I'd rather play a tune on a horn, but I've always felt that I didn't want to train myself. Because when you get a train, you've got to have an engine and a caboose. I think it's better to train the caboose. You train yourself, you strain yourself.
quote by Don Van Vliet
Added by Lucian Velea
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Related quotes
The Santa-Fe Trail (A Humoresque)
I asked the old Negro, "What is that bird that sings so well?" He answered: "That is the Rachel-Jane." "Hasn't it another name, lark, or thrush, or the like?" "No. Jus' Rachel-Jane."
I. IN WHICH A RACING AUTO COMES FROM THE EAST
This is the order of the music of the morning: —
First, from the far East comes but a crooning.
The crooning turns to a sunrise singing.
Hark to the calm -horn, balm -horn, psalm -horn.
Hark to the faint -horn, quaint -horn, saint -horn. . . .
Hark to the pace -horn, chase -horn, race -horn.
And the holy veil of the dawn has gone.
Swiftly the brazen ear comes on.
It burns in the East as the sunrise burns.
I see great flashes where the far trail turns.
Its eyes are lamps like the eyes of dragons.
It drinks gasoline from big red flagons.
Butting through the delicate mists of the morning,
It comes like lightning, goes past roaring.
It will hail all the wind-mills, taunting, ringing,
Dodge the cyclones,
Count the milestones,
On through the ranges the prairie-dog tills—
Scooting past the cattle on the thousand hills. . . .
Ho for the tear-horn, scare-horn, dare-horn,
Ho for the gay -horn, bark -horn, bay -horn.
Ho for Kansas, land that restores us
When houses choke us, and great books bore us!
Sunrise Kansas, harvester's Kansas,
A million men have found you before us.
II. IN WHICH MANY AUTOS PASS WESTWARD
I want live things in their pride to remain.
I will not kill one grasshopper vain
Though he eats a hole in my shirt like a door.
I let him out, give him one chance more.
Perhaps, while he gnaws my hat in his whim,
Grasshopper lyrics occur to him.
I am a tramp by the long trail's border,
Given to squalor, rags and disorder.
I nap and amble and yawn and look,
Write fool-thoughts in my grubby book,
Recite to the children, explore at my ease,
Work when I work, beg when I please,
Give crank-drawings, that make folks stare
[...] Read more
poem by Vachel Lindsay
Added by Poetry Lover
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Gettin In Tune
Im singing this note cause it fits in well
Im singing this note cause it fits in well
With the chords Im playing
With the chords Im playing
I cant pretend theres any meaning here
I cant pretend theres any meaning here
Or in the things Im saying
Or in the things Im saying
But Im in tune
But Im in tune
Right in tune
Right in tune
Im in tune
Im in tune
And Im gonna tune
And Im gonna tune
Right in on you
Right in on you
Right in on you
Right in on you
Right in on you
Right in on you
I get a little tired of having to say
I get a little tired of having to say
do you come here often?
Do you come here often?
But when I look in your eyes and see the harmonies
But when I look in your eyes and see the harmonies
And the heartaches soften
And the heartaches soften
Im getting in tune
Im getting in tune
Right in tune
Right in tune
Im in tune
Im in tune
And Im gonna tune
And Im gonna tune
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you
Right in on you
Ive got it all here in my head
Ive got it all here in my head
Theres nothing more needs to be said
Theres nothing more needs to be said
Im just bangin on my old piano
Im just bangin on my old piano
[...] Read more
song performed by Who
Added by Lucian Velea
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Mind Train
Dub-dub, dub-dub,
Dub-dub, dub-dub,
Oh, ooh, oh, oh,
Dub-dub train,
Dub-dub train, dub train, dub train, dub.
Dub-dub, dub-dub,
Dub train, dub, dub-dub train passed through my mind,
Dub, dub-dub train passed through my mind,
Oh, oh, ah, ah.
I thought of killing that man,
Oh, oh, dub-dub train passed through my mind.
Oh, oh.
33 windows shining,
33 windows shining like, shining like, shining like a...
Dub-dub, dub-dub, oh, oh, oh,
Dub-dub, dub-dub, oh, oh, oh,...
Shining the clouds, shining the trees,
Shining empty buildings, shining empty buildings, shining my mind.
Dub-dub, dub-dub, passed many signs, passed many towns,
Ooh, ooh, ooh...
Dub-dub, dub-dub, dub train, oh, train, dub, oh, oh,...
Dub-dub, dub-dub, ooh, train, ooh, pain, train, oh.
I thought of killing that man,
I thought of killing that man.
Dub-dub, dub-dub,
Dub train passed through my mind,
Train passed through my mind, oh, ooh...
Dub-dub, dub-dub, oh train, oh, train.
33 windows shining through my mind,
Shining through my...ooh
Dub-dub, dub-dub, oh, dub-dub,
Ooh, ooh,
Dub-dub train passed through my mind,
Oh, the dub-dub train passed through my mind,
Passed through my mind, ooh, ooh....
Oh, train, dub train,
Dub-dub, oh, dub-dub, oh.
Oh, oh,...
I thought of killing, i thought of killing that man.
A-dub-dub train, oh, oh, train, train, train, train,
Oh, oh, oh...
Train, train, dub-dub-dub-dub train, dub-dub.
Shining the clouds, shining the trees,
Shining empty buildings, shine, shine, shine, shine, shine -
33 windows, 33 windows shining like a...
Shine, shine, shine.
Dub-dub, dub-dub, ooh, oh...
Passed many signs, passed many signs,
Oh, yes, yes, dub-dub, oh, yes,
Dub-dub, dub-dub, oh, oh,...
[...] Read more
song performed by Yoko Ono
Added by Lucian Velea
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Mind Train
Dub-dub, dub-dub,
Dub-dub, dub-dub,
Oh, ooh, oh, oh,
Dub-dub train,
Dub-dub train, dub train, dub train, dub.
Dub-dub, dub-dub,
Dub train, dub, dub-dub train passed through my mind,
Dub, dub-dub train passed through my mind,
Oh, oh, ah, ah.
I thought of killing that man,
Oh, oh, dub-dub train passed through my mind.
Oh, oh.
33 windows shining,
33 windows shining like, shining like, shining like a...
Dub-dub, dub-dub, oh, oh, oh,
Dub-dub, dub-dub, oh, oh, oh,...
Shining the clouds, shining the trees,
Shining empty buildings, shining empty buildings, shining my mind.
Dub-dub, dub-dub, passed many signs, passed many towns,
Ooh, ooh, ooh...
Dub-dub, dub-dub, dub train, oh, train, dub, oh, oh,...
Dub-dub, dub-dub, ooh, train, ooh, pain, train, oh.
I thought of killing that man,
I thought of killing that man.
Dub-dub, dub-dub,
Dub train passed through my mind,
Train passed through my mind, oh, ooh...
Dub-dub, dub-dub, oh train, oh, train.
33 windows shining through my mind,
Shining through my...ooh
Dub-dub, dub-dub, oh, dub-dub,
Ooh, ooh,
Dub-dub train passed through my mind,
Oh, the dub-dub train passed through my mind,
Passed through my mind, ooh, ooh....
Oh, train, dub train,
Dub-dub, oh, dub-dub, oh.
Oh, oh,...
I thought of killing, i thought of killing that man.
A-dub-dub train, oh, oh, train, train, train, train,
Oh, oh, oh...
Train, train, dub-dub-dub-dub train, dub-dub.
Shining the clouds, shining the trees,
Shining empty buildings, shine, shine, shine, shine, shine -
33 windows, 33 windows shining like a...
Shine, shine, shine.
Dub-dub, dub-dub, ooh, oh...
Passed many signs, passed many signs,
Oh, yes, yes, dub-dub, oh, yes,
Dub-dub, dub-dub, oh, oh,...
[...] Read more
song performed by Yoko Ono
Added by Lucian Velea
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Great Conductors
Hans Richter Parsifal did not conduct,
and to the National Gallery he never paid
a visit, but he showed Franz Strauss who never sucked
just how the horn in Meistersinger should be played.
Franz Strauss refused to play a second time
for Hans von Bülow Meistersinger’s second act;
Hans begged his pardon when Franz told him: “I’m
retiring, since you for the hornist show no tact.”
There is an incident reported about the premiere of Die Meistersinger von Nuremberg. The first version: during a rehearsal Strauss complained about the terrible demanding horn part, but Hans Richter, Wagner's secretary & former first horn at the Viennese Kaerntnerthor Theatre (Beethoven's Sonata op.17 had been premiered there; forerunner theatre of the Imperial Opera House) , was present & asked Strauss to lend him his horn & played the passage from the endings of the second act flawless, but giving the horn back with the comment With your B-flat-horn you will have difficulties always; the F-horn sounds much better.
I do not believe this anecdote to be true. Even an already warmed up horn player of excellent qualities might have difficulties with the Pruegelszene How can a conducter to be (Richter became the first world famous conductor; he led the first Ring in Bayreuth 1876) , who had not played his horn for a while, play this passage flawless without any warm-up. A myth only! Richter used this complain about B-flat horn also, when he conducted in Bayreuth. He recommended the use of the single F horn always. No wonder. He came from Vienna.
The second incident happened after the end of the dress rehearsal of Mastersingers. Hans von Bülow wanted to repeat the ending of the 2nd Act again, but Strauss refused to do so, telling von Bülow that he could not do it again, as being exhausted already. If you cant do it again, so you must better ask for retirement! , replied von Buelow to Strauss. But Strauss left the pit and asked the opera's administration for immediate retirement. So Hans von Bülow had to come to Strauss house at the Pschorr Estate, ask for pardon, which was granted, - so the premiere of Mastersingers was saved.
There is an incident reported about the premiere of Die Meistersinger von Nuremberg. The first version: during a rehearsal Strauss complained about the terrible demanding horn part, but Hans Richter, Wagner's secretary & former first horn at the Viennese Kaerntnerthor Theatre (Beethoven's Sonata op.17 had been premiered there; forerunner theatre of the Imperial Opera House) , was present & asked Strauss to lend him his horn & played the passage from the endings of the second act flawless, but giving the horn back with the comment With your B-flat-horn you will have difficulties always; the F-horn sounds much better.
I do not believe this anecdote to be true. Even an already warmed up horn player of excellent qualities might have difficulties with the Pruegelszene. How can a conductor to be (Richter became the first world famous conductor; he led the first Ring in Bayreuth 1876) , who had not played his horn for a while, play this passage flawless without any warm-up. A myth only! Richter used this complain about B-flat horn also, when he conducted in Bayreuth. He recommended the use of the single F horn always. No wonder. He came from Vienna.
The second incident happened after the end of the dress rehearsal of Mastersinger. Hans von Bülow wanted to repeat the ending of the 2nd Act again, but Strauss refused to do so, telling von Bülow that he could not do it again, as being exhausted already. If you can’t do it again you had better ask for retiremen! replied von Bülow to Strauss. But Strauss left the pit and asked the opera's administration for immediate retirement. So Hans von Bülow had to come to Strauss house at the Pschorr Estate, ask for pardon, which was granted, - so the premiere of Mastersingers was saved.
8/25/08
poem by Gershon Hepner
Added by Poetry Lover
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Booty-Boo-Doo-The Caboose
I'm not going to hide,
Any love you see this evening.
I'm much too needing on my side...
And I want it known as shown,
I've come with... some pride.
I'm not going to hide inside of me,
This evening.
Too much I let collect in dust.
And too much I don't want to get rusty.
I've got enough in me to boot and hoot.
It doesn't matter if my ladder,
Can get up to reach the roof!
I know my ladder apparatus,
And it's there to give a boost.
Booty-boo-doo-the caboose.
I know my ladder apparatus,
And it's there to give a boost.
Booty-boo-doo-the caboose.
I know my ladder apparatus,
And it's there to give a boost.
Booty-boo-doo-the cabooster.
Booty-boo-doo-the caboose.
Booty-boo-doo-the cabooster.
Booty-boo-doo-the caboose.
Booty-boo-doo-the cabooster.
I know my ladder apparatus,
And it's there to give a boost.
I'm not going to hide inside of me,
This evening.
Too much I let collect in dust.
And too much I don't want to get rusty.
I've got enough in me to boot and hoot.
Booty-boo-doo-the cabooster.
I know my ladder apparatus,
And it's there to give a boost.
I know my ladder apparatus,
And it's there to give a boost.
Booty-boo-doo-the cabooster.
Booty-boo-doo-the caboose.
[...] Read more
poem by Lawrence S. Pertillar
Added by Poetry Lover
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Meet Me At The Station
(brother williams memphis sanctified singers)
Well if I get to heaven before you do
I will meet you at the station when your train comes along
Ill be watching and waiting, mother dear, for you
I will meet you at the station when your train comes along
Father, when the train
Father, when the train
Meet me at the station when the train comes along
When the train
Father, when the train comes along
I will meet you at the station when your train comes along
Well if my eyes see the glory, before yours do
I will meet you at the station when your train comes along
Ill be watching and waiting, father, for you
I will meet you at the station whe your train comes along
Father, when the train
Father, when the train
Meet me at the station when the train comes along
Father, when the train
Father, when the train comes along
I will meet you at the station when your train comes along
Now if my feet touch the homeline before yours do
I will meet you at the station when the train comes along
Ill be watching and waiting, my brother, for you
I will meet you at the station when the train comes along
When the train
When the train
Meet me at the station when the train comes along
When the train
When the train comes along
Meet me at the station when the train comes along
When the train
When the train
Meet me at the station when the train comes along
When the train
When the train comes along
Meet me at the station when the train comes along
Now if you see gods country before I do
Will you meet me at the station when my train comes along
Will you be there watching, sister, for me
Will you meet me at the station when my train comes along
When my train
When my train
Meet me at the station when my train comes along
When my train
Sister, when my train comes along
Will you meet me at the station when my train comes along
When the train
When the train
Meet me at the station when my train comes along
[...] Read more
song performed by Waterboys
Added by Lucian Velea
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Mr. Moon
Written by jay kay, toby smith and stuart zender
Whooo wo wo now
Have you gone astray or lost your way?
You should have seen me yesterday,
Well i knew this kind of love was written in the stars
It's only once or twice that you're inline with mr.moon
Then it was you...
You took me on your cloud
Give me flowers for my pain
But with some degree my destiny seemed to slip away from me
Before i got to now your name...
Just give me a chance
I'll do what you want me to
Everybody wants to dance, so how come i can't dance with you
You really turn me on
You're the one that makes me smile...
It's mr moon who plays in tune,
Mr moon who knows
And if it's mr. moon who gives the sign then that's the sign that goes on
I never know what to do till i'm there with you....
Eh....all right on....
Did you lose your mind or for a day?
You don't remember anyway...
Like the waters of a dream encapsulate my mind
A place i haven't seen sits a the end of space and time
So lost in love...
Than i think i'm blind...
To purchanse upon this circumstance,
It's something of a miracle so spiritual it's verging on the physical...
Searching for a love i cannot find...
Oh, now i'm lost in your love...
Now i'm lost, and i don't know when to turn,
Now i'm lost in your, now i'm lost in your love...
Parira parira...parira parira...
(just play my tune, oh mr. moon)
Just play my tune, just play my tune
Just play my tune, just play my tune
Just play my tune, just play my tune
Ooooh la la, la lara lo la la, lalala...
Just give me a chance
I'll do what you want me to
Everybody wants to dance, so how come i can't dance with you
You really turn me on
You're the one that makes me smile...yeah......oh!
It's mr moon who plays in tune,
Mr moon who knows
And if it's mr. moon who gives the sign then that's the sign that goes on
I never know what to do till i'm there with you....
Eh, eh....oh now....
Oh mr. moon play that tune for me...
[...] Read more
song performed by Jamiroquai
Added by Lucian Velea
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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You're Not From Brighton
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used, funk as we used to
You're not from Brighton
You're not from Brighton
You're not from Brighton
You're, you're, you're, you're
Funk as we used to play
Funk as we used to play
Funk as we used to play
Funk as we used to play
Said check baby, check baby
Check baby, check said
Check baby, check baby
Check one two
Check baby, check baby
Check baby, check said
Check check baby
Check check one two
Check baby, check baby
Check baby, check said
Check baby, check baby
Check one two, ha
Check baby, check baby
Check baby, check said
Check baby, check baby
Check one two, ha
Check baby, check baby
Check baby, check said
Check baby, check baby
Check one two, ha
Check baby, check baby
Check baby, check said
Check baby, check baby
Check one two
Said check one two, check one two
Check one two, check one two
[...] Read more
song performed by Fatboy Slim
Added by Lucian Velea
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Music
I
PRELUDE
Daughter of Psyche, pledge of that last night
When, pierced with pain and bitter-sweet delight,
She knew her Love and saw her Lord depart,
Then breathed her wonder and her woe forlorn
Into a single cry, and thou wast born?
Thou flower of rapture and thou fruit of grief;
Invisible enchantress of the heart;
Mistress of charms that bring relief
To sorrow, and to joy impart
A heavenly tone that keeps it undefiled,--
Thou art the child
Of Amor, and by right divine
A throne of love is thine,
Thou flower-folded, golden-girdled, star-crowned Queen,
Whose bridal beauty mortal eyes have never seen!
II
Thou art the Angel of the pool that sleeps,
While peace and joy lie hidden in its deeps,
Waiting thy touch to make the waters roll
In healing murmurs round the weary soul.
Ah, when wilt thou draw near,
Thou messenger of mercy robed in song?
My lonely heart has listened for thee long;
And now I seem to hear
Across the crowded market-place of life,
Thy measured foot-fall, ringing light and clear
Above the unmeaning noises and the unruly strife;
In quiet cadence, sweet and slow,
Serenely pacing to and fro,
Thy far-off steps are magical and dear.
Ah, turn this way, come close and speak to me!
>From this dull bed of languor set my spirit free,
And bid me rise, and let me walk awhile with thee
III
Where wilt thou lead me first?
In what still region
Of thy domain,
Whose provinces are legion,
Wilt thou restore me to myself again,
And quench my heart's long thirst?
[...] Read more
poem by Henry Van Dyke
Added by Poetry Lover
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English Bards and Scotch Reviewers: A Satire
'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare
'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.
Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.
O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.
When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.
Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.
[...] Read more

I Can Play (Lyrics) :
He didn't give himself up to fear.
And his voice had a life of its own.
He didn't give himself up for broke.
Just a man who played his guitar.
He said 'I can play the guitar', 'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.
'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.
He didn't give himself up to drinking beer.
His voice still had a life of its own.
And he didn't give himself up for smoke.
Just a man who played his guitar.
He said 'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.
'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.
He didn't give himself up to curcumstance.
Always tried to make it alone.
He didn't give himself up to telling lies.
His honesty was already shown.
Always kept himself up to par.
Just a man who played his guitar.
He said 'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.
'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'...
Rock Lyric By Kim Robin Edwards
Copyright 1987,2009..
ALL rights reserved..
poem by Kim Robin Edwards
Added by Poetry Lover
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The Wild Huntsman
The Wildgrave winds his bugle-horn,
To horse, to horse! halloo, halloo!
His fiery courser snuffs the morn,
And thronging serfs their lord pursue.
The eager pack, from couples freed,
Dash through the bush, the brier, the brake;
While answering hound, and horn, and steed,
The mountain echoes startling wake.
The beams of God's own hallow'd day
Had painted yonder spire with gold,
And, called sinful man to pray,
Loud, long, and deep the bell had toll'd:
But still the Wildgrave onward rides;
Halloo, halloo! and, hark again!
When, spurring from opposing sides,
Two Stranger Horsemen join the train.
Who was each Stranger, left and right,
Well may I guess, but dare not tell;
The right-hand steed was silver white,
The left, the swarthy hue of hell.
The right-hand Horseman, young and fair,
His smile was like the morn of May;
The left, from eye of tawny glare,
Shot midnight lightning's lurid ray.
He waved his huntsman's cap on high,
Cried, 'Welcome, welcome, noble lord!
What sport can earth, or sea, or sky,
To match the princely chase, afford?'-
'Cease thy loud bugle's changing knell,'
Cried the fair youth, with silver voice;
'And for devotion's choral swell,
Exchange the rude unhallow'd noise.
'To-day, the ill-omen'd chase forbear,
Yon bell yet summons to the fane;
To-day the Warning Spirit hear,
To-morrow thou mayst mourn in vain.'-
'Away, and sweep the glades along!'
The Sable Hunter hoarse replies;
'To muttering monks leave matin-song
And bells, and books, and mysteries.'
[...] Read more
poem by Sir Walter Scott
Added by Poetry Lover
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Eroica, Eroica, Eroica
Beethoven Third Symphony
A Beethoven master piece
The First Movement
The music starts softly and sweet
Picks soon with full force
In charm awakening
With the orchestra in full display
Loud with majestic power
We are overwhelmed
No place to go
We are exhausted
He relieves us now
With soft melody that follows
He has master command
The music comes quick in flurry
with persistent repetition
We are whipped with emotions
The music comes back again and again
In fresh successive succession
Like a boy coming hurriedly in the field
The tunes comes back
Haunting us in familiar rhythm
It is over and over again
Filling and nourishing our soul
Some sound comes again
From far away
Like someone we knew
Calling us softly,
Gently and beautifully
Racing and touching our heart
The old familiar tune
Comes back and back again
Teasing us
With power
Hurriedly closing on us
The music casts some sadness
The familiar tune comes back
Full of charm
Second Movement
A faint sad sound
So sad
Like funeral procession
The same tune comes back
dressed in sadness
So sad
Revival the music comes strong
Third Movement
[...] Read more
poem by Sherif Monem
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The Hunter’s Song
RISE! Sleep no more! ’T is a noble morn:
The dews hang thick on the fringed thorn,
And the frost shrinks back, like a beaten hound,
Under the steaming, steaming ground.
Behold, where the billowy clouds flow by,
And leave us alone in the clear gray sky!
Our horses are ready and steady.—So, ho!
I ’m gone, like a dart from the Tartar’s bow.
Hark, hark!—Who calleth the maiden Morn
From her sleep in the woods and the stubble corn?
The horn,—the horn!
The merry, sweet ring of the hunter’s horn.
Now, thorough the copse, where the fox is found,
And over the stream, at a mighty bound,
And over the high lands, and over the low,
O’er furrows, o’er meadows, the hunters go!
Away!—as a hawk flies full at its prey,
So flieth the hunter, away,—away!
From the burst at the cover till set of sun,
When the red fox dies, and—the day is done!
Hark, hark!—What sound on the wind is borne?
’T is the conquering voice of the hunter’s horn.
The horn,—the horn!
The merry, bold voice of the hunter’s horn.
Sound! Sound the horn! To the hunter good
What ’s the gulley deep or the roaring flood?
Right over he bounds, as the wild stag bounds,
At the heels of his swift, sure, silent hounds.
O, what delight can a mortal lack,
When he once is firm on his horse’s back,
With his stirrups short, and his snaffle strong,
And the blast of the horn for his morning song?
Hark, hark!—Now, home! and dream till morn
Of the bold, sweet sound of the hunter’s horn!
The horn,—the horn!
O, the sound of all sounds is the hunter’s horn!
poem by Barry Cornwall
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Ghost Train
Here they come to steal my soul
(Ghost train)
Wait it out until I know
(Ghost train)
Trying not to feel I give it
(Ghost train)
Moving up until I go go
(Ghost train)
She was not to hear about me leaving
(Ghost train)
Trying to be near my heart
(Ghost train)
Trying not to feel like bleeding
(Ghost train)
Moving up until I'm taught to your side
(Ghost train)
Yeah yeah yeah
(Ghost train)
yeah yeah yeah
(Ghost train)
yeah yeah yeah
(Ghost train)
Got suicide for my baby
(Ghost train)
Living up until I wanted
(Ghost train)
Seeing like I'm out of bed, yeah
(Ghost train)
Moving up and taught I'm a weapon
(Ghost train)
Yeah yeah yeah yeah yeah
(Ghost train)
Yeah yeah yeah yeah yeah
(Ghost train)
I see myself pretend how to get there
(Ghost train)
Dripping down, I'm poisoned on the street
(Ghost train)
Come on come on come on!
(Ghost train)
Come on come on come on!
(Ghost train)
Come on come on come on!
(Ghost train)
Come on come on come on!
(Ghost train)
Come on come on come on!
(Ghost train)
Come on come on come on!
(Ghost train)
[...] Read more
song performed by Gorillaz
Added by Lucian Velea
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Bunnies
Crushed in the arms...
Crushed in the arms of a bear.
Crushed in the arms...
Crushed in the arms of a bear.
In my strain...
In my strain...
In my strain...
In my strain...
Now I could never fall in love.
And feeling such a thrill
Why don't you anger me, anger me, I will.
Oh... Why don't you anger me?
Anger me I will.
Oh Why dont you anger me?
(crushed in the arms)
Now I could never fall in love. (i strain)
And feeling such a person. (in my strain)
And feeling such a person
Anger me. You anger me.
Strangle me. You strangle me.
Strangle me... and I strain...
And I strain... (of a bear)
And I strain... (crushed in the arms)
And I strain... (of a bear)
And I strain... (crushed in the arms)
And I strain...
Why don't you just go...
Why don't you just go...
Why don't you just go...
Strangle me... Strangle me...
Oh I strain...
Strangle me... Strangle me...
Oh I strain...
Strangle me... Strangle me...
Why dont you just..
Strangle me... Strangle me...
(Bunnies is a constantely evolving ambient song molded from Howie's Line 6 pedal. Many different versions of this song exist including different sets of lyrics.)
song performed by Howie Day
Added by Lucian Velea
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The Man With The Horn
(released as b-side of sussudio single, 1985)
They come from miles around just to hear him play
Hes on the same street corner almost every day
And theres always a crowd wherever he goes
And when he blows his horn, well everybody knows
I only wanna see him play
All the girls n boys they wanna see him play
Nobody else they wanna see him play
And he brings a tear to the eye
Hell make you smile of make you cry
And nobody asks him why
Cos they just wanna see him play
They come from every way, every night
Hes got a band so out there, its outta sight
And the boys in the dancehall are rocking in the aisle
The girls up front - they wanna see him smile
I only wanna see him play
All the girls n boys they wanna see him play
Nobody else they wanna see him play
And he brings a tear to the eye
Hell make you smile of make you cry
Ooh, nobody asks him why
Cos they just wanna see him play
Yeah, hes the man with the horn
Ooh they wanna see him play
Yeah, hes the man with the horn
Ooh they wanna see him play
Yeah, hes the man with the horn
You know they wanna see him, they wanna see him
They wanna, they wanna, they wanna see him play
(play it, don!)
Ah, station to station, coast to coast
Well you can hear all his records on the radio
He makes every evening feel like saturday night
And if youre happy or sad hell make the feeling right
I only wanna see him play
All the girls n boys they wanna see him play
Nobody else they wanna see him play
And he brings a tear to the eye
Hell make you smile of make you cry
Ooh, nobody asks him why
Cos they just wanna see him play
Yes, you know they wanna see him, they wanna see him
Chow, they know they wanna see him, they wanna see him
They wanna, they wanna, they wanna see him play
They wanna see him play, play, play, play
Oh, all the girls and boys wanna see him play
All the girls and boys wanna see him play
All the girls and boys...
song performed by Phil Collins
Added by Lucian Velea
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Theatre Of The Absurd
(ian hunter)
My tea turned seven shades darker
As I sit n write these words
And londons gettin paler
In my theatre of the absurd.
You figured for an evening
And you made it all worthwile.
Its seldom people have a job
And even rarer that I smile.
Play me some, play me some,
Play me brixton power.
Teach your children to be them
And never ever ours.
Play me some, play me some,
Play me brixton power.
Someone took the park away
But they left a lonely flower.
And if your songs be classics,
Throw them to the hurd.
Truth is where they came from
And not this theatre of the absurd.
Some say you wanted to play for me
But its only what youve heard
That made you want to capture me
In your theatre of the absurd.
It was not me, I said myself
And you must do so, too.
I hope you have the strength to stay
When Ill be watchin you.
So baby,
Play me some, play me some,
Play me brixton power.
Teach your children to be them
And never ever ours.
Play me some, play me some,
Play me brixton power.
Someone took the park away
But they left a lonely flower.
Oh when I got here back home tonight
Something within me stirred.
Oh it must have been a different kind of play
That touched my theatre of the absurd.
Now Ill be on my way alone
But an interesting thing occurred
See nobody ever shared too much
In my theatre of the absurd.
And there I was back in london,
Thought about history.
It was just like being in school again
But I felt something movin in me.
[...] Read more
song performed by Ian Hunter
Added by Lucian Velea
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