he was attacked by a party under the command of Oscar the son of' Ossian. This battle is the foundation of the present poem, which is addressed to Malvina, the daughter of Toscar.
Bring, daughter of Toscar, bring the harp! the light of the song rises in Ossian's soul! It is like the field, when darkness covers the hills around, and the shadow grows slowly on the plain of the sun. I behold my son, O Malvina! near the mossy rock of Crona. But it is the mist of the desert, tinged with the beam of the west! Lovely is the mist that assumes the form of Oscar! turn from it, ye winds, when ye roar on the side of Ardven!
Who comes towards my son, with the murmur of a song? His staff is in his hand, his gray hair loose on the wind. Surly joy lightens his face. He often looks back to Caros. It is Ryno of songs, he that went to view the foe. "What does Caros, king of ships?" said the son of the now mournful Ossian: "spreads he the wings of his pride, bard of the times of old?" "He spreads them, Oscar," replied the bard," but it is behind his gathered heap. He looks over his stones with fear. He beholds thee terrible, as the ghost of night, that rolls the waves to his ships!"
"Go, thou first of my bards!" says Oscar, "take the spear of Fingal. Fix a flame on its point. Shake it to the winds of heaven. Bid him in songs, to advance, and leave the rolling of his wave. Tell to Caros that I long for battle; that my bow is weary of the chase of Cona. Tell him the mighty are not here; and that my arm is young."
He went with the murmur of songs. Oscar reared his voice on high. It reached his heroes on Ardven, like the noise of a cave, when the sea of Togorma rolls before it, and its trees meet the roaring winds. They gather round my son like the streams of the hill; when, after rain, they roll in the pride of their course. Ryno came to the mighty Caros. He struck his flaming spear. Come to the battle of Oscar. O thou that sittest on the rolling waves! Fingal is distant far; he hears the songs of bards in Morven: the wind of his hall is in his hair. His terrible spear is at his side; his shield that is like the darkened moon Come to the battle of Oscar; the hero is alone.
He came not over the streamy Carun. The bard returned with his song. Gray night grows dim on Crona. The feast of shells is spread. A hundred oaks burn to the wind; faint light gleams over the heath. The ghosts of Ardven pass through the beam, and show their dim and distant forms. Comala is half unseen on her meteor; Hidallan is sullen and dim, like the darkened moon behind the mist of night.
" Why art thou sad?" said Ryno; for he alone beheld the chief. "Why art thou sad, Hidallan! hast thou not received thy fame? The songs of Ossian have been heard , thy ghost has brightened in wind, when thou didst bend from thy cloud to hear the song of Morven's bard!"—-" And do thine eyes," said Oscar, " behold the chief, like the dim meteor of night? Say, Ryno, say, how fell Hidallan, the renowned in the days of my fathers! His name remains on the rocks of Cona. I have often seen the streams of his hills!"
Fingal, replied the bard, drove Hidallan from his wars. The king's soul was sad for Comala, and his eyes could not behold the chief. Lonely, sad, along the heath he slowly moved, with silent steps. His arms hung disordered on his side. His hair flies loose from his brow. The tear is in his downcast eyes; a sigh half silent in his breast! Three days he strayed unseen, alone, before he came to Lamor's halls: the mossy halls of his fathers, at the stream of Balva. There Lamor sat alone beneath a tree; for he had sent his people with Hidallan to war. The stream ran at his feet; his gray head rested on his staff. Sightless are his aged eyes. He hums the song of other times. The noise of Hidallan's feet came to his ear: he knew the tread of his son.
"Is the son of Lamor returned; or is it the sound of his ghost? Hast thou fallen on the banks of Carun, son of the aged Lamor? Or, if I hear the sound of Hidallan's feet, where are the mighty in the war? where are my people, Hidallan! that were wont to return with their echoing shields? Have they fallen on the banks of Carun?"
"No," replied the sighing youth, "the people of Lamor live. They are renowned in war, my father! but Hidallan is renowned no more. I must sit alone on the banks of Balva, when the roar of the battle grows."
" But thy fathers never sat alone," replied the rising pride of Lamor. "They never sat alone on the banks of Balva, when the roar of battle rose. Dost thou not behold that tomb? My eyes discern it not; there rests the noble Garmállon, who never fled from war! Come, thou renowned in battle, he says, come to thy father's tomb. How am I renowned, Garmállon? my son has fled from war!"
"King of the streamy Balva!" said Hidallan with a sigh, "why dost thou torment my soul? Lamor, I never fled. Fingal was sad for Comala; he denied his wars to Hidallan. Go to the gray streams of thy land, he said; moulder like a leafless oak, which the winds have bent over Balva, never more to grow."
"And must I hear," Lamor replied, "the lonely tread of Hidallan's feet? When thousands are renowned in battle, shall he bend over my gray streams? Spirit of the noble Garmállon! carry Lamor to his place; his eyes are dark, his soul is sad, his son has lost his fame."
"Where," said the youth, " shall I search for fames to gladden the soul of Lamor? From whence shall return with renown, that the sound of my arms may be pleasant in his ear? If I go to the chase of hinds, my name will not be heard. Lamor will not feel my dogs with his hands, glad at my arrival from the hill. He will not inquire of his mountains, or of the dark-brown deer of his deserts!"
"I must fall," said Lamor, "like a leafless oak: it grew on a rock! it was overturned by the winds! My ghost will be seen on my hills, mournful for my young Hidallan. Will not ye, ye mists, as ye rise, hide him from my sight! My son, go to Lamor's ball: there the arms of our fathers hang. Bring the sword of Garmállon: he took it from a foe!"
He went and brought the sword with all its studded thongs. He gave it to his father. The gray-haired hero felt the point with his hand.
"My son, lead me to Garmállon's tomb: it rises beside that rustling tree. The long grass is withered; I hear the breezes whistling there. A little fountain murmurs near, and sends its waters to Balva. There let me rest; it is noon: the sun is on our fields!"
He led him to Garmállon's tomb. Lamor pierced the side of his son. They sleep together: their ancient halls moulder away. Ghosts are seen there at noon: the valley is silent, and the people shun the place of Lamor.
"Mournful is thy tale," said Oscar, "son of the times of old! My soul sighs for Hidallan; he fell in the days of his youth. He flies on the blast of the desert: his wandering is in a foreign land. Sons of the echoing Morven! draw near to the foes of Fingal. Send the night away in songs; watch the strength of Caros. Oscar goes to the people of other times; to the shades of silent Ardven, where his fathers sit dim in their clouds, and behold the future war. And art thou there, Hidallan, like a half-extinguished meteor? Come to my sight, in thy sorrow, chief of the winding Balva!"
The heroes move with their songs. Oscar slowly ascends the hill. The meteors of night set on the heath before him. A distant torrent faintly roars. Unfrequent blasts rush through aged oaks. The half enlightened moon sinks dim and red behind her hill. Feeble Voices are heard on the heath. Oscar drew his sword! " Come," said the hero, " O ye ghosts of my fathers! ye that fought against the kings of the world! Tell the deeds of future times; and your converse in our caves, when you talk together, and behold your sons in the fields of the brave!"
Trenmo came from his hill at the voice of his mighty son. A cloud, like the steed of the stranger, supported his airy limbs. His robe is of the mist of Lano, that brings death to the people. His sword is a green meteor, half-extinguished. His face is without form, and dark. He sighed thrice over the hero; thrice the winds of night roared around! Many were his words to Oscar; but they only came by halves to our ears; they were dark as the tales of other times, before the light of the song arose. He slowly vanished, like a mist that melts on the sunny hill. it was then, O daughter of Toscar! my son began first to be sad. He foresaw the fall of his race. At times he was thoughtful and dark, like the sun when he carries a cloud on his face, but again he looks forth from his darkness on the green hills of Cona.
Oscar passed the night among his fathers: gray morning met him on Carun's banks. A green vale surrounded a tomb which arose in the times of old. Little hills lift their heads at a distance, and stretch their old trees to the wind. The warriors of Caros sat there, for they had passed the stream by night. They appeared like the trunks of aged pines, to the pale light of the morning. Oscar stood at the tomb, and raised thrice his terrible voice. The rocking hills echoed around; the starting roes bounded away: and the trembling ghosts of the dead fled, shrieking on their clouds. So terrible was the voice of my son, when he called his friends!
A thousand spears arose around; the people of Caros rose. Why, daughter of Toscar, why that tear? My son, though alone, is brave. Oscar is like a beam of the sky; he turns around, and the people fall. his hand is the arm of a ghost, when he stretches it from a cloud; the rest of his thin form is unseen; but the people die in the vale! My son beheld the approach of the foe; he stood in the silent darkness of his strength. " Am I alone," said Oscar, " in the midst of a thousand foes? Many a spear is there! many a darkly-rolling eye. Shall I fly to Ardven? But did my fathers ever fly? The mark of their arm is in a thousand battles. Oscar too shall be renowned. Come, ye dim ghosts of my fathers, and behold my deeds in war! I may fall; but I will be renowned like the race of the echoing Morven." He stood, growing in his place, like a flood in a narrow vale! The battle came, but they fell: bloody was the sword of Oscar!
The noise reached his people at Crona; they came like a hundred streams. The warriors of Caros fled; Oscar remained like a rock left by the ebbing sea. Now dark and deep, with all his steeds, Caros rolled his might along: the little streams are lost in his course: the earth is rocking round. Battle spreads from wing to wing; ten thousand swords gleam at once in the sky. But why should Ossian sing of battles? For never more shall my steel shine in war. I remember the days of my youth with grief, when I feel the weakness of my arm. Happy are they who fell in their youth, in the midst of their renown! They have not beheld the tombs of their friends, or failed to bend the bow of their strength. Happy art thou, O Oscar, in the midst of thy rushing blast! Thou often goest to the fields of thy fame, where Caros fled from thy lifted sword!
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poem by James Macpherson
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Our Fathers of Old
Excellent herbs had our fathers of old--
Excellent herbs to ease their pain--
Alexanders and Marigold,
Eyebright, Orris, and Elecampane--
Basil, Rocket, Valerian, Rue,
( Almost singing themselves they run)
Vervain, Dittany, Call-me-to-you--
Cowslip, Melilot, Rose of the Sun.
Anything green that grew out of the mould
Was an excellent herb to our fathers of old.
Wonderful tales had our fathers of old,
Wonderful tales of the herbs and the stars-
The Sun was Lord of the Marigold,
Basil and Rocket belonged to Mars.
Pat as a sum in division it goes--
(Every herb had a planet bespoke)--
Who but Venus should govern the Rose?
Who but Jupiter own the Oak?
Simply and gravely the facts are told
In the wonderful books of our fathers of old.
Wonderful little, when all is said,
Wonderful little our fathers knew.
Half their remedies cured you dead--
Most of their teaching was quite untrue--
"Look at the stars when a patient is ill.
(Dirt has nothing to do with disease),
Bleed and blister as much as you will,
Bister and bleed him as oft as you please."
Whence enormous and manifold
Errors were made by our fathers of old.
Yet when the sickness was sore in the land,
And neither planets nor herbs assuaged,
They took their lives in their lancet-hand
And, oh, what a wonderful war they waged!
Yes, when the crosses were chalked on the door-
(Yes, when the terrible dead-cart rolled! )
Excellent courage our fathers bore--
None too learned, but nobly bold
Into the fight went our fathers of old.
If it be certain, as Galen says--
And sage Hippocrates holds as much--
"That those afflicted by doubts and dismays
Are mightily helped by a dead man's touch,"
Then, be good to us, stars above!
Then, be good to us, herbs below!
We are afflicted by what we can prove,
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poem by Rudyard Kipling
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Temora - Book III
ARGUMENT.
Morning coming on, Fingal, after a speech to his people, devolved the command on Gaul, the son of Morni; it being the custom of the times, that the king should not engage, till the necessity of affairs required his superior valor and conduct. The king and Ossian retire to the hill of Cormul, which overlooked the field of battle. The bards sing the war-song. The general conflict is described. Gaul, the son of Morni, distinguishes himself; kills Tur-lathon, chief of Moruth, and other chiefs of lesser name. On the other hand, Foldath, who commanded the Irish army (for Cathmor, after the example of Fingal, kept himself from battle,) fights gallantly; kills Connal, chief of Dun-lora, and advances to engage Gaul himself. Gaul, in the mean time, being wounded in the hand, by a random arrow, is covered by Fillan the son of Fingal, who performs prodigies of valor. Night comes on. The horn of Fingal recalls his army. The bards meet them with a congratulatory song, in which the praises of Gaul and Fillan are particularly celebrated. The chiefs sit down at a feast; Fingal misses Connal. The episode of Connal and Duth-caron is introduced; which throws further light on the ancient history of Ireland. Carril is despatched to raise the tomb of Connal. The action of this book takes up the second day from the opening of the poem.
"Who is that at blue-streaming Lubar? Who, by the bending hill of roes? Tall he leans on an oak torn from high, by nightly winds. Who but Comhal's son, brightening in the last of his fields? His gray hair is on the breeze. He half unsheathes the sword of Luno. His eyes are turned to Moi-lena, to the dark moving of foes. Dost thou hear the voice of the king? it is like the bursting of a stream in the desert, when it comes, between its echoing rocks, to the blasted field of the sun!
Wide-skirted comes down the foe! Sons of woody Selma, arise! Be ye like the rocks of our land, in whose brown sides are the rolling of streams. A beam of joy comes on my soul. I see the foe mighty before me. It is when he is feeble, that the sighs of Fingal are heard: lest death should come without renown, and darkness dwell on his tomb. Who shall lead the war, against the host of Alnecma? It is only when danger grows, that my sword shalt shine. Such was the custom, heretofore, of Trenmor the ruler of winds! and thus descended to battle the blue-shielded Trathal!"
The chiefs bend towards the king. Each darkly seems to claim the war. They tell, by halves, their mighty deeds. They turn their eyes on Erin. But far before the rest the son of Morni stands. Silent he stands, for who had not heard of the battles of Gaul They rose within his soul. His hand, in secret, seized the sword. The sword which he brought from Strumon, when the strength of Morni failed. On his spear leans Fillan of Selma, in the wandering of his locks. Thrice he raises his eyes to Fingal: his voice thrice fails him as he speaks. My brother could not boast of battles: at once he strides away. Bent over a distant stream he stands: the tear hangs in his eye. He strikes, at times, the thistle's head, with his inverted spear. Nor is he unseen of Fingal. Sidelong he beholds his son. He beholds him with bursting joy; and turns, amid his crowded soul. In silence turns the king towards Mora of woods. He hides the big tear with his locks. At length his voice is heard.
"First of the sons of Morni! Thou rock that defiest the storm! Lead thou my battle for the race of low-laid Cormac. No boy's staff is thy spear: no harmless beam of light thy sword. Son of Morni of steeds, behold the foe! Destroy! Fillan, observe the chief! He is not calm in strife: nor burns he, heedless in battle. My son, observe the chief! He is strong as Lubar's stream, but never foams and roars. High on cloudy Mora, Fingal shall behold the war. Stand, Ossian, near thy father, by the falling stream. Raise the voice, O bards! Selma, move beneath the sound. It is my latter field. Clothe it over with light."
As the sudden rising of winds; or distant rolling of troubled seas, when some dark ghost in wrath heaves the billows over an isle: an isle the seat of mist on the deep, for many dark-brown years! So terrible is the sound of the host, wide moving over the field. Gaul is tall before them. The streams glitter within his strides. The bards raise the song by his side. He strikes his shield between. On the skirts of the blast the tuneful voices rise.
"On Crona," said the bards, "there bursts a stream by night. It swells in its own dark course, till morning's early beam. Then comes it white from the hill, with the rocks and their hundred groves. Far be my steps from Crona. Death is tumbling there. Be ye a stream from Mora, sons of cloudy Morven!
"Who rises, from his car, on Clutha? The hills are troubled before the king! The dark woods echo round, and lighten at his steel. See him amidst the foe, like Colgach's sportful ghost: when he scatters the clouds and rides the eddying winds! It is Morni of bounding steeds! Be like thy father, O Gaul!
"Selma is opened wide. Bards take the trembling harps. Ten youths bear the oak of the feast. A distant sunbeam marks the hill. The dusky waves of the blast fly over the fields of grass. Why art thou silent, O Selma? The king returns with all his fame. Did not the battle roar? yet peaceful is his brow! It roared, and Fingal overcame. Be like thy father, O Fillan!"
They move beneath the song. High wave their arms, as rushy fields beneath autumnal winds. On Mora stands the king in arms. Mist flies round his buckler abroad; as aloft it hung on a bough, on Cormul's mossy rock. In silence I stood by Fingal, and turned my eyes on Cromla's wood: lest I should behold the host, and rush amid my swelling soul. My foot is forward on the heath. I glittered, tall in steel: like the falling stream of Tromo, which nightly winds bind over with ice. The boy sees it on high gleaming to the early beam: towards it he turns his ear, wonders why it is so silent.
Nor bent over a stream is Cathmor, like a youth in a peaceful field. Wide he drew forward the war, a dark and troubled wave. But when he beheld Fingal on Mora, his generous pride arose. "Shall the chief of Atha fight, and no king in the field? Foldath, lead my people forth, thou art a beam of fire."
Forth issues Foldath of Moma, like a cloud, the robe of ghosts. He drew his sword, a flame from his side. He bade the battle move. The tribes, like ridgy waves, dark pour their strength around. Haughty is his stride before them. His red eye rolls in wrath. He calls Cormul, chief of Dun-ratho; and his words were heard.
"Cormul, thou beholdest that path. It winds green behind the foe. Place thy people there; lest Selma should escape from my sword. Bards of green-valleyed Erin, let no voice of yours arise. The sons of Morven must fall without song. They are the foes of Cairbar. Hereafter shall the traveller meet their dark, thick mist, on Lena, where it wanders with their ghosts, beside the reedy lake. Never shall they rise, without song, to the dwelling of winds."
Cormul darkened as he went. Behind him rushed his tribe. They sunk beyond the rock. Gaul spoke to Fillan of Selma; as his eye pursued the course of the dark-eyed chief of Dun-ratho. "Thou beholdest the steps of Cormul! Let thine arm be strong! When he is low, son of Fingal, remember Gaul in war. Here I fall forward into baffle, amid the ridge of shields!"
The sign of death ascends: the dreadful sound of Morni's shield. Gaul pours his voice between. Fingal rises on Mora. He saw them from wing to wing, bending at once in strife. Gleaming on his own dark hill, stood Cathmor, of streamy Atha. The kings were like two spirits of heaven, standing each on his gloomy cloud: when they pour abroad the winds, and lift the roaring seas. The blue tumbling of waves is before them, marked with the paths of whales. They themselves are calm and bright. The gale lifts slowly their locks of mist.
What beam of light hangs high in air? What beam but Morni's dreadful sword? Death is strewed on thy paths, O Gaul! Thou foldest them together in thy rage. Like a young oak falls Tur-lathon, with his branches round him. His high-bosomed spouse stretches her white arms, in dreams, to the returning chief, as she sleeps by gurgling Moruth, in her disordered locks. It is his ghost, Oichoma. The chief is lowly laid. Hearken not to the winds for Tur-lathon's echoing shield. It is pierced, by his streams. Its sound is passed away.
Not peaceful is the hand of Foldath. He winds his course in blood. Connal met him in fight. They mixed their clanging steel. Why should mine eyes behold them? Connal, thy locks are gray! Thou wert the friend of strangers, at the moss-covered rock of Dun-Ion. When the skies were rolled together: then thy feast was spread. The stranger heard the winds without; and rejoiced at thy burning oak. Why, son of Duth-caron, art thou laid in blood? the blasted tree bends above thee. Thy shield lies broken near. Thy blood mixes with the stream, thou breaker of the shields!
Ossian took the spear, in his wrath. But Gaul rushed forward on Foldath. The feeble pass by his side: his rage is turned on Moma's chief. Now they had raised their deathful spears: unseen an arrow came. it pierced the hand of Gaul. His steel fell sounding to earth. Young Fillan came, with Cormul's shield! lie stretched it large before the chief. Foldath sent his shouts abroad, and kindled all the field: as a blast that lifts the wide-winged flame over Lumon's echoing groves.
"Son of blue-eyed Clatho," said Gaul, "O Fillan! thou art a beam from heaven; that, coming on the troubled deep, binds up the tempest's wing. Cormul is fallen before thee. Early art thou in the fame of thy fathers. Rush not too far, my hero. I cannot lift the spear to aid. I stand harmless in battle: but my voice shall be poured abroad. The sons of Selma shall hear, and remember my former deeds."
His terrible voice rose on the wind. The host bends forward in fight. Often had they heard him at Strumon, when he called them to the chase of the hinds. He stands tall amid the war, as an oak in the skins of a storm, which now is clothed on high, in mist: then shows its broad waving head. The musing hunter lifts his eye, from his own rushy field!
My soul pursues thee, O Fillan! through the path of thy fame. Thou rollest the foe before thee. Now Foldath, perhaps, may fly: but night comes down with its clouds. Cathmor's horn is heard on high. The sons of Selma hear the voice of Fingal, from Mora's gathered mist. The bards pour their song, like den, on the returning war.
"Who comes from Strumon," they said, "amid her wandering locks? She is mournful in her steps, and lifts her blue eyes towards Erin. Why art thou sad, Evir-choma? Who is like thy chief in renown? He descended dreadful to battle; he returns, like a light from a cloud. He raised the sword in wrath: they shrunk before blue-shielded Gaul!
"Joy, like the rustling gale, comes on the soul of the king. He remembers the battles of old; the days wherein his fathers fought. The days of old return on Fingal's mind, as he beholds the renown of his sons. As the sun rejoices, from his cloud, over the tree his beams have raised, as it shades its lonely head on the heath; so joyful is the king over Fillan!
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poem by James Macpherson
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Endless Stream Of Tears
I cry awake at night and hug my pillow
And pray that I will die before I wake
No such luck
Another day of cryin
Dont know how much more my old heart can break
Flooded with these memories and emotions
The tears like rain keep on falling down
They say that Ill forget
But my face is just as wet
As it was the day you left this town
Chorus:
Drowning in this endless, endless
Drowning in an endless stream of tears
Its relentless and Im defenseless
Drowning in an endless stream of tears
I cant believe that I can talk about it
I never thought Id live to see this day
But a broken heart wont kill you
You just want to die
But you have to go on livin anyway
I feel it through and through
And Ive never been so blue
And I cried a river over you
Repeat chorus
Oh, Im drowning in this endless, endless
Drowning in this endless, endless
Drowning in this endless, endless
Drowning in this endless stream of tears
song performed by Dolly Parton
Added by Lucian Velea
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Endless Dark
Softly the light shines in through
gates of grace on me and you
deceiving our restless hearts
a flickering flame so serene
it fires the night so we could see
the feeling we hold on to so strong
and I know where I belong
away from your Gods
that heal all wounds and light this endless dark
endless dark
this endless dark
Lonely the light shines on you
through the gates of fire entombed
feeding on your love
weak is the blaze that kept me away
from cruelty and tenderness embraced
saving my soul no more
and I know where I belong
away from your Gods
that heal all wounds and light this endless dark
endless dark
this endless dark
I know where I belong
away from you Gods
that heal all wounds and light this endless dark
that shines on you and tame your burning heart
that bury my truth right into your arms
that worship the tomb of our forlorn love
that heal all wounds and light this endless dark
that heal all wounds and light this endless dark
that heal all wounds and light this endless dark
that heal all wounds and light this endless dark
song performed by H.I.M.
Added by Lucian Velea
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Endless Dark
Softly the light shines in through
Gates of grace on me and you
Deceiving our restless hearts
A flickering flame so serene
It fires the night so we could see
Feeling alone so strong
And I know where I belong
Away from your guards
That heal our wounds in life
This endless dark
Endless dark
This endless dark
Lovely the light shines on you
Through the gates of fire entombed
Feeling on your own
Weak is the blaze that kept me away
From cruelty and tenderness embraced
Saving my soul no more
And I know where I belong
Away from your guards
That heal our wounds in life
This endless dark
Endless dark
This endless dark
I know where I belong
Away from you guards
That heal our wounds in life,
This endless dark
The shadow on you that tamed your burning heart
That buried my truth right into your arms
The words of the tomb of I fall on lone
That heal our wounds and light , this endless dark
That heal our wounds and light , this endless dark
That heal our wounds and light , this endless dark
That heal our wounds and light , this endless dark
song performed by H.i.m. (his Infernal Majesty)
Added by Lucian Velea
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The Scripture of the Golden Eternity
1
Did I create that sky? Yes, for, if it was anything other than a conception in my mind I wouldnt have said 'Sky'-That is why I am the golden eternity. There are not two of us here, reader and writer, but one, one golden eternity, One-Which-It-Is, That-Which- Everything-Is.
2
The awakened Buddha to show the way, the chosen Messiah to die in the degradation of sentience, is the golden eternity. One that is what is, the golden eternity, or, God, or, Tathagata-the name. The Named One. The human God. Sentient Godhood. Animate Divine. The Deified One. The Verified One. The Free One. The Liberator. The Still One. The settled One. The Established One. Golden Eternity. All is Well. The Empty One. The Ready One. The Quitter. The Sitter. The Justified One. The Happy One.
3
That sky, if it was anything other than an illusion of my mortal mind I wouldnt have said 'that sky.' Thus I made that sky, I am the golden eternity. I am Mortal Golden Eternity.
4
I was awakened to show the way, chosen to die in the degradation of life, because I am Mortal Golden Eternity.
5
I am the golden eternity in mortal animate form.
6
Strictly speaking, there is no me, because all is emptiness. I am empty, I am non-existent. All is bliss.
7
This truth law has no more reality than the world.
8
You are the golden eternity because there is no me and no you, only one golden eternity.
9
The Realizer. Entertain no imaginations whatever, for the thing is a no-thing. Knowing this then is Human Godhood.
10
This world is the movie of what everything is, it is one movie, made of the same stuff throughout, belonging to nobody, which is what everything is.
11
If we were not all the golden eternity we wouldnt be here. Because we are here we cant help being pure. To tell man to be pure on account of the punishing angel that punishes the bad and the rewarding angel that rewards the good would be like telling the water 'Be Wet'-Never the less, all things depend on supreme reality, which is already established as the record of Karma earned-fate.
12
God is not outside us but is just us, the living and the dead, the never-lived and never-died. That we should learn it only now, is supreme reality, it was written a long time ago in the archives of universal mind, it is already done, there's no more to do.
13
This is the knowledge that sees the golden eternity in all things, which is us, you, me, and which is no longer us, you, me.
14
What name shall we give it which hath no name, the common eternal matter of the mind? If we were to call it essence, some might think it meant perfume, or gold, or honey. It is not even mind. It is not even discussible, groupable into words; it is not even endless, in fact it is not even mysterious or inscrutably inexplicable; it is what is; it is that; it is this. We could easily call the golden eternity 'This.' But 'what's in a name?' asked Shakespeare. The golden eternity by another name would be as sweet. A Tathagata, a God, a Buddha by another name, an Allah, a Sri Krishna, a Coyote, a Brahma, a Mazda, a Messiah, an Amida, an Aremedeia, a Maitreya, a Palalakonuh, 1 2 3 4 5 6 7 8 would be as sweet. The golden eternity is X, the golden eternity is A, the golden eternity is /\, the golden eternity is O, the golden eternity is [ ], the golden eternity is t-h-e-g-o-l-d-e-n-e-t-e-r- n-i-t-y. In the beginning was the word; before the beginning, in the beginningless infinite neverendingness, was the essence. Both the word 'god' and the essence of the word, are emptiness. The form of emptiness which is emptiness having taken the form of form, is what you see and hear and feel right now, and what you taste and smell and think as you read this. Wait awhile, close your eyes, let your breathing stop three seconds or so, listen to the inside silence in the womb of the world, let your hands and nerve-ends drop, re-recognize the bliss you forgot, the emptiness and essence and ecstasy of ever having been and ever to be the golden eternity. This is the lesson you forgot.
15
The lesson was taught long ago in the other world systems that have naturally changed into the empty and awake, and are here now smiling in our smile and scowling in our scowl. It is only like the golden eternity pretending to be smiling and scowling to itself; like a ripple on the smooth ocean of knowing. The fate of humanity is to vanish into the golden eternity, return pouring into its hands which are not hands. The navel shall receive, invert, and take back what'd issued forth; the ring of flesh shall close; the personalities of long dead heroes are blank dirt.
16
The point is we're waiting, not how comfortable we are while waiting. Paleolithic man waited by caves for the realization of why he was there, and hunted; modern men wait in beautified homes and try to forget death and birth. We're waiting for the realization that this is the golden eternity.
17
It came on time.
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poem by Jack Kerouac
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The Legend Of Evil
I
This is the sorrowful story
Told when the twilight fails
And the monkeys walk together
Holding their neighbours' tails: --
"Our fathers lived in the forest,
Foolish people were they,
They went down to the cornland
To teach the farmers to play.
"Our fathers frisked in the millet,
Our fathers skipped in the wheat,
Our fathers hung from the branches,
Our fathers danced in the street.
"Then came the terrible farmers,
Nothing of play they knew,
Only. . .they caught our fathers
And set them to labour too!
"Set them to work in the cornland
With ploughs and sickles and flails,
Put them in mud-walled prisons
And -- cut off their beautiful tails!
"Now, we can watch our fathers,
Sullen and bowed and old,
Stooping over the millet,
Sharing the silly mould,
"Driving a foolish furrow,
Mending a muddy yoke,
Sleeping in mud-walled prisons,
Steeping their food in smoke.
"We may not speak to our fathers,
For if the farmers knew
They would come up to the forest
And set us to labour too."
This is the horrible story
Told as the twilight fails
And the monkeys walk together
Holding their kinsmen's tails.
II
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poem by Rudyard Kipling
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The Legends Of Evil
This is the sorrowful story
Told when the twilight fails
And the monkeys walk together
Holding their neighbours' tails: --
"Our fathers lived in the forest,
Foolish people were they,
They went down to the cornland
To teach the farmers to play.
"Our fathers frisked in the millet,
Our fathers skipped in the wheat,
Our fathers hung from the branches,
Our fathers danced in the street.
"Then came the terrible farmers,
Nothing of play they knew,
Only. . .they caught our fathers
And set them to labour too!
"Set them to work in the cornland
With ploughs and sickles and flails,
Put them in mud-walled prisons
And -- cut off their beautiful tails!
"Now, we can watch our fathers,
Sullen and bowed and old,
Stooping over the millet,
Sharing the silly mould,
"Driving a foolish furrow,
Mending a muddy yoke,
Sleeping in mud-walled prisons,
Steeping their food in smoke.
"We may not speak to our fathers,
For if the farmers knew
They would come up to the forest
And set us to labour too."
This is the horrible story
Told as the twilight fails
And the monkeys walk together
Holding their kinsmen's tails.
II
'Twas when the rain fell steady an' the Ark was pitched an' ready,
That Noah got his orders for to take the bastes below;
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poem by Rudyard Kipling
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