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What is perhaps more worthy of note than how many tsunami dead we've seen, however, is how many other recent dead we have not seen.

quote by Bruce Jackson
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Trusting In Protective Modern Sea Walls

modern Japan trusting in God science
trusting in protective modern sea walls
but modern sea walls too low are built
built to height of smaller 1960 tsunami

walls failed to protect new coastal towns
in Japan's destructive recent huge tsunami
sweeping way communities once built right
to sea water's edge trusting in sea walls built

designed built after deadly small 1960 tsunami
ignoring hundreds of ancient tsunami markers
stone tsunami warnings hundreds dot coastline
'If an earthquake comes, beware of tsunamis'

modern Japan this time heed ancient wisdom
ancestors in earlier generations left warnings
'Octopus Grounds' are places sea life washed
up by tsunami gives warnings naming temples

after powerful tsunami waves gives warnings
stone markers warned of danger to coastal lives
'Always be prepared for unexpected tsunamis.
Choose life over your possessions and valuables.'

people trusting in protective modern sea walls
did not listen after earthquake people went back
to their homes to collect valuables all got caught
in choosing possessions riches lives were lost

poem by Terence George Craddock
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Praise Your Holy Name

For all youve done -- Thank you
With my hands, I applaud the maker of creation, Holy Father
With my mouth, I extol, shouts of jubilation, Hallelujah
(You satisfy my hearts desire) With many good things,
I gotta thank ya
(You redeemed my very life) To you my heart sings
(With everything, I lift you up high)
(Let everything within praise your holy name )
With everything I,
(With everything, I lift you up high)
Lift you up Lord,Everything within me
(Let everything within praise Your holy name)
With the dance, I will praise, rejoicing in my Savior
Oh Lord, Youve been good
For Your everlasting love and unmerited favor,
Grace and mercy to me
(The Glory of Your majesty), even the skies have to display,
Yeah, yeah
(Day and night, and night and day) Youre worthy of praise
(With everything, I lift you up high)
I lift you, oh Lord I thank you, I gotta praise your Holy Name
(with everything I lift you up high)
I lift you Lord, so wonderful, I gotta, (praise your name)
Everything I do I wanna do it all for you
Let me be calm when Im there, praising your holy name
I wanna lift you up so high for the world to see
(Bridge)
I lift my hands, my hands I raise
To give You glory, to give You praise
I wanna live, so I can give all of my service unto You
Because Youre worthy Oh Lord your worthy
Oh yes, Youre worthy, worthy of the praise,
And the honor and the glory
And all majesty belongs to you.
With everything I do, everywhere I go,
I gotta tell everybody about your goodness,
About your goodness, about your goodness
Oh yeah, Yeah, youve been good, Lord,
Youve been good Lord, Youve been good Lord
You've been good Oh
Better to me, better to me, better to me than I could ever
be to myself
Youve been good Lord, thats why I thank you, thats why I praise ya
Hey
My hands are lifted, my voice is raised, to give you glory,
to give you praise
Huh, huh, praise ya,Huh, huh, praise ya
Oh I praise ya, Oh I praise ya
Oh, only you Lord, Only You Lord
Only you are worthy of the glory

[...] Read more

song performed by Yolanda Adams
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The Holocaust Files & Other Theme Poems

Theme: Love Poems (various forms of love,10 poems only)
*any theme category may be extended upon reader interest and requests
A Family Blessing
Changing Scene
For Our Loved Ones
Look Across Time
Memory Of A Lover
My Love
Single Red Ribbon
Snowpowder
Song Of My Love
True Love

The Holocaust Files: (32 poems) are a work in process and this reference will be removed upon completion. This is a collection of holocaust related poems to give voice to the 12 million killed, tortured and enslaved by the SS during World War II. The Poles, Romani and Slavic victims who are sometimes overlooked in brief reviews or marginalized, will hopefully have a poem as their voice by the completion of this project. The poems will ease into and out of the full extent of this horror, to contrast kaleidoscopic images of the holocaust in tribute to the slaughtered, and may provide a differing overview of Nazi Ideology to address succinct examples of how and why in historical perspective. (Historical optional background notes, have been added below some poems to assist in this purpose.)
The cruelty of topic material in some of the main poems may shock or offend innocent readers. Looking up pictorial images of these events is not advised for children.
The poems should be read in the order listed below: -
A Vibrant Life 18.5.2010
Appeasement For Adolf Hitler 15&16.10.2010
Indomitable Will To Survive 12.7.2010
Holocaust Latvia Begins 30.5.2012
Nazi Death Squads Enter Eastern Europe 29.5.2012
SS Single Shot Executioners 28.5.2012
Legal Genocide Committed On Industrial Scale 16.10.2010
Stone Cross Prologue 85 87
Stone Cross 85 87
Hitler's Holocaust Product Of A Demonic Mind 1987
When Satanic Power Ruled A Third Reich 1987
Blind Neo-Nazi Nationalism Hitler's New World Order 1987
How Evil Regenerates Perpetuates 1987
Nazi Evolution Vile Carbon Monoxide Gas To Zyklon-B 1987
Indictment Against Entire Nations 1987
An Image Of The Beast Rules
Fallen Nation Transformation 1987
Cartoon Caricature Of The Master Race 17.5.2010
The SS Who Will You Kill 17.5.2010
Classic Dance Steps 17.2.1989
Peaked Cap; Skull-And-Crossbones Badge 17&18.3.2010
A Moral Civilized World 17.3.2010
The Death Of Adolf Hitler's Personal Physican 17.5.2010
Dagmar Topf A Defence Of Family Ovens 17&18.3.2010
Not To Be Written 7.5.2010
Struck Down With A Thunderbolt 20.4.2010
Love Has Rewards Worth Attaining 19.5.2010
SS Demons 15.12.2010
How Did You Kill Me?
They Did It All Before You 18.5.2010
'Angel Of Death' A Demonic Nazi Doctor 9.3.2011
Proclaiming Retrofit New World Order 9&10.3.2011

[...] Read more

poem by Terence George Craddock
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The Canterbury Tales; Prologue

Whan that Aprille, with hise shoures soote,
The droghte of March hath perced to the roote
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth

Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours yronne,
And smale foweles maken melodye,
That slepen al the nyght with open eye-

So priketh hem Nature in hir corages-
Thanne longen folk to goon on pilgrimages
And palmeres for to seken straunge strondes
To ferne halwes, kowthe in sondry londes;
And specially, from every shires ende

Of Engelond, to Caunturbury they wende,
The hooly blisful martir for the seke
That hem hath holpen, whan that they were seeke.
Bifil that in that seson, on a day,
In Southwerk at the Tabard as I lay,

Redy to wenden on my pilgrymage
To Caunterbury, with ful devout corage,
At nyght were come into that hostelrye
Wel nyne and twenty in a compaignye
Of sondry folk, by aventure yfalle

In felaweshipe, and pilgrimes were they alle,
That toward Caunterbury wolden ryde.
The chambres and the stables weren wyde,
And wel we weren esed atte beste;
And shortly, whan the sonne was to reste,

So hadde I spoken with hem everychon
That I was of hir felaweshipe anon,
And made forward erly for to ryse
To take our wey, ther as I yow devyse.
But nathelees, whil I have tyme and space,

Er that I ferther in this tale pace,
Me thynketh it acordaunt to resoun
To telle yow al the condicioun
Of ech of hem, so as it semed me,
And whiche they weren, and of what degree,

And eek in what array that they were inne;
And at a knyght than wol I first bigynne.

[...] Read more

poem by Geoffrey Chaucer
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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

[...] Read more

poem by Robinson Jeffers
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Pure & Easy

There once was a note, pure and easy,
There once was a note, pure and easy,
Playing so free, like a breath rippling by.
Playing so free, like a breath rippling by.
The note is eternal, I hear it, it sees me,
The note is eternal, I hear it, it sees me,
Forever we blend it, forever we die.
Forever we blend it, forever we die.
I listened and I heard music in a word,
I listened and I heard music in a word,
And words when you played your guitar,
And words when you played your guitar,
The noise that I was hearing was a million people cheering,
The noise that I was hearing was a million people cheering,
And a child flew past me riding in a star.
And a child flew past me riding in a star.
As people assemble,
As people assemble,
Civilization is trying to find a new way to die,
Civilization is trying to find a new way to die,
But killing is really merely scene changer,
But killing is really merely scene changer,
All men are bored with other mens lies.
All men are bored with other mens lies.
I listened and I heard music in a word,
I listened and I heard music in a word,
And words when you played your guitar,
And words when you played your guitar,
The noise that I was hearing was a million people cheering,
The noise that I was hearing was a million people cheering,
And a child flew past me riding in a star.
And a child flew past me riding in a star.
Gas on the hillside, oil in the teacup,
Gas on the hillside, oil in the teacup,
Watch all the chords of life lose their joy,
Watch all the chords of life lose their joy,
Distortion becomes somehow pure in its wildness,
Distortion becomes somehow pure in its wildness,
The note that began all can also destroy.
The note that began all can also destroy.
We all know success when we all find our own dreams,
We all know success when we all find our own dreams,
And our love is enough to knock down any walls,
And our love is enough to knock down any walls,
And the futures been seen as men try to realize,
And the futures been seen as men try to realize,
The simple secret of the note in us all.
The simple secret of the note in us all.
I listened and I heard music in a word,
I listened and I heard music in a word,

[...] Read more

song performed by Who
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Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

[...] Read more

poem by Byron from Childe Harold's Pilgrimage (1818)
Added by Veronica Serbanoiu
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You Are Holy

You are holy (you are holy)
You are mighty (you are mighty)
You are worthy (you are worthy)
Worthy of praise (worthy of praise)
I will follow (I will follow)
I will listen (I will listen)
I will love you (I will love You)
All of my days (all of my days)
Chorus:
I will sing to
And worship
The King who is worthy
I will love and adore Him
And I will bow down before Him
And I will sing to and worship the King who is worthy
And I will love and adore him
And I will bow down before Him
You're my prince of peace
And I will live my life for You
(Girls behind guys:)
You are lord of lords
You are king of kinds
You are mighty God
Lord of everything
You are Emmanuel
Lord of great I am
Noble prince of peace
Who is the lamb
You are the saving god
You are my saving grace
You will reign forever
You are ancient and great
You are alpha, omega, beginning and end
You are my savior, messiah, redeemer, and friend
(Both:)
You are my prince of peace and I will live my life for you.
You are holy (you are holy)
You are mighty (you are mighty)
You are worthy (you are worthy)
Worthy of praise (worthy of praise)
I will follow (I will follow)
I will listen (I will listen)
I will love you (I will love You)
All of my days (all of my days)
Chorus X2

song performed by Michael W. Smith
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Third Book

'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.

For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!

Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.

Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Banda Aceh 2012 Spectral Earthquake Haunts

Banda Aceh Indonesia
massive 8.6-magnitude
earthquake 2012 April 11
caused no reports of casualties
no damage significant
from initial nightmare quake
from 8.2 strong aftershock

nearly three hours later
which sparked new waves
of panic triggered renewed
tsunami fears across Indian
Ocean sending scared people
in coastal cities fright fleeing
to sanctuary high ground

spectral quake struck about
434 kilometers (270 miles)
southwest of Banda Aceh
capital of Indonesia's Aceh
province at sea deep depth
of 23 kilometers (14 miles)
spectral fear tsunami repeat

Indonesia's government
responded by issuing
new tsunami warning
Banda Aceh was devastated
by tsunami earthquake
in 2004 which prelude shook
buildings for several minutes

people poured into streets
Aceh residents fled their homes
people were crying panicking
nightmare 2004 tsunami reliving
which caused giant 9.1-magnitude
earthquake wave killed an estimated
275,950 people in a dozen countries

poem by Terence George Craddock
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

[...] Read more

poem by Robinson Jeffers
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Johnny One Note

Johnny could only sing one note
And the note he sings was this
Ah!
Poor johnny one-note
Sang out with gusto
And just overlorded the place
Poor johnny one-note
Yelled willy nilly
Until he was bleu in the face
For holding one note was his ace
Couldnt hear the brass
Couldnt hear the drum
He was in a class
By himself, by gum!
Poor johnny one-note
Got in aida
Indeed a great chance to be brave
He took his one note
Howled like the north wind
Brought forth wind that made critics rave,
While verdi turned round in his grave!
Couldnt hear the flute
Or the big trombone
Evry one was mute
Johnny stood alone.
Cats and dogs stopped yapping
Lions in the zoo
All were jealous of johnnys big trill
Thunder claps stopped clapping,
Traffic ceased its roar,
And they tell us niagra stood still.
He stopped the train whistles,
Boat whistles,
Steam whistles,
Cop whistles,
All whistles bowed to his skill
Sing johnny one-note,
Sing out with gusto and
Just overwhelm all the crowd
Ah!
So sing johnny one-note, out loud!!
Sing johnny one-note
Sing johnny one-note out loud!

song performed by Ella Fitzgerald
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Orlando Furioso Canto 17

ARGUMENT
Charles goes, with his, against King Rodomont.
Gryphon in Norandino's tournament
Does mighty deeds; Martano turns his front,
Showing how recreant is his natural bent;
And next, on Gryphon to bring down affront,
Stole from the knight the arms in which he went;
Hence by the kindly monarch much esteemed,
And Gryphon scorned, whom he Martano deemed.

I
God, outraged by our rank iniquity,
Whenever crimes have past remission's bound,
That mercy may with justice mingled be,
Has monstrous and destructive tyrants crowned;
And gifted them with force and subtlety,
A sinful world to punish and confound.
Marius and Sylla to this end were nursed,
Rome with two Neros and a Caius cursed;

II
Domitian and the latter Antonine;
And, lifted from the lowest rabble's lees,
To imperial place and puissance, Maximine:
Hence Thebes to cruel Creon bent her knees,
Mezentius ruled the subject Agiline,
Fattening his fields with blood. To pests like these
Our Italy was given in later day,
To Lombard, Goth, and Hun a bleeding prey.

III
What shall I of fierce Attila, what say
Of wicked Ezzeline, and hundreds more?
Whom, because men still trod the crooked way,
God sent them for their pain and torment sore.
Of this ourselves have made a clear assay,
As well as those who lived in days of yore;
Consigned to ravening wolves, ordained to keep
Us, his ill-nurturing and unuseful sheep;

IV
Who, as if having more than served to fill
Their hungry maw, invite from foreign wood
Beyond the mountain, wolves of greedier will,
With them to be partakers of their food.
The bones which Thrasymene and Trebbia fill,
And Cannae, seem but few to what are strewed
On fattened field and bank, where on their way
Adda and Mella, Ronco and Tarro stray.

[...] Read more

poem by Ludovico Ariosto
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The Regiment of Princes

Musynge upon the restlees bysynesse
Which that this troubly world hath ay on honde,
That othir thyng than fruyt of bittirnesse
Ne yildith naght, as I can undirstonde,
At Chestres In, right faste by the Stronde,
As I lay in my bed upon a nyght,
Thoght me byrefte of sleep the force and might. 1

And many a day and nyght that wikkid hyne
Hadde beforn vexed my poore goost
So grevously that of angwissh and pyne
No rycher man was nowhere in no coost.
This dar I seyn, may no wight make his boost
That he with thoght was bet than I aqweynted,
For to the deeth he wel ny hath me feynted.

Bysyly in my mynde I gan revolve
The welthe unseur of every creature,
How lightly that Fortune it can dissolve
Whan that hir list that it no lenger dure;
And of the brotilnesse of hir nature
My tremblynge herte so greet gastnesse hadde
That my spirites were of my lyf sadde.

Me fil to mynde how that nat longe agoo
Fortunes strook doun thraste estat rial
Into mescheef, and I took heede also
Of many anothir lord that hadde a fal.
In mene estat eek sikirnesse at al
Ne saw I noon, but I sy atte laste
Wher seuretee for to abyde hir caste.

In poore estat shee pighte hir pavyloun
To kevere hir fro the storm of descendynge 2
For shee kneew no lower descencion
Sauf oonly deeth, fro which no wight lyvynge
Deffende him may; and thus in my musynge
I destitut was of joie and good hope,
And to myn ese nothyng cowde I grope.

For right as blyve ran it in my thoght,
Thogh poore I be, yit sumwhat leese I may.
Than deemed I that seurtee wolde noght
With me abyde; it is nat to hir pay
Ther to sojourne as shee descende may.
And thus unsikir of my smal lyflode,
Thoght leide on me ful many an hevy lode.

I thoghte eek, if I into povert creepe,
Than am I entred into sikirnesse;

[...] Read more

poem by Thomas Hoccleve
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Childe Harold's Pilgrimage: A Romaunt. Canto IV.

I.
I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter's wand:
A thousand years their cloudy wings expand
Around me, and a dying Glory smiles
O'er the far times, when many a subject land
Look'd to the winged Lion's marble piles,
Where Venice sate in state, thron'd on her hundred isles!

II.
She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Pour'd in her lap all gems in sparkling showers.
In purple was she rob'd, and of her feast
Monarchs partook, and deem'd their dignity increas'd.

III.
In Venice Tasso's echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone -- but Beauty still is here.
States fall, arts fade -- but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.
But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city's vanish'd sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away --
The keystones of the arch! though all were o'er,
For us repeopl'd were the solitary shore.

V.
The beings of the mind are not of clay;
Essentially immortal, they create
And multiply in us a brighter ray
And more belov'd existence: that which Fate
Prohibits to dull life, in this our state

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poem by Byron
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
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The Task: Book II. -- The Time-Piece

Oh for a lodge in some vast wilderness,
Some boundless contiguity of shade,
Where rumour of oppression and deceit,
Of unsuccessful or successful war
Might never reach me more! My ear is pained,
My soul is sick with every day's report
Of wrong and outrage with which earth is filled.
There is no flesh in man's obdurate heart,
It does not feel for man. The natural bond
Of brotherhood is severed as the flax
That falls asunder at the touch of fire.
He finds his fellow guilty of a skin
Not coloured like his own, and having power
To enforce the wrong, for such a worthy cause
Dooms and devotes him as his lawful prey.
Lands intersected by a narrow frith
Abhor each other. Mountains interposed,
Make enemies of nations who had else
Like kindred drops been mingled into one.
Thus man devotes his brother, and destroys;
And worse than all, and most to be deplored
As human nature's broadest, foulest blot,
Chains him, and tasks him, and exacts his sweat
With stripes, that mercy with a bleeding heart
Weeps when she sees inflicted on a beast.
Then what is man? And what man seeing this,
And having human feelings, does not blush
And hang his head, to think himself a man?
I would not have a slave to till my ground,
To carry me, to fan me while I sleep,
And tremble when I wake, for all the wealth
That sinews bought and sold have ever earned.
No: dear as freedom is, and in my heart's
Just estimation prized above all price,
I had much rather be myself the slave
And wear the bonds, than fasten them on him.
We have no slaves at home. - Then why abroad?
And they themselves, once ferried o'er the wave
That parts us, are emancipate and loosed.
Slaves cannot breathe in England; if their lungs
Receive our air, that moment they are free,
They touch our country and their shackles fall.
That's noble, and bespeaks a nation proud
And jealous of the blessing. Spread it then,
And let it circulate through every vein
Of all your empire! that where Britain's power
Is felt, mankind may feel her mercy too.

Sure there is need of social intercourse,
Benevolence and peace and mutual aid

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poem by William Cowper
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One Stone Marker Of Ancient Legend

in the coastal city of Kesennuma
one stone marker of ancient legend
warned of tsunami danger fables

'Always be prepared for unexpected tsunamis.
Choose life over your possessions and valuables.'
generations believe not unseen with own eyes

Tetsuko Takahashi seventy safe in her family
hillside house watched from her front
window fate of neighbours who had ignored

carved in stone tsunami wave warnings
Tetsuko Takahashi saw a ship swept
like a lost toy a half-mile helpless inland

crushing in path buildings family homes
her family lived in Kesennuma for generations
devastation now seen her legend eyes record

those people that experienced previous most
powerful tsunami countless years ago died
stone tsunami marker silently whisper warns

poem by Terence George Craddock
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Worthy

you think you're not worthy
I'd have to say I agree
I'm not worthy of you
you're not worthy of me
which of us is deserving
look at the human race
the whole planet at arm's length
and we don't deserve this place

what good is a poker face
when you've got an open hand
I was supposed to be cool about this
yeah
I remember
cool was the plan
tried to keep it all under wraps
but the wraps kept going slack
I keep turning round
I keep coming back

give me a vertical
your horizontal line
I want to take each of them
bend them to divine
the world is too good for me
I am such a naughty girl
but when we're together
we're too good for this world

you think you're not worthy
I'd have to say I agree
I'm not worthy of you
you're not worthy of me
I'm not worthy of you
you aren't worthy of me...

song performed by Ani DiFranco from Not A Pretty Girl
Added by Lucian Velea
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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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poem by Charles Churchill
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