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It's the little things that count, hundreds of 'em.

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Count Me Out

Count me out
Count me out
Fellas want to hang
And save tonight just
For the gang
But youll have to count me
Out this time
If I cant bring my girl
Dont look surprised
When I tell you that
Gotta spend some time
With my baby, yes
So if that means
Were gonna rain on
Your parade
Youll have to count me out
Youre gonna have to count me
Out
Youll have to count me out
I wanna be with my girlfriend
Youll have to count me out
This time
Youll have to count me out
When she asked me please
Could I say no and feel at
Ease
If you count me out tonight
Shes gonna be with me wherever
I go
Shes got a sweet personality
She saves her kisses just for me
So if that means were gonna rain on
Your parade
Youll have to count me out
Youre gonna have to count
Me out
Youll have to count me out
Im saving kisses for my baby
Youll have to count me out
This time
Youll have to count me out
Youll have to count me out
Youre gonna have to count
Me out
Youll have to count me out
My baby wants to be with me
Youll have to count me out
Thats the way its gonna be
Youll have to count me out
Count me out

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Dont Count The Waves

Dont count the waves,
Dont count the waves.
Dont count the waves,
Dont count the waves.
Dont count the waves,
Dont count the waves.
Dont count the waves,
Dont count the waves.
Dont count the waves,
Dont count the waves.
Dont count the waves,
Dont count the waves.
Dont count the waves,
Dont count the waves.
Dont count the waves,
Dont count the waves.
Dont count the waves,
Dont count the waves.
Dont count the waves,
Dont count the waves.
Dont count the waves,
Dont count the waves,
Dont count the waves.
Dont count the waves,
Dont count the waves.
Dont count the waves,
Dont count the waves.
Dont count the waves,
Dont count the waves.
Dont count the waves,
Dont count the waves.

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Orlando Furioso Canto 12

ARGUMENT
Orlando, full of rage, pursues a knight
Who bears by force his lady-love away,
And comes where old Atlantes, by his sleight
Had raised a dome, Rogero there to stay.
Here too Rogero comes; where getting sight
Of his lost love, the County strives in fray
With fierce Ferrau, and, after slaughter fell
Amid the paynim host, finds Isabel.

I
Ceres, when from the Idaean dame in haste
Returning to the lonely valley, where
Enceladus the Aetnaean mountain placed
On his bolt-smitten flanks, is doomed to bear,
Her girl she found not, on that pathless waste,
By her late quitted, having rent her hair,
And marked cheeks, eyes, and breast, with livid signs,
At the end of her lament tore up two pines,

II
And lit at Vulcan's fire the double brand,
And gave them virtue never to be spent;
And, afterwards, with one in either hand,
Drawn by two dragons, in her chariot went,
Searching the forest, hill, and level land,
Field, valley, running stream, or water pent,
The land and sea; and having searched the shell
Of earth above, descended into hell.

III
Had Roland of Eleusis' deity
The sovereign power possessed no less than will,
He for Angelica had land and sea
Ransacked, and wood and field, and pool and rill,
Heaven, and Oblivion's bottom: but since he
Had not, his pressing purpose to fulfil,
Her dragon and her car, the unwearied knight
Pursued the missing maid as best he might.

IV
Through France he sought her, and will seek her through
The realms of Italy and of Almayn,
And thence through the Castiles, both old and new,
So passing into Libya out of Spain.
While bold Orlando has this plan in view,
He hears, or thinks he hears, a voice complain:
He forward spurs, and sees on mighty steed
A warrior trot before him on the mead;

[...] Read more

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Call On Me

The feelin is clear
Clear as a blue sky on a sunny day
Everything was you
cause no one made me feel
The way I felt with you
Call on me cause
I love you
You know I do
You love me too
Then came a change
When I said I would soon be leavin you
Nothin else to do
Please remember Ill never lose the thought of you
Call on me cause
I love you
You know I do
You love me too
Youve got to find
Someone else to somehow take my place
Share his love with you
But if you need a friend
You can always count on me
Count on me cause
I love you
You know I do
You love me too
You can count on me oh
You can count on me
You can count on me baby
You can count on me
You can count on me oh
You can count on me
You can count on me baby
You can count on me
You can count on me oh
You can count on me
You can count on me baby
You can count on me
You can count on me oh
You can count on me

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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Fridolin (The Walk To The Iron Factory)

A gentle was Fridolin,
And he his mistress dear,
Savern's fair Countess, honored in
All truth and godly fear.
She was so meek, and, ah! so good!
Yet each wish of her wayward mood,
He would have studied to fulfil,
To please his God, with earnest will.

From the first hour when daylight shone
Till rang the vesper-chime,
He lived but for her will alone,
And deemed e'en that scarce time.
And if she said, "Less anxious be!"
His eye then glistened tearfully.
Thinking that he in duty failed,
And so before no toil he quailed.

And so, before her serving train,
The Countess loved to raise him;
While her fair mouth, in endless strain,
Was ever wont to praise him.
She never held him as her slave,
Her heart a child's rights to him gave;
Her clear eye hung in fond delight
Upon his well-formed features bright.

Soon in the huntsman Robert's breast
Was poisonous anger fired;
His black soul, long by lust possessed,
With malice was inspired;
He sought the Count, whom, quick in deed,
A traitor might with ease mislead,
As once from hunting home they rode,
And in his heart suspicion sowed.

"Happy art thou, great Count, in truth,"
Thus cunningly he spoke;
"For ne'er mistrust's envenomed tooth
Thy golden slumbers broke;
A noble wife thy love rewards,
And modesty her person guards.
The tempter will be able ne'er
Her true fidelity to snare."

A gloomy scowl the Count's eye filled:
"What's this thou say'st to me?
Shall I on woman's virtue build,
Inconstant as the sea?
The flatterer's mouth with ease may lure;

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George Meredith

Archduchess Anne

1--I

In middle age an evil thing
Befell Archduchess Anne:
She looked outside her wedding-ring
Upon a princely man.

II

Count Louis was for horse and arms;
And if its beacon waved,
For love; but ladies had not charms
To match a danger braved.

III

On battlefields he was the bow
Bestrung to fly the shaft:
In idle hours his heart would flow
As winds on currents waft.

IV

His blood was of those warrior tribes
That streamed from morning's fire,
Whom now with traps and now with bribes
The wily Council wire.

V

Archduchess Anne the Council ruled,
Count Louis his great dame;
And woe to both when one had cooled!
Little was she to blame.

VI

Among her chiefs who spun their plots,
Old Kraken stood the sword:
As sharp his wits for cutting knots
Of babble he abhorred.

VII

He reverenced her name and line,
Nor other merit had
Save soldierwise to wait her sign,
And do the deed she bade.

VIII

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Only One Mother

Hundreds of stars in the pretty sky,
But only one mother to dry your eyes,
Hundreds of shells on the shore together,
But only one mother to have forever
Hundreds of birds that go singing by,
But only one mother to help you try
Hundreds of lambs in the sunny weather.
But only one mother to treat us like treasure
Hundreds of dewdrops to greet the dawn,
But only one mother to help us move on
Hundreds of bees in the purple clover,
But only one mother the world wide over
Hundreds of people to tell apart
But only one mother to give us her heart

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XII. The Book and the Ring

Here were the end, had anything an end:
Thus, lit and launched, up and up roared and soared
A rocket, till the key o' the vault was reached,
And wide heaven held, a breathless minute-space,
In brilliant usurpature: thus caught spark,
Rushed to the height, and hung at full of fame
Over men's upturned faces, ghastly thence,
Our glaring Guido: now decline must be.
In its explosion, you have seen his act,
By my power—may-be, judged it by your own,—
Or composite as good orbs prove, or crammed
With worse ingredients than the Wormwood Star.
The act, over and ended, falls and fades:
What was once seen, grows what is now described,
Then talked of, told about, a tinge the less
In every fresh transmission; till it melts,
Trickles in silent orange or wan grey
Across our memory, dies and leaves all dark,
And presently we find the stars again.
Follow the main streaks, meditate the mode
Of brightness, how it hastes to blend with black!

After that February Twenty-Two,
Since our salvation, Sixteen-Ninety-Eight,
Of all reports that were, or may have been,
Concerning those the day killed or let live,
Four I count only. Take the first that comes.
A letter from a stranger, man of rank,
Venetian visitor at Rome,—who knows,
On what pretence of busy idleness?
Thus he begins on evening of that day.

"Here are we at our end of Carnival;
"Prodigious gaiety and monstrous mirth,
"And constant shift of entertaining show:
"With influx, from each quarter of the globe,
"Of strangers nowise wishful to be last
"I' the struggle for a good place presently
"When that befalls fate cannot long defer.
"The old Pope totters on the verge o' the grave:
"You see, Malpichi understood far more
"Than Tozzi how to treat the ailments: age,
"No question, renders these inveterate.
"Cardinal Spada, actual Minister,
"Is possible Pope; I wager on his head,
"Since those four entertainments of his niece
"Which set all Rome a-stare: Pope probably—
"Though Colloredo has his backers too,
"And San Cesario makes one doubt at times:
"Altieri will be Chamberlain at most.

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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Good For Freakin

Take with me a minute to freak!
We can stay together,
In unique-n' freakin'.

And we don't have to do it under sheets.
Unless the thread count of those sheets,
Soothes the shriekin'.

I love those sheets.
They're good for freakin'.
And when the count is high,
I go-oh!

I feel complete.
When freakin's over.
I roll away,
And to sleep I go-oh!

And we don't have to do it under sheets.
NO!
Unless the thread count of those sheets,
Soothes the shriekin'.

ooo-ooo-ooo-ooo-ahhh...
I love those sheets.
They're good for freakin'.
And when the count is high,
I go-oh!

I feel complete.
When freakin's over.
I roll away,
And to sleep I go-oh!

And we don't have to do it under sheets.
Unless the thread count of those sheets,
Soothes the shriekin'.

ooo-ooo-ooo-ooo-ahhh...
I love those sheets.
They're good for freakin'.
And when the count is high,
I go-oh!

And we don't have to do it under sheets.
NO!
Unless the thread count of those sheets,
Soothes the shriekin'.

I feel complete.

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The Lay of St. Odille

Odille was a maid of a dignified race;
Her father, Count Otto, was lord of Alsace;
Such an air, such a grace,
Such a form, such a face,
All agreed 'twere a fruitless endeavour to trace
In the Court, or within fifty miles of the place.
Many ladies in Strasburg were beautiful, still
They were beat all to sticks by the lovely Odille.

But Odille was devout, and, before she was nine,
Had 'experienced a call' she consider'd divine,
To put on the veil at St. Ermengarde's shrine.--
Lords, Dukes, and Electors, and Counts Palatine
Came to seek her in marriage from both sides the Rhine;
But vain their design,
They are all left to pine,
Their oglings and smiles are all useless; in fine,
Not one of these gentlefolks, try as they will,
Can draw 'Ask my papa' from the cruel Odille.

At length one of her suitors, a certain Count Herman,
A highly respectable man as a German,
Who smoked like a chimney, and drank like a merman,
Paid his court to her father, conceiving his firman
Would soon make her bend,
And induce her to lend
An ear to a love-tale in lieu of a sermon.
He gained the old Count, who said, 'Come, Mynheer, fill!--
Here's luck to yourself and my daughter Odille!'

The lady Odille was quite nervous with fear
When a little bird whisper'd that toast in her ear;
She murmur'd 'Oh, dear!
My papa has got queer,
I am sadly afraid, with that nasty strong beer!
He's so very austere, and severe, that it's clear
If he gets in his 'tantrums,' I can't remain here;
But St. Ermengarde's convent is luckily near;
It were folly to stay,
Pour prendre congé,
I shall put on my bonnet, and e'en run away!'
-- She unlock'd the back door, and descended the hill,
On whose crest stood the towers of the sire of Odille.

When he found she'd levanted, the Count of Alsace
At first turn'd remarkably red in the face;
He anathematized, with much unction and grace,
Every soul who came near, and consign'd the whole race
Of runaway girls to a very warm place.
With a frightful grimace

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Hundreds Of Tears

I stood in the warmth of the light
Chilled to the bone
Hundreds of faces in sight
Still I was alone
Door after door
And room after empty room
Ive stood here before
But under a different moon
In the longest days and the darkest nights
Down the longest road theres a presence of light
I hear a voice that calls me
Its loves name I call
In the end
Ive walked in and out of the fire
Between truth and lies
Now how many children watch
While one child crys
Ill tear down these walls
And watch while their souls are freed
Ill throw away pride
To drown in this endless sea
In the longest days and the darkest nights
Down the longest road theres a presence of light
I hear a voice that calls me
Its loves name I call
In the end
Hundreds of tears on the water
Mercy come rain down on me
In the longest days and the darkest nights
Down the longest road theres a presence of light
In the longest days and the darkest nights
Down the longest road theres a presence of light
I hear a voice that calls me
Its loves name I call
In the end
Hundreds of tears on the water
Mercy come rain down on me
Hundreds of tears on the water
Mercy come rain down on me
Hundreds of tears on the water
Mercy come rain down on me
Hundreds of tears on the water
Mercy come rain down on me

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The Young Friar

When leaves broke out on the wild briar,
And bells for matins rung,
Sorrow came to the old friar
Hundreds of years ago it was! –
And May came to the young.

The old was ripening for the sky,
The young was twenty-four.
The Franklin's daughter passed him by,
Reading a painted missal-book,
Beside the chapel door.

With brown cassock and sandalled feet,
And red Spring wine for blood;
The very next noon he chanced to meet
The Franklin's daughter, in a green May twilight,
Walking through the wood.

Pax vobiscum – to a maid
The crosiered ferns among!
But hers was only the Saxon,
And his the Norman tongue;
And the Latin taught by the old friar
Made music for the young.

And never a better deed was done
By Mother Church below
Than when she made old England one,
Hundreds of years ago it was! –
Hundreds of years ago.

Rich was the painted page they read
Before that sunset died;
Nut-brown hood by golden head,
Murmuring Rosa Mystica,
While nesting thrushes cried.

A Saxon maid with flaxen hair,
And eyes of Sussex grey;
A young monk out of Normandy: –
'May is our Lady's month,' he said,
'And O, my love, my May!'

Then over the fallen missal-book
The missel-thrushes sung
Till – Domus Aurea – rose the moon
And bells for vespers rung.
It was gold and blue for the old friar,
But hawthorn for the young.

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Jimmy Neutron Theme

Jimmy Neutron Theme
Bowling For Soup
(Jimmy Neutron)
From here to the stars,
With my candy bars,
Rides a kid
With a knack
For inventions.
A super-powered mind,
A mechanical canine,
He rescues the day
From sure destruction.
He's gotta save the world
And get to school on time,
So many things to do
And not much time
So off the ground,
Up in the air,
Out into the atmoshpere,
Who can we count on?
Jimmy Neutron!
Who can we count on?
Jimmy Neutron!
Who can we count on?
Jimmy Neutron!
No matter where you are,
You know he can't be far,
Watching the world
Through x-ray vision
And whenever he's around,
Where adventure can be found,
You know that Jimmy Neutron's
On a mission
He's gotta save the world
And get to school on time,
So many things to do
And not much time
So off the ground,
Up in the air,
Out into the atmoshpere,
Who can we count on?
Jimmy Neutron!
Who can we count on?
Jimmy Neutron!
Who can we count on?
Jimmy Neutron!
Who can we count on?
Jimmy Neutron!
Who can we count on?
Jimmy Neutron!

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Countdown

Trailer red like the sea
Well I'm the son of a crowded bed
Find your love's gonna count for me
Your love that breaths, breeds
Gonna paste up our damn heads
Gonna drop, gonna drop, gonna count for me
Your love that breaths, breeds
Your love that's catchin' the breeze.
Son of a crowded bed
Son of a cloudy night
Well find your love's gonna count for me, your love's gonna count for me
We'll count down (8x)
Yeah
Waitin' for a chance to pass
Some ho say some say now go
Lookin' for a chance for speed
A love that breaths, breeds
High time getting past black
Gonna drop, gonna drop, gonna count for me
Your love that breaths, breeds
Your love that's catchin' the breeze
Son of a crowded bed
Son of a cloudy night
Find your love's gonna count for me, your love's gonna count for me
We'll count down (16x)
Yeah

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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