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John Malkovich

I haven't physically attacked anyone in a couple of years.

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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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Polyhymnia

[Polyhymnia: Describing, The honourable Triumph at Tylt,
before her Maiestie, on the 17. of Nouember, last past,
being the first day of the three and thirtith yeare of
her Highnesse raigne. With Sir Henrie Lea, his resignation
of honour at Tylt, to her Maiestie, and receiued by the right
honourable, the Earle of Cumberland.]

[Polyhimnia. Entituled, with all dutie to the Right
Honourable, Lord Compton of Compton.]


Therefore, when thirtie two were come and gone,
Years of her raigne, daies of her countries peace,
Elizabeth great Empresse of the world,
Britanias Atlas, Star of Englands globe,
That swaies the massie scepter of her land,
And holdes the royall raynes of Albion:
Began the gladsome sunnie day to shine,
That drawes in length date of her golden raigne:
And thirtie three shee numbreth in her throne:
That long in happinesse and peace (I pray)
May number manie to these thirtie three.
Wherefore it fares as whilom and of yore,
In armour bright and sheene, faire Englands knights
In honour of their peerelesse Soueraigne:
High Maistresse of their seruice, thoughtes and liues
Make to the Tyltamaine: and trumpets sound,
And princelie Coursers neigh, and champ the byt,
When all addrest for deeds of high deuoyre,
Preace to the sacred presence of their Prince.


The 1. couple. Sir Henrie Lea. The Earle of Cumberland.

Mightie in Armes, mounted on puissant horse,
Knight of the Crown in rich imbroderie,
And costlie faire Caparison charg'd with Crownes,
Oreshadowed with a withered running Vine,
As who would say, My spring of youth is past:
In Corslet gylt of curious workmanship,
Sir Henry Lea, redoubted man at Armes.
Leades in the troopes, whom woorthie Cumberland
Thrice noble Earle, aucutred as became
So greate a Warriour and so good a Knight.
Encountred first, yclad in coate of steele,
And plumes and pendants al as white as Swanne,
And speare in rest, right readie to performe
What long'd vnto the honour of the place.
Together went these Champions, horse and man,
Thundring along the Tylt, that at the shocke

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.


Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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A Couple More Years

I've got a couple more years on you, baby...that's all.
I've had more chances to fly and more places to fall.
And it ain't that I'm wiser...
It's only that I've spent more time with my back to the wall.
And I've picked up a couple more years on you, baby.. that's all.

I've walked a couple more roads than you, baby...that's all.
And I'm tired of runnin' while you're only learning to crawl.
And you're headin somewhere...
But I've been to somewhere... and found it was nowhere at all.
And I've picked up a couple of years on you baby... that's all.

Now sayin' goodbye, girl don't never come easy at all.
But you've got to fly 'cuz you're hearin' those young eagles call.
And someday when you're older, you'll smile at a man strong and tall.
And you'll say I've got a couple more years on you, baby... that's all.

I've got a couple more years on you baby... that's all.
You'll say I've had more chances to fly and more places to fall.
It ain't that I'm wiser...
It's only that I've spent more time with my back to the wall.
And I've picked up a couple more years on you baby... that's all.

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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In twin

It needs a couple of wings
To fly
A couple to walk
A couple to talk
And for love a couple of hearts
to beat
To rain it needs a couple
To shine it needs a couple
And the life it needs to share
With couple
For one smile it needs
two hearts

In one band
in the bundle of love
The heart is not alone
Not bachelor
That is way
They beat
In twin.

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Five Years

Pushing thru the market square, so many mothers sighing
News had just come over, we had five years left to cry in
News guy wept and told us, earth was really dying
Cried so much his face was wet, then I knew he was not lying
I heard telephones, opera house, favourite melodies
I saw boys, toys electric irons and t.v.s
My brain hurt like a warehouse, it had no room to spare
I had to cram so many things to store everything in there
And all the fat-skinny people, and all the tall-short people
And all the nobody people, and all the somebody people
I never thought Id need so many people
A girl my age went off her head, hit some tiny children
If the black hadnt a-pulled her off, I think she would have killed them
A soldier with a broken arm, fixed his stare to the wheels of a cadillac
A cop knelt and kissed the feet of a priest, and a queer threw up at the sight of that
I think I saw you in an ice-cream parlour, drinking milk shakes cold and long
Smiling and waving and looking so fine, dont think
You knew you were in this song
And it was cold and it rained so I felt like an actor
And I thought of ma and I wanted to get back there
Your face, your race, the way that you talk
I kiss you, youre beautiful, I want you to walk
Weve got five years, stuck on my eyes
Five years, what a surprise
Weve got five years, my brain hurts a lot
Five years, thats all weve got
Weve got five years, what a surprise
Five years, stuck on my eyes
Weve got five years, my brain hurts a lot
Five years, thats all weve got
Weve got five years, stuck on my eyes
Five years, what a surprise
Weve got five years, my brain hurts a lot
Five years, thats all weve got
Weve got five years, what a surprise
Weve got five years, stuck on my eyes
Weve got five years, my brain hurts a lot
Five years, thats all weve got
Five years
Five years
Five years
Five years

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The four Monarchyes, the Assyrian being the first, beginning under Nimrod, 131. Years after the Floo

When time was young, & World in Infancy,
Man did not proudly strive for Soveraignty:
But each one thought his petty Rule was high,
If of his house he held the Monarchy.
This was the golden Age, but after came
The boisterous son of Chus, Grand-Child to Ham,
That mighty Hunter, who in his strong toyles
Both Beasts and Men subjected to his spoyles:
The strong foundation of proud Babel laid,
Erech, Accad, and Culneh also made.
These were his first, all stood in Shinar land,
From thence he went Assyria to command,
And mighty Niniveh, he there begun,
Not finished till he his race had run.
Resen, Caleh, and Rehoboth likewise
By him to Cities eminent did rise.
Of Saturn, he was the Original,
Whom the succeeding times a God did call,
When thus with rule, he had been dignifi'd,
One hundred fourteen years he after dy'd.
Belus.
Great Nimrod dead, Belus the next his Son
Confirms the rule, his Father had begun;
Whose acts and power is not for certainty
Left to the world, by any History.
But yet this blot for ever on him lies,
He taught the people first to Idolize:
Titles Divine he to himself did take,
Alive and dead, a God they did him make.
This is that Bel the Chaldees worshiped,
Whose Priests in Stories oft are mentioned;
This is that Baal to whom the Israelites
So oft profanely offered sacred Rites:
This is Beelzebub God of Ekronites,
Likewise Baalpeor of the Mohabites,
His reign was short, for as I calculate,
At twenty five ended his Regal date.
Ninus.
His Father dead, Ninus begins his reign,
Transfers his seat to the Assyrian plain;
And mighty Nineveh more mighty made,
Whose Foundation was by his Grand-sire laid:
Four hundred forty Furlongs wall'd about,
On which stood fifteen hundred Towers stout.
The walls one hundred sixty foot upright,
So broad three Chariots run abrest there might.
Upon the pleasant banks of Tygris floud
This stately Seat of warlike Ninus stood:
This Ninus for a God his Father canonized,
To whom the sottish people sacrificed.

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Reproved

Flat on their backs like flapjacks.
Rustled and stirred,
Like they've been attacked by wolves.

Wasn't it just yesterday,
These clowns strolled around...
As if they ruled the world?
As if their excrement did not stink.
And here they lay on the brink,
Of much exposed sorrow!

Flat on their backs like flapjacks.
Rustled and stirred,
Like they've been attacked by wolves.

They exclaimed they needed to get to the meat of it!
Not expecting they would become 'the meat' of it eatened.

Wasn't it just yesterday,
These clowns strolled around...
As if they ruled the world?
As if their excrement did not stink.
And here they lay on the brink,
Of much exposed sorrow!

Too many of them have borrowed time from others...
To plot their deceptions.
To flourish in receptions of grandeur.
To discredit the honest.
To defame those of good characters.
And now they seek redemption for their treachery?
The only cheek I turn,
Is the one that conceals a balled fist in my pants pocket!
These people can not be forgiven for the loss of lives.
They caused while in the creation of tremendous lies told!

Wasn't it just yesterday,
These clowns strolled around...
As if they ruled the world?
As if their excrement did not stink.
And here they lay on the brink,
Of much exposed sorrow!
Flat on their backs like flapjacks.
Rustled and stirred,
Like they've been attacked by wolves.

And they should...
Be attacked!
In public reprimand.
To show these blood sucking reptiles,

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My God Is Special

I am physically blind...
But oh God, thanks be to you for your spiritual sight.
I am physically deaf...
But oh God, thanks be to you that
Iam able to hear your sweet, sweet voice.
I physically cannot speak...
But God, thaks be to you for knowing
And understanding all my needs.
I physically cannot walk...
But oh God, thanks be to you for leading
And guiding me in your righteous way.
Thanks be to you oh God, for letting me know
That I am special.
Because you are special to me.

Evelyn Clayborn

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My God Is Special

I am physically blind...
But oh God, thanks be to you for your spiritual sight.
I am physically deaf...
But oh God, thanks be to you that
Iam able to hear your sweet, sweet voice.
I physically cannot speak...
But God, thaks be to you for knowing
And understanding all my needs.
I physically cannot walk...
But oh God, thanks be to you for leading
And guiding me in your righteous way.
Thanks be to you oh God, for letting me know
That I am special.
Because you are special to me.

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One's A Couple

Thanks, but no thanks
I Didn't come here to dance
I'm with somebody, I'm afraid I'll have to pass
Two years ago he left me, now his memory's back around
One's a couple baby,
Two's a crowd
We came in here to be alone
No TV, no telephone
Two old flames out on the town
One still burns, and one's burned out
One's a couple baby,
Two's a crowd
They institutionalize people for actin' like I do
I'm drinkin' with somebody, that ain't in the room
Can't you see we're busy, trying to work our problems out?
One's a couple baby,
Two's a crowd
We came in here to be alone
No TV, no telephone
Two old flames out on the town
One still burns, and one's burned out
One's a couple baby,
Two's a crowd
We came in here to be alone
No TV, no telephone
Two old flames out on the town
One still burns, and one's burned out
One's a couple baby,
Two's a crowd
One's a couple baby,
Two's a crowd

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King Solomon And The Queen Of Sheba

(A Poem Game.)

“And when the Queen of Sheba heard of the fame of Solomon, . . .
she came to prove him with hard questions.”


[The men’s leader rises as he sees the Queen unveiling
and approaching a position that gives her half of the stage.]

Men’s Leader: The Queen of Sheba came to see King Solomon.
[He bows three times.]
I was King Solomon,
I was King Solomon,
I was King Solomon.

[She bows three times.]
Women’s Leader: I was the Queen,
I was the Queen,
I was the Queen.

Both Leaders: We will be king and queen,
[They stand together stretching their hands over the land.]
Reigning on mountains green,
Happy and free
For ten thousand years.

[They stagger forward as though carrying a yoke together.]
Both Leaders: King Solomon he had four hundred oxen.

Congregation: We were the oxen.

[Here King and Queen pause at the footlights.]
Both Leaders: You shall feel goads no more.
[They walk backward, throwing off the yoke and rejoicing.]
Walk dreadful roads no more,
Free from your loads
For ten thousand years.

[The men’s leader goes forward, the women’s leader dances round him.]
Both Leaders: King Solomon he had four hundred sweethearts.

[Here he pauses at the footlights.]
Congregation: We were the sweethearts.

[He walks backward. Both clap their hands to the measure.]
Both Leaders: You shall dance round again,
You shall dance round again,
Cymbals shall sound again,
Cymbals shall sound again,
[The Queen appears to gather wildflowers.]

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The Booker Washington Trilogy

I. A NEGRO SERMON:—SIMON LEGREE

(To be read in your own variety of negro dialect.)


Legree's big house was white and green.
His cotton-fields were the best to be seen.
He had strong horses and opulent cattle,
And bloodhounds bold, with chains that would rattle.
His garret was full of curious things:
Books of magic, bags of gold,
And rabbits' feet on long twine strings.
But he went down to the Devil.

Legree he sported a brass-buttoned coat,
A snake-skin necktie, a blood-red shirt.
Legree he had a beard like a goat,
And a thick hairy neck, and eyes like dirt.
His puffed-out cheeks were fish-belly white,
He had great long teeth, and an appetite.
He ate raw meat, 'most every meal,
And rolled his eyes till the cat would squeal.

His fist was an enormous size
To mash poor niggers that told him lies:
He was surely a witch-man in disguise.
But he went down to the Devil.

He wore hip-boots, and would wade all day
To capture his slaves that had fled away.
But he went down to the Devil.

He beat poor Uncle Tom to death
Who prayed for Legree with his last breath.
Then Uncle Tom to Eva flew,
To the high sanctoriums bright and new;
And Simon Legree stared up beneath,
And cracked his heels, and ground his teeth:
And went down to the Devil.

He crossed the yard in the storm and gloom;
He went into his grand front room.
He said, "I killed him, and I don't care."
He kicked a hound, he gave a swear;
He tightened his belt, he took a lamp,
Went down cellar to the webs and damp.
There in the middle of the mouldy floor
He heaved up a slab, he found a door —
And went down to the Devil.

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by from Don Juan (1824)Report problemRelated quotes
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9-9

Steady repetition is a compulsion mutually reenforced.
Now what does that mean?
Is there a just contradiction?
Nothing much.
Now I lay me down to sleep, I pray the lord my soul to keep.
If I should die before I wake, I pray the lord, hesitate.
Got to punch
Right on target
Twisting tongues
Gotta stripe down his back
All nine yards down her back
Give me a couple,
Dont give me a couple of pointers,
Turn to lies and conversation fear
Got to punch
Right on target
Twisting tongues
Gotta stripe down his back
All nine yards down her back
Give me a couple,
Dont give me a couple of pointers,
Turn to lies and conversation fear
What is my mind?
What is my mind?
Steady repetition is a compulsion mutually reenforced.
Now what does that mean?
Is there a just contradiction?
Nothing much.
Now I lay me down to sleep, I pray the lord my soul to keep.
If I should die before I wake, oh come on, hesitate, hesitate.
Got to punch
Right on target
Twisting tongues
Gotta stripe down his back
All nine yards down her back
Give me a couple,
Dont give me a couple of pointers,
Turn to lies and conversation fear
Conversation fear. conversation fear. conversation fear.

song performed by REMReport problemRelated quotes
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Dogs

The first time we met you were a kennel maid,
The first time we met you were a kennel maid,
You gave me a tip I got me forecast paid,
You gave me a tip I got me forecast paid,
You were holding a greyhound in trap number one,
You were holding a greyhound in trap number one,
Your white coat was shining in the afternoon sun.
Your white coat was shining in the afternoon sun.
Now were both together,
Now were both together,
Were never gonna break apart, no no,
Were never gonna break apart, no no,
cause were a happy couple you and me,
cause were a happy couple you and me,
With a greyhound at either knee.
With a greyhound at either knee.
Ill have ten shillings to win on camera flash, young man,
Ill have ten shillings to win on camera flash, young man,
What dogs that, its a deuce, look at it.
What dogs that, its a deuce, look at it.
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
ceptin you, little darling,
ceptin you, little darling,
ceptin you, little darling,
ceptin you, little darling,
Were a happy couple you and me,
Were a happy couple you and me,
With a greyhound at either knee.
With a greyhound at either knee.
We go to the dog track on saturday night,
We go to the dog track on saturday night,
We put all our money on a dog that we like,
We put all our money on a dog that we like,
A kiss and a cuddle, a hot meat pie,
A kiss and a cuddle, a hot meat pie,
Two dollar tickets and a starry sky.
Two dollar tickets and a starry sky.
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
ceptin you, little darling,
ceptin you, little darling,
ceptin you, little darling,
ceptin you, little darling,
Were a happy couple you and me,
Were a happy couple you and me,

[...] Read more

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Recollections

I.

Years upon years, as a course of clouds that thicken
Thronging the ways of the wind that shifts and veers,
Pass, and the flames of remembered fires requicken
Years upon years.

Surely the thought in a man's heart hopes or fears
Now that forgetfulness needs must here have stricken
Anguish, and sweetened the sealed-up springs of tears.

Ah, but the strength of regrets that strain and sicken,
Yearning for love that the veil of death endears,
Slackens not wing for the wings of years that quicken -
Years upon years.

II.

Years upon years, and the flame of love's high altar
Trembles and sinks, and the sense of listening ears
Heeds not the sound that it heard of love's blithe psalter
Years upon years.

Only the sense of a heart that hearkens hears,
Louder than dreams that assail and doubts that palter,
Sorrow that slept and that wakes ere sundawn peers.

Wakes, that the heart may behold, and yet not falter,
Faces of children as stars unknown of, spheres
Seen but of love, that endures though all things alter,
Years upon years.

III.

Years upon years, as a watch by night that passes,
Pass, and the light of their eyes is fire that sears
Slowly the hopes of the fruit that life amasses
Years upon years.

Pale as the glimmer of stars on moorland meres
Lighten the shadows reverberate from the glasses
Held in their hands as they pass among their peers.

Lights that are shadows, as ghosts on graveyard grasses,
Moving on paths that the moon of memory cheers,
Shew but as mists over cloudy mountain passes
Years upon years.

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