That's one thing I find about having children - it does unlock a door that separates you from other women who've had children.
quote by Rebecca Miller
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Related quotes
Unlock That Box Just For You
The key to feeling happy and free...
Unlock that box.
And walk away from it when you get out.
Experience what life is about.
It's not inside to keep up whining,
It's not inside to throw a tantrum and pout.
The key to feeling happy and free...
You've got to move your feet with direct speed.
You've got to unleash from guilt and pity.
The key to feeling happy and free...
You've got to accept what is there and care!
You can not wish for something you think is fair.
The key to feeling happy and free...
You've got to unload despair and grief.
You've got to move with faith and beliefs.
The key to feeling happy and free...
You've got to move your feet with direct speed.
You've got to unleash from guilt and pity.
The key to feeling happy and free...
You've got to accept what is there and care!
You can not wish for something you think is fair.
The key to feeling happy and free...
Unlock that box.
And walk away from it when you get out.
Experience what life is about.
It's not inside to keep up whining,
It's not inside to throw a tantrum and pout.
The key to feeling happy and free...
Unlock that box and get out.
Look around and see what your world's about.
The key to feeling happy and free...
Unlock that box and get out.
Look around and see what your world's about.
The key to feeling happy and free...
Unlock that box and get out.
Look around and see what your world's about.
The key to feeling happy and free...
Unlock that box and get out.
Unlock that box and get out.
Unlock that box and get out.
[...] Read more
poem by Lawrence S. Pertillar
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Tried To Be True
From baby to best with no second test
These little storms destroy you
Here is the fame they promised to give you
Taking the place of my hand now
Well did you try to be true
What separates me from you now
What separates me from you
Did you borrow the soul
The soul that you sell now
What does your conscience tell you
Where are the demons
Of your desires
Why does my love destroy you
I said I tried to be true
What separates me from you now
(what separates me from you now)
I said I tried, tried to be true
What separates me from you now
(what separates me from you now)
What separates me from you
(what separates me from you now)
I think its you now
Tell me where is the fame
Where is the fortune
Where is the world that denies you
Who is to blame
When my heart finally forfeits
To a road that will only misguide you
Well did we try to be true
What separates me from you now
(what separates me from you now)
Oh did we try, try to be true
(what separates me from you now)
(what separates me from you now)
It separates me from you now
(what separates me from you now)
It separates me from you
(what separates me from you now)
Its you
Baby
Yeah I bought my love a hunger
(I tried, tried to be true)
More precious than a stone
(I tried, tried to be true)
(where is the world that denies you)
All these fatal flowers
(I tried, tried to be true)
(where is the world that denies you)
Did I misguide you?
(tried to be true)
song performed by Indigo Girls
Added by Lucian Velea
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Unlock That Box!
Everybody knows.
You're behind closed doors.
Wishing to live a life you hide.
But afraid to step outside.
So...
Unlock that box!
You like to peep but get on out.
Too many people keep their wishes swept away.
To have their walls upon them fall...
As they dry to rot and fade.
Unlock that box!
Get out and walk the block.
And stop playing the game with life,
Of love or love me not.
Everybody knows.
You're behind closed doors.
Wishing to live a life you hide.
But afraid to step outside.
So...
Unlock that box!
Or...
Get somebody who will prove,
That you can move and do it!
Don't be neurotic you can do something about it.
Unlock that box.
Why you choose to be neurotic.
Unlock that box.
You can do something about it.
Unlock that box.
You're like an addict on narcotics.
And everybody knows you're there behind closed doors.
Unlock that box.
Why you choose to be neurotic.
Unlock that box.
You can do something about it.
Unlock that box.
You're like an addict on narcotics.
Unlock that box.
Why you choose to be neurotic.
Unlock that box.
You're like an addict on narcotics.
Unlock that box!
[...] Read more
poem by Lawrence S. Pertillar
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Through the eyes of a Field Coronet (Epic)
Introduction
In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.
Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.
Prologue
The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain
mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact
that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals
becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,
who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight
in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.
Let them then also be patriotic
into their souls,
believe in and read
out of the word of God
[...] Read more
poem by Gert Strydom
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The Odyssey: Book 22
Then Ulysses tore off his rags, and sprang on to the broad
pavement with his bow and his quiver full of arrows. He shed the
arrows on to the ground at his feet and said, "The mighty contest is
at an end. I will now see whether Apollo will vouchsafe it to me to
hit another mark which no man has yet hit."
On this he aimed a deadly arrow at Antinous, who was about to take
up a two-handled gold cup to drink his wine and already had it in
his hands. He had no thought of death- who amongst all the revellers
would think that one man, however brave, would stand alone among so
many and kill him? The arrow struck Antinous in the throat, and the
point went clean through his neck, so that he fell over and the cup
dropped from his hand, while a thick stream of blood gushed from his
nostrils. He kicked the table from him and upset the things on it,
so that the bread and roasted meats were all soiled as they fell
over on to the ground. The suitors were in an uproar when they saw
that a man had been hit; they sprang in dismay one and all of them
from their seats and looked everywhere towards the walls, but there
was neither shield nor spear, and they rebuked Ulysses very angrily.
"Stranger," said they, "you shall pay for shooting people in this way:
om yi you shall see no other contest; you are a doomed man; he whom
you have slain was the foremost youth in Ithaca, and the vultures
shall devour you for having killed him."
Thus they spoke, for they thought that he had killed Antinous by
mistake, and did not perceive that death was hanging over the head
of every one of them. But Ulysses glared at them and said:
"Dogs, did you think that I should not come back from Troy? You have
wasted my substance, have forced my women servants to lie with you,
and have wooed my wife while I was still living. You have feared
neither Cod nor man, and now you shall die."
They turned pale with fear as he spoke, and every man looked round
about to see whither he might fly for safety, but Eurymachus alone
spoke.
"If you are Ulysses," said he, "then what you have said is just.
We have done much wrong on your lands and in your house. But
Antinous who was the head and front of the offending lies low already.
It was all his doing. It was not that he wanted to marry Penelope;
he did not so much care about that; what he wanted was something quite
different, and Jove has not vouchsafed it to him; he wanted to kill
your son and to be chief man in Ithaca. Now, therefore, that he has
met the death which was his due, spare the lives of your people. We
will make everything good among ourselves, and pay you in full for all
that we have eaten and drunk. Each one of us shall pay you a fine
worth twenty oxen, and we will keep on giving you gold and bronze till
your heart is softened. Until we have done this no one can complain of
your being enraged against us."
Ulysses again glared at him and said, "Though you should give me all
that you have in the world both now and all that you ever shall
have, I will not stay my hand till I have paid all of you in full. You
must fight, or fly for your lives; and fly, not a man of you shall."
Their hearts sank as they heard him, but Eurymachus again spoke
[...] Read more
poem by Homer, translated by Samuel Butler
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Women
Women behind bars, women in fast cars, women in distress, women with no dress
Women in airplanes, women who play games
Women in uniform, see that woman with her clothes gone
Women who satisfy, women you cant buy
Like women in magazines, and women in a limousine
Women who sip champagne, women who feel no pain
Women in a disco, and women who dont wanna know, no no
Oh, women wanting sympathy, women feeling extacy
Women who live in fantasies, bringing man to his knees
Women who boil to love, women who need a shove
Women who cant be beat, get that woman in the back seat, yeah yeah
Women in the usa, those women steal your heart away
Women into rock n roll, women who steal the show, go go go
Women that you write songs about, women that turn around and kick you out
Women you dream about all your life
Women that stab you in the back with a switchblade knife
Oh women, oohoo, talking bout women, all round the world
Yeah women, all the naughty girls, talking bout women, come on baby
song performed by Foreigner
Added by Lucian Velea
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Women IV. a prise poem for women
Life without life it's not life
Almost every one will remember
Day and night is cycle of life
Life on its own is not matured
I reiterate well spoken words
Hence its admiral, the day i recognize the significant role of women
Some women can bless the day indeed
with their smiles
with their Assimilate of culture admiral
with high concentration of moral fiber
These are the women of integrity
I talk nothing else but
Women like Nthabiseng Mthethwa
Women like Mapaseka Dlamini
Women like Sebolelo Mokoena
Women like Elsie Moganedi
Look around they are there
To reconstitute norms and Values.
I call them women of integrity
As Harley barley, there are honorable women
Full of high concentration of moral fiber
They adhere to walk the walks
And talk the talks; they are extraordinary in every aspect
Women like Delsile Hlophe
Women like Nonhlanhla Ndlovu
Women like Ellah Ngomane
Women like Whitey Mahlangu
Chronically they remain transparent
I call them honorable women of integrity
Fair remain fair as long as it's fair
There are extraordinary women
They are living in their time
And they are in time with their integrity
They deserve honor as they live it
Perfectionism is not enough
They remain constant and consistent
Women like Mapule Tshabalala
Women like Sara Mahlangu
Women like Selina Madihlaba
They are extraordinary women they deserve their Honor
I fore one applaud them for inherent of their heredity
There are women who are making difference
Printing their footprints
[...] Read more
poem by Jacques Sprenkie Mateya
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Women Are Smarter
Let us put men and women together
See which one is smarter
Some say men, but I say no
Women run the men like a puppet show
It ain't me
It's the people that say
Men are leading the women astray
But I say, it's the women today
Smarter than the man in every way
Chorus:
That's right
The women are smarter
That's right
The women are smarter
That's right
The women are smarter
The women are smarter
That's right
Little boy sit on the corner and cry
Big man come and he asked him why
He said, "I can't do what the big boys do"
The man sat down and he cried too
It ain't me
It's the people that say
Men are leading the women astray
But I say, it's the women today
Smarter than the man in every way
Chorus:
That's right
The women are smarter
That's right
The women are smarter
That's right
The women are smarter
The women are smarter
That's right, that's right
Ever since the world began
Women been banned from the ways of man
Listen boy cuz I've got a plan
Give it up, don't try and understand
It ain't me
It's the people that say
Men are leading the women astray
But I say, it's the women today
Smarter than the man in every way
Chorus:
That's right
The women are smarter
That's right
The women are smarter
[...] Read more
song performed by Grateful Dead
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Evangeline: A Tale of Acadie
This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.
This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.
Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.
PART THE FIRST
I
In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors
[...] Read more
poem by Henry Wadsworth Longfellow
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Let The Children Speak
Time - way out of line
A whole nation waits outside
The rhythm of tomorrow
They can dance away their sorrows tonight
Lost - broken and scarred
Prisoner waits outside with his lone heart beating
Let the children, let the children
Let the children, let the children speak
Let the children - let the children speak
Aims - dangerous games
Their mother says one false move and we all get hurt
I feel this sense of power I feel it every hour tonight
Lets not get lazy tonight
Things could get crazy cos
One more kick and the door cracks open
Let the children, let the children
Let the children, let the children speak
Let the children, let the children
Let the children, let the children
Power to the powerless strength unto the weak
Let the children, let the children
Let the children, let the children speak
Im begging you now let the children, let the children
Let the children, let the children
Power to the powerless, strength unto the weak
Let the children, let the children
Let the children, let the children speak
Lets not get lazy tonight
Things could get crazy cos
One last kick and the door cracks open
Let the children, let the children
Let the children, let the children speak
Power to the powerless, strength unto the weak
Let the children, let the children
Let the children, let the children speak
Things could get crazy tonight
Lets not get lazy cos
One last kick and the door cracks open
Let the children, let the children
Let the children, let the children speak
Im begging you now
Let the children, let the children
Let the children, let the children
Power to the powerless, strength unto the weak
Let the children, let the children
Let the children, let the children speak
The language of this world
Lets not get lazy cos
One false move and we all get hurt
Let the children, let the children
[...] Read more
song performed by Simple Minds
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Orlando Furioso Canto 20
ARGUMENT
Guido and his from that foul haunt retire,
While all Astolpho chases with his horn,
Who to all quarters of the town sets fire,
Then roving singly round the world is borne.
Marphisa, for Gabrina's cause, in ire
Puts upon young Zerbino scathe and scorn,
And makes him guardian of Gabrina fell,
From whom he first learns news of Isabel.
I
Great fears the women of antiquity
In arms and hallowed arts as well have done,
And of their worthy works the memory
And lustre through this ample world has shone.
Praised is Camilla, with Harpalice,
For the fair course which they in battle run.
Corinna and Sappho, famous for their lore,
Shine two illustrious light, to set no more.
II
Women have reached the pinnacle of glory,
In every art by them professed, well seen;
And whosoever turns the leaf of story,
Finds record of them, neither dim nor mean.
The evil influence will be transitory,
If long deprived of such the world had been;
And envious men, and those that never knew
Their worth, have haply hid their honours due.
III
To me it plainly seems, in this our age
Of women such is the celebrity,
That it may furnish matter to the page,
Whence this dispersed to future years shall be;
And you, ye evil tongues which foully rage,
Be tied to your eternal infamy,
And women's praises so resplendent show,
They shall, by much, Marphisa's worth outgo.
IV
To her returning yet again; the dame
To him who showed to her such courteous lore,
Refused not to disclose her martial name,
Since he agreed to tell the style be bore.
She quickly satisfied the warrior's claim;
To learn his title she desired so sore.
'I am Marphisa,' the virago cried:
All else was known, as bruited far and wide.
[...] Read more
poem by Ludovico Ariosto
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Seventh Book
'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.
'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.
'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Three Women
My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.
Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.
Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.
Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.
Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.
1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.
Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,
[...] Read more
poem by Ella Wheeler Wilcox
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Western Paper
Women throughout history have been generally looked upon as being the weaker sex, and to be the lesser of the two. The Old Testament and the New Testament gives two different views on how women were viewed in each of their times. Throughout these two, changes to christianity occured, and that is the justification behind the differences.
The Old Testament of the bible gives a description of how women were viewed during that time. It depicts what would now be considered obsurd practices of treating women. For example, women that were not married were not allowed to leave their fathers house, women were viewed mainly for child bearing, and that they were not allowed to appear in public venues. Specific references in the book of Genesis show that women were objectified and often used as sexual objects. After doing some research, the book of Exodus reveals that women were considered property of her father untill she became married, where then, ownership would transfer and she would become property of her new husband. Women were treated unjustly and unfairly during this time, and were regarded as being 'dirty' for being a woman.
The New Testament has somewhat of a mixed view on the equality of women to men, but it certainly gives more credit and justification to women being equal. There are still references in the New Testament to how women are considered unequal to men, but there are also new thoughts and ideas of equality of both sexes. Most blatently put, the book of John states that 'All people, men and women, have the opportunity to become children of god' implying that it was all inclusive, meaning both genders, all races, and all sexual orientations. In the same relation, the book of Galatians quotes 'There is neither Jew nor Greek, slave nor free, male nor female, for you are all one in Christ Jesus'.
The bible as a whole has mixed opinions on alot of things, and the standing of women is one of the indescrepencies that is shown. In the Old Testament more than the New Testament, women were objectified and looked down upon. They were viewed as property and as sexual objects. Men were quoted talking about having sex with a women against their will, and it also stated strict restrictions on how a woman should live her life. The New Testament began to shed a little bit more light on the subject, and started giving a little bit more credit and respect to women. Women, as far back as biblical times, have always been thought of as the lesser of the sexes. The contrast is prevalent between the standards of women in the Old and New Testament of the bible.
The arguement arises as to how sexist the bible is. Although I do not agree with the statement that the bible is sexist, I do believe that the way that the bible portrays women is unfair and that it is wrong to objectify women, but the bible ultimately says that God created men and women equal, and that Jesus Christ, the son of God, died for the sins of all people, not just for men.
Over the course of nature, and all the time of human existance on earth, women have be subjected to unfair treatment. The Old Testament gives a more harsh aspect to it, and the New Testament shows a litle bit more respect for women and their place in society. I think that christianity has become corrupt, but in the sense that people are caught up in the congregation aspect rather than the religious aspect of christianity, and are begining to miss the point, to fail to see what the main message in the bible really is.
poem by Zach Hupp
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Thurso’s Landing
I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.
II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,
[...] Read more
poem by Robinson Jeffers
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Two Sided Love
Two Sided Love
By Lori Triggs
Copyrighted 24 2009
Women think with their hearts,
men think with their Johnson.
Women think with their heads,
men think with the wrong head, they have two heads.
Women give love with men,
men give screwing with women.
Women want to touch men,
men want to get abusive to women.
Women want be emotional with men,
men want to be unemotional with women.
Women want have physical attraction with men,
men want to give the abusive apart to women.
Women want sex with men,
men want to give rape to women.
Women wants to talk to men,
men want watch TV and screw women.
Women want to eat out with men,
men want a free ride from the women.
Women want to go to movies with men,
men want play games on computer.
Women want children with the men,
men are children.
Women are independent,
men are dependent.
Women achieve goals,
men half the time never finish their goals.
Women are unselfish even caring to men,
men are selfish besides uncaring to women.
Women give true love to men,
men give infatuation to woman.
poem by Lori Triggs
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Song of Wink Star
The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008
☼ ☼
☼ Preamble
Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…
Come and listen to this story, this happy story…listen, as the story itself sings to you…
Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…
O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….
Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….
☼ The Song of Wink Star
a happy story for children of all ages
☼ 1
Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.
And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.
Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.
Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.
[...] Read more
poem by Raj Arumugam
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The Tower Beyond Tragedy
I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.
[...] Read more
poem by Robinson Jeffers
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It's not that I hate women, Dear homegrown comrades
By Ombuge Moses
Dear Homegrown comrades,
It’s not that I hate women
As naught as I may look
As humble as I am
In-fact,
I treasure women
I love women
I adore women
I want to date a woman
Marry a woman
Have children
Have a birth control
Be a village elder
Not a polygamist
As you say it, culture dictates
But the way you do it!
It’s not that I hate women
Dear homegrown comrades
At 12 years
Young girl is sent
A razor to buy
A river to wash
The bush to host
Home not to turn
The cut, so merciless
So inhuman
So painful
The elder women
Steer the process
Culture to maintain
The men are mobilized
Bidding for a wife
A wife at 12
This is not human
It’s not that I hate women
Dear homegrown comrades
The young girl wails
Pain to suffocation
Pain of a bloody cut
A cut treasured by society
Maintained by women
Elderly, to be home
Preparations to make
To make, a wife
A wife at 12
Dear homegrown comrades
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poem by Ombuge M Moses
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Second Book
TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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