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Never face facts; if you do you'll never get up in the morning.

quote by Marlo Thomas
Added by Lucian Velea
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Crosseyed & Painless

Lost my shape-trying to act casual!
Cant stop-i might end up in the hospital
Im changing my shape-i feel like an accident
Theyre back!-to explain their experience
Isnt it weird/looks too obscure to me
Wasting away/and that was their policy
Im ready to leave-i push the fact in front of me
Facts lost-facts are never what they seem to be
Nothing there!-no information left of any kind
Lifting my head-looking for danger signs
There was a line/there was a formula
Sharp as a knife/facts cut a hole in us
There was a line/there was a forula
Sharp as a knife/facts cut a hole in us
Im still waiting...Im still waiting...Im still waiting...
Im still waiting...Im still waiting...Im still waiting...
Im still waiting...Im still waiting...
The feeling returns/whenever we close out eyes
Lifting my head/looking around inside
The island of doubt-its like the taste of medicine
Working by hindsight-got the message from the oxygen
Making a list-find the cost of opportunity
Doing it right-facts are useless in emergencies
The feeling returns/whenever we close out eyes
Lifting my head/looking around inside.
Facts are simple and facts are straight
Facts are lazy and facts are late
Facts all come with points of view
Facts dont do what I want them to
Facts just twist the truth around
Facts are living turned inside out
Facts are getting the best of them
Facts are nothing on the face of things
Facts dont stain the furniture
Facts go out and slam the door
Facts are written all over your face
Facts continue to change their shape
Im still waiting...Im still waiting...Im still waiting...
Im still waiting...Im still waiting...Im still waiting...
Im still waiting...Im still waiting...

song performed by Talking Heads
Added by Lucian Velea
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A Teaching Of The Facts Can Relax

Vulnerability when needed,
Can attract true love.
With a getting of some pity too.

A vulnerability when needed,
Can attract true love.
With a bit of innocence,
That can put one in the mood.

And when,
Facts of life are slow...
A teaching of the facts can relax.
A teaching of the facts,
Can get one to relax.

And when,
A nervousness sets in...
A teaching of the facts can relax,
In those moments.
A teaching of the facts can relax.

And when,
Eyes begin to cry...
A teaching of the facts can relax,
In those moments.
A teaching of the facts can relax.
A teaching of the facts can relax.

Vulnerability when needed,
Can attract true love.
With a teaching of the facts to relax,
In those moments.
A teaching of the facts can relax.

A vulnerability when needed,
Can attract true love.
With a bit of innocence,
That can put one in the mood.

And when,
A nervousness sets in...
A teaching of the facts can relax,
In those moments.
A teaching of the facts can relax.

And when,
Eyes begin to cry...
A teaching of the facts can relax,
In those moments.
A teaching of the facts can relax.

[...] Read more

poem by Lawrence S. Pertillar
Added by Poetry Lover
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There Is Something Really Wrong About That

There's something really wrong about that!
Those facts you ration.
There is something really wrong about that!
They're not based in truth of action.
Something really wrong about that!
Those facts you ration.
Absent is the truth of action.
Nothing is said about that.

There is something really wrong about that!
Those facts you ration.
There's something really wrong about that!
They're not based in truth of action.
Something really wrong about that!
Those facts you ration.
Absent is the truth of action.
Nothing is said about that.

Truth has been manipulated.
Something is wrong about that!

And people now themselves they hate.
Something is wrong about that!

Racism is the indicator.
Something is wrong about that!

And how one lives is too debated.
Something is wrong about that!

There is something really wrong about that!
Those facts you ration.
There's something really wrong about that!
They're not based in truth of action.
Something really wrong about that!
Those facts you ration.
Absent is the truth of action.
Nothing is said about that.

We've all been underestimated.
Something is wrong about that!
The thoughts of people are degraded.
Something is wrong about that!
Deceivers seem too much elated.
Something is wrong about that!
And truth for us has been created...
With an ease that's made..

Oh there's something really wrong about that!
Those facts you ration.

[...] Read more

poem by Lawrence S. Pertillar
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Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Face To Face

We never talk to one another
We just disagree
Im the one who runs for cover
And you turn your back on me
They say nothings gonna last forever
But some things are worth fighting for
Yeah, well love could bring us back together
But love dont come round here no more
The words unspoken in the night
Locked away in my heart
And Im feeling out of place
But if love is the key
Let it open the door
So well be standing -- face to face
You never want to see me face to face
Think it over
Face to face
If only it could be just face to face
Baby you and me
Face to face
I may be better off without it
I cant go on this way
Time has come to talk about it
This is our judgement day
You know we swore it would last forever
Always felt so sure it would
But its looking like now or never
Time to turn a bad thing into good
The words that echo in the night
Theyre fading away
And theyre gone without a trace
Now its up to you and me
Lets open the door
And meet each other -- face to face
Its time we saw each other face to face
To talk it over
Face to face
You know its gotta be just face to face
Baby you and me
Face to face
We gotta see each other -- face to face
And talk about it
Face to face
Hope it aint too late to meet face to face
Just you and me
(solo)
Face to face
Its time we saw each other face to face
To talk it over
Face to face

[...] Read more

song performed by Foreigner
Added by Lucian Velea
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

[...] Read more

poem by Robinson Jeffers
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Back To The Facts

From minds the chains are gone.
From minds the chains are gone.
From minds the chains are gone.
From minds the chains are gone.
And it's...
Back to the facts.
Back to unpack those facts,
Packed.
Back to the facts!
To dust them off and stack them tall.
Back to the facts...
To unwrap and stack.

Medieval evils,
No longer can be forced on people.
Walls are falling.
And used as steps for those who crawl.
To see life without limits,
With a higher consciousness.

And it's...
Back to the facts.
Back to unpack those facts,
Packed.
Back to the facts!
To dust them off and stack them tall.
Back to the facts...
To unwrap and stack.

Medieval evils,
From minds the chains are gone...
To keep the people,
From a...
Bouncing off the walls.

Medieval evils,
From minds the chains are gone...
To keep the people,
From a...
Bouncing off the walls.

And it's...
Back to the facts.
Back to unpack those facts,
Packed.
Back to the facts!
To dust them off and stack them tall.
Back to the facts...
To unwrap and stack.

poem by Lawrence S. Pertillar
Added by Poetry Lover
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

[...] Read more

poem by Conrad Potter Aiken
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

[...] Read more

poem by Robinson Jeffers
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Second Book

TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

[...] Read more

poem by Alfred Lord Tennyson
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Face To Face

Now I've got a chick who will be with me
Anytime, day or night
But I won't put up with no runnin' around
You know it just ain't right
I'm going down...
To the town -
Out to go drink with the clowns
You stay at home...
All alone -
And don't you talk on the phone
You're comin' face to face with the guy that's gonna knock you dead
Face to face with the guy that's gonna bust your head
I'm gonna knock you on the floor
You'll beg me for no more
You're comin' face to face with me, like it or not
When I got to town
The words going 'round
That you've been seen on your back
I open the door and you were on the floor
Spreadin' for the clowns in my pack
Now you were wrong...
If you thought -
I'd take it lyin' down like a dog
I put a match...
In her snatch
She thinks she's such a hot little vamp
You're comin' face to face with the guy that's gonna knock you dead
Face to face with the guy that's gonna bust your head
I'm gonna knock you on the floor
You'll beg me for no more
You comn' face to face with me, like it or not
Tear your face apart
Waste you in the dark
Rip you like a shark
Won't think you're so smart
Face to face (face to face) you disgrace
Face to face (face to face) you disgrace
Face to face (face to face) you disgrace
Face to face
Face to face
Face to face with the guy that's gonna knock you dead
Your're comin' face to face with the guy that's gonna bust your head
I'm gonna knock you on the floor
You'll beg me for no more
You're comin' face to face with me, like it or not
You're cominc12

song performed by Quiet Riot
Added by Lucian Velea
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Early In The Morning

Early in the morning and I cant get right
Had a little date with my baby last night
Now its early in the morning (early in the morning)
Well its early in the morning (early in the morning)
Now its early in the morning
And I aint got nothing but the blues
Went to all the places where we used to go
Went to your house but you dont live there no more
Now its early in the morning (early in the morning)
Well its early in the morning (early in the morning)
Early in the morning
And I aint got nothing but the blues
Went to your friends house but she was out
Knock on your fathers door and he began to shout get out there boy
Early in the morning (early in the morning)
Early in the morning (early in the morning)
Early in the morning
And I aint got nothing but the blues
Went to doogie chain to get something to eat
Waiter looked at me and said you sure look beat
Now its early in the morning (early in the morning)
Early in the morning (early in the morning)
Well its early in the morning
And I aint got nothing but the blues
Well its early in the morning
And I aint got nothing but the blues
Well its early in the morning
And I aint got nothing but the blues

song performed by Van Morrison
Added by Lucian Velea
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Grim Facts

The boy's got problems
The boy's got stress
The boys' a .38 hidden in his desk
The boy's got a chickie
With four months to go
Grim Facts - every parent better know
The girl's a deadly teaser
Wants to do a private show
She's got a hundred thousand fantasies
She wants the band to know
She likes to brush across my Levis
She likes to watch him grow
Grim Facts - every parent better know
Grim Facts - every parent better know
Red lights
Gang fights
Brewing in the heat
Cop cars
Gay bars
On your precious street
That ain't so neat
Sister's on the street now
Looking for some Joe
Only got about an hour
To pay for her new nose
She gets a hundred for her body
A nickel for her soul
These are grim facts - every parent better know
Grim facts - every parent better know
Red lights
Gang fights
Brewing in the heat
Cop cars
Gay bars
On your precious street
That ain't so neat
And I'm feeling itchy
Got a fire down below
I'm a walkin' loaded time bomb
Just about to blow
Tries to slide inside my pockets
But it's strictly SRO
Grim facts - every parent better know
Grim facts - every parent better know
Red lights
Gang fights
Brewing in the heat
Cop cars
Gay bars
On your precious street

[...] Read more

song performed by Alice Cooper
Added by Lucian Velea
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Gaza Poem-who Wants War? Lets See The Facts And Not Igonre

ISRAEL WANTS PEACE
GAZA WANTS WAR
LETS SEE THE FACTS AND NOT IGONRE

WHO WANTS WAR?
WHOSE TANKS ARE TOWARDS WHOSE DOOR?
LETS SEE THE FACTS AND NOT IGONRE

WHO WANTS WAR?
WHOSE WARSHIPS ON WHOSE SHORE?
LETS SEE THE FACTS AND NOT IGONRE

WHO WANTS WAR?
WHOSE SOLDIERS ARE CALLED IN MORE & MORE?
LETS SEE THE FACTS AND NOT IGONRE

WHO WANTS WAR?
WHOSE VILLAGES ARE DESTROYED - BOMBS IN POUR?
LETS SEE THE FACTS AND NOT IGONRE

WHO WANTS WAR?
WHOSE BODIES ARE IN BITS AND PIECES TORE?
LETS SEE THE FACTS AND NOT IGONRE

WHO WANTS WAR?
WHOSE HOSPITALS ARE FILLED WITH DEFACED CORP?
LETS SEE THE FACTS AND NOT IGONRE

WHO WANTS WAR?
212,387,991 DEAD BODIES STACK UP… …CAN U IMAGINE THE SCORE?
LETS SEE THE FACTS AND NOT IGONRE

WHO WANTS WAR?
CANT U SEE ANYMORE?
ISRAEL WANTS WAR!
YOU SEE THE FACTS AND IGNORE

poem by Noor Alkhatib
Added by Poetry Lover
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Tannhauser

The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.

[...] Read more

poem by Emma Lazarus
Added by Poetry Lover
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Face Up Face Down

Welcome all my honored guests
To the utimate duel of the best of the best
At my invitation you come to compete
For the honor of suffering the final defeat
Isn't it grand what I've managed to do
By kidnapping those closest to you
I've taken their souls to lay on the line
In a winner take all duel for all time
Let's play the game
I'm sure you all know how
But watch yourselves my foolish friends
You're all in my world now
Face up, Face down. Attack or Defend
Face up, Face down. This battle's to the end
Face up, Face down. Stay on guard
Face up, Face down. Play your strongest card
My arena waits us all
I built it myself, it is just down the hall
I wish this day hadn't come so fast
You see I truly wanted your pain to last
Face up, Face down. Attack or Defend
Face up, Face down. This battle's to the end
Face up, Face down. Stay on guard
Face up, Face down. Play your strongest card
All your cunning strategies, all the tricks you try
Look like merely child's play to my Millennium Eye
Ha, ha, ha, ha! Your turn Yugi-boy
What's wrong now you look so sad?
Losing your soul doesn't feel that bad
Those you love have told me so
And soon my friends, you too will know
Let's play the game
I'm sure you all know how
But watch yourselves my foolish friends
You're all in my world now
Face up, Face down. Attack or Defend
Face up, Face down. This battle's to the end
Face up, Face down. Stay on guard
Face up, Face down. Play your strongest card
Face up, Face down. Attack or Defend
Face up, Face down. This battle's to the end
Face up, Face down. Stay on guard
Face up, Face down. Play your strongest card

song performed by Yu-Gi-Oh
Added by Lucian Velea
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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Faces

SAUNTERING the pavement, or riding the country by-road--lo! such
faces!
Faces of friendship, precision, caution, suavity, ideality;
The spiritual, prescient face--the always welcome, common, benevolent
face,
The face of the singing of music--the grand faces of natural lawyers
and judges, broad at the back-top;
The faces of hunters and fishers, bulged at the brows--the shaved
blanch'd faces of orthodox citizens;
The pure, extravagant, yearning, questioning artist's face;
The ugly face of some beautiful Soul, the handsome detested or
despised face;
The sacred faces of infants, the illuminated face of the mother of
many children;
The face of an amour, the face of veneration;
The face as of a dream, the face of an immobile rock; 10
The face withdrawn of its good and bad, a castrated face;
A wild hawk, his wings clipp'd by the clipper;
A stallion that yielded at last to the thongs and knife of the
gelder.

Sauntering the pavement, thus, or crossing the ceaseless ferry,
faces, and faces, and faces:
I see them, and complain not, and am content with all.

Do you suppose I could be content with all, if I thought them their
own finale?

This now is too lamentable a face for a man;
Some abject louse, asking leave to be--cringing for it;
Some milk-nosed maggot, blessing what lets it wrig to its hole.

This face is a dog's snout, sniffing for garbage; 20
Snakes nest in that mouth--I hear the sibilant threat.

This face is a haze more chill than the arctic sea;
Its sleepy and wobbling icebergs crunch as they go.

This is a face of bitter herbs--this an emetic--they need no label;
And more of the drug-shelf, laudanum, caoutchouc, or hog's-lard.

This face is an epilepsy, its wordless tongue gives out the unearthly
cry,
Its veins down the neck distended, its eyes roll till they show
nothing but their whites,
Its teeth grit, the palms of the hands are cut by the turn'd-in
nails,
The man falls struggling and foaming to the ground while he
speculates well.

[...] Read more

poem by Walt Whitman
Added by Poetry Lover
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